Collections : [Avery Drawings & Archives]

Avery Drawings & Archives

Avery Drawings & Archives

300 Avery Hall
1172 Amsterdam Ave.
New York, NY 10027, USA
avery@library.columbia.edu
Avery Library’s Drawings & Archives department collects drawings, photographs, and architectural records documenting architecture and design practices. Our collections focus largely on American and New York City architecture of the nineteenth and twentieth centuries.

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Detlef Lienau architectural drawings and papers, 1835-1886

649 drawings
Abstract Or Scope

Photographs and architectural drawings of Lienau's work, much of it in New York City and in New Jersey. Projects include the Gardner A. Sage Library for the General Theological Seminary in New Brunswick, N.J.; the Francis Cottenet Villa in Dobbs Ferry, N.Y.; a house for Legrand Lockwood in South Norwalk, Conn., later owned by Mark Twain and now known as the Lockwood-Mathews Mansion; and the Telfair Academy of Arts and Sciences in Savannah, Ga. Also included are drawings of unidentified or unexecuted buildings; student drawings, and early European commissions; lecture notes, 1835-1837, from the Stadtische Gewerbeschule, Berlin; a partial list of of Lienau's work, 1848-1886; specifications; acounts; printed material; photographs, postcards, and prints showing various European buildings; clippings; certificates; typescripts of articles; and correspondence.

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Dixie Trainer papers, 1964-1997

0.1 linear feet
Abstract Or Scope

The collection contains blueprints and photographs of the Whitney Museum of American Art used by Dixie Trainer to make a replica of the building for a fund-raising gala for the museum.

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[Doorknobs and keyhole escutcheons from the Sherry-Netherland Hotel (New York N.Y.)], 1926

12 items
Abstract Or Scope

Rocco Revival, gold-plated door knobs and keyhole escutcheons from the Sherry-Netherland Hotel.

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Douglas Darden papers and drawings, 1979-1996

7 linear feet
Abstract Or Scope
Douglas Darden (1951-1996) was an American architect based out of Denver, Colorado. Darden was best known for his book Condemned Building, a collection of ten allegorical projects. This collection contains much of Darden's work for that book as well as the process work for his second book, Laughing Girls, which he was working on at the time of his death. It also contains a large portion of his early works and his professional papers in the form of documents, drawings, photographs, and slides.
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Douglas Putnam Haskell papers, 1866-1979-(bulk 1949-1964).

56 Linear Feet
Abstract Or Scope
Douglas Putnam Haskellan (1899-1979) was an American writer, architecture critic and magazine editor. This collection contains correspondence, memos, articles, speeches, lectures, transcripts, clippings, notes, printed matter, photographs, audiotapes, and memorabilia mainly relating to Douglas Haskell's editorship at Architectural Forum and his professional activities. The collection includes items dating from 1866 to 1979, with the majority of materials dating from the period of 1949 to 1964.
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Drawings of Steel and Concrete Amusement Hall on New Pier for Associated Realties Corporation (Atlantic City N.J.) : [elevation and longitudinal section] / H.A. Stout, Architect, 1906

2 drawings
Abstract Or Scope

The two drawings, entitled as "Drawings of Steel and Concrete Amusement Hall on New Pier for Associated Realties Corporation" are by H.A. Stout for his 1906 design efforts to build the Steeplechase Pier, an amusement pier building in Atlantic City, New Jersey. The two drawings present the front and rear elevations and a longitudinal section for the famous amusement pier building filled with amusement arcades, popular rides, and live entertainment for beach vacationers. Stout's architectural plans were likely intended to be used onsite as well as in the architect's planning office.

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Durst Organization estate files

35 linear feet
Abstract Or Scope

Arranged by location and address, the collection consists of appraisal reports, pamphlets, broadsides, financial communication, plans, diagrams and occasionally photographs for prospective or acquired Durst Organization properties. Two linear feet of files are for properties outside of New York City.

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Edgar A. Josselyn papers, 1889

4 items
Abstract Or Scope

This collection includes a menu card with signatures of many of the members of the Society of Beaux-Arts Architects and three photographs depicting students in an atelier in Paris associated with the École nationale supérieure des beaux-arts. The menu card, dated in Josselyn's hand "Feb. 22, 1889", is from a dinner at the Cafe d'Orsay in Paris, during which preliminary discussions about forming the Society of Beaux-Arts Architects were held. On the verso of the card are the signatures of Thornton Floyd Turner, Austin W. Lord, Louis de Sibourg, T. R. Plummer, William A. Boring, Whitney Warren, Stephen Bonsal, Jr., S. B. P. Trowbridge, Ernest Flagg, John P. Benson, Evans Preston, Juan Guillermo de Lavalle, A. L. Brockway, Joseph H. McGuire, John W. Bemis, Edward L. Tilton, George Cary, and J. Donaldson, Jr. Mr. Josselyn's name also appears on the card, although not in his handwriting. According to correspondence from John Benson held in the Phillips Library in Salem, Massachusetts, the three photographs, taken by Benson, depict the students and instructor of a watercolor class in Paris in early 1889. In the first photograph, Josselyn has identified on the verso the sitters as follows: de Sibourg, McGuire, Josselyn, Lord, Flagg, Brockway, Cary, de Lavalle, Leteurtre, and Saglio. The second and third photographs depict the same men in the same atelier, although they appear to have been taken on a different day than the first image.

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Edgar I. Williams architectural drawings and papers, 1920-1969

1,437 drawings
Abstract Or Scope

The collection represents the span of Williams' architectural practice through drawings, photographs and a very small amount of papers. The majority of the collection consists of working drawings for a select number of projects. These projects include the Holmes residence "the Chimneys" on Long Island, the alteration and addition for the Donnell branch of the New York Public Library and the main branch, and the Rutherford Free Public Library. Also included are the New Milford Historical Society and New Milford Public Library as well as the United States Embassy building in Tokyo, Japan as well as other smaller projects. A wide range of projects are represented in presentation drawings, largely color renderings on board. These drawings consist of projects mainly on the East Coast including libraries, commercial work, residential work, schools, memorials, office buildings, a railroad station, a club, a post office, a hospital as well as unidentified projects. Notable projects include the Carstadt Memorial Municipal building, Essex County Country Club, Hackensack Golf Clubhouse, the National Academy of Design and several projects in Rutherford, New Jersey. Studies for executed projects are also included as well as studies are of other architects' work to serve as inspiration to Williams. Some of the Photostats in the collection are reproductions of original drawings. Photographs mainly document the exterior of a building while some interior views are included especially for the Holmes residence. A small amount of large-scale photographs mounted on board for display are also included. Miscellaneous papers are included for the Holmes residence and the New Milford Public Library. Finally, a poster and two notebooks comprised of notes, sketches and calculations for various projects complete the collection.

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Edgar J. Kaufmann papers on Fallingwater, 1909-1976, bulk 1932-1955

5 manuscript boxes
Abstract Or Scope

The collection consists primarily of correspondence, photographs, project records, architectural drawings, legal documents, periodicals, news clippings and exhibition materials. The material held in this collection relates to architectural projects for Edgar J. Kaufmann by Frank Lloyd Wright, and the bulk of the material relates to Kaufmann's home, Fallingwater, at Bear Run, Pennsylvania. The collection documents the professional and personal relationship between the Kaufmann family and Wright, from the 1930s until the years preceding Wright's death in 1959.

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