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The papers include correspondence, manuscripts, documents, printed materials, and photographs. Much of the correspondence concerns "Reka Vremen." Cataloged correspondents are Georgiĭ Adamovich, George Kennan, Vasiliĭ Maklakov, I︠U︡liĭ Margolin, Sofii︠a︡ Pregeĺ Harrison Salisbury, I︠U︡riĭ Terapi︠a︡no, Nikolaĭ Uli︠́a︡nov, and Edmund Wilson. There are manuscripts of several stories by Olǵa, and of her biography of Vladimir; also included are the memoirs of N.N. Savvin about the St. Petersburg Polytechnic Institute. Printed materials include articles about Vladimir and his obituaries. There is a photograph of the "Normandie" coming into an American port in the 1930s.

Papers consist of correspondence, newspaper clippings, and a photograph of Karpov. The correspondence concerns his emigration from Hong Kong to Denmark in the 1950s, and also "Anastasia" claimants. Karpov was apparently involved in Sokolov's investigation into the murder of the tsar and his family in 1918.

Most of the collection consists of manuscripts by Lebedev and others on Russian and East European literary and political topics from about 1914 to the 1930s. There are three microfilm reels of materials on Gavrilo Princip and the asassination of Archduke Ferdinand in Sarajevo, 1914. Correspondents include Hamilton Fish Armstrong and George F. Kennan. There are several drafts of articles by Mark Slonim and materials on the Socialist Revolutionaries in the emigration from about 1930. Lebedev's personal documents cover from his army service (the Russo-Japanese War), through the 1917 Revolution and Civil War, and his later life in Europe and the United States. There are photographs from interwar Albania and Bulgaria, including ones of Aleksandŭr Stamboliski. Printed materials include a copy of Lebedev's book "Novym putem" and issues of "Voli︠a︡ Rossii.".

The collection consists of 22 letters from Nemirovich-Danchenko to Nikolaĭ M. Alekseev; a photograph of Nemirovich-Danchenko, inscribed to Alekseev; and 7 newspaper clippings (Italian and Russian) concerning Nemirovich-Danchenko's theatrical activities.

The papers consist of correspondence, memoirs and photographs. The correspondence chiefly concerns resettlement programs in the Near East as well as aid to Cossack emigres. Poli︠a︡kov's memoirs span 1900-1961. There are approximately 40 photographs taken in the Near East (1921-1959).

Correspondence, manuscripts, documents, photographs and printed materials of Unkovskiĭ. The correspondence includes letters from such individuals as Emile Baës, Vladimir Burt︠s︡ev, Nikolaĭ Evreĭnov, Galina Kuznet︠s︡ova, Boris Lazarevskiĭ, Alekseĭ Remizov, Ivan Shmelov, Boris Zaĭt︠s︡ev, and Leonid Zurov. Nearly all the manuscripts are by Unkovskiĭ, and include essays, stories, and excerpts from his memoirs, many of which were published in emigre journals. There are a number of scrapbooks containing clippings of his articles. In addition, the collection contains galleys of books by Unkovskiĭ, and copies of some of his full-length works, including "Ikary" (1942) and "Andreĭ Klinskiĭ" (1940).

Bound typescript memoirs entitled "Vospominanii︠a︡ i materialy dli︠a︡ istorii" (37 p. plus appendices). The memoirs concern the East Prussian campaign of 1914. There are photographs interspersed throughout the text, and a reel of microfilm of maps of the campaign.

Khoromanskiĭ's manuscripts and memoirs concern such topics as his childhood and his father's work as an official in Saratov; World War I; White attempts to combat Makhno's forces; and Russian refugees on Malta and Capri. There is a subject file on the Russkoe Trudovoe Khristi︠a︡nskoe Dvizhenie, and a photograph of Petr Stolypin in 1904. Printed materials include a decree by the Ukrainian government in 1918 and several by the White army in Elisavetgrad and Ekaterinoslav in 1919. In addition, there are the memoirs of Khoromanskiĭ's father, Venedikt M. Khoromanskiĭ, concerning 1918-22.

Correspondence, manuscripts, photographs, drawings and subject files primarily relating to Vladimir Visson's years as exhibitions director of the Wildenstein Gallery. The extensive subject files concern the Hallmark Art Award and exhibitions Visson mounted for the Wildenstein Gallery including shows on Gauguin, Pissarro, Renoir, Toulouse-Lautrec and Van Gogh. Also included are Visson's original manuscripts on Russian painters and autobiographical writings. There is correspondence from artists including Eugene Berman, Amédée Ozenfant and Eugene Speicher, and authors such as John Gunther, Paul van Zeeland and Louis Auchincloss.