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Columbia University Archives |
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Series XIV: Photographs and Negatives
Subseries XIV.1: David Bogorad Negatives, 1967-1968 Subseries XIV.2: Steve Ditlea Color Slides, 1968-1973 Subseries XIV.3: Alan Epstein Negatives, 1968 Subseries XIV.4: David Finck Negatives, 1968 Subseries XIV.5: Richard Howard Negatives, 1968 Subseries XIV.6: Lee Pearcy Negatives, 1967-1970 Subseries XIV.7: Other and Unidentified Photographers, 1967-1970 Subseries XIV.8: John C. Gardner Files, 1967-1970 |
Series XIV: Photographs and NegativesThis series consists of approximately 7,100 photographic negatives almost entirely in 35 mm black and white format, 41 color transparency slides, five reels of 16 mm black and white film, and approximately 300 8 x 10 inch black and white glossy prints with eleven related contact sheets and two folders of administrative documents and clippings belonging to John C. Gardner, Columbia University's Director of Buildings and Grounds. The images depict protest, activism and campus life, and off campus protests, between the fall of 1967 and 1973, primarily from the perspective of student and university photographers, with a particular focus on the 1968 student strike, or Columbia Crisis. The John C. Gardner Files subseries contains photographs used to identify participants and leaders in the immediate aftermath of the April 23-May 1 campus occupation in 1968, as well as to document and assess damage to buildings and grounds. The negatives and slides in this series were made by Columbia students primarily for university publications including the Columbia Daily Spectator, Columbia College Today, and the Columbian yearbook, while some appear to have been made recreationally. Some of the photographs were published and disseminated widely around the time of the 1968 student strike, including in Life magazine and internationally, entering into the iconography and public visual discourse of the event and era. Some images have also been republished in subsequent histories of the crisis. The negatives were collected by documentary filmmaker Paul Cronin for use in his film, A Time to Stir, and deposited at the Rare Books and Manuscripts Library between 2008 and 2009. |