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This collections includes architectural drawings, files and photographs of projects designed by Woodbridge and his various firms, circa 1928-1960s. These include buildings at Presbyterian Church, Savoonga, St. Lawrence Island, Ala.; Cole Memorial Chapel, Wheaton College, Wheaton, IL; Amherst College, Mass.; Smith College, Mass.; St. Mary the Virgin Church, Chappaqua, N.Y.; St. John's Chapel and Library, Hobart College, Geneva, N.Y.; the Keene Valley Congregational Church, Keene Valley, N.Y.; and the Brick Presbyterian Church and the Episcopal Church Center, both in New York City; as well as other churches, residences, and miscellaneous projects. Also, included are drawings done by Woodbridge while a student at the Columbia School of Architecture, early 1920s; photographs of some of Woodbridge's buildings taken mostly by the architectural photographer Samuel H. Gottscho; a small sample of Woodbridge's correspondence, 1941-1942, documenting his role as chairman of the American Institute of Architects Committee on Architectural Services, relating to the role architects could play in the war effort; sketchbooks of various international locations; and photographs and documents relating to archaeological excavations at Antioch in Pisidia, Turkey.

Working files of the architectural historians Rudolf and Margot Wittkower, dealing with Baroque and Renaissance painting, sculpture, and architecture. Included are manuscripts, notes, drawings, annotated proofs of articles and books, and some correspondence related to his writings and lectures. The majority of the files document his teaching, research, and writing at the University of London, 1934-1955, and at Columbia University. There are also some manuscript notes from his early years in Italy and Germany. Series I has been divided into six parts: Artists, Subjects, Book Manuscripts, Proofs, Notes, and Printed Materials. Some of the major files are Bernini, Bramante, Carracci, Michelangelo, and Raphael (Artists); Baroque Painting, Patronage, Rome, St. Peter's, Slade Lectures on the history of art (Subjects); ART AND ARCHITECTURE IN ITALY, BORN UNDER SATURN, and MATTHEWS LECTURES: GOTHIC VS. CLASSIC (Book Manuscripts). In addition there are proofs of essays and reviews with manuscript corrections and emmendations, copies of several of his own published works with his manuscript corrections, and typescript insertions for new editions. The Notes consist of eight card file boxes with notes chiefly relating to the Baroque period and Bernini. Materials created by or related to Rudolf Wittkower's wife, the architect and interior designer Margot Holzmann Wittkower, can be found primarily in Series II, IV, V, and VI. Material created or maintained solely by Margot Wittkower is located in Series VI; however, material she shared with Rudolf Wittkower is located in Series II, IV, and V.

Two playscripts of THE MILKTRAIN DOESN'T STOP HERE ANYMORE along with numerous drafts of the play's six scenes. Many of the pages bear cuts, corrections, and alterations by Williams. Also, the author's pen-and-ink rough sketch of the set. The playscripts and drafts are mainly photo-offset, typescript, and carbon typescript. There are also notes, a revision, photographs, and playbill for the production at the Festival dei due Mondi, Spoleto, July 1962.

Collection consists primarily of White's letterpress books and correspondence, with some related bills, receipts, and other ephemera, 1887-1906, relating to his professional and personal matters. Correspondence, 1907, relates to his estate. Correspondents of note include William A. Boring, Richard Morris Hunt, Augustus Saint-Gaudens, Louis C. Tiffany, John La Farge, Charles McKim, Frederick Law Olmsted, Whitney Warren, Stefano Bardini, Bessie White, William Merritt Chase, William Robert Ware, Kenyon Cox, Cornelius Vanderbilt, Percy Baker, Cass Gilbert, Childe Hassam, John Singer Sargent, John Wanamaker, Carrère & Hastings, Thomas Dewing, James McNeill Whistler, Lawrence White, Richard White, and other architects, artists, contractors, suppliers, clients, friends, and family members. One letter book contains letters, 1922, by White's son Lawrence Grant White. Also included are White's architectural drawings for houses he built for himself at St. James, Long Island, 1892-1904, and 121 East 21st Street, New York, undated; miscellaneous drawings; and a few architectural drawings by Lawrence Grant White, and drafts of his translation of Dante's DIVINE COMEDY.

Letters and manuscripts of Evelyn Waugh, including letters written to Sr. Jaime Potenze, and a series of eight pen-and-ink drawings done by the novelist for the limited edition of BLACK MISCHIEF, ca. 1932. The scenario for the MGM film of his THE LOVED ONE (1966), screenplay by Terry Southern and Christopher Isherwood, has been added. Also, thirteen letters from Evelyn Gardner Waugh to John Maxse.

Correspondence, manuscripts, documents, photographs, subject files, drawings and printed material of the Vserossiiskii zemskii soiuz (All Russian Zemstvo Union). The correspondence, spanning the years 1920-1944, is for the most part addressed to Porfirii N. Sorokin, Executive Secretary of the organization's Vremennyi glavnyi komitet (Temporary Executive Committee), the coordinating unit for all the institutions of the Zemstvo Union. The manuscripts include writings by N. I. Astrov, V. D. Kuz'min-Karavaev, and others. The documents are almost exclusively minutes of the Temporary Executive Committee's meetings from the period 1919-1924. The photographs, for the most part unidentified, are of Russian refugee settlements and White Army encampments in the area of Constantinople and Gallipoli, ca. 1921. The subject files include some financial records, and the printed material include the Vserossiiskii zemskii soiuz bulletin from 1916-1921 as well as publications about the Rossiiskii Zemsko-gorodskoi komitet and the Vserossiiskii soiuz gorodov.

Correspondence, manuscripts, photographs and subject files of Witte. The correspondents include Ivan S. Aksakov, Tsar Aleksander III, Tsar Nicholas II, Konstantin P. Pobedonost︠s︡ev, I︠U︡riĭ Samarin, Lev N. Tolstoĭ and Kaiser Wilhelm II. The manuscripts, which constitute over half of the collection, consist of Witte's memoirs and of his work on the Russo-Japanese War, and include a signed typescript essay by Lev N. Tolstoĭ. The photographs depict the signing of the Portsmouth Treaty ending the Russo-Japanese War (Portsmouth, N.H.). The subject files, which are primarily typescript copies of documents, refer to such topics as the various assassination attempts on the tsars, questions of agrarian reform, relations with Germany, and the siege of Port Arthur. There is also a framed pen and ink drawing depicting an event in Witte's public career.