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Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

Correspondence, memoranda, and legal and financial documents of Keppel. The files deal largely with Keppel's personal and professional life during his tenure as President of the Carnegie Corporation, and also include some files from his years as Newton D. Baker's Third Assistant Secretary of War, and as Dean of Columbia College. There are extensive files of correspondence from and to Keppel's parents and children, as well as files concerning his activities in organizations such as the Century and Columbia University Clubs. The letters from friends and business associates concern American education, politics, business, and cultural life, particularly in the New York metropolitan area, from 1900 to 1943.

Correspondence, manuscripts, documents, photographs, notes, inteviews, articles, newspapers, clippings, and press releases of Harrison Evans Salisbury, a prominent journalist and editor.

The collection contains over 130 feature films, shorts, and documentaries about Palestine, or by Palestinian film makers and artists, and is based on Dreams of a Nation, a Columbia University based film project committed to the preservation and promotion of Palestinian cinema. The main curator of the Dreams of a nation project, Prof. Hamid Dabashi explains the background and history of the project and collection in the following words: "[Dreams of a Nation] began early in the 1990s with the acquisition and inclusion of Palestinian films in courses I taught at Columbia on Middle Eastern cinema. The late Edward Said and his assistant Zeyneb Asterabadi were instrumental in facilitating my initial contacts with Palestinian filmmakers, and Richard Pena was extremely helpful in helping me locate Palestinian films. These courses eventually culminated in a major Palestinian film festival we organized in January 2003 at Columbia University, and continued with taking that festival to Palestine in February 2004. The initial collection of the films screened in the course of these two festivals were subsequently expanded into a major archive of Palestinian films, which is now safely housed at Columbia University in New York City. This collection is being carefully preserved, expanded, and digitized for future use by scholars and students of Palestinian cinema. The initial team that organized these two film festival and created this website included my research assistant Fatima Ali, as well as Columbia University students Kareem Fahim, Annemarie Jacir, and Kamran Rastegar, as well as Enas Muthaffar and Luma Shihab-Eldin. Annemarie Jacir curated these two festivals. My edited volume, Dreams of a Nation: On Palestinian Cinema (Verso, 2006) was a result of this project."