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Khoromanskiĭ's manuscripts and memoirs concern such topics as his childhood and his father's work as an official in Saratov; World War I; White attempts to combat Makhno's forces; and Russian refugees on Malta and Capri. There is a subject file on the Russkoe Trudovoe Khristi︠a︡nskoe Dvizhenie, and a photograph of Petr Stolypin in 1904. Printed materials include a decree by the Ukrainian government in 1918 and several by the White army in Elisavetgrad and Ekaterinoslav in 1919. In addition, there are the memoirs of Khoromanskiĭ's father, Venedikt M. Khoromanskiĭ, concerning 1918-22.

Correspondence, manuscripts, photographs, drawings and subject files primarily relating to Vladimir Visson's years as exhibitions director of the Wildenstein Gallery. The extensive subject files concern the Hallmark Art Award and exhibitions Visson mounted for the Wildenstein Gallery including shows on Gauguin, Pissarro, Renoir, Toulouse-Lautrec and Van Gogh. Also included are Visson's original manuscripts on Russian painters and autobiographical writings. There is correspondence from artists including Eugene Berman, Amédée Ozenfant and Eugene Speicher, and authors such as John Gunther, Paul van Zeeland and Louis Auchincloss.

The collection consists of correspondence, manuscripts, and an enormous number of notecards (that were collected over a twenty-year period for a proposed "Slovar' russkikh khudozhnikov") and several dozen notebooks containing entries to which the cards refer. Among the correspondents is Eugène Fabergé, whose letters contain information about the Fabergé dynasty of jewelers. Sakharov's manuscripts include essays on Ivan Bilibin, M. V. Rudaltsov, Mariia Bashkirtseva, Nikolai Globa and V. E. Borisov-Musatov. The cards containing information on artists are arranged alphabetically by artist and contain references to specific notebook entries. There are also bibliographic cards containing citations of articles on art in Russian and other languages. These are arranged by author. The notebooks are largely devoted to a particular artist or genre; others are designated by color and number, letter, number or not titled at all. There are also two sets of large notebooks which seem to belong to another series. There are a few photographs of artists (notably a 1939 photograph of Globa) and photographic reproductions of works by Bakst and Lukin among others. The collection contains approximately 11 exhibition catalogues dating from 1915 to 1940 and primarily relating to the exhibitions of Russian emigre artists in Paris. There are also 4 issues of "Illiustrirovannaia Rossiia" and some clippings dealing with Russian emigre artists.

Correspondence, manuscripts, photographs and documents of Vladimir Vladimirovich Vladimirov. The collection consists of one letter, a handwritten memoir in the form of short sketches on specific topics, several personal and military photographs, and four personal documents.

Correspondence, manuscripts, documents, photographs, subject files, drawings and printed material of the Vserossiiskii zemskii soiuz (All Russian Zemstvo Union). The correspondence, spanning the years 1920-1944, is for the most part addressed to Porfirii N. Sorokin, Executive Secretary of the organization's Vremennyi glavnyi komitet (Temporary Executive Committee), the coordinating unit for all the institutions of the Zemstvo Union. The manuscripts include writings by N. I. Astrov, V. D. Kuz'min-Karavaev, and others. The documents are almost exclusively minutes of the Temporary Executive Committee's meetings from the period 1919-1924. The photographs, for the most part unidentified, are of Russian refugee settlements and White Army encampments in the area of Constantinople and Gallipoli, ca. 1921. The subject files include some financial records, and the printed material include the Vserossiiskii zemskii soiuz bulletin from 1916-1921 as well as publications about the Rossiiskii Zemsko-gorodskoi komitet and the Vserossiiskii soiuz gorodov.

This collection contains architectural records, student work, correspondence and professional writings related to the academic and architectural practice of Walter Sobotka. The largest portion of the collection, Series 1, relates to his architectural practice and contains drawings, files, and a scrapbook of photographs and articles pertaining to his work in Europe and America. The majority of his projects consisted of residential buildings and interiors in Austria along with furniture designs. However, there is also a selection of theater interiors that Sobotka designed for RKO across the United States. Series 2 contains a limited selection of Sobotka's lectures and writings, as well as correspondence. This series also contains material relating to two of his unpublished writings, The Prefabricated House and Principles of Design, including copies of the manuscripts, correspondence with publishers, and research materials. A bound version of Principles of Design is catalogued separately and contains an appendix in which Sobotka translated into English excerpts of his correspondence with the Viennese architect Josef Frank. Series 3 contains some artwork and student drawings, as well as a few personal letters.

One letter from Walt Whitman to Alfred Lord Tennyson and three manuscripts by Whitman, one of which is a photostatic copy, several pieces of memorabilia and printed material by and about Whitman. The printed material includes newspaper clippings, pamphlets, periodical articles, illustrations, portraits of Whitman and publications of the Walt Whitman Birthplace Association