Search Results
Diplomas and Certificates Collection, 1714-2003, bulk 1800-1959
56.87 linear feetJoanna Wan-Ying Chan papers, 1970-2020
20 Linear Feet12th Exhibit of Asian Artists=第12屆亞裔畫家聯展, 2004 Box 5, Folder 4
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- Calligraphy/Poetic Couplets by Gu Xiangyang 谷向陽楹聯書法個展
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Calligraphy/Poetic Couplets by Gu Xiangyang 谷向陽楹聯書法個展
Yong-jeung Kim papers, 1906-1994, bulk 1940-1975
6 linear feetCorrespondence, manuscripts, speeches, documents, news releases, printed materials, audio recordings, and motion picture film. Of interest in the correspondence are letters from John Foster Dulles, Lieut. Gen. John R. Hodge and Maj. Gen. Archer L. Lerch, the first two U.S. military governors of South Korea, Syngman Rhee, Eleanor Roosevelt, and Kim Il Sung. His correspondence deals mainly with the issue of reunification. The manuscript series includes articles and speeches by Kim as well as unpublished manuscripts by others assigned to him. The documents are mainly those related to the Korean Affairs Institute. The press clippings and printed materials cover Korean problems from 1945 to 1975 and include Korean language newspapers and periodicals. Thera are also some books and pamphlets from his library, including printed volumes of Korean government documents and other books on Korea from the first two decades of the twentieth century, six electrical transcriptions of radio programs in which Kim was interviewed, and one motion picture film "Liberation of Korea."
Korean Language Scrolls Mapcase 15-l-8
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- Calligraphy: 懷思萬端不能成寐, by 鄭海[](정화[]?)
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Reproduction of The Proclamation of Korean Independence, circa 1919.
D'Arcy Hayman papers, 1946-1992
11 linear feetThe collection comprises materials authored by D'Arcy Hayman, including letters, invitations, essays, poetry, drawings, photographs, three monographs, proofs for one monograph, journals, and three scrapbooks. The three scrapbooks are referred to as 1, 2, and 3 (1 is a photo album, while 2 and 3 contain miscellanies: essays, drawings, poems, cards, photos, newsletters, conference materials, air travel documents, clippings, post-cards, festive cup holders, and a one-act play).
Invitations by D'Arcy Hayman Box 1, Folder 3
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- [Hayman regarded her invitations as works of art, with decorated borders, drawings, and calligraphy
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[Hayman regarded her invitations as works of art, with decorated borders, drawings, and calligraphy. Interestingly, perhaps because she regarded them as artwork, Hayman saved only her own writings to correspondents. There are no letters or invitations "to D'Arcy Hayman" in the collection. ]
Research Center for Arts and Culture Oral History Collection, 1990-1993
4 linear feetJean Vollum Transcript, 1990 May 29, 51 pages Box 6
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- , preferred artistic medium, experiences with weaving and calligraphy, role models, Yvonne Bianco, marriage
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SIDE A: First involvement in the arts, Oregon School of Arts and Crafts, family and childhood, first contact with the arts in university, reflections on lack of good arts education in primary and secondary schools, encouragement of children's art education, opinions of parents on art career, discouragement from pursuing an art career, undergraduate education in English literature, self-education in art, preferred artistic medium, experiences with weaving and calligraphy, role models, Yvonne Bianco, marriage, family life, sons' careers, artistic aspirations, reflections on competition in the art world, reflections on the arts and commercialism, work as judge in an art contest, work in arts organizations, Governor's Award for Art, National American Craft Council, work as arts patron, Oregon Symphony, work as spokeswoman for the crafts movement, reflections on arts collecting, artistic judgment as an arts collector, influence of outside opinions on art collecting, outside encouragement for involvement in crafts, relationship to husband, reflections on influence of outside people, reflections on major turning points in career as an artist and patron, relationship to finances, influence of the marketplace on the arts and crafts world, reflections on honors and awards, Hilda Morris, influence on other artists' careers, relationship to public, initiative for arts education, reflections on success, major concerns and interests in life: conservancy [National Board of the Nature Conservancy, Conservation International], art education in schools, classical music, children. SIDE B: reflections on greatest satisfaction and frustration in the arts world, influence of marketplace on art support work, self-description of occupation, advice for young artists.
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