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Letters and manuscripts. Nearly all of the thirty eight letters are written to his agents and are concerned with the publishing of his writings. The manuscripts include the first typescript draft of his play"The Strike at Arlingford" (X825M782/W/1890) and portions of A STORY-TELLER'S HOLIDAY. Bound with "The Strike at Arlingford" are four letters written by Moore to the Marquise Clara Lanza, dated August 1889-April 1890

Correspondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.

38 issues published from 1999-2009; designed, printed, collated, folded and staple-bound at the Goodie office in Brooklyn, NY; most issues were printed for subscribers, with extras being printed for special events of a given subject, and later by online orders; average between 200-500 copies per issue; readers were notified of new issues by postcard in the mail at first and later by email

Correspondence, manuscripts, memoranda, contracts and other legal papers, advertising, and printed materials. The files, 1958-1978, of the Harold Matson Company, Inc. include correspondence with authors, publishers, and other agents and deal with the editing and publishing of American and English books, serial rights, reprints, dramatic rights, translations, foreign rights, promotion, and copyright registration. The contract file of McIntosh, McKee & Dodds, Inc. Literary Representatives is also included.

Correspondence, manuscripts, documents, photographs, and printed materials documenting the life of Harold Melvin Triggs. The correspondence is primarily personal and from other musicians. There are concert prograpms from various points in Trigg's career and photographs primarily of Triggs and Vera Brodsky. There are manuscript and printed scores mainly of piano music but of some orchestral music as well. There is also a scrap book made by Triggs as a small child