Peter Schickele (1935-2024) was an American composer, music educator, and satirist. He was best known for his comedy pieces composed by the fictional character P.D.Q. Bach. The collection contains manuscript and engraved scores and parts, sketches, revised and annotated copies of Schickele's work. In addition, the collection contains scripts of dramatic pieces or spoken introductions, correspondence, and memorabilia.
The Rick Shur Papers document the life and work of New York City video artist, gay activist, English as a Second Language teacher, and cultural critic Rick Shur (1953-2016). As "Rick X," he hosted The Closet Case Show, a popular Manhattan cable access TV show featuring safer sex gay "edurotica" along with commentary on culture and politics. Shur attended Columbia College (1971-1975) and Teacher's College (1977-1979), and led the Gay Alumni of Columbia organization through the 1980s.
Over the course of fifty years, the former documentary filmmaker Makino Mamoru (1930-) developed an extensive collection on the history of East Asian film, which covers the history of Japanese cinema spanning over a hundred years. The collection as a whole contains approximately 80,000 items, and focuses on print materials. The materials cover various film events and festivals across multiple genres of films: experimental films, educational films, documentary films, news films, amateur films, and animated films, among many others. The collection contains books, correspondences, handbills, magazines, manuscripts, newspapers, notes, photographs, postcards, posters, scripts/scenarios, slides, glass plate negatives, video cassettes, and other printed materials.
Ulysses Kay (1917-1995) was a noted twentieth-century American composer. The collection includes audio reels, biographical materials, correspondence, diaries, phonograph records, photographs, programs, and scores.
Vladimir Rosing (1890-1963) was a Russian tenor, producer, and director (primarily of opera) who worked largely in Britain and the United States. His papers include ephemera relating to his vocal and directorial career, but principally comprises his writings on art and politics, as organized and edited by his wife, Ruth, and son, Richard.