Collections : [Avery Drawings & Archives]

The papers in this collection were gathered by architectural historian Jane C. Loeffler to be used in an unrealized biography on Frederick Gutheim. The bulk of the papers were given to Loeffler by Gutheim. The structure of the files is Loeffler's, except for the first four files in the collection ("Editorial and Publishing Files") which were removed from a file box maintained directly by Gutheim. The bulk of the collection documents Gutheim's professional activities and research. Included are materials on the Pennsylvania Avenue renewal project, Montgomery County preservation efforts, Frederick Law Olmsted Sesquicentennial activities, and research on Frank Lloyd Wright and Alvar Aalto. Additionally, the collection includes unpublished drafts of Gutheim's memoirs.

The collection consists of a report created by Knubel documenting the demolition of Radio Row, a warehouse district on Manhattan's lower west side in the Financial District, to make space for the construction of the World Trade Center. The report, entitled "Spring On Radio Row: The World Trade Center Advances" was written as an assignment for an Urban Design Theory class Knubel was enrolled in as a special student in the Spring 1966. The report includes original photographs by Knubel of Radio Row before demolition, as well as collected images of the preliminary design and site plan for the World Trade Center from The Port of New York Authority. Also included in the collection are newspaper clippings from 1966 regarding the World Trade Center plan and correspondence with Look Magazine's Editorial Board regarding a possible submission.

This collections includes architectural drawings, files and photographs of projects designed by Woodbridge and his various firms, circa 1928-1960s. These include buildings at Presbyterian Church, Savoonga, St. Lawrence Island, Ala.; Cole Memorial Chapel, Wheaton College, Wheaton, IL; Amherst College, Mass.; Smith College, Mass.; St. Mary the Virgin Church, Chappaqua, N.Y.; St. John's Chapel and Library, Hobart College, Geneva, N.Y.; the Keene Valley Congregational Church, Keene Valley, N.Y.; and the Brick Presbyterian Church and the Episcopal Church Center, both in New York City; as well as other churches, residences, and miscellaneous projects. Also, included are drawings done by Woodbridge while a student at the Columbia School of Architecture, early 1920s; photographs of some of Woodbridge's buildings taken mostly by the architectural photographer Samuel H. Gottscho; a small sample of Woodbridge's correspondence, 1941-1942, documenting his role as chairman of the American Institute of Architects Committee on Architectural Services, relating to the role architects could play in the war effort; sketchbooks of various international locations; and photographs and documents relating to archaeological excavations at Antioch in Pisidia, Turkey.

This collection contains primarily original drawings, stencils, and color studies for decorative design work--primarily mosaic tile designs--done by Frederick Krieg for R. C. Fisher & Co., other unidentified companies, and likely for himself, in New York City. Although only a very few of the drawings can be attributed to specific buildings, a small group of designs were created by Krieg for the ceiling of the main floor of Surrogate's Court / Hall of Records in Manhattan. Additionally, a small number of window shade design templates, project photographs, and design reference files complement Krieg's drawings. Also included in the collection are three photograph albums and ephemeral materials documenting projects and social events associated with Krieg's son, Charles R. Krieg, a structural engineer working for the Foundation Company. Lastly, the collection contains a small group of papers regarding stone maintenance from Krieg's youngest son, architect Theodore Krieg.

Collection consists of hundreds of albumen prints mounted on linen. The prints are of historic monuments and architectural and decorative details in European countries such as Italy, France, and Spain. These types of study prints were commonly found in many architectural firms during the late 19th and early 20th century. Though it is unclear how this particular collection of albumen prints was amassed by the office of G.A. and H. Boehm, Architects, it is possible that either brother purchased the prints while traveling in Europe during the 1890s-1900s. Many of the prints in the collection are from the core of historic images of art historical monuments. The majority of the prints are from the Italian firm Fratelli Alinari. In 1852 Leopoldo Alinari established a studio in the Via Nazionale in Florence. Two years later, his brothers Giuseppe and Romualdo (1830-1891) joined him in the venture which they then named "Fratelli Alinari, Fotografi Editori." Giuseppe and Romualdo managed the business while Leopoldo traveled, photographing monuments in Rome, Florence, Naples, Pompeii and elsewhere in Italy. By the 1860s the business expanded to a portrait studio and then publishing firm.

This collection primarily includes published materials on Whistler, including articles and documentation on Whistler's life and work, and a small group of Teall's original research notes and correspondence about Whistler.

This collection is composed primarily of correspondence, course material, writings, notes, photographs, slides, and audio tapes. Much of the material pertains to Collins' career as a professor at Columbia University. There is also a bulk of material regarding to the 1962, 1964, and 1966 Modern Architecture Symposiums held at Columbia University, as well as the publication of N.A. Miliutin's Sotsgorod: The Problem of building Socialist Cities, which was translated from Russian to English by Arthur Sprague. The basis for the series and subseries order was developed from Collins' own groupings. For the majority of the collection, Collins' folder titles have been maintained and the material has been arranged chronologically.

This collection is photograph archive of the works of architectural photographer George Cserna. Images include interior and exterior shots of prominent New York buildings primarily during the 1960s. The collection has been arranged alphabetically by the client or architect of the building. Some of George Cserna's most notable work in this collection includes photographs of Ulrich Franzen's Agronomy Building, Emerson Hall, and Goddard Library at Cornell University; Haines, Lundberg, and Waehler's U.S. Trust Building and Schering-Plough Headquarters; Victor Lundy's I. Miller Store and IBM Headquarters; and I. M. Pei's John Hancock Tower, Mount Royal Bank and Ville Marie Complex, and MIT Chemistry Building. The collection also contains photographs of exhibitions and openings at the Museum of Modern Art in the 1960s and 1970s, such as The Responsive Eye and Toward a Rational Automobile. Finally, the collection has photographic portraits of notable persons including John dos Passos, W.H. Auden, and William Faulkner.

Architectural drawings, correspondence, pamphlets, photographs, and newspaper and magazine clippings pertaining to projects completed by George de Ris and Lamb Studios. Correspondents include Lee Lawrie, Hartley Burr Alexander, B.G. Goodhue Associates, George de Ris, J.D. Denney, James A. Mitchell, Karl Lamb, and Marshall Muir. Drawings represent the following projects: Nebraska State Capitol, Lincoln, Nebraska; Christ Church, Grosse Pointe Farms, Mich.; St. Peter's Church, New York, N.Y.; West End Methodist Episcopal Church, Winston-Salem, N.C.; and other unspecified projects