Search

Correspondence, manuscripts, financial records, subject files, printed material and watercolors of Volkonskai︠a︡. The bulk of the collection consists of letters to Volkonskai︠a︡, who resided most of her life in France. The letters are from friends and relatives and span the period from 1926 to 1959. There are also a small number of letters to and from Vladimir Luginin from the 1860's and 1890's. Among the manuscripts are the memoirs of both Marii︠a︡ Volkonskai︠a︡ and of Vladimir Luginin, as well as manuscript copies of the latter's scientific articles and research notes. The subject files contain materials on provincial parish-based self help societies at the turn of the century and on scientific problems concerning weights and measures, and the mercury thermometer. There are also watercolor sketches by Marii︠a︡ Volkonskai︠a︡.

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.

These papers consist of correspondence, manuscripts, documents, art works, printed materials, and a photograph, and relate chiefly to Russian artists and ballet personalities active in France in the 1920s and 1930s. Records of the Parisian World of Art (Mir Iskusstva) group, of which Shervashidze was the president, includes correspondence, documents, an exhibit program, clippings and a photograph of the artists involved. There is correspondence from Lev Bakst, Ivan Bilibin, Sergei Diagilev, Mikhail Larionov, Georgii Lukomskii, and Joan Mirʹo, and one letter each from Nikolai Roerich, and Nataliia Goncharova. There are also many letters from Shervashidze's family in the Soviet Union from the 1920s and 1930s. Illustrative materials by Shervashidze include programs, prints and water colors.

The collection includes copies of official communiques sent and received by the Russian Imperial Embassy in London for the period 1886-1890 and 1919-1922; copies of reports forwarded by E.V. Sablin to the Council of Ambassadors in Paris, for the period 1922-1937; correspondence grouped around specific subjects; "case files" containing letters from and on behalf of individual Russian emigres wishing to enter Great Britain or to adjust their immigrant status; and letters received by E.V. Sablin and his wife Nadezhda Ivanovna from various persons, together with carbon copies of their replies. The most voluminous correspondence is between E.V. Sablin and V.A. Maklakov, V. Dobuzhinskiĭ, Joseph P. Kennedy, Aleksandr F. Kerenskiĭ, Vladimir V. Nabokov, Fedor I. Shali︠a︡pin, Petr and Gleb Struve, Adri︠a︡na V. Trykova-Williams etc. The remainder of the collection consists of manuscripts of articles and speeches both by Sablin and by others; public statements issued by Sablin in mimeograph form; miscellaneous mimeo material; clippings from both the Russian emigre press and British and French newspapers of articles by and about Sablin; as well as miscellaneous clippings, books, booklets, leaflets, performance programs, newsletters, Russian language newspapers published in England, photographs and several drawings and watercolor sketches.

The collection contains 26 letters by Rackham and nine Christmas cards either specially designed by him or incorporating designs made for his books. Letters to Rackham's biographer, Derek Hudson, from Winifred Wheeler, daughter of Walter Freeman, a friend who started Rackham on his commercial career. The manuscript notebooks, galley proofs, and a printed copy of Hudson's ARTHUR RACKHAM: HIS LIFE AND WORK are included. Also, notes, drafts, and miscellaneous material relating to the Arthur Rackham catalog published by the Friends of Columbia University Libraries in 1967. In addition, the library has a collection of 413 Rackham drawings, watercolors, and oil paintings, 30 sketch books, and about 400 printed books and ephemera.

The collection includes correspondence, memoirs, organizational records, and printed materials. The correspondence -- which covers the 1923-1963 period -- concerns the activities of a number of emigre Cossack groups, scout groups and anti-Communist organizations throughout Europe, Canada and the United States. There is a two volume memoir written by P.P. Cherepanov, a member of the Tiflis Cadet Corps. The organizational records include accounts, membership lists, poems and songs, protocols and receipts, chiefly for the Tiflis Cadet Corps. Among the printed materials are issues of emigre and Cossack publications (such as "Bodrost,́" "Mikhaĭlovt︠s︡y" and "Rodimyĭ kraĭ") and ten folders of clippings about Cossack events and members. One of the scrapbooks contains guest lists of various events, clippings and photographs (including photographs from the filming of a 1920s production of "Khadzhi Murat"), while the other scrapbook has records of Cossack events and a number of original watercolors.

The collection consists of manuscripts, drawings and printed materials. The manuscripts include an album of drawings by Mushketov entitled "Istorii︠a︡ drevnego Smolenska" with an accompanying explanatory text, and a biography of Mushketov by N. Mushketova. There is an icon of St. Paul, a copy of a 15th century work from Novgorod apparently by M.A. Korsunskorpis.́ Printed materials consist mostly of clippings about Mushketov and his work.

Papers collected by Roman G. Mi︠a︡gkov, primarily concerning several Imperial military units, consisting of correspondence, documents, photographs, subject files, printed materials, money, and military memorabilia. There are photographs and picture postcards of the Imperial family, of soldiers (ca. 1890-1936), and of military reunions in exile. Units which turn up include the Caucasus Grenadiers Artillery Brigade, the Ninth Kiev Hussars, the Mikhaĭlov Artillery School, and the Tiflis Cadet Corps. Memorabilia include medals, ribbons, shoulder-boards, a red-blue-white Russian national flag, and guidons of the Ninth Kiev Hussars. There is also a painted icon (ca. 1920). Money includes an 1837 1 1/2 silver ruble piece, and a 1613-1913 Romanov commemorative coin, plus paper money.