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Papers of Classics professor, Alan Cameron who taught at Columbia University between 1977 and his retirement in 2008. At the time of his death (July 31, 2017) he was the Charles Anthon Professor Emeritus of Latin and Literature at Columbia University. Materials in this collection include extensive correspondence files (including many with distinguished classicists), scholarly lectures, lectures given on cruise ships, course lectures, research files, unfinished and unpublished work, manuscripts for a book about Constantinople, CVs, memoirs and memorial materials.

This collection is composed primarily of correspondence, memoranda, course material, photographs, drawings and slides. The collection is broken down into personal and academic papers. The academic papers pertain mainly to Colquhoun's career as a writer and theoretician and professor at Princeton University's School of Architecture. The personal papers consist mainly of correspondences with friends and family, as well as notebooks, which Colquhoun kept from the 1940s. The visual materials (photographs and drawings) straddle the two categories. Many of the photographs were taken by Colquhoun himself, to be used later in his teaching, while the drawings consist of both student work and reproductions of works from his practice with John Miller. For the majority of the collection, Colquhoun's folder titles have been maintained and the material has been arranged chronologically. The collection is arranged into four series.

A collection of letters and manuscripts of English and American authors, including one item from each of the following: Pearl S. Buck, Samuel Taylor Coleridge, Thomas De Quincey, Thomas Frognall Dibden, Charles Dickens, William Ewart Gladstone, Edmund Gosse, Hester Thackeray Ritchie Fuller, Rockwell Kent, Charles Kingsley, Edward George Bulwer Lytton, John Masefield, Clinton Scollard, William Wordsworth and Walt Whitman. In addition, there are 8 letters from Samuel Rogers (1763-1855) to Mr. and Mrs. Horace Twiss (Annie Sterky Greenwood Twiss), photographs of Alan and Margaret Kempner and miscellaneous Kempner items.

Alan K. Young created these three 3-ring binders and entitled them "My Brief Mystery-Writing Career as recorded in documents collected, conserved, compiled, collated, captioned and clarified by Alan K. Young." In the spring of 1968, Mr. Young's first short story entitled "Letter from Mindoro" was published in Ellery Queen's Mystery Magazine's series of "First Stories," being stories by authors who had never before had a short story published. As always, the story was prefaced by editor Frederic Dannay's introduction: "The author, Alan K. Young, is a former junior-college English instructor, with a B. A. in English from Harvard and an M. A. in the same subject from the University of California (impressive credentials, indeed). At the time Mr. Young wrote "Letter from Mindoro," he was 39, single, and living in California (though a native of Pennsylvania, born and raised in a suburb of Pittsburgh). He has tried his hand "at a goodly cross-section of those jobs in which English majors who don't write The Great American Novel so often wind up" ... How can this man miss if he but persist?" Thus began Mr. Young's 13-year mystery-writing career. In these three volumes, Alan Young has mounted the originals of his correspondence with Fred Dannay and others, tear sheets from EQMM, photographs, and all with a running commentary on the experience of being an Ellery Queen Mystery Magazine author.

Correspondence, writings, photographs, posters of Alan Levy, founder of the Prague Post newspaper.

The collection consists of 32 letters from Alan Sillitoe to his friends, the noted calligrapher John Charles Tarr and his wife, Dorothy, which concern Sillitoe's life, work, and interests during his most creative years.

Correspondence, memoranada, agreements, notes, contracts, posters, clippings, financial files covering the entire career of the Maysles brothers.

New York City architectural renderer, artist, and printmaker. Born 1884 in Newark, New Jersey, Flanagan graduated from the School of Architecture at Columbia University in 1910. Flanagan taught drawing at Columbia from 1911 to 1912 and returned as an associate professor of design from 1920 to 1925. Flanagan also worked for several architectural firms, often as a renderer, including Trowbridge & Livingston, McKim, Mead & White, and Harvey Corbett. In 1927, Flanagan left Corbett's office and began full time work as a fine artist. From January 1928 until August 1929, Flanagan travelled in Europe, studying with painter Edouard Léon Cortès in Paris from the fall of 1928 through the spring of 1929. Flanagan was also one of the original members of the Society of American Etchers. Flanagan eventually returned to practicing architecture, associating with various firms until he retired in the mid-1960s. He died in New York City in 1969.