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Correspondence, manuscripts, documents, financial records, photographs, memorabilia, and printed materials. The Foundation's correspondence files consist of letters from different organizations and foundations, including the Martin Luther King, Jr. Center for Social Change, The NAACP, the United Negro College Fund, the Studio Museum in Harlem, and the YWCA. Also included in this collection are community dialogues on race relations (1974-1975); proposed dialogues (1979) on such subjects as the Boy Scouts of America, Columbia University, and the National Council of Christians and Jews; and files on the Whitney M. Young Fellows Retreat Conferences (1980-1984). The collection contains many files on Ed Wilson's bust of Young (1991), including contracts and agreements, records of payments to Wilson, documents concerning the bust's placement in various locations, correspondence with Wilson (1983-1991), and miscellaneous photographs and pictures. The contributions files contain annual listings of contributions and records of contributions from the National Urban League, assorted organizations, corporations, individuals, foundations, and Philip Morris.

Correspondence, manuscripts, documents, oral histories, photographs, audio cassettes, and printed material. Family and personal correspondence; materials related to his secondary, college, and university education; materials related to his tenure at the National Council of the Protestant Church; business correspondence of St. Philip's Episcopal Church and the St. Philip's Community Service Council; bulletins of church services; drafts of sermons and speeches, as well as numerous audio-tapes; manuscripts and publications; correspondence related to the construction and on-going maintenance of several senior-citizen and other community housing; correspondence related to various community redevelopment initives and campaigns for affordable housing; materials related to college courses including oral histories for his Black Family Research project; photographs of St. Philip's Church and of activities of the St. Philip's Community Service Council.

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.

Musical scores, correspondence, sheet music, audio tapes of interviews with jazz musicians, and other materials from Tucker, jazz pianist and scholar.