Meyer Schapiro papers, 1919-2006

Meyer Schapiro papers, 1919-2006

Summary Information

Abstract

This collection encompasses the professional, personal, and artistic life of art historian Meyer Schapiro.

At a Glance

Call No.:
MS#1121
Bib ID:
7467251 View CLIO record
Creator(s):
Schapiro, Meyer, 1904-1996
Repository:
Rare Book and Manuscript Library
Physical Description:
400 linear feet (339 document boxes; 53 record storage cartons; 23 small flat boxes (15 inch depth); 16 medium flat boxes (21 inch depth); 3 card file boxes)
Language(s):
English , German , French .
Access:
You will need to make an appointment in advance to use this collection material in the Rare Book and Manuscript Library reading room. You can schedule an appointment once you've submitted your request through your Special Collections Research Account.

This collection has no restrictions. The following boxes are located off-site: [55-665, 672-686]. You will need to request this material from the Rare Book and Manuscript Library at least three business days in advance to use the collection in the Rare Book and Manuscript Library reading room. Boxes 1-54 from Series VIII: Works of art remain on-site as do the glass plate negative boxes 666-671.

Some unique time-based media items have been reformatted and are available onsite via links in the container list. Commercial materials are not routinely digitized. Email rbml@columbia.edu for more information.

Description

Summary

The collection of art historian Meyer Schapiro contains a vast range of material documenting the professor's personal, professional, and artistic life. The collection encompasses Schapiro's early academic training to his rise as a prominent theorist and historian of Medieval, Romanesque, Impressionist, and Modern art. His personal life is documented through early school records, course notes from college, typescripts and notes relating to his masters thesis and doctoral dissertation, and photographs and notebooks from his travels abroad between 1927 through 1957. The collection also houses an extensive set of Schapiro's own art work in various mediums that spans from the early 1920s through the 1980s. Schapiro was at the center of many artistic and political debates from the 1930s through the 1990s and his correspondence in the collection reflects his ongoing support of academics, artists, and philosophers. This includes his efforts to aid German and Jewish refugees of World War II. Schapiro's professional activities as a professor and lecturer are strongly represented in the collection. Materials include transcripts, outlines, research notes, and audio recordings of his lectures, many of which formed the basis for his written corpus. Also in the collection is Schapiro's extensive research notes on subject matter relating to art, politics, and sociology that are arranged alphabetically by subject. Included in the collection is a substantial array of Schapiro's published and unpublished writings, including articles, essays, manuscripts, published works, reviews, translations and poetry. Schapiro's intellectual curiosity necessitated his own constant reappraisal of his professional written work. This includes editing, clarifying, and expanding upon typescripts, outlines, and notes relating to lectures that he foresaw as being published. A constant source of support for Schapiro's professional and artistic output was his wife, Lillian Milgram Schapiro. After Schapiro's death, she would work to complete projects that Schapiro began and oversaw the management of his legacy. As a result, material in the collection that post-dates Schapiro's death in 1996 was generated by Lillian Milgram Schapiro and is noted throughout the finding aid.

Arrangement

This collection is arranged in eight series.

Using the Collection

Restrictions on Access

You will need to make an appointment in advance to use this collection material in the Rare Book and Manuscript Library reading room. You can schedule an appointment once you've submitted your request through your Special Collections Research Account.

This collection has no restrictions. The following boxes are located off-site: [55-665, 672-686]. You will need to request this material from the Rare Book and Manuscript Library at least three business days in advance to use the collection in the Rare Book and Manuscript Library reading room. Boxes 1-54 from Series VIII: Works of art remain on-site as do the glass plate negative boxes 666-671.

Some unique time-based media items have been reformatted and are available onsite via links in the container list. Commercial materials are not routinely digitized. Email rbml@columbia.edu for more information.

Terms Governing Use and Reproduction

Reproductions may be made for research purposes. The RBML maintains ownership of the physical material only. Copyright remains with the creator and his/her heirs. The responsibility to secure copyright permission rests with the patron.

Preferred Citation

Identification of specific item; Date (if known); Meyer Schapiro Collection; Box and Folder; Rare Book and Manuscript Library, Columbia University Library.

Accruals

Materials may have been added to the collection since this finding aid was prepared. Contact rbml@columbia.edu for more information.

Immediate Source of Acquisition

Source of acquisition--Lillian Milgram Schapiro and Miriam Schapiro Grosof. Method of acquisition--Gift; Date of acquisition--date.

About the Finding Aid / Processing Information

Columbia University Libraries, Rare Book and Manuscript Library

Processing Information

Papers processed Farris Wahbeh 2009-2010.

Finding aid written Farris Wahbeh 2009-2010.

Boxes 687-692 were formerly described as boxes 1-6 of a separate collection, the Meyer Schapiro letters and manuscripts of Whittaker Chambers and James Thomas Farrell, 1923-1991 (BibID 4079304). Upon closer inspection, we determined that these materials should instead be described as components of Meyer Schapiro's personal and professional papers. They were added to this finding aid on 2022 December 12 by Celeste Brewer.

Revision Description

2010-05-26 xml document instance created by Carrie Hintz

2018-08-31 xml document instance validation errors corrected by Catherine C. Ricciardi

2019-05-20 EAD was imported spring 2019 as part of the ArchivesSpace Phase II migration.

2022-08-31 Corrected numbering for boxes 57-61. kws

2022-12-12 Collection title changed from "Meyer Schapiro collection" to "Meyer Schapiro papers" to comply with DACS rules. CLB

Biographical Note

Meyer Schapiro was a preeminent American art historian known for forging new art historical methodologies that incorporated an interdisciplinary approach to the study of works of art. An expert on early Christian, Medieval, and Modern art, Schapiro explored art historical periods and movements with a keen eye towards the social, political, and the material construction of art works. Credited with fundamentally changing the course of the art historical discipline, Schapiro's scholarly approach was dynamic and it engaged other scholars, philosophers, and artists. An active professor, lecturer, writer, and humanist, Schapiro maintained a long professional association with Columbia University as a student, lecturer, and professor.

1904-1919: Childhood and early education

Meyer Schapiro was born in Šiauliai, Lithuania on September 23, 1904 to a Jewish family that immigrated to the United States in 1907, when Schapiro was three years old. Meyer was the second of four children (Morris, 1903; Meyer, 1904; Mary, 1906; and Jacob 1911) to the parents Menahem (Nathan) and Fayge (Fannie) Schapiro.

Prior to moving to the United States, Schapiro's father Nathan was a child of the Haskalah (Jewish Enlightenment) movement in Lithuania. Nathan lost interest in religious studies and become, by his own account, a politically active free thinker that disassociated with religion and migrated towards an engagement with the secular world. These philosophical traits where transmitted to his son, Meyer, who actively engaged in a wide range of artistic, educational, and political pursuits in his early age.

The Schapiro family moved to the Brownsville section of Brooklyn, where Schapiro attended Public School 84 and/or 85 and graduated from the Boys High School, where he graduated and where one of his activities was to be involved in the Latin club. Schapiro's political and artistic pursuits at this time included being active with the Young People's Socialist League and attending evening art classes taught by painter John Sloan at the Hebrew Settlement Home.

1920-1929: Columbia University and Schapiro's college years:

Schapiro entered Columbia College in 1920 at the age of 16 with three scholarships, the Columbia, the Pulitzer, and the New York State Regents. He graduated with a bachelor of arts in 1924. His course load included a wide variety of classes on literature, anthropology, philosophy, mathematics, and art history and was influenced by his professors Franz Boas and John Dewey. Two of his roommates in his college years would continue to be his friends throughout his life, Clifton (Kip) Fadiman and Whittaker Chambers.

Schapiro would continue his graduate work at Columbia University, where he completed his master's thesis "The sculptures of Moissac" in 1926. As a graduate student at Columbia, Schapiro worked with Professor Ernest DeWald and took many of his classes, as evidenced by his course notes in his archival collection. During his college years, Schapiro was influenced by the art historian A. Kingsley Porter and, through his knowledge of Yiddish, learned French and German and became acquainted with the work of Wilhelm Vöge and Alois Riegl.

To complete research for his doctoral dissertation, Schapiro traveled for the first time to Europe and the Near East in 1926 through 1927 on a grant awarded by the Carnegie Corporation. This period of his life is documented in the Getty publication, Meyer Schapiro abroad: letters to Lillian and travel notebooks.

Schapiro completed his doctoral dissertation "The Romanesque sculpture of Moissac" in 1929 and his PhD was the fist in fine arts and archeology awarded by Columbia University. In 1931, Selections of his dissertation were published in the journal The Art Bulletin to critical praise because of his methodology of synthesizing diverse ideas to reinterpret the artistic production of the Romanesque. While Schapiro completed his academic work in 1929, he would not be conferred his doctoral degree until 1935 due to administrative bureaucracy. Schapiro's academic success at Columbia was unparalleled, and he was appointed to the faculty of fine arts in 1928, the same year he was married to Lillian Milgram Schapiro, a pediatrician who graduated from New York University and specialized on childhood tuberculosis.

1930-1949: The cultivation of Schapiro's professional life and the pre-war political horizon:

Schapiro's professional and scholarly life began to ascend as soon as earned his doctorate. His writings and reviews began to appear throughout journals, magazines, and newspapers. Schapiro's critique of historians using schematic approaches to understanding art and its production began in the early 1930s, such as his review of La Stylistique Ornamentale dans la Sculpture Romane by Jurgis Baltrusaitis.

In 1933, Schapiro moved with his wife, Lillian Milgram Schapiro, to the Greenwich Village neighborhood in New York City, where he would reside until his death in 1996.

Schapiro would continue to engage with politics, such as participating in the first American Artists' Congress in 1936, where he delivered the paper "The Social Bases of Art." But he was adamant of not reducing art to a disciplinary schema. As he writes in the aforementioned article, he sought not to "reduce art to economics or sociology or politics." He would continue to publish in political magazines such as The Marxist Quarterly, where he published "The Nature of Abstract Art," yet another critique on his friend Alfred H. Barr, Jr.'s exhibition "Cubism and Abstract Art."

In the 1930s, Schapiro visited Europe twice, once in 1931 and the other in 1939. He would meet and become acquaintances with many individuals associated with the Vienna School of art history, such as Ernst Gombrich, Emil Kaufmann, Otto Pächt, Hans Sedlmayr, and Fritz Saxl. Schapiro broke off his communication with Sedlmayr in the mid-1930s due to his increasing anti-Semitism. At the urging of his friend Theodor Adorno, Schapiro met with Walter Benjamin in 1939 in Paris, several months before the philosopher's death.

Throughout the years proceeding and following World War II, Schapiro was a consistent point of contact for refugees fleeing the hostile and repressive climate of Germany and Russia. He was a point of contact for many German and Jewish academics, philosophers, and artists fleeing Europe for the United States and he was a vocal critic of repressive regimes, such as Nazism and Fascism. After the atrocities committed under Stalin, Schapiro became disillusioned with politics, yet he continued his admiration for the political and maintained correspondence with political figures such as Leon Trotsky.

In 1936, Schapiro would be promoted to Assistant Professor at Columbia University and, by 1948, he would become an Associate Professor at the university.

Schapiro had an admiration for artists and continually sought to nurture their intellectual acuity through his lectures. Many artists have credited Schapiro with developing their historical and philosophical understanding of art history, especially at Columbia University, where students such as Helen Frankenthaler, Robert Motherwell and Ad Reinhardt attended his courses.

That Schapiro was a practicing artist himself added to his interest in being in constant dialogue with artists. As Wolf Kahn once noted, "For Meyer Schapiro art making and art history have always appeared as intrinsically related. What brings them together is seeing."

Throughout 1930s and 1940s, Schapiro was also a lecturer at New York University, New School for Social Research, and the Pierpont Morgan Library. Many artists became aware of his lectures, teaching methodologies, and philosophies through those venues, such as Alice Neel, Barnett Newman, Gordon Onslow-Ford, and Frank Stella.

1950-1979: Schapiro's continued rise as a prominent American art historian:

Starting in the 1950s, Schapiro's professional career became ever more active. In April 1950, he was invited by the gallery owner Samuel Kootz to co-curate with art critic Clement Greenberg the exhibition "Talent 1950: 23 artists receive a showing under the sponsorship of Meyer Schapiro and Clement Greenberg." He first books were also published in that decade, Vincent van Gogh in 1950 and Paul Cézanne in 1952. His theories on style, form, content, and abstraction continued to be developed, and he became an ongoing advocate of Modern art.

While the end of World War II and the on-going anti-Communism in the United States were sources of disillusionment for the political left in the late 1940s and early 1950s, several New York intellectuals, including Schapiro and Irving Howe, founded the political magazine Dissent.

Schapiro continued to teach at Columbia University and in 1952 he was promoted to Professor and in 1965 became a University Professor, the second such honor bestowed to a faculty member at Columbia at the time. His students in the 1950s and 1960s at Columbia and other institutions include several prominent artists, such as Allen Ginsberg, Donald Judd, Allan Kaprow, and Jack Kerouac.

Throughout the 1960s, Schapiro became a highly regarded fellow, visiting professor, and guest lecturer, both in the United States and Europe. In 1961, he delivered the Patten lectures at Indiana University which was devoted to Impressionism. Schapiro was a Fellow at the Center for Advanced Study in the Behavioral Sciences from 1962 to 1963 at Stanford University. In 1965, he delivered the Weil Lecture at the Frank L. Weil Institute at Hebrew Union College. In 1966, Schapiro was the Charles Eliot Norton Professor at Harvard University, where he delivered the now published lectures on Romanesque architectural sculpture. At Oxford University, he was the Slade Professor in 1968. In that capacity, he delivered the Slade Lectures in the Fine Arts that was focused on Abstract art.

His work in both Romanesque and Modern art continued to be published in the 1960s. In 1964, the College Art Association of America published Schapiro's The Parma Ildefonsus: A Romanesque Illuminated Manuscript from Cluny, and Related Works. Schapiro's most famous published work of that decade, however, was the 1968 article "The Still Life as Personal Object" which rejected Martin Heidegger's philosophical interpretation of a painting by Vincent van Gogh that depicted a pair of shoes. Schapiro's article became a touchstone for the study of iconographical interpretation, semiotics, and art history.

In 1966, Schapiro received two recognitions: an honorary degree from the Jewish Theological Seminary of America and the Brandeis Commission Award for Notable Achievement from Brandeis University.

Schapiro's intellectual interest in semiotics and its relation to visual representation was made apparent in the 1973 publication Words and Pictures: On the Literal and the Symbolic in the Illustration of a Text.

By the early 1970s, Schapiro's influence in the field of art history began to be recognized in various forms at Columbia University. By 1973, he was promoted to the position of University Professor Emeritus. In 1975, he received an honorary doctorate from the university and also accepted the Alexander Hamilton Medal awarded by the Columbia College Alumni Association.

In 1974, a committee was formed to establish a chair in art history at Columbia University in Schapiro's honor. The group, who included George Jaffin, Barnett Newman, and William Rubin amongst others, was known as the Committee to Endow a Chair in Honor of Meyer Schapiro, and organized several artists to create original prints in an edition of 100 for a portfolio to raise funds for the position. Artists who contributed included Stanley William Hayter, Jasper Johns, Ellsworth Kelly, Alexander Liberman, Roy Lichtensetein, André Masson, Robert Motherwell, Claes Oldenburg, Robert Rauschenberg, Saul Steinberg, Frank Stella, and Andy Warhol.

Schapiro taught his last Columbia University course, which focused on Romanesque sculpture, in 1977.

By the late 1970s he was awarded several prestigious awards. The National Institute of Arts and Letters gave Schapiro the "Distinguished work in the arts" award in 1976. In 1977, the country of France bestowed its highest honor, the Commandeur de l'Order des Arts et des Lettres, to Schapiro.

At this time, Schapiro began to assemble his writings from the 1930s in order to publish them as collected volumes. The publishing firm George Braziller, Inc began to this project in 1977 with the first volume Selected Papers I: Romanesque Art. In 1978, the second volume Selected Papers II: Modern Art: 19th and 20th Centuries was published and, by 1979, Schapiro's third volume of collected papers, Selected Papers III: Late Antique, Early Christian, and Medieval Art, was released.

1980-1996: The final years and continued legacy:

In the late 1970s and early 1980s, Schapiro would continue to lecture on the two art periods he was an expert on: Romanesque and Modern art. In 1979, his lecture " Hiberno-Saxon art: experiment with forms" was given at the Solomon R. Guggenheim Museum and in 1980 he delivered the lecture "The unity of Picasso's art" at Columbia University.

In 1987, Rainer Crone and Elizabeth Ferrer curated the exhibition "Meyer Schaipro: Works of Art, 1919-1979" at Columbia University's Miriam and Ira D. Wallach Art Gallery. For the first time, the public was able to view 65 works of art that Schapiro had created and finally introduced Schapiro to the public as a draftsman and painter. The exhibition also included a publication with essays by Thomas B. Hess and Wolf Kahn.

Throughout the 1980s, Schapiro, with the support of his wife Lillian Milgram Schapiro, focused on organizing and editing published and unpublished material and compiling these as sources for future publication. In many instances, these manuscripts were never published and included titles such as "Pablo Picasso's Guernica, " "The serpent with a woman's head in the temptation of Eve: researches on the invention of an image," "Sigmund Freud's Gradiva, " "Words in pictures: the perspectives of the viewer and the reader," "Relativity and the interpretation of modern painting," "Vico on the visual arts," and "Wolvinius Magister Phaber: the crowning of an artist in the early Middle Ages."

One further volume of his collected work was published during Schapiro's lifetime, the 1994 release of Selected Papers IV: Theory and Philosophy of Art: Style, Artist, and Society. In 1995, Mondrian: On the Humanity of Abstract Painting was published. In the same year, Schapiro's authoritative bibliography was issued by George Braziller, Inc., which was compiled by Lillian Milgram Schapiro.

In 1994, the Brooklyn Museum named its West Wing the Morris A. and Meyer Schapiro Wing in honor of Schapiro and his brother, the financier and philanthropist Morris A. Schapiro. In the same year, a special symposium titled "The significance of Meyer Schapiro: a symposium in honor of his 90th birthday" was held at the Metropolitan Museum of Art. Speakers in the program included David Rosand, Linda Nochlin, Theodore Reff, John Plummer, Linda Seidel, Michael Taussig, and Henri Zerner. Artists, such as Louise Bourgeois, Allan Kaprow, and George Segal also spoke at the symposium.

Meyer Schapiro passed away in his Greenwich Village home on March 3, 1996. He was survived by his wife, Lillian Milgram Schapiro, a daughter, Miriam Schapiro Grosof, and a son, Ernest Schapiro.

After his death, Lillian Milgram Schapiro would continue her husband's efforts in editing and compiling material for publication with the help of Schapiro's long time assistant Robin Sands, her nephew Daniel Esterman, and publisher George Braziller. With her efforts, the following books were published posthumously: Words, Script, and Pictures: The Semiotics of Visual Language (1996); Impressionism: Reflections and Perceptions (1997); Worldview in Painting—Art and Society: Selected Papers, Vol. 5 (1999); The Unity of Picasso's Art (2000); Meyer Schapiro : his painting, drawing, and sculpture (2000); Language of Forms: Lectures on Insular Manuscript Art (2005); and Romanesque architectural sculpture: The Charles Eliot Norton lectures (2006).

Lillian Milgram Schapiro passed away on August 6, 2006 and, two years later, the Getty Research Institute published Meyer Schapiro abroad : letters to Lillian and travel notebooks. The book focused on Meyer's correspondence with Lillian Milgram Schapiro as he traveled across Europe and the Near East from 1926 through 1927.

Schapiro's scholarly legacy in the fields of early Christian, Medieval, Romanesque, and Modern art historical studies, and his role in shaping the landscape of art historical scholarship both in the United States and internationally, continues to be of intellectual and philosophical interest to historians and artists alike.

Subject Headings

The subject headings listed below are found in this collection. Links below allow searches for other collections at Columbia University, through CLIO, the catalog for Columbia University Libraries, and through ArchiveGRID, a catalog that allows users to search the holdings of multiple research libraries and archives.

All links open new windows.

Name
Chambers, Whittaker
Columbia University -- Faculty
Columbia University. Department of Art History and Archaeology
Farrell, James T (James Thomas), 1904-1979
Schapiro, Meyer, 1904-1996

Series I: Personal papers, 1919-2001

Materials in this series comprise records from Schapiro's personal and educational life and also include documentation from notable milestones in his career.


Subseries: I.1: Awards, degrees, and prizes, 1959-1995

Records in this subseries reflect achievements that Schapiro was recognized for in the form of awards, degrees, and prizes. This includes awards such as Commandeur de l'Order des Arts et des Lettres from the French government, honorary doctorates from various universities and colleges, and prizes such as the CAA Special Award for Lifetime Achievement given by the College Art Association of America. Materials include actual degrees and certificates, correspondence relating to these achievements, and associated publicity material. The subseries is divided further into sub-subseries by the following title designations: Sub-Subseries: I.1.1: Awards, 1959-1995, Sub-Subseries: I.1.2: Degrees, 1966-1988, Sub-Subseries: I.1.3: Prizes, 1979-1985


Sub-Subseries: I.1.1: Awards, 1959-1995


Distinguished contribution to humanistic learning -- American Council of Learned Societies


Box 98 Folder 1

Correspondence and clippings, 1959-1960


Brandeis commission award for notable achievement -- Brandeis University


Box 98 Folder 2

Program, invitation, clippings, and photographs, 1966


Box 633 Folder 1

Certificate, 1966


Graduate Faculties Alumni (GFA)98 Awards for Excellence -- Columbia University


Box 98 Folder 3

Newsletter, 1972


Outstanding achievement in art history -- Art Dealers Association of America


Box 98 Folder 4

Acceptance speech (typescript), articles, clippings, invitations, and correspondence,, 1972-1973


Alumni Award -- Hebrew Educational Society


Box 98 Folder 5

Correspondence and invitations, 1974


Alexander Hamilton Medal -- Columbia College Alumni Association


Box 98 Folder 6

Program, invitations, and seating list, 1975


Box 98 Folder 7

Press release and correspondence, 1975


Box 98 Folder 8

Press release and clippings, 1975


Box 98 Folder 9

Correspondence, 1975


Distinguished work in the arts -- National Institute of Arts and Letters


Box 98 Folder 10

Certificate and program, 1976


Commendeur, Ordre des Arts et des Lettres -- France


Box 98 Folder 11

Correspondence, 1976-1977


The mayor's award of honor for arts and culture -- Commission for Cultural Affairs of the City of New York, Mayor Edward I. Koch


Box 98 Folder 12

Program and correspondence, 1978


Box 633 Folder 2

Certificate, 1978


Distinguished teaching of art history -- The College Art Association of America


Box 98 Folder 13

Correspondence, press release, and article, 1981


Governor's award for excellence in the arts -- Vermont Council on the Arts


Box 98 Folder 14

Correspondence, 1982


Box 98 Folder 15

Programs and invitations, 1982


Box 98 Folder 16

Articles and clippings, 1982


The Fellows award -- John D. and Catherine T. Macarthur Foundation


Box 98 Folder 17

Correspondence, 1987-1995


Box 98 Folder 18

Press releases and clippings, 1987


The Golden Rectangle: The annual IAD award to art educators for publications of extraordinary merit -- The Institute for Aesthetic Development


Box 98 Folder 19

Correspondence and certificate, 1990


CAA special award for lifetime achievement -- The College Art Association of America


Box 98 Folder 20

Certificate, 1995


Box 98 Folder 21

Correspondence and program, 1995


Box 98 Folder 22

Articles and clippings, 1995


Sub-Subseries: I.1.2: Degrees, 1966-1988


Doctor of Humane Letters, honoris causa -- The Jewish Theological Seminary of America


Box 98 Folder 23

Program, correspondence, and badge, 1966


Doctor of Letters (Honorary) -- Columbia University


Box 98 Folder 24

Program and seating lists, 1975


Box 98 Folder 25

Press release and clippings, 1975


Box 633 Folder 3

Degree, 1975


Doctor of Humane Letters (Honorary) -- Yale University


Box 98 Folder 26

Program and correspondence, 1978


Box 98 Folder 27

Photographs, 1978


Box 98 Folder 28

Articles, 1978


Box 633 Folder 4

Degree, 1978


Doctor of Fine Arts (Honorary) -- University of Hartford


Box 99 Folder 1

Acceptance speech (notes), 1983


Box 99 Folder 2

Commencement program, 1983


Box 99 Folder 3

Articles, 1983


Honorary degree -- Harvard University


Box 99 Folder 4

Dinner guest list and correspondence, 1983


Box 99 Folder 5

Photograph album, 1983


Box 99 Folder 6

Articles and clippings, 1983


Honorary degree -- The New School for Social Research


Box 99 Folder 7

Programs and invitations, 1984


Box 99 Folder 8

Clippings, 1984


Doctor of Humane Letters (Honorary) -- Bard College


Box 99 Folder 9

Correspondence, programs, and photographs, 1988


Doctor of Humane Letters (Honorary) -- Brandeis University


Box 99 Folder 10

Correspondence, 1995


Sub-Subseries: I.1.3: Prizes, 1979-1985


Untitled award for publication Modern art: 19th and 20th Centuries--The Mitchell Prize for the History of Art


Box 99 Folder 11

Acceptance speech (typescript), 1979


Box 99 Folder 12

Invitations and correspondence, 1979


Box 99 Folder 13

Clippings, 1979


National Book Critics Circle prize in the field of criticism -- The National Book Critics Circle, Inc.


Box 99 Folder 14

Correspondence and press releases, 1979


Box 99 Folder 15

Articles and clippings, 1979


Jerusalem Prize of Arts and Letters -- Friends of the Bezalel Academy of Jerusalem


Box 99 Folder 16

Programs and invitations, 1983


Box 99 Folder 17

Correspondence and clippings, 1983


Aby M. Warburg Prize -- City of Hamburg (Germany)


Box 99 Folder 18

Acceptance speech (notes and transcript), 1985


Box 99 Folder 19

Correspondence and notes, 1985


Box 99 Folder 20

Press releases and clippings, 1985


Subseries: I.2: Biography Files, 1927-2001

The bulk of this subseries includes Schapiro's collected articles and clippings that referenced him. Schapiro continually collected such material beginning in the late 1920s. Additionally, there are several of Schapiro's own auto-biographical writings relating to key events in his life. Also included are his daily diaries and biographies written by other scholars.


Box 100 Folder 1

Articles and clippings, 1927-1955


Box 100 Folder 2

Articles and clippings, 1955-1959


Box 100 Folder 3 to 4

Articles and clippings, 1970-1977, (2 Folders)


Box 100 Folder 5 to 7

Articles and clippings, 1978-1979, (3 Folders)


Box 100 Folder 8 to 9

Articles and clippings, 1979-1981, (2 Folders)


Box 101 Folder 1 to 3

Articles and clippings, 1982-1983, (3 Folders)


Article -- Epstein, Helen. 1983. Meyer Schapiro: a passion to know and make known. ArtNews, May.


Box 101 Folder 4

Correspondence, notes, and proofs, 1983


Box 101 Folder 5

Correspondence and slides, 1983


Box 101 Folder 6 to 7

Articles and clippings, 1984-1986, (2 Folders)


Box 101 Folder 8

Articles and clippings, 1987-1989


Box 102 Folder 1

Articles and clippings, 1987-1989


Box 102 Folder 2 to 3

Articles and clippings, 1990-1993, (2 Folders)


Box 102 Folder 4 to 5

Articles and clippings, 1994-1996, (2 Folders)


Box 102 Folder 6

Unpublished articles and clippings on or about Meyer Schapiro, 1980s-1990s


Box 653 Folder 1

Diaries, 1940s-1960s


Box 653 Folder 2

Autobiographical account of World War II -- Annotated typescript, 1941 December 7


Box 653 Folder 3

Who's who in America -- Applications, notes, and correspondence, 1955-1995


Box 653 Folder 4

Autobiographical questionnaire -- Annotated typescript, 1983


Box 653 Folder 5

Autobiographical notes on the class of 1929 -- Annotated typescript and notes, 1984, 1929, 1984


Box 653 Folder 6

Autobiographical notes on writings -- Annotated typescripts and notes,, 1993


Box 653 Folder 7

Interview with Ralph Hyams -- Annotated typescript, 1974 February


Box 653 Folder 8

Interview with Diana Loercher -- Annotated typescript and notes, 1978-1979


Box 653 Folder 9

Biography of Meyer Schapiro / Miriam Schild Bunim ; corrected by Meyer Schapiro -- Annotated typescript,, 1980s


Box 653 Folder 10

Notes on Meyer Schapiro's biography / Lillian Milgram Schapiro -- Annotated typescripts and notes,, 1990s-2000


Box 653 Folder 11

Biography of Meyer Schapiro / David Rosand, 1996


Box 653 Folder 12

Biography of Meyer Schapiro / David Craven, 2001


Subseries: I.3: Dedications and eulogies, 1980-1996

This subseries contains material pertaining to official recognitions bestowed to Schapiro and eulogies either delivered by him to fellow friends and those given during Schapiro's funeral. This subseries is divided into the following categories to facilitate the retrieval of records: Sub-Subseries: I.3.1: Dedications, 1980-1996, Sub-Subseries: I.3.2: Eulogies, 1996.


Sub-Subseries: I.3.1: Dedications, 1980-1996


Articles and published works dedicated to Meyer Schapiro


Box 103 Folder 1

Clippings, 1980-1990


25th anniversary honor -- New York Studio School of Drawing, Painting and Sculpture


Box 103 Folder 2

Correspondence, invitations, and clippings, 1990


Box 103 Folder 3

Oral history (annotated transcript and notes), 1990


Morris A. and Meyer Schapiro Wing -- The Brooklyn Museum


Box 103 Folder 4

Correspondence, 1992-1994


Box 103 Folder 5

Press release and brochures, 1994


Box 103 Folder 6

Notes, 1994


Box 103 Folder 7

Articles and clippings, 1994


The significance of Meyer Schapiro : a symposium in honor of his 90th birthday. -- Metropolitan Museum of Art, New York,, 1994 September 24


Box 103 Folder 8

Programs and poster, 1994


Annual benefit honoring Meyer Schapiro -- Yaddo (artist's colony)


Box 103 Folder 9

Correspondence, 1995


Untitled honor -- Coalition for the Homeless, New York


Box 103 Folder 10

Correspondence and acceptance speech (typescript), 1996

(Acceptance speech given by Benjamin Grosof)


Sub-Subseries: I.3.2: Eulogies, 1996


Box 103 Folder 11

Eulogies given by Meyer Schapiro -- Annotated typescripts and clippings,, 1960s-1990s


Meyer Schapiro : eulogy / Wolf Kahn -- American Academy of Arts and Letters


Box 103 Folder 12

Transcript, correspondence, and publication, 1996


Meyer Schapiro memorial service


Box 103 Folder 13

Eulogies (transcripts), 1996

(includes those given by Marshal Berman, George Braziller, David Grosof, and Benjamin Grosof)


Box 103 Folder 14

Visitors' book, 1996


Meyer Schapiro memorial tribute


Box 103 Folder 15

Eulogies (transcripts), program, and invitations, 1996


Box 103 Folder 16 to 18

Obituaries -- Articles and clippings, 1996, (3 Folders)


Subseries: I.4: Exhibitions, 1950, 1960-1989

While Schapiro is well known for his art historical scholarship, he also curated art exhibitions and exhibited art works he himself created. This subseries includes materials from an exhibit he co-curated alongside Clement Greenberg in 1950 at the Kootz Gallery titled "Talent 1950: 23 artists receive a showing under the sponsorship of Meyer Schapiro and Clement Greenberg." There is also substantial material relating to the exhibition "Meyer Schapiro: works of art, 1919-1970" held at Columbia University's Wallach Art Gallery which showcased Schapiro's own art work. Consult Series VIII: Works of art, 1920s-1980s, for a full listing of works of art held in this collection. Additionally, this subseries includes materials relating to exhibits were portraits of Schapiro were included, where works of art dedicated to him were exhibited, or where exhibitions in his honor were curated.


Box 104 Folder 1

"Talent 1950 23 artists receive a showing under the sponsorship of Meyer Schapiro and Clement Greenberg" -- Kootz Gallery (New York, N.Y.) -- Announcements and flyers, 1950 April 25, 1950, 1950 April 25


Box 104 Folder 2

"Critic's choice" -- The American Federation of Arts -- Correspondence,, 1960 February 29

(Letter soliciting Schapiro to curate an exhibition)


Box 104 Folder 3

"For Meyer Schapiro:a portfolio of twelve graphic works" -- Hebrew Union College Skirball Museum-- Correspondence and brochures,, 1978


Box 104 Folder 4

Exhibitions dedicated to Meyer Schapiro -- Articles, clippings, and exhibition catalogs,, 1984-2000


Box 104 Folder 5

"Romanesque sculpture of Moissac" -- Curatorial notes and clippings, 1985

(Exhibition held at Columbia University's Low Rotunda featuring drawings from Schapiro's travel notebooks and photographs by David Finn. Published by George Braziller, Inc. in 1985)


Box 104 Folder 6

"Exhibition of the founding faculty" -- New York Studio School of Drawing, Painting and Sculpture -- Invitations and notes,, 1986


Box 104 Folder 7

"Malarei: Annalisse Hermes" -- Exhibition announcement, correspondence and transparency, 1986 --, 1986

(Exhibition includes a portrait of Schapiro)


"Meyer Schapiro: works of art, 1919-1970" -- Wallach Art Gallery Exhibition


Box 104 Folder 8

Invitations and exhibition catalogs, 1987


Box 104 Folder 9

Correspondence, 1987


Box 104 Folder 10

Visitors' book, 1987


Box 104 Folder 11

Articles and clippings, 1987


Box 104 Folder 12 to 13

Condition reports, 1987, (2 Folders)


Box 104 Folder 14

Slides, 1987


Box 104 Folder 15

"Field and frame: Meyer Schapiro's semiotics of painting" -- New York Studio School of Drawing, Painting and Sculpture -- Brochures and correspondence,, 1989


Subseries: I.5: Photographs, 1928-1990s

This subseries documents portrait photographs of Meyer Schapiro or those taken by him. This subseries is divided into two sub-subseries which reflects this arrangement. For photographs that were ordered, purchased, or collected for research purposes by Schapiro, consult Series V: Research files, Subseries: V.6: Reproductions. Photographs used or considered for use in publications are housed with their respective titles in Series IV: Writings, Subseries: IV.5: Publications.


Sub-Subseries: I.5.1: Portraits, 1928-1990s

The majority of this sub-subseries are photographs of Schapiro used for various publications and also includes photographs of his wife, Lillian Milgram Schapiro.


Box 105 Folder 1

Graduation portrait of Lillian Milgram Schapiro, 1928


Box 105 Folder 2

Photograph of Meyer Schapiro, 1949

(Image was used in an article for the publicationLife


Box 105 Folder 3

Photographs of Meyer and Lillian Milgram Schapiro, 1950s


Box 105 Folder 4

Photographs of Meyer Schapiro, 1960s


Box 105 Folder 5

Group portrait of fellows and staff of the Center for Advanced Study in the Behavioral Sciences,, 1962 September 25


Box 105 Folder 6

Photographs of Meyer Schapiro, 1980s

(Accompanied by a drawing of Schapiro by James Rosen)


Box 105 Folder 7

Photographs of Meyer and Lillian Milgram Schapiro, 1990s


Sub-Subseries: I.5.2: Travel photographs, 1927-1957

This sub-subseries contains photographs and negatives that document Schapiro's travels to Europe and the Near East from two trips taken in 1926 through 1927 and 1957. The 1926 trip was funded by the Carnegie Corporation to complete research on his doctoral dissertation relating to Romanesque sculpture. These photographs add a visual layer to the writings contained in his travel notebooks that are contained in Subseries: I.8. The images are chiefly composed of architecture and architectural details that Schapiro went overseas to study. While the positive prints are organized by country and city traveled, the negatives, with over 1,500 individual negatives, are unsorted due to the volume.


Egypt


Box 641 Folder 1

General, 1927

4 photographs : gelatin silver prints; black and white ; 4 x 6 inches


Box 641 Folder 2

Aswan, 1927

18 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 641 Folder 3

Cairo, 1927

42 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (35) and 5 ½ x 3 ¾ inches (7)


Box 641 Folder 4

Dayr al-Bahri, 1927

7 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (2) and 3 ½ x 5 ½ inches (2)


Box 641 Folder 5

Karnak, 1927

17 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (11) and 5 ½ x 3 ¾ inches (6)


Box 641 Folder 6

Luxor, 1927

18 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (11) and 5 ½ x 3 ¾ inches (7)


Box 641 Folder 7

Mit Rahina, 1927

4 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 641 Folder 8

Philae, 1927

3 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 641 Folder 9

Saqqâra, 1927

2 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 641 Folder 10

Thebes, 1927

29 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (27) and 3 ¼ x 5 3/8 inches (2)


England


Box 641 Folder 11

General, 1957

3 photographs : gelatin silver prints ; black and white ; 7 ¼ x 4 ½ inches


Box 641 Folder 12

Burford, 1957

11 photographs : gelatin silver prints ; black and white ; 5 ¾ x 3 ¾ inches


Box 641 Folder 13

Canterbury, 1957

3 photographs : gelatin silver prints ; black and white ; 7 ¼ x 4 ½ inches


Box 641 Folder 14

Lincoln, 1957

5 photographs : gelatin silver prints ; black and white ; 7 ¼ x 4 ½ inches


France


Box 641 Folder 15

General, 1927

4 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 641 Folder 16

General, 1957

16 photographs : gelatin silver prints ; black and white ; 5 ¾ x 3 ½ inches


France


Box 642 Folder 1

Abbeville, 1957

1 photograph : gelatin silver print ; black and white ; 5 ¾ x 3 ½ inches


Box 642 Folder 2

Aix-en-Provence, 1957

15 photographs : gelatin silver prints ; black and white ; 5 ½ x 3 ¼ inches


Box 642 Folder 3

Baux-de-Provence, Les, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches


Box 642 Folder 4

Beauvais, 1957

5 photographs : gelatin silver prints ; black and white ; 5 ¾ x 3 ½ inches


Box 642 Folder 5

Chartres, 1957

44 photographs : gelatin silver prints ; black and white ; 5 ¾ x 3 ½ inches (Bulk) (Accompanied by notes and a postcard)


Box 642 Folder 6

Cluny, 1927

3 photographs : gelatin silver prints ; black and white ; 5 ½ x 3 ½ inches


Box 642 Folder 7

Codalet, 1927

5 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 642 Folder 8

Dijon, 1957

8 photographs : gelatin silver prints ; black and white ; 5 ¼ x 3 ½ inches


Box 642 Folder 9

Léon, 1927

4 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (3) and 5 ½ x 3 ½ inches (1)


Box 642 Folder 10

Le Puy, 1957

2 photographs : gelatin silver prints ; black and white ;6 7/8 x 4 ½ inches


Box 642 Folder 11

Le Thoronet, 1957

1 photograph : gelatin silver print ; black and white ;6 7/8 x 4 ½ inches


Box 642 Folder 12

Moissac and region, 1927

59 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (bulk) (Accompanied by hand drawn map of France)


Box 642 Folder 13

Moissac and region, 1957

17 photographs : gelatin silver prints ; black and white ; 5 ½ x 3 ½ inches


Box 642 Folder 14

Narbonne, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches


Box 642 Folder 15

Pommevic, 1927

6 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (4) and 5 ¾ x 3 ¾ inches (2)


Box 642 Folder 16

Moustiers-Sainte Marie, 1957

2 photographs : gelatin silver prints ; black and white ; 7 x 4 ½ inches


Box 642 Folder 17

Nevers, 1957

1 photograph : gelatin silver print ; black and white ; 7 x 4 ½ inches


Box 642 Folder 18

Nîmes, 1957

25 photographs : gelatin silver prints ; black and white ; 3 ½ x 5 ½ inches


France


Box 643 Folder 1

Poitiers, 1957

7 photographs : gelatin silver prints ; black and white ; 5 ½ x 3 ½ inches


Box 643 Folder 2

Prades, 1927

1 photograph : gelatin silver print ; black and white ; 2 ½ x 3 ½ inches


Box 643 Folder 3

Riez, 1957

9 photographs : gelatin silver prints ; black and white ; 4 ½ x 7 ½ inches


Box 643 Folder 4

Sens, 1957

20 photographs : gelatin silver prints ; black and white ; 5 ½ x 3 ½ inches


Box 643 Folder 5

Souillac, 1957

1 photograph : gelatin silver print ; black and white ; 4 ½ x 7 inches


Box 643 Folder 6

Toulouse, 1927

33 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (bulk)


Greece


Box 643 Folder 7

General, 1927

10 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 643 Folder 8

Athens, 1927

20 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 643 Folder 9

Corinth, 1927

2 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 643 Folder 10

Dhafní, 1927

10 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 643 Folder 11

Elevsís, 1927

14 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 643 Folder 12

Epídhavros, 1927

5 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 643 Folder 13

Olympia, 1927

8 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 643 Folder 14

Tírins, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches


Italy


Box 643 Folder 15

Assisi, 1927

6 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 643 Folder 16

Bari, 1927

6 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 643 Folder 17

Bologna, 1927

8 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 643 Folder 18

Civate, 1930

4 photographs : gelatin silver prints ; black and white ; 4 x 2 ½ inches


Box 643 Folder 19

Florence, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches


Italy


Box 644 Folder 1

Milan, 1927

7 photographs : gelatin silver prints ; black and white ; 4 x 2 ½ inches


Box 644 Folder 2

Naples, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches


Box 644 Folder 3

Orvieto, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches


Box 644 Folder 4

Ostia Antica, 1927

9 photographs : gelatin silver prints ; black and white ; 3 x 2 ½ inches


Box 644 Folder 5

Parma, 1927

3 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 644 Folder 6

Perugia, 1927

3 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 644 Folder 7

Pisa, 1927

3 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 644 Folder 8

Pompeii, 1927

12 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 644 Folder 9

Ravenna, 1927

11 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 644 Folder 10

Rome, 1927

38 photographs : gelatin silver prints ; black and white ; 3 1/2 x 2 ½ inches


Box 644 Folder 11

Siena, 1927

2 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 644 Folder 12

Turin, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches


Box 644 Folder 13

Verona, 1927

5 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Jordan


Box 644 Folder 14

Amman, 1927

77 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (bulk)


Box 644 Folder 15

As-Salt, 1927

3 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Lebanon


Box 645 Folder 1

Ba'labakk, 1927

15 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 645 Folder 2

Beirut, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches


Box 645 Folder 3

Ra's Ba'labakk, 1927

2 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Palestine


Box 645 Folder 4

Bethlehem, 1927

4 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 645 Folder 5

Jerusalem, 1927

82 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 645 Folder 6

Kefar Nahum

7 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Spain


Box 645 Folder 7

Burgos, 1927 [?], 1927

12 photographs : gelatin silver prints, black and white ; 5 x 6 ½ inches (bulk) (Photographs are assembled in a handmade card)


Box 645 Folder 8

Gerona, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches


Box 645 Folder 9

Huesca, 1927

19 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (bulk)


Box 645 Folder 10

Santo Domingo de Silos, 1927

5 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Syria


Box 645 Folder 11

Damascus, 1927

34 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Box 645 Folder 12

Salahiyeh, 1927

4 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches


Turkey


Box 645 Folder 13 to 14

Istanbul, 1927

105 photographs : gelatin silver prints ; black and white ; 3 ½ x 2 ½ inches (bulk)


Box 645 Folder 15

Izmir, 1927

1 photograph : gelatin silver print ; black and white ; 3 ½ x 2 ½ inches


Negatives


Box 646 Folder 1

General-- Unsorted, 1926-1927

261 photographs : gelatin silver negatives ; 3 ½ x 2 ½ inches


Box 646 Folder 2

General-- Unsorted, 1926-1927

250 photographs : gelatin silver negatives ; 3 ½ x 2 ½ inches


Box 672 Folder 1

General-- Unsorted, 1926-1927

250 photographs : gelatin silver negatives ; 3 ½ x 2 ½ inches


Box 672 Folder 2

General--Unsorted, 1926-1927

262 photographs : gelatin silver negatives ; 3 ½ x 2 ½ inches


Europe


Box 647 Folder 1

Architecture, circa, 1926-1947

3 gelatin silver negative strips


Box 647 Folder 2

Architecture and sculpture, Gothic, circa, 1926-1947

5 gelatin silver negative strips


France


Box 647 Folder 3

Aix-en-Provence, circa, 1926-1947

6 gelatin silver negative strips


Box 647 Folder 4

Albi, circa, 1926-1947

3 gelatin silver negative strips


Box 647 Folder 5

Beauvais, circa, 1926-1947

5 gelatin silver negative strips


Box 647 Folder 6

Chartres, circa, 1926-1947

8 gelatin silver negative strips


Box 647 Folder 7

Moissac and region, circa, 1926-1947

3 gelatin silver negative strips


Box 647 Folder 8

Nîmes, circa, 1926-1947

4 gelatin silver negative strips


Box 647 Folder 9

Périgny, 1947 April-June

13 gelatin silver negative strips


Box 647 Folder 10

Poitiers, circa, 1926-1947

1 gelatin silver negative strip


Box 647 Folder 11

Sens, circa, 1926-1947

3 gelatin silver negative strips


Subseries: I.6: Private Collection, 1961-1998

Files in Subseries: I.6 document the management and administration of Meyer and Lillian Milgram Schapiro's private art collection, including lists, notes, appraisals, condition reports, exhibition loan agreements, and gifts given to assorted art and cultural institutions.


Box 106 Folder 1 to 2

Works of art in private collection. -- Notes and lists, 1960s, (2 Folders)


Box 106 Folder 3

Loan forms, 1961-1999


Box 106 Folder 4

Inventory of furnishings at Rawsonville home -- Sketchbook, 1972-1988


Box 106 Folder 5

Inventory of works of art at Vermont home. -- Lists, 1994-1996


Box 106 Folder 6

Gifts relating to correspondence -- Lists and notes, 1994


Box 106 Folder 7

Gifts to assorted institutions. -- Correspondence, 1963-1967


Box 106 Folder 8

Gifts to the Museum of Modern Art (New York, N.Y.) -- Correspondence and receipts,, 1968-1983


Box 106 Folder 9

Gifts to the Rudolf Wittkower Fellowship Fund -- Correspondence, catalogs, and receipts,, 1973


Box 106 Folder 10

Gifts to the New York Studio School of Drawing, Painting and Sculpture -- Correspondence and clippings,, 1973-1979


Box 106 Folder 11

Gifs to the Metropolitan Museum of Art (New York, N.Y.) -- Correspondence, appraisals, and forms,, 1976-1998


Box 654 Folder 1

Gifts to Columbia University, Avery Library-- Lists, notes, and correspondence,, 1980s


Box 654 Folder 2

Gifts to Columbia University, Rare Book & Manuscript Library-- Correspondence, appraisals, and lists,, 1979-2002


Box 654 Folder 3

Gifts to the Jewish Museum (New York, N.Y.) -- Correspondence, lists, and receipts,, 1979-1996


Box 654 Folder 4

Bequests -- Lists and notes, 1980s-1990s


Box 654 Folder 5

Gifts to Columbia University -- Articles, 1981-1989


Box 654 Folder 6

Gifts to the Archives of American Art -- Correspondence, 1984

(Accompanied by photocopies of Forest Clemenger Bess letters)


Subseries: I.7: School Records, 1919-1929

Material in subseries I.7 includes Schapiro's earliest records in the collection, a 1919 student newsletter he edited for the Latin club at Boys High school Brooklyn. The bulk of this subseries, however, is focused on Schapiro's college days at Columbia University. This includes his student notes of college courses, notes and typescripts for his 1926 master's thesis ("The sculptures of Moissac"), and, finally, material focused on his doctoral dissertation which was completed in 1929 ("The Romanesque sculpture of Moissac"). Schapiro was one of the three first recipients to be awarded a masters degree in fine arts at Columbia University and his doctoral dissertation was the first in fine arts and archeology at the university. For further materials relating to Schapiro's doctoral dissertation, also consult Series V: Research files, Subseries: V.5 under the subject term Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France).


Box 107 Folder 1

"Forum latinum : Boys High school Brooklyn" -- Student newsletter, 1919 December 24

(Schapiro served as editor)


Box 107 Folder 2

Fine Arts 182: Spanish Art, Professor Professor Ernest T. DeWald -- Lecture Notes, Spring, 1925


Box 107 Folder 3

Lecture notes from university classes attended-- 1 notebook, 1924-1926

(Includes notes from the following classes followed by instructor: Medieval Art, Ernest T. DeWald ; Medieval Architecture, Alfred Dwight Foster Hamlin ; Renaissance Architecture, William Bell Dinsmoor, Sr. ; and Roman and Early Christian Art, Steuben Butler Murray, Jr.)


Box 107 Folder 4

Course notes -- Holograph papers, 1924-1926


Box 107 Folder 5

Reproduction requests, 1924-1926


Box 107 Folder 6

Notes from Paul Pelliot lecture at the Metropolitan Museum of Art, 1928 November 10


Box 107 Folder 7

Examinations, 1928

(Examinations from university classes relating to art and architecture)


Box 107 Folder 8

Library cards, 1930-1931


Box 107 Folder 9

Class of 1924 Columbia College 40th anniversary reunion -- Pamphlet, 1964, 1924, 1964


Box 107 Folder 10

Class of 1924 Columbia College: 65th reunion -- Directory, 1989, 1924, 1989


"The sculptures of Moissac" -- Masters thesis


Box 655 Folder 1

Annotated typescript, 1926 March


Box 655 Folder 2

Research notes, 1926


Box 655 Folder 3

Research file, 1926


"The sculptures of Moissac" -- Masters thesis


Box 639 Folder 1

Reproductions -- Moissac, 1926

133 photographs : gelatin silver prints ; black and white ; 5 x 7 inches (bulk)


Box 639 Folder 2

Reproductions -- Moissac, 1926

158 photographs : gelatin silver prints; black and white ; 5 x 7 inches (bulk)


"The sculptures of Moissac" -- Masters thesis


Box 640 Folder 1

Reproductions -- Toulouse, 1926

120 photographs : gelatin silver prints ; black and white ; 5 x 7 inches (bulk)


"The Romanesque sculpture of Moissac" -- Doctoral Dissertation


Box 108 Folder 1

Annotated typescript, 1929

(Part I of dissertation. Accompanied by editorial notes from 1986)


Box 108 Folder 2

Annotated typescript, 1929

(Part II and chronology of dissertation. Accompanied by editorial notes from 1986)


Box 108 Folder 3

Drafts and notes, 1929

(Includes pages 43-122 relating to capitals)


Box 108 Folder 4

Drafts and notes, 1929

(Carbon copy of pages 62-71)


Box 108 Folder 5

Drafts and notes, 1929

(Excerpts from Part I, pages 125-177, relating to tympanum)


Box 108 Folder 6

Drafts and notes, 1929

(Pages 172-202)


Box 108 Folder 7

Drafts and notes, 1929

(Pages 192-193, 203-221)


Box 108 Folder 8

Drafts and notes, 1929

(Pages257-271)


Box 108 Folder 9

Drafts and notes, 1929

(Pages 322-376)


Box 108 Folder 10 to 11

Drafts and notes, 1929, (2 Folders)


Box 108 Folder 12

Correspondence, 1935 December 20


Subseries: I.8: Travel notebooks, 1926-1990s

In 1926, Schapiro received a grant from the Carnegie Corporation to research his doctoral dissertation on Romanesque sculpture. That trip, which lasted 15 months, provided Schapiro with first hand visual experience with architectural works he had only known through reproductions and texts. This subseries includes his complete travel notebooks and is organized by country and/or city.

Since these travel notebooks were compiled by Schapiro by region traveled, they are occasionally not individual, discrete notebooks and are therefore described by leave count and dimensions. In the event where an actual notebook is intact, it will be described as such. Consult Series V: Research files, Subseries: V.5: Research notes under the appropriate subject heading for other drawings and notes created during Schapiro's travels. Also consult Subseries: I.5: Photographs, Sub-Subseries: I.5.2: Travel photographs for photographs taken during his 1926 trip and that complement the notebooks in this subseries.

The 2007 publicationMeyer Schapiro abroad: letters to Lillian and travel notebooksreproduced several sheets of Schapiro's travel notebooks from the years 1926 through 1927. Items in that publication reproduced material in this subseries and also items from Series V: Research files, Subseries: V.5: Research notes, especially for notes relating to illuminated manuscripts.

In the 1980s and 1990s, several leaves were detached and placed on mats, these are also arranged by country and/or city.

This subseries is arranged as follows: Sub-Subseries I.8.1: Notebooks, 1926-1974, Sub-Subseries I.8.2: Detached leaves and tourist maps, 1927-1947.


Sub-Subseries I.8.1: Notebooks, 1926-1974


Box 634 Folder 1

Toulouse (France) and region, 1926-1927

165 leaves, 8 x 5 ½ inches (bulk) (Includes material from 1930-1931 and material relating to the Saint Pierre Abbey in Moissac, France)


Box 634 Folder 2

Poitiers (France), 1926 November and Dijon (France), 1927 January 22-29, 1926 November, 1927 January 22-29

17 leaves, 7 ½ x 5 ½ inches (bulk)(Includes material from the following locations: Dijon ; Beaune ; Lyons ; Vienne ; Orange ; Avignon ; Arles ; and Genova)


Box 634 Folder 3

Moissac (France) and Toulouse (France), 1926-1931

150 card files, 4 x 6 inches ; 40 leaves, 7 ½ x 5 ½ inches (bulk)(An inscription indicates that the small pages (index cards) date from 1931 and the large pages (leaves) date from 1926)


Box 634 Folder 4

France, Southwest, 1926

60 leaves, 8 x 5 ¼ inches (bulk)


Box 634 Folder 5

France, Romanesque architecture and sculpture, 1926-1931

47 leaves, 8 x 5 inches (bulk) (Includes material from Italy, Belgium, and England)


Box 634 Folder 6

Greece, Paris (France), Ghent (Belgium), and Berlin (Germany), 1926-1931

36 leaves, 7 x 5 inches (bulk)


Box 635 Folder 1

France, Southern, 1926

41 leaves, 7 ¾ x 5 inches (bulk) (Notes are chiefly relating to architectural illustrations attached to an A.K. (Arthur Kingsley) Porter publication. Notes also contain a draft letter to Jules Momméja)


Box 635 Folder 2

Normandy (France): Amiens, Caen, and Bayeux, 1926

1 notebook, 8 ¼ x 5 1/8 inches (Includes notes reflections on A.K (Arthur Kingsley) Porter )


Box 635 Folder 3

Moissac (France), 1926-1930

202 leaves, 8 3/16 x 5 ½ inches (bulk) (Schapiro referred to this notebook as "Moissac and Comparisons." For individual leaves placed in mats, refer to Box)


Box 635 Folder 4

Catalonia (Spain), 1927

39 leaves, 7 5/8 x 4 7/8 inches (bulk)


Box 635 Folder 5

Santiago de Compostela (Spain), Toledo (Spain), Madrid (Spain), and Burgos (Spain),, 1927 August

1 notebook, 8 x 5 ¾ inches ; 64 leaves, 7 ½ x 5 inches (bulk)


Box 635 Folder 6

Aragon (Spain), Navarra (Spain), Segovia (Spain), Ávila (Spain), Castile (Spain), and Galicia (Spain),, 1927

71 leaves, 7 ½ x 5 7/8 inches (bulk)


Box 636 Folder 1

Rome (Italy) and Bari (Italy), 1927 May

2 notebooks, 7 ½ x 4 inches


Box 636 Folder 2

Florence (Italy) and Ravenna (Italy), circa, 1927

1 notebook, 7 ½ x 5 3/8 inches


Box 636 Folder 3

Venice (Italy), Verona (Italy), Bologna (Italy), Padua (Italy), Ravenna (Italy), Milan (Italy),, 1927

1 notebook, 7 ½ x 5 ¼ inches


Box 636 Folder 4

Vienna (Austria), 1927

1 notebook, 6 3/8 x 3 7/8 (inches)


Box 636 Folder 5

Greece and Egypt, 1926-1927

19 leaves, 7 x 5 ¼ (bulk)(Accompanied by correspondence)


Box 636 Folder 6

Damascus (Syria), Ba'labakk (Lebanon), and Beirut (Lebanon), 1927 -, 1927

35 leaves, 5 ½ x 4 ¼ inches (bulk)


Box 636 Folder 7

Egypt, Jordan, Lebanon, Palestine, Syria, and Turkey, 1927

100 leaves, 7 ½ x 4 7/8 inches (bulk)


Box 637 Folder 1

Bibliothèque nationale de France, 1931

1 notebook, 8 ¼ x 5 1/8 inches


Box 637 Folder 2

France, 1926

318 leaves, 7 5/8 x 5 inches (bulk); board covers: 8 ¾ x 5 ¼ x 1 ¾ (Leaves are housed in a book stripped of pages)


Box 637 Folder 3

England, 1957 ; France, 1957 ; Brasília (Brazil), 1960s ; Japan, 1966-1967 ; Holland, 1957 ; Israel, 1961 ; Paris (France), 1974 May, 1957, 1957, 1960s, 1966-1967, 1957, 1961, 1974 May

1 notebook, 5 ¾ x 4 inches ; 185 leaves, 5 x 4 inches (bulk)


Box 637 Folder 4

Europe, 1954

1 notebook, 6 x 4 inches


Box 637 Folder 4

Istanbul (Turkey), Greece, Italy, Switzerland, and France, 1961

1 notebook, 5 ¼ x 3 ½ inches


Box 637 Folder 4

Jerusalem (Israel) and Paris (France), 1974

1 notebook, 4 ½ x 2 7/8 inches


Box 637 Folder 5

Administrative records, 1980s-1990s


Sub-Subseries I.8.2: Detached leaves and tourist maps, 1927-1947


Box 638 Folder 1

France, 1927

20 leaves, 7 ½ x 5 ¼ inches (bulk)


Box 638 Folder 2

Bibliothèque nationale de France, circa, 1927

12 leaves, 8 ¼ x 5 5/16 inches (bulk)


Box 638 Folder 3

Cahors (France), 1927

6 leaves, 8 ¼ x 5 ¼ inches (bulk)


Box 638 Folder 4

Autun (France) and Charleville (France), 1926-1927

7 leaves, 7 5/8 x 4 7/8 inches (bulk)


Box 638 Folder 5

Europe, 1926 -1957, 1926

23 leaves, variable dimensions (Chiefly landscapes and church interiors)


Box 638 Folder 6

Lescure-d'Albigeois (France), 1927

7 leaves, 7 5/8 x 5 7/16 inches (bulk)


Box 638 Folder 7

Le Mans (France), 1927

1 leaf, 7 ¾ x 5 inches


Box 638 Folder 8

Lyon (France), 1927

1 leaf, 7 5/8 x 4 7/8 inches


Box 638 Folder 9 to 10

Moissac (France), 1927

leaves, 8 ¼ x 5 ¼ inches (leaf); 11 ½ x 9 inches (mat)(In 1985 Iinvidual leaves from the travel notebook in Box 635, enclosure 3 were placed in mats for the Columbia University exhibition "Romanesque sculpture of Moissac." See Box 104, Folder 3 for materials relating to this exhibition. Material relates chiefly to Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France), see below for further detached leaves on this structure)


Box 638 Folder 11

Nantes (France), 1927

2 leaves, 7 ¾ x 5 inches


Box 638 Folder 12

Palestine, 1926

1 sheet, 8 1/8 x 5 ¼ inches (Accompanied by a note from 1980)


Box 638 Folder 13

Pommevic (France), 1927

7 leaves, 8 ¼ x 5 ¼ inches (bulk)


Box 638 Folder 14

Rodez (France), 1927

2 leaves, 7 5/8 x 4 7/8 inches


Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France)


Box 638 Folder 15

General, 1927

11 leaves, 8 ¼ x 6 inches (bulk)


Box 638 Folder 16

Tower, narthex, and porch, 1927

39 leaves, 8 ¼ x 6 inches (bulk)


Box 638 Folder 17

East gallery capitals, 1927

26 leaves, 8 ¼ x 6 inches (bulk)


Box 638 Folder 18

West gallery capitals, 1927

12 leaves, 8 ¼ x 6 inches (bulk)


Box 638 Folder 19

North and south gallery capitals, 1927

17 leaves, 8 ¼ x 6 inches (bulk)


Box 638 Folder 20

Pier reliefs, 1927

14 leaves, 8 ¼ x 6 inches (bulk)


Box 638 Folder 21

Porch, 1927

9 leaves, 8 ¼ x 6 3/8 inches (bulk)


Box 638 Folder 22

Trumeaux, 1927

leaves, 8 ¼ x 5 ¼ inches (bulk)


Box 638 Folder 23

Santiago de Compostela (Spain), 1927

34 leaves, 7 5/8 x 5 inches (bulk)


Box 638 Folder 24

Spain, 1927

32 leaves, 7 5/8 x 5 inches (bulk)


Box 638 Folder 25

Tourist maps, 1927-1947

Series II : Correspondence, 1920s-2001

Schapiro was a central figure in many important circles that range from art history, philosophy, architecture, sociology, science, and pedagogy. His reach is evident with those he kept in correspondence with throughout his life. Series II contains a substantial list of figures that are famous or well known in their field and illustrates how active Schapiro was in his professional and personal life.

