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The William Muschenheim collection spans from 1929 to 1957, with bulk dates from 1931-1950. The collection documents approximately 130 separate jobs and is made up of architectural drawings, correspondence, accounts, estimates, specifications, invoices, contracts, samples, invoices, and other material related to Muschenheim's professional projects. The projects mainly represent Muschenheim's work in New York City, but also include work in Albany (NY), Amenia (NY), Bridgehampton (NY), Chappaqua (NY), Hampton Bays (NY), Malverne (NY), Massapequa (NY), Nassau Point (Long Island), Washington (CT), Washington DC, Westhampton Beach (NY), and Woodstock (NY), among other locations.

Architectural drawings, correspondence, pamphlets, photographs, and newspaper and magazine clippings pertaining to projects completed by George de Ris and Lamb Studios. Correspondents include Lee Lawrie, Hartley Burr Alexander, B.G. Goodhue Associates, George de Ris, J.D. Denney, James A. Mitchell, Karl Lamb, and Marshall Muir. Drawings represent the following projects: Nebraska State Capitol, Lincoln, Nebraska; Christ Church, Grosse Pointe Farms, Mich.; St. Peter's Church, New York, N.Y.; West End Methodist Episcopal Church, Winston-Salem, N.C.; and other unspecified projects

Collection consists chiefly of drawings and photographs. It contains over 755 drawings of private residences and other projects, such as an addition to Gracie Mansion (New York, N.Y.) and alterations to Columbia University's School of Journalism. Also included are 266 project photographs.

This collection contains original drawings for thirty-nine architectural commissions, dated from 1913 to 1946. The majority of projects were located in New York City; other locations include the District of Columbia, Pennsylvania, South Carolina, and Virginia. Projects with the greatest number of extant drawings include River House in New York City (1930-1931); the Ernest P. Davies residence in Roslyn, New York (1916); the William Goadby Loew residence in Old Westbury, New York (1931-1932); and the Robert Goelet residence in Georgetown, South Carolina (1935). Drawings are primarily done in graphite on tracing paper, with some in ink on drafting linen.

Drawings are primarily for residential commissions in and around New York City, Connecticut, and Rhode Island. Some manuscript and photographic materials are also included in the collection.

Arranged alphabetically by Theatre name, the collection is made up of over 700 theatre programs and Playbills; included are some of the most prominent productions in the New York area during the 20th century. Often included in the programs are seating charts for specific theatres.

A 1956 proposal drafted by Skidmore, Owings & Merrill for the Union Carbide Building, a historically significant, mid-twentieth century office tower located at 270 Park Avenue, just north of Grand Central Station. The proposal consists of reproductions of plan and elevation drawings and photographs of the Union Carbide model, together with outline specifications, cost estimates, and construction and drawing schedules.