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Included are drawings made by Avery while studying under Jules Andre at the Ecole des Beaux-Arts, Paris, and sketchbooks containing sketches made in Paris and on excursions, 1872-1879. Architectural drawings and photographs of architectural drawings for proposed or executed residential and commercial buildings, churches, art galleries, monuments, and other structures, 1880s; competition drawings for public monuments, 1883-1887; experimental studies, 1885, for the pedestal of Frederic-Auguste Bartholdi's Statue of Liberty; and 39 studies and finished drawings, 1888-1890, made for a competition for a memorial for Ulysses S. Grant which he did not win. Also, magazine articles by or about Avery and his work, 1883-1890; obituaries and death announcements, 1890; miscellaneous photographs, certificates, and papers; and invitations, clippings, illustrations, and photographs, circa 1892-1894, relating to the founding of the Avery Architectural Library at Columbia University.

This collection includes Giorgio Cavaglieri's preliminary studies, working drawings, presentation drawings, and specifications, circa 1962-1965, for his renovation of the Jefferson Market Courthouse into a library. Also, prints of drawings, 1876, by Vaux and Withers for the original building, and drawings, circa 1918-1940, for alterations.

Included are 60 photographs, approximately half of which show architectural drawings and models of the New York State Capitol at Albany, and views of the Capitol under construction, circa 1860s-1880s. These primarily show the work of Eidlitz, Richardson and Company, who designed the Capitol. Projects of Fuller and Laver and I. G. Perry for the Capitol are also depicted. The rest of the photographs show other projects by Leopold Eidlitz and his firm including the American Exchange Bank, New York City, 1857; Broadway Tabernacle, New York City, 1859; the Continental Bank, New York City, 1856; the Cooper Union, New York City, circa 1886; Dry Dock Savings Bank, New York City, 1875; and Temple Emanu-El, New York City, 1868. Also, unidentified buildings, and buildings by other architects, including Cyrus W. Eidlitz (Association of the Bar of New York, Main Library, New York City, 1895), and Robert H. Robertson (Phillips Presbyterian Church, New York City, 1874). Two original drawings by Eidlitz of Christ Church, St. Louis, Missouri, circa 1859, and a competition design for the New York City Crystal Palace, circa 1852.

Papers consist primarily of Smith's files relating to his architectural work containing correspondence with clients, colleagues, contractors, suppliers, and others, with related bills, notes, receipts, accounts, estimates, specifications, time sheets, progress reports, and architectural drawings. Also, portrait photographs of young people (possibly classmates?) in Rochester, N.Y. and Evanston, Ill., circa late 19th century; a class roll card, 1901, for a class taught by Smith at the General Society of Mechanics and Tradesmen, New York; a memo book, undated, containing miscellaneous accounts, sketches, memoranda; correspondence, 1890s, between Ella Smith (Smith's mother) and Lucien Smith and other family members, Rochester, N.Y., and Elmhurst, Ill.; account book, 1891-1902, of Mrs. H. V. (Ella) Smith, Rochester, N.Y.; calling cards, invitations, photographs, letters, bills, receipts, and other, miscellaneous personal documents; student drawings made by Smith when at Columbia University's School of Architecture; drawings for a proposed "academy of art and archaeology" in Rome, 1905-1906; and drawings for Malvina Hoffman's house and studio in New York City.

Architectural drawings and photographs of buildings designed by the firm dating approximately from its founding to the 1950s. Among those represented are buildings at the World's Columbian Exhibition, Chicago, 1893; Pennsylvania Railroad Station, New York, 1906-1910; restoration, 1903, of the White House, Washington, D.C.; buildings at Columbia University's Morningside Heights campus, New York; Boston Public Library, Boston, Mass.; E.W. Morgan mansion; Municipal Building, N.Y.; Col. Elliott Shepherd House, Scarborough, N.Y.; buildings at Amherst College, Amherst, Mass.; Bellevue Hospital, New York; various New York City residences; and others. Also included are competition drawings for the New York Public Library; miscellaneous drawings and sketches; photographs of the partners and of other members of the firm; lists of the firm's work; clippings of articles about the firm; lists of the firm's employees; billing records, 1953-1955; account books, 1940s-1950s; bank books, 1895-1955; award certificates; and other office miscellany.

Included in this collection are nineteen albumen photographs and one lithographic print of architectural drawings submitted by architects for the competition to design the New York State Capitol building in Albany, circa 1866-1870. Competing architects and architectural firms represented here include Adams & Worthen, Louis Burger, Fuller & Gilman, Fuller & Laver, Schulze & Schoen, and several unidentified architects. Of note are drawings for the New York State Capitol by Louis Burger and Schulze & Schoen bearing inscriptions to Obadiah B. Latham, a member of the Capitol Commission. Also included are nine photographs showing construction in progress on the Capitol between July and September, 1869. Photographs of competition drawings by Schulze & Schoen for the Iowa Capitol, the New York Post Office, and the New York Life Insurance Company Building, as well as an unsigned drawing of the Ohio Capitol building are additionally part of this collection. Several of the images are labeled by the photographer E.S.M. Haines, also practicing as Haines & Wickes, in Albany, New York.