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The Theodore Richards Conant Collection documents the life and film making career of Theodore Richards Conant, dating from 1949 to 2010, with the bulk of the materials dating from 1953 to 2000. The focus of the materials is on the Korean War, Korean culture and society. Materials in the collection consist of his personal papers and a substantial amount of audiovisual materials related to the documentary films created and/or collected by him during his career. The personal papers consist of clippings, ephemera, correspondence, scenarios, notes, catalogs, journals and other unique items. The photographs in the collection document Korea's political and cultural aspect, as well as Conant's work in Korea as a film producer while working in the UN Korean Reconstruction Agency (UNKRA). The audiovisual materials are the documentaries directed and filmed by Conant, related to the Korean War, Korean society and culture.

The V. K. Wellington Koo papers document the diplomatic legacy of Wellington Koo as a Chinese statesman and diplomat of the 20th Century. The papers primarily consist of materials collected during Koo's diplomatic career, relating to the Lytton Commission, 1932-1933; the League of Nations, 1931-1940; the United Nations, 1944-1946; his ambassadorships to France, 1932-1941; to Britain, 1941-1946; to the United States, 1946-1956; as the Senior Advisor to the Republic of China from 1956; and as the Judge on the International Court of Justice, 1957-1966. The materials include correspondence, diaries, memoranda, manuscripts, documents, notes, speeches, maps, photographs, printed material, and audio visual material. The bulk of the materials emphasizes China's domestic and foreign affairs, such as the Sino-Japanese conflict, World War II and the Cold War in the Far East region, as well as the League of Nations and the United Nations.

The Amiri Baraka Papers contains correspondence, writings, and the personal, political activism and teaching materials related to Amiri Baraka's career as a poet, writer, editor, activist, and teacher in the New York City Beat, Downtown, and Black Arts literary scenes from the 1960s through the 2000s. Included are manuscripts from Baraka's numerous books of poetry, non-fiction, fiction, plays, editorial work, and screenplays. The collection also features organizational and documentary materials relating to Baraka's university teaching and Newark, NJ-based Black radical activism, as well as audio/visual material, photographs, and printed material collected and created by Baraka.