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This collection includes original art as well as ephemera such as ephemera such as a Mullin-designed press pin for the 1952 World Series, spring training programs, advertisements, glassware, display cards, books, magazines, prints, and more.

This collection includes prints, proofs, a logbook of jobs, the 1961 MAD Checklist, and a small amount of correspondence and original art.

Written drafts, process drawings, and proofs for some of his longer-form works, including the comic he's best known for, Minimum wage, as well as original comic strip art from his own collection. These papers are part of a larger project to collect representative materials from the New York City comics scene.

Woodcuts, part colored, of cartoons drawn by Alfred Frueh (1880-1968) of theatrical personalities: Maude Adams, George Arliss, Ethel Barrymore, George M. Cohan, Katharine Cornell, John Drew, Robert Edson, Lionel Erroll, Lew Fields, Yvette Gilbert, William Gillette, Nat Goodwin, Annette Kellerman, Wilton Lackaye, Julia Marlowe, Nazimova, Olga Petrova, Will Rogers, Fritzi Schiff, Fred Stone, Sophie Tucker, and unidentified.

His archives contain tens of thousands of original sketches (indexed), original comic strip art, daily records, idea notebooks, early childhood artwork, and much more.

The collection will eventually encompass his original art, sketchbooks (dating back to high school), correspondence, and the legal records of the lawsuit lodged against him by political cartoonist Ted Rall. The present installment includes original art on acetate from the years 1995 and 1996.

The original art for Peter Kuper's biographical comic on Harvey Kurtzman, drawn for the book Masterful marks: cartoonists who changed the world (Simon & Schuster, 2014), edited by Monte Beauchamp. This Kurtzman bio connects to the Kurtzman material in the Kitchen Sink Press archives.