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Shadrach Woods architectural records and papers, 1923-2008, bulk 1948-1973

45 manuscript boxes
Abstract Or Scope
An American architect and urban planner, Shadrach Woods was a student of Le Corbusier and worked extensively throughout North Africa, France, Germany and New York City on projects ranging from low-cost housing developments to university campuses. Also highly regarded as a critic and theorist, Woods taught at Harvard and Yale and lectured and published widely. The collection represents the span of Woods' life and career through papers, photographs, architectural drawings, writings, and published materials. A small group of materials documents his childhood and education through personal papers and photographs. However, the bulk of the collections relates to his professional work and collaborations.
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Theodore Roscoe papers, 1850-1980

5 linear feet
Abstract Or Scope

Proofs, photographs, photostatic copies, and other printed materials of Roscoe. Included are proofs and illustrative materials for his book The Web Of Conspiracy; The Complete Story Of The Men Who Murdered Abraham Lincoln, and a printed copy of his book, Only In New England, a book of crime fiction.

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The Temple Hoyne Buell Center for the Study of American Architecture records

24 document boxes
Abstract Or Scope
The collection documents the events and activities of The Temple Hoyne Buell Center for the Study of American Architecture from the 1980s to the early 2000s. The collection consists of correspondence, board minutes [restricted], administrative and financial records, posters, reports, recordings of lectures and events.
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Thomas Merton papers, 1923-2014

21 linear feet
Abstract Or Scope

Correspondence, manuscripts, documents, photographs, art work, audio cassette, printed materials by and about Thomas Merton. The correspondence covers the years from his study at Columbia to his death in Bangkok. Among the cataloged correspondence are: Daniel Berrigan, Mark Van Doren, Luis Somoza, Jacque Maritain, Aldous Huxley, James Laughlin, Robert Lax, Grover Cleveland Smith, John Howard Griffin, William Henry Shannon and Victoria Ocampo. The extensive manuscript collection was assembled primarily by Sister Thérèse Lentfoehr, Mark Van Doren, and Robert Shepherd. Among the more significant manuscripts are: corrected typescript of THE SEVEN STOREY MOUNTAIN; fragments of his NOVITIATE JOURNAL; notebooks and journals used in THE SIGN OF JONAS; numerous draft of poems; most of his lecture and conference notes which he used while serving as master of scholastics and, later, master of novices. There is an extensive collection of mimeographed articles, many inscribed to Sister Thérèse Lentfoehr; four watercolors by his father, Owen Merton, and many humorous and devotional drawings by Merton; many photographs of Merton, as well as photographs taken by Merton. There is an audio cassette of the radio play by Bruce Stewart entitled ME AND MY SHADOW, produced by the BBC in 1989. The printed material consists of numerous clippings and some offprints, pamphlets, and books

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Thomas Whiteside papers, 1839-1995, bulk 1952-1992

29 linear feet
Abstract Or Scope
Thomas Whiteside was an American journalist born in 1918. Whiteside wrote for The New Yorker for over 45 years. He covered such topics in his articles and books as cable television, the cigarette industry, the channel tunnel, chemical weapons (notably 2, 4, 5-T, a component of Agent Orange), Ralph Nader, Stig Wennerstrom, and yellow rain. It has been said that Whiteside's work on Agent Orange led directly to the congressional hearings which discussed the dangers of the substance. By the end of the hearings, the Surgeon General of the United States had announced restrictions on the use of the herbicide. The collection contains material related to the articles that Whiteside contributed to The New Yorker. The files include audiocassettes, book reviews, correspondence, drafts, galleys, notebooks and notes, research files, and typescripts. There is a small section of the collection that contains personal papers not tied directly to specific articles or books. The material ranges in date from the 1950s to the 1990s, spanning the time Whiteside worked at The New Yorker.
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Tom Clark papers, 1981-1983

2.5 linear feet
Abstract Or Scope

Correspondence, manuscripts, notes, printed materials, and tape cassettes assembled by Tom Clark in writing his WRITER: A LIFE OF JACK KEROUAC. There is correspondence from friends and fellow writers of Kerouac, printed materials about Kerouac and The Jack Kerouac Conference, 1982, at the Naropa Institute (Boulder, Colorado), and five drafts of Clark's book manuscript. Among the correspondents are Carolyn Cassady, Robert Creeley, Edward Dorn, and Allen Ginsberg.

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Whitney M. Young Jr. Memorial Foundation records, 1971-1991

38 linear feet
Abstract Or Scope

Correspondence, manuscripts, documents, financial records, photographs, memorabilia, and printed materials. The Foundation's correspondence files consist of letters from different organizations and foundations, including the Martin Luther King, Jr. Center for Social Change, The NAACP, the United Negro College Fund, the Studio Museum in Harlem, and the YWCA. Also included in this collection are community dialogues on race relations (1974-1975); proposed dialogues (1979) on such subjects as the Boy Scouts of America, Columbia University, and the National Council of Christians and Jews; and files on the Whitney M. Young Fellows Retreat Conferences (1980-1984). The collection contains many files on Ed Wilson's bust of Young (1991), including contracts and agreements, records of payments to Wilson, documents concerning the bust's placement in various locations, correspondence with Wilson (1983-1991), and miscellaneous photographs and pictures. The contributions files contain annual listings of contributions and records of contributions from the National Urban League, assorted organizations, corporations, individuals, foundations, and Philip Morris.

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Wilfred Feinberg Papers, 1936-2011, bulk 1960-2011

222.71 linear feet
Abstract Or Scope
The Wilfred Feinberg papers consist of over 200 linear feet of material, primarily dating from his fifty years as a judge on the United States District Court for the Southern District of New York and United States Court of Appeals for the Second Circuit. Some highlights of the collection include rulings and case files from precedent-setting cases, Feinberg's committee work drafting the 1995 Long Range Plan for the Federal Courts, and a detailed oral history.
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William Bronk papers, 1908-1999

54 linear feet
Abstract Or Scope

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials

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Women's National Book Association records, 1917-2020

72 linear feet
Abstract Or Scope
The Women's National Book Association Papers document the history and work of the Women's National Book Association from their founding in 1917 until today. The organization is active in promoting women in the book industry through awards and programs to increase women's participation in the profession and the role of women in publishing and other book-related fields.
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