Search Results
Anita Browne literary and musical collection, 1934-1940
1 boxFive volumes of typescript poems by contemporary poets including four volumes of poems by Donald Bain of Buffalo, N.Y., and one volume of miscellaneous poems in typescript which were submitted for sale or for use on radio programs. Also, seven music manuscripts, songs by Bernice Ward Stockland of St. Albans, N.Y.
Anton Seidl collection of musical papers, 1870-1943
30 Linear FeetPapers, letters, memoranda, memorabilia, and manuscript music scores assembled by and related to the life and musical activities of Anton Seidl. The collection includes many letters from Cosima Wagner and her children addressed to Anton Seidl and his wife, the opera singer Auguste Kraus Seidl. There are also letters from Lilli Lehman, Edvard Grieg, Antonin Dvorak, Bronislaw Hubermann, Carl Goldmark, Maud Powell, Marianne Brandt, Felix Weingartner, Lyman Abbott, and many others. The letters are chiefly concerned with musical performances, composition, and related affairs. There are journals, diaries, and memoranda in Seidl's hand, as well as photographs and clippings relating to his conducting career. Also, twenty-seven manuscript scores of Seidl's orchestrations of various works.
Arthur Billings Hunt papers, 1750-1947
13 boxesMusic manuscripts, letters, and related items collected by Hunt. Most of the items are of American origin, and reflect Hunt's wide-ranging interests in sacred and secular music. The music manuscripts include sheet music for vocal and instrumental scores, part-books, bound orchestral scores, and miscellaneous music volumes. The collection is particularly strong in hymn scores, verses, and studies. Also, a box of material relating to Stephen Foster.
Association of Hispanic Priests in the Archdiocese of New York records, 1972-1984
1.5 linear feetCorrespondence, manuscripts, documents, musical scores, audio tape, cassettes, and related printed materials concerning Hispanic culture, immigration problems, parish conflicts, intercultural confrontation, and linguistic discrimination. Included are correspondence with the members, by-laws, minutes of meetings, membership lists, and records of all the organizations activities. Of particular interest are the files of the Cultura Popular Hispana-Gala de la Hispanidad, October 20, 1984, which included a competition for original manuscripts and musical scores for both religious and secular poetry.
Béla Bartók manuscripts, 1940-1943
1.5 linear feetThe collection consists of three manuscripts by Bela Bartok, 1940-1943. These manuscripts totalling approximately 2,170 pages are as follows: 1) Romanian Folk Music - Vol. 1 Instrumental Melodies, Vol. 2 Vocal Melodies, Vol. 3 Texts; 2) Turkish Folk Music; and 3) Serbo-Croatian Table of Materials. Also, a small group of letters by Bartók and other concerning his association with Columbia University.
Center for US-China Arts Exchange records, 1956-2019, bulk 1977-2003
102 Linear FeetColumbia Theater Associates, 1893-1958
6 Linear FeetCorrespondence, scripts, slides, scores, set designs, prompt books, scrapbooks, costume designs, programs, playbills, broadsides, clippings, fliers, photographs, announcements of forthcoming productions, clippings, and related materials. Columbia University theatrical groups include The Columbia Laboratory Players, The Columbia College Dramatic Group, The Wigs and Cues, The Summer Session Classes in Play Production, The Morningside Players, and the Columbia Theatre Associates which superseded all the preceding groups. There is an extensive file on the Columbia Laboratory Players; including production files that document the various stages involved in putting together a dramatic production. In addition there are typewritten scripts representing the spectrum of plays that were produced over the Lab's active years. There are photographs of only a few specific plays. Non Lab materials relate to Rehersal Course productions, a Columbia English Department course that was closely affiliated with the Lab players
Columbia University Libraries Music Library Zarzuela Collection, 9999
82 boxesThe Zarzuela Collection at Columbia University consists of almost five hundred different zarzuelas. Both nineteenth and twentieth century works are represented by libretti, scores, and separate instrumental parts. Formats include printed, typewritten, and handwritten items. Many of the libretti contain role assignments and other handwritten notes which indicate they were used by a traveling zarzuela company. Among the authors of the libretti are Javer de Bergos y Sarragoiti, Jose Estremero y Cuenca, Jacinto Benavente, and the Quintero brothers.
Daniel Gregory Mason papers, 1894-1953
35 linear feetManuscript materials which include correspondence, business papers, composition scrapbooks and musical scores; books; clippings; records; and photographs.
David W. Miller collection of Musical Scores, 9999
9 linear feetBoxes 6 and 7 are oversized boxes. 1-4 contain unpublished scores, 5 contain misc. paper and copies of unidentified music. 6 and 7 contain published scores with Miller's own markings. 5 rsc and 2 flat boxes.