Schapiro did not differentiate his correspondence files between the personal and the professional. While he maintained and organized correspondence alphabetically by an individual's last name, he did not organize to the individual level. For example, files designated as "B" included material in several folders that span seven decades. Each folder housed a variety of individuals with a last name beginning with "B" or an institutional name that began with that letter.

To clarify and bring entities and constituents to the foreground, all correspondence was systematically organized by individual or institution if they were either noteworthy or if they maintained a high volume of correspondence with Schapiro. For individuals and institutions not listed by name, consult the "general" correspondence files alphabetically.

For Schapiro, materials in his correspondence files also served as subject files for individuals. Schapiro would collect clippings, articles, and other printed material relating to specific individual and file them with correspondence. These items have remained intact and kept as Schapiro filed them with the individual's last name in designated folders.

Individuals working for specific entities such as universities, museums, and other institutions were also filed alphabetically according to either their last name or by their affiliation depending on Schapiro's choosing. If an individual is not listed in this series by last name, also consult institutions by name.

Correspondence that post-dates Schapiro's death were generated by his wife Lillian Milgram Schapiro and maintained in this series.

Correspondence found in other series of this collection was retained in their original files to preserve the context of the records they are associated with. When present, "correspondence" is indicated as a represented record type at the file level to facilitate their retrieval.


A


Box 109 Folder 1 to 9

A--General, 1927-2000, (9 Folders)


Box 109 Folder 10

Aaron, Daniel, 1950


Box 109 Folder 11

Aarsleff, Hans, 1971-1987


Box 109 Folder 12

Abel, Lionel, 1936-1994


Box 109 Folder 13

Abel, Sherry, 1936-1966


Box 109 Folder 14

Abelson, Raziel, 1946-1973


Box 109 Folder 15

Abt, Lawrence Edwin, 1962-1974


Box 109 Folder 16

Ackerman, James S., 1966-1995


Box 109 Folder 17

Adler, Mortimer Jerome, 1938


Box 109 Folder 18

Adler, Stella, 1940s-1988


Box 109 Folder 19

Adorno, Gretel, 1939


Box 109 Folder 20

Adorno, Theodor W., 1938-1969


Box 109 Folder 21

Aiken, Henry, 1952


Box 109 Folder 22

Albano, Joseph F., 1938-1946


Box 110 Folder 1

Albers, Anni, 1956


Box 110 Folder 2

Albers, Josef, 1941-1944


Box 110 Folder 3

Albright-Knox Art Gallery, 1936-1983


Box 110 Folder 4

Aldrich, Virgil, 1948-1983


Box 110 Folder 6

Allais, Maurice, 1947-1948


Box 110 Folder 7

Alexander, J.J.G. (Jonathan James Graham), 1969-1998


Box 110 Folder 8

Alexander, Sidney, 1975-1979


Box 110 Folder 9

Alfred A. Knopf, Inc., 1953-1961


Box 110 Folder 10

Al-Hamdani, Betty, 1950s


Box 110 Folder 11

Alsop, Joseph, 1973-1983


Box 110 Folder 12

Alverny, Marie-Thérèse d', 1952-1998


Box 110 Folder 13

Amat, Frédéric, 1982-1984


Box 110 Folder 14

Ameisenowa, Zofia, 1950


Box 110 Folder 15

American Academy and Institute of Arts and Letters, 1980-1996


Box 110 Folder 16

American Academy of Arts and Sciences, 1969-1986


Box 110 Folder 17

American Artists' Congress, 1936-1974

(File includes correspondence with other members of the Congress. Accompanied by typescripts of articles and manifestos created by the Congress,)


Box 110 Folder 18

American Committee for Cultural Freedom, 1952-1955


Box 110 Folder 19

American Council of Learned Societies, 1966-1983


Box 110 Folder 20

American Journal of Semiotics, 1981-1983


Box 110 Folder 21

American Memorial to Six Million Jews of Europe, Inc., 1948-1966


Box 110 Folder 22

American Philosophical Society, 1969-1990


Box 110 Folder 23

Ames, Van Meter, 1944-1965


Box 110 Folder 24

Ames, Winslow, 1936-1974


Box 111 Folder 1

Amherst College, 1984


Box 111 Folder 2

Analytical Psychology Club of New York, 1943


Box 111 Folder 3

Andersen, Wayne V., 1964-1973


Box 111 Folder 4

Anshen, Ruth Nanda, 1941-1980


Box 111 Folder 5

Anson, M.L. (Mortimer Louis), 1936-1941


Box 111 Folder 6

Antoniou, Sylvia, 1990


Box 111 Folder 7

Aperture, Inc., 1965

(Accompanied by Schapiro's typescript on Edward Weston for a potential publication)


Box 111 Folder 8

Archives of American Art, 1978-1988


Box 111 Folder 9

Armi, C. Edson, 1976-1985


Box 111 Folder 10

Aronson, Jan, 1981-1994


Box 111 Folder 11

Arnheim, Rudolf, 1940-1966


Box 111 Folder 12

Art Bulletin, 1934-1959


Box 111 Folder 13

Art Institute of Chicago, 1951-1959


Box 111 Folder 14

Art News, 1952-1987


Box 111 Folder 15

Art Students League (New York, N.Y.), 1935-1947


Box 111 Folder 16

Artists' Union, 1936-1941


Box 111 Folder 17

Arvin, Newton, 1948


Box 111 Folder 18

Ascoli, Max, 1934-1975


Box 111 Folder 19

Asekoff, Louis, 1982-1987


Box 111 Folder 20

Ashton, Dore, 1960s-1982


Box 111 Folder 21

Askonas, Charles, 1938-1950


Box 111 Folder 22

Aspen Institute for Humanistic Studies, 1974-1979


Box 111 Folder 23

Atlas, James, 1974-1991


Box 111 Folder 24

Aubert, Marcel, 1936-1941


Box 111 Folder 25

Aubery, Pierre, 1954-1965


Box 111 Folder 26

Auden, W.H. (Wystan Hugh), 1957


Box 111 Folder 27

Auerbach, Erich, 1953


Box 111 Folder 28

Austerlitz, Robert, 1977-1982


Box 111 Folder 29

Ayer, A.J. (Alfred Jules), 1956-1989


B


Box 112 Folder 1 to 11

B--General, 1927-1985, (11 Folders)


Box 113 Folder 1 to 2

B--General, 1986-2002, (2 Folders)


Box 113 Folder 3

Baldwin, Charles Sears, 1931


Box 113 Folder 4

Balet, Leo, 1936-1942


Box 113 Folder 5

Barasch, Moshe, 1961-1983


Box 113 Folder 6

Barnes Foundation, 1932-1988

(Includes correspondence from Alfred Barnes)


Box 113 Folder 7

Barnouw, Erik, 1943


Box 113 Folder 8

Barr, Alfred, 1934-1982


Box 113 Folder 9

Barry, Iris, 1939


Box 113 Folder 10

Barthes, Roland, 1971


Box 113 Folder 11

Barzun, Jacques, 1936


Box 113 Folder 12

Beckmann, Max, 1938

(Correspondence is a typescript of Beckmann's letter to Curt Valentin regarding his art work. In German)


Box 113 Folder 13

Bellow, Saul, 1952-1990


Box 113 Folder 14

Ben-Yehuda, Yehuda, 1964


Box 113 Folder 15

Ben-Zion, 1938-1987


Box 113 Folder 16

Berenson, Bernard, 1929-1953

(Accompanied by photocopies of Berenson's diary pages and letters that reference Schapiro)


Box 113 Folder 17

Berger, Klaus, 1942-1945


Box 113 Folder 18

Bergman, Robert and Laurie, 1981-1998


Box 114 Folder 1

Berlin, Isaiah, 1941-1989


Box 114 Folder 2

Berman, Levi, 1945-1985


Box 114 Folder 3

Bernheimer, Richard, 1934-1950


Box 114 Folder 4

Bessaignet, Pierre, 1946-1948


Box 114 Folder 5

Bessie, Alvah, 1933-1935


Box 114 Folder 6

Bettelheim, Bruno, 1940-1950


Box 114 Folder 7

Bialostocki, Jan, 1955-1983


Box 114 Folder 8

Bider, Djemma, 1977-1986


Box 114 Folder 9

Bing, Gertrud, 1941-1959


Box 114 Folder 10

Birthday cards and letters, 1994

(Correspondence is in honor of Schapiro's 90th birthday)


Box 114 Folder 11

Blanchard, Carol, 1970-1982


Box 114 Folder 12

Bloch, Ernst, 1939-1948


Box 114 Folder 13

Bloch, Suzanne, 1970-1991


Box 114 Folder 14

Boas, Belle, 1935-1937


Box 114 Folder 15

Boas, George, 1938-1967


Box 114 Folder 16

Bober, Harry, 1955-1974


Box 114 Folder 17

Boeckler, Albert, 1936


Box 114 Folder 18

Boime, Albert, 1964-1995


Box 114 Folder 19

Bois, Yve-Alain, 1976-1991


Box 114 Folder 20

Bonne, Jean-Claude, 1979-1981


Box 114 Folder 21

Borghi, Lamberto, 1940-1958


Box 114 Folder 22

Born, Wolfgang, 1942-1948


Box 114 Folder 23

Bouchard, Thomas, 1958-1991


Box 114 Folder 24

Bourgeois, Louise, 1960s-1980s


Box 115 Folder 1

Bovie, Palmer, 1957-1999


Box 115 Folder 2

Brandeis University, 1951-1986


Box 115 Folder 3

Braude, William G. (William Gordon), 1968-1980


Box 115 Folder 4

Breines, Simon, 1933-1937


Box 115 Folder 5

Brendel, Otto, 1939


Box 115 Folder 6

Brenson, Theodore, 1941-1949


Box 115 Folder 7

Breton, André, 1957


Box 115 Folder 8

British Broadcasting Company, 1954-1995


Box 115 Folder 9

Broch, Hermann, 1941


Box 115 Folder 10 to 11

Brodie, Jocelyn, 1953-2003, (2 Folders)


Box 115 Folder 12

Bronowski, Jacob, 1967


Box 115 Folder 13

Bronstein, Léo, 1934-1990


Box 116 Folder 1

Brooklyn Institute of Arts and Sciences, 1934-1938


Box 116 Folder 2 to 5

Brower, Carol, 1976-1990, (4 Folders)


Box 116 Folder 6

Brown, Milton, 1934-1939


Box 116 Folder 7

Broyard, Anatole, 1946-1949


Box 116 Folder 8

Brussel, Cabell, 1952-1990


Box 116 Folder 9

Bry, Doris, 1975-1982


Box 116 Folder 10

Brynes, Oscar, 1930s


Box 116 Folder 11

Buchman, Carl, 1931-1941


Box 116 Folder 12

Buchthal, Hugo, 1944-1964


Box 116 Folder 13

Buck, Robert T., 1990s


Box 687

Buckley, William Frank, Jr., 1925- To Meyer Schapiro, Switzerland, 1967 February 24, 1 page t.l.s. Signed by Secretary; with copy of related letters

Cataloged.


Box 116 Folder 14

Buckman, Eduard, 1954-1955


Box 116 Folder 15

Bui, Phong, 1989-2001


Box 116 Folder 16

Bunim, Miriam Schild, 1939-1987


Box 116 Folder 17

Bunnell, Peter C., 1987


Box 116 Folder 18

Bunzel, Joseph H., 1940-1944


Box 116 Folder 19

Burck, Jacob, 1933-1982


Box 116 Folder 20

Byron, Robert, 1935


C


Box 117 Folder 1 to 11

C--General, 1927-2000, (11 Folders)


Box 118 Folder 1

Caglioti, Victor, 1968


Box 118 Folder 2

Cairns, Dorian, 1931-1942


Box 118 Folder 3

Calas, Nicolas, 1944-1961


Box 118 Folder 4

Caplan, Harry, 1934-1977


Box 118 Folder 5

Cargill, Oscar, 1937


Box 118 Folder 6

Carlton, Carl and Florence, 1975-1994


Box 118 Folder 7

Carmichael, Carr and Joel, 1948-1949


Box 118 Folder 8

Carré, Louis, 1935-1975


Box 118 Folder 9

Cartier-Bresson, Henri, circa, 1960s


Box 118 Folder 10

Centre Georges Pompidou, 1979-2005


Box 118 Folder 11

Chagall, Ida, 1954-1984


Box 118 Folder 12

Chagall, Marc, 1942-1976


Box 687

Chambers, Whittaker, 1901-1961 To Meyer Schapiro, [v.p.], 1924-1953, 44 a.l.s., 1 a.l., 9 t.l.s., 18 t.l., 2 a.p.c.s., 1 p.l. Reading copies.

Cataloged.


Box 687

Chambers, Whittaker To the Politburo of the Communist Party USA, [n.p.], early 1937, 1 ms.l. Reading Copies; "Dictated by WC," in the hand of Meyer Schapiro(?); 2 photocopies and 1 typewritten transcript.

Cataloged.


Box 118 Folder 13

Charlet, Blanche, 1948-1978


Box 118 Folder 14

Chastel, André, 1947-1983


Box 118 Folder 15

Chenet, Jean, 1948-1950


Box 118 Folder 16

Chermayeff, Serge, 1947-1948


Box 118 Folder 17

Chernowitz, Maurice, 1942-1945


Box 118 Folder 18

Chiang, Yee, 1956-1973


Box 118 Folder 19

Chiaromonte, Nicola and Miriam, 1942-1979


Box 688

Chiaromonte, Nicola To Meyer Schapiro, [New York?], 1944 summer, 1944 August 2, 1 a.l.s., 1 t.l.s.

Cataloged.


Box 119 Folder 1

Chipp, Herschel B. (Herschel Browning), 1950-1987


Box 119 Folder 2

Chirik, Marck, 1947


Box 119 Folder 3

Chomsky, Noam, 1963-1965


Box 119 Folder 4

Choron, Rose, 1966-1988


Box 119 Folder 5

Chudnovsky, David and Gregory, 1982-1983


Box 119 Folder 6

Covell, Jon Etta Hastings Carter, 1934-1937


Box 119 Folder 7

Cecchi, Emilio, 1934-1940


Box 119 Folder 8

Clement, Travers, 1954-1955


Box 119 Folder 9

Cohen, Bernard I., 1945-1956


Box 119 Folder 10

Coldstream, William, 1957-1961


Box 119 Folder 11

College Art Association of America, 1936-1944


Box 119 Folder 12 to 15

Columbia University, 1934-1994, (4 Folders)


Box 120 Folder 1

Conant, Kenneth J., 1930-1967


Box 120 Folder 2

Condon, Rudolph, 1957-1961

(File includes drawings)


Box 120 Folder 3

Copley, Alfred, 1971-1975


Box 120 Folder 4

Cook, Walter W.S., 1934-1954


Box 120 Folder 5

Coolidge, John, 1951-1954


Box 120 Folder 6

Coomaraswamy, Ananda Kentish, 1932-1946


Box 120 Folder 7

Cooper, Douglas, 1939-1954


Box 120 Folder 8

Cooper Union Museum for the Arts of Decoration, 1963

(Accompanied by clippings and bound portfolio of correspondence compiled by the Committee to Save the Cooper Union Museum)


Box 688

Corman, Cid To Meyer Schapiro, Kyoto, 1983 July 25, 2 t.l.s.

Cataloged.


Box 120 Folder 9

Cosmos, 1976-1979


Box 120 Folder 10

Council, Jim, 1962-1969


Box 120 Folder 11

Cournand, André, 1938-1956


Box 120 Folder 12

Courthion, Pierre, 1965-1974


Box 120 Folder 13

Craven, David, 1978-2001


Box 120 Folder 14

Creative Film Foundation, 1955-1959

(Chiefly from the executive secretary of the foundation and filmmaker Maya Deren)


Box 120 Folder 15

Crow, Thomas, 2002-2003


Box 120 Folder 16

Cruz, Emilio, 1963-1990


D


Box 121 Folder 1 to 8

D--General, 1927-2001, (8 Folders)


Box 121 Folder 9

Dalí, Salvador, 1935


Box 121 Folder 10

Dalma, Juan, 1956-1976


Box 121 Folder 11 to 12

Damisch, Hubert, 1970-2004, (2 Folders)


Box 121 Folder 13

Danto, Arthur, 1961


Box 121 Folder 14

Datz, A. Mark, 1965


Box 121 Folder 15

Davis, Stuart, 1935-1990


Box 121 Folder 16

Davenport, William W., 1974-1996


Box 122 Folder 1

Davezac, Bertrand, 1957-1979


Box 122 Folder 2

D'Harnoncourt, Rene, 1952


Box 122 Folder 3

Decter, Moshe, 1963-1975


Box 122 Folder 4

De Kooning, Elaine, 1950s-1963


Box 122 Folder 5

De Ménil, Dominique and John, 1950-1989


Box 122 Folder 6

De Niro, Robert, 1948-1970


Box 122 Folder 7

De Santillana, Giorgio, 1936-1948


Box 122 Folder 8

De Tolnay, Charles, 1939-1965


Box 122 Folder 9

Diamond, Sigmund, 1977-1990


Box 122 Folder 10

Didisheim, Frank and Helena, 1966-1989


Box 122 Folder 11 to 12

Dissent (New York), 1952-1995, (2 Folders)

(Includes correspondence with Irving Howe and Stanley Plastrik and material relating to a 1963 exhibition organized by Schapiro for the magazine)


Box 122 Folder 13

Doron, Daniel, 1961-979


Box 122 Folder 14

Dorsky, Morris, 1941-1956


Box 122 Folder 15

Dupee, F.W. (Frederick Wilcox), 1937-1977


Box 122 Folder 16

Dunayevskaya, Raya, 1946-1959


Box 122 Folder 17

Durus, Alfred, 1936


Box 122 Folder 18

Duthuit, Georges, 1940-1960


E


Box 123 Folder 1 to 4

E--General, 1934-2001, (4 Folders)


Box 123 Folder 5

Eco, Umberto, 1973-1974


Box 123 Folder 6

Ede, H.S. (Herold Stanley), 1939-1940


Box 123 Folder 7

Edman, Irwin, 1929-1944


Box 123 Folder 8

Egbert, Donald Drew, 1946-1962


Box 123 Folder 9

Ehrenstein, Albert, 1941


Box 123 Folder 10

Ehrenzweig, Anton, 1954-1958


Box 123 Folder 11

Eissler, K.R. (Kurt Robert), 1947-1983


Box 123 Folder 12

Elkana, Yehuda, 1978-1980


Box 123 Folder 13

Elkin, Henry, 1947-1966


Box 123 Folder 14

Elsen, Albert, 1952-1995


Box 123 Folder 15

Erffa, Helmut von, 1945-1950


Box 123 Folder 16

Eriksen, Svend, 1953


Box 123 Folder 17

Erskine, Peggy, 1947-1953


Box 124 Folder 1 to 2

Esterman, Benjamin, 1968-1980, (2 Folders)


Box 124 Folder 3

Esterman, Daniel, 2000-2003


Box 124 Folder 4

Ettinghausen, Richard, 1941-1980


Box 124 Folder 5

Evans, Ernestine, 1936-1947


Box 124 Folder 6

Evans, Joan, 1939-1945


F


Box 125 Folder 1 to 6

F--General, 1927-2000, (6 Folders)


Box 125 Folder 7

Fadiman, Clifton, 1923-1996


Box 125 Folder 8

Faison, S. Lane (Samson Lane), 1933-1958


Box 125 Folder 9

Fan mail, 1960s-1990s


Box 688

Farrell, Hortense Alden (Mrs. James T.) To Meyer Schapiro, v.p., 1938-1944, 5 t.l.s.

Cataloged.


Box 688

Farrell, Hortense Alden (Mrs. James T.) To Mr. and Mrs. Meyer and Lillian Milgram Schapiro, Rheims & Chartres, 1938 July 1-8, 2 a.p.c.s. Signed by "Hortense and Jim."; 2 a.p.c.s.

Cataloged.


Box 688

Farrell, James T. To Meyer Schapiro, [v.p.], 1937 December 11-1944 May 29, 389 t.l.s., 69 t.l., 3 a.p.c.s., 25 a.l.s., 1 t.pc.

Cataloged.


Box 689

Farrell, James T. To Meyer Schapiro, [v.p.], 1944 June 2- 1974 August 24, 257 t.l.s., 24 t.l., 2 a.p.c.s., 174 a.l.s.

Cataloged.


Box 690

Farrell, James T. To Meyer Schapiro, [v.p.], 1976 February 5-1979 June 1, 86 t.l.s., 3 t.l., 3 t.p.c.s., 6 a.l.s.

Cataloged.


Box 125 Folder 10

Farrell, James T. (James Thomas), 1978


Box 691

Farrell, James T. Miscellaneous correspondence


Box 691

Farrell, James T. Miscellaneous letters about


Box 126 Folder 1

Feldman, Morton, 1970


Box 126 Folder 2 to 4

Fessenden, Anne, 1962-2000, (3 Folders)


Box 127 Folder 1

Finch, Henry, 1951-1952


Box 127 Folder 2

Finkelstein, Louis, 1937-1979


Box 127 Folder 3

Focillon, Henri and Marguerite, 1934-1945


Box 127 Folder 4

Fondazione Schlesinger, 1980


Box 127 Folder 5

Ford, Charles Henri, 1938-1995


Box 127 Folder 6

Förster, Max, 1934-1936


Box 127 Folder 7

Francastel, Pierre, 1953-1961


Box 127 Folder 8

Frank, Mary, 1966-1980s


Box 127 Folder 9

Frank, Robert, 1954-1958


Box 127 Folder 10

Frankenberg, Loren and Lloyd, 1958-1971


Box 127 Folder 11

Frankenthaler, Helen, 1977


Box 127 Folder 12

Frankfort, Henri, 1944-1954


Box 127 Folder 13

Frankl, Paul, 1938-1960


Box 127 Folder 14

French, John, 1955


Box 127 Folder 15

Frick, Helen, 1951


Box 127 Folder 16

Friedlander, Walter, 1938-1943


Box 127 Folder 17

Friends of the James T. Farrell Collection, 1979-1986


Box 127 Folder 18

Friess, Horace, 1945-1953


Box 127 Folder 19

Fröbe-Kapteyn, Olga, 1930s-1955


Box 127 Folder 20

Fromm, Erich, 1953-1963


Box 127 Folder 21

Fry, Varian, 1941-1965


Box 127 Folder 22

Fryde, E.B., 1961-1968


Box 127 Folder 23

Fryde, Matthew, 1960


Box 127 Folder 24

Fürst, Bruno, 1934-1941


Box 127 Folder 25

Fussiner, Howard A., 1953-1993


G


Box 128 Folder 1 to 7

G--General, 1927-2000, (7 Folders)


Box 129 Folder 1

Gamzu, Haim, 1946-1947


Box 129 Folder 2

Garbáty, Maurice and Ella, 1946-1975


Box 129 Folder 3

Gardin, Jean-Claude, 1956-1968


Box 129 Folder 4

Gauthier, Marie-Madeleine, 1954-1967


Box 129 Folder 5

Gazette des Beaux Arts, 1942-1953


Box 129 Folder 6

Gee, Helen, 1965-1977


Box 129 Folder 7

Gelder, J.G. van (Jan Gerrit), 1954-1970


Box 129 Folder 8

Geltman, Emanuel, 1981-1983


Box 129 Folder 9

Gendel, Milton, 1941-1988


Box 129 Folder 10

Geismar, Maxwell, 1952-1953


Box 129 Folder 11

Gerassi, Fernando, 1941-1973


Box 129 Folder 12

Gilbert, Creighton, 1944-1981


Box 129 Folder 13

Ginsberg, Allen, 1949-1986

(Includes an early mimeograph of Ginsberg's "Howl" from 1956)


Box 129 Folder 14

Glaser, Curt, 1933-1942


Box 129 Folder 15

Godeau, Pierre, 1952-1954


Box 129 Folder 16

Gogh, V.W. van (Vincent Willem), 1949-1972


Box 129 Folder 17

Golden, William T., 1975-1994


Box 129 Folder 18

Goldfinger, Harold, 1938-1942


Box 129 Folder 19

Goldin, Judah, 1966-1972


Box 129 Folder 20

Goldschmidt, Adolph, 1929-1935


Box 129 Folder 21

Goldstein, Kurt, 1950-1965

(Accompanied by a transcript of Schapiro's eulogy at Goldstein's memorial service)


Box 129 Folder 22

Goldwater, Robert John, 1934-1965


Box 129 Folder 23

Golub, Leon Albert, 1949-, 1954


Box 129 Folder 24

Gombrich, E.H. (Ernst Hans), 1947-1972


Box 129 Folder 25

Goodman, Nelson, 1948-1979


Box 129 Folder 26

Goodman, Paul, 1943-1956


Box 129 Folder 27

Goodman, Percival, 1944-1968


Box 130 Folder 1 to 2

Gordon, Edwin Frederick Robert, 1994-1995, (2 Folders)


Box 130 Folder 3

Gordon, Irene, 1951-1983


Box 130 Folder 4

Gottlieb, Carla, 1953-1996


Box 130 Folder 5

Gourevitch, Adolphe, 1945-1946


Box 130 Folder 6

Gowing, Lawrence, 1957-1977


Box 130 Folder 7

Grabar, Oleg, 1963


Box 130 Folder 8

Gray, Cleve, 1977-1979


Box 130 Folder 9

Greenberg, Clement, 1948-1950


Box 130 Folder 10

Greene, Belle da Costa, 1935-1946


Box 130 Folder 11

Grégoire, Henri, 1941-1944


Box 130 Folder 12

Greimas, Algirdas Julien, 1970-1974


Box 130 Folder 13

Gross, Ernest, 1926


Box 130 Folder 14

Guérin, Daniel, 1950


Box 130 Folder 15

Guerlac, Henry, 1976-1980


Box 130 Folder 16

Guilmain, Jacques, 1950-1989


Box 130 Folder 17

Guston, Philip, 1963-1980


Box 130 Folder 18

Gutman, Judith Mara, 1976-1990


H


Box 131 Folder 1 to 7

H--General, 1923-1985, (7 Folders)


Box 132 Folder 1 to 2

H--General, 1986-2001, (2 Folders)


Box 132 Folder 3

Haggin, B.H. (Bernard H.), 1930-1967


Box 132 Folder 4

Hamann, Richard, 1929-1978


Box 132 Folder 5

Hampshire, Stuart, 1936-1974


Box 132 Folder 6

Harris, Zellig, 1946-1985


Box 132 Folder 7

Harrow, Gustave, 1976


Box 132 Folder 8

Harry N. Abrams, Inc., 1950-1992


Box 132 Folder 9

Hartley, Marsden, 1942


Box 132 Folder 10

Hartt, Frederick, 1936-1991


Box 132 Folder 11

Hartung, Hans, 1966-1975


Box 132 Folder 12

Harvard University, 1946-1985


Box 132 Folder 13

Haskell, Francis, 1967-1986


Box 132 Folder 14

Hauser, Arnold, 1954-1958


Box 132 Folder 15

Haussherr, Reiner, 1966-1972


Box 132 Folder 16

Havas, Péter, 1946-1980


Box 133 Folder 1

Heidegger, Martin


Box 133 Folder 2

Heimann, Adelheid, 1939-1964


Box 133 Folder 3

Held, Julius S. (Julius Samuel), 1935-1994


Box 133 Folder 4

Held, Richard, 1945-1964


Box 133 Folder 5

Hélion, Jean, 1937-1976


Box 133 Folder 6 to 7

Hemley, Elaine Gottlieb, 1939-1977, (2 Folders)


Box 133 Folder 8

Hempel, Peter, 1941-1960s


Box 133 Folder 9

Hendel, Meta C., 1938-1948


Box 133 Folder 10

Herbert, Robert L., 1953


Box 133 Folder 11

Herford-Goldstein, Julius, 1942-1945


Box 133 Folder 12

Herron, Davis, 1939-1950


Box 134 Folder 1

Hess, Thomas, 1962-1978


Box 134 Folder 2

Heydenreich, Ludwig H. (Ludwig Heinrich), 1949-1968


Box 134 Folder 3

Hibbard, Howard, 1937-1972


Box 134 Folder 4

Hicks, Granville, 1933-1934


Box 134 Folder 5

Hirsch, Stefan, 1943-1953


Box 134 Folder 6

Hitchcock, Henry-Russell, 1937-1961


Box 134 Folder 7

Hoffmann, Konrad, 1962-1994


Box 134 Folder 8

Hofstadter, Albert, 1941-1977


Box 134 Folder 9

Hook, Ann and Sidney, 1934-1988


Box 134 Folder 10

Horn, Walter, 1934-1963


Box 134 Folder 11

Howe, Irving, 1950-1990


Box 134 Folder 12

Howes, Barbara, 1944-1945


Box 134 Folder 13

Hyams, Martha and Ralph, 1939-1996


Box 134 Folder 14

Hyams, Martha and Ralph, 1970-1984

(With leter from Wolf Kahn to the Haymses re. Schapiro and 2 drawings by Schapiro, which he sent to Kris Hyams)

Gift of Gina Hyams, 24 April 2019.


I


Box 135 Folder 1 to 2

I--General, 1933-1985, (2 Folders)


Box 135 Folder 3

Indiana University, 1952-1956


Box 135 Folder 4

Institute of Semito-African Studies, 1946-1948


Box 135 Folder 5

International Association of Art Critics, 1949-1978


Box 135 Folder 6

International Congress of the History of Art (20th : 1961 : New York City), 1960-1962, 1961, 1960-1962


Box 135 Folder 7

International Rescue Committee, 1948-1961


Box 135 Folder 8

International Society for the History of Ideas, 1959-1960


Box 135 Folder 9

Isaacs, Julius, 1976-1985


Box 135 Folder 10

Ives, Barbara and Mabill, 1936-1949


Box 135 Folder 11

Ivins, William Mills, 1941-1942


Box 135 Folder 12

Ivry, Benjamin, 1978-1984


J


Box 136 Folder 1 to 4

J--General, 1929-1990, (4 Folders)


Box 136 Folder 5

Jackson, Anthony and Sarah, 1956-1964


Box 136 Folder 6

Jaffe, Irma B., 1972-1995


Box 136 Folder 7

Jaffin, George M., 1965-1989


Box 136 Folder 8

Jakobson, Roman, 1948-1984


Box 137 Folder 1

James, C.L.R. (Cyril Lionel Robert), 1948-1970


Box 137 Folder 2

James, Martin, 1988-1990


Box 137 Folder 3

Janis, Sidney, 1942-1944


Box 137 Folder 4

Janowitz, Adeline Tintner, 1948-1998


Box 137 Folder 5

Janson, H.W. (Horst Woldemar), 1936-1982


Box 137 Folder 6

Japan Society (New York, N.Y.), 1979-1981


Box 137 Folder 7

Jay, Martin, 1972-1973


Box 137 Folder 8

Jenks, Anne L., 1951-1961


Box 137 Folder 9

Johns, Jasper, 1964


Box 137 Folder 10

Johnson, Philip, 1965


Box 137 Folder 11

Jones, Leslie Webber, 1934-1940


Box 137 Folder 12

Jónsdóttir, Selma, 1945-1976


Box 137 Folder 13

Josephson, Matthew, 1973-1976


Box 137 Folder 14

Journal for the History of Ideas, 1938-1990


Box 137 Folder 15

Jewish Museum (New York, N.Y.), 1944-1979


Box 138 Folder 1 to 4

Jewish Museum (New York, N.Y.), 1964-1998


Box 138 Folder 5

John D. and Catherine T. MacArthur Foundation, 1987


Box 138 Folder 6

John Simon Guggenheim Memorial Foundation, 1938-1979


Box 138 Folder 7

Jules, Mervin, 1936-1937


Box 138 Folder 8

Justema, William, 1975-1980


K


Box 139 Folder 1 to 6

K--General, 1929-2000


Box 139 Folder 7

Kahlo, Frida, 1940

(Accompanied by correspondence from 1980 relating to Kahlo)


Box 139 Folder 8

Kahn, Wolf, 1959-1989


Box 139 Folder 9

Kahnweiler, Daniel-Henry and Gustave, 1950-1964


Box 139 Folder 10

Kalinowski, Lech, 1956-1965


Box 139 Folder 11

Kallen, Horace Meyer, 1936-1943


Box 139 Folder 12

Kantorowicz, Ernst Hartwig, 1953-1962


Box 140 Folder 1

Kaprow, Allan, 1950-1970

(Oversize Box 633, Folder 12 houses the following publicationDays off : a calendar of happenings by Allan Kaprow;commissioned by the Junior Council of the Museum of Modern Art, New York)


Box 140 Folder 2

Kasnowski, Chester, 1970-1997


Box 140 Folder 3

Katz, Karl, 1952-1983


Box 140 Folder 4

Katzenellenbogen, Adolf, 1944-1945


Box 140 Folder 5

Kaufmann, Emil, 1934-1948


Box 140 Folder 6

Kayser, Stephen S., 1944-1957


Box 140 Folder 7

Kazin, Alfred, 1950-1975


Box 140 Folder 8

Kennedy, Robert F., 1966


Box 140 Folder 9

Kerouac, Jack, 1949


Box 140 Folder 10

Kimball, Fiske, 1934-1950


Box 140 Folder 11

Kirstein, Lincoln, 1948-1979


Box 140 Folder 12

Kitaj, R.B., 1978


Box 140 Folder 13

Kitzinger, Ernst, 1942-1986


Box 140 Folder 14

Klein, Jerome, 1934-1980


Box 140 Folder 15

Klein, Michael, 1977-1982


Box 140 Folder 16

Klein, Peter K., 1976-1978


Box 140 Folder 17

Klüver, Billy, 1971

(Material soliciting Schapiro to participate in an Experiments in Art and Technology project)


Box 141 Folder 1

Koehler, Wilhelm Reinhold Walter, 1935-1957


Box 141 Folder 2

Kollek, Teddy, 1969-1995


Box 141 Folder 3

Konvitz, Milton R. (Milton Ridvas), 1977-1994


Box 141 Folder 4

Korn, Elizabeth, 1967-1973

(Accompanied by photocopied letters between Albert Einstein and Arthur Korn)


Box 141 Folder 5

Koyré, Alexandre, 1948-1963


Box 141 Folder 6

Kracauer, Siegfried, 1938-1961

(Accompanied by material relating to a Kracauer symposium held in 1990)


Box 141 Folder 7

Krader, Lawrence, 1950-1960


Box 141 Folder 8

Kraus, Henry, 1965-1983


Box 141 Folder 9

Krautheimer, Richard and Trude, 1935-1977


Box 141 Folder 10

Krenek, Ernst, 1939


Box 141 Folder 11

Kriesberg, Irving, 1961-1981


Box 141 Folder 12

Kristeller, Paul Oskar, 1943-1985


Box 141 Folder 13

Kristeva, Julia, 1973-1976


Box 141 Folder 14

Kroeber, A.L. (Alfred Louis), 1949-1959


Box 141 Folder 15

Krupnick, Mark, 1976-1985


Box 141 Folder 16

Kubler, George, 1944-1972


Box 141 Folder 17

Kultermann, Udo, 1981-1991


Box 141 Folder 18

Kurz, Otto, 1952-1974


L


Box 142 Folder 1 to 6

L--General, 1930-2000, (6 Folders)


Box 142 Folder 7

Labourdette, Régis, 1978-1992


Box 142 Folder 8

Lacan, Jacques, 1947-1948

(Accompanied by Schapiro's notes on psychoanalytic themes and a signed copy of Lacan'Fonction et champ de la parole et du langage en psychanalyse)


Box 142 Folder 9

Ladner, Gerhart B. (Gerhart Burian), 1951-1977


Box 142 Folder 10

Lahm, Renée D., 1940-1951


Box 142 Folder 11

Lamont, Corliss, 1937-1938


Box 142 Folder 12

Landman, Doris Heyer, 1939-1981


Box 142 Folder 13

Landsberger, Franz, 1948


Box 142 Folder 14

Landshoff, Fritz Helmut, 1957-1988


Box 143 Folder 1

Laporte, Paul M., 1929-1974


Box 143 Folder 2

Lasky, Melvin J., 1945-1966


Box 143 Folder 3

Laufman, Sidney, 1978-1985


Box 143 Folder 4

Lavin, Irving, 1974-1992


Box 143 Folder 5

Lebensztejn, Jean-Claude, 1968-1995


Box 143 Folder 6

Le Clair, Charles, 1941-1949


Box 143 Folder 7

Lee, Rensselaer W. (Rensselaer Wright), 1944-1955


Box 143 Folder 8

Léger, Fernand, 1942-1944


Box 143 Folder 9

Lehmann-Haupt, Hellmut, 1927-1962


Box 143 Folder 10

Lehmann, James H., 1973-1983


Box 143 Folder 11

Leibovici, Marcel, 1959


Box 143 Folder 12

Leibowitz, René, 1950-1952


Box 143 Folder 13

Leites, Nathan, 1949


Box 143 Folder 14

Lejwa, Madeleine Chalette, 1973


Box 143 Folder 15

Lennon, John and Yoko Ono, circa, 1970s


Box 143 Folder 16

Leroy, Paul and Anne Elizabeth, 1952-1953


Box 143 Folder 17

Lethem, Richard, 1979-1992


Box 143 Folder 18

Levaillant, Françoise, 1973-1978


Box 143 Folder 19

Lévi-Strauss, Claude, 1944-1963


Box 143 Folder 20

Levi, Doro, 1940


Box 143 Folder 21

Levin, David, 1963-1965

(Accompanied by annotated typescripts of Levin's poetry)


Box 143 Folder 22

Levine, Jocelyn, 1949-1955


Box 143 Folder 23

Levy, Beryl Harold, 1934-1994


Box 143 Folder 24

Lewine, Carol F., 1961-1973


Box 143 Folder 25

Leymarie, Jean, 1951-1985


Box 143 Folder 26

Libow, Lauren, 1983-1986


Box 144 Folder 1

Lipchitz, Jacques, 1947-1961


Box 144 Folder 2

Lipchitz Rehabilitation Committee, 1952


Box 144 Folder 3

Lipman, Matthew, 1950-1981


Box 144 Folder 4

Lipsey, Roger, 1971-1980


Box 144 Folder 5

Littlefield, William Horace, 1952-1965


Box 144 Folder 6

Lockspeiser, Edward, 1927-1968


Box 144 Folder 7

Lockspeiser, Eleanore, 1952-1953


Box 144 Folder 8

Longman, Lester Duncan, 1940-1949


Box 144 Folder 9

Longview Foundation, 1958-1975


Box 144 Folder 10

Lopez, Robert S. (Robert Sabatino), 1945-1965


Box 144 Folder 11 to 12

Louis E. Stein Foundation, 1962-1964, (2 Folders)


Box 144 Folder 13

Lowe, E.A. (Elias Avery), 1931-1968


Box 144 Folder 14

Lowell, Robert, 1961-1977


Box 144 Folder 15

Lowenthal, Leo, 1937-1955


Box 144 Folder 16

Lowinsky, Edward E. (Edward Elias), 1954-1973


Box 144 Folder 17

Lozowick, Louis, 1935-1936


Box 144 Folder 18

Lurçat, Jean, 1934-1941


Box 144 Folder 19

Lurie, Boris, 1953-1956


M


Box 145 Folder 1 to 9

M--General, 1926-2000, (9 Folders)


Box 146 Folder 1

Macdonald, Dwight, 1938-1982


Box 146 Folder 2

Machotka, Pavel, 1965-1981


Box 146 Folder 3

MacIver, Loren and Lloyd, 1956-1989


Box 146 Folder 4

Mahr, August C., 1941-1945


Box 146 Folder 5

Mailer, Norman, 1953-1977


Box 146 Folder 6

Malaquais, Galy and Jean, 1946-1973


Box 146 Folder 7

Manasse, Ernst Moritz, 1946-1977


Box 146 Folder 8

Marcus, Ralph, 1928-1952


Box 146 Folder 9

Marcuse, Herbert, 1955


Box 146 Folder 10

Mares, Vaclav E., 1975-1990


Box 146 Folder 11

Margolis, Joseph, 1968-1984


Box 146 Folder 12

Margolis, Lawrence, 1951-1952


Box 146 Folder 13

Mark Rothko Foundation, 1976-1979


Box 146 Folder 14

Marshak, Robert Eugene, 1946-1989


Box 146 Folder 15

Masai, François, 1952


Box 146 Folder 16

Masheck, Joseph, 1976-1999


Box 147 Folder 1

Massey, Irving, 1945


Box 147 Folder 2

Masson, André, 1942-1946


Box 147 Folder 3

Mather, Frank Jewett, 1949


Box 147 Folder 4

Matta, Roberto, 1940


Box 147 Folder 5

Matter, Mercedes, 1961-1979


Box 147 Folder 6

Mattick, Ilse and Paul, 1943-1994


Box 147 Folder 7

Mauner, George L., 1961-1989


Box 147 Folder 8

May, Morton D. (Morton David), 1952


Box 147 Folder 9

Mayer, Albert, 1935-1974


Box 147 Folder 10

McDonald, John, 1934-1937


Box 147 Folder 11

McElhatton, Mark, 1975


Box 147 Folder 12

McNulty, J. Bard (John Bard), 1978-1985


Box 147 Folder 13

Mediaeval Academy of America, 1936-1980


Box 147 Folder 14

Meiss, Millard, 1930s-1975


Box 147 Folder 15

Meloy, Caroline, 1952


Box 147 Folder 16

Meltzoff, Stanley, 1942-1974


Box 148 Folder 1 to 7

Menashe, Samuel, 1950s-1990, (7 Folders)

(Accompanied by annotated typescripts and holograph papers of Menashe's poetry)


Box 149 Folder 1

Merkel, Bernard, 1936-1948


Box 149 Folder 2

Merleau-Ponty, Maurice, 1949-1954


Box 149 Folder 3

Merton, Robert King, 1949-1971


Box 149 Folder 4

Métraux, Alexandre, 1974-1984


Box 149 Folder 5

Metropolitan Museum of Art (New York, N.Y.), 1937-1996


Box 149 Folder 6

Metzger, Mendel, 1965-1985


Box 149 Folder 7

Meyer, Bella Chagall and Piet, 1976-1983


Box 149 Folder 8

Mezoughi, Noureddine, 1983-1984


Box 149 Folder 9

Michelson, Annette, circa, 1940s


Box 149 Folder 10

Miller, Margaret and William, 1937-1953


Box 149 Folder 11

Miner, Dorothy Eugenia, 1933-1954


Box 690

Mitchell, Frances To Meyer Schapiro, New York, circa 1950, 2 t.l.s.

Cataloged.


Box 149 Folder 12

Mocsanyi, Paul, 1951-1986


Box 149 Folder 13

Moholy-Nagy, László, 1944


Box 149 Folder 14

Mondolfo, Rodolfo, 1973


Box 149 Folder 15

Mondrian, Piet, 1944


Box 149 Folder 16

Monteiro, I. (Isaac), 1961-1980


Box 149 Folder 17

Morey, Charles Rufus, 1929-1942


Box 149 Folder 18

Morris, Charles W. (Charles William), 1939-1953


Box 149 Folder 19

Morris, Ivan I., 1970


Box 149 Folder 20

Morrow, Felix, 1933-1981


Box 149 Folder 21

Motherwell, Robert, 1940-1989

(Includes an annotated typescript of Motherwell's essay "The form of Cezanne's 'The Balcony.'" )


Box 149 Folder 20

Morrow, Felix, 1933-1981


Box 149 Folder 22

Mumford, Lewis, 1934-1940


Box 149 Folder 23

Munis, Grandizo, 1949


Box 149 Folder 24

Münsterberg, Hugo, 1941-1942


Box 149 Folder 25

Münz, Ludwig, 1938-1957


Box 149 Folder 26

Murray, Butler, 1927


Box 149 Folder 27

Museum of Modern Art (New York, N.Y.), 1936-1995


N


Box 150 Folder 1 to 4

N--General, 1930-2000, (4 Folders)


Box 150 Folder 5

Nabokov, Nicolas, 1959-1968


Box 150 Folder 6

Nachumi, Emma, 1947-1954


Box 150 Folder 7

Nadejena, Lydia, 1939-1956


Box 150 Folder 8

Nagel, Ernest, 1934-1978


Box 150 Folder 9

Nagatomo, Kinue, 1961-1983


Box 150 Folder 10

Naitove, Connie, 1960-1988


Box 150 Folder 11

Nanavutty, Piloo, 1945-1948


Box 151 Folder 1

Narkiss, Bezalel, 1961-1985


Box 151 Folder 2

Nathan, Hans, 1953-1978


Box 151 Folder 3

Nathan, Henry, 1956-1967


Box 151 Folder 4

National Endowment for the Humanities, 1968-1991


Box 151 Folder 5

National Gallery of Art (U.S.), 1946-1986


Box 151 Folder 6

Neel, Alice, 1944-1983


Box 151 Folder 7

Nelligan, Emily, 1967-2001


Box 151 Folder 8

Nelson, Benjamin N., 1941-1973


Box 151 Folder 9

Nesjar, Carl, 1946-1996


Box 151 Folder 10

Newman, Annalee, 1970-1980


Box 151 Folder 11

Newman, Barnett, 1960-1968


Box 151 Folder 12

New School for Social Research (New York, N.Y.), 1935-1984


Box 151 Folder 13

New York Review of Books, 1967-1985


Box 151 Folder 14

New York Studio School of Drawing, Painting and Sculpture, 1964-1991


Box 152 Folder 1

New York times, 1930s-1965

(Chiefly letters to the editor)


Box 152 Folder 2

New York University, 1934-1980


Box 152 Folder 3

Neufeld, Gunther and Rose, 1950-1982


Box 152 Folder 4

Neumeyer, Alfred, 1961


Box 152 Folder 5

Neurath, Marie and Otto, 1937-1948


Box 152 Folder 6

Neurath, Thomas and Walter, 1955-1975


Box 152 Folder 7

Neuss, Wilhelm, 1948


Box 152 Folder 8

Nicolson, Benedict, 1949-1966


Box 152 Folder 9

Niver, Charles, 1927-1950


Box 152 Folder 10

Nivola, Constantino, 1959-1964


Box 152 Folder 11

Nochlin, Linda, 1964


Box 152 Folder 12

Noda, Hideo, 1934-1936


Box 152 Folder 13

Nonprofit organizations -- Israel, 1970s-1980s


Box 152 Folder 14 to 15

Nordenfalk, Carl Adam Johan, 1930-1987, (2 Folders)


Box 153 Folder 1

Norman, Dorothy, 1937-1980


Box 153 Folder 2 to 3

Novotny, Fritz, 1932-1979

(File 3 includes German and English typescripts of Novotny's "Reaction against impressionism as seen from the artistic point of view" delivered at the Twentieth International Congress of the History of Art in 1961)


Box 153 Folder 4

Nuclear disarmament, 1946-1947

(Chiefly manifestoes, brochures, and pamphlets. Includes correspondence from Zellig Harris)


Box 154 Folder 1 to 2

O--General, 1924-2003, (2 Folders)


Box 154 Folder 3

Oberlin College, 1952-1960


Box 154 Folder 4

O'Brady, Gertrude, 1947-1979


Box 154 Folder 5

O'Brien, Justin, 1940-1942


Box 154 Folder 6

Offner, Richard, 1952-1965


Box 154 Folder 7

Ogden, R.M. (Robert Morris), 1938-1943


Box 154 Folder 8

O'keeffe, Georgia, 1952


Box 154 Folder 9

Olschki, Leonardo, 1943-1955


Box 154 Folder 10

O'Meara, John Joseph, 1953-1959


Box 154 Folder 11

Onslow-Ford, Gordon, 1941-1984


Box 154 Folder 12

Orent, Joel, 1960-1987


Box 154 Folder 13

Orienter, Anita R., 1950-1975


Box 154 Folder 14

Oxford University Press, 1937-1975


P


Box 155 Folder 1 to 6

P--General, 1930-2000, (6 Folders)


Box 155 Folder 7

Pachter, Henry Maximilian, 1940s-1982


Box 155 Folder 8

Pächt, Otto, 1933-1972


Box 155 Folder 9

Palmer, Erwin Walter, 1947-1982


Box 155 Folder 10

Panofsky, Erwin, 1933-1968


Box 155 Folder 11

Pardee, Hearne, 1978-1994


Box 156 Folder 1

Paresce, Ella, 1940s-1964


Box 156 Folder 2

Partisan Review, 1937-1983


Box 156 Folder 3

Paturis, Cleo Mitchell, 19982-1993


Box 156 Folder 4

Paul, Lois, 1963-1971


Box 156 Folder 5

Paulhan, Jean, 1947

(Written on behalf of the members of the Comité nationale des écrivains (C.N.E))


Box 156 Folder 6

Pauw-De Veen, Lydia de, 1954


Box 156 Folder 7

Pelles, Gerry, 1951-1963


Box 156 Folder 8

Pekeris, C.L., 1974-1976


Box 156 Folder 9

Penrose, Roland, Sir, 1956


Box 156 Folder 10

Péret, Benjamin, 1935-1948


Box 156 Folder 11

Perry, Geraldine, 1954


Box 156 Folder 12

Philipps-Universität Marburg. Kunstgeschichtliches Seminar, 1927-1978


Box 156 Folder 13

Phillips, Mike, 1974


Box 156 Folder 14

Pickens, Alton, 1946-1950


Box 156 Folder 15

Pierpont Morgan Library, 1930-1986


Box 156 Folder 16

Pijoán, José, 1939-1945


Box 156 Folder 17

Pirenne, M.H. (Maurice Henri), 1940-1972


Box 156 Folder 18

Pírková-Jakobsonová, Svatava, 1947-1979


Box 156 Folder 19

Plastrik, Stanley, 1950-1981


Box 156 Folder 20

Plummer, John H., 1945-1978


Box 156 Folder 21

Polanyi, Michael L., 1946-1966


Box 157 Folder 1 to 4

Political participation, 1930-1988, (4 Folders)


Box 157 Folder 5

Pollack, Robert E., 1969-1989


Box 157 Folder 6

Pool, Phoebe, 1959-1967


Box 157 Folder 7

Pope, Arthur Upham, 1932-1939


Box 157 Folder 8

Pope-Hennessy, John Wyndham, Sir, 1956-1979


Box 157 Folder 9

Porada, Edith, 1963-1983


Box 157 Folder 10

Porter, Arthur Kingsley, 1927-1933


Box 157 Folder 11

Porter, James A. (James Amos), 1938


Box 157 Folder 12

Porter, Lucy Kingsley, 1936-1950


Box 158 Folder 1

Poznanski, Edward, 1961-1967


Box 158 Folder 2

Preziosi, Donald, 1972-1985


Box 158 Folder 3

Priest, Alan, 1937


Box 158 Folder 4

Princeton University, 1924-1980


Box 158 Folder 5

Prinzhorn, Hans, 1931


Box 158 Folder 6 to 8

Publishers and publishing, 1936-2001, (3 Folders)


Box 158 Folder 9

Pulitzer, Joseph, 1939


Q


Box 158 Folder 10

Queens College (New York, N.Y.), 1937-1985


R


Box 159 Folder 1 to 8

R--General, 1930-2000, (8 Folders)


Box 159 Folder 9

Racz, André, 1951-1975


Box 159 Folder 10

Rahv, Philip, 1937-1943


Box 159 Folder 11

Raja Singam, S. Durai, 1971-1978


Box 159 Folder 12

Ramnoux, Clémence, 1955


Box 159 Folder 13

Rand, Edward Kennard, 1927-1942


Box 160 Folder 1

Rand School of Social Science, 1944-1949


Box 160 Folder 2

Randall, Mercedes M. (Mercedes Moritz), 1941-1944


Box 160 Folder 3

Rannit, Aleksis, 1957-1986


Box 160 Folder 4

Ransom, John Crowe, 1940-1947


Box 160 Folder 5

Raphael, Max, 1933-1954


Box 160 Folder 6

Read, Duncan H., 1940-1967


Box 160 Folder 7

Read, Herbert Edward, Sir, 1946-1964


Box 160 Folder 8

Reff, Theodore, 1961-1977


Box 160 Folder 9

Reinhardt, Ad, 1962

(Photocopy. Acccompanied by correspondence and clippings relating to Reinhardt)


Box 160 Folder 10

Reis, Bernard, 1942


Box 160 Folder 11

Reis, Lincoln, 1929-1937


Box 160 Folder 12

Rewald, John, 1941-1988


Box 160 Folder 13

Reynal, Jeanne, 1949


Box 160 Folder 14

Reynolds, Stephanie, 1934-1955


Box 160 Folder 15

Rice, Norman N., 1933-1934


Box 160 Folder 16

Rice, Philip Blair, 1944-1955


Box 160 Folder 17

Richter, Horace, 1959-1981


Box 160 Folder 18

Riefstahl, Elizabeth and Rudolf Meyer, 1933-1937


Box 160 Folder 19

Riesman, David, 1943-1969


Box 160 Folder 20

Rigal, Louis, 1978


Box 160 Folder 21

Rivers, Larry, 1954


Box 161 Folder 1

Roazen, Paul, 1971-1995


Box 161 Folder 2

Rockefeller, Mary C., 1935


Box 161 Folder 3

Rohde, Gilbert, 1936


Box 161 Folder 4

Roosval, Johnny, 1935-1948


Box 161 Folder 5

Rorty, James, 1933-1967


Box 161 Folder 6 to 7

Rosand, David, 1970-2002, (2 Folders)


Box 161 Folder 8

Rose, Barbara, 1970s-1990s


Box 161 Folder 9

Rosen, Hyman, 1934


Box 161 Folder 10 to 11

Rosen, James, 1980-1985, (2 Folders)


Box 162 Folder 1 to 3

Rosen, James, 1986-2000, (3 Folders)


Box 162 Folder 4

Rosenberg, James N. (James Naumberg), 1949-1970

(Includes material relating to Rosenberg's appeals to the Metropolitan Museum of Art from 1949)


Box 162 Folder 5

Rosenthal, Erwin, 1943-1969


Box 162 Folder 6

Rosenthal, Henry M., 1931-1945


Box 162 Folder 7

Rosenthal, M.L. (Macha Louis), 1973-1987


Box 162 Folder 8

Rosmer, Alfred and Margarite, 1940s-1960s


Box 162 Folder 9

Ross, Lillian, 1962-1964


Box 162 Folder 10

Ross, Nathanial, 1937-1960


Box 162 Folder 11

Roszak, Theodore, 1940


Box 162 Folder 12

Rothschild, Edward (Edward Francis), 1930-1938


Box 162 Folder 13

Rous, Bernard, 1928-1942


Box 162 Folder 14

Rowley, George, 1956


Box 162 Folder 15

Rozdolski, Roman, 1949-1950


Box 162 Folder 16

Rubin, James Henry, 1978-1979


Box 162 Folder 17

Rudy, Stephen, 1973


Box 162 Folder 18

Russell, Alfred, 1945-1973


S


Box 163 Folder 1 to 8

S--General, 1927-1980, (8 Folders)


Box 164 Folder 1 to 4

S--General, 1981-2001, (4 Folders)


Box 164 Folder 5

Saarinen, Aline B. (Aline Bernstein), 1936-1948


Box 164 Folder 6

Sachs, Paul J. (Paul Joseph), 1931-1952


Box 164 Folder 7

Salomon, Albert, 1946-1965


Box 164 Folder 8

Sand, Robin, 1985-1989


Box 164 Folder 9

Sandmel, Samuel, 1965-1973


Box 164 Folder 10

Sarah Lawrence College, 1936-1979


Box 164 Folder 11

Savage, Henry L. (Henry Lyttleton), 1939


Box 165 Folder 1 to 2

Sawin, David, 1940s-1994, (2 Folders)


Box 165 Folder 3

Sawin, Martica, 1951-1994


Box 165 Folder 4

Saxl, Fritz, 1940-1946


Box 165 Folder 5

Schaefer, Claude, 1947-1949


Box 165 Folder 6

Schapire, Rosa, 1947


Box 165 Folder 7 to 9

Schapiro, Meyer, 1923-1927

(Photocopies of letters to Lillian Milgram Schapiro and Jacob Schapiro)


Box 690

Schapiro, Meyer To James T. Farrell, [New York], circa 1938 June-July, 1 t.l. With 3-page draft in the author's hand.

