%22Manuscripts%20(literary).%22 / Collection: Jerome Moross papers, 1924-2018 - Columbia University Libraries Archival Collections Search Results

Start Over %22Manuscripts%20(literary).%22 Collection Jerome Moross papers, 1924-2018

Orchestral scores: manuscripts. 19) "From Atlanta to the Sea"; 132 p. 20) "What Has Become of Beauty?"; 47 p. 21) "Have You Seen Him?"; 29 p. 22) "Grand Finale"; 27 p., 1963 4 folders Flatbox 246

Highlight: Orchestral scores: manuscripts. 19) "From Atlanta to the Sea"; 132 p. 20) "What Has Become of
Beauty?"; 47 p. 21) "Have You Seen Him?"; 29 p. 22) "Grand Finale"; 27 p., 1963

Parts for musical numbers 13-22. Manuscripts on transparancies (with changes) and blueprint copies. 1) "The Contraband Ball," manuscript. 2) "The Contraband Ball," copies. 3) "Gentlemen, Be Seated!" manuscript. 4) "All Quiet on the Potomac," manuscript. 5) "All Quiet on the Potomac," copies. 6) "Mr. Brady Takes a Photograph," manuscript. 7) "Mr. Brady Takes a Photograph," copies. 8) "I Can't Remember," manuscript. 9) "I Can't Remember," copy. 10) "From Atlanta to the Sea," manuscript. 11) "From Atlanta to the Sea," copies. 12) "What Has Become of Beauty?" manuscript. 13) "What Has Become of Beauty?" copies.14) "Have You Seen Him?" manuscript. 15) "Have You Seen Him?" copies. 16) "Grand Finale," manuscript. 17) "Grand Finale," copies., 1963 17 folders Box 19

Highlight: Parts for musical numbers 13-22. Manuscripts on transparancies (with changes) and blueprint copies
. 1) "The Contraband Ball," manuscript. 2) "The Contraband Ball," copies. 3) "Gentlemen, Be Seated
!" manuscript. 4) "All Quiet on the Potomac," manuscript. 5) "All Quiet on the Potomac," copies. 6) "Mr. Brady

Orchestral score: manuscript in hand of Bernard L. Mayers and others. 37) Reel 16, Part 1: "The War Party Gathers"; 22 p. 38) Reel 16, Part 1 (new). 25 p. 39) Reel 17, Part 1: "McKay in Blanco Canyon." 27 p. 40) Reel 18, Part 1: "Jim and Julie"; 2 p. 41) Reel 18, Part 2: "The Major Alone"; 14 p. 42) Reel 19, Part 1: "The Duel"; 4 p. 43) Reel 19, Part 2: "The Death of Buck Hennessy"; 11 p. 44) Reel 19, Part 3 and Reel 20, Part 1: "Ambush in Blanco Canyon"; 30 p. 45) Reel 20, Part 2: "The Stalking"; 8 p. 46) Reel 20, Part 3: End Title; 12 p., 1958 Flatbox 240

Highlight: Orchestral score: manuscript in hand of Bernard L. Mayers and others. 37) Reel 16, Part 1: "The War
Party Gathers"; 22 p. 38) Reel 16, Part 1 (new). 25 p. 39) Reel 17, Part 1: "McKay in Blanco Canyon." 27
, Part 3 and Reel 20, Part 1: "Ambush in Blanco Canyon"; 30 p. 45) Reel 20, Part 2: "The Stalking"; 8 p
Abstract Or Scope: [Full score: 665 pages in 46 folios]

