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Institute for Research on Women, Gender, and Sexuality Oral History Collection, 2014-2015

35 Volumes
Abstract Or Scope
The Institute for Research on Women, Gender, and Sexuality (IRWGS) at Columbia University is an interdisciplinary institute for feminist scholarship and education. It was established as the Institute for Research on Women and Gender (IRWAG) in 1987. Anticipating its 25th anniversary, the Institute for Research on Women, Gender, and Sexuality (IRWGS) approached the Columbia Center for Oral History Research (CCOHR) in 2012, about an oral history project to document the history of the department and the growth and development of feminism at Columbia. The IRWGS Oral History Project was conducted with funding from the President's Office and was the first project undertaken by CCOHR in its new home at the Interdisciplinary Center for Innovative Theory and Empirics (INCITE). Interviews with current and past directors of IRWGS, affiliated and allied faculty, administrators, and students were conducted between 2014 and 2015. The Institute for Research on Women, Gender, and Sexuality Oral History Project is comprised of interviews with 36 individuals involved in the founding and development of the Institute for Research on Women, Gender, and Sexuality (IRWGS) at Columbia University. Interviewers conducted these interviews over 68 sessions, creating over 90 hours of recordings. Nine of these sessions were recorded on video, and interviews have been transcribed. Interviewers were guided by a set of research questions, which emphasized the role of IRWGS as a political actor within the broader context of Columbia University, agitating for the inclusion of feminist analysis and practice. As the project progressed, questions expanded to explore issues of generation, activism, the developments within feminism(s), evidence of increasing support of IRWGS by the university, and the challenge of addressing diversity, sexuality and other forms of social difference theoretically and as professional practice.
1 result

Farah Griffin, 2015 June 9 Box 2

The Makino Mamoru Collection on the History of East Asian Film, 1863-2015, bulk 1920s-1990s

370.11 linear feet
Abstract Or Scope
Over the course of fifty years, the former documentary filmmaker Makino Mamoru (1930-) developed an extensive collection on the history of East Asian film, which covers the history of Japanese cinema spanning over a hundred years. The collection as a whole contains approximately 80,000 items, and focuses on print materials. The materials cover various film events and festivals across multiple genres of films: experimental films, educational films, documentary films, news films, amateur films, and animated films, among many others. The collection contains books, correspondences, handbills, magazines, manuscripts, newspapers, notes, photographs, postcards, posters, scripts/scenarios, slides, glass plate negatives, video cassettes, and other printed materials.
1 result

Subseries VI.13: Music Songbooks, 1924-1987 [Bulk Dates:1960-1969], 1924-1987

Paul Jarrico papers, 1914-2014

44 linear feet
Abstract Or Scope
Paul Jarrico (1929-1996) was a Hollywood screenwriter working in the studio system in the 1930s and 1940s. A lifelong communist, he was subpoenaed before the House Committee on Un-American Activities in 1951. His refusal to comply with the Committee's questions saw him lose his job at RKO and placed on the so-called Hollywood "Blacklist." His films were marked by their marriage of art and politics, often commenting on the pressing issues of their time. Notably, his 1954 film Salt of the Earth, a collaboration between blacklisted filmmakers and the International Union of Mine, Mill and Smelter Workers, was regarded as a subversive critique of mid-century American capitalism.
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