Search Results
Lathrop Douglass architectural drawings, 1955-1973
1627 drawingsGeorge Collins papers, 1838-1986, bulk 1949-1986
13 linear feetThis collection is composed primarily of correspondence, course material, writings, notes, photographs, slides, and audio tapes. Much of the material pertains to Collins' career as a professor at Columbia University. There is also a bulk of material regarding to the 1962, 1964, and 1966 Modern Architecture Symposiums held at Columbia University, as well as the publication of N.A. Miliutin's Sotsgorod: The Problem of building Socialist Cities, which was translated from Russian to English by Arthur Sprague. The basis for the series and subseries order was developed from Collins' own groupings. For the majority of the collection, Collins' folder titles have been maintained and the material has been arranged chronologically.
Henry A. Minton and John G. Minton architectural records and papers, 1914-1974
37 document boxesThis collection contains architectural records, photographs, and professional records and related to the architectural practice of Henry A. Minton and John G. Minton. The majority of the projects are for Henry Minton's chapels, parish halls, schools, gymnasiums, auditoriums, rectories, convents, cemeteries and mausoleums for Roman Catholic parishes. Henry Minton also designed numerous branches for the Bank of Italy and a pre-flight school for the United States Navy. The remainder of his designs consisted of hotels, store buildings, and residences. The large majority of these projects were located in the California Bay Area, with a few elsewhere in California, Nevada, and Utah. Most of the drawings are graphite on tracing paper, the remainder are prints of various types. The project files consist mainly of specifications and proposals for Minton's projects, with a very few photographs. A small group of office records and professional papers complements these project records. Lastly, the collection also includes a smaller number of drawings and files for projects designed by Henry's son, John G. Minton, who continued his father's practice and often contributed additions and alterations to his father's earlier work.