Cataloged.


Box 165 Folder 10

Schiff, Gert, 1960-1986


Box 165 Folder 11

Schiffrin, Jacques and André, 1946-1971


Box 165 Folder 12

Schimmel, Harold, 1960s


Box 165 Folder 13

Schipper, Merle, 1973-1975


Box 166 Folder 1

Schlunk, Helmut, 1933-1982


Box 166 Folder 2

Schmalenbach, Fritz, 1938-1956


Box 166 Folder 3

Schmidt-Waehner, Trude, 1940


Box 166 Folder 4

Schocken Books, 1944-1950

(Includes letters from Salman Schocken, Theodore Schocken, and Hannah Arendt. Accompanied by Schapiro's notes and treatments of potential Schocken publications)


Box 166 Folder 5

Scholem, Gershom Gerhard, 1961-1980


Box 166 Folder 6

Schor, Ilya, 1954-1960


Box 166 Folder 7

Schroeder, Eric, 1943-1950


Box 166 Folder 8

Schwabacher, Ethel, 1949-1957


Box 166 Folder 9 to 10

Schwartz, Delmore, 1937-1994, (2 Folders)

(File 9 includes annotated typescripts of Schwartz's "Dostoevsky and the Bell Telephone Company" and "Swift." File 10 comprises correspondence with individuals other than Schwartz relating to the author's legacy)


Box 166 Folder 11

Sebeok, Thomas A. (Thomas Albert), 1969-1980


Box 166 Folder 12

Secrest, Meryle Beveridge, 1978-1984


Box 166 Folder 13

Sedlmayr, Hans, 1930s


Box 166 Folder 14

Sedova, Natalia, 1948-1949


Box 166 Folder 15

Segal, George, 1962-1996


Box 166 Folder 16

Segall, Berton, 1951


Box 166 Folder 17

Segre, Cesare, 1974-1987


Box 166 Folder 18

Seidel, Linda, 1975-2002


Box 166 Folder 19

Selig, Karl-Ludwig, 1975-1983


Box 166 Folder 20

Seligman, Germain, 1943-1975


Box 633 Folder 6

Seligman, Germain, 1972


Box 167 Folder 1

Seligmann, Kurt, 1940-1966

(Accompanied by typescripts of Schpairo's reminisces on Seligmann)


Box 167 Folder 2

Semiotics, 1960s -1970s, 1960s

(Chiefly correspondence from journals relating to semiotics)


Box 167 Folder 3

Serge, Victor, 1940s


Box 167 Folder 4

Serra, Richard, 1985


Box 167 Folder 5

Seyrig, Henri, 1944-1965


Box 167 Folder 6

Seznec, Jean, 1941-1943


Box 167 Folder 7

Sgalitzer, Elizabeth, 1943-1945


Box 167 Folder 8

Shapiro, David, 1971-1996

(Accompanied by typescripts of Shapiro's poetry dedicated to Meyer Schapiro)


Box 167 Folder 9

Shapiro, Romie, 1982-1984


Box 167 Folder 10

Shapley, John, 1930-1937


Box 167 Folder 11

Sharon, Hermon, 1951-1966


Box 167 Folder 12

Shattuck, Roger, 1967-1986


Box 167 Folder 13

Shaw, Howard, 1970s


Box 167 Folder 14

Sherman, Claire Richter, 1976-1981


Box 167 Folder 15

Shorr, Dorothy C., 1939-1944


Box 167 Folder 16

Siegel, George, 1945-1993


Box 167 Folder 17

Sihare, Laxmi P., 1967


Box 167 Folder 18

Silbert, Bailey Saiger, 1976-1977


Box 168 Folder 1

Silone, Darina, 1954-1980


Box 168 Folder 2

Silvers, Robert B., 1964-1986


Box 168 Folder 3

Šimá, Josef, 1957-1971


Box 168 Folder 4

Simkhovitch, Vladimir (Vladimir Gregorievitch), 1936-1958

(Accompanied by photographs and signed books)


Box 168 Folder 5

Simson, Otto Georg von, 1939-1975


Box 168 Folder 6

Skira, Albert, 1958-1977


Box 168 Folder 7

Slive, Seymour, 1949-1987


Box 168 Folder 8

Sloane, Joseph C., 1940-1954


Box 168 Folder 9

Slonimsky, Henry, 1931-1958


Box 168 Folder 10

Slochower, Harry, 1962-1964


Box 168 Folder 11

Smith, Bernard, 1932-1937


Box 168 Folder 12

Smith College. Museum of Art, 1936-1945


Box 168 Folder 13

Smith, Norris Kelly, 1940-1995


Box 168 Folder 14

Snow, Edward A., 1981-1985


Box 168 Folder 15

Soby, James Thrall, 1945-1969


Box 168 Folder 16

Society for the Arts, Religion, and Contemporary Culture,, 1965-1969

(Accompanied by transcripts of lectures and talks given at the Society by Schapiro and Alfred Barr)


Box 168 Folder 17

Soldati, Mario, 1930-1984


Box 168 Folder 18

Solomon, Hyde, 1949-1979


Box 168 Folder 19

Solomon R. Guggenheim Museum, 1971-1989


Box 169 Folder 1

Solow, Herbert, 1934-1962


Box 169 Folder 2

Sonnabend, Michael, 1945-1950


Box 169 Folder 3

Souvarine, Boris, 1941-1983


Box 169 Folder 4

Spector, Jack J., 1960-1985


Box 169 Folder 5

Stacy, Don L., 1974-1994


Box 169 Folder 6

Stanton, Frank, 1959-1963


Box 169 Folder 7

Stechow, Wolfgang, 1943-1950


Box 169 Folder 8

Steegmuller, Francis, 1941-1988


Box 169 Folder 9

Steinberg, Leo, 1985-1991


Box 169 Folder 10

Steinberg, Milton, 1941-1942


Box 169 Folder 11

Steinitz, Kate Traumann, 1942-1975


Box 169 Folder 12

Sterling, Charles, 1942-1944


Box 169 Folder 13

Stern, Henri, 1954-1960


Box 169 Folder 14

Stern, Laurent, 1962-1983


Box 169 Folder 15

Stern, Louis E., 1952-1960


Box 169 Folder 16

Sternberg, Schlomo, 1983


Box 169 Folder 17

Stibitz, George R. (George Robert), 1970


Box 169 Folder 18

Strzygowski, Josef, 1931


Box 169 Folder 19

Stix, Hugh, 1952-1958


Box 169 Folder 20

Stoddard, Whitney S., 1941-1953


Box 169 Folder 21

Stokes, May, 1938-1961


Box 169 Folder 22

Stonborough, Thomas H.W., 1962


Box 169 Folder 23

Storr, Robert, 1984-2003


Box 170 Folder 1

Strauss, Bert and Frances, 1982-1986


Box 170 Folder 2

Strauss, Ernst, 1944-1952


Box 170 Folder 3

Strayer, Joseph R. (Joseph Reese), 1940


Box 170 Folder 4

Sund, Judy, 1982-1983


Box 170 Folder 5

Swarzenski, Hanns, 1936-1963


Box 170 Folder 6

Sweeney, James Johnson, 1935-1968


Box 170 Folder 7

Swoboda, Karl M. (Karl Maria), 1954


Box 170 Folder 8

Sylvester, David, 1961-1982


Box 170 Folder 9

Syrop, Teresa, 1979-1994


Box 170 Folder 10

Szathmary, Arthur, 1949-2004


Box 170 Folder 11

Szegho, Anne, 1949-1961


T


Box 171 Folder 1 to 4

T--General, 1928-1996, (4 Folders)


Box 171 Folder 5

Tabachnick, Anne, 1962-1986


Box 171 Folder 6

Tagliabue, John, 1967-1984


Box 171 Folder 7

Tagliacozzo, Giorgio, 1974-1984


Box 171 Folder 8

Tannhauser, Siegfried, 1938


Box 171 Folder 9

Tatarkiewicz, Władysław, 1959


Box 171 Folder 10

Taylor, Francis Henry, 1933-1942


Box 171 Folder 11

Temko, Allan, 1955-1958


Box 171 Folder 12

Tennenbaum, Silvia, 1956-1991


Box 171 Folder 13

Thomas, Norman, 1948-1958


Box 171 Folder 14 to 15

Thompson, James P.W. (Perry Williams), 1974-2003


Box 172 Folder 1

Thompson, Jim, 1951-1956


Box 172 Folder 2

Thurman, Sue M., 1966-1976


Box 172 Folder 3

Tieger, Arthur, 1965-1990


Box 172 Folder 4

Tietze, Hans and Erika Tietze-Corant, 1935-1955


Box 172 Folder 5

Tintner, Adeline R., 1935-1995


Box 172 Folder 6

Tomory, Peter, 1974-1978


Box 172 Folder 7

Traunstein, Elsie, 1931-1932


Box 172 Folder 8

Trell, Bluma, 1981-1995


Box 172 Folder 9

Trilling, Diana, 1930s-1976


Box 172 Folder 10

Trilling, Lionel, 1931-1960


Box 172 Folder 11

Trotsky, Leon, 1938


Box 172 Folder 12

Tschacbasov, Nahum, 1937


Box 172 Folder 13

Tselos, Dimitris, 1937-1950


Box 172 Folder 14

Tuchman, Maurice, 1962-1988


Box 172 Folder 15

Tyler, Parker, 1945-1966


Box 172 Folder 16

Tyler, William, 1930-1940


U


Box 173 Folder 1

U--General, 1933-1980


Box 173 Folder 2

Unesco, 1950-1976


Box 173 Folder 3

United States--Politics and Government, 1942-1984


Box 173 Folder 4

United States. Works Progress Administration, 1935


Box 173 Folder 5

University of California, Los Angeles, 1961-1984


Box 173 Folder 6

University of London, 1946-1968


Box 173 Folder 7

University of Oxford, 1965-1970


Box 173 Folder 8

University of Pennsylvania, 1952-1961


Box 173 Folder 9

Uspensky, Boris, 1974-1976


V


Box 173 Folder 10 to 13

V--General, 1935-2001, (4 Folders)


Box 173 Folder 14

Valentin, Curt, 1938-1944


Box 173 Folder 15

Vanderbeek, Stan, 1962-1965


Box 173 Folder 16

Van der Marck, Jan, 1955-1978


Box 173 Folder 17

Van Doren, Mark, 1930s-1952


Box 173 Folder 18

Van Heijenoort, Jean, 1948-1965


Box 173 Folder 19

Varnedoe, Kirk, 1975


Box 173 Folder 20

Velikovsky, Immanuel, 1942-1960


Box 173 Folder 21

Venturi, Lionello, 1936-1956


Box 173 Folder 22

Veres, Peter, 1977


Box 173 Folder 23

Vézelay, Paule, 1956


Box 173 Folder 24

Vicente, Harriet, 1964-1995


Box 173 Folder 25

Vivas, Eliseo, 1937-1938


Box 173 Folder 26

Vogel, Albert, 1973-1974


Box 173 Folder 27

Vogel, Amos, 1950-1987


W


Box 174 Folder 1 to 5

W--General, 1932-2001, (5 Folders)


Box 174 Folder 6

Wahl, Jean, 1945-1978


Box 174 Folder 7

Wagner, Charles A., 1966-1975


Box 174 Folder 8

Wald, Alan M., 1974-1986


Box 174 Folder 9

Wald, George, 1952-1975


Box 175 Folder 1

Warren, Larissa, 1962-1978


Box 175 Folder 2

Warren, Norman, 1920s-1972


Box 175 Folder 3

Wasson, R. Gordon (Robert Gordon), 1951


Box 175 Folder 4

Weber, Alfred, 1947


Box 175 Folder 5

Weber, Jack, 1946-1948


Box 175 Folder 6

Weber, Max, 1940-1941


Box 175 Folder 7

Wechsler, Herman J. (Herman Joel), 1928-1938


Box 175 Folder 8

Wechsler, Judith, 1966-1990


Box 175 Folder 9

Weeren-Griek, Hans van, 1964-1991


Box 175 Folder 10

Weigel, Henrietta, 1945-1975


Box 175 Folder 11

Weinberg, Wilhelm, 1956


Box 175 Folder 12

Weinstein, Allen, 1974-1976


Box 175 Folder 13 to 14

Weiss, Eva Gelfman, 1963-1988, (2 Folders)


Box 176 Folder 1

Weiss, Eva Gelfman, 1989-2002


Box 176 Folder 2

Weitzmann, Kurt, 1936-1979


Box 176 Folder 3

Werckmeister, O.K. (Otto Karl), 1972-1977


Box 176 Folder 4

Wescher, Paul, 1936-1938


Box 176 Folder 5

Wheeler, Monroe, 1945


Box 176 Folder 6

White, Barbara Ehrlich, 1966-1994


Box 176 Folder 7

White, Lynn, 1940-1975


Box 176 Folder 8

White, Minor, 1946-1969


Box 176 Folder 9

White, Morton Gabriel, 1939-1978


Box 176 Folder 10

Whitehill, Walter Muir, 1932-1940


Box 176 Folder 11

Whitney Museum of American Art, 1934-1984


Box 176 Folder 12

Wieseltier, Leon, 1974-1989


Box 176 Folder 13

Williams, John, 1974-1987


Box 176 Folder 14

Willingham, Calder, 1948-1950


Box 176 Folder 15

Wilson, Edmund, 1941-1961


Box 176 Folder 16

Wind, Edgar, 1937-1949


Box 177 Folder 1

Wischnitzer, Rachel, 1942-1985


Box 177 Folder 2

Wittkower, Rudolf, 1942-1966


Box 177 Folder 3

Wlach, Oskar, 1939-1941


Box 177 Folder 4

Wohlstetter, Albert, 1937-1963


Box 177 Folder 5

Wolff, Kurt, 1942-1959


Box 177 Folder 6

Wolfe, Bertram David, 1937-1939


Box 177 Folder 7

Wollheim, Richard, 1959-1980


Box 177 Folder 8

Wolpe, Hilda Morley, 1952


Box 177 Folder 9 to 10

World War, 1939-1945 -- Refugees, 1939-1949, 1939-1945, 1939-1949, (2 Folders)


Box 177 Folder 11

Wormald, Francis, 1931-1972


Box 177 Folder 12

Worms, Jean-Pierre and Miriam, 1968-1989


Box 177 Folder 13

Worringer, Wilhelm, 1929


Box 177 Folder 14

Wright, David, 1960-1981


Box 177 Folder 15

Wyler, Eva, 1940s-1971


Y


Box 178 Folder 1

Y--General, 1969-1978


Box 178 Folder 2

Yaddo (Artist's Colony), 1957-1982


Box 178 Folder 3

Yale University, 1947-1988


Box 178 Folder 4

Yamada, Chisaburō, 1963-1970


Box 178 Folder 5

Yeshiva University, 1971-1973


Box 178 Folder 6

Yivo Institute for Jewish Research, 1981-1983


Box 178 Folder 7

Young Men's Hebrew Association (New York, N.Y.), 1937-1984


Z


Box 178 Folder 8

Z--General, 1937-1960


Box 178 Folder 9

Zerner, Henri, 1946-1996


Box 178 Folder 10

Zhivov, V.M., 1978


Box 178 Folder 11

Zierer, Ernest, 1945-1964


Box 178 Folder 12

Zilsel, Edgar, 1939-1943


Box 178 Folder 13

Zucker, Nina, 1972-1993


Box 178 Folder 14

Zucker, Paul, 1931-1941

Series III: Professional Papers, 1929-1990

Series III encompasses all records affiliated with Schapiro's academic and professional life, this includes materials relating to lectures that were delivered outside his formal academic appointments.


Subseries: III.1: Administrative Records, 1950s-1990s

Files in this subseries are representative of the daily administrative functions of Schapiro's role as a professor, scholar, and academic. They include requests for letters of recommendation, requests for interviews, and other assorted office files that pertain to his academic position. This includes materials for general courses, fellowship applications, and other files directly related to his standing as a university professor.


Letters of recommendation requests


Box 179 Folder 1

1940s


Box 179 Folder 2 to 4

1950s, (3 Folders)


Box 179 Folder 5

1960s


Box 179 Folder 6

1970s


Box 179 Folder 7

1980-1982


Box 179 Folder 8

1983-1985


Box 179 Folder 9

1986-1989


Box 179 Folder 10

1990s


Box 656 Folder 1

John Simon Guggenheim Memorial Foundation fellowship -- Application, correspondence, and notes,, 1939

(Schapiro's project was the "preparation of a corpus of the paintings, drawings and ornament in manuscripts of southern France from 10th to the end of the 12th century with an analysis and interpretation of these works.")


Box 656 Folder 2

Lectures, symposiums, and moderated panels Schapiro participated in -- Programs, invitations, and broadsides,, 1939-1979


Box 656 Folder 3

Financial records, 1930s-1980s


Box 656 Folder 4

Lists of journals held in faculty office, 1960s


Box 656 Folder 5

Meyer Schapiro appointed University Professor -- Press release and clippings,, 1965 October 31


Box 656 Folder 6

Lists of photographers, artists, and scholars who have worked or studied with Meyer Schapiro,, 1980s


Box 656 Folder 7

Lists relating to correspondence, 1980s


Box 656 Folder 8

Interview and research requests -- Correspondence, 1980s-1990s


Box 180 Folder 1

Reproductions -- Slides used in various professional lectures


Box 180 Folder 2

Lists of reproductions used in courses and lectures, organized by artist,, 1960s-1980s


Box 180 Folder 3 to 5

Lists of reproductions used in courses and lectures, 1960s-1981, (3 Folders)


Subseries: III.2: Courses, 1929-1977

While predominantly known as a professor at Columbia University, Schapiro also taught courses at the New School for Social Research, New York University, and other institutions. This subseries groups these course materials and is further arranged by institution.


Sub-Subseries: III.2.1: Columbia University, 1929-1977

Schapiro's role as a faculty member at Columbia University went uninterrupted from 1928 until 1978, a full 50 years of academic service. Schapiro began his formal teaching at Columbia beginning in 1928, when he became a "Lecturer" in the Fine Arts department, where art history courses were taught in the same department as those focused on the practice of fine arts. An independent art history department would not be established until 1961.Four years later, in 1965, Schapiro was appointed University Professor, the second such honor bestowed to a faculty member at Columbia at the time. In 1973, Schapiro become University Professor Emeritus at Columbia and would continue to teach until 1978.

The records in this sub-subseries contain material to classes Schapiro taught at Columbia throughout his career at the university. They include typescripts, notes, slide lists, and transcripts of his lectures.

The sub-subseries is organized chronologically beginning in 1929, the year in which records first appear in the collection. Schapiro titled his classes differently then they appear in official class bulletins. To maintain consistency, all class titles conform to official titles retrieved from department class bulletins published by Columbia University and housed at the University Archives at the Rare Book & Manuscript Library.

Several of these courses have been recorded and are housed in Series VII: Sound and video recording, Subseries: VII.2: Audiocassettes and audiotapes. Those courses that have been recorded will be indicated as such after the course title in this sub-subseries. Additionally, these courses are also cross-referenced in Series VII, Subseries: VII.2.


Box 181 Folder 1

Course proposals and professional notes, 1929-1940s


Box 181 Folder 2

The illumination of early Christian and Medieval manuscripts (Fine Arts 273-274) -- Lecture outlines and notes,, 1929


Box 181 Folder 3

Modern painting (Fine Arts s136) -- Lecture outlines and notes, 1930s


Box 181 Folder 4

Modern painting (Fine Arts s136) -- Bibliographies and assignments,, 1930s


Box 181 Folder 5

Romanesque sculpture (Fine Arts 153) -- Lecture outlines and notes,, 1930s


Box 181 Folder 6

Medieval and early Christian art -- Lecture outlines and notes, 1930s-1940s


Box 181 Folder 7

Early Christian and late classic art -- Examinations, notes, and clippings,, 1930s-1960s


Box 181 Folder 8

Romanesque sculpture -- Lecture outlines, notes, and slide lists, 1930s-1960s


Box 181 Folder 9

The illumination of early Christian and Medieval manuscripts (Fine Arts 273-274) -- Syllabi and notes,, 1931


Box 181 Folder 10

Romanesque architecture (Fine Arts154) -- Typescripts and notes, 1932-1940


Box 181 Folder 11

Modern painting (Fine Arts s136) -- Lecture outlines and notes, 1933

(Chiefly relating to Impressionism)


Box 181 Folder 12

Early Christian and Medieval painting (Fine Arts 275-276) --Lecture outlines, bibliographies, and slide lists,, 1933


Box 181 Folder 13

Romanesque sculpture in France (Fine Arts 371) -- Lecture outlines and notes, 1933 Winter, 1933


Box 181 Folder 14

European painting since 1860 (Fine Arts 176) -- Lecture outlines and student notes, 1936-1940, 1860, 1936-1940


Box 181 Folder 15

Romanesque architecture (Fine Arts154) -- Typescripts and notes, 1937-1938

(Accompanied by class outlines from other professors)


Box 181 Folder 16

European painting since 1860 (Fine Arts 176) -- Lecture outline and notes, 1938, 1860, 1938


Box 181 Folder 17

Introduction to art --Lecture outlines, notes, and slide lists, 1938-1941


Box 181 Folder 18

European painting since 1860 (Fine Arts 176)-- Lecture notes, 1940s, 1860, 1940s


Box 181 Folder 19

Modern painting from 1848 to 1900 (Fine Arts 175) -- Lecture outlines and notes, 1940s, 1848, 1900, 1940s


Box 181 Folder 20

Romanesque architecture (Fine Arts154) -- Student notes, 1940 Spring, 1940


Box 181 Folder 21

Romanesque architecture (Fine Arts154) -- Student notes, 1940 May


Box 182 Folder 1

Romanesque sculpture (Fine Arts 155) -- Student notes, 1940 Winter, 1940


Box 182 Folder 2

European painting since 1860 (Fine Arts 176) -- Lecture outlines, 1941, 1860, 1941


Box 182 Folder 3

Early Christian and Medieval painting and manuscripts (Fine Arts 253-254) -- Notes,, 1944


Box 182 Folder 4

Islamic art (Fine Arts 188) -- Student notes, 1948-1949


Box 182 Folder 5

Modern painting from 1848 to 1900 (Fine Arts 175)-- Lecture outlines, 1948, 1848, 1900, 1948


Box 182 Folder 6

Modern painting from 1848 to 1900 (Fine Arts 175) and Modern painting since 1900 (Fine Arts 176) -- Transcripts, 1948-1949, 1848, 1900, 1900, 1948-1949

(Transcripts are of student Norris Smith's notes. Arranged by artist and paginated. Includes table of contents)


Box 182 Folder 7

Modern painting since 1900 (Fine Arts 176) -- Student notes, 1949, 1900, 1949


Box 182 Folder 8 to 19

Literature, theories and methods of art history (Fine Arts 200) -- Outlines, notes, bibliographies, and assignments,, 1950s, (12 Folders)


Box 183 Folder 1

Twentieth century art -- Lecture outlines, 1950s


Box 183 Folder 2

Early Christian painting (Fine Arts 253) -- Student reports, 1950 Winter, 1950


Box 183 Folder 3

Modern painting from 1848 to 1900 (Fine Arts 175) -- Reproductions and slide lists, 1950, 1848, 1900, 1950

(Reproductions of art works shown in classes. Accompanied by notes)


Box 183 Folder 4

Modern painting since 1900 (Fine Arts R176) -- Student notes, 1958 September, 1900, 1958 September


Box 183 Folder 5

Romanesque painting (Fine Arts 154b) -- Lecture outlines, 1959


Box 183 Folder 6

Examinations for graduate degrees, 1960s


Romanesque sculpture (Fine Arts 154a)

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 183 Folder 7

Annotated transcript, 1960 February

(Lecture on the revival of monumental sculpture. Accompanied by class outlines)


Box 183 Folder 8

Annotated transcript, 1960 February

(Lecture titled "Iconography I" relating to iconography as a system)


Box 183 Folder 9

Annotated transcript, 1960 February

(Lecture titled "Iconography II" relating to the secular content in religious themes)


Box 183 Folder 10

Annotated transcript, 1960 March

(Lecture on iconography and marginal imagery)


Box 183 Folder 11

Annotated transcript, 1960 May

(Lecture on the Romanesque figure)


Box 183 Folder 12

Annotated transcript, 1960 May

(Lecture on Romanesque drapery)


Box 183 Folder 13

Transcript, 1960 Spring, 1960

(Lecture on Romanesque portal composition. Transcript created in 1984 for the manuscript relating to The Charles Eliot Norton lecture)


Box 183 Folder 14

Early Medieval painting (Art History G4330x) -- Annotated transcripts,, 1963 October

(Transcripts of three class lectures. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Theories and methods of art history (Art History G6001x)


Box 184 Folder 1

Course outlines and notes, 1963-1964


Box 184 Folder 2

Lecture outlines and notes, 1963-1964

(Lectures primarily on style and classification)


Box 184 Folder 3

Lecture outlines and notes, 1964-1964


Box 184 Folder 4

Lecture III -- Annotated transcripts, 1963-1964

(Lecture on style as a concept in classification)


Box 184 Folder 5

Lecture IV -- Annotated transcripts, 1963-1964

(Lecture on style as criterion in classification and concept of period and place)


Box 184 Folder 6

Lecture V -- Annotated transcripts, 1963-1964

(Lecture on the gradients of style)


Box 184 Folder 7

Lecture VI -- Annotated transcripts, 1963-1964

(Lecture on the concept of style in philosophy of history, interpretation, and semiotics)


Box 184 Folder 8

Lecture VII -- Annotated transcripts, 1963-1964

(Lecture on interpretation)


Box 184 Folder 9

Lecture VIII -- Annotated transcripts, 1963-1964

(Lecture on interpretation)


Box 184 Folder 10

Lecture IX -- Annotated transcripts, 1963-1964

(Lecture on expression)


Box 184 Folder 11

Lecture X -- Annotated transcripts, 1963-1964

(Lecture on the world view of art)


Box 184 Folder 12

Lecture XI -- Annotated transcripts, 1963-1964

(Lecture on philosophy in painting, world views, and explanation of styles)


Box 184 Folder 13

Lecture XII -- Annotated transcripts, 1963-1964

(Lecture on the development of styles)


Box 184 Folder 14

Lecture XIII -- Annotated transcripts, 1963-1964

(Lecture on universal practices in the history of art and Heinrich Wölfflin on value)


Box 184 Folder 15

Early Medieval art -- Lecture outline, 1964


Impressionism (Art History G4630)

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 184 Folder 16

Lecture I -- Annotated transcripts, 1964 May 18

(Accompanied by notes)


Box 184 Folder 17

Lecture II -- Annotated transcripts, 1964 May 20


Box 184 Folder 18

Lecture III -- Annotated transcripts, 1964 May 25

(Accompanied by slide list)


Modern painting since 1900 (Art History G4640y), 1900

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 185 Folder 1

Annotated transcripts and notes, 1965 February


Box 185 Folder 2

Annotated transcripts and notes, 1965 March

(Lecture is chiefly focused on Henri Matisse. Accompanied by notes)


Box 185 Folder 3

Annotated transcripts, 1965 April

(Lecture is chiefly focused on Pablo Picasso)


Abstract painting (Art History G4641x)

(Lecture titles are derived from sound recordings found in Series VII, Subseries VII.2)


Box 185 Folder 4

Outlines and notes, 1967


Box 185 Folder 5

Lecture I: introduction -- Annotated typescript, 1967 October 4


Box 185 Folder 6

Lecture II: meaning of "abstract" preconditions for Abstract painting -- Annotated typescript,, 1967 October 11


Box 185 Folder 7

Lecture III: Preconditions for Abstract painting continued and art preceding abstraction -- Annotated typescript and outlines,, 1967 October 18


Box 185 Folder 8

Lecture IV: themes in art preceding abstraction (1870-1910) -- Annotated typescript,, 1967 October 25


Box 185 Folder 9

Lecture V: role of photography and introduction to Cubism-- Annotated typescript,, 1967 November 1


Box 185 Folder 10

Lecture VI: Picasso before Cubism, the Fauves -- Annotated typescript,, 1967 November 8


Box 185 Folder 11

Lecture VII: Cubism, Picasso and Braque -- Outlines and notes, 1967 November 15


Box 185 Folder 12

Lecture VIII: Cubism -- Annotated typescript, 1967 November 22


Box 185 Folder 13

Lecture IX: developments from Cubism, simultaneity, and the concept of time in painting-- Annotated typescript,, 1967 November 29


Box 186 Folder 1

Lecture X: development of Cubism: France and Italy -- Annotated typescript,, 1967 December 6


Box 186 Folder 2

Lecture XI: Futurism, Russia, and Suprematism -- Annotated typescript,, 1967 December 13


Box 186 Folder 3

Lecture XII: Suprematism and German Expressionism -- Annotated typescript,, 1967 December 20


Box 186 Folder 4

Lecture XIII: Kandinsky and Mondrian -- Annotated typescript, 1968 January 10


Box 186 Folder 5

Lecture XIV: developments from Cubism in America -- Annotated typescript,, 1968 January 17


Box 186 Folder 6

Lecture XV: American Abstract art -- Annotated typescript, 1968 January 24


Box 186 Folder 7

Outlines and notes, 1968


Box 186 Folder 8

Annotated outlines and notes, 1967-1968


Box 186 Folder 9

Slide lists and lecture table of contents, 1967-1968


Box 186 Folder 10

Research files, 1967-1968

(File contains photocopies and notes relating to reconstructing elements of Lecture III with other lectures Schapiro conducted at Cornell University)


Box 186 Folder 11

Research files, 1967-1968

(File contains photocopies and notes relating to reconstructing elements of Lecture VII with other lectures Schapiro conducted at Cornell and Oxford Universities)


Theory and methods of art history (Art History G6001x)

(Sound recordings of these lectures can be found in Series VII, Subseries VII.2)


Box 187 Folder 1

Course outline, 1969


Box 187 Folder 2

Outlines and notes, 1969

(Chiefly on style and classification)


Box 187 Folder 3

Lecture I -- Annotated typescript, 1969 October 1


Box 187 Folder 4

Lecture II -- Annotated typescript, 1969 October 8

(Introduction to course and lecture on classification)


Box 187 Folder 5

Lecture III -- Annotated typescript, 1969 October 22, 1969 October

(Lecture chiefly on classification)


Box 187 Folder 6

Lecture IV -- Annotated typescript, 1969 October 29

(Lecture chiefly on classification)


Box 187 Folder 7

Lecture V -- Annotated typescript, 1969 November 5

(Lecture chiefly on classification)


Box 187 Folder 8

Lecture VI -- Annotated typescript, 1969 November 12

(Lecture chiefly on periodization)


Box 187 Folder 9

Lecture VII -- Annotated typescript, 1969 November 19

(Lecture chiefly on periodization and style)


Box 187 Folder 10

Lecture VIII -- Annotated and corrected typescripts, 1969 November 26

(Lecture chiefly on style. Corrected typescript dated 1975 November)


Box 187 Folder 11

Lecture IX -- Corrected typescript, 1969 December 3

(Corrected typescript dated 1975 November)


Box 188 Folder 1

Lecture X -- Annotated typescript, 1969 December 10

(Lecture chiefly on interpretation)


Box 188 Folder 2

Lecture XI -- Annotated typescript, 1969 December 17

(Lecture chiefly on interpretation)


Box 188 Folder 3

Lecture XII -- Annotated typescript, 1970 January 7

(Lecture chiefly on interpretation, expression, and color)


Box 188 Folder 4

Lecture XIII -- Annotated typescript, 1970 January

(Accompanied by notes)


Early Christian painting (Art History G4320x)

(Sound recordings of these lectures can be found in Series VII, Subseries VII.2)


Box 188 Folder 5

Lecture I -- Transcript, 1970 September 30

(Accompanied by notes)


Box 188 Folder 6

Lecture II -- Transcript, 1970 October 7


Box 188 Folder 7

Lecture III -- Transcript, 1970 October 14


Box 188 Folder 8

Lecture IV -- Transcript, 1970 October 21


Box 188 Folder 9

Lecture V -- Transcript, 1970 October 28


Box 188 Folder 10

Lecture VI -- Transcript, 1970 November 4


Box 188 Folder 11

Lecture VII -- Transcript, 1970 November 11


Box 189 Folder 1

Lecture VIII -- Transcript, 1970 November 18


Box 189 Folder 2

Lecture IX -- Transcript, 1970 November 25


Box 189 Folder 3

Lecture X -- Transcript, 1970 December 2


Box 189 Folder 4

Lecture XI -- Transcript, 1970 December 9


Box 189 Folder 5

Lecture XII -- Transcript, 1970 December 16


Box 189 Folder 6

Lecture XIII -- Transcript, 1971 January 6


Box 189 Folder 7 to 13

Reproductions, 1970 November, (7 Folders)


Representation and meaning (Art History G8002x)


Box 190 Folder 1

Outlines and notes, 1971-1972

(Lecture chiefly on semiotics and representation)


Box 190 Folder 2

Outlines and notes, 1971-1972

(Lectures chiefly on representation and knowing)


Box 190 Folder 3

Notes and student rosters, 1971-1972


Box 190 Folder 4 to 5

The sociology of art (Art History-Sociology G9001x) -- Outlines, notes, correspondence, applications, and student rosters 1973 (2 Folders), 1973

(Course chiefly on social context of intellectual and artistic innovation. Team taught with Sigmund Diamond)


Theories and methods of investigation of art (Art History G6001)


Box 190 Folder 6

Outlines and notes, 1973

(Lectures chiefly on expression and interpretation)


Box 190 Folder 7

Outlines and notes, 1973

(Lectures chiefly on explanation and styles)


Box 190 Folder 8

Romanesque sculpture (Art History G8335x) -- Student reports, 1973-1976

(Accompanied by notes)


Theories and methods of investigation of art (Art History G6001x)

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 190 Folder 9

Outlines and notes, 1974 October - December, 1974 October


Box 190 Folder 10

Notes, 1974 October - December, 1974 October

(Notes chiefly on interpretation)


Box 190 Folder 11

Lecture III -- Corrected transcript, 1974 October 2


Box 190 Folder 12

Lecture IV -- Annotated typescript, 1974 October 9

(Lecture on representation, perspective, and illusion)


Box 191 Folder 1

Lecture V -- Annotated typescript, 1974 October 16

(Lecture on representation, field and vehicle, and the frame)


Box 191 Folder 2

Lecture VI -- Annotated typescript, 1974 October 23


Box 191 Folder 3

Lecture VII -- Annotated typescript, 1974 October 30


Box 191 Folder 4

Lecture VIII -- Annotated typescript, 1974 November 6


Box 191 Folder 5

Lecture IX -- Annotated typescript, 1974 November 13

(Lecture is chiefly on text and representation)


Box 191 Folder 6

Lecture X -- Corrected typescript, 1974 November 20

(Lecture is chiefly on interpretation)


Box 191 Folder 7

Lecture XI -- Annotated typescript, 1974 November 27

(Lecture is chiefly on interpretation and representation)


Box 191 Folder 8

Lecture XII -- Corrected typescript, 1974 December 4

(Lecture is chiefly on the interpretation of non-representational elements and abstract devices)


Box 191 Folder 9

Lecture XIII -- Corrected typescript, 1974 December 11

(Lecture is chiefly on the interpretation of abstract art)


Box 192 Folder 1

Lecture XIV -- Corrected typescript, 1974 December 12


Box 192 Folder 2

Reproductions, 1974 November --, 1974 November

(Accompanied by slides lists and notes. Images chiefly relating to graphic analysis)


Box 192 Folder 3

Reproductions, 1974 November --, 1974 November

(Images chiefly relating to graphic analysis)


Box 192 Folder 4

Correspondence and editorial notes, 1998

(Correspondence between Paolo Berdini and Lillian Milgram Schapiro regarding edits to lecture transcripts for use in the publicationPhilosophy and Worldview in Art)


Theory and methods of investigation of art (Art History G6021x)

(Sound recordings of these lectures can be found in Series VII, Subseries VII.2)


Box 192 Folder 5

Course outlines and notes, 1975 September

(Course chiefly on judgment, valuation, style, and expression)


Box 192 Folder 6

Course outlines and notes, 1975 September


Box 192 Folder 7

Lecture I -- Outlines and notes, 1975 September 10


Box 192 Folder 8

Lecture II -- Annotated typescript, 1975 September 17


Box 192 Folder 9

Lecture III -- Annotated typescript and slide list, 1975 September 24


Box 192 Folder 10

Course outlines and notes, 1975 October-November


Box 192 Folder 11

Lecture IV -- Annotated typescript, 1975 October 1


Box 192 Folder 12

Lecture V -- Annotated typescript, 1975 October 8


Box 192 Folder 13

Lecture VI -- Annotated typescript and slide list, 1975 October 15


Box 193 Folder 1

Lecture VII -- Annotated typescript and slide list, 1975 October 22


Box 193 Folder 2

Lecture VIII -- Annotated typescript, 1975 October 29


Box 193 Folder 3

Lectures IX-XIII -- Notes, 1975 November-December


Box 193 Folder 4

Lecture IX -- Annotated typescript and slide list, 1975 November 5


Box 193 Folder 5

Lecture X -- Annotated typescript, 1975 November 12


Box 193 Folder 6

Lecture XII -- Outlines and notes, 1975 November


Box 193 Folder 7

Lecture XIII -- Annotated typescript, 1975 December 3


Box 193 Folder 8

Lecture XIV -- Annotated typescript, 1975 December 10


Box 193 Folder 9

Reproductions, 1975 October

(Images chiefly on the topic of expression)


Box 193 Folder 10

Reproductions, 1975 October

(Images chiefly on the topic of style and expression)


Box 193 Folder 11

Examinations, 1975 December


Box 193 Folder 12

Romanesque sculpture (Art History G8335x) -- Notes and student notes,, 1976


Romanesque sculpture (Art History G8335x)


Box 193 Folder 13

Notes, 1977


Box 193 Folder 14

Student reports, 1977


Sub-Subseries: III.2.2: New School for Social Research (New York, N.Y.), 1930s-1954

Schapiro taught at the New School for Social Research on a formal basis early in the 1930s and again in the 1950s. Course material includes lecture outlines, slide lists, and annotated typescripts.


Box 194 Folder 1

Modern painting from Impressionism to Surrealism -- Bibliographies, outlines, and examinations,, 1930s-1950s


Box 194 Folder 2

Content of modern art -- Lecture outlines, slide lists, and notes,, 1935 October


European painters


Box 194 Folder 3

Outlines and bibliographies, 1938-1946


Box 194 Folder 4

Bruegel, Pieter, I -- Lecture outlines, notes, and slide list, 1938-1946


Box 194 Folder 5

Caravaggio, Michelangelo Merisi da -- Lecture outline, 1938-1946


Box 194 Folder 6

Cézanne, Paul -- Annotated typescript, 1938-1946

(Accompanied by student reports)


Box 194 Folder 7

David, Jacques-Louis -- Lecture outline and slide list, 1938-1946


Box 194 Folder 8

Gogh, Vincent van -- Annotated typescript, 1938-1946


Box 194 Folder 9

Goya, Francisco de -- Annotated typescript, 1938-1946


Box 194 Folder 10

Greco, El -- Lecture outline and slide list, 1938-1946


Box 194 Folder 11

Hogarth, William -- Slide list, 1938-1946


Box 194 Folder 12

Poussin, Nicolas -- Annotated typescript, 1938-1946


Box 194 Folder 13

Rembrandt van Rijn --Lecture outlines, typescripts, and slides lists,, 1938-1946


Box 194 Folder 14

Rubens, Peter Paul -- Slide lists, 1938-1946


Box 194 Folder 15

Velazques, Diego -- Annotated typescript, lecture outlines, notes, and slide lists,, 1938-1946


Box 194 Folder 16

Watteau, Jean-Antoine -- Lecture outline and slide list, 1938-1946


Box 194 Folder 17

Introduction to art -- Outlines, notes, and slide lists, 1941 October


Box 194 Folder 18

Painting, graphic arts, architecture, and sculpture -- Course descriptions,, 1941-1942


Box 194 Folder 19

Modern art -- Examinations, 1951 Fall, 1951


Box 194 Folder 20

Early Christian painting : from pagan to Christian art -- Slide lists,, 1954


Sub-Subseries: III.2.3: New York University, 1930s

While not known for his affiliation with New York University, Schapiro taught there in the early 1930s. His classes included Islamic art, the culture of Spain, and Medieval architecture among others. Course materials include lecture outlines, research notes, and slide lists.


Box 195 Folder 1

French illuminated manuscripts -- Bibliography and notes, 1930s


French Romanesque art


Box 195 Folder 2

Syllabus and notes, 1930s


Box 195 Folder 3

Student drawings, 1930s


Box 195 Folder 4

Islamic art -- Bibliography, 1930s


The culture of Spain


Box 195 Folder 5

Syllabai, notes, and bibliographies, 1930s


Box 195 Folder 6

Reading lists and research notes, 1930s


Medieval architecture


Box 195 Folder 7

Lecture I -- Transcripts and notes, 1932


Box 195 Folder 8

Lecture II -- Transcripts and notes, 1932


Box 195 Folder 9

Lecture IIIa : Carolingian and Romanesque -- Typescript and notes,, 1932


Box 195 Folder 10

Lecture IIIb : French Romanesque -- Typescript and notes, 1932


Box 195 Folder 11

French Romanesque art -- Student reports, circa, 1934


Box 195 Folder 12

Modern painting -- Bibliographies, 1935


French and English illuminated manuscripts

(This class was taught at the Pierpont Morgan Library)


Box 195 Folder 13

Student notes, 1936 Spring, 1936


Box 195 Folder 14

Student notes, 1936 Spring, 1936


Box 195 Folder 15

Course outlines, notes, and examinations, 1937


Sub-Subseries: III.2.4: Other or unknown institutions, 1930s-1965

Affiliated institutions where Schapiro taught and that are represented in this sub-subseries include the Pierpont Morgan Library and the New York Studio School of Drawing, Painting and Sculpture.


Box 196 Folder 1

Early Christian art --Unknown institution -- Annotated typescripts,, 1930s


Box 196 Folder 2

The culture of France : Romanesque architecture -- Unknown institution -- Transcripts and notes,, 1930s


Box 196 Folder 3

Medieval art --Unknown institution -- Outlines and notes, 1930s


Box 196 Folder 4

European painting since 1860 -- Unknown institution --Examinations and seminar subjects, 1930s-1950s, 1860, 1930s-1950s


Box 196 Folder 5

Illuminated manuscripts -- Pierpont Morgan Library -- Bibliography and notes,, 1934


Box 196 Folder 6

Abstract painting -- Unknown institution -- Student reports, 1939

(Course potentially given at New School for Social Research (New York, N.Y.) or New York University)


Box 196 Folder 7

Modern painting from 1848 to 1900 -- Unknown institution -- Student reports, circa 1940s, 1848, 1900, 1940s


Box 196 Folder 8

Early Christian and Medieval painting : from pagan to Christian art -- Unknown institution -- Lecture typescript and notes,, 1940


Box 196 Folder 9

Early Christian art : San Vitale (Basilica : Rome, Italy) -- Unknown institution -- Lecture outlines and notes,, 1940


Box 196 Folder 10

Modern painting --Unknown institution --Student notes, 1946

(Notes relate chiefly to Paul Cézanne)


Box 196 Folder 11

Modern painting : theoretical problems of art -- Unknown institution -- Examinations and notes,, 1949

(Accompanied by student letters for admission into course)


Box 196 Folder 12

Literature, themes, and methods of art history -- Course outlines, notes, and correspondence,, 1950s


Box 196 Folder 13

Giotto -- New York Studio School of Drawing, Painting and Sculpture -- Annotated typescripts,, 1965 March


Subseries: III.3: Lectures, 1930s-1980s

Outside of his formal academic teaching, Schapiro was a prominent international lecturer in art history and other related disciplines. Materials in this subseries reflect his formal participation in a variety of academic and non-academic settings as a professional lecturer, visiting scholar, or visiting fellow. This includes material from Schapiro's 1967 Charles Eliot Norton lectures at Harvard University and his 1968 lecture on Abstract art from the Slade Lectures in the Fine Arts at Oxford University. Other prominent lectures include "The unity of Picasso's art" delivered at the Albright-Knox Art Gallery in 1973 and the lecture "An experiment in the coherence of forms" given at the Solomon R. Guggenheim Museum in the 1970s.

Several of these lectures have been recorded and are housed in Series VII: Sound and video recording, Subseries: VII.2: Audiocassettes and audiotapes. Those lectures that have been recorded will be indicated as such after the lecture title in this sub-subseries. Additionally, these lectures are also cross-referenced in Series VII, Subseries: VII.2.

To facilitate discovery and retrieval, this subseries is divided chronologically by decade as follows: Sub-Subseries: III.3.1: 1930s, Sub-Subseries: III.3.2: 1940s, Sub-Subseries: III.3.3: 1950s, Sub-Subseries: III.3.4: 1960s, Sub-Subseries: III.3.5: 1970s, Sub-Subseries: III.3.6: 1980s.


Sub-Subseries: III.3.1, 1930s


Box 197 Folder 1

Introduction to art -- Unknown location -- Lecture outline and notes,, 1930s

(Includes topics on attribution, preserving monuments, cinema and Fernand Léger)


Box 197 Folder 2

Architecture -- Unknown locations -- Lecture outlines and notes, 1930s


Box 197 Folder 3

Design and machine -- Federal Design Laboratory -- Annotated outline,, 1930s


Box 197 Folder 4

The classic and the Medieval book : roll and codex -- Unknown location -- Outlines, notes, and annotated typescript,, 1930s


Box 197 Folder 5

Marxism and art -- Unknown location -- Outline, circa, 1930s


Box 197 Folder 6

On Picasso -- Museum of Modern Art (New York, N.Y.) -- Annotated typescript,, 1930 May

(Photocopies of lecture notes taken by William Rubin and Albert Elsen)


Box 197 Folder 7

Two principles of Medieval art -- Harvard University -- Outlines, typescripts, and notes,, 1932 April


Box 197 Folder 8

Twentieth century painting : modern art -- New York University -- Lecture outline and slide list,, 1933 January


Box 197 Folder 9

Romanesque sculpture -- Metropolitan Museum of Art (New York, N.Y.) -- Outlines and notes,, 1933 February


Box 197 Folder 10

Painting -- League of Professional Schools -- Outline, 1933 March


Box 197 Folder 11

Modern architecture -- Unknown location -- Outlines and notes, 1935 January


Box 197 Folder 12

Philosophy of art in the Middle Ages -- Philadelphia Museum of Art -- Typescript, notes, and slide list,, 1935 January


Box 197 Folder 13

Content of modern art -- Art Students League (New York, N.Y.) -- Lecture outline and notes,, 1935 February


Box 197 Folder 14

Content of Cézanne -- Princeton University -- Lecture outline and notes,, 1935 November


Box 197 Folder 15

Content of modern architecture -- Art Institute of Chicago -- Lecture outline and notes,, 1936 January


Box 197 Folder 16

Artist portrayed by himself -- Brooklyn Institute of Arts and Sciences -- Typescript and slide list,, 1937 January


Box 197 Folder 17

Barbarian art : western Asia and Europe -- Worcester, Massachusetts -- Typescript and notes,, 1937 February


Box 197 Folder 18

Technology and modern art -- Williams College -- Outline and notes,, 1937 May


Box 197 Folder 19

Medieval art : social aspects -- Metropolitan Museum of Art (New York, N.Y.) -- Transcripts, notes, and slide list,, 1938 February


Box 197 Folder 20

Economics and art -- New York, New York -- Outline and notes, 1938 April

(Lecture given for the publicationPartisan Review)


Box 197 Folder 21

Old testament in Medieval art -- Jewish Theological Seminary of America -- Typescripts and notes,, 1938 May


Box 197 Folder 22

Technical examination of works of art -- Philadelphia, Pennsylvania -- Outlines and notes,, 1938 May

(Accompanied by reproductions, drafts, and reprints of an article by David Rosen)


Box 197 Folder 23

Art and society -- Brooklyn, New York -- Typescript and notes, 1939 February


Box 197 Folder 24

The art of Pablo Picasso -- Museum of Modern Art (New York, N.Y.) -- Annotated transcripts,, 1939 November

(Lecture chiefly concerned with the work of artGuernica.Accompanied by notes and slide list)


Sub-Subseries: III.3.2, 1940s


Box 197 Folder 25

On the place of Jews in modern art. -- Jewish Theological Seminary of America -- Outline,, 1940s


Box 197 Folder 26

The arrest of Christ -- Unknown location -- Outlines and notes, circa, 1940s


Box 197 Folder 27

Gothic architecture -- Columbia University Medieval Club -- Outlines and notes, circa, 1940s

(Lecture chiefly on vaulting, functionalism, and rationality)


Box 197 Folder 28

Early Medieval German art : from folk-wondering to the end of the Romanesque -- Unknown location -- Outline and notes, circa, 1940s

(Accompanied by a slide list from 1934)


Box 197 Folder 29

Romanesque, Gothic, and Medieval art and architecture -- New School for Social Research (New York, N.Y.) -- Notes and slide lists,, 1940-1941


Box 198 Folder 1

Medieval art -- Barnard College and New School for Social Research (New York, N.Y.) - Typescripts, notes, and slide lists,, 1940-1965


Box 198 Folder 2

Giotto -- Pierpont Morgan Library -- Outline and slide list, 1941 January


Box 198 Folder 3

Jewish artists -- 50 East 87th Synagogue (New York, N.Y) -- Annotated typescript and slide lists,, 1942 January


Box 198 Folder 4

Social character of modern art -- Rand School of Social Science -- Annotated typescripts, outlines, and notes,, 1944


Box 198 Folder 5

Science and art in the nineteenth century -- Vassar College -- Notes and slide lists,, 1944 February


Gothic Architecture -- Mathews Lecture -- Metropolitan Museum of Art (New York, N.Y.)


Box 198 Folder 6

Annotated typescripts, notes, and correspondence, 1945


Box 198 Folder 7

Typescripts and notes, 1946


Box 198 Folder 8

Typescripts, notes, and outlines, 1946


Box 198 Folder 9

Bruegel, Pieter, I -- New School for Social Research (New York, N.Y.) -- Lecture outline and slide list,, 1946 February


Box 198 Folder 10

Corot, Jean-Baptiste-Camille -- New School for Social Research (New York, N.Y.) -- Slide list,, 1946


Box 198 Folder 11

Legends of the invention of flying -- University of London -- Synopsis,, 1947 March


Box 198 Folder 12

Daumier, Honoré -- Columbia University -- Annotated typescript, 1948


Box 198 Folder 13

The value of modern art -- Columbia University -- Typescript and outline,, 1948 March

(Lecture given at the forum "The arts and the artist in our society today" held at the Browsing Room in Butler Hall. Accompanied by correspondence and transcripts to Mark van Doren's lecture "The modern conception of the poet" given at the same forum)


Box 198 Folder 14

Henri Matisse -- Museum of Modern Art (New York, N.Y.) -- Lecture outline,, 1949

(Lecture was given at a symposium dedicated to Matisse. Accompanied by clippings)


Box 198 Folder 15

Art and state -- Rand School of Social Science -- Outlines, abstract, and reviews,, 1949 March

(Lecture given as part of a forum dedicated to labor action)


Box 198 Folder 16

Modern art -- Bard College -- Lecture outlines and notes, 1949 May


Sub-Subseries: III.3.3, 1950s


Box 198 Folder 17

Recent American painting -- London, United Kingdom -- Outline and notes,, 1950s


Box 198 Folder 18

Some problems in the content of modern art -- Slade School of Fine Art -- Outline,, 1950s


Box 198 Folder 19

On Dewey -- New York University -- Outline and notes, 1590s

(Lecture given at the symposium "Art as experience")


Box 198 Folder 20

Modern art and spectator -- Buffalo, New York -- Outline and notes, circa, 1950s


Religion and modern art -- Jewish Theological Seminary of America --


Box 198 Folder 21

Annotated transcript, 1950 January


Box 198 Folder 22

Outlines, notes, and correspondence, 1950 January

(Accompanied by editorial notes from 1994)


Box 198 Folder 23

Meaning and content -- New School for Social Research (New York, N.Y.) -- Lecture outlines, notes, and broadsides,, 1950 April 30


The value of modern art -- Dartmouth College


Box 198 Folder 24

Annotated transcript and notes, 1950 May


Box 198 Folder 25

Outlines, notes, and invitation, 1950 May


Box 198 Folder 26

Counter-modernism -- Harvard University -- Annotated outlines, notes, slides lists, and correspondence,, 1951


Box 198 Folder 27

Children's art -- Bank Street College of Education -- Annotated outline,, 1951 November


Leonardo: the scientist and artist -- Cooper Union for the Advancement of Science and Art

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 199 Folder 1

Annotated typescript, 1952 August


Box 199 Folder 2

Annotated and corrected typescripts, 1952 August


Box 199 Folder 3

Symbolism in the visual arts -- Sarah Lawrence College -- Outline and notes,, 1952 December

(Outline and notes relating to a session on symbolism at the annual meeting of the American Society for Aesthetics. Rudolf Arnheim and Arthur Szathmary were panelists and Schapiro was the discussant for this session. Accompanied by meeting agenda and speakers' papers delivered at the session.)


Box 199 Folder 4

Style and form -- New York University -- Outline and notes, 1953 February


Box 199 Folder 5

Social freedom and the artists freedom -- Teachers College (New York, N.Y.) -- Outlines, notes, and correspondence,, 1952-1953


Box 199 Folder 6

Impressionism -- New York University -- Outline, 1954 September


Box 199 Folder 7

Criteria of periodization in the history of European art -- American Historical Association (New York, N.Y.) -- Outlines, notes, and correspondence,, 1954 December

(Accompanied by a reprint of the lecture published in 1970)


Box 199 Folder 8

Theory of expression - Warburg Institute -- Annotated transcript, slide list, and notes,, 1954


Box 199 Folder 9

Machines and art -- New School for Social Research (New York, N.Y.) -- Lecture outline,, 1955


Box 199 Folder 10

Young American painters -- British Broadcasting Corporation -- Notes and correspondence,, 1955


Box 199 Folder 11

Leonardo da Vinci : on Leonardo and Freud -- William Alanson White Institute -- Annotated transcript and outline,, 1955 January

(This lecture forms the basis of the article "Leonardo and Freud: an art historical study" published in 1956. Accompanied by program and research notes)


Box 199 Folder 12

Science and art -- Carleton College (Northfield, Minn.) -- Outlines, notes, and correspondence,, 1955 December


Box 199 Folder 13

The plastic arts and film -- Creative Film Foundation (New York, N.Y.) -- Transcript,, 1956 April

(Transcript of lecture given at a forum sponsored by Maya Deren's foundation. Transcript published in the 1984 publication "The Legend of Maya Deren." Accompanied by correspondence regarding the publication)


Box 199 Folder 14

Address to the opening of the exhibition "The New York School, Second Generation" -- Jewish Museum (New York, N.Y.) -- Transcript,, 1957 March

(Accompanied by notes and correspondence from Horace Richter and invitation)


Box 199 Folder 15

A newly discovered English Psalter of the 13th century -- Warburg Institute -- Invitation,, 1957 June 21


Box 199 Folder 16

On art schools and education of the artist -- Minneapolis School of Art-- Transcript,, 1957 November


Monet and Impressionism -- Minneapolis School of Art

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 199 Folder 17

Lecture I -- Annotated typescript, 1957 November


Box 199 Folder 18

Lecture II -- Annotated typescripts, 1957 November


Box 199 Folder 19

Lecture III -- Annotated typescripts, 1957 November


Box 199 Folder 20

Research notes and outlines, 1957 November


From pagan to Early Christian art -- Metropolitan Museum of Art (New York, N.Y.)

