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Gordon Bunshaft (1909-1990) was an American architect who, as a partner at Skidmore, Owings & Merrill, had a significant impact on large-scale corporate architecture. His projects include such significant urban office towers as the Lever House in midtown Manhattan, as well as modern office campuses set in natural landscapes, including such examples as the American Can Company in Greenwich, Connecticut or the Connecticut General Life Insurance Company headquarters in Bloomfield, Connecticut. Additionally, his interest in art caused him to actively integrate work by well-known modern artists into the public plazas and interiors of SOM's projects. The professional aspects of this collection can be found in clippings, project photography, oral history records, and publications, however, the majority of the collection is personal and reflects the life of Gordon and his wife Nina Bunshaft. Through correspondence, snapshots, objects, and personal papers the collection focuses on the Bunshafts' friends, their travels, and their impressive art collection of both modern and ancient sculptures and paintings.

The Wallace K. Harrison architectural drawings and papers consists of architectural drawings, photographs, correspondence, notes, speeches, manuscripts, press releases, clippings, memoranda, printed material, job lists, curriculam vitae, contracts, articles, and other material related to Harrison's architectural projects. The collection also contains a significant amount of material regarding Harrison's position as director of the Office of Inter-American Affairs, director of planning of the United Nations Headquarters and biographical material. Approximately a third of the collection is made up of photographs. Photographers include Wendy Barrows, Shirley Burden, George Cserna, Y[uzo] Nagata, and Ezra Stoller, among many others. There is also a collection of 148 art books that belonged to Harrison referred to as his "doodle books." A list of these books with brief descriptions of where Harrison drew in them is contained in the finding aid. Projects documented include Lincoln Center, Metropolitan Opera House, Rockefeller Center, Albany Mall (Empire State Plaza), United Nations, X City, ALCOA building, Corning Glass building, First Presbyterian Church, La Guardia Airport, Socony-Mobil building, Battery Park City, Radio City Music Hall, New York World's Fair (1939 and 1964), Institute for Advanced Study, National Academy of Science, Pahlavi National Library Competition, Oberlin College's Hall Auditorium, Pershing Memorial, Rockefeller University, Hopkins Center, The Anchorage, Avila Hotel, and numerous other buildings and residences.

The collection documents the events and activities of The Temple Hoyne Buell Center for the Study of American Architecture from the 1980s to the early 2000s. The collection consists of correspondence, board minutes [restricted], administrative and financial records, posters, reports, recordings of lectures and events.

Henry Hope Reed (1915-2013) was an American author, architecture critic and advocate of classical architecture. Along with writing and giving New York City walking tours, Reed served curator of Central Park and co-founder of Classical America. This collection contains his writings, correspondence, photographs and extensive research files on classical architecture and the people, parks, buildings, streets and history of New York City.

Max Abramovitz (1908-2004) was an American architect, whose firm Harrison & Abramovitz was one of the leading architectural practices in post-war America. Major commissions include Lincoln Center's Philharmonic Hall and the United Nations complex. The collection contains over 14,500 drawings, over 5,000 photographs, 24 boxes of manuscript material, 7 boxes of oversize material, 23 boxes of financial records, 5 boxes of reprint tear sheets, 36.75 linear feet of specification notebooks, photo albums, sketchbooks, art and artifacts.

Douglas Putnam Haskellan (1899-1979) was an American writer, architecture critic and magazine editor. This collection contains correspondence, memos, articles, speeches, lectures, transcripts, clippings, notes, printed matter, photographs, audiotapes, and memorabilia mainly relating to Douglas Haskell's editorship at Architectural Forum and his professional activities. The collection includes items dating from 1866 to 1979, with the majority of materials dating from the period of 1949 to 1964.

Chip Lord (1944–) is an architect, media artist, and Professor Emeritus of Film & Digital Media at the University of California, Santa Cruz. Lord is best known for his work with the art and architecture group Ant Farm, which he co-founded with Doug Michels (1943–2003) in 1968. This collection, gathered by Lord, includes correspondence and material produced between 1968 and 1978, when the group disbanded following a fire at their Pier 40 studio in San Francisco, CA. In addition, the collection includes correspondence and material produced in the following decades that document Ant Farm-related products, anniversary celebrations, exhibitions, lectures, and publications, as well as material documenting litigation (including several cases of copyright infringement over use of Cadillac Ranch), licensing, and royalties.