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Correspondence, manuscripts, typescripts, notes, reports, memoranda, documents, and printed materials relating to Friess' dual career. The correspondence files include letters from professors of religion and philosophy at Columbia and other universities; from his students; letters dealing with Columbia academic matters; letters with related reports and memoranda concerning his membership in the Society for the Scientific Study of Religion and the American Council of Learned Societies Committee on the History of Religion, the latter concerned with lectures on Chinese religions by Wing-Tsit Chan in 1950 and on Islam by Louis Massignon in 1952. The academic writings of Friess consist of manuscripts, typescripts, manuscript notes, course materials, and other items relating to his teaching, research, publishing and other activities and associations at Columbia. Religion and philosophy are the chief topics, particularly German philosophy. There are numerous manuscripts submitted to Friess by colleagues and students, including three lengthy ones by Dr. Arno Carl Coutinho.

This collection documents the life and career of J. Max Bond, Jr., one of the most influential and prominent African-American architects and educators in the United States. The collection primarily documents Bond's professional activities rather than his building projects; however, the collection does contain project records and office records. The collection is made up of six series: Office Records, Personal Papers, Faculty Papers, Professional Papers, Project Records, and Reference Materials.

This collection consists of photographs, correspondence, event materials, fundraising records, calendars, publicity materials, programs, newsletters, interviews, and records related to a renovation project. It includes two photograph albums/scrapbooks containing mostly photographs, plus a few documents, with 61 black and white photographs of events at the Maison française, such as the visits of Edith Piaf, Jean-Paul Satre, Maurice Chevalier, Charles Boyer and Marcel Marceau.