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Five volumes of typescript poems by contemporary poets including four volumes of poems by Donald Bain of Buffalo, N.Y., and one volume of miscellaneous poems in typescript which were submitted for sale or for use on radio programs. Also, seven music manuscripts, songs by Bernice Ward Stockland of St. Albans, N.Y.

Correspondence, manuscripts, photographs, audio cassettes, and printed materials. Three items consisting of a nine page autograph poem entitled "The Light Touch"; a collection of short poems written in five small notebooks called "From the Sublime"; and a printed pamphlet of poetry entitled "Modern Haiku and Tanka". All items were prepared during 1971, but several pieces in "From the Sublime" date back to 1956. A sixth notebook dated 1971-1972 for "From the Sublime" is also included. Keppel writes one notebook each month and forwards them to the collection after they are completed. There are a few cataloged letters in Box 1, but the bulk of the collection consists of Keppel's poetry and essays.

Correspondence, manuscripts, and printed materials of Curtis Hidden Page. This collection contains a correspondence of 51 letters between Page and his grandmother, Mrs. Mary E. Hidden, as well as other family correspondence. Much of his incoming correspondence relates to social and academic pursuits, and his publishing activities, including letters from William Stome Booth of Houghton Mifflin concerning Page's anthology entitled "Chief American Poets." There are many holograph and typescripts of his poetry and poetical translations. Most of the poems are in several stages of progress. Present also are notebooks containing lecture notes from his student days.

Correspondence, manuscripts, proofs, photographs, and printed and miscellaneous material relating to the life and writings of Don Marquis. Among the more important works included are MASTER OF THE REVELS, CHAPTERS FOR THE ORTHODOX, JACK (published as SONS OF THE PURITANS), THE EGO BIOGRAPHY, the "Old Soak" and "O'Meara" and stories, works related to archy and mehitabel, and THE DARK HOURS. Also, letters by Marquis, Joseph B. Gilder, Marjorie Vonnegut Marquis, Christopher Morley, and others, and manuscripts by Benjamin DeCasseres, Joseph B. Gilder, and Rodman Gilder.

Manuscripts and correspondence of Masters. Two manuscripts"An Etching" and "Starved Rock in Winter" are in the author's holograph, while the remaining 29 are in typescript, most of which are signed by the author or inscribed to his friend Kimball Flaccus. With the exception of the manuscript of "An Etching" dated 24 October 1910, all of the manuscripts date from the 1940 to 1942 period of the writer's career. Eight of the manuscripts were published in the poet's last two volumes of poetry, ILLINOIS POEMS (Prarie City, 1941) and ALONG THE ILLINOIS (Prairie City, 1942), and the remaining poems are apparently unpublished or uncollected. The collection also contains four letters and several pieces of printed ephemera.

Letters written by Millay as well as manuscripts, proofs, documents, photographs, reviews and clippings relating to her books published at Harper & Brothers such as "Conversation at Midnight," "Wine from these Grapes," "Collected Sonnets," and others. The papers consist of materials from the files of the designer Arthur W. Rushmore who was in charge of production at Harper & Brothers and was the proprietor of the Golden Hind Press which printed limited editions of several of her works. Included are proofs of the above works with annotations and corrections by Millay and Rushmore and a carbon typescript of "Wine from these Grapes." There are also a number of clippings of poems published separately in periodicals. Other correspondents include Millay's husband, Eugen Boissevain, and George Dillon, with whom Millay translated Baudelaire's "Flowers of Evil" and Selected Poems." Also in the collection are the production files for the aborted Steepletop edition of "The Buck in the Snow."

Correspondence and production files of The Goliard Press, relating to the publication of contemporary English and American poetry. Most of the letters are addressed to Barry Hall or Tom Raworth. Among the poets represented are Basil Bunting, Robert Creeley, Allen Ginsberg, Anselm Hollo, Ted Hughes, Christopher Logue, Michael McClure, Charles Olson, and Louis Zukofsky.