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The collection consists primarily of Voice of America transcripts, dating from 1950-1963. (There are also six notebooks containing notes taken during interviews). The subject files include materials of "Asotsiïatsiï Ukraïnsḱykh Universytetsḱykh Z︠h︡inok na Emihratsiï." The printed materials consist of clippings with articles by Drazhevsḱa (1947-1963), brochures, periodicals and books. The later 1-box addition contains materials from 1960s and 1970s.

The collection consists of correspondence, subject files, blueprints, drawings, stamps, documents, photographs and printed materials. Manuscripts are mostly by Lodygin's wife Alma, and include "The Story of a Brilliant Russian" (100 p.) about her husband. There is also a manuscript (52 p.) by Professor Albert Parry entitled "Legendary Lodygin," which appeared in the emigre newspaper "Novoe Russkoe Slovo." A handwritten manuscript (23 p.) by Lodygin is included under the title "Treatise on Arc Lamps and Incandescent Lamps."

This is a small collection of exhibition catalogs, clippings, articles, photographs, and a few items of correspondence concerning the artist Lovis Corinth, assembled by his son, Thomas Corinth, who donated it to the Avery Library.

Correspondence, manuscripts, photographs, and printed materials. There are manuscripts for his books, short stories, articles, and other writings. The printed materials include books written, edited, and translated by Komroff, as well as his contributions to anthologies and periodicals. There are also a number of books by other authors inscribed to him. Most of the photographs are portraits of literary figures, the majority of which were taken by Komroff.

The collection consiste of correspondence, memoranda, reports, bulletins, clippings, photographs, awards, and printed material. The files, arranged by genre and topic and reflect her philanthropic and legislative work in the areas of health, specifically cancer, heart disease, and mental health. Her civic and legislative work is covered in detail, as well as her private interests and activities.

Autograph and typed letters from James Thomas Farrell to Schapiro, concerning Farrell's personal life, his writings, and current social and political affairs. There are also eight of Farrell's manuscripts from the 1960s. The long friendship of neighbors is seen in Farrell's personal letters about his private life and his family and in the discussions of whichever novel he was working on at the time. The main body of the correspondence is from the World War II period and shows much concern for current events in the Soviet Union as well as in the U.S. and Europe. The author also made a few forays into Irish humor, as in the use of his pseudonym, Jonathan Titelescu Fogarty. There are autograph drafts of Prof. Schapiro's replies to and notes about Farrell, and letters and post cards from Farrell's actress wife, Hortense Adler. Also, a letter from Frances Mitchell on her book, THE AWAKENING - LE REVEIL, 1950.

These papers consist of correspondence, manuscripts, documents, and printed materials. Most of the correspondence concerns Florinsky's publications and editorial work. Among the correspondents are Boris Bakhmeteff, Michael Karpovich, Aleksandr Meyendorff, Bernard Pares, James T. Shotwell, and Dmitriĭ Svi︠a︡topolk-Mirskiĭ: there are one or two items each from John Dewey, Herbert Hoover, Edwin Seligman, and Harry S. Truman. Manuscripts by Florinsky include his "Russia: A Short History" and some minor articles and book reviews. Other manuscripts include a poem by Bernard Pares and a study by Sergeĭ Prokopovich of the Soviet five-year plan of 1946-50; there is also a photograph of Meyendorff. Documents concern Florinsky's career at Columbia and also include book contracts. Printed materials consist chiefly of reviews of his works and reviews he wrote of others' books.

Correspondence, manuscripts, notes, diaries, documents, photographs, audio tape recordings, printed materials, scrapbooks, and sketches and drafts of portraits. Her finished portraits on ivory are cataloged separately for the Art Collection (q.v.). The collection includes her correspondence with friends and clients; manuscripts of her articles, lectures, and many unpublished autobiographical drafts; pencil sketches, watercolor drafts, and photoprints of her portraits on ivory; photographs of her family amd travels; clippings and other printed materials; and three scrapbooks of clippings and memorabilia. There is cataloged correspondence from Arnold Genthe, S.I. Hayakawa, Karen Horney, Burges Johnson, Dwight Macdonald, and Alice B. Toklas, etc.