Douglas Moore papers, 1883-2018, bulk 1907-1969
45 linear feetEda Rothstein Rapoport Papers, circa 1915-1968, 1915-1968
15 linear feetEdward H. Margetson Music Manuscripts, 1917-1962
1 linear feetManuscripts of musical scores, memorabilia and photograph. Folder 1 of the collection includes a general index (d. March 1945), photograph, awards, 5 citations, and a biographical sketch. His musical compositions (folders 2-26) are divided in three major categories: sacred and non-sacred vocal music, and musical compositions for instruments. His sacred choruses for mixed voices has been highly praised. His non-sacred vocal music seems to deal with children, nature, and poetic topics; also included are arrangements of Stephen Foster's songs for choruses. Among his musical compositions for instruments are some with Caribbean or West Indian themes
Edward MacDowell Papers, 1876-1964
3 Linear FeetLetters and manuscripts of MacDowell. One group was written to Arthur P. Schmidt, his publisher during MacDowell's years as professor of music at Columbia University. These letters concern the publication and distribution of his compositions and his copyright difficulties with other firms, especially Brietkopf & Härtel. There are eight letters from MacDowell to the American pianist, composer, and pedagogue William Mason. This personal correspondence deals with such things as musical pieces dedicated by each man to the other. A diary and letter book belonging to Marian N. MacDowell (Mrs. Edward) contains draft copies of letters to Nicholas M. Butler and others relating to his controversial career at Columbia University. Also, photocopies of eight letters from the Mary Flagler Cary Music Collection at the Morgan Library. Among the numerous musical scores and sketches are his INDIAN SUITE and the SONATA TRAGICA. Also, two original drawings of MacDowell by Orlando Rowland; and correspondence, manuscripts, catalogs, and other materials relating to the MacDowell Exhibition at Columbia University in 1938.
Emily Gresser Papers, 1880s-2004, bulk 1910-1919
4 linear feetThe archive, totaling approximately 4 linear feet, comprises material ranging from scrapbooks, photographs, and correspondence, to books, theatrical scripts, and sheet music, all reflecting Emily Gresser's life in music both in the United States and abroad from the late 1890s to the 1960s, with the majority centered on her professional performing career of 1910-1919.
Ephrata Cloister manuscript collection, 1747-1800
2 Linear FeetPrinted books and music manuscripts of the Ephrata Cloister. Manuscripts 1-6 are printed books by Johan Conrad Beissel (1690-1768) some with manuscript musical notation. Manuscripts 7-12 are volumes of manuscript musical notation of melodies for hymn texts in various printed books. Most of this collection relates to Beissel's DAS GESÄNG DER..TURTEL-TAUBE, 1747.
Frank O'Hara papers, 1946-1973
24 itemsMiscellaneous photographs, clippings, and other materials relating to O'Hara, collected by his boyhood friend Burton A. Robie. The collection includes one letter from O'Hara, one music score in his hand, and Handel music from his library.
Frederick Barry papers, 1910-1943
21 linear feetManuscripts and lectures notes. The lecture notes are filed in 127 volumes arranged by subject. Professor Barry's interest in music is represented by the holograph manuscript of a voluminous musical composition"The Alcayde" composed in the late 1890s.
George Antheil papers, 1919-1959
3.92 linear feetGeorge Economou papers, 1954-2017
12.5 linear feetGeorge Edwards papers, 1963-2012
16 linear feetHarold Brown Scores, 1929-1979
0.42 Linear FeetHarold Triggs papers, 1900-1984
1.5 linear feetCorrespondence, manuscripts, documents, photographs, and printed materials documenting the life of Harold Melvin Triggs. The correspondence is primarily personal and from other musicians. There are concert prograpms from various points in Trigg's career and photographs primarily of Triggs and Vera Brodsky. There are manuscript and printed scores mainly of piano music but of some orchestral music as well. There is also a scrap book made by Triggs as a small child
Hector Berlioz papers, 1825-1994
27 linear feetCorrespondence, manuscripts, papers, essays, etc. relating to Berlioz, and 19th century arts and literature. The correspondence includes original Berlioz letters and over 200 copies of letters relating to Berlioz and the romantic era, written by musicians, critics, historians, and literateurs of the past century. There are many photostats of letters and manuscripts obtained from the principal libraries of the world which hold original Berlioz material. The collection includes much printed material in the form of music scores, published letters, essays, clippings, biographies, music and book catalogues, program notes, and playbills.
