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Photograph albums containing photographs of Thomas and Jane Welsh Carlyle, their house at Cheyne Row, members of their families, and their friends in the literary and political worlds. Six of the volumes bear the notes and annotations of Thomas Carlyle. Also, there is a small group of Thomas Carlyle autographs; a seventh photograph album bearing the annotations of Carlyle's nephew, Alexander Carlyle; and copies of 33 photographs.

A group of letters to writer Thomas Dotton from Alexander Lloyd, Floyd Barbour, Paul Blackburn, L. Draper Hill, Jr., Archibald MacLeish, Pierre Oster, Ned Rorem, and Ivan Sandrof, and galley proofs for James Baldwin's TELL ME HOW LONG THE TRAIN'S BEEN GONE.

The collection consists of the editorial and production archives of Vanguard Press: correspondence, manuscripts, contracts, memoranda, galley proofs, photographs, clippings, and printed materials. The correspondence and editorial files contain a wealth of detailed information about individual authors and the growth and development of the Press. Among the cataloged correspondents are: Nelson Algren, Saul Bellow, Stephen Vincent Benét, William Rose Benét; Phyllis Bottome; Pierre Boulle; Jocelyn Brooke; Cyril Connolly; A.J. Cronin; Nigel Dennis; John Dewey; Max Eastman; James T. Farrell; Vardis Fisher; Richard Garnett; Theodor Seuss Geisel; Louis Golding; Paul Goodman; Horace Gregory; Geoffrey Grigson; Lillian Hellman; William Heyen; Harold L. Ickes; Christopher Isherwood; Alfred Kazin; Philip Lamantia; Sinclair Lewis; Emanuel Litvinoff; Dwight Macdonald; Archibald MacLeish; Marshall McLuhan; Thomas Mann; Edgar Lee Masters; H. L. Mencken; William Meredith; Joyce Carol Oates; Katherine Anne Porter; Barbara Pym; William Sansom; William Saroyan; Ramon J. Sender; Upton Sinclair; Rex Stout; Edith Sitwell; Paul Theroux; Lionel Trilling; Harry S. Trumam; Louis Untermeyer; Eudora Welty; Richard Wilbur; and Thornton Wilder. There are some manuscripts by Bellow; Bottome; Boulle; Farrell; Grigson; Litvinoff; MacDonald; Oates; John Cowper Powys; Arthur Schlesinger, Jr.; Patrick Tanner; William Targ; Theroux; and Sitwell.

The collection includes the original manuscript of "Surrender on Demand", Mr. Fry's account of his wartime experiences, which was later rewritten for young readers as "Assignment Rescue" (New York, Four Winds Press, 1968). Among the correspondents represented in the collection are Marc Chagall, Jacques Lipchitz, Roger Baldwin, Norman Thomas, J. Edgar Hoover, and Herman Wouk. In addition to the material relating to the Emergency Relief Committee (later known as the International Rescue Committee), the collection includes correspondence and papers concerning Fry's work as a writer on foreign affairs as well as copies of his books.

This collection includes drawings and personal letters from authors and illustrators of children's books, correspondence about her career and promotions, and letters of condolence at the time of her death.

The collection includes seven manuscripts by W. A. Dwiggins as well as correspondence between Dwiggins and Melbert B. Cary, Jr. of The Press of the Woolly Whale, regarding publication of Dwiggins' A TECHNIQUE FOR DEALING WITH ARTISTS. The manuscripts are "Prelude to Eden" (a play), 1939; A TECHNIQUE FOR DEALING WITH ARTISTS, 1941; "Typophiles Salutem Vobis Dico" 1937; Script No. 1, Made to write the score of a marionette ballet by Foster Trainer, ca. 1951?; Script No. 1"Elijah" n.d.; Script No. 2"Shapes of the 1/4 note heads" n.d.; and Script No. 3"A and B" n.d.

Photostatic copies of correspondence between Pitkin and Harry P. Breitenbach, chiefly of a personal nature. There are a few letters from Breitenbach to Pitkin, Jr., concerning the disposition of the original letters.