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Correspondence, manuscripts, and drawings of Hare and his family. His letters concern the writing and publishing of his books and his many social relationships. There are the autograph manuscripts of the announcement of his book "Shropshire" and of his autobiographical essay "The Hare with Many Friends", as well as five original pencil and wash drawings of buildings in France, Germany, and Switzerland used as illustrations in his popular travel books. There are also several devotional manuscripts by other members of the Hare family.

Letters written to Gay from political and literary contemporaries such as Horace Greeley, Charles Sumner, and William Bryant; reports in letter form from his reporters at the front during the Civil War; and personal correspondence including many letters from his wife, Elizabeth Neall Gay. Letters written to Mrs. Gay from family friends and business associates including many from her husband. Correspondence of other members of the Gay family including Walter Gay, Sarah Gay, and Allan Gay. Diaries, notebooks, and journals of Sydney Howard Gay.

This collection contains professional and personal writings, published papers, correspondence, photographs, architectural records, student work, and research materials related to the academic and architectural practice of Talbot Faulkner Hamlin.

Correspondence and proofs for two books by Hughes, ANIMAL POEMS (Richard Gilbertson, 1968) and FIVE AUTUMN SONGS FOR CHILDREN'S VOICES (Richard Gilbertson, 1968). Also, two watercolor drawings and two pen and ink drawings for FIVE AUTUMN SONGS, by Philidor Gili.

Two playscripts of THE MILKTRAIN DOESN'T STOP HERE ANYMORE along with numerous drafts of the play's six scenes. Many of the pages bear cuts, corrections, and alterations by Williams. Also, the author's pen-and-ink rough sketch of the set. The playscripts and drafts are mainly photo-offset, typescript, and carbon typescript. There are also notes, a revision, photographs, and playbill for the production at the Festival dei due Mondi, Spoleto, July 1962.

Correspondence, documents, scrapbooks, and notes, drafts, and manuscripts of De Vinne's books, essays, and articles on printing. The collection contains much documentation relating to the Typothetae of the City of New York.

Drawings collected during a recent Human Rights Watch mission to refugee camps along Darfur's border with Chad, after HRW researchers gave children pens and crayons to draw while their families were being interviewed. Without prompting or guidance, the children produced vivid and disturbing scenes of the violence and atrocities they had witnessed: attacks by the Janjaweed militias, aerial bombings, rapes, the destruction of villages and the refugees' flight to Chad. The children's drawings corroborate in chilling detail the eye-witness testimonies about crimes against humanity in Darfur that Human Rights Watch has been documenting for months, and thus represent a valuable graphic record of the ongoing human rights crisis.

Cover designs; original art work for illustrations, vignettes, charts, and mastheads; prints and photographs from the files of THE SURVEY. The collection consists primarily of art work for SURVEY GRAPHIC; some material for MIDMONTHLY is also included. SURVEY GRAPHIC included articles on broad social issues, including public health, world peace, welfare, labor conditions, and government regulations. It had striking pictorial covers, and was extensively illustrated with drawings, cartoons, reproductions of contemporary prints, and photographs, all represented in the collection. The cataloged artists include Wilfred Jones and Hendrik Willem Van Loon.

Correspondence, manuscripts, documents, photographs, art work, audio cassette, printed materials by and about Thomas Merton. The correspondence covers the years from his study at Columbia to his death in Bangkok. Among the cataloged correspondence are: Daniel Berrigan, Mark Van Doren, Luis Somoza, Jacque Maritain, Aldous Huxley, James Laughlin, Robert Lax, Grover Cleveland Smith, John Howard Griffin, William Henry Shannon and Victoria Ocampo. The extensive manuscript collection was assembled primarily by Sister Thérèse Lentfoehr, Mark Van Doren, and Robert Shepherd. Among the more significant manuscripts are: corrected typescript of THE SEVEN STOREY MOUNTAIN; fragments of his NOVITIATE JOURNAL; notebooks and journals used in THE SIGN OF JONAS; numerous draft of poems; most of his lecture and conference notes which he used while serving as master of scholastics and, later, master of novices. There is an extensive collection of mimeographed articles, many inscribed to Sister Thérèse Lentfoehr; four watercolors by his father, Owen Merton, and many humorous and devotional drawings by Merton; many photographs of Merton, as well as photographs taken by Merton. There is an audio cassette of the radio play by Bruce Stewart entitled ME AND MY SHADOW, produced by the BBC in 1989. The printed material consists of numerous clippings and some offprints, pamphlets, and books

Correspondence, manuscripts, drawings, watercolors, sketches, proofs, and printed materials. The collection includes original watercolor, pen-and-ink, and pencil illustrations for fifty books by various authors, beginning with Georges Duplaix's TOPSY TURVY CIRCUS (1940), and continuing with Golden Book's Scuffy the Tugboat & Tootles the Train by Gertrude Crampton; Duplaix's The Merry Shipwreck; Kipling's The Jungle Books, and the artist's dummy for The Wheel on the Chimney by Margaret Wise Brown, a Caldecott Honor book. Also included are illustrations for nineteen books by Gergely; advertising and commercial art of the 1940s, political cartoons and carricatures from the 1930s 1940s in Europe and America; designs for greeting cards, posters, and record jackets; and eighteen watercolor drawings for NEW YORKER covers, many of which were published in the 1940s. A selection of manuscripts, correspondence, and printed materials is also included in the collection.