H. Lawrence Freeman papers, 1870-1982, 2015, bulk 1890-1954
35 linear feetHunt-Berol Sheet Music Collection, 1700s-1900s
244 linear feetPrinted music from the 18th-20th centuries, primarily 19th century American. Almost half the items are popular editions of European composers' instrumental music. The collection contains a large quantity of patriotic music such as the 1798 "Adams and Liberty" and the first and third editions (both 1798) of "Hail Columbia" and a comprehensive collection of music from the Civil War. There are also early printings of "The Star Spangled Banner," first and later editions of Stephen Foster's music, and a large collection of Benjamin Carr materials. Collection of 16th-20th century rare music books was cataloged individually. Primarily collected by Arthur Billings Hunt, 1890-1971, baritone, musical director and broadcaster. Most of the items are of American origin, and reflect Hunt's wide-ranging interests in sacred and secular music.
Isidore Witmark papers, 1903-1939
2 boxesForty-three letters to Witmark which were taken out of autographed books given to the University by Mr. Witmark. The letters are from leading authors and artists of the world, chief among them John Kendrick Bangs, Harry B. Smith, and Frederick Kummer. They are mostly friendly notes, some of them in connection with Witmark's requests that authors autograph books for his library. Also, eight manuscript music scores written by various composers including Victor Herbert for the wedding of Witmark and Viola Cahn; and printed matter including programs, clippings, and prospectuses, two autographed photographs, and a typescript catalog of the "Autograph Library of Isidore Witmark, Esq.".
Jack Beeson papers, 1854-2013
80 linear feetJacques Barzun papers, 1900-1999
225 linear feetJerome Moross papers, 1924-2018
70.25 linear feetCorrespondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.
John Erskine papers, 1890-1951
40 linear feetCorrespondence relating to Erskine's various educational, musical and literary interests; manuscripts of his writings; lecture notes for college courses; souvenirs of his army service in World War I and his Columbia University professorship, and student papers from his own school and college days. Also, biographical file, scrapbooks, and articles.
John Latouche papers, 1930-1960
2.5 linear feetCorrespondence, manuscripts, diaries, notebooks, copies of scores, drawings, programs, clippings and other printed materials, and photographs. Among the cataloged correspondents are: Leonard Bernstein, Carol Channing, and Douglas Moore.
Joseph Schillinger papers, 1918-1943
1 boxPapers and memorabilia of Schillinger, including a group of rare Russian concert posters, programs, music compositions, published writings about Schillinger, and a notebook containing the outlines of courses and lectures given in Russia and in New York.
Joseph Urban papers, 1893-1998
135 linear feetCollection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.
Koziul'kin and Butskovskii Family Papers, 1844-1920
125 itemsCorrespondence, manuscripts, documents and printed materials chiefly concerning members of the Koziul'kin and Butskovskii families, specifically Nadezhda Aleksandrovna Koziul'kina, nʹee Butskovskaia, her husband, Ippolit Arkad'evich Koziul'kin and her grandfather, Mikhail Andreevich Butskovskii, the governor of Lublin province 1860-1880. The cataloged materials, in an album, include notes, autographs and music manuscripts of such individuals as Mattia Battistini, Aleksandr Glazunov, Jules Massenet, Anna Pavlova and Edouard do Reszke. The correspondence consists of personal letters to members of the Koziul'kin and Chivilev families as well as business correspondence from the 1860-1881 period concerning M. A. Butskovskii's real estate affairs. The documents include a variety of official birth, death, marriage and graduation announcements; awards given to I. A. Koziul'kin in both St. Petersburg and at the Russian Embassy in Teheran; contracts; insurance forms; military orders (1884) and reports (1878); real estate documents and I. A. Koziul'kin's service records. The printed materials deal primarily with financial affairs (such as accounts from the Governor General of Warsaw, 1898-1901) and real estate matters associated with M. A. Butskovskii's entailed estate, "Raets," in Radom province, including "Maioraty v tsarstve pol'skom" (1911).
Lenore Marshall papers, 1887-1980
23.5 linear feetCorrespondence, manuscripts, documents, memorabilia and printed materials. The correspondence deals with literary and political topics, from such people as Hayden Carruth, Irwin Edman, Lola Ridge and Norman Thomas; numerous manuscripts of Mrs. Marshall's writings, including the notes, drafts, manuscripts and proofs of her last novel THE HILL IS LEVEL and various manuscripts of the stories published in THE CONFRONTATION AND OTHER STORIES, and numerous manuscripts of poetry and short stories. Also included is material on the World War II draft of 19-year-olds, economic aid for Western Europe, the Vietnam War, the origin of SANE, the Committee for Nuclear Responsibility, the Amchitka Islands nuclear tests, the Task Force against Nuclear Pollution, and personal correspondence from her own and her husband's families
Leonard Altman papers, 1930-1995
1 linear feetCorrespondence, manuscripts, documents, notes, printed material, and photographs of Leonard Altman concerning his work as editor of LISTEN and board member of Carnegie Hall as well as his other professional and personal interests.