(All corrected typescripts were created 1984 April. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 200 Folder 1

Lecture I: symbols: Annotated transcript, 1958 January


Box 200 Folder 2

Lecture I : symbols -- Annotated outlines and notes, 1958 January


Box 200 Folder 3

Lecture I: symbols: Corrected typescript, 1958 January


Box 200 Folder 4

Lecture II: figure/image of man -- Annotated transcript, 1958 January


Box 200 Folder 5

Lecture II: figure -- Annotated outlines and notes, 1958 January


Box 200 Folder 6

Lecture II: figure -- Corrected typescript, 1958 January


Box 200 Folder 7

Lecture III: light and color -- Annotated transcript, 1958 January


Box 200 Folder 8

Lecture III: light and color -- Corrected typescript, 1958 January


Box 200 Folder 9

Lecture IV: word -- Annotated outlines, 1958 January


Box 200 Folder 10 to 11

Lecture IV: word -- Corrected typescripts, 1958 January, (2 Folders)


Box 200 Folder 11

Lecture IV: word -- Corrected typescript, 1958 January


Box 200 Folder 12

Slide list, 1958 January


Box 200 Folder 13

Reproductions, 1958 January


Box 200 Folder 14

On the painting of a medical subject in the catacomb of the Via Latina -- New York Academy of Medicine -- Annotated typescript, correspondence, and notes,, 1958 January


Box 200 Folder 15

Abstract art : abstraction -- Southern Illinois University Carbondale -- Transcript, outlines, and notes,, 1958 February

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 200 Folder 16

Philosophy in painting -- Baltimore, Maryland -- Annotated typescript and slide list,, 1958 April

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 200 Folder 17

Migration of religious symbols as witnessed by Jewish usage in the ancient world -- Columbia University -- Annotated outline,, 1958 November

(Lecture was a response to Erwin R. Goodenough's talk "Jewish symbols in the Greco-Roman period" held at Columbia University's seminar for the study of religion and culture)


Box 200 Folder 18

Dura Synagogue -- Stern College for Women -- Transcripts, notes, clippings, and reproductions,1959-1960


Box 200 Folder 19

Art education -- Columbia College (Columbia University) -- Outlines and notes,, 1959 December


Sub-Subseries: III.3.4, 1960s


Abstract art -- Cornell University

(Lecture titles are derived from sound recordings found in Series VII, Subseries VII.2)


Box 201 Folder 1

Lecture I, part 1: Concept of abstraction in art -- Annotated typescript and notes,, 1960 April

(Accompanied by 1986 editorial notes reconstructing missing areas of typescript)


Box 201 Folder 2

Lecture I, part 2: Concept of abstraction in art -- Annotated typescript and notes,, 1960 April


Box 201 Folder 3

Lecture III: Cubist painting and its development (Picasso, Braque, Gris) -- Annotated typescript and notes,, 1960 April


Box 201 Folder 4

Lecture IV: Expressionist art in France and Germany (1905-1920) -- Annotated typescript and notes,, 1960 April


Box 201 Folder 5

Lecture V: Art and contemporary science -- Annotated typescript and notes,, 1960 April


Box 201 Folder 6

Lecture VI: Social roots of abstract art -- Annotated typescript and notes,, 1960 April


Box 201 Folder 7

Research notes and correspondence, 1960 April


Box 201 Folder 8

Student notes, 1960 April


Box 201 Folder 9

Slide lists, invitations, and programs, 1960 April


Box 201 Folder 10

Study of art in the university -- Inaugural lecture in Jack Cotton Chair of Architecture and Fine Arts -- Columbia University -- Transcript, notes, and invitation,, 1961 April 16


Impressionism -- Patten lectures -- Indiana University

(Material from these lectures were used as source material for the posthumous publicationImpressionism: Reflections and Perceptions.New York George Braziller, 1997. Lecture titles are derived from sound recordings found in Series VII, Subseries VII.2)


Box 201 Folder 11

Lecture I: the Impressionist eye -- Annotated transcripts, 1961 February

(Lecture titled "The Impressionist Eye." Accompanied by lists of all Patten lectures)


Box 201 Folder 12

Lecture II: the concept of Impressionism -- Annotated and corrected transcript,, 1961 March

(Lecture titled "The concept of the impression")


Box 201 Folder 13

Lecture III: the Impressionist aesthetic and method -- Annotated and corrected transcripts,, 1961 March

(Lecture titled "The Impressionist aesthetic and method")


Box 201 Folder 14

Lecture IV: Impressionism and science -- Annotated and corrected transcripts,, 1961 March

(Lecture titled "Impressionism and science")


Box 201 Folder 15

Lecture V: Monet's development -- Annotated and corrected transcripts,, 1961 March

(Lecture titled "Monet's development")


Box 202 Folder 1

Lecture VI: Impressionism in history -- Annotated and corrected transcripts,, 1961 March

(Lecture titled "Impressionism as a period style: its place in the world art)


Box 202 Folder 2

Lectures III, IV, and V -- Research notes, 1961 February-March


Box 202 Folder 3

Lecture VI -- Research notes and correspondence, 1961 February-March


Box 202 Folder 4

Slide lists, lecture titles and outlines, correspondence, and programs,, 1958-1961


Box 202 Folder 5

[Jewish identity in America] -- Menorah Society (New York, N.Y.) -- Annotated typescripts,, 1961 October


Box 202 Folder 6

Abstract art -- University of Pennsylvania -- Outlines and notes, 1961 November


The mark and image of the individual in modern art -- Rutgers University

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 202 Folder 7

Annotated transcripts, 1962 March

(Accompanied by editorial notes from the 1990s)


Box 202 Folder 8

Annotated outlines, notes, and correspondence, 1962 March


Box 202 Folder 9

Slide list, 1962 March


Box 202 Folder 10

Abstract art -- Jewish Theological Seminary of America -- Annotated outlines and notes,, 1962 April

(Accompanied by other lectures given at the same institution titled "On significance of certain features of modern art")


Box 202 Folder 11

The judgment of modern art as a social and psychological phenomenon -- Jewish Theological Seminary of America. Institute for Religious and Social Studies -- Corrected transcript,, 1962 April


Box 202 Folder 12

Status of Soviet Jews -- Conference on the Status of Soviet Jews -- Transcript,, 1963

(Accompanied by correspondence from Moshe Decter)


Box 202 Folder 13

Is kindness killing the arts ? -- MacDowell Colony (Peterborough, N.H.) -- Annotated typescript and notes,, 1963 August


Box 202 Folder 14

Socialist ideas -- Students Socialist Club, Columbia University -- Annotated outline and notes,, 1964 March


Box 202 Folder 15

Philosophy and worldview in painting -- Various institutions -- Annotated outlines and notes,, 1964-1969

(Institutions include Harvard University, Oxford University, Brooklyn College, and City University of New York)


From Pagan to Christian art -- Hebrew Union College -- Frank L. Weil Institute, Weil Lectures of, 1965

(All corrected typescripts were created in 1978 October. Lecture titles are derived from sound recordings found in Series VII, Subseries VII.2)


Box 202 Folder 16

Lecture I: symbol, the meanings of early Christian imagery-- Annotated typescript,, 1965 January


Box 202 Folder 17

Lecture I: symbol, the meanings of early Christian imagery -- Corrected typescript,, 1965 January

(Accompanied by editorial notes from the 1990s)


Box 203 Folder 1

Lecture II: figure, the image of the sacred person -- Annotated typescript,, 1965 January


Box 203 Folder 2

Lecture II: figure, the image of the sacred person -- Corrected typescript,, 1965 January

(Accompanied by editorial notes from the 1990s)


Box 203 Folder 3

Lecture III: order, structure of the image -- Annotated typescript,, 1965 January


Box 203 Folder 4

Lecture III: order, structure of the image -- Corrected typescript, notes, and slide list,, 1965 January

(Accompanied by editorial notes from the 1990s)


Box 203 Folder 5 to 6

Lecture IV: light, light and color in late classic and early Christian art -- Annotated typescript,, 1965 January, (2 Folders)


Box 203 Folder 7

Lecture IV: light, light and color in late classic and early Christian art -- Corrected typescript,, 1965 January

(Accompanied by editorial notes from the 1990s)


Box 203 Folder 8

Lecture V: word, the sacred text as ground of representation-- Annotated typescript,, 1965 January


Box 203 Folder 9

Lecture V: word, the sacred text as ground of representation --Corrected and annotated typescripts,, 1965 January

(Versions are interfiled according to pagination)


Box 203 Folder 10 to 11

Lecture VI: book, the illustrated manuscript and its ornament-- Annotated typescript,, 1965 January, (2 Folders)


Box 203 Folder 12

Lecture VI: book, the illustrated manuscript and its ornament -- Corrected typescript,, 1965 January

(Accompanied by editorial notes from the 1990s used to reconstruct gaps in typescript)


Box 203 Folder 13

Slide list, 1965 January


Box 203 Folder 14

Lists of reproductions, notes, and invitations, 1965 January


Box 204 Folder 1

Research file, 1965 January


Box 204 Folder 2

Synagogue art -- Hebrew Union College -- Annotated typescripts, 1965 February


Box 204 Folder 3

Romanesque sculpture -- New York Studio School of Drawing, Painting and Sculpture -- Annotated typescript and slide list,, 1965 February


Box 204 Folder 4

Philosophy in painting -- The Matchette Foundation Lectures in Philosophy -- Brooklyn College --Program,, 1965 April


Box 204 Folder 4

Art history -- College Art Association of America --Annotated outline,, 1966 January


Box 204 Folder 5

Carolingian manuscripts -- Columbia University --Transcripts and slide lists, 1966 January --, 1966 January

(Documents created in 1984. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 204 Folder 6

On the role of art in contemporary society -- Nihon Yunesuko Kokunai Iinkai, Tokyo, Japan -- Transcript and press release,, 1966 March

(Lecture given at the "International symposium on fine arts in the east and the west" sponsored by the Japanese National Commission for UNESCO)


Guernica -- Harvard University, Carpenter Design Center

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 204 Folder 7

Annotated typescripts, 1966 December

(Includes original and corrected typescript of 1978 May)


Box 204 Folder 8

Corrected typescripts, 1966 December

(Corrected typescript dated 1980 February. Accompanied by editorial notes by Lillian Milgram Schapiro)


Box 204 Folder 9

Slide lists and research notes, 1966 December


Box 204 Folder 10

Matisse -- New Orleans, Louisiana -- Annotated transcripts and outline, 1966 Spring, 1966

(Accompanied by correspondence and research notes)


The unity of Picasso's art -- Brandeis University

(Portions of this lecture were used as source material for the posthumous publicationThe Unity of Picasso's Art.New York: George Braziller, 2000. Lectures of the same title given at the Albright-Knox Art Gallery and Columbia University were also used as source material for this publication. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 204 Folder 11

Uncorrected typescript, 1967 April


Box 204 Folder 12

Annotated typescripts, 1967 April


Box 204 Folder 13

Research notes, outlines, and slide lists, 1967 April


Box 204 Folder 14 to 15

Research files, 1967-1980s, (2 Folders)

(Research files associated with this lecture may have also been used for the lectures given at the Albright-Knox Art Gallery and Columbia University)


Box 205 Folder 1 to 3

Research files, 1967-1980, (3 Folders)


Box 205 Folder 4

On drawing from the figure -- New York Studio School of Drawing, Painting and Sculpture -- Transcript,, 1967 May

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 205 Folder 5

Liberal anti-Communism revisited -- Commentary symposium -- Typescript and correspondence, 1967 May 4


Box 205 Folder 6

The study of art history -- Fogg Art Museum -- Annotated typescript,, 1967 May

(Accompanied by student notes of lecture)


Box 205 Folder 7

Baudelaire between the imaginary and the real -- Poetry Society of America -- Annotated outline, typescripts, notes, correspondence, and invitations,, 1967 November 30


Box 205 Folder 8

Philosophy and worldview in painting -- Lecture I and Lecture II-- Wolfson College (University of Oxford) -- Annotated typescript and broadside, 1968 May 27, 1968 May

(Potions of this lecture were used as primary source material for the posthumous publicationWorldview in Painting--Art and Society: Selected Papers, Vol. 5.New York: George Braziller, 1999. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Romanesque architectural sculpture -- Charles Eliot Norton lectures -- Harvard University

(For consistency, lecture titles correspond to those in the posthumous publicationRomanesque architectural sculpture: The Charles Eliot Norton lectures.Chicago: University of Chicago Press, 2006. Typescripts were created in the 1970s through the 1980s)


Box 205 Folder 9

Lecture I: the rebirth of monumental sculpture in the west: disappearance and rebirth -- Annotated transcript,, 1967 February


Box 205 Folder 10 to 12

Lecture I: the rebirth of monumental sculpture in the west: disappearance and rebirth -- Annotated typescripts,, 1967 February, (3 Folders)


Box 205 Folder 13

Lecture I: the rebirth of monumental sculpture in the west: disappearance and rebirth -- Outlines and notes,, 1967 February


Box 205 Folder 14

Lecture I: the rebirth of monumental sculpture in the west: disappearance and rebirth -- Outlines and slide lists,, 1967 February


Box 205 Folder 15

Lecture I: the rebirth of monumental sculpture in the west: disappearance and rebirth -- Slide lists and notes,, 1967 February


Box 206 Folder 1

Lecture I: the rebirth of monumental sculpture in the west: disappearance and rebirth -- Reproductions,, 1967 February


Box 206 Folder 2

Lecture II: field, figure, and frame (i) -- Uncorrected transcript,, 1967 February


Box 206 Folder 3

Lecture II: field, figure, and frame (i) -- Annotated transcript,, 1967 February


Box 206 Folder 4

Lecture II: field, figure, and frame (i) -- Corrected typescript,, 1967 February


Box 206 Folder 5

Lecture II: field, figure, and frame (i) -- Outlines and slide lists,, 1967 February


Box 206 Folder 6 to 7

Lecture II: field, figure, and frame (i) -- Reproductions, 1967 February, (2 Folders)


Box 206 Folder 8

Lecture II and II: field, figure, and frame (i) and (ii)-- Research notes and outlines,, 1967 February


Box 206 Folder 9

Lecture III: field, figure, and frame (ii) -- Uncorrected transcript,, 1967 February


Box 206 Folder 10 to 11

Lecture III: field, figure, and frame (ii) -- Annotated typescripts,, 1967 February, (2 Folders)


Box 206 Folder 12

Lecture III: field, figure, and frame (ii) -- Corrected typescripts,, 1967 February


Box 206 Folder 13

Lecture III: field, figure, and frame (ii) -- Annotated outline,, 1967 February


Box 206 Folder 14 to 15

Lecture III: field, figure, and frame (ii) -- Reproductions, 1967 February, (2 Folders)


Box 206 Folder 16

Lecture IV: programs of imagery (i) -- Annotated transcript, 1967 March


Box 206 Folder 17

Lecture IV: programs of imagery (i) -- Corrected transcript, 1967 March


Box 207 Folder 1

Lecture IV: programs of imagery (i) -- Annotated outlines and notes,, 1967 March


Box 207 Folder 2 to 3

Lecture IV: programs of imagery (i) -- Reproductions, 1967 March, (2 Folders)


Box 207 Folder 4

Lecture IV and V:: programs of imagery (i) and (ii) -- Annotated outlines and notes,, 1967 March


Box 207 Folder 5

Lecture V: programs of imagery (ii) -- Annotated transcript, 1967 March


Box 207 Folder 6

Lecture V: programs of imagery (ii) -- Corrected typescript, 1967 March


Box 207 Folder 7

Lecture V: programs of imagery (ii) -- Research notes, 1967 March


Box 207 Folder 8 to 9

Lecture V: programs of imagery (ii) -- Reproductions, 1967 March, (2 Folders)


Box 207 Folder 10

Lecture VI: the human figure -- Annotated transcript, 1967 March


Box 207 Folder 11

Lecture VI: the human figure -- Corrected typescript and notes,, 1967 March


Box 207 Folder 12

Lecture VI: the human figure -- Annotated outlines, research notes, and editorial notes,, 1967 March


Box 207 Folder 13 to 14

Lecture VI: the human figure -- Reproductions, 1967 March, (2 Folders)


Box 208 Folder 1

Lecture VII: animal imagery in Romanesque sculpture -- Annotated transcript,, 1967 March


Box 208 Folder 2

Lecture VII: animal imagery in Romanesque sculpture -- Corrected and annotated typescripts,, 1967 March


Box 208 Folder 3

Lecture VII: animal imagery in Romanesque sculpture -- Outlines and research notes,, 1967 March


Box 208 Folder 5 to 6

Lecture VII: animal imagery in Romanesque sculpture -- Reproductions,, 1967 March, (2 Folders)


Box 208 Folder 7

Research notes, 1967 February-March


Box 208 Folder 8

Outlines and research notes, 1967 February-March

(Outlines on "the concept of Romanesque")


Box 208 Folder 9

Outlines and research notes, 1967 February-March

(Outlines and notes on the comparison between Romanesque and American sculpture)


Box 208 Folder 10

Outlines, research notes, and reproductions, 1967 February-March

(Material chiefly on the altar at Saint-Genis des Fontaines)


Box 208 Folder 11

Research notes, reproductions, invitations, and press release, 1967 February-March


Box 208 Folder 12

Slide list, 1967 February-March

(Organized by geographic location)


Box 208 Folder 13 to 15

Slide lists, 1967 February-March, (3 Folders)


Box 633 Folder 11

Master slide list, 1967 February - March, 1967 February


Box 208 Folder 16

Correspondence, 1966-1967


Hiberno-Saxon [art]: experiment with forms -- New York Studio School of Drawing, Painting and Sculpture


Box 209 Folder 1

Typescript and notes, 1968 February


Box 209 Folder 2

Annotated outlines, research notes, and slide lists, 1968 February-March


Insular manuscript art -- Franklin Jasper Walls lectures -- Pierpont Morgan library

(Materials from these lectures were used as source material for the posthumous publicationLanguage of Forms: Lectures on Insular Manuscript Art.New York: Pierpont Morgan Library, 2005. Schapiro referred to these lectures as "Hiberno-Saxon manuscripts," the transcripts and typescripts, however, reflect the changed title used in the publication. All transcripts and typescripts were created in the 1970s through the 1990s. Lecture titles are derived from sound recordings found in Series VII, Subseries VII.2)


Box 209 Folder 3

Lecture I: frame, field, and figure -- Annotated transcripts and corrected typescripts,, 1968 March 4

(Accompanied by correspondence)


Box 209 Folder 4

Lecture II: the carpet page and the giant initial -- Annotated transcript and corrected typescripts,, 1968 March 11

(Accompanied by reproductions)


Box 209 Folder 5

Lecture II: the carpet page and the giant initial -- Corrected typescript and research notes,, 1968 March 11


Box 209 Folder 6

Lecture III: image and ornament -- Annotated transcript and research notes, 1968 March 18, 1968 March

(Accompanied by reproductions)


Box 209 Folder 7

Lecture III: image and ornament -- Annotated typescripts and research notes,, 1968 March 18


Box 209 Folder 8

Lecture III: image and ornament -- Corrected typescript and research notes,, 1968 March 18


Box 210 Folder 1

Lecture IV: the models and their transformation (i) -- Annotated transcripts and research notes,, 1968 March 20

(Accompanied by reproductions)


Box 210 Folder 2

Lecture IV: the models and their transformation (i)-- Annotated and corrected typescripts,, 1968 March 20


Box 210 Folder 3

Lecture IV: the models and their transformation (i) -- Corrected typescripts and research notes,, 1968 March 20


Box 210 Folder 4

Lecture V: the models and their transformation (ii) -- Annotated transcripts and research notes,, 1968 March 25


Box 210 Folder 5

Lecture V: the models and their transformation (ii) -- Annotated typescripts and research notes,, 1968 March 25

(Accompanied by reproductions)


Box 210 Folder 6

Lecture VI: the religious and secular grounds of Hiberno-Saxon art -- Annotated transcripts and research notes,, 1968 March 27


Box 211 Folder 1

Lecture VI: the religious and secular grounds of Hiberno-Saxon art -- Corrected typescripts and research notes,, 1968 March 27


Box 211 Folder 2 to 3

Annotated outlines and notes, 1968 February-March, (2 Folders)


Box 211 Folder 4 to 7

Slide lists, notes, and programs, 1968 February-March, (4 Folders)


Abstract art -- Slade Lectures in the Fine Arts -- Oxford University

(Lecture titles are derived from sound recordings found in Series VII, Subseries VII.2)


Box 211 Folder 8

Lecture I: modern Abstract art: its continuity with preceding realistic art -- Annotated transcripts,, 1968 May 3


Box 211 Folder 9

Lecture II: Cubism (i) -- Annotated transcripts, 1968 May 8


Box 211 Folder 10

Lecture III: Cubism (ii) -- Annotated transcripts, 1968 May 15


Box 211 Folder 11

Lecture IV: Cubism and science -- Annotated transcripts, 1968 May 22

(Accompanied by correspondence)


Box 211 Folder 12

Lecture V: Cubism and technology -- Annotated transcripts, 1968 May 22


Box 211 Folder 13

Lecture VI: Abstract painting: Malevich and Mondrian, annotated transcripts,, 1968 May 24

(Accompanied by editorial notes seeking to reconstruct portions of the text)


Box 211 Folder 14

Lecture VII: Abstract painting: Kandinsky -- Annotated transcripts,, 1968 May


Box 212 Folder 1

Lecture VIII: Abstract painting in America: Pollock, Rothko, and others -- Annotated transcripts,, 1968 May 29


Box 212 Folder 2 to 3

Lecture notes, 1968 Spring, 1968, (2 Folders)


Box 212 Folder 4 to 5

Research notes, 1968 Spring, 1968, (2 Folders)


Box 212 Folder 6 to 7

Slide lists and notes, 1968 Spring, 1968, (2 Folders)


Box 212 Folder 8 to 16

Reproductions, 1968 Spring, 1968, (9 Folders)


Box 212 Folder 17

Correspondence, announcements, and brochures, 1968


Box 213 Folder 1 to 4

Reproductions, 1968 Spring, 1968, (4 Folders)


Box 213 Folder 5 to 6

Editorial notes, 1979, (2 Folders)

(Notes relating to the collection of reproduction for potential publication of lecture series in 1979)


Box 213 Folder 7 to 8

Beatus manuscripts of the apocalypse -- New York Studio School of Drawing, Painting and Sculpture -- Annotated transcripts,, 1969 May 2

(Accompanied by editorial notes by Lillian Milgram Schapiro. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Baudelaire between the imaginary and the real -- Queens College (New York, N.Y.)

Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 213 Folder 9

Annotated transcript, 1969 April 22


Box 213 Folder 10

Annotated typescript, 1969 April 22


Box 213 Folder 11

Annotated outlines and notes, 1969 April 22


Box 213 Folder 12

The present state of art history -- Queens College (New York, N.Y.) -- Annotated outlines, transcript, and notes,, 1969 June 5

(Lecture title is derived from the sound recording found in Series VII, Subseries VII.2)


E.A. (Elias Avery) Lowe memorial -- Institute for Advanced Study (Princeton, N.J.)

(Material relates to Schapiro's eulogy at the memorial. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 213 Folder 13

Annotated outline, typescripts, notes, and invitations, 1969 October 15


Box 213 Folder 14

Annotated transcript, 1969 October 15


Sub-Subseries: III.3.5, 1970s


Box 213 Folder 15

An experiment in the coherence of forms -- Solomon R. Guggenheim Museum -- Annotated transcript, correspondence, and slides, circa, 1970s


Men with ideas: Alexander, Daedalus, Icarus: legends of the invention of flying -- Carnegie Institute of Technology

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 213 Folder 16

Annotated and corrected transcripts, 1971 January 27

(Accompanied by Schapiro's 1992 editorial notes for potential publication)


Box 213 Folder 17

Drafts and notes, 1971 January 27

(Early drafts of lecture notes from other lectures pertaining to flight)


Box 214 Folder 1

Research file, 1971 January


Box 214 Folder 2

Research file, 1971 January

(Includes annotated outline and research notes on "legends of flight")


Box 214 Folder 3

Reproductions, 1971 January


Ornament and painting -- New York Studio School of Drawing, Painting and Sculpture

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 214 Folder 4

Annotated transcript, 1971 April 23

(Accompanied by research notes, alternate drafts, and editorial notes regarding reconstruction of text for potential publication by Lillian Milgram Schapiro)


Box 214 Folder 5

Annotated transcript, 1978 April 23

(Photocopy of transcript with editorial notes created by Miriam Bunim in 1986)


Box 214 Folder 6

Typescript, 1971 April 23

(Typescript created in 1998 following the 1971 annotated transcript. Accompanied by editorial notes by Lillian Milgram Schapiro)


Box 214 Folder 7

Slide list and notes, 1971


Box 214 Folder 8 to 10

Reproductions, 1971, (3 Folders)


Box 214 Folder 11 to 13

Editorial files, 1980s-1990s

(Files contain notes, correspondence, and drafts by Lillian Milgram Schapiro and Robin Sands relating to editing lecture content)


Mondrian's forms and their relation to preceding styles of representation -- Solomon R. Guggenheim Museum

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 215 Folder 1

Transcripts, 1971 October 9


Box 215 Folder 2

Annotated transcripts, 1971 October 9


Box 215 Folder 3 to 7

Research notes, 1971 October 9, (5 Folders)


Box 215 Folder 8

Institutions for a post-technological society : the Universitas Project -- Museum of Modern Art (New York, N.Y.) -- Notes, correspondence, and press release, 1972 January 8-9, 1972 January

(Schapiro was a participant in the second working session. Notes are chiefly on Jean Baudrillard who participated in the same session)


Graphic analysis of structure -- University of Virginia

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 215 Folder 9

Annotated transcript, 1972 April 11

(Accompanied by editorial notes)


Box 215 Folder 10

Annotated outline, 1972 April 11


Box 215 Folder 11

Slide lists, notes, and correspondence, 1971-1972


Box 215 Folder 12

Alfred Barr eulogy -- Unidentified event -- Annotated outlines and notes,, 1972 April

(Lecture given at an awards ceremony honoring Barr)


Box 215 Folder 13

Columbia speaks out on war! -- Typescript and broadside, 1972 May 18


Box 215 Folder 14

Romanesque architectural sculpture -- New College (Sarasota, Fla.) -- Annotated outlines and notes,, 1973 January

(Accompanied by correspondence)


Box 215 Folder 15

Science and art -- Yeshiva University -- Annotated outline, 1973 March


Box 215 Folder 16

An experiment with forms in art -- Columbia University -- Annotated transcript,, 1973 April 2

(Lecture chiefly on Insular art. Accompanied by original outline, research files, clippings, press releases, and correspondence with faculty and students. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 215 Folder 17

The use of the Old Testament in the art of the middle ages -- Jewish Museum (New York, N.Y.) -- Transcript, notes, and slide list,, 1973 October 22

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


The south tower of the cathedral of Chartres -- Columbia University. School of Architecture

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 216 Folder 1

Annotated transcript, 1973 October 3


Box 216 Folder 2

Annotated pages, 1973 October 3


Box 216 Folder 3

Drafts, research notes, and slide lists, 1973 October 3


Box 216 Folder 4

The unity of Picasso's art -- Albright-Knox Art Gallery -- Annotated transcript,, 1973 December 5

(Accompanied by list of illustrations to be used in a film of the lecture produced by Gittelman Film Associates for the Metropolitan Museum of Art Video Collection. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 216 Folder 5

Romanesque sculpture -- Collège de France -- Typescripts, broadsides, and invitations,, 1974 May

(In French. Lecture was originally given in English. Accompanied by research notes, slide lists, correspondence, and invitations)


Box 216 Folder 6

Museums -- American Assembly -- Arden House (Harriman, N.Y.) -- Annotated outlines, notes, programs, and correspondence,, 1974 November

(Lecture was given at the forty-sixth annual American Assembly dedicated to art museums in America)


Box 216 Folder 7

The study of art in the university -- Columbia University -- Annotated outlines, notes, and invitations,, 1975 April 7

(Lecture given for the School of General Studies alumni)


Box 216 Folder 8

Structuralism and art -- Columbia University -- Annotated outline, notes, and correspondence,, 1976 December

(Guest lecture at an anthropology colloquium taught by Paula G. Rubel)


Cézanne and the philosophers -- Museum of Modern Art (New York, N.Y.)

(Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 216 Folder 9 to 10

Annotated transcripts, 1977 October 11, (2 Folders)


Box 216 Folder 11

Research notes, 1977 October

(Notes are chiefly from the 1950s and includes a summary and critique of Fritz Novotny)


Box 216 Folder 12

Research notes, 1977 October


Box 216 Folder 13 to 14

Research files, 1977 October, (2 Folders)


Box 216 Folder 15

Editorial notes, 1990s

(Notes created by Lillian Milgram Schapiro)


Box 217 Folder 1

An experiment with the coherence of forms -- Wellesley College -- Slide lists and outlines,, 1979 April


Box 217 Folder 2

Hiberno-Saxon art: experiment with forms -- Solomon R. Guggenheim Museum -- Transcript, 1979 June --, 1979 June

(Accompanied by correspondence with Barbara Rose regarding images to use for the lecture)


Box 217 Folder 3

On logic and method in art history: from classification to explanation -- New School for Social Research (New York, N.Y.) -- Transcript, 1979 November 17 --, 1979 November 17

(Lecture given at the "Conference on methods in philosophy and the sciences." Accompanied by essay and reprints of Wayne Dynes' writings on Meyer Schapiro and programs. Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Sub-Subseries: III.3.6, 1980s


Box 217 Folder 4

Art studies as an inherently interdisciplinary field -- Barnard College-- Annotated outlines and notes,, 1980s


The unity of Picasso's art -- Columbia University

(Sound recordings of these lectures can be found in Series VII, Subseries VII.2)


Box 217 Folder 5

Lecture I -- Uncorrected transcript, 1980 April

(Accompanied by research notes)


Box 217 Folder 6

Lecture II -- Annotated transcript, 1980 April


Box 217 Folder 7

Editorial notes, 1980s

(Accompanied by clippings and research notes chiefly on Picasso'sGuernica)


Box 217 Folder 8

Editorial notes and programs, 1980s

(Notes created by Lillian Milgram Schapiro attempting to reconstruct portions of similar lectures given at Brandeis University and the Albright-Knox Art Gallery for potential publication)


On the life and work of Arthur Kingsley Porter -- Harvard University

(Lecture given at the "Arthur Kingsley Porter centenary symposium on the theme of abstract and rationality in Romanesque art." Sound recordings of this lecture can be found in Series VII, Subseries VII.2)


Box 217 Folder 9

Transcripts, 1983 April 10

(Accompanied by notes and programs)


Box 217 Folder 10

Outlines and correspondence, 1982-1983


Subseries: III.4: Committees, memberships, and professional affiliations, 1972-1990

Subseries: III.4 documents Schapiro's professional role as a member in committees and professional affiliations. The subseries is further arranged by area of professional affiliation as follows: Sub-Subseries: III.4.1: Committees, 1972-1978, Sub-Subseries: III.4.2: Memberships, 1969-1989, Sub-Subseries: III.4.3: Professional affiliations, 1989-1990.


Sub-Subseries: III.4.1: Committees, 1972-1978


The committee to endow a chair in honor of Meyer Schapiro at Columbia University


Box 218 Folder 1

Correspondence, 1972-1978


Box 218 Folder 2

For Meyer Schapiro : pamphlet, 1974

(Pamphlet to promote the limited edition portfolio of prints by twelve artists used to raise funds for the endowment)


Box 218 Folder 3

Reception program and guest list, 1978


Box 218 Folder 4

Press releases and FAQs, 1972-1978


Box 218 Folder 5

Articles and clippings, 1972-1978


Sub-Subseries: III.4.2: Memberships, 1969-1989


Box 218 Folder 6

American Artists' Congress -- Membership card, 1939-1940


Box 218 Folder 7

Board of trustees -- New York Studio School of Drawing, Painting and Sculpture -- Agenda,, 1969


Box 218 Folder 8

American Philosophical Society -- Correspondence and certificate,, 1969


Box 218 Folder 9

National Institute of Arts and Letters (U.S.) -- Programs and clippings,, 1976


Box 218 Folder 10

Fundació Antoni Tàpies -- Correspondence, 1989

(Meyer Schapiro served as an Honorary Member of the organization)


Sub-Subseries: III.4.3: Professional affiliations, 1989-1990


Box 633 Folder 5

American Academy of Arts and Sciences -- Certificate, 1952

(Meyer Schapiro served as a fellow for the organization)


Box 218 Folder 11

Mediaeval Academy of America -- Correspondence and bylaws, 1970


Box 218 Folder 12

Fondazione Schlesinger -- Correspondence and brochure, 1989

(Meyer Schapiro served as an Honorary President for the organization)


Box 218 Folder 13

British Academy -- Correspondence, certificate, and directory,, 1990

(Meyer Schapiro served a Corresponding Fellow for the organization)

Series IV: Writings

This series houses all of Schapiro's writings, from published articles, books, and reviews, to unpublished manuscripts, essays, and translations. For writings that were published during Schapiro's lifetime, the 1995 publication Meyer Schapiro: the bibliography compiled by Lillian Milgram Schapiro was used throughout this series for consistency and to source where articles and reviews first appeared. Information relating to all material published posthumously and that post-dates the 1995 bibliography were retrieved from the archival material itself.


Subseries: IV.1: Administrative records, 1960s-2003

Files in this subseries contain records that aided in the administrative management of Schapiro's writings. The bulk of this material comprises lists of published and unpublished writings.


Box 219 Folder 1

Bibliographies, 1960s


Box 219 Folder 2

Unpublished writings -- Lists, 1970s


Box 219 Folder 3

Published writings -- Lists and notes, 1970s-1980s


Box 219 Folder 4

Published writings -- Correspondence and notes, 1979


Box 219 Folder 5

Bibliographies, 1980s


Box 219 Folder 6

Literary executorships -- Notes, 1983-1990s


Box 219 Folder 7

Published books -- List, 1985


Box 219 Folder 8

Unpublished books --List, 1985


Box 219 Folder 9

Literary executorships -- Drafts, notes, and correspondence, 1980s


Box 219 Folder 10

Unpublished writings -- Notes, 1980s-1990s


Box 657 Folder 1 to 2

Unpublished writings -- List, 1990, (2 Folders)


Box 657 Folder 3 to 4

Unpublished writings-- Lists, 1990s, (2 Folders)

(Compiled by Lillian Milgram Schapiro)


Box 657 Folder 5

Works released after published bibliography -- List, circa, 2003


Subseries: IV.2: Articles, 1929-1994

Schapiro began publishing articles focused on art and architecture as early as 1929, the year he completed his doctoral dissertation. By 1931, the journal Art Bulletin published parts of his dissertation "The Romanesque Sculpture of Moissac." Since those early years, Schapiro continually published articles in newspapers, journals, and other serials throughout his life. This subseries contains only those articles that have been published, for unpublished works, consult Subseries: IV.3: Essays, Subseries: IV.4: Manuscripts, and Subseries: IV.8: Translations and Poetry in this series. For publications, consult Subseries: IV.5: Publications.

All bibliographic information in this subseries was retrieved from Lillian Milgram Schapiro's 1995 publicationMeyer Schapiro: the bibliographypublished by George Braziller Inc. Bibliographic information is provided for an article's original publication, consult the published bibliography for information on reprinted versions.

To facilitate the discovery of records, this subseries is arranged chronologically by decade as follows: Sub-Subseries: IV.2.1: 1929-1930s, Sub-Subseries: IV.2.2: 1940s, Sub-Subseries: IV.2.3: 1950s, Sub-Subseries: IV.2.4: 1960s, Sub-Subseries: IV.2.5: 1970s, Sub-Subseries: IV.2.6: 1980s.


Sub-Subseries: IV.2.1, 1929-1930s


Box 220 Folder 1

"The south transept portal of Saint-Sernin in Toulouse" -- Draft typescript and notes, 1929 --, 1929

(InParnassus1, no. 3 (1929): 22-23)


Box 220 Folder 2

"Art" -- Typescript and notes, circa 1930s --, 1930s

(InEncyclopedia of the Social Sciences.New York: Macmillan)


"The Romanesque sculpture of Moissac" --

(Revisions of doctoral dissertation. InArt Bulletin13, no. 3 (September 1931): 249-352, and no. 4 (December 1931): 464-531)


Box 220 Folder 3

Typescripts and notes, 1931


Box 220 Folder 4

Typescripts, 1931

(Typescripts chiefly on Moissac porch reliefs. Correspond to pages 178-222 of dissertation)


Box 220 Folder 5

Illustration lists, 1931


Box 220 Folder 6

Annotated typescript, 1931

(Typescript paginated 1-109)


Box 220 Folder 7

Annotated typescript, 1931

(Typescript paginated 110-221)


Box 220 Folder 8

"Engels on Goethe" -- Annotated typescript, 1932

(InNew Masses, September 1932 13-14)


Box 220 Folder 9

"Matisse and Impressionism -- Annotated typescript, 1932 --, 1932

(InAndrocles(Columbia College, New York) 1, no. 1 (February 1932): 21-36. Accompanied by annotated photocopy of article. Typescript was created in 1992)


Box 220 Folder 10

"Architects and the crisis: an open letter to the architects, draughtsman, and technicians of America" -- Editorial notes and clippings,, 1932

(Published in a pamphlet created by the Architects' Committee of League of Professional Groups for Foster and Ford)


Box 220 Folder 11

"Pottery" -- Annotated typescript, correspondence, and research notes,, 1934

(InEncyclopedia of the Social Science12: 280-283. New York: Macmillan: 1934)


Box 220 Folder 12 to 13

"Taste" -- Annotated typescript, correspondence, and research notes,, 1934, (2 Folders)

(InEncyclopedia of the Social Sciences,14: 523-525. New York: Macmillan, 1934)


Box 220 Folder 14

"New documents on St.-Gilles" -- Annotated typescript, correspondence, research notes, and annotated reprints, 1935

(InArt Bulletin17, no. 4 (December 1935): 414-431)


"Race, nationality and art"

(InArt Front2 (March 1936): 10-12)


Box 658 Folder 1

Typescript and notes, 1936


Box 658 Folder 2

Typescript and clipping, 1936

(Photocopy of typescript prepared in 1998)


Box 658 Folder 3 to 5

Research notes, 1936, (3 Folders)


Box 658 Folder 6

Correspondence, 1936


Box 658 Folder 7

Publication, 1936


"Social bases of art"

(In American Artists Congress, New York,Proceedings,no. 1 (1936): 31-37)


Box 658 Folder 8

Typescript and research notes, 1936


Box 658 Folder 9

Proof and clipping, 1936


Box 221 Folder 1

"The public use of art" -- Annotated clipping and editorial note, 1936

(InArt Front2 (November 1936): 4-6)


Box 221 Folder 2

"Further documents on St.-Gilles" -- Typescript, annotated reprint, research notes, and correspondence,, 1937

(InArt Bulletin19, no. 1 (March 1937): 111-112)


"From Mozarabic to Romanesque in Silos "

(InArt Bulletin21 no. 4 (December 1939): 313-374)


Box 221 Folder 3

Annotated typescript, 1939


Box 221 Folder 4

Footnotes and corrections, 1939


Box 221 Folder 5

Proofs and annotated reprints, 1939


Box 221 Folder 6

Correspondence, 1939-1940

(Correspondence chiefly with the Toledo Museum of Art)


Box 221 Folder 7

"The sculpture of Souillac" -- Annotated typescript, correspondence, and research notes, 1939

(InMediaeval Studies in Memory of A. Kingsley Porter,ed. W. R. W. Koehler, 359-387. Cambridge: Harvard University Press, 1939)


Sub-Subseries: IV.2.2, 1940s


"The Carolingian copy of the calendar of 354" --

(InArt Bulletin22, no. 4 (December 1940): 270-272


Box 221 Folder 8

Annotated typescript, correspondence, and annotated reprint, 1940


Box 221 Folder 9

Annotated proof and research notes, 1940


"Courbet and popular imagery: an essay on realism and naiveté" --

(InJournal of the Warburg and Courtauld Institutes4, no. 3-4 (1940-1941): 164-191)


Box 221 Folder 10

Annotated typescript, 1940


Box 221 Folder 11

Annotated outlines and notes, 1940


Box 221 Folder 12

"A note on the inscription of the cathedral of Santiago de Compostela" -- Annotated typescript and research notes,, 1942

(InSpeculum17, no. 2 (April 1942): 261-264


Box 222 Folder 1

"Cain's jaw-bone that did the first murder" -- Annotated typescript, correspondence, research notes, and annotated reprint,, 1942

(InArt Bulletin24, no. 3 (September 1942): 205-212)


Box 222 Folder 2

"The image of the disappearing Christ, the ascension in English art around the year 1000" -- Typescript, correspondence, research notes, and annotated reprint,, 1943

(InGazette des Beaux-Arts23 (March 1943): 135-152)


"The angel with the ram in Abraham's Sacrifice: a parallel in Western and Islamic art"

(InArs Islamica10, no. 1-2 (1943): 134-147)


Box 659 Folder 1

Annotated typescript, research notes, correspondence and reprints,, 1943


Box 659 Folder 2

Correspondence and reprints, 1943


"The religious meaning of the Ruthwell Cross"

(InArt Bulletin24, no. 4 (December 1944): 242-245)


Box 659 Folder 3

Annotated typescripts, research notes, revisions, and annotated reprint,, 1944-1963


Box 659 Folder 4 to 6

Research notes, 1940s-1960s, (3 Folders)


Box 659 Folder 7

Correspondence, 1944-1963


Box 222 Folder 3

"The myth of Oedipus" -- Annotated typescripts, 1944

(InThe Myth of Oedipus with Six Original Etchings by Kurt Seligmann,9-18. New York: Durlacher Bros.-R. Kirk Askew, Jr., 1944)


Box 222 Folder 4

"A note on Max Weber's politics" -- Annotated typescript and research notes,, 1945

(InPolitics2, no. 2 (February 1945): 44-48)


"'Muscipula Diaboli,' the symbolism of the Mérode altarpiece"

(InArt Bulletin27, no. 3 (September 1945): 182-187)


Box 222 Folder 5

Annotated typescript, correspondence, proofs, research notes, and annotated clippings,, 1945


Box 222 Folder 6

Annotated typescript, 1945


Box 222 Folder 7

Research notes and correspondence, 1945


Box 222 Folder 8

"On a painting of Van Gogh: crows in the wheat field" -- Annotated typescript, correspondence, and annotated reprints,, 1946

(InView,Fall 1946 8-14)


Box 222 Folder 9

"A note on 'The Open City': some comments on Farrel's review" -- Annotated typescript, correspondence, research notes, and clippings,, 1946

(InNew International12 no. 10 (December 1946): 311-313)


Box 222 Folder 10

"On the aesthetic attitude in Romanesque art" -- Annotated typescript, correspondence, and research notes,, 1947-1948

(InArt and Thought: Essays in Honour of A.K. Coomaraswamy,130-150. London: Luzac and Co., 1947)


Box 223 Folder 1

"A Life Roundtable on modern art" -- Transcripts, correspondence, and research notes,, 1948

(InLife, October 11, 1948 58-59)


Box 223 Folder 2

"Fromentin as a critic" -- Research notes and corrections, 1949-1963

(InPartisan Review16, no. 1 (January 1949): 25-51)


Box 223 Folder 3

"The place of the Joshua Roll in Byzantine history" -- Annotated reprint, research notes, and correspondence,, 1946-1949

(InGazette des Beaux-Arts35 (March 1949): 161-176). Originally a paper presented at the Premier Congrès International Byzantino-Slave et Oriental, New York, April 28, 1946)


Sub-Subseries: IV.2.3, 1950s


Box 223 Folder 4

"Essay in Symposium, Religion and the Intellectuals" -- Typescript, proof, clipping,, 1950

(InPartisan Review17, no. 4 (April 1950): 331-339)


Box 223 Folder 5

"The Joseph scenes on the Maximianus Throne in Ravenna" -- Annotated typescript, correspondence, research notes, and annotated clipping,, 1950-1952

(InGazeete de Beaux-Arts40 (July 1952): 27-38)


"Rebellion in art: [The Armory Show]"

(InAmerica in Crisis,ed. Daniel Aaron, 202-242. New York: Alfred A. Knopf, 1952)


Box 223 Folder 6

Typescript, 1952


Box 223 Folder 7

Research notes and correspondence, 1951-1952


Box 223 Folder 8

Illuminated Manuscripts (11th century through the 16th Century) from the Bibliothèque of Their Highnesses the Dukes d'Arenberg -- Research notes and correspondence, 1952-1959

(Published by Jacques Seligmann and Co. Schapiro provided research for this publication but was never cited as an author)


Box 223 Folder 9

"Style" -- Reprints, correspondence, and research notes, 1946-1953

(InAnthropology Today, ed. Alfred Kroeber, 287-312. Chicago: University of Chicago Press, 1953. Originally a paper presented at the Wenner-Gren Foundation, International Symposium in Anthropology, New York, June 9-20, 1952)


Box 223 Folder 10

"Two Romanesque drawings in Auxerre and some iconographic problems -- Annotated typescript, research notes, reproductions list, and annotated clipping,, 1954

(InStudies in Art and Literature for Belle da Costa Greene,ed. Dorothy Miner, 331-349. Princeton, NJ: Princeton University Press, 1954)


Box 223 Folder 11

"The younger American painters of today" -- Proof, 1955

(InThe Listener, January 26, 1956 146-147. Accompanied by reminiscences and clippings from 1999 by Lillian Milgram Schapiro about Meyer Schapiro's visit to the United Kingdom in 1956`)


"Leonardo and Freud: an art-historical study"

(InJournal of the History of Ideas17, no. 2 (April 1956): 147-178)


Box 224 Folder 1

Annotated typescript, 1956


Box 224 Folder 2

Correspondence, 1955-1975


Box 224 Folder 3

Correspondence, 1956-1986


Box 224 Folder 4

Research notes, 1956


Box 224 Folder 5

Proofs, drafts, and research notes, 1956


Box 224 Folder 6

Offprints, corrections, and reprints, 1956-1968


Box 224 Folder 7

Research file, 1950s


Box 224 Folder 8

Commentaries, 1973-1986


Introduction to Illustrations for the Bible by March Chagall. New York: Harcourt, Brace and Co., 1956


Box 224 Folder 9

Annotated typescripts, 1956


Box 224 Folder 10

Research notes and correspondence, 1956


"On an Italian painting of the flagellation of Christ in the Frick Collection"

(In Scritti di Storia dell'Arte in Onore di Lionello Venturi ed. M. Salmi, 1: 29-53. Rome: De Luca, 1956)


Box 224 Folder 11

Annotated typescript, correspondence, corrections, and annotated reprint,, 1956


Box 224 Folder 12

Research notes, correspondence, and reproductions, 1956-1959


Box 225 Folder 1

"The liberating quality of avant-garde art" -- Annotated typescript, correspondence, and program,, 1956-1957

(InArt News56, no. 4 (Summer 1957): 36-42. Originally presented at the American Federation of Arts Convention, Houston, April 1957)


Box 225 Folder 2

Introduction to Arshile Gorky-- Research notes,, 1957

(InArshile Gorky, by Ethel Schwahacher. New York: Macmillan for the Whitney Museum of American Art, 1957)


"Notes on Castelseprio"

(InArt Bulletin39, no. 4 (December 1957): 295-239


Box 225 Folder 3

Annotated typescripts, galleys, correspondence, research notes, and annoyed reprints,, 1957


Box 225 Folder 4 to 5

Research notes, 1957, (2 Folders)


Box 225 Folder 6

Research file, 1957


Box 225 Folder 7

Reproductions, 1957


Box 225 Folder 8

"Simultaneous contract in painting" -- Annotated clipping, 1957

(InProblèmes de la couleur,ed. Ignaee Meyerson, 248-253. Paris: Sevpen, 1957. In French)


"New light on Seurat"

(InArt News57, no. 2 (April 1958): 22-24, 44-45, 52)


Box 225 Folder 9

Galley proofs and research notes, 1958


Box 225 Folder 10

Typescript, correspondence, and clippings, 1958-1974

(Typescript in French)


Box 225 Folder 11

Clippings, 1958


"The decoration of the Leningrad Manuscript of Bede"

(InScriptorium12, no. 2 (1958): 191-207)


Box 225 Folder 12

Annotated typescript and annotated reprints, 1958


Box 225 Folder 13

Research notes, correspondence, and proofs, 1958-1959


Box 225 Folder 14

Proceedings of the Congrès International Extraordinaire des Critiques d'art--Typescripts, drafts, research notes, correspondence, and pamphlets,, 1959


Box 225 Folder 16

"A note on the Mérode Altarpiece" -- Annotated clipping, 1959

(InArt Bulletin41, no. 4 (December 1959): 327-328)


"A note on the wall strips of Saxon churches"

(InJournal of the Society of Architectural Historians18, no. 4 (December 1959): 123-125)


Box 225 Folder 17

Proof, research notes, and correspondence, 1959


Box 633 Folder 7

Reproductions, 1959


Box 226 Folder 1 to 11

Published articles -- Periodicals, journals, and clippings, 1950s, (11 Folders)


Box 227 Folder 1 to 9

Published articles -- Periodicals, journals, and clippings, 1950s, (9 Folders)


Sub-Subseries: IV.2.4, 1960s


"An illuminated English Psalter of the early thirteenth century"

(InJournal of the Warburg and CourtauldInstitutes 23, no. 3-4 (1960): 179-189)


Box 228 Folder 1

Annotated typescripts, annotated reprint, and research notes, 1960


Box 228 Folder 2

Proofs, research notes, correspondence, and reproductions, 1957-1960


Box 228 Folder 3

"On the humanity of abstract painting" -- Typescript, 1960

(InProceedings of the American Academy of Arts and Letters,no. 10 (1960): 316-323)


Box 228 Folder 4

"Preface" -- Annotated typescript, correspondence, and research notes,, 1959-1960

(InIsrael, Ancient Mosaics.New York: New York Graphic Society, 1960 5-13)


"Mr. Berenson's Values"

(InEncounter16, no. 1 (January 1961): 57-65)


Box 228 Folder 5

Annotated typescripts, proofs, and corrections, 1961


Box 228 Folder 6

Research notes, proofs, and correspondence, 1960-1961


Box 228 Folder 7

Research notes and correspondence, 1961


Box 228 Folder 8

Forward to Forrest Bess -- Annotated typescript, research notes, catalogs, correspondence, and clippings,, 1962-1988

(Published in an exhibition catalog for the Betty Parsons Gallery, New York, January 8-27, 1962)


Box 228 Folder 9

"Jan Müller, XXXI Biennale, Venezia, 1962" -- Annotated typescripts,, 1962

(In2 Pittor, 2 Scultori, Stati Uniti d'America,exhibition catalog for the Venice Biennale published by the International Council of the Museum of Modern Art, New York)


Box 228 Folder 10

"Cézanne as watercolorist" -- Annotated typescript, 1963 -- Published as an introduction to the M. Knoedler and Co., New York, exhibition catalog Cézanne's Watercolors., 1963


Box 228 Folder 11

"On Alexander Calder" -- Annotated typescript, 1963 --, 1963

(InMacDowell Colony Report for 1963,11-12. Peterborough, NH, and New York, 1964. Accompanied by French translation)


Box 228 Folder 12

"The bowman and the bird on the Ruthwell Cross and other works: the interpretation of secular themes in early Mediaeval religious art" -- Annotated reprints,, 1963

(InArt Bulletin45, no. 4 (December 1963): 351-355)


"A relief in Rodez and the beginnings of Romanesque sculpture in southern France"

(InStudies in Western art: acts of the Twentieth International Congress of the History of Art,ed. Millard Meiss et al., 1: 40-66. Princeton, NJ: Princeton University Press, 1963. Originally a paper presented at the Twentieth International Congress of the History of Art, September 1961)


Box 228 Folder 13

Outlines and research notes, 1961-1963


Box 228 Folder 14

Research notes, 1961-1963


Box 228 Folder 15 to 16

Drafts and research notes, 1961-1963, (2 Folders)


Box 228 Folder 17

"Kurt Seligmann-the early years" -- Annotated typescript, research notes, gallery invitations, and exhibition calendar,, 1964

(Foreword to a D'Arcy Galleries, New York, exhibition catalog, January 27-February 15, 1964)


Box 228 Folder 18

"On the relation of patron and artist: comments on a proposed model for the scienties" -- Annotated typescript, research notes, and reprints,, 1964

(InAmerican Journal of Sociology70, no. 3 (November 1964): 363-369)


Box 229 Folder 1

"Diderot on the artist and society" -- Typescript, research notes, and corrections,, 1964

(Preface toSociety and the Freedom of the Creative Man in Diderot's Thought,by Joseph I. Waldauer, 5-11. Geneva and Paris: Droz, 1964)


Box 229 Folder 2

"Jews in Russia" Draft, research notes, and clippings, 1965

(Letter to theNew york timeseditor signed with Saul Bellow, Richard Hofstadter, and Eugene Rabinovitch)


Box 229 Folder 3

"On the role of art in contemporary society" -- Typescript and research notes,, 1966

(InProceedings of the International Symposium on Fine Arts in the East and West,80-87. Tokyo: Compiled by the Japanese National Commission for UNESCO, 1966. Originally a paper presented at the International Symposium on Fine Arts in the East and West, Tokyo, 1966 April 4)


"On perfection, coherence, and unity of form and content"

(InArt and Philosophy: a symposiumed. Sidney Hook, 3-15. New York: New York University Press, 1966. Originally a paper presented at the Philosophy of Art Symposium of the Institute of Philosophy, New York, 1964)


Box 229 Folder 4

Typescripts and research notes, 1964-1966


Box 229 Folder 5

Drafts and research notes, 1964-1966


Box 229 Folder 6

"An Irish-Latin text on the angel with the ram in Abraham's sacrifice" -- Annotated typescripts, correspondence, research notes, reproductions, and annotated offprints,, 1967

(InEssays in the History of Art Presented to Rudolf Wittkower7-19. New York: Phaidon, 1967)


Box 229 Folder 7

"Sima" -- Annotated clipping, 1968

(Preface to the Musée National d'Art Moderne, Paris exhibition catalog, November 7-December 23, 1968)


"The apples of Cézanne: an essay on the meaning of still-life"

(InArt News Annual34 (1968): 35-53


Box 229 Folder 8

Annotated typescript, correspondence, corrections, and research notes, ,, 1968


Box 229 Folder 9

Annotated typescript, correspondence, and research notes, 1968


Box 229 Folder 10

Annotated typescript, 1968

(In French)


"The still life as a personal object - a note on Heidegger and Van Gogh"

(InThe Reach of Mind: Essays in Memory of Kurt Goldstein,ed. Marianne L. Simmel, 203-209. New York: Springer, 1968)


Box 229 Folder 11

Annotated typescripts and research notes, 1968


Box 229 Folder 12

Annotated proofs and lists, 1968


Box 229 Folder 13

Reviews, 1968


Box 229 Folder 14

"On some problems in the semiotics of visual art: field and vehicle in image-signs" -- Annotated typescripts, correspondence, and corrected offprints,, 1966-1969

(InSemiotica1, no. 3 (1969): 223-242. Originally presented as a per at the Second International Colloquium on Semiotics, Kazimierz, Poland, September 1966)


Box 229 Folder 15

"Religious imagination and the artist" -- Annotated clipping and corrections,, 1965-1969

(InARC Directions,no. 7 (Fall 1969): 1-4. Original paper presented at the annual meeting of the Society for Arts, Religion and Contemporary Culture, Museum of Modern Art, New York, February 5, 1965)


Box 229 Folder 16

"Minor White" Annotated typescript and notes, 1969

(Postface toMirrors, Messages, Manifestations,by Minor White. New York: An Aperture Monograph, 1969)


Box 230 Folder 1 to 9

Published articles-- Periodicals, journals, and clippings, 1960s, (9 Folders)


Box 231 Folder 1 to 10

Published articles -- Periodicals, journals and clippings, 1960s, (10 Folders)


Sub-Subseries: IV.2.5, 1970s


"The miniatures of the Florence Diatessaron (Laurentian Ms. Or. 81): their place in late Medieval art and supposed connection with early Christian and Insular art"

(InArt Bulletin50, no. 4 (December 1973): 494-531. Article included results from a Columbia University seminar held Spring 1969)


Box 232 Folder 1

Annotated typescripts, 1969-1973


Box 232 Folder 2

Footnotes, 1969-1973


Box 232 Folder 3

Proofs and research notes, 1969-1973


Box 232 Folder 4

Research notes, 1969-1973


Box 232 Folder 5

Research notes, 1969-1973


Box 232 Folder 6

Student reports, 1969


Box 232 Folder 7

Reproductions, 1973


Box 232 Folder 8

"Picasso's woman with a fan: on the transformation and self-transformation" -- Annotated typescript, correspondence, proofs, and research notes,, 1976

(InEssays in Archaeology and the Humanities: in Memoriam Otto J. Brendel,249-254. Mainz: Verlag Phillipp von Zabern, 1976)


Box 691

Schapiro, Meyer [Comments on James T. Farrell's achievements], [S. Londonderry, Vermont], 1978 August 9, 1 t.ms.

