Search

Correspondence, manuscripts, documents, notes, photographs, and printed materials of James Lowry Clifford, 1901-1979, professor of English, Columbia University. Historical and literary letters and manuscripts collected by Clifford include letters from Samuel Johnson, diaries of Hester Lynch Salusbury Thrale Piozzi and those of her second husband, Gabriel Piozzi; a review of Clifford's book on Mrs. Piozzi and approximately nine drafts of one of Virginia Woolfs last typescripts.

With the exception of letters to John Dewey, George Rives, G. Stanley Hall and some original incoming correspondence, the papers of James McKeen Cattell consist of typescript copies of correspondence with Seth Low, Nicholas Murray Butler, and faculty members, dealing with Psychology Dept. matters, professional matters, and Cattell's battle for academic freedom which ended in his dismissal from and subsequent suit against Columbia. Included are typescript copies of University reports, printed court records, and transcripts of correspondence with Cattell's lawyers.

The files of the literary agency include correspondence with authors, publishers, and other agents and deal with editing and publishing, serial rights, reprints, dramatic rights, translations and foreign rights, promotion, copyright registration, contracts, royalty statements, tax statements, and other financial materials, and the personal affairs of many clients. Among the cataloged correspondents are: Louis S. Auchincloss, Erskine Caldwell, Herbert Gold, Alberto Moravia, Eleanor Roosevelt, and Rebecca West.

These papers are the correspondence, manuscripts, memoranda, and publicity for poetry readings at the Camden Festivals of 1969 and 1970. There is also the book-manuscript and proofs for TWELVE TO TWELVE (London, Poets' Trust, 1970), twelve poems which were commissioned for the 1970 festival. The correspondents include Charles Causley, C. Day Lewis, Ted Hughes, Christopher Logue, Hugh MacDiarmid, Gary Snyder, and Louis Zukofsky.

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

The files of John Cushman Associates, Inc. include correspondence with authors, publishers, and other agents and deal with the editing and publishing of American and English books, serial rights, reprints, dramatic rights, translations, foreign rights, promotion, and copyright registration.

10 manuscript diaries of John Hopkins Worcester, Jr., composed 1883-1893 chiefly in Chicago, Ill., concerning personal and professional matters; 204 letters, chiefly autograph, dated 1863-1903, and addressed chiefly to his wife Harriet Strong Worcester, from her husband, children, and other family, friends, and associates.

Correspondence, manuscripts, documents, photographs, and printed materials by and about John Howard Griffin. The correspondence is extensive and includes letter from Jacques Maritain; Thomas Merton; Maxwell Geismar; Eldridge Cleaver; Robert Casadeus; Abraham Rattner; P.D. East; Joseph Noonan; Sarah Patton Boyle; Lillian Smith; Father August Thompson; Nell Dorr; and Brother Patrick Hart. All of his major works are represented in manuscript form (usually typescript, carbon). In addition there are many original photographs by Griffin, which he pasted throughout his extensive journal, 1950-1980. This journal is a remarkable account of his life and thoughts, extending to over 3,000 pages.

Correspondence, manuscripts, diaries, notebooks, copies of scores, drawings, programs, clippings and other printed materials, and photographs. Among the cataloged correspondents are: Leonard Bernstein, Carol Channing, and Douglas Moore.