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The bulk of this collection consists of more than 22,000 black and white photographic negatives and more than 10,600 black and white photographic prints documenting commercial, institutional, religious, and residential architecture throughout the United States, with particular emphasis on sites in the mid-Atlantic region. These images date from the mid-1930s to Molitor's retirement in the mid-1980s, with the great majority of images created between 1946 and 1980. Also included in the collection are images of landscapes, industrial design, portraits, and events of personal significance to Molitor. In some select cases, color prints, color negatives, color transparencies, and 35mm slides are also available in addition to or instead of the black and white negatives and prints. Researchers are also advised that documents in this collection indicate that when faced with a lack of storage space in 1973, Molitor contacted clients to return inactive negatives that they had comissioned before 1955. In at least some cases, those clients declined to accept their negatives and Molitor subsequently destroyed the images. Thus, this collection has lacunae in the negatives series.

The collection consists of photographs for twenty buildings and models of five unrealized or partially realized project. Projects include markets, churches, factories, garages, a bus station, a bridge, a stadium, an airplane hangar, and an apartment building. The photographs are black and white and mounted to card stock. Each print includes a typed caption, which identifies and dates the project. The photographs are housed together in a clamshell box engraved with the title "La Arquitectura de Jose L. Depini." It is possible the photographs were use as a presentation album.

Photographs of buildings located in Germany that were designed by Schneider. Miscellaneous architectural drawings, some done for architectural competitions, are also included.

The collection is made up of Katherine C. Moore's research files on the careers of Trowbridge and Livingston. The files include Moore's notes, clippings, and sometimes photographs of the buildings designed by the firm. Projects that have photographs include, among others, Bankers Trust Company Building, the Banking House for J.P. Morgan & Co., Chemical National Bank, Empire City Savings Bank, Bank of America (Wall Street), Equitable Trust Building, Gulf Refining Building (Pittsburg, PA), Mellon National Bank (Pittsburg, PA), Nagoya Branch of the Mitsui Bank (Tokyo, Japan), Red Cross Memorial to the Women of the Civil War, and the John B. Trevor Residence (11 East 91st Street, NYC). The collection also includes certificates and diplomas of Goodhue Livingston, as well as a 1994 certificate of commendation from BELCA (Building and Equipment Life Cycle Association) for the Mitsui Bank in Tokyo, Japan; an issue of "The Architects and their Works" (Vol. 1, No. 4) on Trowbridge & Livingston dated 7 Nov 1908; and 10 architectural drawings for the Residence of Orme Wilson, Jr. Esq. on 11 East 64th Street (New York, NY).

This collection includes research papers, photographs, notes, and manuscript material compiled by Keith Morgan during his research on American architect Charles Adams Platt.

This small collection contains primarily project records--including drawings, files, reports, correspondence, and photographs--related to the architectural practice of Kenneth Coles. The majority of projects, including commercial, institutional, and residential, are located in New York State, with a few commissions for Citibank and Grindlay's Bank and for private residences located overseas.

Included is Cox's correspondence, circa 1880 until his death in 1919, with architects, painters, sculptors, and writers including Bernard Berenson, Edwin Howland Blashfield, Will Hicock Low, John La Farge, Henry Oliver Walker, H. Siddons Mowbray, Theodore Robinson, Elliott Daingerfield, Lucia Fairchild Fuller, Howard Pyle, William A. Coffin, Russell Cowles, Daniel Chester French, Irving R. Wiles, James Monroe Hewlett, Harry Wilson Watrous, Edward R. Simmons, Maxfield and Stephen Parrish, Augustus Saint-Gaudens, Louis Saint-Gaudens, John C. Van Dyke, Wendell P. Garrison, Richard Watson Gilder, Robert Underwood Johnson, the architectural firm of McKim, Mead & White, Stanford White, Charles F. McKim, Cass Gilbert, Charles Adams Platt, and others. Of note are 136 from Cox to lawyer and author Leonard E. Opdyke. Correspondence, circa 1870-1922, with family members, particularly his father, Jacob Dolson Cox (a Union officer), his mother, Louise Howland King Cox (a painter), and his brother Jacob Dolson Cox, Jr. (a Cleveland industrialist and founder of the Cleveland Twist Drill Company). Correspondence of various other family members either among themselves, beginning circa 1860, or with Kenyon Cox is included. Also, manuscripts of Cox's essays, addresses, articles, and other writings on art, circa1870-1919; poetry; and juvenilia.

This collection is composed primarily of correspondence, memoranda, course material, photographs, drawings and slides. Much of the material pertains to Herdeg's career as a professor at Cornell University's College of Architecture, Art and Planning as well as his career as a professor and subsequent department head at Columbia University's Graduate School of Architecture Planning and Preservation (GSAPP). Many of the photographs are proofs used in Herdeg's Formal Structure in Indian Architecture and Formal Structure in Islamic Architecture of Iran and Turkistan. The basis for the series and subseries order was developed from Herdeg's own groupings. For the majority of the collection, Herdeg's folder titles have been maintained and the material has been arranged chronologically.