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Manuscripts of musical scores, memorabilia and photograph. Folder 1 of the collection includes a general index (d. March 1945), photograph, awards, 5 citations, and a biographical sketch. His musical compositions (folders 2-26) are divided in three major categories: sacred and non-sacred vocal music, and musical compositions for instruments. His sacred choruses for mixed voices has been highly praised. His non-sacred vocal music seems to deal with children, nature, and poetic topics; also included are arrangements of Stephen Foster's songs for choruses. Among his musical compositions for instruments are some with Caribbean or West Indian themes

Letters and manuscripts of MacDowell. One group was written to Arthur P. Schmidt, his publisher during MacDowell's years as professor of music at Columbia University. These letters concern the publication and distribution of his compositions and his copyright difficulties with other firms, especially Brietkopf & Härtel. There are eight letters from MacDowell to the American pianist, composer, and pedagogue William Mason. This personal correspondence deals with such things as musical pieces dedicated by each man to the other. A diary and letter book belonging to Marian N. MacDowell (Mrs. Edward) contains draft copies of letters to Nicholas M. Butler and others relating to his controversial career at Columbia University. Also, photocopies of eight letters from the Mary Flagler Cary Music Collection at the Morgan Library. Among the numerous musical scores and sketches are his INDIAN SUITE and the SONATA TRAGICA. Also, two original drawings of MacDowell by Orlando Rowland; and correspondence, manuscripts, catalogs, and other materials relating to the MacDowell Exhibition at Columbia University in 1938.

The archive, totaling approximately 4 linear feet, comprises material ranging from scrapbooks, photographs, and correspondence, to books, theatrical scripts, and sheet music, all reflecting Emily Gresser's life in music both in the United States and abroad from the late 1890s to the 1960s, with the majority centered on her professional performing career of 1910-1919.

Printed books and music manuscripts of the Ephrata Cloister. Manuscripts 1-6 are printed books by Johan Conrad Beissel (1690-1768) some with manuscript musical notation. Manuscripts 7-12 are volumes of manuscript musical notation of melodies for hymn texts in various printed books. Most of this collection relates to Beissel's DAS GESÄNG DER..TURTEL-TAUBE, 1747.

Miscellaneous photographs, clippings, and other materials relating to O'Hara, collected by his boyhood friend Burton A. Robie. The collection includes one letter from O'Hara, one music score in his hand, and Handel music from his library.

Manuscripts and lectures notes. The lecture notes are filed in 127 volumes arranged by subject. Professor Barry's interest in music is represented by the holograph manuscript of a voluminous musical composition"The Alcayde" composed in the late 1890s.