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The Adál Maldonado collection contains letters, manuscripts, sketches, photographs, hand-made books, films, music, audio tapes, and other materials produced by (and in relation to) multidisciplinary artist Adál Maldonado (1948-2020).

Correspondence, manuscripts, documents, musical scores, audio tape, cassettes, and related printed materials concerning Hispanic culture, immigration problems, parish conflicts, intercultural confrontation, and linguistic discrimination. Included are correspondence with the members, by-laws, minutes of meetings, membership lists, and records of all the organizations activities. Of particular interest are the files of the Cultura Popular Hispana-Gala de la Hispanidad, October 20, 1984, which included a competition for original manuscripts and musical scores for both religious and secular poetry.

The collection consists of scrapbooks, posters,digital photographs, and meeting minutes documenting the activities of the ChicanX Caucus between 2001-2016.

The Clemente Soto Vélez Cultural & Educational Center Inc. is a Puerto Rican/Latinx multi-arts cultural institution that has demonstrated a broad-minded cultural vision and inclusive philosophy rooted in NYC's Lower East Side/Loisaida. While focused on the cultivation, presentation, and preservation of Puerto Rican and Latinx culture, we are equally committed to a multi-ethnic / international latitude, determined to operate in a polyphonic manner that provides affordable working space and venues to artists, small arts organizations, emergent and independent community producers that reflect the cultural diversity of the LES and our City.

The Zarzuela Collection at Columbia University consists of almost five hundred different zarzuelas. Both nineteenth and twentieth century works are represented by libretti, scores, and separate instrumental parts. Formats include printed, typewritten, and handwritten items. Many of the libretti contain role assignments and other handwritten notes which indicate they were used by a traveling zarzuela company. Among the authors of the libretti are Javer de Bergos y Sarragoiti, Jose Estremero y Cuenca, Jacinto Benavente, and the Quintero brothers.

The Cuban Voices oral history collection is comprised of interviews conducted for the project of the same name. The project resulted in the publication of Elizabeth Dore's book How Things Fall Apart. The interviews are intended to engage in conversations with Cubans who lived through the transition to communist rule after the Cuban Revolution and experienced events of the following decades. The goal of the project, led by Dore, was not to interview people who have established themselves as public or political figures after the Revolution, but rather to generate a dialogue with ordinary citizens whose narratives do not appear in conventional narratives. Most of the interviewees, then, are not prominent personalities. They are professionals, campesinxs, teachers, sex workers, state employees, cooks, messengers, and people working illegally, among others.