Collections

Correspondence, articles, research notes, manuscripts, illustrations, printed materials, and a phonograph record collected by Schwartz in compiling his HART CRANE, A REFERENCE GUIDE (Boston, G.K. Hall [1983]). Among the correspondents are Alfred Gilman and Allen Tate. There is also a xerox copy of the script for a production of "The Bridge" by Hart Crane as a dance drama performed at Bennington College in the early 1930s

Correspondence, manuscripts and page proofs. The correspondence includes 12 letters from Roland Barthes, 1963-1978, concerning French literature in French and American universities, and one letter from Charles Maurras and his comments on Roudiez's Columbia University dissertation (1950), CHARLES MAURRAS: GENESIS OF A REACTION; also a typescript of the translation and revision of the dissertation, MAURRAS JUSQU'À L'ACTION FRANC̦AISE, published in Paris in 1957. In addition, there are several typescript drafts and page proofs all with holograph corrections for Roudiez's translations of Julia Kristeva's DESIRE IN LANGUAGE (New York: Columbia University Press, 1980) and POWERS OF HORROR (New York: Columbia University Press, 1982); and the typescript for Roudiez's book FRENCH FICTION TODAY(New Brunswick: Rutgers University Press, 1972)

Correspondence and manuscripts of Van Doren, consisting of letters, poems, short stories, novels, plays, radio broadcast transcripts ("Invitation to Learning"), diaries, critical works, proofs, and printed works. Correspondents include Louise Bogan, Philip Booth, Babette Deutsch, Richard Eberhart, T.S. Eliot, John Gould Fletcher, Herbert Gorman, E.W. Howe, Robinson Jeffers, Archibald MacLeish, Louis MacNeice, Edgar Lee Masters, Lewis Mumford, Hyam Plutzik, Allen Tate, and Louis Zukovsky. Also, extensive correspondence with Robert Lax and Thomas Merton, as well as manuscripts by these two authors.

The dead columns of Marvin Kitman, mostly from Newsday. The file folders contain clippings, notes, background research, correspondence, publicity materials, photographs, etc. for the columns. Kitman writes about a variety of topics as he criticizes practically every television program and genre from the 1960s through 2003. There are also a few files of letters, as well as his various "polls".

Correspondence, manuscripts, documents, photographs, article, essays, exhibition catalogs, printed material, and 9 floppy disks of her research on artsits and art in Vichy France, as well as Max Jacob, the French poet, painter, writer, and critic.

Uncataloged novels, plays, and short stories by Blackmur. There are photographs mounted in each of the five volumes. The collection contains THE GREATER TORMENT (novel), KING PANDAR (novel), PLAYS ("The conqueror" "Follow the leader" "Hero" and "The taking of Avis"), SHORT STORIES (33 short stories).

Letters, manuscripts, notes, proofs, course materials, and printed matter. The letters are chiefly from his colleagues at Columbia University, other literary critics, a few publishers and, single letters from several American authors. There is a series of lengthy letters from Chase to his wife, Frances Marie Walker Chase, dated 1938 and 1949-1961; letters from his colleagues and friends to Mrs Chase, 1962-1967, mostly letters of condolence on Chase's death, and a few related to his publications. The manuscripts and proofs of his writings include typescripts on Herman Melville and Walt Whitman. Also included are notes on American and Englisgh literature, course materials for his Columbia courses, articles and reviews by him, articles, reprints and reviews by others, most of which are inscribed to Chase, and three dozen volumes of his own works, including foreign translations. In addition, there are 250 volumes from Chase's library, many with his annotations and marginalia. 1984 ADDITION: Letters from friends dealing with the contemporary literary world between 1948-1955. The main body of material is from Robert Willard Flint, a sometime poet and critic, who was a graduate student at Columbia in 1946 and later worked at the Harvard Library. 1986 ADDITION: Letters to Richard Chase from colleagues in the literary world, 1948-1971, with 2 letters to his wife after his death. 114 of these letters are from Robert Flint, 25 from Lionel Trilling, and 3 letters from Robert Penn Warren

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.