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Papers of Adam Pavlovich Benningsen and his wife Feofanii︠a︡ Vladimirovna Benningsen. This collection contains a substantial number of letters which Adam Benningsen wrote to his wife while serving with the White armies in South Russia during 1919-1921. The bulk of the collection consists of manuscripts by Adam Benningsen: a lengthy memoir of his service in the Tsar's army in World War I and in the White armies in the Civil War; diaries and draft memoirs relating to the same period; memoirs of the fall of France in 1940 and of his own imprisonment, apparently by the Germans, during World War II; and two short manuscripts containing theological reflections. A short memoir of the Revolution by Feofanii︠a︡ Benningsen ("Iz zapisok grafini F. V. Benningsen," 1917)., a collection of White Army poems and songs, and a hand-produced satirical journal emanating from the White Army's camp at Gallipoli (1921) complete the collection. Correspondence: Series of letters from A. P. Benningsen to F. V. Benningsen (1919-1920) and other letters from A. P. Benningsen to F. V. Benningsen (1919-1921). Manuscripts: Diary of Adam P. Benningsen (22 July-4 September, 1914; "Iz zapisok grafini F. V. Benningsen" (1917); Prison diary of A. P. Benningsen (1943); "Razvei gore v golom pole", No. 15, (Gallipoli, 16 June, 1921); Religious reflections of Adam P. Benningsen. Notebooks: Memoirs of Adam P. Benningsen (1914-1921?), 4 notebooks, continuous pagination; Drafts of memoirs and diaries by Adam P. Benningsen; Memoirs of the fall of France by Adam P. Benningsen ("May 1940"); Theological reflections by Adam P. Benningsen. Songs and poems of the White army

This collection is composed primarily of correspondence, memoranda, course material, photographs, drawings and slides. The collection is broken down into personal and academic papers. The academic papers pertain mainly to Colquhoun's career as a writer and theoretician and professor at Princeton University's School of Architecture. The personal papers consist mainly of correspondences with friends and family, as well as notebooks, which Colquhoun kept from the 1940s. The visual materials (photographs and drawings) straddle the two categories. Many of the photographs were taken by Colquhoun himself, to be used later in his teaching, while the drawings consist of both student work and reproductions of works from his practice with John Miller. For the majority of the collection, Colquhoun's folder titles have been maintained and the material has been arranged chronologically. The collection is arranged into four series.

This collection includes a short typed biography of Bert'e-Delagard (titled "Autobiographical note") with holograph edits; photographs of Bert'e-Delagard, his sister Sofiia L'vovna and Aleksandra Karlovna Barantsova; lists and photographs of ancient jewelry items found in the Greek cities on the shores of the Black and Azov seas from Bert'e-Delagard collection; architectural plans of Bert'e-Delagard house; 1918 issue of Izvestiia︡ Tavricheskoĭ Uchenoĭ Arkhivnoĭ Kommissiĭ dedicated to Bert'e-Delagard; publication of Bert'e-Delagard article "Proshloe Koreiza."

The collection consists of 26 scrapbooks of clippings, mostly concerning military and naval history and the Imperial family. There are issues of "Morskoĭ zhurnal" from 1930-39, and several books on military and naval history.

Correspondence, manuscripts, subject files and printed materials of Velḿin. The correspondence includes letters from Mark Aldanov, Mikhail Karpovich, Ekaterina Kuskova, Vasiliĭ Maklakov, Mikhail Taube, and Mark Weĭnbaum. Most of the manuscripts are by Velḿin himself and concern the Russian emigration in Poland, the 1917 Revolution and Civil War, and German concentration camps during World War II. The collection likewise contains Velḿin's diary (handwritten in eleven volumes) covering the 1900-1960 period. There are subject files devoted to Vasiliĭ Maklakov and to the activities of the Russian scouts, and there are numerous publications, such as journals, pamphlets, clippings and books.

The collection consists of correspondence, manuscripts, subject files and printed materials. Nearly all the manuscripts are by Savit︠s︡kiĭ himself, and include essays on such topics as Suvorov and Napoleon Bonaparte, Pushkin, early foreign travelers in Russia, eternal youth, Russian art and engineering. There are subject files relating to Savit︠s︡kiĭ's father, Kazimir Antonovich Savit︠s︡kiĭ, who was chairman of the Severskiĭ Donet︠s︡ Railroad from about 1907 to 1920, and to the Obshchestvo li︠u︡biteleĭ russkoĭ voennoĭ stariny (Society of Russian Military History Enthusiasts), a Paris based emigre organization. The printed materials include clippings and several issues of "Russkiĭ Voenno-Istoricheskiĭ Vestnik" of which Savit︠s︡kiĭ was co-editor.

Correspondence, manuscripts, photographs, a subject file, and printed materials collected by Ermolov. The collection almost exclusively concerns the 1917 Revolution and the Civil War. Correspondence includes items by Isabel Hapgood and Konstantin Nabokov. The manuscripts include English-language translations of Russian materials from the period. There are 2 photographs: 1 of Grigoriĭ Rasputin at a tea party in 1916, and the other of the State Duma in 1917. The subject file concerns the Orthodox Patriarch Tikhon in 1917-19. Printed materials include Russian, English, and American clippings, pamphlets, journals, posters, and fliers.

Correspondence, manuscripts and printed materials of Boris Petrovich Vysheslavtsev. There are letters from Nikolai Berdiaev, Carl Jung, Anton Kartashev, Konstantin Korovin, Jacques Maritain, Aleksei Remizov, Grigol Robakidze, Theodore Strawinsky, and Ariadna Tyrkova-Williams. The manuscripts include essays and lectures on various topics including the Orthodox church, Russian literature and culture, philosophy, and the hereafter. There are numerous diaries, primarily from the 1930's and 1940's. The printed materials include clippings, off-prints, and various journals and books.

Correspondence, notes, and manuscripts including items that relate to most of Agnew's professional activities, are especially rich in materials that deal with the treatment of eye diseases during the latter half of the 19th century. An interesting sidelight of the collection is a group of finely detailed woodblocks and steel plates that Agnew used to illustrate his published articles.