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Correspondence files of Roberts Brothers, pertaining to all departments, editorial, production, advertising, and sales. Also, some miscellaneous letters and documents, unrelated to Roberts Brothers, which deal with various legal matters, including those of Frederick D. Ely and of William A. Dunn, from 1838 until 1932, and letters to the Secretary of Harvard University from 1900 to 1907.

Correspondence, documents and manuscripts from late seventeenth and eighteenth century France, especially from the French Revolution, collected by Sam Schaefler. Authors include J.B. Colbert Torcy and the Duchesse Du Lude. Many of the items from the French Revolution represent the work of the Committee of Public Safety and the Committee of General Security. French Revolutionary leaders represented in the collection include François-Antoine Boissy D'Anglas, Jean-Baptiste-Noel Bouchotte, Pierre Joseph Cambon, Lazare Carnot, Jean-Marie Collot D'Herbois, l'Abbʹe de Fauchet, Philippe-Antoine Merlin de Douai, Jean Victor Moreau. C.A. Prieur-Duvernois, and Antoine Joseph Santerre. In addition, the collection includes a letter from the Danish physicist Hans Christian Oersted to Sir John Herschel, a letter by the French poet Romain Rolland, a document of the Philadelphia Artists' Fund Society of 1846 with signatures of its officers, and an autograph letter and a photograph of Henry Wadsworth Longfellow.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

Correspondence, manuscripts, reports, slides, records, film and card files, and scrapbooks. The papers reflect Lindsay's various activities and are arranged in two sequences, an alphabetical name file and an alphabetical subject file. Since many of the subjects are closely related, the division between them is not always very sharp. Among the subjects covered are: social legislation, I.L.O., National Child Labor Committee, prohibition, labor, Republican National Committee, Institute for Social Research, League of Nations, humane legislation, housing, Harmon Foundation, Educational Radio Corporation, and the Bergh Foundation. Boxes 167-169 contain the files of the Committee for Industrial Relations, 1912-1914

Correspondence, reports, papers, and notes of Wallace. The collection consists primarily of copies of correspondence, student papers, government and organizational reports, and Wallace's own notes and drafts of papers.

Correspondence, manuscripts, subject files and research notes of Sigmund Diamond. Included among the correspondence are Diamond's letters to and from various distinguished members of Columbia University and other academic insitutions, as well as correspondence with many noted sociologists and historians. Included in the manuscripts is Diamond's "In Quest." The subject files comprise material from Diamond's tenure at Columbia and include some material pertaining to his forced departure from Harvard in the 1950's due to his previous communist affiliation, and his active role in maintaining the efficacy of the Freedom of Information Act. The research files include microfilms and notes.