Commendation on James T. Farrell in reply to the request of the University of Chicago Alumni Association in considering him for their Professional Achievement Award.

Cataloged.


Box 233 Folder 1 to 5

Published articles -- Periodicals, journals and clippings, 1970s, (5 Folders)


Sub-Subseries: IV.2.6, 1980s


Box 234 Folder 1 to 4

Published articles -- Periodicals, journals and clippings, 1980s, (4 Folders)


Subseries: IV.3: Essays, 1930s-1990s

Writings in this subseries constitute work that has never been published. These individual essays were originally housed with material found in Series V: Research files, Subseries: V.5: Research notes. What differentiated these texts from Schapiro's unorganized research notes is that he provided these essays with a clear title heading, allowing them to be well defined individual texts. Given their subject and title specificity, they have been organized chronologically in this subseries to facilitate their discovery. These essays are either in the format of prose or are prepared as outlines. Consult Series V: Research files, Subseries: V.5: Research notes for related material and on the arrangement of those records.


Box 235 Folder 1

"What is an artist? -- Typescript, circa, 1930s


Box 235 Folder 2

"di Chirico and Futurism" -- Annotated typescript, circa, 1930s


Box 235 Folder 3

"The function of art" -- Typescript, circa, 1930s


Box 235 Folder 4

"Essay for Hook's journal" -- Typescript, circa, 1930s


Box 235 Folder 5

"Historicism and taste" -- Annotated typescript, circa, 1930s


Box 235 Folder 6

"Art and social change" -- Typescript, circa, 1930s


Box 235 Folder 7

"Is romantic movement an expression of bourgeois society vs. feudal classes?" -- Typescript, circa, 1930s


Box 235 Folder 8

"Kallen paper : on completeness, perfection and unity: an operational analysis" -- Typescript, circa, 1930s


Box 235 Folder 9

"American conception of aristocracy" -- Annotated typescript, circa, 1930s


Box 235 Folder 10

"Propaganda and truth" -- Annotated typescript and research notes, circa, 1930s


Box 235 Folder 11

"Balzac, Colonel Chabert" -- Annotated typescript and research notes, circa, 1930s


Box 235 Folder 12

"The extrapolation of unity in aesthetics" -- Typescript, circa, 1930s


Box 235 Folder 13

"What is the new and revolutionary element in the work of these three artists?" -- Annotated typescript and research notes,, 1930s

(The three artists referred to are: Courbet, Manet, and Matisse)


Box 235 Folder 14

"Naturalism" -- Annotated typescript and research notes, circa, 1930s


Box 235 Folder 15

"On liberal bourgeois art criticism" -- Typescript, circa, 1930s


Box 235 Folder 16

"Modern artist's relation to real world" -- Typescript, circa, 1930s


Box 235 Folder 17

"Impressionistic conception of architecture"-- Typescript, circa, 1930s

(Title supplied by Lillian Milgram Schapiro)


Box 235 Folder 18

"Style or character of the modern building" -- Typescript, circa, 1930s

(Title supplied by Lillian Milgram Schapiro)


Box 235 Folder 19

"Cubism as geometric impressionism" -- Typescript, circa, 1930s

(Title supplied by Lillian Milgram Schapiro)


Box 235 Folder 20

"The artist in industrial society" -- Typescript, circa, 1930s

(Title supplied by Lillian Milgram Schapiro)


Box 235 Folder 21

"Judgment of value in works of art" -- Typescript, circa, 1930s


Box 235 Folder 22

"On the causes of provincial archaism" -- Typescript, circa, 1930s


Box 235 Folder 23

"On the subject matter of abstract arts" -- Typescript, circa, 1930s


Box 235 Folder 24

"The musical subject in modern painting" -- Typescript and research notes, circa, 1930s


Box 235 Folder 25

"The taste for wit in civilized societies" -- Annotated typescript, circa, 1930s


Box 235 Folder 26

"Is true art revolutionary?" -- Typescript, circa, 1930s


Box 235 Folder 27

"What is a 'late period'?" -- Typescript, circa, 1930s


Box 235 Folder 28

"Perspective as an expressive form" -- Typescript, circa, 1930s


Box 235 Folder 29

"On elementary art education" -- Typescript, circa, 1930s


Box 235 Folder 30

"The role of class in art" -- Typescript and research notes, circa, 1930s


Box 235 Folder 31

"Philosophy of art in the middle ages" -- Typescript, circa, 1930s


Box 235 Folder 32

"On indirectness and disproportion in development of art" -- Typescript, circa, 1930s


Box 235 Folder 33

"Individualism in art and society" -- Typescript, circa, 1930s


Box 235 Folder 34

"On the changes in costume" -- Typescript and research notes, circa, 1930s


Box 235 Folder 35

"The prize picture" -- Typescript and research notes, circa, 1930s


Box 235 Folder 36

"Art history and social history" -- Typescript and research notes, circa, 1930s


Box 235 Folder 37

"On a permanent federal art project" -- Annotated typescript, circa, 1930s


Box 235 Folder 38

"The sources of pragmatism" -- Typescript, circa, 1930s


Box 235 Folder 39

"On the modern 'rivalry' of poetry and science" -- Typescript and research notes, circa, 1930s


Box 235 Folder 40

"Notes on the aesthetics of architecture" -- Typescript, circa, 1930s


Box 235 Folder 41

"Lewis, time and western man" -- Typescript and research notes, circa, 1930s


Box 235 Folder 42

"Prinzhorn, Bildnerei der Gefangenen" -- Annotated typescript and research notes, circa, 1930s


Box 235 Folder 43

"Aesthetics of perception" -- Typescript, circa, 1930s


Box 235 Folder 44

"Buchanan, poetry and mathematics" -- Typescripts and research notes, circa, 1930s


Box 235 Folder 45

"Jews and modern art" -- Typescript, circa, 1930s


Box 235 Folder 46

"The problem of constants" -- Annotated typescripts, research notes, and clippings, circa, 1930s


Box 660 Folder 1

"Plekhanov's 'Art and Society'" -- Annotated typescript and research notes, circa, 1930s


Box 660 Folder 2

"Theory of physioplastic art -- Holograph papers, circa, 1930s


Box 660 Folder 3

"Aesthetic truth" --Annotated typescript and research notes, circa, 1930s


Box 660 Folder 4

"Problems of revolutionary art" -- Typescript, circa, 1930s


Box 660 Folder 5

"Artistic changes and linguistic changes" -- Annotated typescript, circa, 1930s


Box 660 Folder 6

"Jacob and the angel" -- Annotated typescript, early draft, and research notes, circa, 1930s

(Essay relating to Christian-Irish iconography)


"The Eiffel Tower"


Box 660 Folder 7

Annotated typescript and research notes, circa, 1930s

(Accompanied by a transcription created in 1992)


Box 660 Folder 8

Research file and reproductions, circa, 1930s


Box 660 Folder 9

"Cinema" -- Typescript, circa, 1930s


Box 660 Folder 10

"Cinema" -- Typescript, circa, 1930s

(Chiefly on animation and Mickey Mouse)


Box 660 Folder 11

"Science and Impressionism" -- Typescript, circa, 1930s


Box 660 Folder 12

"Fascism and art" -- Annotated typescript and research notes, circa, 1930s-1940s


Box 660 Folder 13

"The Medieval City" -- Annotated typescripts and research notes, circa, 1930s-1940s


Box 660 Folder 14

"On the language of Joyce" -- Typescript, research notes, and drawings, circa, 1930s-1940s


Box 660 Folder 15

"Parallelism of early Christian and Modern art -- Annotated outlines, circa, 1930s-1940s


Box 660 Folder 16

"On continuity as a principle of grouping" -- Annotated typescripts and research notes, circa, 1930s-1940s


Box 660 Folder 17

"Significance of monochromatic painting in modern times" -- Typescript, circa, 1930s-1940s


Box 660 Folder 18

"The collector" -- Typescript and notes, circa, 1930s-1940s


Box 660 Folder 19

"The aesthetics of cinema" -- Typescript, 1932

(Potentially published in the magazineNew Masses)


Box 236 Folder 1

"On the principle of good continuation" -- Annotated typescript and research notes, circa, 1930s-1940s


Box 236 Folder 2

"On connoisseurship" -- Typescript, circa, 1930s-1940s


Box 236 Folder 3

"Historical concepts" -- Annotated typescript, circa, 1930s-1940s


Box 236 Folder 4

"On history of art as a discipline" -- Outline, circa, 1930s-1940s


Box 236 Folder 5

"The magazine cover" -- Typescript, circa, 1930s-1940s


Box 236 Folder 6

"Italian medieval baptistery as a revival of Christian antiquity" -- Typescript and research notes, circa, 1930s-1940s


Box 236 Folder 7

"Note on problem of analogies of science and painting in 19th century -- Typescript and research notes, circa, 1930s-1950s


Box 236 Folder 8

"Abstract art and impersonality" -- Typescript, circa, 1930s-1950s


Box 236 Folder 9

"Geometry and Cubism" -- Typescript, circa, 1930s-1950s


Box 236 Folder 10

"Romanesque sculpture: narrative forms and linguistic parallels" -- Typescript and research notes,, 1931-1933


Box 236 Folder 11

"The cinematic art" -- Typescript, 1932


Box 236 Folder 12

"The art of being an artist" -- Annotated typescript, 1933

(Essay on Jean Cocteau'sLe sang d'un poète)


Box 236 Folder 13

"Léger" -- Annotated typescript, 1935


Box 236 Folder 14

"The southwest tower of the cathedral of Chartres: an architectural analysis" -- Annotated typescripts, correspondence, and slide lists,, 1935


Box 236 Folder 15

"Painting and cinema: photomontage and painting" -- Typescript and outlines,, 1938


Box 236 Folder 16

"Malraux's Man's fate" -- Typescript, 1938


Box 236 Folder 17

"Expressionism and Fauves" -- Typescript, research notes, reproductions, and clippings,, 1938


Box 236 Folder 18

"Modern and insane art" -- Outline, circa, 1940s


Box 236 Folder 19

"Significance of modern naïve painting" -- Outline, circa, 1940s


Box 236 Folder 20

"On freedom and responsibility of the artist" -- Outlines, circa, 1940s


Box 236 Folder 21

"The fine arts and the unity of mankind" -- Typescripts, research notes, correspondence, and clippings,, 1940s

(Correspondence is with Ernest Nagel relating to the essay)


Box 236 Folder 22

"The new gallery of contemporary art and its design" -- Annotated typescript,, 1940s

(Essay is chiefly on the gallery "Art of This Century")


Box 236 Folder 23

"Psychoanalysis and art" -- Typescript, 1940s


Box 236 Folder 24

"Laocoön and the scientists/physiologists" -- Annotated and corrected typescripts, correspondence, research notes, and reproductions,, 1940s

(Corrected typescript created in 1975)


Box 236 Folder 25

"On heliocentric orbits of Venus and Mercury" -- Annotated typescript, correspondence, research notes, and reproductions,, 1940s


Box 236 Folder 26

"The inferno of Silos" -- Annotated typescript, circa, 1940s

(Essay was given to André Breton circa 1942 for publication in a surrealist periodical. The essay was never published)


Box 236 Folder 27

Entries to be written for the International Encyclopedia of United Science-- Outlines and notes, circa, 1940s

(Topics include "knowledge" and "experience")


Box 236 Folder 28

Entries to be written for the International Encyclopedia of United Science-- Outlines and notes, circa, 1940s

(Topics include "classification," "valuation," "science," "judgment," "criticism," and the "foundations of art investigation")


Box 236 Folder 29

"Griffith's Intolerance thirty years later"-- Typescript and correspondence,, 1946

(Correspondence with Herman Singer, editor of the magazineThe Call)


Box 236 Folder 30

"On photography and painting in 19th and 20th century"-- Outlines, drafts, research notes,, 1940s-1960s

(Accompanied by a compilation of Schapiro's states on photography by Robert Bergman)


Box 236 Folder 31

"On the new art as critical reactions against existing order of life" --- Outline, circa, 1940s-1960s


Box 236 Folder 32

"On the rarity of Pericope books in the Carolingian period" -- Annotated typescript and research notes, circa, 1940s-1960s


Box 236 Folder 33

"On Heidegger's concept of history" -- Typescript, circa, 1940s-1960s


Box 236 Folder 34

"What do students get from art courses?" -- Typescript, circa, 1940s-1960s


Box 236 Folder 35

"On hostility to science" -- Typescript, outline, and research notes,, 1941-1942


Box 236 Folder 36

"On dialectics" -- Typescript, 1943

(Accompanied by the article "Social change and original sin: answer to Niebuht" by Sidney Hook)


Box 236 Folder 37

Preface to album of prints for Rose Fried -- Typescript, 1946


Box 236 Folder 38

"A note on the proposed expansion of the museum" -- Annotated typescript, correspondence, and clippings,, 1946-1947

(Essay is chiefly on the proposed expansion of the Metropolitan Museum of Art)


Box 236 Folder 39

Preface to Parker Tyler's publication Rodin -- Typescript and notes, 1950s

(Accompanied by Tyler's essay "Watteau's great Cythera" and clippings relating to Renoir and Rodin)


Box 236 Folder 40

"Children's art and adult creation" -- Annotated typescript and research notes, circa, 1950s


Box 236 Folder 41

"The two senses of the figure in the study of art" -- Typescript, circa, 1950s

(Based on a lecture given at the New York Studio School of Drawing, Painting and Sculpture. Accompanied by correspondence and drawings)


Box 236 Folder 42

Entries to be written for an unidentified encyclopedia-- Outlines, notes, and correspondence, circa, 1950s-1977

(Topic addressed is chiefly "art as knowledge")


Box 237 Folder 1

"The two concepts of pattern in cultural anthropology and history" -- Annotated typescript and research notes, circa, 1950s


Box 237 Folder 2

"'Pattern' and 'structure' as concepts of cultural form in ethnology" -- Annotated typescript and research notes, circa, 1950s


Box 237 Folder 3

"On value statements" -- Typescript, circa, 1950s


Box 237 Folder 4

"Valuation and the conditional in perception of art" -- Annotated typescript, circa, 1950s


Box 237 Folder 5

"On theory of proportion" -- Annotated typescript, circa, 1950s


Box 237 Folder 6

"On style analysis and value" -- Typescript, circa, 1950s


Box 237 Folder 7

"On the personal and on feeling in art and science" -- Typescript, circa, 1950s


Box 237 Folder 8

"Reason in art criticism" - Outline, circa, 1950s


Box 237 Folder 9

"On the concepts of the haptic and the tactile in art" -- Annotated typescript and research notes, circa, 1950s


Box 237 Folder 10

"Perspective as an expressive form" -- Typescript and research notes, circa, 1950s


Box 237 Folder 11

"On expressive and aesthetic-constructive function in pictorial composition" -- Annotated typescript, circa, 1950s


Box 237 Folder 12

"Logical truth and aesthetic truth" -- Annotated typescript, circa, 1950s


Box 237 Folder 13

"Aesthetic truth" -- Annotated typescript, circa, 1950s


Box 237 Folder 14

"The historian and what really happened" -- Typescript, circa, 1950s


Box 237 Folder 15

"Criticism and aesthetics" -- Typescript, circa, 1950s


Box 237 Folder 16

"What determines the choice of objects to be studied?" -- Annotated typescript, circa, 1950s


Box 237 Folder 17

"Concept of personality in art" -- Typescript and research notes, circa, 1950s


Box 237 Folder 18

"The script of our time" -- Typescript, circa, 1950s


Box 237 Folder 19

"On the cross nimbus" -- Annotated typescript and research notes, circa, 1950s


Box 237 Folder 20

"The illustrations of the Codex Amiatinus" -- Annotated outline, research notes, and reproductions, circa, 1950s


Box 237 Folder 21

"On 8th century peacock sarcophagus" -- Annotated outline, research notes, and reproductions, circa, 1950s


Box 237 Folder 22

"On some relations of science and modern art" -- Annotated outline, circa, 1950s


Box 237 Folder 23

"Some relations of science and art in the 19th century" -- Annotated typescript, research notes, and outlines, circa, 1950s


Box 237 Folder 24

"On the concept of form in classic and post-classic Renaissance art" -- Typescript and research notes, circa, 1950s


Box 237 Folder 25

"On the concept of creativeness from point of view of a historian of art" -- Typescripts, correspondence, research notes, and clippings,, 1950s-1960s

(Essay is a compilation of Schapiro's writings that are paginated and include the following topics: "On creativity" ; "On abstract forms as test objects" ; The unconscious as a source of imagery" ; "On the tests for artistic ability" ; and "Concept of regression in art")


Box 237 Folder 26

"The Auxerre fragment" -- Annotated typescript, research notes, and reproductions, circa, 1950s-1960s


Box 237 Folder 27

"On teleology and modern art" -- Annotated typescript, circa, 1950s-1970s


Box 237 Folder 28

"On abstract art as a sociological problem" -- Outline, circa, 1950s-1970s


Box 237 Folder 29

"Princess Casamassima" -- Typescript, 1953


Box 237 Folder 30

"Social freedom and the artist's freedom" -- Typescript, 1953

(Based on a lecture given at Teachers College)


Box 237 Folder 31

"On knowledge of technique and relation of practical and theoretical knowledge of the arts" -- Typescript,, 1956


Box 237 Folder 32

"On Jewish sources of Christian art" -- Annotated outline and clippings,, 1957


Box 237 Folder 33

"Duerer's [sic] monument for a victory over the peasants" -- Annotated typescript, research notes, and clippings,, 1957


Box 237 Folder 34

"On artists and criticism" -- Typescript, 1958


Box 237 Folder 35

"'New images of man'" -- Typescript, 1959

(Essay on the Museum of Modern Art exhibition of the same name)


Box 237 Folder 36

"The third modernism" -- Typescript, circa, 1960s


Box 237 Folder 37

"The place of myth in modern art" -- Typescript, circa, 1960s


Box 237 Folder 38

"The psychologizing of politics" -- Typescript, circa, 1960s


Box 237 Folder 39

"On spontaneity" -- Outline, circa, 1960s


Box 237 Folder 40

"On communication and the arts" -- Outline, circa, 1960s


Box 237 Folder 41

"Architecture and the other arts" -- Typescript, circa, 1960s


Box 237 Folder 42

"The size of painting or sculpture" -- Outline and research notes, circa, 1960s


Box 237 Folder 43

"On representation and schema" -- Typescript, circa, 1960s


Box 237 Folder 44

"Character of love in late Impressionist culture" -- Typescript, circa, 1960s


Box 237 Folder 45

"Unity of power in politics" -- Typescript, circa, 1960s


Box 237 Folder 46

"On religion as a remedy of present disorder" -- Typescript, circa, 1960s


Box 237 Folder 47

"On the historical (i.e. sociological) explanation of abstract art" -- Outline, circa, 1960s


Box 237 Folder 48

"On abstraction in painting and style" -- Annotated typescripts and outlines, circa, 1960s


Box 237 Folder 49

"The single note: on a type of modern painting" -- Outline, circa, 1960s


Box 237 Folder 50

"On freedom of expression and the quality of art" -- Typescript, circa, 1960s


Box 237 Folder 51

"Judgment and the grounds of value in art" -- Outlines, typescripts, and research notes, circa, 1960s

(Includes writing on C.I. Lewis)


Box 237 Folder 52

"How does modern adaptation of Persian painting differ from Persian art?" -- Typescript, circa, 1960s


Box 237 Folder 53

"On the ethical polemics against relativism …" -- Typescript, 1960s


Box 237 Folder 54

"On objective ethics" -- Typescript, 1960s


Box 237 Folder 55

"On religion and 'ultimate concern'" -- Typescript, 1960s


Box 238 Folder 1

"Wilson, this room …" -- Annotated typescript, 1960s


Box 238 Folder 2

"Art history and 'history'" -- Typescript, 1960s


Box 238 Folder 3

"On the support of artists" -- Outline, 1960s


Box 238 Folder 4

"State of the art market" -- Typescript, 1960s


Box 238 Folder 5

"On concept of two cultures (the two half-cultures)" -- Annotated outline,, 1960s


Box 238 Folder 6

"On art world as an institution and a social activity"-- Outline, 1960s


Box 238 Folder 7

"On the reactions in art during and after the first war" -- Outline, 1960s


Box 238 Folder 8

"On concept of abstraction and pure art" -- Typescript, 1960s


Box 238 Folder 9

"Filippo Lippi's Adoration of the infant Jesus" -- Annotated typescript and research notes, 1960s


Box 238 Folder 10

"On analogy of science and art"-- Annotated typescript, 1960s


Box 238 Folder 11

"Pictorial perspective and rationality" -- Annotated typescripts, 1960s


Box 238 Folder 12

"Content (and science and art)" -- Annotated typescript, 1960s


Box 238 Folder 13

"On culture, style, and politics" -- Typescript, 1960s


Box 238 Folder 14

"On art as knowledge -- Annotated typescript and editorial notes, 1960s

(Editorial notes by Lillian Milgram Schapiro from the 1990s)


Box 238 Folder 15

"On art schools" -- Outline, 1960s


Box 238 Folder 16

"On art teaching in the colleges" -- Annotated outline, 1960s


Box 238 Folder 17

"On Petrus Christus' portrait of a Carthusian: the shining face and the fly" -- Outline, research notes, and reproductions,, 1960s


Box 238 Folder 18

"Cubism and Cézanne" -- Annotated typescript and notes, 1960s


Box 238 Folder 19

"On sign and mark in Cubist painting" -- Annotated typescript and research notes,, 1960s


Box 238 Folder 20

"On pictures as signs" -- Annotated typescript, 1960s


Box 238 Folder 21

"On the universals and the singular in styles" -- Annotated outline, 1960s


Box 238 Folder 22

"Cubist painting and language" -- Annotated outline and research notes,, 1960s


Box 238 Folder 23

"Cubist signs and writing" -- Annotated outline, 1960s


Box 238 Folder 24

"On the ornamentation of Milan, Ambrosius 45 supplement" -- Annotated typescript and research notes,, 1960s


Box 238 Folder 25

"On Canterbury Cotton psalter" -- Annotated typescript and research notes,, 1960s


Box 238 Folder 26

"On the value of modern art" -- Annotated typescript and outlines, 1960s

(Essay is a critique of a Kenneth Clark article on modern art)


Box 238 Folder 27

"Randall Jarrell" -- Typescript and research notes, 1960s

(Accompanied by holograph papers of "Jerome" by Jarrell given to Schapiro in 1957)


"The trilingual inscription on the cross and Jan van Eyck's art"


Box 238 Folder 28

Annotated typescript, 1960s-1990s

(Typescript is interleaved with Schapiro's research notes)


Box 238 Folder 29

Annotated typescripts, correspondence, research notes, and clippings,, 1960s-1990s

(Correspondence is with Otto Brendel. Typescript is interleaved with Schapiro's research notes)


Box 238 Folder 30

Research file, 1960s-1990s


Box 238 Folder 31

Reproductions, 1960s-1990s


Box 238 Folder 32

"Gandy Brodie" -- Typescript, transcripts, and clippings, 1960s-1970s

(Essay was read at Brodie's memorial service. Accompanied by Schapiro's other writings on Brodie)


Box 238 Folder 33

"On art history and the historian" -- Outlines, notes, and clippings,, 1960s


Box 238 Folder 34

"A note on the Pilate scenes in the Rossano Gospels" -- Annotated typescript, drafts, and research notes,, 1961-1962


Box 238 Folder 35

"A note on perspective and illusion" -- Annotated typescript and drafts,, 1962


Box 238 Folder 36

"On disappearance of perspective in painting" -- Annotated typescript, circa, 1964


Box 238 Folder 37

"On despotism, freedom and the quality of art" -- Outline, 1966


Box 238 Folder 38

"On drawing from memory and from objects" -- Outline, 1966


Box 238 Folder 39

"A problem for iconographers: Adam and Eve clothed in the temptation and fall" -- Annotated typescript, research notes, and clippings,, 1970s


Box 238 Folder 40

"On the graphic analysis of form in painting" -- Annotated typescript and editorial notes,, 1970s

(Editorial notes by Lillian Milgram Schapiro from the 1990s)


Box 238 Folder 41

"The content of modern art" -- Outlines and clippings, 1970s


Box 239 Folder 1

"Papyraceas texturas" -- Annotated typescript and research notes, circa, 1970s-1980s


Box 239 Folder 2

"Raphael's Madonna of the chair" -- Annotated typescript, drafts, and research notes, circa, 1970s-1980s


Box 239 Folder 3

"Philosophy in painting: on modern theory of art" -- Typescript, 1970s

(Accompanied by an edited version from 1996)


Box 239 Folder 4

"Barnett Newman: in memoriam" -- Typescript, research notes, clippings, and press releases,, 1970

(Title supplied from original file heading)


Box 239 Folder 5

"The Campbell soup can: an experiment in size, meaning, affect in painting" -- Typescript and research notes,, 1971


Box 239 Folder 6

Eulogy for Parker Tyler -- Typescript and clippings, 1974

(Eulogy given at Tyler's memorial service)


Box 239 Folder 7

"The pictures of Enoch in the Junius manuscript of Caedmon"-- Annotated typescript, correspondence, research notes, and reproductions,, 1980s

(Typescript is interleaved with Schapiro's research notes)


Box 239 Folder 8

"On the tomb of an abbot in Cluny" -- Typescripts and research notes, circa, 1980s


Box 239 Folder 9

"Corot studio" -- Typescript and editorial notes, 1980s-1990s

(Essay is derived from the text found in the manuscript "Philosophy and worldview in painting" which is originally based on Schapiro's Slade Lectures in the Fine Arts given in 1968. Editorial notes by Lillian Milgram Schapiro from the 1990s)


Box 239 Folder 10

"Delacroix's painting of Michelangelo in his studio" -- Annotated typescript, research notes, clippings, and reproductions,, 1980

(Typescript is interleaved with Schapiro's research notes)


Box 239 Folder 11

"Representation, appearance and illusion" -- Annotated typescript, 1982


"The altar sculpture on Brunelleschi's bronze panel of Abraham and Isaac"


Box 239 Folder 12 to 13

Annotated typescript, research notes, and reproductions, 1984, (2 Folders)


Box 239 Folder 14

"The canvas and the battlefield: on the metaphor of the avant-garde" -- Annotated typescript, research notes, correspondence, and reproductions,, 1990s

(Typescript is interleaved with Schapiro's research notes)


Subseries: IV.4: Manuscripts, 1930s-2002

Subseries IV.4 contains unpublished material that Schapiro wrote, organized, and edited for intended publication. Among the titles included in this subseries are "The content of modern art: studies in the painting of the end of the nineteenth century from Manet to Munch," "Pablo Picasso'sGuernica," "The serpent with a woman's head in the temptation of Eve: researches on the invention of an image," and "Relativity and the interpretation of modern painting."

Schapiro continually revisited and reworked his previous writings, transcripts, and research notes to compile these manuscripts. As a result, work on one single manuscript could cross several decades and, after Schapiro's death, would continue to be worked on by his wife Lillian Milgram Schapiro. In each individual instance, original order created by Schapiro or his wife Lillian Milgram Schapiro was maintained. Every effort was made to contextualize these manuscripts by highlighting historical documentation contained elsewhere in the collection to give these writings a fuller understanding. To that end, included after each title are arrangement notes for how the manuscript is organized, their organizational structure, and, if applicable, the rationale on the final title chosen


"The introduction of the Romanesque in Silos"

(No substantial information about this manuscript exists, other than the same subject matter is found in Schapiro's published article "From Mozarabic to Romanesque in Silos." Related material can be found in Subseries: V.5: Research notes. The manuscript deals chiefly with the sculpture found in cloister of the abbey at Santo Domingo de Silos and its differentiation from manuscript illumination and other Romanesque sculpture. There are no indications that the manuscript was ever published and Schapiro prepared it as if it were ready for publication as evidenced by the inclusion of references for illustrations within the text.)


Box 240 Folder 1

Typescript, 1930s


Box 240 Folder 2 to 7

Drafts and notes, 1930s, (6 Folders)


"How the fish ate up the house"

(Schapiro's children's story was created in the 1930s for his daughter and was originally a hand sewn booklet made up of his typescripts and drawings. In 2004 Lillian Milgram Schapiro would revisit the story by adding text and other illustrations by Schapiro to create an expanded manuscript version for potential publication)


Box 240 Folder 8

Hand-sewn booklet, 1930s

(Accompanied by a 2004 typescript created by Lillian Milgram Schapiro with added text and illustrations)


Box 240 Folder 9

Correspondence, 2004


"The content of modern art: studies in the painting of the end of the nineteenth century from Manet to Munch"

(According to correspondence in file 18 of Box 242 of this series, plans to publish this manuscript began in 1937 when Oxford University Press, New York, initiated contract discussions with Schapiro. There was also an agreement between Oxford University Press and the Museum of Modern Art to collaborate on the publication in 1939 but that never materialized. In an announcement dated 1938 found in file 19 of Box 242 of this series, Phaidon Press was to publish the manuscript as "The content of modern art: studies in painting from Manet to Munch." That publication was also never realized. There are three variations of the title; the longer version is used since it includes variants from the other two titles. When possible, file titles below were supplied or condensed using Schapiro's annotations or text to guide users to the contents found in the manuscript. Original file order is maintained to preserve Schapiro's ordering. As a result, file titles may not include sequential sequencing such as section numbers. Files have research notes and editorial notes interleaved in the typescript sheets)


Box 241 Folder 1

Section I: themes -- Annotated typescript, research notes, and editorial notes,, 1930s

(Typescript is paginated 1-65 by hand. P)


Box 241 Folder 2

Section Ia: myth and imagination in modern art -- Annotated typescript, research notes, and editorial notes,, 1930s


Box 241 Folder 3

Section Ib: themes/common subjects -- Outline, annotated typescripts, research notes, and editorial notes,, 1930s


Box 241 Folder 4 to 5

File on the meaning of content -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s, (2 Folders)


Box 241 Folder 6 to 7

Section II: surface and randomness -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s, (2 Folders)


Box 241 Folder 8

Section IIIa: Cubism, Picasso, and Cezanne -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s


Box 241 Folder 9 to 10

Section IV: theory of causes and changes-- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s, (2 Folders)


Box 242 Folder 1

File chiefly on the predominance of France. -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s


Box 242 Folder 2 to 6

Section IV: theory of causes and changes-- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s, (5 Folders)


Box 242 Folder 7

File on surface and randomness -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s


Box 242 Folder 8

File chiefly on the theory of structure, painting and literature, and the inferiority of sculpture -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s


Box 242 Folder 9

File chiefly on classifications -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s


Box 242 Folder 10

File chiefly on the content of subject matter and themes -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s


Box 242 Folder 11

File chiefly on themes and their valuation -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s


Box 242 Folder 12

File chiefly on theme, subject, and objects -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s


Box 242 Folder 13

File chiefly on the content of expression and randomness -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s


Box 242 Folder 14

File chiefly on nature and perspective -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s


Box 242 Folder 15

File chiefly on the geometrical object -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s


Box 242 Folder 16

File chiefly on the survival of works of art and content -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s


Box 242 Folder 17

Section IVb: Towards a new content and conclusion -- Outlines, annotated typescripts, research notes, and editorial notes,, 1930s


Box 242 Folder 18

Correspondence, 1937-1946


Box 242 Folder 19

Announcement, 1938


"Georges Seurat"

(Files associated with this manuscript are largely in outline format and filed by subject. In the 1990s Lillian Milgram Schapiro used Schapiro's outline in file 1, Box 243 as a guide to reconstruct this manuscript. However, file naming conventions below follow title headings of the outlines and are arranged matching content to outline titles as closely as possible. Section titles of the manuscript indicated in the outline are given at the end of each file description)


Box 243 Folder 1

General outlines, research notes, and correspondence, 1940s-1950s


Box 243 Folder 2

"Paradox of taste" -- Outlines and research notes, 1940s-1950s

(Section I: Distinctiveness of his art)


Box 243 Folder 3

"Taste for archaic forms and simplicity" -- Outlines and research notes,, 1940s-1950s

(Section I: Distinctiveness of his art)


Box 243 Folder 4

"Early paintings before Baignade" -- Outlines and research notes, 1940s-1950s

(Section II: the early works)


Box 243 Folder 5

"Seurat" -- Outlines and research notes, 1940s-1950s

(Section II: the early works)


Box 243 Folder 6

"Baignade" -- Outlines and research notes, 1940s-1950s

(Section IV: the Baignade)


Box 243 Folder 7

"Seine at Courbevoie" -- Outlines and research notes, 1940s-1950s

(Section VI: The landscapes of circa 1884-1886)


Box 243 Folder 8

"Later works" -- Outlines and research notes, 1940s-1950s

(Section VII: the new phase: 1887-1890)


Box 243 Folder 9

"Circus" -- Outlines and research notes, 1940s-1950s

(Section XII: Cirque)


Box 243 Folder 10

"The large landscapes: 1885-1890" -- Outlines, research notes, and annotated typescripts,, 1940s-1950s

(Section XIII: the landscapes of 1888-1890)


Box 243 Folder 11

"Drawings for La Grande Jatte" -- Outlines and research notes, 1940s-1950s

(Section XIV: the drawings)


Box 243 Folder 12

"On Seurat and science" -- Outlines and research notes, 1940s-1950s

(Section XV: Seurat and science: color, composition, physiognomic)


Box 243 Folder 13 to 14

File chiefly on Seurat's theory -- Outlines, research notes, and correspondence,, 1940s-1950s, (2 Folders)

(Section XVI: Development of theory)


Box 243 Folder 15

"Sutter" -- Research notes, 1940s-1950s

(Section XXII: appendices)


Box 243 Folder 16

Research file, 1940s-1950s


"A bible from Cluny with paintings of the eleventh and twelfth centuries"

(This manuscript is concerned with an illuminated manuscript that forms part of the Fondi di Cluni held at the Bibliothèque nationale de France and especially with the illuminated manuscript Latin 15176. Schapiro originally wrote this in 1948 but continually worked on the text through to the 1960s)


Box 244 Folder 1

Typescript, 1948


Box 244 Folder 2

Annotated typescript, 1948

(First draft of manuscript)


Box 244 Folder 3

Annotated typescripts, research notes, and editorial notes, 1940s-1960s

(Typescript is interleaved with Schapiro's research and editorial notes. The final version of the manuscript is included in this file along with other draft versions)


Box 244 Folder 4 to 13

Research notes, 1940s-1960s, (10 Folders)


Box 245 Folder 1

Research file, 1940s-1960s


Box 245 Folder 2

Notes on reproductions, 1940s-1960s


Box 245 Folder 3 to 8

Reproductions, 1940s-1960s, (6 Folders)


Box 245 Folder 9

Forward to a publication on Chagall. -- Annotated typescript, outlines, research notes, and correspondence,, 1953

(This was to be published by Holbein Verlag publishers in Germany)


"Pablo Picasso's Guernica"

(From a book jacket design in file 5 of Box 248 in this series and correspondence in file 9 Box 248, this manuscript was to be published by the Museum of Modern Art, New York as "Guernica: studies, postscripts" possibly in the 1970s or 1980s. Schapiro wrote consistently on Picasso's Guernica, and material found in these files is culled from the 1940s through the 1990s. Files are organized by a pagination scheme devised by Lillian Milgram Schapiro in the 1990s through the 2000s relying on Schapiro's original annotations on the typescripts. Her notes and lists relating to the reconstruction of the manuscript can be found in file 5 of Box 248)


Box 246 Folder 1

Pages 1-6 -- Annotated typescripts, 1980s


Box 246 Folder 2

Pages 1-7 -- Annotated typescripts, 1980s


Box 246 Folder 3

Pages 1, 6, 9 -- Annotated typescripts, 1980s


Box 246 Folder 4

Pages 1, 4, 6, 9 -- Annotated typescripts, 1980s


Box 246 Folder 5

Pages 1-18 -- Annotated typescripts, 1980s-1990s


Box 246 Folder 6

Pages 1-24 -- Annotated typescripts, outlines, and notes, 1940s-1980s


Box 246 Folder 7

Pages 1-29 -- Research and editorial notes, 1980s


Box 246 Folder 8

Pages 1-29 -- Research and editorial notes, 1940s-1990s

(Chiefly on the evolution ofGuernicaand the attitude of Picasso towards Fernande Olivier)


Box 246 Folder 9

Pages 1-29 -- Research and editorial notes, 1940s-1990s

(Chiefly on Alexandre Millerand)


Box 246 Folder 10

Pages 7-12 -- Annotated typescripts, 1980s


Box 246 Folder 11

Pages 13-17 -- Annotated typescripts, 1980s

(Material is based on Schapiro's 1966 lecture "Guernica" presented at Harvard University's Carpenter Design Center)


Box 246 Folder 12

Pages 18-31 -- Annotated typescripts, 1980s-1990s

(Material is based on Schapiro's 1966 lecture "Guernica" presented at Harvard University's Carpenter Design Center)


Box 246 Folder 13

Pages 18-51 -- Annotated typescripts, 1980s-1990s

(Material is based on Schapiro's 1966 lecture "Guernica" presented at Harvard University's Carpenter Design Center)


Box 246 Folder 14

Pages 19-20 -- Annotated typescripts and research notes, 1980s


Box 246 Folder 15

Pages 19-20 -- Annotated typescripts and research notes, 1980s

(Typescripts chiefly on Picasso's preparatory drawings)


Box 246 Folder 16

Pages 19-35 -- Annotated typescripts, 1980s-1990s

(Typescript is interleaved with Lillian Milgram Schapiro's research and editorial notes)


Box 246 Folder 17

Pages 19-35 -- Research notes and reproductions, 1940s-1990s


Box 246 Folder 18

Pages 20-57 -- Research notes, 1940s-1990s


Box 246 Folder 19

Pages 30-34 -- Annotated typescripts, 1980s


Box 246 Folder 20

Pages 36-56 -- Annotated typescripts, 1980s


Box 246 Folder 21

Pages 36-56 -- Annotated typescripts, 1980s-1990s

(Typescript is interleaved with Lillian Milgram Schapiro's research and editorial notes)


Box 246 Folder 22

Pages 36-50 -- Research and editorial notes, 1940s-1990s


Box 247 Folder 1

Pages 57-58 [?] -- Annotated typescripts and research notes, 1980s


Box 247 Folder 2

Pages 57-60 -- Annotated typescripts, 1980s-1990s


Box 247 Folder 3

Pages 61-98 -- Annotated typescripts, 1980s-1990s

(Typescript is interleaved with Lillian Milgram Schapiro's research and editorial notes)


Box 247 Folder 4

Pages 61-97 -- Research and editorial notes, 1940s-1990s


Box 247 Folder 5 to 6

Drafts and research notes, 1940s, (2 Folders)

(Accompanied by Lillian Milgram Schapiro's editorial notes. These early drafts formed the basis for the paginated typescripts from the 1980s)


Box 247 Folder 7 to 9

Research notes and outlines, 1970s-1980s, (3 Folders)


Box 247 Folder 10

Research file, 1940s-1990s


Box 248 Folder 1 to 4

Research files, 1940s-1990s


Box 248 Folder 5

Editorial file, 1970s-2000

(Chiefly Lillian Milgram Schapiro's page reconstruction of manuscript and correspondence with Jeffrey Hoffeld. Accompanied by design for book cover)


Box 248 Folder 6 to 7

Reproductions, 1940s-1990s


Box 248 Folder 8

Reproduction lists and correspondence, 1940s-1990s


Box 248 Folder 9

Correspondence, 1980

(Correspondence is with the Museum of Modern Art regarding potential publication)


"Impressionism" --

(Material from this manuscript is based on Schapiro's Indiana University Patten Lectures from 1961. Schapiro would revise and annotate transcripts from these lectures for potential publication largely in the 1980s and 1990s with the editorial support of Lillian Milgram Schapiro. Materials found in these files were posthumously published in 1997 by George Braziller and edited by James Thompson asImpressionism: reflections and perceptions.The files in this subseries are organized according to Schapiro's own 1985 outline for the manuscript found in file 8, Box 252 in this subseries. While Thompson generally followed Schapiro's outline for the publication, Schapiro's scheme varies on section titles and organization. Schapiro also has additional sections and content and hence its inclusion into this subseries)


Box 249 Folder 1

Section I: introduction-- Outlines and research notes, 1960s-1990s


Box 249 Folder 2

Section I: introduction -- Annotated typescripts and research notes,, 1960s-1990s


Box 249 Folder 3

Section I: introduction -- Annotated typescripts and research notes,, 1960s-1990s

(Early draft of this section)


Box 249 Folder 4

Section I: introduction -- Annotated typescripts and research notes,, 1960s-1990s

(First draft of this section. Missing pages 1, 2, and 4)


Box 249 Folder 5

Section Ia 1: the seer, the seeing and the seen -- Annotated typescripts and research notes,, 1960s-1990s

(Early draft of this section)


Box 249 Folder 6

Section Ia 1: the seer, the seeing and the seen -- Annotated typescript and research notes,, 1960s-1990s

(Corrected draft of this section)


Box 249 Folder 7 to 9

Section Ia 1: the seer, the seeing and the seen -- Annotated typescript and research notes,, 1960s-1990s, (3 Folders)


Box 249 Folder 10

Section Ia 2: nature and environment -- Annotated typescripts and research notes,, 1960s-1990s


Box 249 Folder 11

Section Ia 2: nature and environment -- Annotated typescripts and research notes,, 1960s-1990s

(Early draft of this section)


Box 249 Folder 12 to 13

Section Ib 1: the city -- Annotated typescripts and notes, 1960s-1990s, (2 Folders)


Box 249 Folder 14

Section Ib 2: the crowd -- Annotated typescripts and research notes,, 1960s-1990s


Box 249 Folder 15

Section Ib 3: the railroad -- Annotated typescripts and research notes,, 1960s-1990s


Box 249 Folder 16

Section Id: performers -- Annotated typescripts and research notes,, 1960s-1990s


Box 249 Folder 17

Section Ie: on the imagination of the impressionists -- Annotated typescripts and research notes,, 1960s-1990s


Box 250 Folder 1 to 4

[Section IIa: the impression: the concept in philosophy and art] -- Annotated typescripts and notes,, 1960s-1990s, (4 Folders)

(Section title was supplied from original file heading. Schapiro's outline does not divide Section II, but titles it "The impression: its psychological, philosophical, and moral connotations")


Box 250 Folder 5 to 6

[Section IIb: the impression, confirmed] -- Annotated typescripts and research notes,, 1960s-1990s, (2 Folders)

(Section title was supplied from original file heading. Schapiro's outline does not divide Section II, but titles it "The impression: its psychological, philosophical, and moral connotations")


Box 250 Folder 6

[Section IIc: portraiture] -- Annotated typescripts and research notes,, 1960s-1990s

(Typescript is annotated to indicate that this section was to be placed at the end of this section)


Box 250 Folder 7

[Section IId: Jean-François Raffaëlli] -- Outlines and research notes,, 1960s-1990s

(Annotations indicate material was to be part of section II)


Box 250 Folder 8 to 10

Section III: the aesthetic of impressionism -- Annotated typescripts and research notes,, 1960s-1990s, (3 Folders)


Box 251 Folder 1 to 2

Section III: the aesthetic of impressionism -- Annotated typescripts and research notes,, 1960s-1990s, (2 Folders)


Box 251 Folder 3

Section IV: impressionism and science -- Annotated typescript, 1960s-1990s


Box 251 Folder 4

Section IV: impressionism and science -- Research notes, 1960s-1990s


Box 251 Folder 5 to 6

Section V: Monet -- Annotated typescripts and research notes, 1960s-1990s, (2 Folders)


Box 251 Folder 7 to 10

Section VI: Impressionism in history -- Annotated typescripts and research notes,, 1960s-1990s, (4 Folders)


Box 251 Folder 11

Section VI: Impressionism in history -- Research notes, 1960s-1990s

(Research notes chiefly on Impressionism and Rococo)


Box 252 Folder 1

Section VIa: Impressionism in history: Impressionism and literature -- Annotated typescripts and research notes,, 1960s-1990s


Box 252 Folder 2

Section VIa: Impressionism in history: Impressionism and literature -- Research notes,, 1960s-1990s


Box 252 Folder 3

Section VIb: Impressionism in history: from Realism to Impressionism -- Annotated typescripts and research notes,, 1960s-1990s


Box 252 Folder 4

Section VII: reactions against Impressionism -- Annotated typescript and research notes,, 1960s-1990s


Box 252 Folder 5

Section VII: reactions against Impressionism -- Outlines and research notes,, 1960s-1990s


Box 252 Folder 6

Research notes, 1960s-1990s

(Notes on photography, architecture, popular imagery, and Camille Pissarro)


Box 252 Folder 7

Research notes and early drafts, 1960s-1990s


Box 252 Folder 8 to 9

Manuscript outlines and reproduction lists, 1960s-1990s


Box 252 Folder 10

Reproduction lists, 1960s-1990s


"Philosophy and world-view in painting"

(While this manuscript would be published posthumously as an essay in the 1999 George Braziller publicationWorldview in painting: art and society: selected papers, Volume 5,Schapiro worked continuously since the 1960son revising and drafting components of this manuscript for publication. Material in these manuscript files are retained in this subseries because content differs considerably from the 1999 publication. The manuscript draws on lectures on the topic of philosophy and art given in the 1950s and the 1960s and files in this subseries include material from those lectures. In the 1990s Lillian Milgram Schapiro edited and supervised the reconstruction of the text for the 1999 publication. Her editorial notes are also retained in these files. )


Box 253 Folder 1 to 3

Annotated typescripts, outlines, and research notes, 1960s-1990s, (3 Folders)

(Typescript is interleaved with Lillian Milgram Schapiro's research and editorial notes)


Box 253 Folder 4

Transcripts, research notes, and correspondence, 1960s-1990s

(File contains source material used for this manuscript from lectures given at these institutions: Vasser College, 1957 ; Brooklyn College, 1965 ; University of Texas, 1965 ; Harvard University, 1966)


Box 253 Folder 5

Transcripts and research notes, 1960s-1990s

(Transcripts and notes are chiefly from a 1965 lecture given at the University of Texas)


Box 253 Folder 6

Transcript, 1958

(Holograph papers of Schapiro's lecture "Philosophy in painting" given in Baltimore, Maryland in 1958)


Box 253 Folder 7

Research and editorial notes, 1960s-1990s


Box 253 Folder 8

Research and editorial notes, 1960s-1990s

(Material chiefly on Henri Bergson and Cubists)


Box 253 Folder 9 to 10

Research and editorial notes, 1960s-1990s, (2 Folders)

(Chiefly additions and notes to lectures by Lillian Milgram Schapiro)


Box 253 Folder 11

Research file, 1960s-1990s


Box 253 Folder 12

Correspondence, 19990s


Box 253 Folder 13

"Dwarfs on the shoulders of giants" -- Annotated typescripts, research notes, outlines, and editorial notes,, 1970s-1990s

(An unpublished essay in manuscript form accompanied by editorial notes reconstructing the text by Lillian Milgram Schapiro)


"The serpent with a woman's head in the temptation of Eve: researches on the invention of an image" --

(This manuscript is dedicated to the art historian Otto Pächt on his 70th birthday. Schapiro began this manuscript in the 1970s and continued to revise and expand it through the 1980s. In the original typescript, Schapiro annotated an alternate subtitle as the following: "on invention and tradition in the illustration of a canonical religious text." In a subsequent, corrected typescript, found in file 1, Box 254 Schapiro would then again alter the subtitle as "an essay on iconographic invention." The latter typescript does not carry a dedication to Pächt either. The original title is used as it contains variations of all three titles)


Box 253 Folder 14

Pages 1-36 -- Annotated typescript and research notes, 1970s-1980s

(Typescript is interleaved with Schapiro's research notes)


Box 253 Folder 15

Pages 37-80 -- Annotated typescript and research notes, 1970s-1980s

(Typescript is interleaved with Schapiro's research notes)


Box 254 Folder 1

Corrected draft-- Annotated typescripts and research notes, 1970s-1980s


Box 254 Folder 2 to 8

Research notes, 1970s-1980s, (7 Folders)


Box 254 Folder 9

Reproductions, 1970s-1980s


"Sigmund Freud's Gradiva"

(This manuscript is not complete and is largely reconstructed by Lillian Milgram Schapiro using Schapiro's outlines, research notes, and annotated typescripts from circa 1970s)


Box 255 Folder 1

Research notes, outlines, and drafts, 1970s-1990s

(Material is interleaved with Lillian Milgram Schapiro's research and editorial notes)


Box 255 Folder 2

Research notes, 1970s


Box 255 Folder 3 to 5

Editorial notes, 1970s-1990s

(Notes are chiefly Lillian Milgram Schapiro's attempt at reconstructing the manuscript)


Box 255 Folder 6

Research file, 1970s-1990s


"Matisse"

(This manuscript is based on lectures given at Columbia University in 1965and in New Orleans in February 1966. The transcripts and typescripts, however, were created in 1975 and were continued to be revised and expanded by Schapiro until the 1990s as a manuscript)


Box 255 Folder 7

Annotated typescripts and research notes, 1975-1993


Box 255 Folder 8

Annotated typescripts and reproductions list, 1975-1993


Box 255 Folder 9

Editorial file, 1975-1993


"Words in pictures: the perspectives of the viewer and the reader"

(This manuscript is based on Schapiro's 1976 lecture "Perspective and script: the viewer and the reader in Medieval representations" given at the medieval painting symposium held at the University of Pittsburgh in honor of Carl Nordenfalk. As outlined in his editorial note in file 1, Box 256, Schapiro had two versions of this manuscript: 1) the original lecture typescript; and 2) an enlarged second version. According to Schapiro, the second version was enlarged to reflect the "revived interest in the use of writing on the canvas in 20th century art." Schapiro didn't develop these concepts due to lack of time, but the files incorporate his research and editorial notes to reflect his interest in these concepts. Schapiro continually changed the title of this manuscript, see file 3 Box 256 for an editorial note on title variations especially as they relate to the use of the term "semiotics." The title used reflects Schapiro's consistent use of the phrase" Words in pictures" to refer to this manuscript)


Box 256 Folder 1

Annotated transcript, research notes, and editorial notes, 1976-1996

(The title of the transcript uses the original University of Pittsburgh lecture from 1976)


Box 256 Folder 2

Annotated typescript and research notes, 1976-1996


Box 256 Folder 3

Annotated typescripts, research notes, and editorial notes, 1976-1996


Box 256 Folder 4 to 5

Research notes, 1976-1996, (2 Folders)


Box 256 Folder 6

Correspondence, programs, research notes, and editorial notes, 1976-1996


"Relativity and the interpretation of modern painting"

(This manuscript was referred to by Schapiro as "Albert Einstein and Cubism," but the title used is supplied from the first page of the typescript found in file 1 Box 257. According to Lillian Milgram Schapiro in a letter found in file 8 Box 258 this manuscript is loosely based on Schapiro's 1979 lecture "Einstein and Abstract art" given at a Hebrew University symposium commemorating the centennial of Albert Einstein's birth. In correspondence found in Folder 8, Box 258, Schapiro signed off to include his contribution to the symposium in a book to be published by Princeton University Press titledAlbert Einstein, historical and cultural perspectives : the centennial symposium in Jerusalem,but it was never included in the final publication of 1982. Material found in these manuscript files are largely research notes, drafts, and revisions that Schapiro wrote in the 1980s. In the 1990s Lillian Milgram Schapiro worked with Joseph Masheck to edit and reconstruct the text, but the material was never published. The pagination scheme used below is based on annotations that also match original file order)


Box 257 Folder 1

Pages 1-18 -- Annotated typescripts and research notes, 1980s


Box 257 Folder 2

Pages 13-24 -- Annotated typescripts and research notes, 1980s


Box 257 Folder 3

Pages 24-26 -- Annotated typescripts and research notes, 1980s


Box 257 Folder 4

Pages 28-38 -- Annotated typescripts and research notes, 1980s


Box 257 Folder 5

Pages 37-53 -- Annotated typescripts and research notes, 1980s


Box 257 Folder 6

Outlines and research notes, 1970s-1980s

(Material is chiefly on Schapiro's lecture "Einstein and Abstract art" given at Hebrew University)


Box 257 Folder 7 to 9

Research notes, 1980s, (3 Folders)


Box 258 Folder 1 to 3

Research notes, 1980s, (3 Folders)


Box 258 Folder 4 to 6

Research files, 1980s, (3 Folders)


Box 258 Folder 7

Reproductions list, 1980s


Box 258 Folder 8 to 9

Editorial notes and correspondence, 1980-1990s, (2 Folders)


"Vico on the visual arts"

(Although three files contain typescripts that include a title statement and some pagination, this manuscript is primarily composed of compiled drafts and research notes. There are several files titled "Footnotes and sources" that include a sequential pagination scheme that is not included in the manuscript typescripts. In 1997 Lillian Milgram Schapiro would revisit this manuscript with David Rosand for potential publication, but the project was never realized)


Box 259 Folder 1

Early drafts -- Annotated typescripts, research notes, and correspondence,, 1970s-1980s

(Correspondence is chiefly with Giorgio Tagliacozzo of the Institute for Vico Studies)


Box 259 Folder 2 to 5

Early drafts -- Annotated typescripts and research notes, 1980s, (4 Folders)


Box 259 Folder 6 to 7

Pages 1-15 --Footnotes and sources, 1980s-1990s, (2 Folders)


Box 259 Folder 8

Pages 3-15 -- Footnotes and sources, 1980s-1990s


Box 259 Folder 9 to 10

Pages 10-15 -- Annotated typescripts and research notes, 1980s-1990s, (2 Folders)


Box 259 Folder 11

Pages 16-24 -- Annotated typescripts and research notes, 1980s-1990


Box 259 Folder 12

Pages 16-44 -- Footnotes and sources, 1980s-1990s


Box 259 Folder 13

Pages 18-24 -- Footnotes and sources, 1980s-1990s


Box 259 Folder 14

Pages 25-38 -- Annotated typescripts and research notes, 1980s-1990s


Box 259 Folder 15

Pages 39-50 -- Annotated typescripts and research notes, 1980s-1990s


Box 259 Folder 16

Pages 39-49 -- Footnotes and sources, 1980s-1990s


Box 260 Folder 1

General footnotes and sources, 1980s-1990s


Box 260 Folder 2 to 4

Research notes, 1970s-1990s, (3 Folders)


Box 260 Folder 5 to 10

Research files, 1980s-1990s, (6 Folders)


Box 260 Folder 11

Correspondence and editorial notes, 1990s

(Correspondence with between David Rosand and Lillian Milgram Schapiro regarding the manuscript. Accompanied by Lillian Milgram Schapiro's organization of the manuscript in a photocopied format)


Box 260 Folder 12

"Classification on aesthetics" -- Editorial notes, 1980s-1990s

(According to a note by Lillian Milgram Schapiro, this manuscript was lost and all the editorial notes contained in this file serve as reminisces. Meyer Schapiro writes that the manuscript was based on the Columbia University course Theory and methods of art history (Art History G6001x) which was focused on theories of classification in the arts. Material on this course can be found in Boxes 187-188 of Series III and sound recordings of those lectures can be found in Series VII, Subseries VII.2))


"On Freud's forgetting of 'Signorelli'"

(An unpublished work dealing with Freud'sPsychopathology of Everyday Life)


Box 261 Folder 1

Annotated typescripts, outlines, research notes, and correspondence,, 1980s-1990s


Box 261 Folder 2

Research file and notes, 1980s-1990s


Box 261 Folder 3

Research file, 1980s-1990s


"Wolvinius Magister Phaber: the crowning of an artist in the early Middle Ages"

(Composed of three organized parts and largely paginated, this manuscript includes a large portion of footnotes that Schapiro meticulously compiled. In an annotation to the title statement of the manuscript found in file 4, Box 261, the original term used for "crowning" is "consecration." The annotated title is used for clarity. Consult file 14, Box 261 for Schapiro's section titles and general outline of the manuscript. Schapiro would generally interleave his research notes into the files with paginated manuscripts)


Box 261 Folder 4

Part I: pages 1-12 -- Annotated typescripts and research notes, 1980s-1990s


Box 261 Folder 5

Part I: pages 13-26 -- Annotated typescripts and research notes, 1980s-1990s


Box 261 Folder 6

Part I: pages 27-39 -- Annotated typescripts and research notes, 1980s-1990s


Box 261 Folder 7

Part I: edited versions -- Annotated typescripts and editorial notes,, 1980-1990s

(Edits and notes are largely by Judy Sund and completed in 1983. Lillian Milgram Schapiro's editorial notes are also included)


Box 261 Folder 8

Part I: editorial file --, 1980s-1990s

(Photocopy of assembled typescripts and research notes compiled by Lillian Milgram Schapiro)


Box 261 Folder 9

Part II -- Annotated typescripts and research notes, 1980s-1990s


Box 261 Folder 10

Part II: edited drafts, 1980s-1990s

(Drafts edited by Robert Melzak and include three versions: Schapiro's original; the edited version; and a transcription of an unknown recording. Accompanied by correspondence and computer disk carrying electronic files)


Box 261 Folder 11

Part III -- Research notes, 1980s-1990s


Box 261 Folder 12 to 13

Early drafts and research notes, 1980s-1990s


Box 261 Folder 14

Outlines, 1980s-1990s


Box 262 Folder 1

Footnote indexes, 1980s-1990s


Box 262 Folder 2

Footnotes 1-10 -- Annotated typescripts, 1980s-1990s


Box 262 Folder 3

Footnotes 1-37 -- Early drafts, 1980s-1990s


Box 262 Folder 4

Footnotes 1-44 -- Annotated typescripts, 1980s-1990s


Box 262 Folder 5

Footnotes 11-20 -- Printouts, 1980s-1990s


Box 262 Folder 6

Footnotes 21-37 -- Printouts, 1980s-1990s


Box 262 Folder 7

Footnotes 34-37 -- Printouts and annotated typescripts, 1980s-1990s


Box 262 Folder 8

Footnotes, 38-58 --Printouts and annotated typescripts, 1980s-1990s


Box 262 Folder 9

Footnotes 59-79 -- Printouts and annotated typescripts, 1980s-1990s


Box 262 Folder 10

Footnotes 73-80 -- Printouts and annotated typescripts, 1980s-1990s


Box 263 Folder 1

Footnotes 81-91 -- Printouts and annotated typescripts, 1980s-1990s


Box 263 Folder 2

Footnotes 92-100 -- Printouts and annotated typescripts, 1980s-1990s


Box 263 Folder 3

Footnotes 101-108 -- Printouts and annotated typescripts, 1980s-1990


Box 263 Folder 4

Footnotes 109-118 -- Printouts and annotated typescripts, 1980s-1990s


Box 263 Folder 5

Footnotes 123-130 -- Printouts and annotated typescripts, 1980s-1990s


Box 263 Folder 6

Footnotes 131-142 -- Printouts and annotated typescripts, 1980s-1990s


Box 263 Folder 7

Footnotes: Part I -- Annotated typescripts, 1980s-1990s


Box 263 Folder 8

Complete footnotes -- Annotated typescripts, 1980s-1990s


Box 263 Folder 9

Complete footnotes -- Printout, 1990s

(Created by Robin Sand following Schapiro's complete footnotes found in file 8, Box 263)


Box 264 Folder 1

Reproductions and lists, 1980s-1990s


Box 264 Folder 2 to 3

Research files, 1980s-1990s, (2 Folders)


Box 264 Folder 4

"Selected essays in the history of art: Hebrew edition" -- Correspondence and editorial notes,, 1993-2003

(This publication was to be edited by Mordechai Omer and published by the Tel Aviv University of Art Gallery and Old Jaffa Press. Omer began working with Schapiro in 1993 to formulate a list of works to be translated and published, but that was never realized. Lillian Milgram Schapiro began working on this project in 2003 but a published work never materialized. Title was derived from editorial notes found in the file)


"Burial at Ornans"

(Referring to the painting by Gustave Courbet, this manuscript survives primarily as printouts created using Schapiro's research notes and outlines from the 1940s-1960 found in files 5 and 6 in Box 264. Similar elements and motifs in this manuscript can be found in Shapiro's published article "Courbet and popular imagery: an essay on realism and naïveté" published in the Warburg Journal. In the 1990s Lillian Milgram Schapiro circulated Schapiro's research material on Courbet to Maura Reilly and Robin Sand to reconstruct the text into manuscript form. As a result, files for this manuscript have printout versions interleaved with Lillian Milgram Schapiro's editorial notes and Schapiro's photocopied notes in a semi-paginated format. When possible, pagination was supplied using annotations provided)


Box 264 Folder 5 to 6

Research notes, outlines, and clippings, 1940s-1960s


Box 264 Folder 7

Pages 1-10 -- Printouts, editorial notes, and research notes, 1996-1996


Box 264 Folder 8

Page 4a -- Printouts, editorial notes, and research notes, 1996-1997


Box 265 Folder 1

Pages 11-14 -- Printouts, editorial notes, and research notes, 1996-1997


Box 265 Folder 2

Corrected draft -- Printouts and editorial notes, 2000


Box 265 Folder 3

Edited draft -- Printouts and correspondence, 2002

(Edited draft was created by Robin Sand and correspondence in this file details her edits in comparison to the published Courbet essay)


Box 265 Folder 4

Edited draft -- Printouts and correspondence, 2002

(Edited draft was created by Maura Reilly and accompanied by correspondence relating to comparisons with the published Courbet essay)


Box 265 Folder 5

Editorial notes, 1996-1997

(Notes are by Lillian Milgram Schapiro)


Box 265 Folder 6 to 7

Research files, 1980s-1990s, (2 Folders)


Box 265 Folder 8

Reproductions and research notes, 1960s-1980s


Box 265 Folder 9

Correspondence, 2002


Subseries: IV.5: Publications, 1928-2009

Subseries IV.5 contains material relating to all of Schapiro's work that were published either in his lifetime or posthumously. This includes material from all of his "Selected Writings" series published by George Braziller, Inc. a s well as books that were published posthumously and edited and compiled by Lillian Milgram Schapiro.

