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The collection consists of correspondence, manuscripts, and an enormous number of notecards (that were collected over a twenty-year period for a proposed "Slovar' russkikh khudozhnikov") and several dozen notebooks containing entries to which the cards refer. Among the correspondents is Eugène Fabergé, whose letters contain information about the Fabergé dynasty of jewelers. Sakharov's manuscripts include essays on Ivan Bilibin, M. V. Rudaltsov, Mariia Bashkirtseva, Nikolai Globa and V. E. Borisov-Musatov. The cards containing information on artists are arranged alphabetically by artist and contain references to specific notebook entries. There are also bibliographic cards containing citations of articles on art in Russian and other languages. These are arranged by author. The notebooks are largely devoted to a particular artist or genre; others are designated by color and number, letter, number or not titled at all. There are also two sets of large notebooks which seem to belong to another series. There are a few photographs of artists (notably a 1939 photograph of Globa) and photographic reproductions of works by Bakst and Lukin among others. The collection contains approximately 11 exhibition catalogues dating from 1915 to 1940 and primarily relating to the exhibitions of Russian emigre artists in Paris. There are also 4 issues of "Illiustrirovannaia Rossiia" and some clippings dealing with Russian emigre artists.

Khoromanskiĭ's manuscripts and memoirs concern such topics as his childhood and his father's work as an official in Saratov; World War I; White attempts to combat Makhno's forces; and Russian refugees on Malta and Capri. There is a subject file on the Russkoe Trudovoe Khristi︠a︡nskoe Dvizhenie, and a photograph of Petr Stolypin in 1904. Printed materials include a decree by the Ukrainian government in 1918 and several by the White army in Elisavetgrad and Ekaterinoslav in 1919. In addition, there are the memoirs of Khoromanskiĭ's father, Venedikt M. Khoromanskiĭ, concerning 1918-22.

Correspondence, manuscripts, documents, photographs and printed materials of Unkovskiĭ. The correspondence includes letters from such individuals as Emile Baës, Vladimir Burt︠s︡ev, Nikolaĭ Evreĭnov, Galina Kuznet︠s︡ova, Boris Lazarevskiĭ, Alekseĭ Remizov, Ivan Shmelov, Boris Zaĭt︠s︡ev, and Leonid Zurov. Nearly all the manuscripts are by Unkovskiĭ, and include essays, stories, and excerpts from his memoirs, many of which were published in emigre journals. There are a number of scrapbooks containing clippings of his articles. In addition, the collection contains galleys of books by Unkovskiĭ, and copies of some of his full-length works, including "Ikary" (1942) and "Andreĭ Klinskiĭ" (1940).

The collection consists of manuscripts, photographic postcards and a copy of "Russkie otri︠a︡dy na frant︠s︡uzskom i makedonskom frontakh, 1916-1918 gg." by I︠U︡. N. Danilov (Paris, 1933). The manuscripts--both by Smirnov--are Smirnov's memoirs dealing with the Russian expeditionary force on the Salonika front in World War I (parts of which were published in "Vozrozhdenie" 1959) and "Vernye dolgu" about the Russian legion in France in 1918. The five photographic postcards concern the Russian expeditionary force and the Russian military cemetery at Saint-Hilaire-le-Grand.

Correspondence, manuscripts, photographs, subject files and printed materials of Burt︠s︡ev. The correspondence includes letters from Mark Aldanov, Anton Denikin, Sergeĭ Melǵunov, Boris Nikolaevskiĭ, Maurice Paleòlogue, Sergeĭ Shtern, I︠A︡kov T︠s︡vibak, Mark Vishni︠a︡k and Vladimir Zeeler. Among the manuscripts are two essays by Burt︠s︡ev as well as numerous notes and manuscript fragments. There are several photographs of Burt︠s︡ev. The subject files include materials on "Byloe", items concerning Burt︠s︡ev's own archive, and materials on "Obshchee delo.".

The collection consists of correspondence, manuscripts, notebooks, and diaries (of Vladimir Kozli︠a︡ninov's brother Boris), documents, photographs and printed materials. The collection primarily concerns the monarchist movement in France and the history of the Imperial Horse Guard. Correspondents include Pavel Skoropadskiĭ and members of the Imperial family in emigration. There is a document signed by Anatoliĭ Lunacharskiĭ dated 1918, and a photostat of a decree by Catherine II granting the title of count to the Orlovs (1762). Printed material primarily concerns the monarchist movement in emigration. Included also is a copy of a book by V.F. Kozli︠a︡ninov, "Manuel Commʹemortatif de la Garde a Cheval" (1931).

Correspondence and memoirs of Vereshchagin. Correspondence includes letters from a number of major emigre cultural figures, such as Ivan Bunin, Matild́a Ksheshinskai︠a︡, Vasiliĭ Nemirovich-Danchenko; there are also poems by Nemirovich-Danchenko and by Nadezhda Teffi. In addition, there are letters by members of the Imperial family in exile, particularly Grand Prince Vladimir Kirillovich. Vereshchagin's memoirs touch on such subjects as his childhood and family, the Imperial Corps of Pages, cultural life in St. Petersburg and Petrograd, and the early 1920's in Petrograd and Moscow. In addition, there is a pamphlet of poems by Vereshchagin"Stikhi" (1955).

Manuscript and typescript memoirs (in all 600 p.) that deal chiefly with Kamenskiĭ's military education, the imperial court, his service during World War I, his service as General Petr Wrangel's diplomatic courier in 1921-24, and the emigration in France. Part of the manuscripts on World War I consists of copies of his diary. Some hand-drawn maps, photographs, and six copies of the bulletin of the organization of veterans of the Jaeger Regiment complete the collection.

The manuscripts appear to have been prepared as lectures for "Days of Russian Culture" organized by the emigration in France; they concern Russian cultural history.