Collections : [C.V. Starr East Asian Library]

C.V. Starr East Asian Library

C.V. Starr East Asian Library

300 Kent Hall
1140 Amsterdam Ave.
New York, NY 10027, USA
starr@library.columbia.edu
The C. V. Starr East Asian Library is one of the major collections for the study of East Asia in the United States, with materials in Chinese, Japanese, Korean, Tibetan, Mongol, Manchu, and western-languages, including books (both print and electronic), periodicals, newspapers, audio-visual material, databases, and more.

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Abe Kōbō collection, 1933-2002, bulk 1950-1993

11 linear feet
Abstract Or Scope

Original books, pamphlets, journals, magazines, manuscripts, and ephemera produced, published and collected by Abe Kōbō. Also includes photocopied newspaper, magazine, and journal articles as well as book excerpts from Abe Kōbō's study.

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Japanese Photograph and Postcard Collection, 1911-1990, bulk 1930-1940

2.6 Linear Feet
Abstract Or Scope

This Japanese photograph and postcard collection is composed of five different groups: photographs and postcards collected by Samuel McCune Lindsay (Series 1); photographs and postcards collected by J. W. T. Mason (Series 2); photographs donated by Katharine Becke (Series 3); Japanese Subjugation of Rehe Sheng (China) "Public Relations Photographs" (Series 4); and other postcards and photographs (Series 5). The majority of items were created and/or collected during the 1930s in Japan; however, the collection includes items created throughout the twentieth century as well as originating in neighboring countries such as China and Korea.

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Letters to Donald Keene from Japanese literary figures, 1952-2004

5 linear feet
Abstract Or Scope

This collection contains letters, postcards, manuscripts, published papers, photographs, and other ephemera from Japanese literary authors, critics, artists, and architects such as Abe Kōbo, Kawabata Yasunari, Mishima Yukio, Ōe Kenzaburō, Tanizaki Jun'ichirō. These materials were sent to, or otherwise acquired by, Professor Donald Keene between 1952 and 2004.

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Sino-Japanese and Russo-Japanese War Prints Collection, 1864-1904, bulk 1894-1895, 1904

3 Linear Feet
Abstract Or Scope
The Sino-Japanese and Russo-Japanese War Prints Collection (Nisshin Nichi-Ro sensō nishikie; 日清・日露戦争錦絵) is a collection of 110 nishikie prints by various late 19th Century Japanese ukiyo-e artists depicting events during the First Sino-Japanese War and the Russo-Japanese War, as well as other events, dating from 1864-1904.
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The Barbara Curtis Adachi Bunraku Collection, 1964-2003

57 linear feet
Abstract Or Scope

This collection contains slides, photographs with corresponding contact sheets and negatives, audio and video materials, performance-related printed materials, realia objects and personal papers. Visual, audio, video and printed materials, and realia objects are described at the item level with play titles, production dates, and performer names and other descriptors, if applicable. Personal papers are described at the folder level. 178 plays, 290 productions, and 183 performers of the National Bunraku Troupe are cited in this collection. Visual and printed materials for fifteen Living National Treasures of Japan in Bunraku are also included in this collection.

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The Barbara Curtis Adachi Hands of Japan Collection, 1942-2003, bulk 1970-1993

22 Linear Feet
Abstract Or Scope

This collection contains correspondence, manuscripts, notes, slides, audio and video cassettes, negatives, transparencies, articles, books, ephemera, postcards and realia objects.

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Theodore Richards Conant Collection, 1949-2010, bulk 1953-2000

76 Linear Feet
Abstract Or Scope
The Theodore Richards Conant Collection documents the life and film making career of Theodore Richards Conant, dating from 1949 to 2010, with the bulk of the materials dating from 1953 to 2000. The focus of the materials is on the Korean War, Korean culture and society. Materials in the collection consist of his personal papers and a substantial amount of audiovisual materials related to the documentary films created and/or collected by him during his career. The personal papers consist of clippings, ephemera, correspondence, scenarios, notes, catalogs, journals and other unique items. The photographs in the collection document Korea's political and cultural aspect, as well as Conant's work in Korea as a film producer while working in the UN Korean Reconstruction Agency (UNKRA). The audiovisual materials are the documentaries directed and filmed by Conant, related to the Korean War, Korean society and culture.
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