For articles and reviews that were reprinted in Schapiro's "Selected Writings" series, consult Subseries: IV.2: Articles and Subseries: IV.6: Reviews where they are filed.

While the bulk of the material dates after 1950, the earliest record in this subseries isArt in the contemporary worlda 1928 reprint ofAn introduction to contemporary civilization in the west: a syllabus.


Box 266 Folder 1

Art in the contemporary world ( 928; reprint of An introduction to contemporary civilization in the west: a syllabus. New York: Columbia University Press). -- Photocopies


Vincent van Gogh. New York: Harry N. Abrams, 1950 and reprints, 1950


Box 266 Folder 2 to 4

Introduction and individual art works -- Annotated typescripts, 1940s-1950, (3 Folders)


Box 266 Folder 5

Introduction and research notes -- Annotated typescripts, 1940s-1950

(Includes notes and studies that were not published in the 1950 publication)


Box 266 Folder 6

Preface -- Annotated typescripts, 1940s-1950


Box 266 Folder 7

Research notes, 1940s-1950

(Includes notes and studies on St. Remy and Auvers that were not published)


Box 266 Folder 8 to 9

Research notes, 1940s-1950 (2 Folders, 1940s-1950


Box 266 Folder 10

Correspondence and reviews, 1951-1973


Box 266 Folder 11

Reviews, 1950s

(Reviews in German)


Box 266 Folder 12

Correspondence, 1950s-1980s


Paul Cézanne. New York: Harry N. Abrams. 1952 and reprints., 1952


Box 266 Folder 14

Pages 1-108 -- Annotated typescripts, 1940s-1952


Box 267 Folder 1

Introduction, acknowledgements, and reproductions list -- Annotated typescripts,, 1940s-1952


Box 267 Folder 2

German translation -- Annotated typescript, 1956

(Published in Cologne, Germany by M. Dumont Schauberg)


Box 267 Folder 3 to 9

Drafts and research notes, 1940s-1952, (7 Folders)


Box 267 Folder 10

Proofs, 1952


The Parma Ildefonsus: a Romanesque illuminated manuscript from Cluny, and Related Works. New York: College Art Association of America,, 1964


Box 267 Folder 11

Annotated book, 1964


Box 267 Folder 12

Research notes, 1950s-1964

(Notes chiefly on text, history, and styles)


Box 267 Folder 13

Research notes, 1950s-1964

(Notes chiefly on ornament and history of the manuscript)


Box 267 Folder 14

Research notes, 1950s-1964

(Notes chiefly relating to Cluny and Burgundinian manuscripts)


Box 267 Folder 15

Research notes, 1950s-1964

(Notes chiefly on Limoges manuscript of Ildefonsus from the Bibliothèque nationale de France)


Box 268 Folder 1 to 5

Research notes and drafts, 1950s-1964, (5 Folders)


Box 268 Folder 6 to 8

Research notes and correspondence, 1950s-1964, (3 Folders)


Box 268 Folder 9

Manuscripts cited -- Index, 1964


Box 268 Folder 10

Reviews, 1964


Words and pictures: on the literal and the symbolic in the illustration of a text. Approaches to Semiotics series 11, ed. Thomas A. Sebeok. The Hague and Paris: Mouton, 1973.


Box 269 Folder 1 to 2

Annotated typescripts and research notes, 1960s-1973, (2 Folders)


Box 269 Folder 3

Drafts and research notes, 1960s-1973


Box 269 Folder 4 to 6

Research notes, 1960s-1973, (3 folders)


Box 269 Folder 7

Editorial notes, 1960s-1973


Box 269 Folder 8

Reproductions lists, 1960s-1973


Box 269 Folder 9

Correspondence, reproductions, and clippings, 1970s-1980s


Box 269 Folder 10

Correspondence, 1960s-1970s

(Accompanied by review of the Italian translation)


Box 269 Folder 11

Correspondence, 1970-1996


Selected Papers I: Romanesque Art. New York: George Braziller, 1977.


Box 270 Folder 1

Annotated book, 1977


Box 270 Folder 2

Preface -- Research notes, 1970s


"From Mozarbic to Romanesque in Silos"


Box 270 Folder 3

Reproductions, 1970s


Box 633 Folder 8

Reproductions, 1977


Box 270 Folder 4

"The sculpture of Souillac" -- Reproductions, 1970s


Box 270 Folder 5

"On geometrical schematism in Romanesque art" -- Reproductions,, 1970s


Box 270 Folder 6

"A relief in Rodez and the beginnings of Romanesque sculpture in southern France" -- Reproductions,, 1970s


Box 270 Folder 7

"Two Romanesque drawings in Auxerre and some iconographic problems" -- Reproductions,, 1970s


Box 270 Folder 8

Footnotes, 1976

(Chiefly footnote number 66 of Moissac essay. Accompanied by research notes and correspondence)


Box 270 Folder 9 to 12

Correspondence and editorial notes, 1970s, (4 Folders)


Box 270 Folder 13

Reviews, 1977


Selected Papers II: Modern Art: 19th and 20th Centuries. New York: George Braziller, 1978 1982., 1978


Box 271 Folder 1

Annotated book, 1978


Box 271 Folder 2

Prefatory note -- Annotated typescript, 1978


Box 271 Folder 3

"The apples of Cézanne: an essay on the meaning of still-life" -- Reproductions,, 1970s


Box 271 Folder 4

"Courbet and popular imagery" -- Reproductions, 1970s


Box 271 Folder 5

"On a painting of van Gogh" -- Reproductions, 1970s


Box 271 Folder 6

"Seurat" -- Reproductions, 1970s


Box 271 Folder 7

"Picasso's Woman with a fan" -- Reproductions,, 1970s


Box 271 Folder 8

"Chagall's Illustration for the Bible" -- Reproductions, 1970s


Box 271 Folder 9

"Introduction of modern art in America: the armory show" -- Reproductions,1 970s


Box 271 Folder 10

"Arshile Gorky" -- Reproductions, 1970s


Box 271 Folder 11

"The nature of abstract art" -- Reproductions, 1970s


Box 271 Folder 12

"Recent abstract art" -- Reproductions, 1970s


"Mondrian: order and randomness in painting"

(While Schapiro worked on this essay for several years, it was first published in this volume)


Box 271 Folder 13

Annotated typescript, 1960s-1970s


Box 271 Folder 14

Research notes and drafts, 1960s-1970s


Box 271 Folder 15

Research ntoes, 1960s-1970s


Box 271 Folder 16

Reproductions, 1978


Box 271 Folder 17

Footnotes, 1970s


Box 271 Folder 18

Unpublished Matisse essay -- Reproductions, 1970s


Box 272 Folder 1 to 3

Correspondence and editorial notes, 1970s, (3 Folders)


Box 272 Folder 4 to 5

Reviews, 1978, (2 Folders)


Selected Papers Ill: Late Antique, Early Christian, and Medieval Art New York: George Braziller, 1979.


Box 272 Folder 6

"A note on the Mérode altarpiece" -- Reproductions, 1970s


Box 272 Folder 7

"Ancient mosaics in Israel: late antique art: pagan, Jewish, Christian" -- Reproductions,, 1970s


Box 272 Folder 8

"The Joseph scenes on the Maximianus throne in Ravenna" -- Reprductions,, 1970s


Box 272 Folder 9

"The place of the Joshua Roll in Byzantine history" -- Reproductions,, 1970s


"The frescoes of Castelseprio"


Box 272 Folder 10

Reproductions, 1970s


Box 633 Folder 9

Reproductions, 1979


Box 272 Folder 11

"Notes on Castelseprio" -- Reproductions, 1970s


Box 272 Folder 12

"The Carolingian copy of the Calendar of 354" -- Reproductions, 1970s


Box 272 Folder 13

"The religious meaning of the Ruthwell Cross" -- Reproductions, 1970s


Box 272 Folder 14

"The bomwan and the bird on the Ruhwell Cross and other works" -- Reproductions,, 1970s


Box 272 Folder 15

"Marginal images and drôlerie" -- Reproductions, 1970s


Box 272 Folder 16 to 17

"The decoration of the Leningrad manuscript of Bede" -- Reproductions,, 1970s, (2 Folders)


Box 272 Folder 18

"A note on the wall strips of Saxon churches" -- Reproductions, 1970s


Box 272 Folder 19

"'Cains jaw-bone that did the first murder" -- Reproductions, 1970s


Box 272 Folder 20

"The image of the disappearing Christ" -- Reproductions, 1970s


Box 273 Folder 1

"The angel and the ram in Abraham's sacrifice" -- Reproductions, 1970s


Box 273 Folder 2

"The Beatus Apocalypse of Gerona" -- Reproductions, 1970s


Box 273 Folder 3

"An illuminated English psalter of the early thirteenth century" -- Reproductions,, 1970s


Box 273 Folder 4

"On an Italian painting of the flagellation of Christ in the Frick collection" -- Reproductions,, 1970s


Box 273 Folder 5

"The Bird's Head Haggada, an illustrated Hebrew Manuascript circa 1300" -- Reproductions,, 1970s


Box 273 Folder 6 to 7

Correspondence and editorial notes, 1970s


Box 273 Folder 8

Reviews, 1979


Box 273 Folder 9

Corrections and editorial notes, 1977-1979

(Includes material from the first two volumes of Schapiro's selected works)


Box 273 Folder 10

Arte romanica. Translated by Adriano Sofri. Turin: Giulio Einaudi, 1982. -- Reviews,, 1982

(Italian translation ofSelected Papers I: Romanesque Art)


Style, Artiste et Société. Translated by Blaise Allan et. al. Paris: Editions Gallimard, 1982.


Box 273 Folder 11

"Sur quelques problèmes de sémiotique de l'art visual: champ et véhicule dans les signes iconiques" -- Annotated typescript,, 1970s-1980s


Box 273 Folder 12 to 15

Editorial notes, 1970s-1980s, (4 Folders)


Box 273 Folder 16 to 17

Editorial notes and correspondence, 1970s-1980s, (2 Folders)


Box 274 Folder 1

Correspondence, 1974-1980


Box 274 Folder 2

Correspondence, 1981-1999


Box 274 Folder 3

Reviews, 1982


Box 274 Folder 4

Moderne kunst: 19. und 20. jahrhundert ausgewählte aufsätze. Cologne: DuMont Buchverlag, 1982 -- Reviews, 1982, 1982, 1982

(German translation ofSelected Papers II: Modern Art: 19th and 20th Centuries)


Box 274 Folder 5

Estudios sobre el Románico. Translated by Maria Luisa Balseiro Madrid: Alianza Editorial, 1984 -- Reviews, 1984, 1984, 1984

(Spanish translation ofSelected Papers I: Romanesque Art)


The Romanesque sculpture of Moissac. New York: George Braziller,, 1985

(Reprint of Schapiro's dissertation which was originally published in Art Bulletin. This reprint includes photographs by David Finn)


Box 274 Folder 6

Correspondence and editorial notes, 1985


Box 274 Folder 7

Reviews, 1985


Box 274 Folder 8

L'arte moderna translated by Renato Pedio. Turin: Giuliu Einaudi Editore, no date. -- Reviews,, 1986

(Italian translation ofSelected Papers II: Modern Art: 19th and 20th Centuries


Selected papers IV: theory and philosophy of art: style, artist, and society. New York: George Brazillcr., 1994


Box 274 Folder 9

Preface -- Annotated typescripts and notes, 1990s


"Further notes on Heidegger and van Gogh"

(Previously unpublished essay published for the first time in this volume)


Box 274 Folder 10 to 11

Annotated typescripts, 1990s, (2 Folders)


Box 274 Folder 12 to 13

Annotated typescript and research notes, 1994, (2 Folders)


Box 274 Folder 14

Correspondence, 1981-1994


Box 274 Folder 15 to 16

Research notes, 1994, (2 Folders)


Box 275 Folder 1

Research file, 1994


"Further notes on Freud and Leonardo"

(Previously unpublished essay published for the first time in this volume)


Box 275 Folder 2 to 3

Research notes, 1994, (2 Folders)


Box 275 Folder 4

"On some problems in the semiotics of visual art: field and vehicle in image-signs" -- Reproductions,, 1990s


Box 275 Folder 5

"On perfection, coherence, and unity of form and content" -- Reproductions,, 1990s


Box 275 Folder 6

"Style" -- Reproductions, 1990s


Box 275 Folder 7

"Eugène Fromentin as critic" -- Reproductions, 1990s


Box 275 Folder 8

"Still life as a personal object: a note on Heidegger and Van Gogh" -- Reproductions,, 1990s


Box 275 Folder 9 to 10

Reproductions lists, 1990s, (2 Folders)


Box 275 Folder 11 to 13

Corrections and editorial notes, 1977-1994, (3 Folders)

(Includes material relating to Schapiro's other collected volumes)


Box 275 Folder 14

Contract, 1994


Box 275 Folder 15

Book jacket illustration proof, 1994


Box 275 Folder 16

Reviews, 1994


Oxford art journal 17, no. 1 (1994): 3-104

(Special issue on Meyer Schapiro)


Box 276 Folder 1

Notes and table of contents, 1994


Box 276 Folder 2

"A Vermont visit with Meyer Schapiro (August 1991)" -- Transcript and correspondence,, 1991-1994


Box 276 Folder 3

Reproductions, 1994


Word, script, and pictures: the semiotics of visual language. New York: George Braziller, 1996


Box 276 Folder 4 to 8

Reproductions, 1996, (5 Folders)


Box 276 Folder 9

Reviews, 1996


Impressionism: reflections and perceptions. New York: George Braziller, 1997


Box 276 Folder 10

Correspondence, 1997


Box 276 Folder 11

Reproductions, 1997


Box 277 Folder 1

Reproductions, 1997


Box 277 Folder 2

Reviews, 1997


Box 277 Folder 3

A kind of rapture / Robert Bergman ; introduction by Toni Morrison ; afterword by Meyer Schapiro. New York: Pantheon Books, 1998 -- Printouts, 1998, 1998, 1998

(Printout is an extended text of the work published in 1998. Accompanied by editorial notes by Lillian Milgram Schapiro)


Worldview in painting: art and society: selected papers, volume 5. Ne York: George Braziller, 1999


Box 277 Folder 4

Annotated book, 1999

(Annotations by Lillian Milgram Schapiro)


Box 277 Folder 5

Editorial ntoes, 1999


Box 277 Folder 6 to 7

Correspondence, 1998-1999, (2 Folders)


Box 277 Folder 8

Contract, 1998


Box 277 Folder 9

Reviews, 1999


The unity of Picasso's art. New York: George Braziller,, 2000

(Although published posthumously in 2000 Schapiro himself worked on the draft for this manuscript in 1985 while working with Gittelman Film Association on their video of Schapiro's lecture on Picasso for the Metropolitan Museum of Art. Portions of this manuscript incorporate Schapiro's lectures on Picasso from the following institutions: Brandeis University (1967) and the Albright-Knox Art Gallery (1973). Typescripts, research notes, and outlines can be found for these two lectures at Sub-Subseries: III.3.4: 1960s and Sub-Subseries: III.3.5: 1970s respectively)


Box 278 Folder 1

Annotated typescripts, 1985-2000

(Accompanied by Lillian Milgram Schaipro's editorial notes)


Box 278 Folder 2

Annotated typescripts, 1985-2000

(Typescript chiefly used to consolidate the Brandeis and Albright-Knox lectures for the video presentation)


Box 278 Folder 3

Correspondence and editorial notes, 1985-2000


Box 278 Folder 4

Editorial notes, 1980s


Box 278 Folder 5 to 8

Reproductions, 2000, (4 Folders)


Box 278 Folder 9

Reproductions list and editorial notes, 2000


Box 278 Folder 10

Reviews, 2000


Meyer Schapiro: his painting, drawing, and sculpture. New York: Harry N. Abrams, 2000


Box 279 Folder 1

Preface / John Russell -- Annotated printouts and editorial notes,, 2000


Box 279 Folder 2

Correspondence and editorial notes, 1998-2000


Box 279 Folder 3

Reviews, 2000


Language of forms: lectures on insular manuscript art / foreword by Charles E. Pierce, Jr. ; introduction by Jane E. Rosenthal. New York: Pierpont Morgan Library,, 2005

(Material for this publication is derived from Schapiro's Franklin Jasper Walls lectures held at the Pierpont Morgan library. Consult Sub-Subseries: III.3.4: 1960s for materials relating to that lecture)


Box 279 Folder 4

Chapter 1 -- Annotated typescripts and research notes, 1987

(Typescript is Schapiro's original and used as reference for the manuscript of this publication)


Box 279 Folder 5

Chapter 1 -- Annotated printouts and editorial notes, 2000


Box 279 Folder 6

Chapter 2 -- Printouts and editorial notes, 2000


Box 279 Folder 7

Chapter 3 -- Printout, 2000


Box 279 Folder 8

Chapter 4 -- Printout, 2000


Box 279 Folder 9

Chapter 5 -- Printout, 2000


Box 279 Folder 10

Chapter 6 -- Printout, 2000


Box 279 Folder 11 to 12

Editorial notes, 1980s-2005


Box 280 Folder 1

Editorial notes, 1980s-2005


Box 280 Folder 2

Reproductions list and reproductions, 1990s-2005


Box 280 Folder 3

Chapters 1-3 -- Reproductions, 2000-2005

(Annotated photocopies)


Box 280 Folder 4

Chapter 4 -- Reproductions, 2000-2005

(Annotated photocopies)


Box 280 Folder 5

Chapter 5 -- Reproductions, 2000-2005

(Annotated photocopies)


Box 280 Folder 6

Chapter 6 -- Reproductions, 2000-2005

(Annotated photocopies)


Box 280 Folder 7

Figures 1-64 -- Reproductions, 2000-2005

(Annotated photocopies)


Box 280 Folder 8

Figures 65-99 -- Reproductions, 2000-2005

(Annotated photocopies)


Box 280 Folder 9

Figures 100-156 -- Reproductions, 2000-2005

(Annotated photocopies)


Box 280 Folder 10

Plates 1-19 -- Reproductions, 2000-2005

(Annotated photocopies)


Box 280 Folder 11 to 13

Reproductions, 2000-2005, (3 Folders)


Box 281 Folder 1 to 10

Reproductions, 2000-2005, (10 Folders)


Box 281 Folder 11

Digital graphic design files, 2005, 1 computer optical disc


Romanesque architectural sculpture: the Charles Eliot Norton lectures / edited with an introduction by Linda Seidel. Chicago: University of Chicago Press, 2006.


Box 281 Folder 12

Editorial notes, 2006


Box 281 Folder 13 to 14

Correspondence and editorial notes, 1986-2006


Meyer Schapiro abroad: letters to Lillian and travel notebooks / edited by Daniel Esterman.Los Angeles, Calif: Getty Research Institute, c2009.


Box 281 Folder 15

Correspondence, 2001-2003


Box 281 Folder 16

Editorial notes, 2000

(Notes by Lillian Milgram Schapiro)


Box 281 Folder 17

Electronic files of published material -- Seven computer disks ; 3 ½ inch,, 1998

(Created by assistants, these electronic files contain materials from various Schapiro publications )


Box 281 Folder 18

Electronic files of published material -- Five computer disks ; 3 ½ inch,, 1990s-2005

(Created by assistants, these electronic files contain materials from various Schapiro publications. This file includes editorial notes by Lillian Milgram Schapiro wrapped around the disks)


Subseries: IV.6: Reviews, 1930-1972

Schapiro wrote reviews about books and exhibitions throughout his career. This subseries contains all his reviews and are organized chronologically. For consistency, bibliographic information was retrieved from Lillian Milgram Schapiro's bibliography of 1995. Early in his career, Schapiro would occasionally use the pseudonym John Kwait for publishing reviews. According to Lillian Milgram Schapiro's bibliography, Kwait is Schapiro's maternal grandmother's surname. File descriptions will indicate when the pseudonym has been used.

(Early in his career, Schapiro would occasionally use the pseudonym John Kwait for publishing reviews. According to Lillian Milgram Schapiro's published bibliography on Schapiro's work, Kwait is Schapiro's maternal grandmother's surname. File descriptions will indicate when the pseudonym has been used)


Box 282 Folder 1

Review of Ancient Painting from the Earliest Times, by Mary Hamilton Swindler (New Haven, CT, and London, 1929) -- Typescript and research notes,, 1930

(InNew York Herald Tribune Books, 1930 April 6, 16)


Box 282 Folder 2

Review of The Civilization of the Renaissance in Italy, by Jacob Burckhardt (New York and London, 1930) -- Annotated typescripts,, 1930

(InNew York Herald Tribune Books,1930 August 24, 15)


Box 282 Folder 3

"The New Architecture." Review of exhibition of modern architecture at the Museum of Modem Art, New York -- Typescript,, 1932

(InNew Masses, May 1932 23. Published under the pseudonym John Kwait)


Box 282 Folder 4

Review of The Doom of Youth, by Wyndham Lewis-- Annotated typescript, 1932

(InNew Masses, August 1932 27 Published under the pseudonym John Kwait)


Box 282 Folder 5

Review of Early Muslim Architecture by K.A. C. Creswell (New York and Oxford, 1932) -- Annotated typescripts and research notes,, 1932-1935

(InArt and Archaeology33, no. 6 (November-December 1932): 327-28. Expanded version printed inArt Bulletin17, no. 1 (March 1935): 109-14)


Box 282 Folder 6

"Über den Schematismus in der Romanischen Kunst." Review of La Stylistique Ornamentale dans la Sculpture Romane, by Jurgis Baltrusaitis (Paris, 1931) -- Annotated typescripts and research notes, 1932-1970(In Kritische Benchte zu Kunstgeschichtlichen Literatur 1 (1932-33): 1-21., 1932-1970

(Research notes are chiefly on geometric schematism from the 1970)


Box 282 Folder 7

"John Reed Club Art Exhibition [of the social viewpoint in art]" -- Typescripts,, 1933

(InNew Masses, February 1933 23-24 Published under the pseudonym John Kwait. Text in brackets is found on the typescript but is not included in Lillian Milgram Scahpiro's bibliography. Accompanied by a reply to this article by Jack Burck)


Box 282 Folder 8

Review of Art Now by Herbert Read (New York, 1934) -- Annotated typescript and research notes,, 1934

(InThe Nation,July 4,1934 25)


Box 282 Folder 9

Review of The Spirit of Man in Asian Art, by Laurence Binyon (Cambridge, MA, 1935) -- Annotated typescript,, 1935

(InNew York Herald Tribune Books, August 4, 1935 12)


Box 282 Folder 10

Review of Seurat and the evolution of La Grande Jatte" (Chicago, 1935) -- Typescript and research notes,, 1935

(In Columbia Review 17 (November 1935): 9-17)


Box 282 Folder 11

"The New Viennese School." Review of Kunstwissenschaftliche Forschungen, vol. 2, edited by Otto Pächt (Berlin and Frankfurt, 1922) -- Annotated typescripts and research notes,, 1936

(InArt Bulletin18, no. 2 (June 1936): 258-66)


Box 282 Folder 12

"Surrealist Field Day." Review of Surrealism by Julien Levy (New York, 1936) -- Clipping, 1937

(InThe Nation, January 23, 1937 102-3)


Box 282 Folder 13

Review of The Pierpont Morgan Library Exhibition of Illuminated Manuscripts, by Charles Rufus Morey, Belle da Costa Greene, and Meta Harrison (New York, 1934) -- Annotated typescript,, 1937

(InArt Bulletin19, no. 1 (March 1937):126-29)


Box 282 Folder 14

"Blue Like an Orange." Review of Surrealism by Herbert Read (New York, 1937) -- Clipping, 1937

(InThe Nation, September 25, 1937 323-24. Accompanied by annotated photocopy of article)


"A Metaphysics for the Movies." Review of Art and Prudence, by Mortimer J. Adler (New York, 1937)

(InMarxist QuarterlyI, no. 3 (October - December 1937).406-17)


Box 282 Folder 15

Typescript, 1937


Box 282 Folder 16

Drafts and research notes, 1937


Box 282 Folder 17

"Populist Realism."Review of An Artist in America, by Thomas Benton (New York, 1937) -- Typescript, 1938

(InPartisan Review4, no. 2 (January 1938): 55-37. Accompanied by annotated photocopy)


Box 282 Folder 18

"Architect's Utopia." Review of Architecture and Modern Life, by Baker Brownell and Frank Lloyd Wright (New York and London, 1937) -- Annotated photocopy,, 1937

(InPartisan Review4, no. 4 (March 1938): 42-47)


Box 282 Folder 19

"Looking Forward to Looking Backward." Review of The Culture of Cities by Lewis Mumford (New York, 1938) -- Annotated photocopy,, 1938

InPartisan Review5, no. 2 (July 1938): 12-24)


Box 282 Folder 20

Review of L'Art Réligieux Moderne by G. Arnaud d'Agnel (Grenoble, 1936) -- Proof and research notes,, 1939

(InReview of Religion3, no.4 (May 1939): 469-73. Research notes are on "modern Catholic art")


Box 282 Folder 21

Review of The Labors of the Months in Antique and Mediaeval Art to the End of the 12th Century, by J. C. Webster (Evanston, IL, 1938) -- Annotated photocopy,, 1938

(InSpeculum. 16, no. 1 (January 1941): 131-37)


Box 282 Folder 22

Review of The E1izabeth Day McCormick Apocalypse, by Harold Willoughby (Chicago, 1940) -- Typescript and proof,, 1941

(InReview of Religion5, no. 3 (March 1941): 310-12)


Box 282 Folder 23

Review of A Survey of Persian Art by Arthur Upham Pope and Phyllis Ackerman (New York, 1938) --- Annotated typescript,, 1941

(InArt Bulletin23, no. 1 (March 1941): 82-86)


Box 282 Folder 24

Review of Holy Images: An Inquiry into Idolatry and Image-Worship in Ancient Paganism and Christianity, by Edwyn Bevan (New York, 1940) -- Annotated outline and research notes,, 1942

(InReview of Religion6. no. 2 (January 1942): 237-38)


Box 282 Folder 25

Review of The Illustration of Manuscripts of the Septuagint, by Ernest T. De Wald (Princeton, NJ, and London, 1941) -- Annotated typescript and research notes,, 1942

(InReview of Religion6, no. 2 (January 1942): 239)


Box 282 Folder 26

"Film Chronicle: Mission to Moscow." -- Annotated typescript, research notes, and clippings,, 1943

(InPartisan Review10, no. 3 (May-June 1943): 275-78)


Box 282 Folder 27

Review of Early Christian Art by Charles Rufus Morey (Princeton, NJ, 1942) -- Drafts, research notes, and annotated reprint,, 1944

(InReview of Religion8, no. 2 (January 1944): 165-86)


Box 282 Folder 28

"Flemish Art Reconsidered." Review of The Last Flowering of the Middle Ages, by Baron Joseph van der Elst (New York, 1944) -- Annotated typescript and research notes,, 1945

(InView5,no. 1 (March 1945.1: 43, 49, 50)


Box 282 Folder 29

Review of Babel's Tower: The Di1emma of the Modern Museum, by Francis' H. Taylor (New York. 1945) -- Correspondence,, 1946

(InArt Bulletin27, no.1 (December 1945): 272)


Box 282 Folder 30

"French Reaction in Exile." Review of La Communion des Forts, by Roger Caillois (Mexico City, 1943) -- Annotated typescript, research notes, and correspondence,, 1945

(InKenyon Review7, no. 1 (Winter 1945),29-42)


Box 283 Folder 1

"How did Spinoza look?" Review of The Face of Benedictus Spinoza, by Simon L. Millner (New York, 1946) -- Annotated typescript and notes,, 1947

(InCommentary4., no. 2 (August 1947): 197-99)


Box 283 Folder 2

"The Last Aesthete." Reviews of Aesthetics and History in the Visual Arts, by Bernard Berenson (New York, 1948), and Sketch for a Self-Portrait by Bernard Berenson (New York, 1949) -- Annotated typescripts, research notes, and annotated clippings,, 1949

(InCommentary8, no. 6 (December 1949): 614--66. Page one is missing of typescript)


Box 283 Folder 3

Review of "A blot on the Scutcheon" by Herbert Read in Encounter 1950s[?] -- Annotated typescript, clippings, and correspondence,, 1950s

(This review was never published)


Box 283 Folder 4

Review of Lachen un Weinen: eine Untersuchung nach den Grenzen menschlichen Verhaltens, by A. Francke (Bern, 1950) -- Annotated typescripts and research notes,, 1950

(This review was never published)


Box 283 Folder 5

"The Place of Ireland in Hiberno-Saxon Art." Review of Essai sur les Origines de la Miniature dite Irlandais, by F. Masai (Brussels, 1947) -- Annotated typescript and annotated reprint,, 1950

(InGazette des Beaux-Arts37 (January 1950): 134-8)


"The Artists Creative Process." Review of The Psychology of Art, by André Malraux (New York. 1950)

(InSaturday Review of Literature,February 4, 1950 37)


Box 283 Folder 6

Annotated typescript and research notes, 1950


Box 283 Folder 7

Proof, 1950


Box 283 Folder 8

"Daring Mannerist." Review of Parmigianino by Sydney J. Freedberg (Cambridge, MA, 1950) -- Typescript,, 1950

(InSaturday Review of Literature,October 7,1950 69-70)


Box 283 Folder 9

Review of Santa Maria di Castelseprio, by G. P. Bognetti, G. Chieriei. and A. de Capilani d'Arzago (Milan. 1948) -- Annotated typescript, research notes, and correspondence,, 1950

(InMagazine of Art43, no. 8 (December 1950): 312-13)


Box 283 Folder 10

Review of Arquitectura y Escultura Románicas, by José Gudiol Ricart and Juan Antonio Gaya Nuño (Madrid. 1949)

(InSpeculum26, no. 3 (July 1951): 508-9)


Box 283 Folder 10

Typescript, 1951


Box 283 Folder 11

Typescript, research notes, and correspondence, 1951


Box 283 Folder 12

Review of History of Modern Painting from Picasso to Surrealism, by Maurice Raynal et al., trans. Douglas Cooper (New York, 1950) -- Typescript,, 1951

(InMagazine of Art44, no. 7 (November 1951): 29)


Box 283 Folder 13

Review of The Fresco Cycle of S. Maria di Castelseprio, by Kurt Weitzmann (Princeton, NJ. 1951) -- Annotated typescript, research notes, correspondence, and annotated reprints,, 1952

(InArt Bulletin34, no. 2 (June 1952): 147-63)


Box 283 Folder 14

"The Many da Vincis."Review of Leonardo do Vinci, by Sir Kenneth Clark (Cambridge, 1952) -- Typescript, 1953

(InNew Republic, March 9, 1953 20-21)


Box 283 Folder 15

"Treasury from Byzantium." Review of Byzantine Painting by André Grabar (Geneva and New York, 1953) -- Typescript,, 1954

(InArt News52, no. 9 (January 1954): 52, 85.)


Box 283 Folder 16

"The Content of Painting without Subject." Review of French Painting between the Past and the Present by Joseph C. Sloane (Princeton, NJ, 1951) -- Typescript, research notes, and annotated clippings,, 1954

(InArt Bulletin36. no. 2 (June 1954): 163-65)


Box 283 Folder 17

Review of Pittura e Scultura d'Avanguardia (1890-1950) in Italia, by Raffaele Carrieri (Milan, 1950) -- Typescript, research notes, reprints, and annotated clippings,, 1950

(InErasmus8, no. 1 (January 10, 1955): cols. 13-17)


Box 283 Folder 18

"Unsuspected Treasury." Review of Monuments of Romanesque Art, by Hanns Swarzenski (Chicago, 1954) -- Annotated typescripts and research notes,, 1955

(InArt News54, no. 5 (September 1955): 44, 59,60.)


Box 283 Folder 19

"Humanism and the Demonic in Art." Review of L'Umanesimo e il Demoniaco nell'Arte ed. Enrico Castilli (Rome and Milan, 1953) -- Annotated typescript and research notes,, 1955

(Review of Religion20, no. 1-2 (November 1955): 56-60)


Box 283 Folder 20

Review of Die Bronzetüren des Bonanus von Pisa und des Barisanus von Trani, by Albert Boeckler (Berlin, 1953) -- Typescript, research notes, and annotated clippings,, 1956

(InErasmus9, no. 11-12 (June 25, 1956): cols. 361-63)


Box 283 Folder 21

"German Art in Three Books." Reviews of German Expressionist Painting by Peter Selz (Berkeley, CA, 1957), The German Expressionists by Bernard S. Myers (New York,. 1957), and Modern German Painting, by Hans Konrad Roethel (New York, 1957) -- Typescript and research notes,, 1958

(InNew York Herald Tribune Book Review,January, 5, 1958,4)


Box 283 Folder 22

"Art of the Middle Ages." Review of Early Medieval Painting from the Fourth to the Eleventh Century, by Carl Nordenfalk and André Grabar (New York, 1957) -- Typescript,, 1958

(InNew York' Herald Tribune Book Review,January 26,1958,4)


Box 283 Folder 23

Review of Style and Civilizations by A. L. Kroeber (Ithaca, NY, 1957) -- Typescript and annotated clipping,, 1957

(InAmerican Anthropologist61, no. 2 (April 1959): 303-5.)


Box 283 Folder 24

Review of Die Karolingischen Minaturn, vol. 2; Die Hofschule by Wilhelm Koehler (Berlin, 1958) -- Typescript,, 1960

(InArt Bulletin42, no. 4 (December 1960): 301-2)


Box 283 Folder 25

Review of Interaction of Color by Josef Albers (New Haven and London, 1963) -- Annotated typescript, research notes, and clippings,, 1963

(This review was never published)


Box 283 Folder 26

"The Beatus Apocalypse of Gerona." Review of The Beatus Apocalypse of Gerona, by Jaime Marques Casanovas, Cesar E. Dubler, and Wilhelm Neuss (Olten, Lausanne, and New York, 1962) -- Outlines and research notes,, 1963

InArt News61, no. 9 (January 1963): 36, 49-50.)


Box 283 Folder 27

"Carolingian Classic." Review of The Lorsch Gospels, introduction by Wolfgang Braunfels (New York, 1967) -- Typescript and annotated proof,, 1968

(InArt News67, no. 2 (April 1968): 53)


Box 283 Folder 28

Review of Illuminated Manuscripts in the Bodleian Library, by Otto Pächt and J. J. G. Alexander (Oxford, 1966) -- Typescript,, 1968

(InCahiers de Civilisation Médiévale11, no. 4 (October-December 1968): 625)


Box 283 Folder 29

Review of Images in the Margins of Gothic Manuscripts, by Lillian M. C. Randall -- Annotated typescript, research notes, and annotated clippings,, 1970

(InSpeculum45, no. 4 (October 1970): 684-86)


Box 283 Folder 30

Review of Der Ingeborg Psalter by Florens Deuchler (1967) -- Typescripts and research notes,, 1972

(InCahiers de Civilisation Médiéval5, no. 2 (April-June 1972): 151-53)


Subseries: IV.7: Scrapbooks, 1928-1966

The scrapbooks found in this subseries were compiled by Schapiro and include articles and clippings of Schapiro's work written from eh 1930s to the 1960s. The scrapbooks' titles mirror the volumes of his collected work published by George Braziller and may have been the basis for the organization of those publications.


Box 284

Scrapbook I: early Christian and early Medieval art, 1935-1960


Box 285

Scrapbook II: Romanesque, later Medieval, Gothic and Renaissance art,, 1928-1961


Box 286

Scrapbook III: nineteenth and twentieth century art, 1932-1966


Box 287

Scrapbook IV: Art theory, criticism, the artist, theory and politics,, 1936-1965


Subseries: IV.8: Translations and poetry, 1930s-1943

Schapiro was a well known linguist and wrote several essays on language and semiotics. It comes as no surprise then that he also translated texts, predominantly those that are French. Of all his translations, only two were formally published: the 1943 translation of Andre Masson'sAnatomy of My Universe,of which Schapiro was not credited; and "Three Texts on Science ("A Dream"); Wit and Common Sense; Genius and Method (Lichtenberg, Diderot, Galiani)" published byAnonin 1973.

The bulk of this subseries, however, is dedicated to Schapiro's translations of Charles Baudelaire's texts. Since there were very limited English translations of Baudelaire's writings on art and culture at the time, Schapiro worked on translating them beginning in the 1930s. According to files in this subseries, there were plans to publish these translations, as Baudelaire's work in English had yet to materialize, but that project was never realized.

Also included in this subseries is an extensive file of poems that Schapiro wrote.


Charles Baudelaire

(Since there were very limited English translations of Baudelaire's writings on art and culture at the time, Schapiro worked on translating them beginning in the 1930s. According to correspondence in Folder 18, Box 288, Oxford University Press was to publish these translations as "The Art Criticism of Baudelaire." However, this publication never materialized and by 1948 Oxford University Press and Phaidon Press were again seeking to publish English translations of Baudelaire's work on art. There were discussions for Schapiro to be involved in these 1948 publications given his previous work on their translations, but neither press published them. Titles in quotes used are derived from Schapiro's typescripts)


Box 288 Folder 1

Annotated typescripts, 1930s-1940s


Box 288 Folder 2

Research notes, 1930s-1940s


Box 288 Folder 3

"Why sculpture is boring" (1846) -- Typescripts, 1930s-1940s


Box 288 Folder 4

"The classic museum of the Bonne-Nouvelle bazaar" (1846) -- Annotated typescript,, 1930s-1940s


Box 288 Folder 5

Assorted writings of 1846 -- Typescripts, 1930s-1940s, 1846, 1930s-1940s


Box 288 Folder 6

"Universal Exhibition of 1855" -- Annotated typescripts, 1930s-1940s


Box 288 Folder 7

"The Salon of 1859" -- Annotated typescripts and research notes, 1930s-1940s


Box 288 Folder 8

"The painter of modern life" -- Annotated typescripts and research notes,, 1930s-1940s


Box 288 Folder 9

"On the essence of laughter and on the comic in general in the plastic arts" -- Annotated typescripts,, 1930s-1940s


Box 288 Folder 10

"Some French caricaturists" -- Annotated typescripts, 1930s-1940s


Box 288 Folder 11

"Painters and etchers" -- Annotated typescripts, 1930s-1940s


Box 288 Folder 12

"The morality of the toy" -- Annotated typescripts and research notes,, 1930s-1940s


Box 288 Folder 13

"To the work and life of Eugène Delacroix: to the editor of L'opinion nationale" -- Annotated typescripts,, 1930s-1940s


Box 288 Folder 14

[Letters, 1864] -- Annotated typescripts, 1930s-1940s


Box 288 Folder 15 to 16

[Assorted short writings, 1860s] -- Typescripts, 1930s-1940s, (2 Folders)


Box 288 Folder 17

Corrections, 1930s-1940s


Box 288 Folder 18

Correspondence, 1944-1948


Anatomy of My Universe / by Andre Masson. New York: Curt Valentin,, 1943

(Schapiro was not credited for the translation of this publication)


Box 288 Folder 19

Resaerch notes, 1943


Box 288 Folder 20

Editorial files, 1996


"Three Texts on Science ("A Dream"); Wit and Common Sense; Genius and Method (Lichtenberg, Diderot, Galiani)." Anon

(published by the Kolokol Press for the editor, Austin, TX, no. 1 (December 31, 1970): 11-12)


Box 288 Folder 21

Research notes, 1970


Box 288 Folder 22

Clippings, 1970s


Box 288 Folder 23

Poetry -- Transcripts and notes, 1930s-1970s

(This file contains Schapiro's personal poetry)

Series V: Research files, 1930s-1990s

Schapiro was fastidious about collecting research material and of creating and collecting material for research purposes. Series V houses all of Schapiro's research material he used on a personal and professional level.


Subseries: V.1: Administrative records, 1950s-1980s

This subseries contains administrative records relating to Schapiro's research files.


Box 661 Folder 1

Notes relating to reproductions -- Notebook, 1950s-1970s


Box 661 Folder 2

Lists of contents to 4 x 6 research card files, 1970s-1980s


Subseries: V.2: Articles and clippings, 1930s-1980s

The articles and clippings amassed in this subseries were collected by Schapiro at his faculty office in Schermerhorn Hall at the Department of Art History and Archeology at Columbia University, where they resided prior to being transferred to the Rare Book & Manuscript Library in 2009 and 2010.

These files are organized alphabetically by author's last name or by subject matter. Many of these articles and clippings are given as personalized copies for Schapiro and include annotated notes and signatures by the authors.


Box 673 Folder 1

A, 1950s-1980s


Box 673 Folder 2

Aarsman, Hans, 1970s


Box 673 Folder 3 to 4

Ames, Van Meter, 1940s-1970s, (2 Folders)


Box 673 Folder 5 to 6

Art, 1940s-1960s, (2 Folders)


Box 673 Folder 7

Art, 1950s


Box 673 Folder 8 to 9

Art, 1950s-1960s, (2 Folders)


Box 673 Folder 10 to 11

Art, 1950s-1970s, (2 Folders)


Box 673 Folder 12

Art, 1950s-1980s


Box 673 Folder 13 to 23

Art, Medieval, (11 Folders)


Box 673 Folder 24

Aubèry, Pierre, 1940s-1960s


Box 674 Folder 1

B, 1930s-1970s


Box 674 Folder 2 to 3

Ba, 1930s-1970s, (2 Folders)


Box 685 Folder 1

Beck, James H., 1960s


Box 674 Folder 4

Bel, 1950s-1970s


Box 674 Folder 5

Bell, Charles G. (Charles Greenleaf)


Box 674 Folder 6 to 7

Ben, 1960s-1970s, (2 Folders)


Box 674 Folder 8

Ber-Bes, 1930s-1970s


Box 674 Folder 9

Berlin, Isaiah, 1950s-1970s


Box 674 Folder 10 to 11

Bettelheim, Bruno, 1940s-1950s, (2 Folders)


Box 674 Folder 12 to 13

Białostocki, Jan, 1950s-1970s, (2 Folders)


Box 674 Folder 14

Bickerman, E.J. (Elias Joseph), 1940s-1970s


Box 674 Folder 15

Bid-Bie, 1930s-1950s


Box 674 Folder 16

Bin-Blu, 1930s-1980s


Box 674 Folder 17

Bob-Bre, 1940s-1960s


Box 674 Folder 18

Bre-Bro, 1950s-1970s


Box 675 Folder 1

Bru-Buc, 1960s


Box 685 Folder 2

Bru-Buc, 1960s


Box 675 Folder 2

Buchthal, Hugo, 1930s-1960s


Box 675 Folder 3

Bud, 1950s-1960s


Box 675 Folder 4

Buh-Bur, 1930s-1970s


Box 675 Folder 5

Cah-Cez, 1930s-1970s


Box 685 Folder 3

Cah-Cez, 1930s-1970s


Box 675 Folder 6

Cha-Chi, 1930s-1970s


Box 675 Folder 7

Chomsky, Noam, 1950s-1960s


Box 675 Folder 8

Chr-Cip, 1940s-1960s


Box 675 Folder 9

Cla-Col, 1930s-1980s


Box 675 Folder 10

Com-Con, 1930s-1980s


Box 675 Folder 11

Co-Cr, 1930s-1980s


Box 675 Folder 12

Coomaraswamy, Ananda Kentish, 1930s-1970s


Box 675 Folder 13

Da, 1930s-1980s


Box 675 Folder 14

Dalma, Juan, 1950s-1970s


Box 675 Folder 15 to 16

Damisch, Hubert, (2 Folders)


Box 685 Folder 4

Damisch, Hubert


Box 675 Folder 17

De, 1930s-1980s


Box 675 Folder 18

Di, 1930s-1980s


Box 675 Folder 19

Diamond, Sigmund, 1950s-1970s


Box 676 Folder 1

Dob, 1930s-1980s


Box 676 Folder 2

Dor-Dy, 1930s-1980s


Box 676 Folder 3

Duchesne-Guilleman, Jacques, 1920s-1960s


Box 676 Folder 4

E, 1930s-1960s


Box 676 Folder 5

Elsen, Albert Edward, 1950s-1970s


Box 685 Folder 5

Elsen, Albert Edward, 1950s-1970s


Box 676 Folder 6

F, 1930s-1980s


Box 676 Folder 7 to 8

Farrell, James, 1940s-1970s, (2 Folders)


Box 691

Farrell, James T. "Author defends character Studs Lonigan," Louisville, 1960 November 22, 2 t.ms. Multilith copy.

"Comment by Farrell" as printed in The Louisville Times.

Cataloged.


Box 691

Farrell, James T. "The action of the government of Iraq...", [New York], 1969 February 6, 5 t.ms. Carbon copy: With corrections in the writer's hand.

Article for a journal; with envelope.

Cataloged.


Box 691

Farrell, James T. Golden Youth, [New York], 1963, 3 a.ms.

Poem; with covering autograph note.

Cataloged.


Box 691

Farrell, James T. John Fitzgerald Kennedy, [New York], 1963, 1 a.ms.

Poem; autograph note indicates the poem was printed in the Congressional Record, 1964 January 15.

Cataloged.


Box 691

Farrell, James T. Lebanon: a first impression, [New York], 1961, 7 t.ms.

Essay on the political situation in the Middle East; "unpublished."

Cataloged.


Box 691

Farrell, James T. Political Parties...by Robert Michels, New York, 1966-1967, 7 t.ms. Xerox copy.

Article on Michels' book, suggested by J.P. Nettl's biography of Rosa Luxemburg, Oxford University Press, 1966

Cataloged.


Box 691

Farrell, James T. Requiem For a Literary Bank Account, [New York], circa 1961, 4 t.ms.s. Page 4 missing; multilith copy, title and notes in the author's hand, with his signature.

Page 4 missing; multilith copy, title and notes in the author's hand, with his signature.

Cataloged.


Box 691

Farrell, James T. What Time Collects, [New York], 1964 February, 15 t.ms.

Final draft of Chapters thirty-three, thirty-four, and thirty-six

Cataloged.


Box 691

Clippings about James T. Farrell


Box 691

Farrell, James T. printed articles


Box 676 Folder 9

G-Gel, 1930s-1980s


Box 676 Folder 10

Gen-Gie, 1930s-1980s


Box 676 Folder 11

Gil, 1930s-1980s


Box 676 Folder 12

Gil- God, 1930s-1980s


Box 676 Folder 13

Gold, 1930s-1980s


Box 676 Folder 14

Gold-Gu, 1930s-1980s


Box 676 Folder 15 to 17

Gombrich, E.H. (Ernst Hans), 1940s-1970s, (3 Folders)


Box 676 Folder 18

Goodman, Nelson, 1960s-1970s


Box 676 Folder 19

Haa-Hal, 1930s-1980s


Box 676 Folder 20

Ham-Han, 1930s-1980s


Box 677 Folder 1 to 2

Har, 1930s-1960s, (2 Folders)


Box 677 Folder 3

Has-Hau, 1930s-1980s


Box 677 Folder 4

Hau-Hay, 1930s-1980s


Box 677 Folder 5

Hec-Hei, 1930s-1980s


Box 677 Folder 6

Hel-Hen, 1930s-1980s


Box 677 Folder 7

Her-Hiz, 1930s-1980s


Box 677 Folder 8

Hoe-How, 1930s-1980s


Box 677 Folder 9 to 11

Hook, Sidney, 1930s-1980s, (3 Folders)


Box 677 Folder 12

Hud-Hux, 1930s-1980s


Box 677 Folder 13

I, 1930s-1980s


Box 677 Folder 14

Jac-Jam, 1930s-1980s


Box 677 Folder 15

Jackson, Anthony, 1950s-1960s


Box 677 Folder 16 to 20

Jakobson, Roman, 1940s-1980s, (5 Folders)


Box 678 Folder 1 to 2

Janson, H.W. (Horst Woldermer), 1930s-1970s, (2 Folders)


Box 678 Folder 3

Joh-Jon, 1930s-1960s


Box 678 Folder 4 to 5

Jones, Leslie Webber, 1930s-1960s, (2 Folders)


Box 678 Folder 6

Jordan, Jim M., 1970s


Box 678 Folder 7

K-Kal, 1930s-1980s


Box 678 Folder 8

Kam-Kap, 1930s-1980s


Box 678 Folder 9

Kar-Kay, 1930s-1980s


Box 678 Folder 10

Kea-Kim, 1930s-1980s


Box 685 Folder 6

Kea-Kim, 1930s-1980s


Box 678 Folder 11

Kin-Kir, 1930s-1980s


Box 678 Folder 12 to 13

Kitzinger, Ernst, 1950s-1970s, (2 Folders)


Box 678 Folder 14

Kla-Kle, 1930s-1980s


Box 685 Folder 7

Kla-Kle, 1930s-1980s


Box 678 Folder 15

Kli-Kos, 1930s-1980s


Box 678 Folder 16

Kra, 1930s-1980s


Box 678 Folder 17

Kraus, Henry, 1960s


Box 678 Folder 18

Krautheimer, Richard, 1930s-1960s


Box 679 Folder 1 to 2

Kris, Ernst, 1930s-1950s, (2 Folders)


Box 679 Folder 3 to 4

Kristeller, Paul Oskar, 1940s-1960s, (2 Folders)


Box 679 Folder 5

Kro-Kuh, 1930s-1980s


Box 679 Folder 6

Kun-Kut, 1930s-1980s


Box 679 Folder 7

L-Lan, 1930s-1980s


Box 679 Folder 8

Lap-Laz, 1930s-1980s


Box 679 Folder 9

Lebensztein, Jean-Claude, 1970s-1980s


Box 679 Folder 10

Leh, 1930s-1980s


Box 679 Folder 11

Ler-Lev, 1930s-1980s


Box 685 Folder 8

Ler-Lev, 1930s-1980s


Box 679 Folder 12

Lew-Lit, 1930s-1980s


Box 685 Folder 9

Lew-Lit, 1930s-1980s


Box 679 Folder 13

Lo-Lop, 1930s-1980s


Box 679 Folder 14

Lor-Low, 1930s-1980s


Box 679 Folder 15

Low-Lu, 1930s-1980s


Box 679 Folder 16

M-Mal, 1930s-1980s


Box 679 Folder 17

Man-Mar, 1930s-1980s


Box 679 Folder 18

Mar-May, 1930s-1980s


Box 685 Folder 10

Mar-May, 1930s-1980s


Box 680 Folder 1

May-Mee, 1930s-1980s


Box 680 Folder 2

Med-Mei, 1930s-1980s


Box 680 Folder 3

Mel-Met, 1930s-1980s


Box 680 Folder 4

Met-Mil, 1930s-1980s


Box 680 Folder 5

Mil-Mon, 1930s-1980s


Box 680 Folder 6

Mondrian, Piet, 1944


Box 680 Folder 7

Moo-Mor, 1930s-1980s


Box 680 Folder 8

Mor-Muh, 1930s-1980s


Box 680 Folder 9

Mun, 1930s-1980s


Box 680 Folder 10

N-Neu, 1930s-1980s


Box 685 Folder 11

N-Neu, 1930s-1980s


Box 680 Folder 11 to 14

Nagel, Ernest, 1930s-1980s, (4 Folders)


Box 680 Folder 15 to 17

Nelson, Benjamin, 1960s-1970s, (3 Folders)


Box 680 Folder 18

Neu-Noe, 1930s-1980s


Box 680 Folder 19 to 21

Neurath, Otto, 1930s-1940s, (3 Folders)


Box 680 Folder 22

Nor-Nyb, 1930s-1980s


Box 680 Folder 23

O-Oi, 1930s-1980s


Box 681 Folder 1

On-Ou, 1930s-1980s


Box 681 Folder 2

Oster, Gerald, 1960s-1970s


Box 681 Folder 3

P-Pep, 1930s-1980s


Box 681 Folder 4

Pala d'oro, 1943


Box 681 Folder 5

Per-Pin, 1930s-1980s


Box 681 Folder 6

Pir-Pom, 1930s-1980s


Box 681 Folder 7 to 9

Polanyi, Michael, 1950s-1970s, (3 Folders)


Box 686 Folder 1

Polanyi, Michael, 1950s-1970s


Box 681 Folder 10

Pop-Por, 1930s-1980s


Box 681 Folder 11

Pope, Arthur Upham, 1930s


Box 681 Folder 12

Por-Pro, 1930s-1980s


Box 681 Folder 13

Preziosi, Donald, 1971


Box 681 Folder 14

R-Ref, 1930s-1980s


Box 686 Folder 2

R-Ref, 1930s-1980s


Box 691

Raphael, Max Zur Erkenntnistheorie des Marxismus, [Paris], 1933, 280 t.ms.

the last 10 pages: Anmerkungen

Cataloged.


