Series II: Laughing Girls

Scope and content:

This series contains research materials and process work for the project Darden was working on at the time of his death. incorporated architectural drawing, collage, and narrative in the form of an architectural graphic novel centered on three characters: Helen, Cass, and Polly. The series includes correspondence regarding travel and requests for financial assistance, as well as information on and submissions to various grant programs. It also includes a spiral bound portfolio of several artists meant to be included in the project, entitled "The Graphic Novel: an Investigation of the Interdisciplinary Design Process."

Ten folders contain research materials on outbreaks of laughter and mania, on the anatomy of the human body (specifically that of speech capabilities and female reproductive cycles), on Africa (Darden's early site for the project), on Boston (a stop in the story's itinerary) and on Darden's two main sites for the project: Troy New York, and Troy in Greece. These folders include maps, postcards, pamphlets, newspaper clippings, and magazine clippings.

Darden's process for the project included experimenting with text and font, and rendering with various graphic images he had collected from his research and travels. This series includes many of these graphic experiments and sources, notably those from his travel souvenirs.

For this project, Darden worked with audio recordings of girls laughing, and four folders entitled "Laugh Graphics" contain FFT (Fast Fourier Transform) print outs that visually represent frequencies from these recordings, and were used as graphic elements.

Two folders encompass Darden's notes for the project (including notes on two airsick bags), and Darden's outlines of the girls' characters. The folder "Negatives & Prints" notably includes x-rays of the esophagus and repairs to broken bones made with internal fixation. The series also contains drawings, drafts, and storyboarding for the graphic novel.

Contents

Access and use

Parent restrictions:

This collection is available for use by appointment in the Department of Drawings Archives, Avery Architectural and Fine Arts Library, Columbia University. For further information, please email avery-drawings@library.columbia.edu.

This collection is available for use by appointment in the Department of Drawings Archives, Avery Architectural and Fine Arts Library, Columbia University. For further information, please email avery-drawings@library.columbia.edu.

Parent terms of access:
Columbia University is providing access to the materials in the Library's collections solely for noncommercial educational and research purposes. The unauthorized use, including, but not limited to, publication of the materials without the prior written permission of Columbia University is strictly prohibited. All inquiries regarding permission to publish should be submitted in writing to the Director, Avery Architectural and Fine Arts Library, Columbia University. In addition to permission from Columbia University, permission of the copyright owner (if not Columbia University) and/or any holder of other rights (such as publicity and/or privacy rights) may also be required for reproduction, publication, distributions, and other uses. Responsibility for making an independent legal assessment of any item and securing any necessary permissions rests with the persons desiring to publish the item. Columbia University makes no warranties as to the accuracy of the materials or their fitness for a particular purpose.
Location of this collection:
300 Avery Hall
1172 Amsterdam Ave.
New York, NY 10027, USA
Before you visit:
Researchers are encouraged to request materials at least one month in advance. You will receive an email from the department within 2-3 business days confirming your request and currently available appointment times. Requests are limited to 8 boxes per day (or equivalent), with a maximum of 5 boxes for off-site materials, 5 folders of drawings, or 5 rolls or tube boxes.
Contact:
avery-drawings@columbia.edu