L. S. Alexander Gumby collection of Negroiana, 1800-1981
90 linear feetA collection concerned with the various phases of black life in America, containing clippings, pamphlets, photographs, pictures, extracts from periodicals, and a representative group of approximately 350 letters, signatures, manuscripts, and documents. Among the letters are several each from Countee Cullen, Frederick Douglass, Alexander Dumas, fils, William Lloyd Garrison, Claude McKay, Abraham Lincoln, Henry Mencken, William Pickens, Albert A. Smith, and Booker T. Washington. Also, eighteen slavery documents.
Manuel Komroff papers, 1897-1979
23 linear feetCorrespondence, manuscripts, photographs, and printed materials. There are manuscripts for his books, short stories, articles, and other writings. The printed materials include books written, edited, and translated by Komroff, as well as his contributions to anthologies and periodicals. There are also a number of books by other authors inscribed to him. Most of the photographs are portraits of literary figures, the majority of which were taken by Komroff.
Marilyn Crispell papers, 1980-2021
7 linear feetJazz pianist Marilyn Crispell's career is documented in this collection by programs, reviews, scrapbooks, books, sounds recordings, art, and posters.
Mario Lombardo Scores, 1972-2008
2.5 linear feetA collection of seventy nine scores.
Mark Tucker papers, 1939-2000, bulk 1980s
31 linear feetMusical scores, correspondence, sheet music, audio tapes of interviews with jazz musicians, and other materials from Tucker, jazz pianist and scholar.
Maurice Peress papers, 1898-1923, 1950s-2017
55 linear feetMoncure Daniel Conway papers, 1847-1907
21 linear feetCorrespondence, manuscripts, documents, memorabilia, pictures, portraits, and printed material. Included are about 800 letters from outstanding literary figures of Mr. Conway's lifetime, manuscripts of his sermons, lectures and other writings and photostats of Conway material in Dickinson College Library. Among the cataloged correspondents are: Thomas Carlyle, S.L. Clemens, Arthur Conan Doyle, R.W. Emerson, O.W. Holmes, and Walt Whitman
Mort Lindsey scores and papers, 1909-2007, bulk 1942-2007
23 linear feetNicolai Berezowsky papers, 1893-1954
4.5 linear feetLetters to and from Nicolai Berezowsky documenting his career and covering his development as violinist, conductor, and composer. The profession is well represented in the correspondence, with 63 letters from David Diamond, 22 from Serge Koussevitsky, 72 from Nicolai Lopatnikoff, and 31 from Eugene Ormandy; others in the collection are Leon Barzin, Aaron Copland, Henry Cowell, Vladimir Golschmann, Eugene Goosens, Alex Grechaninov, Ernest Hutcheson, Douglas Moore, Paul Nordoff, Wallingford Riegger, Artur Rodzinski, Roger Sessions, Harold Spivacke, Leopold Stokowski, and Olga Samaroff Stokowski. Organizations, such as the WPA music program, League of Composers, Juilliard School of Music, and the American Society of Composers, Authors, and Publishers, are represented. There are also 15 volumes of music scores.
Park Benjamin papers, 1645-1925
9.24 linear feetCorrespondence, manuscripts of poems, and manuscripts of lectures by Benjamin. The correspondence consists of original letters of Benjamin, typescript and photostatic copies of Benjamin letters in other libraries, and letters to Benjamin from some of his literary contemporaries including Paul Hamilton Hayne, Willis Gaylord Clark, John Lothrop Motley, and Fitz-Greene Halleck. Many of the letters relate to Park Benjamin's lecture tours. There are other family letters and many documents relating to the Benjamin family,and two letterbooks of John Lothrop Motley. Also, a large amount of genealogical material of the Benjamin family, and its related families from the 16th century to the present day. There are also financial records, monographs, clippings, and photographs.
Peter Schickele Papers, 1874-2013, bulk 1955-2013
56.5 linear feetRichard L. Simon papers, 1915-1992
47 boxesCorrespondence, memoranda, photographs, manuscripts, lists, legal and financial documents, and printed materials of Simon. The personal and business papers include correspondence with authors, inscribed photographs of authors, editorial files, files for his special art, photography, and music projects, correspondence files relating to Simon and Schuster, Inc., personal and family correspondence, documents, and photographs. Correspondents include Irving Berlin, Margaret Bourke-White, Henri Cartier-Bresson, Joseph E. Davies, Dwight D. Eisenhower, Philippe Halsman, Jerome Kern, Cole Porter, Kenneth Roberts, Arthur Schnitzler, Jerome Weidman, and Sloan Wilson.
Samson Raphaelson papers, 1916-1982
19.5 linear feetCorrespondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.