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Lawrence A. Wien papers, 1954-1982

60 linear feet
Abstract Or Scope

Correspondence, documents, financial records and memorabilia. The personal correspondence of Lawrence A. Wien, 1960-1983; including memoirs and notes on interests both personal and financial. The Lawrence A. Wien Foundation files include correspondence, 1958-1976, information on the Foundation's 10-year trust, and information on tax returns. Files for the Charles and Rosanna Batchelor Memorial fund consist of general correspondence, grant requests, and miscellaneous financial documents. The Committee to Increase Corporate Philanthropic Giving files comprise a large part of the collection. Among the numerous individual corporations represented are the American Broadcasting Company and the Zale Company. Wien's Foundation for the Improvement of Housing Arrangements for Official Foreign Personnel has personal files for each person receiving the Foundation's benefits, guarantees for those individuals, and letters ment to solicit funds from various corporations

George Santayana papers, 1880-1946

10 linear feet
Abstract Or Scope

Letters from Agustin Ruiz de Santayana have typescript carbon English translations. The translations are not on microfilm.

2 results

Dwight D. Miner papers on the history of Columbia University, 1938-1978

19.6 Linear Feet
Abstract Or Scope

Miner's correspondence, manuscripts, typescripts, manuscript and typescript notes, and printed materials relating to the history of Columbia University. Interfiled with Miner's papers are the correspondence, manuscripts, and notes of Columbia librarian Roger Howson (1882-1962) who had been writing a history of the University at the time of his retirement in 1948. Howson and Miner's correspondence is chiefly with Columbia University administrators, faculty, staff, and alumni and deals entirely with the history of the university. The two major Columbia correspondents are Provost Frank D. Fackenthal and Secretary Philip M. Hayden. There are manuscript and typescript drafts of chapters and parts of chapters by Howson and Miner, but neither's history was ever completed or published. These drafts along with the related correspondence, notes, and typescript copies of original manuscripts from Columbia's archives and manuscript collections are filed together under the appropriate headings in the Name and Subject Files. In addition there are two partially completed typescript drafts of each history.

2 results

Robert Murray Haig papers, 1927-1949

63 linear feet
Abstract Or Scope

The correspondence covers the period 1927-1949 and is arranged alphabetically and by subject. In addition, there are lecture notes, manuscripts of articles and addresses, and material relating to Haig's various activities such as the Commission on State Aid and the New York Power Commission.

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Alvin and Heidi Toffler papers, 1955-1984

110 linear feet
Abstract Or Scope

Correspondence, telephone logs, lecture/administrative files, manuscripts, research files, personal papers, reviews, press clippings, tearsheets, and memorabilia relating to the many projects Toffler and his wife worked on from 1950 to 1985. The collection is divided into closed and open series. Closed files include all correspondence; telephone logs; administrative files pertaining to lectures, contracts, and business memos; and personal papers. Open files consist of clippings, notes, manuscripts, publishers' "dead matter," tearsheets of articles and books, press clippings, interviews, and galleys. The correspondence includes letters from a great variety of people, such as Betty Friedan, Jonas Salk, Newt Gingrich, Ed Koch, and many other politicians and celebrities. There are research files for virtually every project that Toffler was involved with, including his books "Future Shock" and "The Third Wave." The press clippings files are extensive and range from research topics to reviews, and cover countries from Australia to Switzerland. Lecture files also from Toffler's television/video production compnay, Triwave Productions, Inc., which include scripts, contracts, and materials relating to all stages of production. The many manuscripts, proofs, and galleys are in various stages of revision and include Toffler's extensive corrections and notes.

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Philip Grushkin Papers, 1937-2001, bulk 1940s-1960s

9.16 linear feet
Abstract Or Scope
Philip Grushkin (1921-1998) was a book designer, educator, and art director. He is best known for his book design work for publishers such as Alfred A. Knopf, Random House, Abbeville, and Harry N. Abrams, where he also worked as Art Director and Vice President. The collection includes material related to his design work and a collection of book jackets by George Salter.

Price Waterhouse and Coopers & Lybrand records, 1891-2000

148 linear feet
Abstract Or Scope
The collection is clearly divided into two record groups: Coopers & Lybrand archival materials and Price Waterhouse & Co. archival materials. The documents from the offices Price Waterhouse & Co. materials include original company documents, accounting books, and other records created by Price Waterhouse or the firms that have subsequently merged with it.

Williamson Family papers, 1776-1961

4 linear feet
Abstract Or Scope

Correspondence, documents, manuscripts, photographs, and printed materials of the Williamson, Abeel, and Codwise families of New Brunswick NJ and Saint Croix in the West Indies.

3 results

Robert Allan Jacobs papers, 1890s-1990s, bulk 1909-1983

34.5 manuscript boxes
Abstract Or Scope
Robert Allan Jacobs (1905-1993) was an American architect and designer active in the United States from the 1930s until his retirement in the early 1980s. His work consists primarily of commercial projects, including numerous skyscrapers in New York City, along with a richly varied corpus of other institutional, residential, and commercial projects--primarily centered in New York City and its surrounding suburbs but ranging as far afield as South Africa and the Dominican Republic. The son of the notable Beaux-Arts architect Harry Allan Jacobs, Robert Allan Jacobs was educated at Amherst College and the Columbia University School of Architecture. Jacobs began his career as a disciple of Le Corbusier, went on to serve as a designer and draftsman for Harrison & Fouilhoux, and then formed a partnership with Ely Jacques Kahn in 1941--thus commencing three decades of pioneering collaborative design work that would leave an indelible mark on the Manhattan skyline. Together, Kahn & Jacobs made their debut with the Municipal Asphalt Plant in 1941 and went on to design such iconic projects as 100 Park Avenue (1944), the Universal Pictures Building (1947), 1407 Broadway (1950), 425 Park Avenue (1957), the Seagram Building (in collaboration with Mies van der Rohe and Philip Johnson, 1958), the Astor Plaza Building (in collaboration with Carson & Lundin, 1961), the New York Telephone Building (1969), and One Astor Place (1970).
2 results

Graduate School of Journalism Alfred I. duPont-Columbia University Awards Videos, 1960s-2018

65 linear feet
Abstract Or Scope
This collection consists of videos and audio cassettes related to the Alfred I. duPont-Columbia University Awards for broadcast journalism sponsored by the Graduate School of Journalism. Videos and tapes date from the late 1960s to the early 2000s.
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