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Papers include correspondence, manuscripts, documents, photographs, subject files, and printed materials. The extensive correspondence relates to Mogilat's personal and professional activities and includes letters from many of her students and colleagues. Correspondents include Gleb Struve, Alexandra Tolstoy and Boris Unbegaun. Of special interest are letters by her first husband Baron von Taube, written from the front during World War I, and correspondence with various Russian acqaintances about the Soviet Union in the 1920s and 1930s in which they describe life in a communal apartment, and plans to rescue friends who have been arrested. Subject files concern Columbia's Russkiĭ Kruzhok and the Avtonomoff method of teaching Russian to Americans. There are letters, photographs, concert programs and music of Russian emigre composer and pianist Ariadna Mikeshina. Manuscripts are by various persons; most are by John Paul Mihaly, who had been Mogilat's student. There is also a manuscript of translations by Clarence Manning, "Four Poems by Blok." Documents and photographs concern Mogilat and her family, both before and after emigration. Printed materials consist mostly of off-prints of articles by Clarence Manning and others, primarily on literary topics. There are also books, mimeographed materials, periodicals, and clippings.

This collection contains audio recordings of Fellowship talks delivered by Olgivanna Lloyd Wright to members of the Taliesin Fellowship nearly each week, usually on Sundays organized chronologically from 1952-1984. These talks continued a tradition begun by Frank Lloyd Wright; they similarly cover a range of topics from Frank Lloyd Wright's Organic Architecture (often read from transcriptions of his Fellowship talks) to the daily activities of the Fellows. Many include her reading from poetry and philosophy and her own theories on moral character and the ethics of hard work. The collection also includes other talkes, speeches, and interviews with Olgivanna Lloyd Wright.

The Charles Dudley Arnold photographic collection is composed of three parts. The first is a collection of 47 platinum print photographs showing views of the Columbian Exposition. These photos were formerly mounted in an album from the library of McKim, Mead & White, architects. This album was v.10 of a 14 volume "collection of albums of photographs, illustrations from periodicals, clippings and sketches depicting works of the firm," now in Avery Classics at AA 712 M195.

Letters, manuscripts and documents, primarily from Germany, Austria and Hungary of the 17th-19th centuries; most are 19th century German. Included are materials about music, theatre and contemporary events; documents from the German aristocracy; and 18th and 19th century business and military records; passports and manuscripts of poems.

Typescript memoir by P. V. Danil'chenko entitled "Moi vospominaniia o Velikom Kniaze Konstantine Konstantinoviche: k predstoiashchemu v 1958 godu stoletiiu so dnia ego rozhdeniia" (40 pages typescript). The memoir concerns cultural evenings organized by the Grand Duke Konstantin Konstantinovich in the Izmaĭlovskii Guard Regiment and the 1914 production of the Grand Duke's play "Tsar' Iudeiskii" at the Court Theater in the Hermitage, for which Glazunov composed incidental music.

The Zarzuela Collection at Columbia University consists of almost five hundred different zarzuelas. Both nineteenth and twentieth century works are represented by libretti, scores, and separate instrumental parts. Formats include printed, typewritten, and handwritten items. Many of the libretti contain role assignments and other handwritten notes which indicate they were used by a traveling zarzuela company. Among the authors of the libretti are Javer de Bergos y Sarragoiti, Jose Estremero y Cuenca, Jacinto Benavente, and the Quintero brothers.