Box 681 Folder 15

Ref-Ren, 1930s-1980s


Box 681 Folder 16

Religion, 1950s-1970s


Box 681 Folder 17

Rev-Rey, 1930s-1980s


Box 681 Folder 18

Ric-Rie, 1930s-1980s


Box 681 Folder 19

Rin-Riv, 1930s-1980s


Box 681 Folder 20

Rob-Rom, 1930s-1980s


Box 681 Folder 21

Roosval, Johnny, 1930s


Box 681 Folder 22

Ror-Ros, 1930s-1980s


Box 681 Folder 23 to 24

Rosand, David, 1970s-1980s, (2 Folders)


Box 681 Folder 25

Ros, 1930s-1980s


Box 681 Folder 26

Ros-Rou, 1930s-1980s


Box 681 Folder 27

Rub-Rus, 1930s-1980s


Box 682 Folder 1

S-San, 1930s-1980s


Box 686 Folder 3

S-San, 1930s-1980s


Box 682 Folder 2

Saint-Pierre


Box 682 Folder 3

Sar-Sax, 1930s-1980s


Box 686 Folder 4

Sar-Sax, 1930s-1980s


Box 682 Folder 4

Scha-Schi, 1930s-1980s


Box 682 Folder 5 to 7

Schlunk, Helmut, 1940s-1970s, (3 Folders)


Box 682 Folder 8

Schm-Schw, 1930s-1980s


Box 682 Folder 9

Science, 1960s


Box 682 Folder 10

Sed-Set, 1930s-1980s


Box 682 Folder 11 to 15

Semiotics, 1930s-1980s, (5 Folders)


Box 682 Folder 16 to 17

Seyrig, Henri, 1940s-1970s, (2 Folders)


Box 682 Folder 18

Seznec, Jean, 1940s


Box 682 Folder 19

Sha, 1930s-1980s


Box 682 Folder 20

She-Sin, 1930s-1980s


Box 686 Folder 5

She-Sin, 1930s-1980s


Box 682 Folder 21

Sku-Slo, 1930s-1980s


Box 686 Folder 6

Sku-Slo, 1930s-1980s


Box 682 Folder 22

Smi-Spe, 1930s-1980s


Box 682 Folder 23

Sta-Ste, 1930s-1980s


Box 682 Folder 24

Ste-Sti, 1930s-1980s


Box 686 Folder 7

Ste-Sti, 1930s-1980s


Box 682 Folder 25

Sto-Sza, 1930s-1980s


Box 686 Folder 8

Sto-Sza, 1930s-1980s


Box 683 Folder 1

T-Te, 1930s-1980s


Box 686 Folder 9

T-Te, 1930s-1980s


Box 683 Folder 2

Th-Tie, 1930s-1980s


Box 683 Folder 3

Tie-Tit, 1930s-1980s


Box 683 Folder 4

Tit-Tol, 1930s-1980s


Box 683 Folder 5

Tolnay, Charles de, 1950s-1970s


Box 686 Folder 10

Tolnay, Charles de, 1950s-1970s


Box 683 Folder 6

Tou-Tr, 1930s-1980s


Box 683 Folder 7

Ts-Tu, 1930s-1980s


Box 686 Folder 11

Ts-Tu, 1930s-1980s


Box 683 Folder 8

U, 1930s-1980s


Box 683 Folder 9

Val-Van, 1930s-1980s


Box 683 Folder 10

Vel-Von, 1930s-1980s


Box 683 Folder 11

Wac-Wal, 1930s-1980s


Box 683 Folder 12

Wal-Was, 1930s-1980s


Box 683 Folder 13

Walkowitz, Abraham, 1940s


Box 683 Folder 14

Wallach, Hans, 1940s-1960s


Box 683 Folder 15

Wechsler, Judith, 1960s-1970s


Box 683 Folder 16

Wei, 1930s-1980s


Box 683 Folder 17

Weitz, Morris, 1950s-1970s


Box 683 Folder 18 to 19

Weitzmann, Kurt, 1930s-1970s, (2 Folders)


Box 683 Folder 20

Wen-Wes, 1930s-1980s


Box 683 Folder 21

Werckmeister, O.K. (Otto Karl), 1960s-1970s


Box 683 Folder 22

Whi-Wil, 1930s-1980s


Box 683 Folder 23

White, Barbara Ehrlich, 1970s


Box 686 Folder 12

White, Barbara Ehrlich, 1970s


Box 683 Folder 24

White, Lynn Townsend, 1940s-1970s


Box 683 Folder 25

White, Minor, 1930s-1960s


Box 686 Folder 13

White, Minor, 1930s-1960s


Box 684 Folder 1

Whitehill, Walter Muir, 1930s-1970s


Box 684 Folder 2

Wij-Win, 1930s-1980s


Box 684 Folder 3

Winter, Irene, 1970s


Box 684 Folder 4 to 5

Winternitz, Emanuel, 1940s-1970s, (2 Folders)


Box 684 Folder 6 to 7

Wischnitzer, Rachel, 1930s-1980s, (2 Folders)


Box 684 Folder 8

Wit, 1930s-1980s


Box 684 Folder 9

Wit-Wol, 1930s-1980s


Box 684 Folder 10

Wol-Why, 1930s-1980s


Box 684 Folder 11 to 12

Worldman, Francis, 1920s-1970s, (2 Folders)


Box 684 Folder 13

Wright, David H., 1960s-1970s


Box 684 Folder 14

Y-Za, 1930s-1980s


Box 684 Folder 15

Ze-Zu, 1930s-1980s


Subseries: V.3: Bibliographies, 1930s-1960s

Schapiro maintained index cards filled with bibliographies related to art historical periods, artists, and subjects. Material in this subseries comprises the bulk of these bibliographies, which are unsorted. Also consult Subseries: V.4: Research card files where bibliographies are also present and are indicated as such.


Box 649

General, 1930s-1960s


Box 650

General, 1930s-1960s


Subseries: V.4: Research card files, 1930s-1980s

Schapiro took notes meticulously throughout his life, and this subseries reflects his consistent habit of note taking. Schapiro organized these 4 x 6 index cards thematically by subject and all the contents in this subseries were originally housed in metallic filing cabinets. All subjects titled in the finding aid are Schapiro's own file headings found sequentially in the note cards.

Since all material is organized as they were originally ordered by Schapiro, material relating to a subject may run across boxes. As a result, all subject terms in brackets are supplied when original headings lack the context from which they are derived in earlier boxes or when file headings do not exist.


Box 289

Primitive art


Box 289

Prehistoric art


Box 289

Greek art


Box 289

Hellenistic


Box 289

Roman art


Box 289

Far eastern


Box 289

Islamic art


Box 289

Early northern art


Box 289

Industrial arts


Box 289

Architecture


Box 289

Carolingian


Box 289

Romanesque


Box 289

Gothic architecture


Box 289

Medieval city


Box 289

Gothic architecture and cholasticism


Box 289

The artist (sociological and psychological)


Box 289

Architect


Box 289

Psychology of artist


Box 289

Proportion and measurement


Box 290

Color


Box 290

F.A. 2


Box 290

Film


Box 290

Theoretical


Box 290

Hiberno-Saxon manuscripts material


Box 290

Chartres


Box 291

Mediaeval


Box 291

Romanesque sculpture


Box 291

Romanesque lectures


Box 291

Moissac cloisters


Box 291

Iconography


Box 292

Drolerie, parody, folklore, pagan themes


Box 292

Animals


Box 292

Moissac History


Box 292

Moissac


Box 292

Apocalpyse iconography


Box 292

Moissac trumeaux


Box 292

Moissac architecture


Box 292

Epigraphy


Box 292

Moissac tympanum


Box 292

Moissac porch iconography


Box 292

Samson and lion


Box 292

Moissac photos


Box 292

Romanesque sculpture, Burgundy


Box 292

Romanesque sculpture, Languedoc


Box 292

Beaulieu


Box 292

Romanesque sculpture, Limousin


Box 292

Romanesque sculpture, Poitou, Angoumois


Box 292

Romanesque sculpture, Quercy


Box 292

Cluny capitals


Box 292

Cluny portal


Box 292

Toulouse, photos, musee


Box 292

Toulouse photos


Box 292

Toulouse, St. Sernin


Box 292

Toulouse, sarcophagi


Box 292

Pommevic (T & G)


Box 292

Languedoc, Pre-Romanesque art


Box 292

Romanesque sculpture, Gascony and Aquitaine


Box 292

Romanesque cloisters


Box 292

Riomanesque manuscripts


Box 292

15176 - I


Box 293

15176 - II


Box 293

15176


Box 293

P1650


Box 293

Content, Still Life


Box 293

Content


Box 294

Still life


Box 294

Content


Box 295

Manuscripts


Box 295

East Christian manuscripts


Box 295

Ashburnham Pentateuch


Box 295

Early Latin manuscripts


Box 295

Merov manuscripts


Box 295

Hiberno-Saxon [manuscripts]


Box 295

Carolingian [manuscripts]


Box 295

Stuttgart Psalter [manuscripts]


Box 295

Anglo-Saxon, X-XI [manuscripts]


Box 295

English manuscripts, 12th century


Box 296

Northern France/Belgium [manuscripts]


Box 296

Loire [manuscripts]


Box 296

Burgundy and eastern France [manuscripts]


Box 296

French Illuminated manuscripts, Limoges and south France


Box 296

German manuscripts


Box 296

Romanesque manuscripts


Box 296

Gothic manuscripts


Box 296

Philosophy-Art


Box 296

Philosophy of art


Box 296

Philosophy in painting


Box 296

Visible speech


Box 296

Perspective of script


Box 296

Perspective


Box 296

Imago


Box 296

Perception


Box 297

Psychology


Box 297

Psychoanalysis and art


Box 297

Miscellaneous, theoretical


Box 297

Baudelaire


Box 297

Literature


Box 297

Riegl


Box 297

Medieval


Box 297

Romanesque sculpture


Box 297

Pre-Romanesque sculpture


Box 297

General


Box 297

England/Ireland


Box 297

France


Box 297

Carolingian/Ottonian


Box 297

Italy


Box 297

Spain


Box 297

Denmark


Box 297

Dalmatia


Box 297

Poland


Box 297

Romanesque sculpture, general


Box 297

Romanesque, theory/aesthetics


Box 297

Balkans


Box 297

Bohemian (Czech)/Hungarian


Box 297

Byzantine


Box 297

England/Ireland, general


Box 297

England/Ireland, city-region


Box 297

France-Alsace (Burgundy), general


Box 297

France-Alsace (Burgundy), city-region


Box 297

Near East and miscellaneous


Box 297

Medieval


Box 298

[Medieval continued]


Box 298

Palo Alto notes, 1962-1963


Box 298

Roman provincial art


Box 298

Byzantine art


Box 298

Silos


Box 298

Romanesque sculpture - Spain


Box 298

Romanesque sculpture - Germany


Box 298

Byzantine "question" in Romanesque art


Box 298

Santiago de Compostela


Box 298

Spain - Romanesque


Box 298

Santo Domingo de Silos


Box 298

Leon


Box 298

Proportions


Box 298

Romanesque Sculpture


Box 298

Pre-Romanesque, Figure/Sculpture


Box 298

Monastic art


Box 298

Byzantine art


Box 298

Carolingian art


Box 298

Carolingian ornament


Box 298

Coptic sculpture


Box 299

Impressionism


Box 299

Impressionism II


Box 299

Impressionism II


Box 299

Impressionism III : aesthetic


Box 299

Impressionism IV : science


Box 300

Impressionsim V


Box 300

Impressionism VI


Box 300

Photography


Box 300

Impressionism


Box 300

Impressionism and literature


Box 300

Sculpture, architecture, music


Box 301

Impressionism VI and VII


Box 301

VIII


Box 301

Impressionism, history, individual


Box 301

Science


Box 301

Monet


Box 301

Early Christian


Box 302

Symbol and image [early Christian]


Box 302

Early Christian, figure II


Box 302

III: Order [early Christian]


Box 302

Light and Color [early Christian]


Box 302

Early Christian : book


Box 302

Early Christian art


Box 302

Painting and mosaics [early Christian]


Box 302

Dura


Box 302

Painting [early Christian]


Box 303

East Christian, 4th-7th centuries


Box 303

Italy, 7th-12th centuries


Box 303

Mid-Byzantine, paintings and mosaics


Box 303

Medieval art


Box 303

Medieval painting, France


Box 303

Titulus


Box 303

Iconography


Box 304

Old Testament


Box 304

Gospels


Box 304

Doubting Thomas


Box 304

Christ, Virgin, Saints


Box 304

Apocalypse


Box 304

Iconography, miscellaneous


Box 304

Seurat and Neo-Impressionism


Box 304

Works, lists


Box 304

Academic work


Box 304

Teaching


Box 304

Theory


Box 305

Theory - Color


Box 305

Puvis de Chavannes, Pierre


Box 305

Science and technology


Box 305

Contemporary literature


Box 305

Contemporary opinions, critics


Box 305

Drawings before, 1883


Box 305

1890s and Art Noveau, 1890s


Box 305

Drawings after '83


Box 305

Paintings before 1883 landscapes, 1883


Box 305

Paintings pre 1883 figures, 1883


Box 305

Baignade


Box 305

Grande Jatte


Box 305

Landscapes, 1885


Box 305

Landscapes 1888 Port-en-Bessin, 1888


Box 305

Homme à femmes


Box 305

Poseuses


Box 305

La Parade


Box 305

Late style


Box 305

Poudreuse


Box 305

Cirque


Box 305

Caricature and comic


Box 306

Alexander, Dedalus and Icarus


Box 306

[Personal notes]


Box 306

Content


Box 307

Science and art, Impressionism and Color


Box 307

Baudelaire translation


Box 307

Philosophy of modern history


Box 307

Religion


Box 307

Columbia students


Box 307

Columbia affairs


Box 307

Art teaching, Columbia


Box 307

Museums and collections


Box 307

Projects


Box 307

Personal


Box 307

Addresses


Box 307

Publishing off-prints


Box 307

Personal


Box 308

Albert Einstein and Art


Box 308

Germany, Austria, General [Romanesque bibliography]


Box 308

Germany, Austria: city-region [Romanesque bibliography]


Box 308

Italy, general [Romanesque bibliography]


Box 308

Italy: city-region [Romanesque bibliography]


Box 308

Near east [Romanesque bibliography]


Box 308

Poland [Romanesque bibliography]


Box 308

Russia [Romanesque bibliography]


Box 308

Scandinavia [Romanesque bibliography]


Box 308

Spain, general [Romanesque bibliography]


Box 308

Spain: city-region [Romanesque bibliography]


Box 308

Switzerland [Romanesque bibliography]


Box 308

Other areas [Romanesque bibliography]


Box 308

Islam [Romanesque bibliography]


Box 308

Japan [Romanesque bibliography]


Box 308

Sculptors, individual [Romanesque bibliography]


Box 308

Iconography, general [Romanesque bibliography]


Box 308

Animals [Romanesque bibliography]


Box 308

Devil, demons [Romanesque bibliography]


Box 308

Equestrian [Romanesque bibliography]


Box 308

New Testament, apocalypse[Romanesque bibliography]


Box 308

New Testament, Virgin and infancy [Romanesque bibliography] [


Box 308

Old Testament [Romanesque bibliography]


Box 308

Religious iconography, miscellaneous [Romanesque bibliography]


Box 308

Iconography miscellaneous [Romanesque bibliography]


Box 308

Altar frontals [Romanesque bibliography]


Box 308

Baptismal fonts [Romanesque bibliography]


Box 308

Candelabra [Romanesque bibliography]


Box 308

Ivories, bronzes [Romanesque bibliography]


Box 308

Tombs [Romanesque bibliography]


Box 308

Articles on miscellaneous subjects in fields of interest [Romanesque bibliography]


Box 308

Romanesque


Box 308

Romanesque sculpture


Box 309

Romanesque in later taste


Box 309

Romanesque in the United States of America


Box 309

Disappearance and rebirth


Box 309

Early Romanesque sculpture


Box 309

Sculpture


Box 309

Field and frame


Box 309

Figure, drapers, expression


Box 309

Animal imagery


Box 309

Romanesque realism


Box 309

Bibliography


Box 309

France


Box 309

Vézelay


Box 309

Toulouse


Box 309

Provence


Box 309

Spain, Italy, North


Box 309

England


Box 309

Moissac


Box 309

Moissac Cloister


Box 309

Souillac


Box 309

Beaulieu


Box 310

[Semiotics]


Box 310

Birth of semiotics and language


Box 310

Pictures and propositions


Box 310

N[elson] Goodman


Box 310

Architecture


Box 310

Symbolism


Box 310

Semiotics


Box 310

Meaning


Box 310

Representation


Box 310

Semiotics of visual art


Box 310

Non-mimetic structure


Box 310

Gesture of language


Box 310

Theory of expression


Box 310

Script and scribes


Box 310

Language


Box 311

Selected papers IV, style


Box 311

Gombrich


Box 311

Sigmund Freud and Leonardo da Vinci


Box 311

Sigmund Freud and Luca Signorelli


Box 311

Selected works


Box 311

Vincent van Gogh and Martin Heidegger


Box 312

Theory


Box 312

Work in progress


Box 312

Work, bibliographies, etc., left side of desk


Box 312

Unsorted


Box 313

Giotto


Box 313

Renaissance


Box 313

Galileo Gal


Box 313

Brueghel


Box 313

[Michelangelo Merisi da Caravaggio, Jean-Antoine Watteau, Rembrandt van Rijn]


Box 313

Jean-August-Dominique Ingres


Box 313

Francisco de Goya


Box 313

Antoine-Jean Gros


Box 313

Thédore Géricault


Box 313

Eugène Delacroix


Box 313

Landscape painting


Box 313

English landscape paintings


Box 313

Jean-Baptiste-Camille Corot


Box 313

Constantin Guys


Box 314

Honoré Daumier


Box 314

Gustave Courbet


Box 314

Introduction to modern art


Box 314

Fauves


Box 314

Georges Rouault


Box 314

Expressionism


Box 314

Machine forms


Box 314

Piet Mondrian


Box 315

Abstraction


Box 315

Abstract art


Box 315

Vassily Kandinsky


Box 315

Kazimir Malevitch and Russian art


Box 315

Impressionism


Box 315

Édouard Manet


Box 315

Edgar Degas


Box 316

Camille Pissarro


Box 316

Pierre-August Renoir


Box 316

Vincent van Gogh


Box 316

Paul Gauguin


Box 316

James Ensor


Box 316

Ferdinand Hodler


Box 316

Henri de Toulouse-Lautrec


Box 316

Pierre Bonnard and Edouard Vuillard


Box 316

Odilon Redon


Box 317

Modern art


Box 317

19th century


Box 317

Surrealism


Box 317

American


Box 317

Modern realism


Box 317

Modern sculpture


Box 317

Modern architecture


Box 317

Abraham and Isaac


Box 317

Ruthwell Cross


Box 317

Muscipula Diaboli


Box 317

Auxerre manuscripts


Box 318

Post-Impressionism


Box 318

19th and 20th century painting


Box 318

Words and pictures


Box 318

Paul Cézanne


Box 318

Apples of Cézanne


Box 319

[Value and proportion]


Box 319

Criteria


Box 319

Hierarchy of value


Box 319

On Lewis


Box 319

Style


Box 319

Style and theory of form


Box 319

Form


Box 319

Expression


Box 319

Value


Box 319

Interpretation


Box 320

Classification


Box 320

Interpretation, meaning, iconography


Box 320

Bibliography


Box 320

Theory of art


Box 320

Semiotics


Box 320

Language


Box 320

Theory of language


Box 320

Theory (Gestalt theory)


Box 321

Cézanne and the philosophers


Box 321

Words and pictures


Box 321

Filippo Brunelleschi


Box 322

[Artists]


Box 322

Art as knowledge


Box 322

Classification


Box 322

Classification and styles


Box 322

Style


Box 322

Psychology of art


Box 322

Interpretation


Box 323

Miscellaneous


Box 323

Theory


Box 323

Dwarfs and giants


Box 323

Wolvinius


Box 324

Enoch


Box 324

Pablo Picasso, Cubism, and Henri Matisse


Box 324

Guernica


Box 325

Meaning [Guernica]


Box 325

Meaning, content [Guernica]


Box 325

Before Guernica, January-April, 1937


Box 325

Preparatory drawings [Guernica]


Box 325

Sketches, studies, and stages [Guernica]


Box 325

Pablo Picasso's Guernica, states of canvas


Box 325

Style and structure [Guernica]


Box 325

Politics after 1944 [Guernica], 1944


Box 325

Pablo Picasso and Eugenio d'Ors


Box 325

Dream and lies of Franco


Box 325

Pegasus


Box 325

Pablo Picasso, texts and images, personal references, and biography


Box 325

Pablo Picasso's Guernica


Box 326

Cubism and science


Box 326

Giambattista Vico


Box 326

Views on art and science, 19th and 20th centuries


Box 326

Albert Einstein II


Box 326

Albert Einstein II: the organismic interpretation


Box 327

Selected Papers IV


Box 327

Aby Warburg


Box 327

Giambattista Vico


Box 328

[Albert Einstein]


Box 329

Siegfried Kracauer


Box 329

Origins of art


Box 329

Anglo-Saxon


Box 329

Rodez/Silos, Romanesque


Box 329

Joseph's story, Maximillian's chair, working notes


Box 329

Frick "Flagellation"


Box 329

An English illuminated psalrter/Morgan manuscript Glazier


Box 329

Crossed nimbus


Box 329

Leonardo da Vinci and Sigmund Freud


Box 329

Eugène Fromentin


Box 330

Bede-Hiberno-Saxon


Box 330

Glazier manuscript


Box 330

Hiberno-Saxon


Box 330

Exposition Universelle


Box 330

Bibliographies of Romanesque sculpture


Box 330

Bibliographies and personal notes


Box 331

[Bibliographies and personal notes, continued]


Box 331

Personal notes


Box 331

Bibliographies


Box 331

Modern Architecture


Box 332

Abstraction


Box 332

Study of art history


Box 332

Paul Cèzanne / Marc Chagall


Box 332

Doubting Thomas, early Christian, Hiberno-Saxon, Hieroglyphics


Box 332

Icarus and Daedelus


Box 332

Impressionism


Box 332

Carl Jung


Box 332

Perpsective


Box 332

Philosophy in painting


Box 332

Pablo Picasso and Cubism


Box 332

Political, Socialism


Box 332

Representation


Box 332

Romanesque


Box 332

Semiotics


Box 332

Words and pictures


Box 332

On authors, refugee scholars


Box 332

Personal, auto-biographical notes


Box 332

Shadow


Box 332

Color


Box 332

Religion


Box 333

Bibliographies


Box 333

Personal/publishing


Box 333

Paul Cézanne


Box 334

Primitive art


Box 334

Greek


Box 334

Coptic


Box 334

Etruscan


Box 334

Roman


Box 334

Manuscripts


Box 334

Early Christian


Box 334

Byzantine


Box 334

General medieval


Box 334

Hiberno-Saxon


Box 334

Romanesque


Box 334

Castelseprio


Box 334

Auxerre


Box 334

Beaulieu


Box 334

Moissac


Box 334

Silos


Box 334

Souillac


Box 334

Islamic


Box 334

Gothic


Box 334

Renaissance


Box 334

17th century Nicolas Poussin


Box 334

Rembrandt van Rijn


Box 334

18th and 19th German painting


Box 334

Jean-August-Dominique Ingres


Box 334

Eugène Delacroix


Box 334

Gustave Courbet


Box 334

Edouard Manet


Box 334

Paul Cézanne


Box 334

20th Century


Box 334

Henri Matisse


Box 334

Pablo Picasso


Box 334

Surrealism


Box 334

Cubism


Box 334

Paul Klee


Box 334

Germanic art and expression


Box 334

Russia


Box 334

Piet Mondrian


Box 334

Modern architecture


Box 334

Modern sculpture


Box 334

Abstract art


Box 334

Secular iconography


Box 334

Alois Riegl


Box 334

Museums/Collections


Box 334

Projects


Box 334

Art teaching


Box 334

Content


Box 334

Ornament / art teaching


Box 334

Perception


Box 334

Children's drawing


Box 334

Perspective


Box 334

Portraiture


Box 334

Theory


Box 335

Sociology of art


Box 335

Value


Box 335

Theory


Box 336

Selected Papers IV


Box 336

Lectures


Box 336

Script


Box 336

Work and personal


Box 336

Moissac, Merode, Bernard Berenson, Medieval city, Pablo Picasso, Political, Impressionism


Box 336

Pablo Picasso, woman with a fan


Box 337

Sigmund Freud and Luca Signorelli


Box 337

General -- Unsorted


Box 651

General -- Unsorted


Box 652

General -- Unsorted


Subseries: V.5: Research notes, 1920s-1990s

Subseries: V.5 contains the heart of Schapiro's research files and includes notes from a wide range of subjects. Although Schapiro was scrupulous about creating research notes, he was less concerned with how the notes were stored and filed. As a result, many of his research files contained a plethora of material that was not related to each other in either content or subject. As a result, material was organized and grouped according to the subject of the contents. For notes relating to the illumination of books and manuscripts, Schapiro organized material either by repository in which the codex is located or by region from which it was created. Physical folders indicate manuscript numbers which are represented in the file. Material related to illumination of books and manuscripts were reproduced in the 2007 publicationMeyer Schapiro abroad: letters to Lillian and travel notebooks.

Schapiro wrote many research notes that are interrelated with other subjects in the collection. In this light, material in this subseries can be used in conjunction with records in other series of this collection.

Unlike Subseries: V.4, files in Subseries V.5 are organized by subject headings that are derived from the Library of Congress Subject Headings based on the contents of the records housed in the files. In the event that Schapiro's own subject heading are too unique to be mapped to a Library of Congress Subject Heading, his own titles were utilized.


Box 338 Folder 1

Albers, Josef, circa, 1960s


Box 691

Notes removed from "Ammianus Marcellinus", 1996


Box 338 Folder 2

Animals as artists -- Monkeys, circa, 1950s


Box 338 Folder 3

Antisemitism, 1969


Box 338 Folder 4

Architecture -- Details, bulbous domes, circa, 1930s-1940s


Box 338 Folder 5

Architecture -- Details, double shell domes, circa, 1930s


Box 338 Folder 6

Architecture, Early Christian, circa, 1930s-1940s


Box 338 Folder 7

Architecture, Modern, 1948 February

(Notes are on the symposium "What is happening to modern architecture?" held at the Museum of Modern Art. Accompanied by the catalog for the symposium)


Box 338 Folder 8 to 9

Architecture, Romanesque, circa, 1930s, (2 Folders)


Box 338 Folder 10

Art, 1970s-1980s


Box 338 Folder 11 to 18

Art, Abstract, circa, 1930s-1960s, (8 Folders)


Box 338 Folder 19

Art, Early Christian, circa, 1930s-1950s


Box 338 Folder 20

Art, Early Christian and Modern art, circa, 1950s


Box 338 Folder 21

Art, Early Renaissance -- Ocaña (Spain), circa, 1930s


Box 662 Folder 1 to 3

Art, Medieval, circa, 1920s-1940s, (3 Folders)


Box 662 Folder 4

Art, Medieval and Romanesque -- Decoration and ornament -- Animal forms,, 1940s


Box 662 Folder 5

Art, Medieval -- France, circa, 1950s


Box 662 Folder 6

Art, Medieval -- Human beings -- Migration, circa, 1930s-1940s


Box 662 Folder 7

Art, Medieval -- Labors of the month, circa, 1950s-1960s


Box 339 Folder 1 to 3

Art, Modern, 1930s-1960, (3 Folders)


Box 339 Folder 4

Art, Modern -- Artists, circa, 1960s


Box 339 Folder 5

Art, Modern -- Religious aspects, circa, 1960s


Box 339 Folder 6

Art, Romanesque, circa, 1930s


Box 339 Folder 7

Art, Romanesque -- Church history, circa, 1970s


Box 339 Folder 8

Art, Romanesque -- Doorways -- Animal forms, circa, 1960s


Box 339 Folder 9

Art, Romanesque -- Fighting figures, 1930s


Box 339 Folder 10 to 11

Art, Romanesque -- Mural painting and decoration, 1930s, (2 Folders)


Box 339 Folder 12 to 13

Art, Romanesque -- Spain, 1940s-1970s, (2 Folders)


Box 339 Folder 14

Art, Romanesque -- Spain -- Alter cross of King Fernando and Queen Sancha, 1063 circa 1930s-1950s, 1063, 1930s-1950s


Box 339 Folder 15

Art, Sassanid, circa, 1930s


Box 340 Folder 2

Art criticism, 1940s-1960s

(Includes typescripts of Schapiro's own poetry)


Box 339 Folder 16 to 17

Art -- History, circa, 1930s-1940s, (2 Folders)


Box 339 Folder 18

Art -- History -- Historiography, circa, 1930s


Box 339 Folder 19

Art -- History -- Teaching, 1940s-1960s


Box 340 Folder 1

Art -- Methodology, 1950s


Box 340 Folder 3

Art nouveau, circa, 1940s


Box 340 Folder 4

Art and race, circa, 1930s


Box 340 Folder 5 to 6

Art and science, circa, 1930s-1950s, (2 Folders)

(Material in file 4 is sequentially paginated by Schapiro)


Box 340 Folder 7 to 8

Art and society, circa, 1960s, (2 Folders)


Box 340 Folder 9 to 10

Art and state, 1940s-1960s, (2 Folders)


Box 340 Folder 11

Bacon, Francis, 1963

(Notes relate to a Francis Bacon exhibition at the Guggenheim museum in November, 1963)


Box 340 Folder 12

Basilica di S. Vitale (Ravenna, Italy), circa, 1940s


Box 340 Folder 13

Barr, Alfred Hamilton -- Publications, circa, 1930s-1940s


Box 340 Folder 14

Baudelaire, Charles, circa, 1940s


Box 340 Folder 15

Benjamin, Walter, 1920s-1980s


Box 340 Folder 16

Berenson, Bernard, 1980s-1990s


Box 340 Folder 17

Bergman, Robet, 1990s


Box 340 Folder 18

Bernini, Gian Lorenzo, circa, 1940s


Box 340 Folder 19

Berzé-la-Ville, France. Chapelle des moines de Cluny, 1930s


Box 340 Folder 20

Bezalel (Biblical figure), 1980s-1990s


Box 340 Folder 21

Biel, Joseph, circa, 1950s


Box 340 Folder 22

Blind artists, circa, 1950s

(Notes are chiefly on Ludwig Münz and Victor Lowenfeld's stuy "Die plastische arbeiten blinder)


Box 340 Folder 23

Blume, Peter, 1937


Box 340 Folder 24

Boas, Franz, circa, 1930s


Box 340 Folder 25

Boas, Franz and primitive art, circa, 1930s


Box 340 Folder 26

Book of Kells, circa, 1960s


Box 340 Folder 27

Breton, André, 1934-1955

(Includes Breton's 1934 publicationQu'est-ce que le surréalisme?"


Box 340 Folder 28

Breton, André and Leon Trotsky, circa, 1930s-1940s


Box 340 Folder 29

Bruegel, Pieter, I, 1930s-1950s


Box 340 Folder 30

Buildings -- War damage, 1940s-1950s


Box 341 Folder 1

Caravaggio, Michelangelo Merisi da, 1950s-1960s


Box 341 Folder 2 to 4

Cathédrale de Chartres -- Towers, circa, 1930s-1940s, (3 Folders)


Box 341 Folder 5 to 10

Cézanne, Paul, 1940s-1960s, (6 Folders)


Box 341 Folder 10

Cézanne, Paul and Vincent van Gogh, comparisons and differences, circa, 1940-1960s


Box 692

Chambers, Whittaker, 1995

Includes research material from Sam Tanenhaus, Herbert Solow, J. W. Hamilton, and Allen Weinstein, and notes for J. D. Fox. There are also clippings, articles, and copies of poems by Chambers from the Louis Zukovsky collection at the Harry Ransom Center, the University of Texas at Austin.


Box 341 Folder 11

Chardin, Jean-Siméon, 1940s


Box 341 Folder 12 to 14

Christian art and symbolism, circa, 1930s, (3 Folders)


Box 663 Folder 1

Cinema, 1930s-1940s


Box 663 Folder 2

Cinema and painting, 1930s-1940s


Box 663 Folder 3

Circumcision of Christ and nudity in Renaissance art, circa, 1950s


Box 663 Folder 4 to 6

Cities and towns, Medieval, circa, 1930s-1960s, (3 Folders)


Box 663 Folder 7 to 8

Color, 1930s-1990s, (2 Folders)


Box 342 Folder 1

Color theory and Impressionism, circa, 1930s-1940s

(Notes were created by Miriam Schild Bunim)


Box 342 Folder 2 to 3

Communism, 1930s-1950s, (2 Folders)


Box 342 Folder 4 to 5

Communism and art, 1930s-1960s, (2 Folders)


Box 342 Folder 6

Computer art, 1975


Box 342 Folder 7

Coomaraswamy, Ananda Kentish, 1930s


Box 342 Folder 8 to 14

Corot, Jean-Baptiste-Camille, 1940s-1990s, (7 Folders)


Box 342 Folder 15

Croce, Benedetto, circa, 1930s


Box 342 Folder 16

Cubism, circa, 1950s-1960s


Box 342 Folder 17

Cubism and collage, 1938


Box 342 Folder 18

Dagulf psalter, circa, 1950s-1960s


Box 342 Folder 19

Daumier, Honoré, 1940s-1990s


Box 342 Folder 20

Degas, Edgar, 1938-1948


Box 342 Folder 21

Delacroix, Eugène, 1940s-1980s


Box 342 Folder 22

Deschamps, Paul, circa, 1930s


Box 343 Folder 1 to 2

Dewey, John, circa, 1930s-1950s, (2 Folders)


Box 343 Folder 3

Dreams, circa, 1940s


Box 343 Folder 4

Duchamp, Marcel, 1980s


Box 343 Folder 5

Echternach gospels and Islamic art, 1960s-1990s


Box 343 Folder 6

Education, 1970s


Box 343 Folder 7 to 8

Eighteen nineties, circa, 1940s, (2 Folders)


Box 343 Folder 9

Ensor, James, 1930s-1940s


Box 343 Folder 10 to 11

Evangelists -- Portraits, circa, 1940s, (2 Folders)


Box 343 Folder 12

Excavations (Archeology) -- Russia, 1930s


Box 343 Folder 13

Expression, 1970s-1980s


Box 344 Folder 1

Fauvism, 1940s-1950s


Box 344 Folder 2

Fogg Art Museum, 1930s


Box 344 Folder 3

Form (Aesthetics), 1930s


Box 344 Folder 4

Futurism (Art), circa, 1940s


Box 344 Folder 5 to 6

Gauguin, Paul, 1940s-1960s, (2 Folders)


Box 344 Folder 7

Geisteswissenschaft and Naturwiss, circa, 1950s


Box 344 Folder 8

Genetic method, theory and history, circa, 1920s-1930s


Box 344 Folder 9

Géricault, Théodore, circa, 1950s


Box 344 Folder 10

Gestalt theory, circa, 1930s-1940s


Box 344 Folder 11

Giorgione, circa, 1950s


Box 344 Folder 12 to 13

Gogh, Vincent van, 1940s-1980s, (2 Folders)

(File 13 is accompanied by a German publication on Vincent van Gogh)


Box 345 Folder 1

Gottlieb, Adolph, 1974


Box 345 Folder 2 to 3

Goya, Francisco de, 1940s-1980s, (2 Folders)


Box 345 Folder 4

Graffiti, 1970s


Box 345 Folder 5

Graubard, Mark, 1937


Box 345 Folder 6

Greco, El, 1950s


Box 345 Folder 7

Gros, Antoine-Jean, circa, 1930s-1940s


Box 345 Folder 8

Grünewald, Matthias, 1930s-1960s


Box 345 Folder 9

Hagia Sophia (Church : Iznik, Turkey), circa, 1930s


Box 691

Notes removed from "Hero of Alexandria", 1996


Box 345 Folder 10

Heschel, Abraham Joshua, 1951


Box 345 Folder 11

Hiberno-Saxon iconography, circa, 1940s-1950s


Box 345 Folder 12

History -- Periodization, 1950s-1960s


Box 345 Folder 13

Hodler, Ferdinand, 1940s


Box 345 Folder 14

Hook, Sidney, 1934-1994


Box 345 Folder 15

Humanism, circa, 1940s-1960s


Box 345 Folder 16

Hume, David, circa, 1930s


Box 345 Folder 17

Iconography -- Irish, circa, 1960s


Illumination of books and manuscripts


Box 346 Folder 1

Armenia -- Ejmiatsin, 1930s-1950s


Box 346 Folder 2

Austria -- Vienna, 1930s


Box 346 Folder 3 to 8

Ashburnham Pentateuch, 1930s-1950s, (6 Folders)


Box 346 Folder 9 to 10

Astronomical, 1940s-1960s, (2 Folders)


Box 346 Folder 11 to 12

Belgium, 1930s-1950s, (2 Folders)


Box 346 Folder 13

Biblioteca apostolica vaticana, circa, 1950s


Illumination of books and manuscripts


Box 347 Folder 1

Bibliothèque de l'Arsenal, 1930s-1950s


Box 347 Folder 2

Bibliothèque Mazarine, 1930s-1950s


Box 347 Folder 3 to 4

Bibliothèque nationale de France, lists, 1926-1950s, (2 Folders)


Box 347 Folder 5 to 9

Bibliothèque nationale de France, 1926-1960s, (5 Folders)


Illumination of books and manuscripts


Box 348 Folder 1 to 16

Bibliothèque nationale de France, 1926-1950s, (16 Folders)


Illumination of books and manuscripts


Box 349 Folder 1 to 3

Bibliothèque nationale de France, 1926-1950s


Box 349 Folder 4 to 6

Bodleian Library, 1960s, (3 Folders)


Box 349 Folder 7 to 8

British Museum, 1930s, (2 Folders)


Illumination of books and manuscripts


Box 350 Folder 1 to 4

British Museum, 1930s-1940s, (4 Folders)


Box 350 Folder 5 to 6

Byzantine, 1930s-1950s, (2 Folders)


Box 350 Folder 7

Carolingian, 1930s-1960s


Box 350 Folder 8

Carolingian -- Ada school, 1930s-1960s


Box 350 Folder 9

Carolingian -- Corbie school, 1930s-1960s


Box 350 Folder 10

Carolingian -- Franco-Saxon school, 1930s-1960s


Box 350 Folder 11

Codex Amiatinus, 1930s-1950s


Illumination of books and manuscripts


Box 351 Folder 1

Corpus Christi College (University of Cambridge), 1930s-1950s


Box 351 Folder 2

Correspondence, 1950s


Box 351 Folder 3

Early Christian, 1930s


Box 351 Folder 4

Early Christian, Syria, 1930s


Box 351 Folder 5

England, 1930s-1960s


Box 351 Folder 6

European libraries -- Lists, 1930s-1950s


Box 351 Folder 7 to 14

France, 1930s-1960s, (8 Folders)


Box 351 Folder 15

France -- Aix, 1930s-1960s


Box 351 Folder 16

France -- Albi, 1930s-1960s


Box 351 Folder 17

France -- Amiens, 1930s-1960s


Box 351 Folder 18

France -- Angers, 1930s-1960s


Box 351 Folder 19 to 25

France -- Auxerre, 1930s-1960s, (7 Folders)


Illumination of books and manuscripts


Box 352 Folder 1

France -- Auxerre, 1940s-1950s


Box 352 Folder 2 to 4

France -- Cluny, 1930s-1960s, (3 Folders)


Box 352 Folder 5

France -- Grenoble, 1930s-1960s


Box 352 Folder 6

France -- Libraries, 1930s-1950


Box 352 Folder 7

France -- Lyon, 1930s-1960s


Box 352 Folder 8

France -- Metz, 1930s-1950s


Box 352 Folder 9 to 11

France -- Moissac, 1930s-1950s, (3 Folders)


Box 352 Folder 12

France -- Montpellier, 1930s-1960s


Box 352 Folder 13

France -- Nantes and Nimes, 1930s-1950s


Box 352 Folder 14

France -- Orleans, 1930s-1950s


Box 352 Folder 15

France -- Provence, 1930s


Box 352 Folder 16

France -- Reims, 1930s-1950s


Box 352 Folder 17

France -- South, 1930s-1950s


Box 352 Folder 18

France -- Verdun, 1930s-1950s


Box 352 Folder 19 to 20

Germany, 1930s-1950s, (2 Folders)


Box 352 Folder 21

Germany -- Fulda, 1930s-1950s


Box 352 Folder 22

Germany -- Reichenau (Baden-Württemberg), 1930s-1950s


Illumination of books and manuscripts


Box 353 Folder 1

Golden Gospels of Henry VIII, 1930s-1950s


Box 353 Folder 2

Gothic, 1930s


Box 353 Folder 3

Hiberno-Saxon, 1930s-1960s


Box 353 Folder 4

Holland, 1930s


Box 353 Folder 5 to 7

Ireland, circa, 1940s-1950s, (3 Folders)


Box 353 Folder 8

Islamic, 1950s


Box 353 Folder 9 to 13

Italy, 1930s-1950s, (5 Folders)


Box 353 Folder 14

Kloster St. Gallen, 1930s-1950s


Box 353 Folder 15

Library collections -- Lists, 1930s-1950s


Box 353 Folder 16

Medieval, 1930s-1950s


Illumination of books and manuscripts


Box 354 Folder 1 to 4

Medieval, 1930s-1980s, (4 Folders)


Box 354 Folder 5

Merovingian, 1930s-1960s


Box 354 Folder 6

Newberry Library, 1940s-1960s


Box 354 Folder 7 to 8

New York Public Library, 1930s-1960s, (2 Folders)


Box 354 Folder 9 to 10

Ottonian, 1930s-1960s, (2 Folders)


Box 354 Folder 11 to 15

Pierpont Morgan Library, 1940s-1960s, (5 Folders)


Box 354 Folder 16

Quedlinburg Itala, 1930s


Box 354 Folder 17 to 19

Romanesque, 1930s-1950s, (3 Folders)


Box 354 Folder 20 to 22

Spain, 1930s-1960s, (3 Folders)


Box 354 Folder 23

Switzerland, 1939s-1950s


Box 354 Folder 24

University of Michigan, 1940s-1960s


Box 354 Folder 25 to 26

Vergilius Vaticanus, 1930s-1950s, (2 Folders)


Box 354 Folder 27

Walters Art Museum (Baltimore, MD), 1940s-1960s


Box 355 Folder 1 to 7

Impressionism (Art), 1960s-1980s, (7 Folders)


Box 355 Folder 8

Individualism -- Artists, 1930s


Box 355 Folder 9

Ingres, Jean-August-Dominique, 1940s


Box 355 Folder 10

Interpretation (Philosophy), 1930s-1950s


Box 356 Folder 1

Islamic architecture, circa, 1930s


Box 356 Folder 2 to 3

Jakobson, Roman, 1960s-1970s, (2 Folders)


Box 356 Folder 4

Jewish art, 1930s-1960s


Box 356 Folder 5

Joyce, James, circa, 1930s-1940s


Box 356 Folder 6 to 9

Judgment and valuation, circa, 1960s, (4 Folders)


Box 356 Folder 10

Kandinsky, Vassily, 1960s


Box 356 Folder 11

Klee, Paul, 1954


Box 356 Folder 12

Kornacki, Jerzy, 1961-1962


Box 356 Folder 13

Kracauer, Siegfried, 1990s


Box 356 Folder 14

Kroeber, A.L. (Alfred Louis) -- Style, circa, 1950s


Box 356 Folder 15

Le Corbusier, circa, 1930s


Box 356 Folder 16

Ledoux, Claude Nicholas and Emil Kaufmann, 1930s


Box 356 Folder 17

Left and right, circa, 1950s


Box 356 Folder 18

Leonardo da Vinci, 1940s-1960s


Box 356 Folder 19

Lessing, Gotthold Ephraim. Laokoon, 1930s-1940s


Box 356 Folder 20

Logical positivism, 1930s-1990s


Box 356 Folder 21

Lorian, Doria, 1980s


Box 357 Folder 1

Magnus, Albertus, Saint -- Speech, 1970s


Box 357 Folder 2

Malraux, André, 1990s


Box 357 Folder 3 to 5

Manet, Édouard, 1930s-1990s, (3 Folders)


Box 357 Folder 6

Masson, André, 1953


Box 357 Folder 7

Master of Sigena, circa, 1950s


Box 357 Folder 8

Matisse, Henri, 1940s-1960s


Box 357 Folder 9

Men's clothing -- Modernity, 1930s


Box 357 Folder 10

Millet, Gabriel, 1960s


Box 357 Folder 11

Middle Ages, circa, 1950s


Box 357 Folder 12

Miró, Joán, 1961


Box 357 Folder 13

Modern movement (Architecture), circa, 1930s


Box 357 Folder 14

Modernity and quality, circa, 1960s


Box 357 Folder 15

Mosaics -- Syria -- Damascus, 1927


Box 358 Folder 1

Mondrian, Piet, 1938


Box 358 Folder 2

Moreau, Gustave, circa, 1940s


Box 358 Folder 3

Müller, Jan, 1960s


Box 358 Folder 4 to 5

Mumford, Lewis, 1930s-1950s, (2 Folders)


Box 358 Folder 6

Munch, Edvard, 1940s


Box 358 Folder 7

Mural painting and decoration, circa, 1930s-1940s


Box 633 Folder 10

Mural painting and decoration -- 20th century, 1930s


Box 358 Folder 8

Museum of Modern Art (New York, N.Y.) -- Criminal investigation,, 1973


Box 358 Folder 9

Music, 1930s-1960s


Box 358 Folder 10

National socialism and art, 1934


Box 358 Folder 11

Neue Sachlichkeit (Art), 1938


Box 358 Folder 12

Notre-Dame de Reims (Cathedral), circa, 1930s


Box 358 Folder 13

Nuremberg Trial of Major German War Criminals, Nuremberg, Germany,, 1945-1946


Box 691

Notes removed from "Oracula Sibyllina", 1996


Box 358 Folder 14

Orozco, José Clemente, circa, 1940s-1950s


Box 358 Folder 15

Ormside cup, circa, 1950s-1960s


Box 358 Folder 16 to 18

Painting, Abstract, 1940s-1960s, (3 Folders)


Box 358 Folder 19

Painting, American -- 20th century, circa, 1940s-1960s


Box 358 Folder 20

Painting, Flemish, 1930s


Box 358 Folder 21

Painting, Neoclassical, 1930s


Box 358 Folder 22

Painting -- Myths and origins, circa, 1950s


Box 358 Folder 23 to 25

Paleography, 1930s-1980s, (3 Folders)


Box 358 Folder 26

Paleography, Arabic (Cufic), 1920s


Box 358 Folder 27

Panofsky, Erwin, circa, 1960s


Box 358 Folder 28

Parmigianino, circa, 1950s


Box 358 Folder 29 to 30

Perspective, circa, 1960s, (2 Folders)


Box 359 Folder 1

Philosophy, 1960s


Box 359 Folder 2

Photography, 1930s


Box 359 Folder 3

Physiognomy and expression, 1940s-1950s


Box 359 Folder 4 to 6

Picasso, Pablo, 1938-1960s, (3 Folders)

(File 6 includes a drawing by Schapiro in the style of Picasso which was possibly used as a study guide in color and composition)


Box 359 Folder 7

Picture books, 1960s


Box 359 Folder 8

Politics, practical -- Capitalism, 1940s


Box 359 Folder 9

Pollock, Jackson, circa, 1960s


Box 359 Folder 10

Portraits, 1970s-1990s


Box 359 Folder 11

Poussin, Nicolas, circa, 1980s


Box 359 Folder 11

Prayer book of Queen Emma, 1960s


Box 359 Folder 12

Semiotics, 1966


Box 360 Folder 1

Pre-Romanesque -- Spain -- Mozarbic, circa, 1930s


Box 360 Folder 2

Primitive, psychotic, and children's art, 1940s


Box 360 Folder 3 to 4

Proportions, 1950s-1960s, (2 Folders)


Box 360 Folder 5 to 6

Psychology, 1957-1960s, (2 Folders)


Box 360 Folder 7

Psychology and art, circa, 1930s


Box 360 Folder 8

Psychology and art history, circa, 1950s


Box 360 Folder 9

Purge of Russian artists, 1940s


Box 360 Folder 10

Puvis de Chavannes, Pierre, circa, 1940s


Box 360 Folder 11

Raphael, Max, 1971


Box 360 Folder 12

Redon, Odilon, circa, 1940s


Box 360 Folder 13

Reisman, Bernard, circa, 1940s


Box 360 Folder 14

Religion and culture, circa, 1940s


Box 360 Folder 15 to 16

Religion and ethics, 1930s-1960s, (2 Folders)


Box 360 Folder 17

Rembrandt van Rijn, circa, 1950s


Box 360 Folder 18

Rembrandt van Rijn and Montaigne, abbé, 1980s-1990s


Box 360 Folder 19

Renan, Ernest, 1930s


Box 360 Folder 20

Renoir, Pierre-Auguste, 1940s


Box 360 Folder 21

Representation (Art) and naturalism, circa, 1930s


Box 360 Folder 22

Riegl, Alois, circa, 1940s-1950s


Box 360 Folder 23

Rivera, Diego, circa, 1940s-1950s


Box 360 Folder 24

Rodez (France)--Antiquities., 1940s


Box 361 Folder 1

Rouault, Georges, 1937


Box 361 Folder 2

Rousseau, Henri, 1940s


Box 361 Folder 3

Russell, Bertrand, circa, 1940s


Box 361 Folder 4 to 5

Russian art -- Twentieth century, 1937-1960s, (2 Folders)


Saint-Gilles (Church : Saint-Gilles, Gard, France)


Box 362 Folder 1 to 2

General, 1920s-1980s, (2 Folders)


Box 362 Folder 3 to 4

Art, Provençal, 1920s-1950s, (2 Folders)


Box 362 Folder 5

Manuscripts, Provençal, 1920s-1930s


Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France)


Box 363 Folder 1 to 12

General, 1920s, (12 Folders)


Box 363 Folder 13

Apocalypse -- Crusaders -- Alexander, 1920s


Box 363 Folder 14

Architecture -- Tower -- Narthex -- Porch, 1920s


Box 363 Folder 15

Capitals, 1920s


Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France)


Box 364 Folder 1

Capitals -- Iconography -- Adam and Eve -- Cain and Abel, 1920s


Box 364 Folder 2

Capitals -- Iconography -- Choice and order, 1920s


Box 364 Folder 3

Capitals -- Iconography -- Daniel, 1920s


Box 364 Folder 4

Capitals -- Iconography -- David and musicians, 1920s


Box 364 Folder 5

Capitals -- Iconography -- Narrative form, 1920s


Box 364 Folder 6

Capitals -- Iconography -- Saints lives, 1920s


Box 364 Folder 7

Capitals -- Iconography -- Themes -- David and Samson, 1930s-1950s


Box 364 Folder 8

Capitals -- New Testament -- Cana -- Lazarus -- Washing of feet,, 1920s


Box 364 Folder 9

Capitals -- Saints lives -- Crusaders -- Ascension, 1920s


Box 364 Folder 10

Capitals -- Structure -- Composition, 1920s-1930s


Box 364 Folder 11 to 12

Comparative chronology, 1920s, (2 Folders)


Box 364 Folder 13

Dating -- Chronology -- Bibliography, 1920s


Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France)


Box 365 Folder 1

David and Goliath -- Daniel, 1920s


Box 365 Folder 2

Gallo-Roman art, 1920s-1930s


Box 365 Folder 3

Iconography, 1920s-1930s


Box 365 Folder 4

Iconography -- Lazarus, 1920s


Box 365 Folder 5

Iconography -- Saints, 1920s


Box 365 Folder 6

Inscription -- Paleography, 1920s


Box 365 Folder 7

Imposts, 1920s-1930s


Box 365 Folder 8

New Testament -- Annunciation -- Innocents, 1920s


Box 365 Folder 9

New Testament -- Baptism -- Good Samaritan, 1920s


Box 365 Folder 10

Ornament, 1920s


Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France)


Box 366 Folder 1 to 2

Ornament -- Capitals, 1920s, (2 Folders)


Box 366 Folder 3 to 4

Ornament, study of, 1920s (2 Folderes), 1920s


Box 366 Folder 5 to 10

Pier reliefts, 1920s, (6 Folders)


Box 366 Folder 11

Porch -- Iconography, 1920s


Box 366 Folder 12

Portal of leisure, 1920s


Box 366 Folder 13

Sacrifice of Issac -- Samson, 1920s


Saint-Pierre (Abbey : Moissac, Tarn-et-Garonne, France)


Box 367 Folder 1

Trumeaux and lintel comparisons, 1920s


Box 367 Folder 2

Tympanum, 1920s-1970s


Box 367 Folder 3 to 4

Tympanum -- Iconography, 1920s-1930s, (2 Folders)


Box 367 Folder 5 to 6

Tympanum -- Iconography -- Christ on throne, 1920s, (2 Folders)


Box 367 Folder 7

Tympanum -- Iconography -- Eagle with roll, 1920s


Box 367 Folder 8 to 9

Tympanum -- Iconography -- The elders, 1920s, (2 Folders)


Box 367 Folder 10

Tympanum -- Iconography -- Relation to monumental painting, 1920s


Box 367 Folder 11

Tympanum -- Iconography -- Vision in Christian art, 1920s


Box 367 Folder 12

Tympanum and porch -- History and style, 1920s


Box 367 Folder 13

Tympanum and porch -- Reliefs, 1930s-1940s


Box 367 Folder 14

Tympanum and St. Sever miniature, 1920s


Box 367 Folder 15

West gallery capitals, 1920s


Santo Domingo de Silos (Benedictine abbey)


Box 368 Folder 1 to 8

General, 1930s-1998, (8 Folders)


Box 368 Folder 9

Architecture, 1930s-1940s


Box 368 Folder 10

Dating, 1940s


Santo Domingo de Silos (Benedictine abbey)


Box 369 Folder 1

Dating and paleography, circa, 1940s


Box 369 Folder 2

French art, circa, 1930s


Box 369 Folder 3

History -- Capitals -- Reliefs, circa, 1930s-1940s


Box 369 Folder 4

Mozarbic style, circa, 1940s-1950s


Box 369 Folder 5 to 6

Style and iconography, circa, 1930s-1940s, (2 Folders)


Saint-Sernin de Toulouse (Church)


Box 369 Folder 7

Altar, 1920s


Box 369 Folder 8 to 9

Porte des comtes, 1920s-1930s, (2 Folders)


Box 370 Folder 1

Sculpture, Romanesque -- Baltrušaitis, Jurgis, 1930s


Box 370 Folder 2

Sculpture, Romanesque -- England --York, circa, 1940s


Box 370 Folder 3

Sculpture, Romanesque -- France -- Figure, drapery, and relief, 1930s-1940w


Box 370 Folder 4

Sculpture, Romanesque -- France -- Vézelay, circa, 1930s


Box 370 Folder 5

Sculpture, Romanesque -- Italy, circa, 1930s


Box 370 Folder 6

Sculpture, Romanesque -- Ornament and capitals, circa, 1930s


Box 370 Folder 7

Sculpture, Romanesque -- Period style, 1930s-1940s


Box 370 Folder 8

Sculpture, Romanesque -- South France and Spain, 1930s


Box 370 Folder 9

Sedlmayr, Hans, circa, 1930s


Box 370 Folder 10 to 12

Semiotics, circa, 1950s, (3 Folders)


Box 370 Folder 13

Semiotics and schemas, circa, 1950s


Box 370 Folder 14

Seurat, Georges, 1950s


Box 370 Folder 15

Simple forms, circa, 1960s


Box 370 Folder 16

Sinyavsky, Andrei, 1965


Box 370 Folder 17

Social realism and revolutionary art, 1930s


Box 370 Folder 18

Socialism, circa, 1940s-1960s


Box 370 Folder 19

Socialism and art, circa, 1930s


Box 370 Folder 20

Sociology, 1930s


Box 370 Folder 21

Sombart, Werner, 1930s


Box 370 Folder 22

Sorokin, Pitirim Aleksandrovich


Box 370 Folder 23

Souillac (France), 1960s


Box 370 Folder 24

Spirit, 1980s


Box 370 Folder 25

Stalin, Joseph, 1930s-1940s


Box 370 Folder 26 to 28

Style, circa, 1950s, (3 Folders)


Box 371 Folder 1

Subjectivity -- Individuality, circa, 1940s


Box 371 Folder 2

Surrealism, 1930s-1960s


Box 371 Folder 3

Swift, Jonathon -- A tale of a tub, circa, 1930s-1940s


Box 371 Folder 4

Themes, 1930s-1980s


Box 371 Folder 5

Thompson, Robert, 1960s


Box 371 Folder 6

Toulouse-Lautrec, Henri de, 1940s


Box 371 Folder 7

Tour Eiffel (Paris, France), 1930s


Box 371 Folder 8 to 12

Unsorted -- General, 1980s-1990s, (5 Folders)


Box 372 Folder 1 to 3

Unsorted -- General, 1980s-1990s, (3 Folders)


Box 372 Folder 4

Varèse, Edgar, 1980


Box 372 Folder 5

Vermeer, Jan, circa, 1960s


Box 372 Folder 6

Villard, de Honnecourt, 13th century -- Ur (Extinct city), circa, 1960s


Box 372 Folder 7

Wall Street (New York, NY), circa, 1930s


Box 372 Folder 8

Weston, Edward, circa, 1960s


Box 372 Folder 9

Wölfflin, Henrich, circa, 1940s-1950s


Box 372 Folder 10

Wölfflin, Henrich and Paul Frankl, circa, 1940s


Box 372 Folder 11

Works in progress, 1980s-1990s


Box 372 Folder 12

Xanten (Germany)--Antiquities, 1940s-1960s


Box 372 Folder 13

Zagreb Gospels, 1970s


Subseries: V.6: Reproductions, 1930s-1990s

Reproductions in this subseries are photographs obtained by Schapiro from libraries, museums, and visual resource centers for research purposes. The reproductions provide a visual documentation to the works of art and architecture Schapiro consulted while writing, researching, and conducting university courses.

