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New York City Opera records, 1924-2019, bulk 1965-1991

214 linear feet
Abstract Or Scope
New York City Opera (NYCO) was famously dubbed "The People's Opera" by Mayor Fiorello LaGuardia at its founding in 1943. The Opera company's mission is to inspire audiences with innovative and theatrically compelling opera at an affordable price. This collection documents the artistic productions and the daily administrative functions and operations attest to the mission of the company. The materials in this collection consist of administrative and financial records, production files, stage guides, scores, correspondence, programs, photographs, posters, scenery plans, memorabilia, printed materials, and audio and video recordings, dating from 1924 to 2019, with its bulk dating from 1965 to 1991.
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Olgivanna Lloyd Wright audio recordings, 1952-1980

636 open reel audiotapes
Abstract Or Scope

This collection contains audio recordings of Fellowship talks delivered by Olgivanna Lloyd Wright to members of the Taliesin Fellowship nearly each week, usually on Sundays organized chronologically from 1952-1984. These talks continued a tradition begun by Frank Lloyd Wright; they similarly cover a range of topics from Frank Lloyd Wright's Organic Architecture (often read from transcriptions of his Fellowship talks) to the daily activities of the Fellows. Many include her reading from poetry and philosophy and her own theories on moral character and the ethics of hard work. The collection also includes other talkes, speeches, and interviews with Olgivanna Lloyd Wright.

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Oscar Newman papers, 1959-1998

19 document boxes
Abstract Or Scope
Oscar Newman (1935-2004) was an architect, planner, and theorist. Newman was best known for his theories on crime prevention and residential design, which he introduced in his book Defensible Space. This collection contains the majority of Newman's projects and writings spanning from the early 1960s to the late 1990s. It consists of textual materials in the form of correspondence, notes, written and typed drafts, and publications; accompanied by prints, negatives, slides, drawings, and audio/visual material.
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Paul Bowles papers, 1940-1988

0.5 linear feet
Abstract Or Scope

Correspondence and manuscripts of Bowles. Most of the letters in the collection are from Bowles to his friend, Ira Cohen, and pertain to Bowles' life in Morocco and his interest in the music of Morocco and Thailand. Bowles was particularly interested in Moroccan hypnotic music and made a commercial recording of it. His notes for an insert booklet to be included with the record are in this collection. There are also eight letters from Bowles to Frank Roberts, his friend and collaborator on the screenplay adapted from Bowles' novel, LOVE WITH A FEW HAIRS. There are also 4 letters from Bowles to Irving Stettner and 1 letter from Mohammed Mrabet to Stettner. The Bowles manuscripts also include three short stories, some poems, an interview with Bowles by Ira Cohen, and several pages (thermofax copies) from a notebook. In addition, a reel of tape with one of Bowles' compositions"Wet and Dry" and a short story by Mohammed Mrabet are in the collection.

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Paul Colford papers, 1963-2020, bulk 1995-2009

2 Linear Feet
Abstract Or Scope

Paul D. Colford is a newspaper journalist who covered the media during the so-called "newspaper wars" that lasted in New York City from roughly 1985-2005. Colford wrote the "Ink" column for New York Newsday until 2000 and then joined the Daily News and launched the twice-weekly "Hot Copy" column, which focused mainly on NYC's publishing industries — newspapers, magazines and books.

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Richard Brick and Geri Ashur collection, 1968-2014, bulk 1975-2005

43 Linear Feet
Abstract Or Scope
The Richard Brick and Geri Ashur collection consists of materials related to film productions created and collected by Richard Brick and Geri Ashur, dating from 1968 to 2014. The materials document the career of Richard Brick as a filming professor, producer, and the first commissioner of the Mayor's Office of Film, Theatre and Broadcasting (MOFTB). The collection also includes materials related to films by Geri Ashur. The bulk of the collection focuses on the motion picture films and production files of the films Richard Brick and Geri Ashur produced, as well as the administrative records that document Richard Brick's contribution to the filming industry in New York during his tenure as the commissioner of the Mayor's Office of Film, Theatre and Broadcasting (MOFTB).
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Robert Allan Jacobs papers, 1890s-1990s, bulk 1909-1983

34.5 manuscript boxes
Abstract Or Scope
Robert Allan Jacobs (1905-1993) was an American architect and designer active in the United States from the 1930s until his retirement in the early 1980s. His work consists primarily of commercial projects, including numerous skyscrapers in New York City, along with a richly varied corpus of other institutional, residential, and commercial projects--primarily centered in New York City and its surrounding suburbs but ranging as far afield as South Africa and the Dominican Republic. The son of the notable Beaux-Arts architect Harry Allan Jacobs, Robert Allan Jacobs was educated at Amherst College and the Columbia University School of Architecture. Jacobs began his career as a disciple of Le Corbusier, went on to serve as a designer and draftsman for Harrison & Fouilhoux, and then formed a partnership with Ely Jacques Kahn in 1941--thus commencing three decades of pioneering collaborative design work that would leave an indelible mark on the Manhattan skyline. Together, Kahn & Jacobs made their debut with the Municipal Asphalt Plant in 1941 and went on to design such iconic projects as 100 Park Avenue (1944), the Universal Pictures Building (1947), 1407 Broadway (1950), 425 Park Avenue (1957), the Seagram Building (in collaboration with Mies van der Rohe and Philip Johnson, 1958), the Astor Plaza Building (in collaboration with Carson & Lundin, 1961), the New York Telephone Building (1969), and One Astor Place (1970).
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Sally Goodgold Papers, 1940-2011, bulk 1970-2011

9 linear feet
Abstract Or Scope
The Sally Goodgold Papers document the participation of a prominent citizen activist in Manhattan development and growth during the mid to late 20th century. The papers cover land use, environmental impact, law enforcement, women in politics, and New York history, particularly on the Upper West Side. The collection includes organizational records and reports, meeting notes and minutes, audio and videotapes, correspondence, speech drafts, personal notebooks, and commendations from elected officials.
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Samuel Devons papers, 1959-2004

66.5 linear feet
Abstract Or Scope
This collection comprises the papers of noted physicist and historian Samuel Devons (1914-2006). It includes Devons's detailed analysis of his scientific findings, articles, essays, personal and professional correspondence, photographs, and memorabilia. Other subject files, reflecting his interest in film, Sir Isaac Newton, Benjamin Franklin, Alessandro Volta, and promoting interactions among current and former university faculty during his academic tenure.
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Selma Rattner research papers on James Renwick, 1856-2001, bulk 1960s-2001

35.5 linear feet
Abstract Or Scope

This collections contains the professional research, writing, publications, and correspondence produced and collected by Rattner through her study of the architect James Renwick, Jr. The bulk of Rattner's research addresses the life and works of Renwick, but other research topics represented in her papers range from the Renwick family genealogy to the institutional architecture of New York City. Types of research material include personal research notes (in notecard format, both typed and holograph), correspondence (1963-2001), newspaper and magazine clippings, Xerox copies of archival material and secondary sources, transcribed articles and correspondence, brochures from historic sites, photographs and slides of buildings and sites, sketches, historic structure inventory forms, landmark nomination forms, landmark designation reports, and postcards.

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