Orchestral score: manuscript in hand of Bernard L. Mayers and others. 14) Reel 6, Part 1: "McKay's Triumph"; 11 p. 15) Reel 6, Part 2: "Major Terrill's Party"; 14 p. 16) Reel 6, Part 2A: "Major Terrill's Party" (continued); 9 p. 17) Reel 7, Part 1: "Waltz"; 28 p. 18) Reel 7, Parts 2 and 3: "Polka"; 7 p. and Part 2, "alternate ending"; 1 p. 19) Reel 7, Part 4: "Night in Blanco County"; 4 p. 20) Reel 8, Part 1: "McKay's Ride"; 8 p. 21) Reel 8, Part 1A: "McKay is Missing"; 11 p. 22) Reel 8, Part 1B; 16 p. 23) Reel 9, Part 1: "Waiting"; 2 p. 24) Reel 9, Part 2: "Horror Stories"; 10 p. 25) Reel 9, Part 3: "The Big Muddy"; 14 p. 26) Reel 10, Part 1: "Still Waiting"; 12 p. 27) Reel 10, Part 2: "McKay Alone"; 10 p. 28) Reel 10, Part 3: "Night at Ladder Ranch"; 5 p., 1958 Flatbox 239

Highlight: Orchestral score: manuscript in hand of Bernard L. Mayers and others. 14) Reel 6, Part 1: "McKay's
Part 2, "alternate ending"; 1 p. 19) Reel 7, Part 4: "Night in Blanco County"; 4 p. 20) Reel 8, Part 1
: "McKay's Ride"; 8 p. 21) Reel 8, Part 1A: "McKay is Missing"; 11 p. 22) Reel 8, Part 1B; 16 p. 23) Reel 9
Abstract Or Scope: [Full score: 665 pages in 46 folios]

Conductor score: manuscript; signed. 1) 1A: "Prelude"; 4 p. -- 2) 1C: "Main Title"; 7 p. -- 3) Reel 2, Cue B: "Pagan Shrine"; 3 p. -- 4) Reel II, Part C: "Forsaken Village"; 4 p. -- 5) Reel II, Part D and Reel II Part A: "Obsession Begins"; 8 p. -- 6) Reel III, Part B: "Father's Fate"; 3 p. -- 7) 3C: "The Hunt"; 1 p. -- 8) 3D: "Naked Emotion"; 6 p. -- 9) 4A: "To Ease the Pain"; 9 p. -- 10) 4B: "Agony Shared"; 2 p. -- 11) 4C: "Injured Dignity"; 3 p. -- 12) 4D-5A: "Witch Chase"; 4 p. -- 13) 5B: "Come Lie with Me"; 6 p. -- 14) 5C: "Judge and Jury"; 2 p. -- 15) 5D: "Consent to Wed"; 5 p. -- 15) Reel VI, Part A: "Rustic Wedding"; 5 p. -- 16) 6B: "Marriage Ceremony and Dance"; 6 p. -- 17) 7A: "Virgin Sacrifice"; 6 p. -- 18) 7B: "Bewitched"; 5 p. -- 19) 7C-8A: "Vigil in the Night"; 1 p. -- 20) 8B: "Pledge at Dawn"; 6 p. -- 21) 9B: "What of the Future"; 11 p. -- 22) 13C-14A: "Vengeance and Death"; 10 p. -- 23) 14B: "End Title"; 2 p., 1965 Flatbox 256

Highlight: Conductor score: manuscript; signed. 1) 1A: "Prelude"; 4 p. -- 2) 1C: "Main Title"; 7 p. -- 3) Reel
Sacrifice"; 6 p. -- 18) 7B: "Bewitched"; 5 p. -- 19) 7C-8A: "Vigil in the Night"; 1 p. -- 20) 8B: "Pledge at
Dawn"; 6 p. -- 21) 9B: "What of the Future"; 11 p. -- 22) 13C-14A: "Vengeance and Death"; 10 p. -- 23

Jerome Moross papers, 1924-2018 70.25 linear feet

Highlight: Manuscripts (documents)
Score for American Pattern Processed HR 04/22/1993.
Music score Processed HR 02/22/1994.
Creator: Moross, Jerome, 1913-1983
Abstract Or Scope: Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.