Concerning Griffin's novels,The Street of the Seven AngelsandPassacaglia, it is necessary to outline the genesis of his creative process as regards these works begun in the mid-1950s. . Initially, all of this material was intended for one large novel, tentatively entitled "Point, Counterpoint," but when Griffin heard that Huxley had published a novel with that title, he began to rethink his concept. His journals indicate that the large novel was really made up of alternating chapters with two sets of characters (although a few characters cross from one story to the other). One, which becameStreet, focused on the character of Chez Durand, a bookshop owner, who becomes involved in an obscenity trial; this story features a large cast of characters and is comic in intent. The second novel,Passacaglia, is a serious work about a concert pianist and his illegitimate son--also a pianist. . The manuscript herein calledPassacaoliais actually the remnants of the larger novel (207 pages of typescript carbon) which was never completed. The manuscript ofStreet of the Seven Angelsis a 221 page typescript, an original he revised from portions of the carbon, from 1966-1972. He intended to publishStreetas his third novel and even though he came under contract with Houghton Mifflin for the work, it was never published. He never returned to do a revision ofPassacaglia. A reading ofStreetwill reveal that it has been revised and completed, but a reading of the carbon ofPassacaolia--which has gaps in pagination, as well as many adjustments (as many as five changes on some pages)--never received any revision.