Files are organized by artists or subjects headings using the Union List of Artists Names and the Library of Congress Subject Headings respectively. Unique subject headings that were created by Schapiro and not found in the Library of Congress Subject Headings were retained for their unique. Reproductions of illuminated manuscripts are filed by repository or geographic location where they are held. For photographs used in publications or lectures, consult those respective series.


Box 666

Architecture -- General (Glass plate negatives)


Box 667

Architecture -- General (Glass plate negatives)


Box 668

Architecture -- General(Glass plate negatives)


Box 373 Folder 1 to 2

Architecture -- France -- Chartres, (2 Folders)


Box 393 Folder 1

Architecture, Early Christian


Box 373 Folder 3

Architecture, Classical -- Italy


Box 373 Folder 4 to 7

Architecture, Romanesque, (4 Folders)


Box 373 Folder 8 to 9

Architecture, Romanesque -- France, (2 Folders)


Box 373 Folder 10

Architecture, Romanesque -- France -- Chartres


Box 373 Folder 11

Architecture, Romanesque -- France -- Souillac


Box 373 Folder 12 to 13

Architecture, Romanesque -- Spain -- Santo Domingo de Silos (Benedictine abbey), (2 Folders)


Box 373 Folder 14

Architecture -- Turkey -- Istanbul


Box 374 Folder 1

Art -- General


Box 374 Folder 2 to 3

Art, Early Christian -- Italy, (2 Folders)


Box 374 Folder 4

Art, Medieval


Box 374 Folder 5

Art, Medieval -- Minneapolis Institute of Arts


Box 374 Folder 6

Art, Medieval -- Museum of Fine Arts, Boston


Box 374 Folder 7

Art, Medieval and Renaissance


Box 374 Folder 8

Art, Modern


Box 374 Folder 9

Art, Renaissance


Box 374 Folder 10

Art, Romanesque


Box 374 Folder 11

Art, Romanesque -- Spain


Box 374 Folder 12 to 13

Art, Romanesque -- Spain -- Santo Domingo de Silos (Benedictine abbey), (2 Folders)


Box 393 Folder 2

Baudelaire, Charles


Box 374 Folder 14

Bazille, Frédéric


Box 374 Folder 15

Bellini, Giovanni


Box 374 Folder 16

Bill, Max


Box 374 Folder 17

Bingham, George Caleb


Box 374 Folder 18

Blume, Peter


Box 374 Folder 19

Boudin, Eugène Louis


Box 374 Folder 20

Braque, Georges


Box 374 Folder 21

Bruegel, Pieter I


Box 374 Folder 22

Caillebotte, Gustave


Box 393 Folder 3

Campin, Robert


Box 393 Folder 4

Cézanne, Paul


Box 374 Folder 23

Chagall, Marc


Box 374 Folder 24

Chardin, Jean -Siméon


Box 374 Folder 25

Chintreuil, Antoine


Box 374 Folder 26

Corinth, Lovis


Box 374 Folder 27

Corot, Jean-Baptiste-Camille


Box 374 Folder 28

Courbet, Gustave


Box 375 Folder 1

Crucifixion in art -- Romanesque


Box 375 Folder 2

Dalí, Salvador


Box 375 Folder 3

Daubigny, Charles François


Box 375 Folder 4

Daumier, Honoré


Box 375 Folder 5

Degas, Edgar


Box 375 Folder 6

Delacroix, Eugène


Box 375 Folder 7

Derain, André


Box 375 Folder 8

Dix, Otto


Box 393 Folder 5

Drawing, Renaissance


Box 375 Folder 9

Ensor, James


Box 375 Folder 10

Ernst, Max


Box 375 Folder 11

Francés, Esteve


Box 375 Folder 12

Frescoes (paintings), Byzantine


Box 375 Folder 13 to 15

Frescoes (paintings), Romanesque, (3 Folders)


Box 375 Folder 16

Frescoes (paintings), Romanesque -- France


Box 393 Folder 6

Frescoes (paintings, Romanesque -- France -- Berzé-la-Ville


Box 375 Folder 17

Frescoes (paintings), Romanesque -- Italy -- Grado


Box 375 Folder 18

Frescoes (paintings, Romanesque -- Italy -- San Vincenzo al Volturno


Box 375 Folder 19

Gauguin, Paul


Box 375 Folder 20

Gogh, Vincent van


Box 375 Folder 21

Gorky, Arshile


Box 376 Folder 1

Gottlieb, Adolph


Box 376 Folder 2

Granet, François-Marius


Box 376 Folder 3

Gris, Juan


Box 393 Folder 7

Gros, Antoine Jean


Box 376 Folder 4

Grosser, Maurice Richard


Box 376 Folder 5

Harmon, Lily


Box 376 Folder 6

Hayter, Stanley William


Box 669

Illuminated manuscripts -- General (Glass plate negatives)


Box 670

Illuminated manuscripts -- General (Glass plate negatives)


Box 671

Illuminated manuscripts -- General (Glass plate negatives)


Box 671

Illuminated manuscripts


Box 393 Folder 8

General


Illuminated manuscripts


Box 376 Folder 7

General


Box 376 Folder 8

Abbazia di S. Paolo fuori le Mura (Rome, Italy)


Box 376 Folder 9 to 12

Arenberg (Duchy), (4 Folders)


Box 376 Folder 13

Ashburnham Pentateuch


Box 376 Folder 14

Austria -- Vienna


Box 376 Folder 15

Belgium -- Antwerp


Illuminated manuscripts


Box 377 Folder 1

Belgium -- Brussels


Box 377 Folder 2

Belgium -- Ghent


Box 377 Folder 3

Belgium -- Tournai


Box 377 Folder 4 to 5

Bible de Souvigny, (2 Folders)


Box 377 Folder 6 to 16

Biblioteca apostolica vaticana, (11 Folders)


Illuminated manuscripts


Box 378 Folder 1

Biblioteca medicea laurenziana


Box 378 Folder 2

Biblioteca vallicelliana


Box 378 Folder 3

Bibliothèque de l'Arsenal


Box 378 Folder 4 to 12

Bibliothèque nationale de France, (8 Folders)


Illuminated manuscripts


Box 379 Folder 1 to 12

Bibliothèque nationale de France, (12 Folders)


Illuminated manuscripts


Box 380 Folder 1 to 8

Bibliothèque nationale de France, (8 Folders)


Illuminated manuscripts


Box 381 Folder 1 to 9

Bibliothèque nationale de France, (9 Folders)


Illuminated manuscripts


Box 393 Folder 9 to 11

Bibliothèque nationale de France (3 Folders


Illuminated manuscripts


Box 381 Folder 10

Bibliothèque Sainte-Geneviève


Box 381 Folder 11 to 12

Bodleian Library, (2 Folders)


Illuminated manuscripts


Box 382 Folder 1 to 9

British Museum, (9 Folders)


Box 382 Folder 10

Byzantine


Box 382 Folder 11

Egypt -- Cairo


Illuminated manuscripts


Box 383 Folder 1

England


Illuminated manuscripts


Box 393 Folder 12

England


Illuminated manuscripts


Box 383 Folder 2

England -- Cambridge


Box 383 Folder 3

England -- Durham


Box 383 Folder 4

England -- Litchfield


Box 383 Folder 5

England -- Winchester


Box 383 Folder 6

Ethiopia


Box 383 Folder 7 to 11

France, (5 Folders)


Box 383 Folder 12 to 13

France -- Aix-en-Provence, (2 Folders)


Illuminated manuscripts


Box 393 Folder 13

France -- Aix-en-Provence


Illuminated manuscripts


Box 383 Folder 14 to 16

France -- Albi, (3 Folders)


Illuminated manuscripts


Box 393 Folder 14

France -- Albi


Illuminated manuscripts


Box 383 Folder 17

France -- Amiens


Illuminated manuscripts


Box 393 Folder 15

France -- Amiens


Illuminated manuscripts


Box 383 Folder 18 to 19

France -- Angers, (2 Folders)


Illuminated manuscripts


Box 393 Folder 16

France -- Angers


Illuminated manuscripts


Box 383 Folder 20

France -- Arles


Illuminated manuscripts


Box 384 Folder 1

France -- Auch


Box 384 Folder 2

France -- Autun


Illuminated manuscripts


Box 393 Folder 17

France -- Autun


Illuminated manuscripts


Box 384 Folder 3 to 4

France -- Auxerre, (2 Folders)


Box 384 Folder 5

France -- Avignon


Illuminated manuscripts


Box 393 Folder 18

France -- Avignon


Illuminated manuscripts


Box 384 Folder 6

France -- Avranches


Box 384 Folder 7 to 8

France -- Beaune, (2 Folders)


Illuminated manuscripts


Box 394 Folder 1

France -- Beaune


Box 384 Folder 9 to 10

France -- Besançon, (2 Folders)


Illuminated manuscripts


Box 394 Folder 2

France -- Besançon


Illuminated manuscripts


Box 384 Folder 11 to 13

France -- Bordeaux, (3 Folders)


Box 384 Folder 14

France -- Boulogne


Box 384 Folder 15

France -- Cambrai


Box 384 Folder 16

France -- Carpentras


Box 384 Folder 17

France -- Chalon-sur-Saône


Illuminated manuscripts


Box 394 Folder 3

France -- Chalon-sur-Saône


Box 384 Folder 18

France -- Chantilly


Box 384 Folder 19

France -- Chartres


Box 384 Folder 20

France -- Clermont-Ferrand


Box 384 Folder 21 to 22

France -- Dijon, (2 Folders)


Illuminated manuscripts


Box 385 Folder 1

France -- Douai


Box 385 Folder 2

France -- Grenoble


Box 385 Folder 3

France -- Lunel


Box 385 Folder 4

France -- Lyon


Box 385 Folder 5 to 6

France -- Moissac, (2 Folders)


Box 385 Folder 7

France -- Montpellier


Box 385 Folder 8

France -- Narbonne


Box 385 Folder 9

France -- Nîmes


Box 385 Folder 10

France -- Poitiers


Box 385 Folder 11

France -- Perigny


Box 385 Folder 12

France -- Orléans


Illuminated manuscripts


Box 394 Folder 4

France -- Poitiers


Illuminated manuscripts


Box 385 Folder 13

France -- Rheims


Box 385 Folder 14

France -- Saint-Étienne


Box 385 Folder 15

France -- Saint Omer


Box 385 Folder 16

France -- Saint-Yrieix-la-Perche


Box 385 Folder 17

France -- Tours


Box 385 Folder 18

France -- Valenciennes


Box 385 Folder 19

France -- Vendôme


Box 385 Folder 20

France -- Verdun-sur-Meuse


Box 385 Folder 21

Germany


Box 385 Folder 22

Germany -- Aschaffenburg


Box 385 Folder 23

Germany -- Basel


Illuminated manuscripts


Box 386 Folder 1

Germany -- Berlin


Box 386 Folder 2

Germany -- Freiberg


Box 386 Folder 3

Germany -- Munich


Box 386 Folder 4

Germany -- Stuttgart


Box 386 Folder 5

Iceland -- Reykjavík


Box 386 Folder 6

Insular (British Isles Medieval Style)


Box 386 Folder 7 to 8

Italy, (2 Folders)


Box 386 Folder 9

Italy -- Florence


Box 386 Folder 10

Italy -- Ivrea


Box 386 Folder 11 to 12

Italy -- Parma


Illuminated manuscripts


Box 394 Folder 5

Italy -- Parma


Illuminated manuscripts


Box 386 Folder 13

Italy -- Venice


Illuminated manuscripts


Box 394 Folder 6

Joshua Roll


Box 394 Folder 7

Netherlands -- Hague, the


Illuminated manuscripts


Box 386 Folder 14 to 16

Netherlands-- Leyden, (3 Folders)


Illuminated manuscripts


Box 387 Folder 1 to 3

Pierpont Morgan Library, (3 Folders)


Illuminated manuscripts


Box 394 Folder 8

Pierpont Morgan Library


Illuminated manuscripts


Box 387 Folder 4

Pierpont Morgan Library -- Astronomy


Box 387 Folder 5 to 6

Pierpont Morgan Library -- Arenberg, House of, (2 Folders)


Box 387 Folder 7

Romanesque schematism


Box 387 Folder 8

Seattle Art Museum


Box 387 Folder 9

Spain -- Gerona


Box 387 Folder 10

Spain -- Madrid


Box 387 Folder 11

Sweden -- Stockholm


Box 387 Folder 12 to 13

Walters Art Gallery (Baltimore, MD), (2 Folders)


Box 387 Folder 14

Ingres, Jean-August-Dominique


Box 387 Folder 15

Jongkind, Johan Barthold


Box 387 Folder 16

Kandinsky, Vassily


Box 387 Folder 17

Klee, Paul


Box 387 Folder 18

Korn, Elizabeth


Box 387 Folder 19

La Fresnaye, Roger de


Box 387 Folder 20

Léger, Fernand


Box 394 Folder 9

Léger, Fernand


Box 387 Folder 21

Leonardo da Vinci


Box 387 Folder 22

Lotto, Lorenzo


Box 388 Folder 1

Louis, Morris


Box 388 Folder 2

Manet, Édouard


Box 394 Folder 10

Manet, Édouard


Box 388 Folder 3

Marcks, Gerhard


Box 388 Folder 4

Marées, Hans von


Box 388 Folder 5

Masson, André


Box 388 Folder 6

Matisse, Henri


Box 388 Folder 7

Matta, Roberto


Box 388 Folder 8

Memling, Hans


Box 388 Folder 9

Messonier, Jean Louis Ernest


Metropolitan Museum of Art (New York, N.Y.)

(Reproductions found in the these files were ordered by Schapiro from the museum. They are chiefly focused on the art architecture of the Byzantine, Baroque, Romanesque, and Renaissance periods )


Box 664 Folder 1 to 3

Art and architecture, 1940s-1960s


Box 665 Folder 1 to 3

Art and architecture, 1940s-1960s


Box 388 Folder 10

Michelin, Jean


Box 388 Folder 11

Millet, Jean-François


Box 388 Folder 12

Miró, Joán


Box 388 Folder 13

Mondrian, Piet


Box 388 Folder 14

Monet, Claude


Box 394 Folder 11

Monticelli, Adolphe


Box 388 Folder 15

Morisot, Berthe


Box 388 Folder 16 to 17

Mosaics, Byzantine, (2 Folders)


Box 388 Folder 18

Munch, Edvard


Box 388 Folder 19

Nadar


Box 388 Folder 20

Newman, Barnett


Box 388 Folder 21

Noda, Hideo


Box 388 Folder 22

Nolde, Emil


Box 388 Folder 23

Onslow-Ford, Gordon


Box 394 Folder 12

Onslow-Ford, Gordon


Box 388 Folder 24

Orozco, José Clemente


Box 388 Folder 25

Papety, Dominique


Box 389 Folder 1

Penguilly-L'Haridon, Octave


Box 389 Folder 2

Perspective


Box 394 Folder 13

Picasso, Pablo


Box 389 Folder 3

Piranesi, Guiovanni Battista


Box 389 Folder 4

Pisidia


Box 389 Folder 5

Pissarro, Camille


Box 389 Folder 6

Pollock, Jackson


Box 389 Folder 7

Poussin, Nicolas


Box 389 Folder 8

Puvis de Chavannes, Pierre


Box 389 Folder 9

Rafaëlli, Jean-François


Box 389 Folder 10

Redon, Odilon


Box 389 Folder 11

Renoir, Pierre-Auguste


Box 389 Folder 12

Rivera, Diego


Box 389 Folder 13

Rodin, Auguste


Box 389 Folder 14

Rothko, Mark


Box 389 Folder 15

Rouault, Georges


Box 389 Folder 16

Rousseau, Henri


Box 389 Folder 17

Rubens, Arnold Frans


Box 389 Folder 18

Scorel, Jan van


Box 389 Folder 19

Sculpture -- Benin


Box 389 Folder 20

Sculpture, Early Christian -- Vladimir Simkovitch Collection


Box 389 Folder 21

Sculpture, Greek


Box 389 Folder 22 to 24

Sculpture, Romanesque, (3 Folders)


Box 389 Folder 25

Sculpture, Romanesque -- Art museums -- United States


Box 389 Folder 26 to 28

Sculpture, Romanesque -- France, (3 Folders)


Box 390 Folder 1

Sculpture, Romanesque -- Italy -- Gaeta, San Leandro and Matera frescoes


Box 390 Folder 2

Sculpture, Romanesque -- Italy -- Pisa


Box 390 Folder 3 to 4

Sculpture, Romanesque -- Italy -- Verona, San Zeno, (2 Folders)


Box 390 Folder 5

Sculpture, Romanesque -- Philadelphia Museum of Art


Box 390 Folder 6

Sculpture, Romanesque -- Spain


Box 390 Folder 7

Sculpture, Romanesque -- Spain -- Walters Art Gallery (Baltimore, Md.)


Box 390 Folder 8

Seligmann, Kurt


Box 391 Folder 1 to 10

Seurat, Georges, (10 Folders)


Box 394 Folder 14

Seurat, Georges


Box 392 Folder 1

Shahn, Ben


Box 392 Folder 2

Signorelli, Luca


Box 392 Folder 3

Sisley, Alfred


Box 394 Folder 15

Stained Glass -- France -- Poitiers


Box 392 Folder 4

Toulouse-Lautrec, Henri de


Box 392 Folder 5

Tura, Cosmè


Box 392 Folder 6

Twain, Mark


Box 392 Folder 7

Utrillo, Maurice


Box 392 Folder 8

Velázquez, Diego


Box 392 Folder 9

Vuillard, Edouard


Box 392 Folder 10

Weber, Max

Series VI: Exhibition announcements, invitations, and press releases, 1920-2001

Alongside Schapiro's academic background in Medieval and Romanesque art, he was very passionate about art of his contemporary time and of maintaining close relationships with working artists. Schapiro was a central figure in the art community of New York City since the 1930s and he visited art galleries and exhibitions throughout his life. Series VI is a collection of exhibition announcements, invitations, and press releases from New York City galleries that were sent to Schapiro and collected by him starting from 1920. After his death, Schapiro's wife, Lillian Milgram Schapiro, continued to receive and collect these materials until 2001.

These collection exhibition announcements and invitations give a micro-history of New York City through the lens of the art gallery. Items in this series record who owned galleries, where their spaces were located, which artists were exhibited across time, and what art works were shown.

Prior to being integrated into this collection in 2009, these materials were maintained in filing cabinets and housed at Columbia University's Visual Media Center located in Schermerhorn Hall.

The original filing structure organized by Schapiro was maintained, which grouped an artist's last name in alphabetic and chronologic batches. Group exhibitions were filed in their own groupings chronologically. To facilitate retrieval of archival material, all files were consolidated following a consistent alphabetic pattern and subdivided into the following subseries: Subseries: VI.1: 1920-1942, Subseries: VI.2: A-E, 1943-2001, Subseries: VI.3: F-L, 1943-2001, Subseries: VI.4: M-R, 1943-2001, Subseries: VI.5: S-Z, 1943-2001, Subseries: VI.6: Group exhibitions, 1945-2001, Subseries: VI.7: Oversize, 1930s-1990s.


Subseries: VI.1, A-Z, 1920-1942


Box 57 Folder 1

1920-1929


Box 57 Folder 2

1930-1934


Box 57 Folder 3

1935-1936


Box 57 Folder 4

1937-1938


Box 57 Folder 5

1939


Box 57 Folder 6

1940


Box 57 Folder 7

1941


Box 57 Folder 8

1942


Subseries: VI.2: A-E, 1943-2001


Box 57 Folder 9

A-E, 1943


Box 57 Folder 10

A-E, 1944


Box 57 Folder 11

A-E, 1945


Box 57 Folder 12

A-E, 1946


Box 57 Folder 13

A-E, 1947


Box 57 Folder 14

A-E, 1948


Box 57 Folder 15

A-E, 1949


Box 57 Folder 16

A-E, 1950


Box 57 Folder 17

A-E, 1951


Box 57 Folder 18

A-E, 1952


Box 57 Folder 19

A-E, 1953


Box 57 Folder 20

A-E, 1954


Box 57 Folder 21

A-E, 1955


Box 57 Folder 22

A-E, 1956


Box 57 Folder 23

A-E, 1957


Box 58 Folder 1

A-E, 1958


Box 58 Folder 2

A-C, 1959


Box 58 Folder 3

C-E, 1959


Box 58 Folder 4

A-C, 1960


Box 58 Folder 5

C-E, 1960


Box 58 Folder 6

A-C, 1961


Box 58 Folder 7

D-E, 1961


Box 58 Folder 8

A-B, 1962


Box 58 Folder 9

B-D, 1962


Box 58 Folder 10

D-E, 1962


Box 58 Folder 11

A-B, 1963


Box 58 Folder 12

B-C, 1963


Box 58 Folder 13

D-E, 1963


Box 58 Folder 14

A-B, 1964


Box 58 Folder 15

B-C, 1964


Box 58 Folder 16

D-E, 1964


Box 58 Folder 17

A-B, 1965


Box 59 Folder 1

B-C, 1965


Box 59 Folder 2

C-E, 1965


Box 59 Folder 3

A-B, 1966


Box 59 Folder 4

B-D, 1966


Box 59 Folder 5

D-E, 1966


Box 59 Folder 6

A-B, 1967


Box 59 Folder 7

B-C, 1967


Box 59 Folder 8

D-E, 1967


Box 59 Folder 9

A-B, 1968


Box 59 Folder 10

B-C, 1968


Box 59 Folder 11

D-E, 1968


Box 59 Folder 12

A-B, 1969


Box 59 Folder 13

B-C, 1969


Box 59 Folder 14

D-E, 1969


Box 59 Folder 15

A-B, 1970


Box 59 Folder 16

B, 1970


Box 60 Folder 1

B-C, 1970


Box 60 Folder 2

D-E, 1970


Box 60 Folder 3

A-B, 1971


Box 60 Folder 4

C, 1971


Box 60 Folder 5

D-E, 1971


Box 60 Folder 6

A-B, 1972


Box 60 Folder 7

B-C, 1972


Box 60 Folder 8

D-E, 1972


Box 60 Folder 9

A-B, 1973


Box 60 Folder 10

B-C, 1973


Box 60 Folder 11

C-E, 1973


Box 60 Folder 12

A-B, 1974


Box 60 Folder 13

B, 1974


Box 60 Folder 14

C, 1974


Box 60 Folder 15

D-E, 1974


Box 60 Folder 16

A-B, 1975


Box 60 Folder 17

C, 1975


Box 60 Folder 18

D-E, 1975


Box 61 Folder 1

A-B, 1976


Box 61 Folder 2

C-E, 1976


Box 61 Folder 3

A-B, 1977


Box 61 Folder 4

B-E, 1977


Box 61 Folder 5

A-C, 1978


Box 61 Folder 6

D-E, 1978


Box 61 Folder 7

A, 1979


Box 61 Folder 8

A-C, 1979


Box 61 Folder 9

D-E, 1979


Box 61 Folder 10

A-B, 1980


Box 61 Folder 11

B-E, 1980


Box 61 Folder 12

A-B, 1981


Box 61 Folder 13

C-E, 1981


Box 61 Folder 14

A-B, 1982


Box 61 Folder 15

C-E, 1982


Box 61 Folder 16

A-B, 1983


Box 62 Folder 1

B-C, 1983


Box 62 Folder 2

D-E, 1983


Box 62 Folder 3

A-B, 1984


Box 62 Folder 4

C, 1984


Box 62 Folder 5

D-E, 1984


Box 62 Folder 6

A-B, 1985


Box 62 Folder 7

C-E, 1985


Box 62 Folder 8

A-B, 1986


Box 62 Folder 9

C-E, 1986


Box 62 Folder 10

A-B, 1987


Box 62 Folder 11

C-E, 1987


Box 62 Folder 12

A-B, 1988


Box 62 Folder 13

B-C, 1988


Box 62 Folder 14

C-E, 1988


Box 62 Folder 15

A-B, 1989


Box 62 Folder 16

C-E, 1989


Box 63 Folder 1

A-E, circa, 1970s-1980s


Box 63 Folder 2

A-B, 1990


Box 63 Folder 3

B-C, 1990


Box 63 Folder 4

D-E, 1990


Box 63 Folder 5

A-B, 1991


Box 63 Folder 6

B-D, 1991


Box 63 Folder 7

D-E, 1991


Box 63 Folder 8

A-B, 1992


Box 63 Folder 9

C-E, 1992


Box 63 Folder 10

A-E, 1993


Box 63 Folder 11

A-B, 1994


Box 63 Folder 12

C-E, 1994


Box 63 Folder 13

A-B, 1995


Box 63 Folder 14

C-E, 1995


Box 63 Folder 15

A-C, 1996


Box 63 Folder 16

D-E, 1996


Box 63 Folder 17

A-E, 1997


Box 64 Folder 1

A-E, 1998


Box 64 Folder 2

A-E, 1999


Box 64 Folder 3

A-C, 2000


Box 64 Folder 4

D-E, 2000


Box 64 Folder 5

A-B, 2001


Box 64 Folder 6

B-E, 2001


Subseries: VI.3: F-L, 1943-2001


Box 64 Folder 7

F-L, 1943


Box 64 Folder 8

F-L, 1944


Box 64 Folder 9

F-L, 1945


Box 64 Folder 10

F-L, 1946


Box 64 Folder 11

F-L, 1947


Box 64 Folder 12

F-L, 1948


Box 64 Folder 13

F-L, 1949


Box 64 Folder 14

F-L, 1950


Box 64 Folder 15

F-L, 1951


Box 64 Folder 16

F-L, 1952


Box 64 Folder 17

F-L, 1953


Box 64 Folder 18

F-L, 1954


Box 64 Folder 19

F-L, 1955


Box 64 Folder 20

F-L, 1956


Box 65 Folder 1

F-L, 1957


Box 65 Folder 2

F-H, 1958


Box 65 Folder 3

H-L, 1958


Box 65 Folder 4

F-I, 1959


Box 65 Folder 5

J-L, 1959


Box 65 Folder 6

F-G, 1960


Box 65 Folder 7

H-L, 1960


Box 65 Folder 8

F-I, 1961


Box 65 Folder 9

J-L, 1961


Box 65 Folder 10

F-G, 1962


Box 65 Folder 11

H-I, 1962


Box 65 Folder 12

K-L, 1962


Box 65 Folder 13

F-G, 1963


Box 65 Folder 14

H-I, 1963


Box 65 Folder 15

J-K, 1963


Box 65 Folder 16

L, 1963


Box 66 Folder 1

F-G, 1964


Box 66 Folder 2

H-J, 1964


Box 66 Folder 3

K, 1964


Box 66 Folder 4

L, 1964


Box 66 Folder 5

F-G, 1965


Box 66 Folder 6

H-K, 1965


Box 66 Folder 7

K-L, 1965


Box 66 Folder 8

L, 1965


Box 66 Folder 9

F-G, 1966


Box 66 Folder 10

G-J, 1966


Box 66 Folder 11

K, 1966


Box 66 Folder 12

L, 1966


Box 66 Folder 13

F-G, 1967


Box 66 Folder 14

H-J, 1967


Box 66 Folder 15

K, 1967


Box 66 Folder 16

L, 1967


Box 67 Folder 1

F-G, 1968


Box 67 Folder 2

H-J, 1968


Box 67 Folder 3

K, 1968


Box 67 Folder 4

L, 1968


Box 67 Folder 5

F-G, 1969


Box 67 Folder 6

H-J, 1969


Box 67 Folder 7

J-K, 1969


Box 67 Folder 8

L, 1969


Box 67 Folder 9

F-G, 1970


Box 67 Folder 10

G-H, 1970


Box 67 Folder 11

H-J, 1970


Box 67 Folder 12

K, 1970


Box 67 Folder 13

L, 1970


Box 67 Folder 14

F-G, 1971


Box 67 Folder 15

G-H, 1971


Box 67 Folder 16

I-K, 1971


Box 67 Folder 17

L, 1971


Box 68 Folder 1

F-G, 1972


Box 68 Folder 2

H-J, 1972


Box 68 Folder 3

K-L, 1972


Box 68 Folder 4

F-G, 1973


Box 68 Folder 5

H-J, 1973


Box 68 Folder 6

K-L, 1973


Box 68 Folder 7

F-G, 1974


Box 68 Folder 8

G-H, 1974


Box 68 Folder 9

I-K, 1974


Box 68 Folder 10

L, 1974


Box 68 Folder 11

F-G, 1975


Box 68 Folder 12

G-J, 1975


Box 68 Folder 13

K-L, 1975


Box 68 Folder 14

F-G, 1976


Box 68 Folder 15

H-J, 1976


Box 68 Folder 16

K-L, 1976


Box 68 Folder 17

F-G, 1977


Box 69 Folder 1

H-J, 1977


Box 69 Folder 2

K-L, 1977


Box 69 Folder 3

F-G, 1978


Box 69 Folder 4

H-J, 1978


Box 69 Folder 5

K-L, 1978


Box 69 Folder 6

F-G, 1979


Box 69 Folder 7

H-L, 1979


Box 69 Folder 8

F-G, 1980


Box 69 Folder 9

H-J, 1980


Box 69 Folder 10

K-L, 1980


Box 69 Folder 11

F-G, 1981


Box 69 Folder 12

H-J, 1981


Box 69 Folder 13

K-L, 1981


Box 69 Folder 14

F-G, 1982


Box 69 Folder 15

H-J, 1982


Box 69 Folder 16

K-L, 1982


Box 69 Folder 17

F-G, 1983


Box 69 Folder 18

H-J, 1983


Box 70 Folder 1

K-L, 1983


Box 70 Folder 2

F-G, 1984


Box 70 Folder 3

H-I, 1984


Box 70 Folder 4

J-L, 1984


Box 70 Folder 5

F-H, 1985


Box 70 Folder 6

I-L, 1985


Box 70 Folder 7

F-G, 1986


Box 70 Folder 8

H-K, 1986


Box 70 Folder 9

K-L, 1986


Box 70 Folder 10

F-G, 1987


Box 70 Folder 11

H-J, 1987


Box 70 Folder 12

K-L, 1987


Box 70 Folder 13

F-G, 1988


Box 70 Folder 14

H-J, 1988


Box 70 Folder 15

K-L, 1988


Box 71 Folder 1

F-J, 1989


Box 71 Folder 2

K-L, 1989


Box 71 Folder 3

F-L, circa, 1970s-1980s


Box 71 Folder 4

F-G, 1990


Box 71 Folder 5

H-J, 1990


Box 71 Folder 6

K-L, 1990


Box 71 Folder 7

F-G, 1991


Box 71 Folder 8

H-J, 1991


Box 71 Folder 9

K-L, 1991


Box 71 Folder 10

F-J, 1992


Box 71 Folder 11

K-L, 1992


Box 71 Folder 12

F-L, 1993


Box 71 Folder 13

F-H, 1994


Box 71 Folder 14

I-L, 1994


Box 71 Folder 15

F-G, 1995


Box 71 Folder 16

H-L, 1995


Box 71 Folder 17

F-J, 1996


Box 72 Folder 1

K-L, 1996


Box 72 Folder 2

F-L, 1997


Box 72 Folder 3

F-L, 1998


Box 72 Folder 4

F-L, 1999


Box 72 Folder 5

F-H, 2000


Box 72 Folder 6

I-L, 2000


Box 72 Folder 7

F-H, 2001


Box 72 Folder 8

I-L, 2001


Subseries: VI.4: M-R, 1943-2001


Box 72 Folder 9

M-R, 1943


Box 72 Folder 10

M-R, 1944


Box 72 Folder 11

M-R, 1945


Box 72 Folder 12

M-R, 1946


Box 72 Folder 13

M-R, 1947


Box 72 Folder 14

M-R, 1948


Box 72 Folder 15

M-R, 1949


Box 72 Folder 16

M-R, 1950


Box 72 Folder 17

M-R, 1951


Box 72 Folder 18

M-R, 1952


Box 72 Folder 19

M-R, 1953


Box 72 Folder 20

M-R, 1954


Box 72 Folder 21

M-R, 1955


Box 72 Folder 22

M-R, 1956


Box 72 Folder 23

M-R, 1957


Box 73 Folder 1

M-R, 1958


Box 73 Folder 2

M-O, 1959


Box 73 Folder 3

P-R, 1959


Box 73 Folder 4

M-N, 1960


Box 73 Folder 5

O-R, 1960


Box 73 Folder 6

M-P, 1961


Box 73 Folder 7

R, 1961


Box 73 Folder 8

M-N, 1962


Box 73 Folder 9

O-R, 1962


Box 73 Folder 10

M, 1963


Box 73 Folder 11

O-R, 1963


Box 73 Folder 12

M-N, 1964


Box 73 Folder 13

O-P, 1964


Box 73 Folder 14

R, 1964


Box 73 Folder 15

M-O, 1965


Box 73 Folder 16

P-R, 1965


Box 73 Folder 17

M, 1966


Box 74 Folder 1

N-Q, 1966


Box 74 Folder 2

R, 1966


Box 74 Folder 3

M, 1967


Box 74 Folder 4

N-P, 1967


Box 74 Folder 5

R, 1967


Box 74 Folder 6

M, 1968


Box 74 Folder 7

M-P, 1968


Box 74 Folder 8

P-R, 1968


Box 74 Folder 9

R, 1968


Box 74 Folder 10

M, 1969


Box 74 Folder 11

N-P, 1969


Box 74 Folder 12

Q-R, 1969


Box 74 Folder 13

M, 1970


Box 74 Folder 14

M-O, 1970


Box 74 Folder 15

P-R, 1970


Box 74 Folder 16

R, 1970


Box 74 Folder 17

M-O, 1971


Box 74 Folder 18

P-R, 1971


Box 75 Folder 1

M-N, 1972


Box 75 Folder 2

O-R, 1972


Box 75 Folder 3

M-N, 1973


Box 75 Folder 4

O-R, 1973


Box 75 Folder 5

M, 1974


Box 75 Folder 6

N-P, 1974


Box 75 Folder 7

R, 1974


Box 75 Folder 8

M-N, 1975


Box 75 Folder 9

O-R, 1975


Box 75 Folder 10

M-O, 1976


Box 75 Folder 11

P-R, 1976


Box 75 Folder 12

M-P, 1977


Box 75 Folder 13

Q-R, 1977


Box 75 Folder 14

M-O, 1978


Box 75 Folder 15

P-R, 1978


Box 75 Folder 16

M-O, 1979


Box 75 Folder 17

P-R, 1979


Box 76 Folder 1

M-O, 1980


Box 76 Folder 2

P-R, 1980


Box 76 Folder 3

M-O, 1981


Box 76 Folder 4

P-R, 1981


Box 76 Folder 5

M-O, 1982


Box 76 Folder 6

P-R, 1982


Box 76 Folder 7

M-N, 1983


Box 76 Folder 8

O-R, 1983


Box 76 Folder 9

M-O, 1984


Box 76 Folder 10

P-R, 1984


Box 76 Folder 11

M-R, 1985


Box 76 Folder 12

M, 1986


Box 76 Folder 13

N-Q, 1986


Box 76 Folder 14

R, 1986


Box 76 Folder 15

M-O, 1987


Box 76 Folder 16

P-R, 1987


Box 77 Folder 1

M-N, 1988


Box 77 Folder 2

O-P, 1988


Box 77 Folder 3

Q-R, 1988


Box 77 Folder 4

M-O, 1989


Box 77 Folder 5

P-R, 1989


Box 77 Folder 6 to 7

M-R, circa, 1970s-1980s, (2 Folders)


Box 77 Folder 8

M, 1990


Box 77 Folder 9

N-Q, 1990


Box 77 Folder 10

R, 1990


Box 77 Folder 11

M-N, 1991


Box 77 Folder 12

O-R, 1991


Box 77 Folder 13

M-O, 1992


Box 77 Folder 14

P-R, 1992


Box 77 Folder 15

M-R, 1993


Box 77 Folder 16

M-N, 1994


Box 77 Folder 17

O-R, 1994


Box 77 Folder 18

M-N, 1995


Box 77 Folder 19

O-R, 1995


Box 78 Folder 1

M-R, 1996


Box 78 Folder 2

M-N, 1997


Box 78 Folder 3

O-R, 1997


Box 78 Folder 4

M-R, 1998


Box 78 Folder 5

M-R, 1999


Box 78 Folder 6

M-O, 2000


Box 78 Folder 7

P-R, 2000


Box 78 Folder 8

M-R, 2001


Subseries: VI.5: S-Z, 1943-2001


Box 78 Folder 9

S-Z, 1943


Box 78 Folder 10

S-Z, 1944


Box 78 Folder 11

S-Z, 1945


Box 78 Folder 12

S-Z, 1946


Box 78 Folder 13

S-Z, 1947


Box 78 Folder 14

S-Z, 1948


Box 78 Folder 15

S-Z, 1949


Box 78 Folder 16

S-Z, 1950


Box 78 Folder 17

S-Z, 1951


Box 78 Folder 18

S-Z, 1952


Box 78 Folder 19

S-Z, 1953


Box 78 Folder 20

S-Z, 1954


Box 78 Folder 21

S-Z, 1955


Box 78 Folder 22

S-Z, 1956


Box 78 Folder 23

S-Z, 1957


Box 78 Folder 24

S-Z, 1958


Box 79 Folder 1

S, 1959


Box 79 Folder 2

T-Z, 1959


Box 79 Folder 3

S-T, 1960


Box 79 Folder 4

T-Z, 1960


Box 79 Folder 5

S-T, 1961


Box 79 Folder 6

U-Z, 1961


Box 79 Folder 7

S, 1962


Box 79 Folder 8

T-V, 1962


Box 79 Folder 9

V-Z, 1962


Box 79 Folder 10

S, 1963


Box 79 Folder 11

S-T, 1963


Box 79 Folder 12

T-W, 1963


Box 79 Folder 13

W-Z, 1963


Box 79 Folder 14

S, 1964


Box 79 Folder 15

T-Z, 1964


Box 79 Folder 16

S, 1965


Box 79 Folder 17

T-V, 1965


Box 79 Folder 18

W-Z, 1965


Box 80 Folder 1

S-T, 1966


Box 80 Folder 2

U-Z, 1966


Box 80 Folder 3

S, 1967


Box 80 Folder 4

T-V, 1967


Box 80 Folder 5

W-Z, 1967


Box 80 Folder 6

S, 1968


Box 80 Folder 7

S-T, 1968


Box 80 Folder 8

V-Z, 1968


Box 80 Folder 9

S, 1969


Box 80 Folder 10

T-W, 1969


Box 80 Folder 11

W-Z, 1969


Box 80 Folder 12

S, 1970


Box 80 Folder 13

S-T, 1970


Box 80 Folder 14

U-Z, 1970


Box 80 Folder 15

S, 1971


Box 80 Folder 16

T-Z, 1971


Box 81 Folder 1

S, 1972


Box 81 Folder 2

T-Z, 1972


Box 81 Folder 3

S, 1973


Box 81 Folder 4

T-Z, 1973


Box 81 Folder 5

S, 1974


Box 81 Folder 6

S-T, 1974


Box 81 Folder 7

V-Z, 1974


Box 81 Folder 8

S, 1975


Box 81 Folder 9

S-V, 1975


Box 81 Folder 10

W-Z, 1975


Box 81 Folder 11

S, 1976


Box 81 Folder 12

T-Z, 1976


Box 81 Folder 13

S-T, 1977


Box 81 Folder 14

V-Z, 1977


Box 81 Folder 15

S-Z, 1978


Box 81 Folder 16

S, 1979


Box 81 Folder 17

T-Z, 1979


Box 82 Folder 1

S, 1980


Box 82 Folder 2

T-Z, 1980


Box 82 Folder 3

S, 1981


Box 82 Folder 4

T-Z, 1981


Box 82 Folder 5

S, 1982


Box 82 Folder 6

T-Z, 1982


Box 82 Folder 7

S, 1983


Box 82 Folder 8

T-Z, 1983


Box 82 Folder 9

S, 1984


Box 82 Folder 10

T-Z, 1984


Box 82 Folder 11

S-T, 1985


Box 82 Folder 12

U-Z, 1985


Box 82 Folder 13

S, 1986


Box 82 Folder 14

T-Z, 1986


Box 82 Folder 15

S-T, 1987


Box 82 Folder 16

U-Z, 1987


Box 82 Folder 17

S, 1988


Box 83 Folder 1

T-V, 1988


Box 83 Folder 2

W-Z, 1988


Box 83 Folder 3

S-T, 1989


Box 83 Folder 4

U-Z, 1989


Box 83 Folder 5

S-Z, circa, 1970s-1980s


Box 83 Folder 6

S, 1990


Box 83 Folder 7

S-T, 1990


Box 83 Folder 8

U-Z, 1990


Box 83 Folder 9

S, 1991


Box 83 Folder 10

T-Z, 1991


Box 83 Folder 11

S-Z, 1992


Box 83 Folder 12

S-Z, 1993


Box 83 Folder 13

S-T, 1994


Box 83 Folder 14

U-Z, 1994


Box 83 Folder 15

S-T, 1995


Box 83 Folder 16

U-Z, 1995


Box 83 Folder 17

S-Z, 1996


Box 83 Folder 18

S-Z, 1997


Box 83 Folder 19

S-Z, 1998


Box 84 Folder 1

S-Z, 1999


Box 84 Folder 2

S-Z, 2000


Box 84 Folder 3

S-Z, 2001


Subseries: VI.6: Group Exhibitions, 1945-2001


Box 84 Folder 4

1945


Box 84 Folder 5

1946


Box 84 Folder 6

1947


Box 84 Folder 7

1948


Box 84 Folder 8

1949


Box 84 Folder 9

1950


Box 84 Folder 10 to 11

1951, (2 Folders)


Box 84 Folder 12

1952


Box 84 Folder 13

1953


Box 84 Folder 14

1954


Box 84 Folder 15

1955


Box 84 Folder 16

1956


Box 84 Folder 17 to 18

1957, (2 Folders)


Box 85 Folder 1

1958


Box 85 Folder 2 to 3

1959, (2 Folders)


Box 85 Folder 4 to 5

1960, (2 Folders)


Box 85 Folder 6 to 7

1961, (2 Folders)


Box 85 Folder 8 to 9

1962, (2 Folders)


Box 85 Folder 10 to 11

1963, (2 Folders)


Box 85 Folder 12 to 15

1964, (4 Folders)


Box 85 Folder 16

1965


Box 86 Folder 1 to 3

1965, (3 Folders)


Box 86 Folder 4 to 7

1966, (4 Folders)


Box 86 Folder 8 to 11

1967, (4 Folders)


Box 86 Folder 12 to 15

1968, (4 Folders)


Box 86 Folder 16

1969


Box 87 Folder 1 to 4

1969, (4 Folders)


Box 87 Folder 5

Circa, 1960s


Box 87 Folder 6 to 10

1970, (5 Folders)


Box 87 Folder 11 to 14

1971, (4 Folders)


Box 87 Folder 15 to 16

1972, (2 Folders)


Box 88 Folder 1 to 2

1972, (2 Folders)


Box 88 Folder 3 to 7

1973, (5 Folders)


Box 88 Folder 8 to 12

1974, (5 Folders)


Box 88 Folder 13 to 16

1975, (4 Folders)


Box 89 Folder 1 to 4

1976, (4 Folders)


Box 89 Folder 5 to 8

1977, (4 Folders)


Box 89 Folder 9 to 12

1978, (4 Folders)


Box 89 Folder 13 to 16

1979, (4 Folders)


Box 90 Folder 1 to 3

1980, (3 Folders)


Box 90 Folder 4 to 9

1981, (6 Folders)


Box 90 Folder 10 to 15

1982, (6 Folders)


Box 91 Folder 1 to 5

1983, (5 Folders)


Box 91 Folder 6 to 10

1984, (5 Folders)


Box 91 Folder 11 to 12

1985, (2 Folders)


Box 91 Folder 13 to 14

1986, (2 Folders)


Box 92 Folder 1 to 3

1986, (3 Folders)


Box 92 Folder 4 to 7

1987, (4 Folders)


Box 92 Folder 8 to 10

1988, (3 Folders)


Box 92 Folder 11 to 14

1989, (4 Folders)


Box 93 Folder 1 to 2

Circa, 1970s-1980s


Box 93 Folder 3 to 8

1990, (6 Folders)


Box 93 Folder 9 to 11

1991, (3 Folders)


Box 93 Folder 12 to 14

1992, (3 Folders)


Box 93 Folder 15

1993


Box 94 Folder 1 to 2

1994, (2 Folders)


Box 94 Folder 3 to 4

1995, (2 Folders)


Box 94 Folder 5 to 6

1996, (2 Folders)


Box 94 Folder 7 to 8

1997, (2 Folders)


Box 94 Folder 9 to 10

1998, (2 Folders)


Box 94 Folder 11 to 12

1999, (2 Folders)


Box 94 Folder 13 to 14

2000, (2 Folders)


Box 94 Folder 15 to 16

2001, (2 Folders)


Subseries: VI.7: Oversize


Box 95 Folder 1

1940-1959


Box 95 Folder 2

1960-1965


Box 95 Folder 3

1966-1967


Box 95 Folder 4

1968-1969


Box 96 Folder 1

1970-1972


Box 96 Folder 2

1973-1975


Box 96 Folder 3

1976-1979


Box 96 Folder 4

Circa, 1970s-1980s


Box 97 Folder 1

1980-1985


Box 97 Folder 2

1986-1989


Box 97 Folder 3

1990-1995


Box 97 Folder 4

1996-2001


Subseries VI.8: Index to Meyer Schapiro's collection of gallery announcements


Box 693

Index cards to Meyer Schapiro's collection of gallery announcements: A-G


Box 694

Index cards to Meyer Schapiro's collection of gallery announcements: H-Pougn


Box 695

Index cards to Meyer Schapiro's collection of gallery announcements: Pougr-Z

Series VII: Sound and video recordings, 1952-1990s

Series VII chiefly houses a substantial set Schapiro's recorded lectures from the 1950s through the 1980s. It also includes a video recording created in 1988 by the Metropolitan Museum of Art which incorporates sound from Schapiro's lecture "The unity of Picasso's art" with images from the museum's permanent collection.


Subseries: VII.1: Administrative records, 1985-1990s

The administrative records housed in this subseries are related to the sound recordings found in Subseries VII.2. Prior to Columbia University's custodianship of Schapiro's sound recordings of his lectures, he donated his collection of audiotapes to the Metropolitan Museum of Art. The records in this subseries document the history of the museum's custodianship of the recordings in the form of correspondence, inventories and lists that were generated by the Office of Film and Television of The Metropolitan Museum of Art. There is also a small volume of records relating to the video recording "The unity of Picasso's art" which is housed in Subseries: VII.3.


Sound recordings

(Prior to Columbia University's custodianship of Schapiro's sound recordings of his lectures, he donated his collection audiotapes to the Metropolitan Museum of Art. All the following files deal with that initial gift to the museum. )


Box 395 Folder 1

Contracts and correspondence, 1985-1986


Box 395 Folder 2

Correspondence and notes, 1982-1986


Box 395 Folder 3

Notes, 1985-1986


Box 395 Folder 4 to 8

Lists and notes, 1983-1990, (5 Folders)


Box 396 Folder 1 to 2

Inventories, 1980s, (2 Folders)


Video recordings

(Administrative records dealing with the producers Gittelman Film Associates)


Box 396 Folder 3 to 4

Correspondence and notes, 1985-1996


General


Box 396 Folder 5

Meyer Schapiro's film and television appearances -- Lists, 1990s


Subseries: VII.2: Audiocassettes and Audiotapes, 1952-1982

Known for his vivid and lively lectures, these sound recordings document Schapiro's lectures that were delivered from 1952 to 1982. These recordings also demonstrate Schapiro's extemporaneous style and pedagogical method and add an aural dimension to the archival documents relating to Schapiro's lectures in Series III of this collection.

Prior to being housed at Columbia University, the Metropolitan Museum of Art held custody of these sound recordings. During their custodianship, the museum reformatted the audio into audiocassettes to facilitate access to the material. This subseries includes both one set of the duplicated audiocassettes created by the museum and the original audiotapes.

For lecture titles, locations, and dates, both the inventories created by the Metropolitan Museum of Art in the 1980s and the archival material housed in Series III: Professional papers, Subseries: III.3: Lectures were used against each other to fact check annotations found on the audiotape reels. The data used in this subseries reflects a systemization that incorporates elements from all primary sources and remains consistent with descriptive data relating to lectures found in Series III. For instances where the sound recording is the only record in the collection, titles were supplied from actual boxes holding the audio tape reels.

All sound recordings in this subseries that contain archival material in Series III are indicated after the lecture's title and are also cross-referenced with lecture material in Series III.

Preservation notes following the title of the recordings were retrieved from the inventories and condition reports the Metropolitan Museum of Art created in the 1980s. Unless otherwise noted, all sound tape reels are the standard ¼ inch width and sound cassettes are 3 7/8 x 2 1/2 inch.


Leonardo: the scientist and artist -- Cooper Union for the Advancement of Science and Art --, 1952 August


(Quality of recording is poor, with echoes and noises. Reels 415 through 417 are copies of reels 413 through 414. Reels 415 through 417 are in very poor condition. Sound quality is fair. There is an echo in the introductory sections, but it clears up for the lecture. Professor is off microphone sometimes.)


Box 413-414

2 sound tape reels, 103 minute, analogue, 9.5 centimeters per second


Box 415-417

3 sound tape reels, analogue, 9.5 centimeters per second and 19 centimeters per second


Box 397

2 sound cassettes, 103 minutes, analogue, mono


Three poems, Sarah Jackson to Meyer Schapiro, 1956



(Reel begins with introduction on abstract art, but abruptly is replaced by poems by Sarah Jackson.)


Box 418

1 sound tape reel, 22 minutes, analogue, 19 centimeters per second


Box 397

1 sound cassette, 22 minutes,analogue, mono


Abstract art -- Houston, Texas -- Unidentified art convention --, 1957 April


(Good sound quality throughout.)


Box 419-420

2 sound tape reels -- 58 minutes, analogue, 19 centimeters per second


Box 397

1 sound cassette, 58 minutes, analogue, mono


Theory of expression -- Warburg Institute, 1957 June


(The lecture is incomplete; the sound disappears at the end. Some sections at the beginning are recorded in fast forward, but this clears up as the tape continues.)


Box 421

1 sound tape reel, 53 minutes, analogue, 9.5 centimeters per second


Box 397

1 sound cassette, 53 minutes, analogue, mono


Monet and Impressionism -- Minneapolis School of Art, 1957 November 14


(Sound quality is good, although professor occasionally off microphone.)


Box 422

1 sound tape reel, 70 minutes, analogue, 19 centimeters per second, 2 track)


Box 397

1 sound cassette, 70 minutes, analogue, mono


From pagan to Early Christian art -- Metropolitan Museum of Art (New York, N.Y.),, 1958 January 9-30

(Lecture I is incomplete, sound fades out. Sound quality of lectures II through IV is good)


Lecture I: symbols



Box 423

1 sound tape reels, 32 minutes, analogue, 19 centimeters per second


Box 397

2 sound cassettes, 32 minutes each, analogue, mono


Lecture II: figure/image of man



Box 424-425

2 sound tape reels, 66 minutes, analogue, 19 centimeters per second


Box 397

1 sound cassette, 66 minutes, analogue, mono


Lecture III: light and color



Box 426-428

2 sound tape reels, 75 minutes, analogue, 19 centimeters per second


Box 397

1 sound cassette, 75 minutes, analogue, mono


Lecture IV: word



Box 428-429

2 sound tape reels, 95 minutes analogue, 19 centimeters per second


Box 397

1 sound cassette, 75 minutes, analogue, mono


Abstract art : abstraction -- Southern Illinois University Carbondale,, 1958 February 3


(Some distortion occurs throughout the lecture, there is a lot of audience and static noise. The end of the lecture is cut off.)


Box 430

1 sound tape reel, 32 minutes, analogue, 19 centimeters per second


Box 397

1 sound cassette, 32 minutes, analogue, mono


Philosophy in painting -- Baltimore, Maryland, 1958 April


(At the beginning, Schapiro's voice seems extremely high pitched. It then becomes more natural, but still higher pitched than normal.)


Box 431

1 sound tape reel, 74 minutes, analogue, 9.5 centimeters per second


Box 397

1 sound cassette, 74 minutes, analogue, mono


Philosophy in painting -- University of Texas --, 1960


(These reels contain programs number 2 and 3 of the lecture, program number 1 is missing. Beginning is cut off, and the professor is often off microphone. There is a slight high-pitched whine present throughout the tape.)


Box 432-433

2 sound tape reels, 40 minutes, analogue, 19 centimeters per second, 1 track


Box 397

1 sound cassette, 40 minutes, analogue, mono


Abstract art -- Cornell University --, 1960 April 21-28

(Sound quality overall for series is good, however small parts of the lectures are missing when reels were being changed. Lectures where given April 21-28, 1960. Lecture IV was not recorded. There is a small part of lecture V between parts b and c that is not recorded)


Lecture I: Concept of abstraction in art



Box 434-435

2 sound tape reels, 64 minutes, analogue, 19 centimeters per second


Box 398

2 sound cassettes, 64 minutes, analogue, mono


Lecture II: Post-World War II abstraction



Box 436-437

2 sound tape reels, 66 minutes, analogue, 19 centimeters per second


Box 398

2 sound cassettes, 66 minutes, analogue, mono


Lecture III: Cubist painting and its development (Picasso, Braque, Gris)



Box 438-440

3 sound tape reels, 72 minutes, analogue, 19 centimeters per second


Box 398

3 sound cassettes, 72 minutes, analogue, mono


Lecture V: Art and contemporary science



Box 441-443

3 sound tape reels, 86 minutes, analogue, 19 centimeters per second


Box 398

3 sound cassettes, 86 minutes, analogue, mono


Lecture VI: Social roots of abstract art



Box 444-447

4 sound tape reels, 63 minutes, analogue, 19 centimeters per second


Box 398

3 sound cassettes, 63 minutes, analogue, mono


Romanesque sculpture (Fine Arts 154a) -- Columbia University -- 1960 February - March, 1960 February


(Lectures are complete, but overall sound quality is mixed. Professor is often off microphone, and there is audience noise)


Box 448-452, 648

6 sound tape reels, 534 minutes, analogue, 9.5 centimeters per second


Box 398

9 sound cassettes, 534 minutes, analogue, mono


Impressionism -- Patten lectures -- Indiana University --, 1961 March 1-27

(All lectures are complete and overall sound quality is good. There is some noise at beginning of lecture I, but it clears up fairly quickly. There is some difficulty with lecture V which has a hum sound throughout the lecture, the voice is audible but the sound is poor)


Lecture I: the Impressionist eye



Box 453-455

3 sound tape reels, 61 minutes, analogue, 19 centimeters per second


Box 399

1 sound cassette, 61 minutes, analogue, mono


Lecture II: the concept of Impressionism



Box 456-458

3 sound tape reels, 100 minutes, analogue, 19 centimeters per second


Box 399

1 sound cassette, 100 minutes, analogue, mono


Lecture III: the Impressionist aesthetic and method



Box 459-462

4 sound tape reels, 81 minutes, analogue, 19 centimeters per second


Box 399

1 sound cassette, 81 minutes, analogue, mono


Lecture IV: Impressionism and science



Box 463-465

4 sound tape reels, 88 minutes, analogue, 19 centimeters per second


Box 399

1 sound cassette, 88 minutes, analogue, mono


Lecture V: Monet's development



Box 466-468

3 sound tape reels, 72 minutes, analogue, 19 centimeters per second


Box 399

1 sound cassette, 72 minutes, analogue, mono


Lecture VI: Impressionism in history



Box 469-473

5 sound tape reels, 137 minutes, analogue, 19 centimeters per second


Box 399

2 sound cassettes, 137 minutes, analogue, mono


Theories and methods of investigation of art (Art History G6001x) -- Lecture on "Style" -- Columbia University,, 1961 November 14


(The beginning and end of the lecture are cut off. There is a lot of audience noise with an echo effect throughout the tape.)


Box 474

1 sound, 101 minutes, analogue, 9.5 centimeters per second


Box 399

2 sound cassettes, 101 minutes, analogue, mono


The mark and image of the individual in modern art -- Rutgers University --, 1962 March 13


(The lecture is complete. There is some distortion, with varied sound levels, the voice is often off microphone, and there is a slight echo effect. Questions from the audience are hard to hear)


Box 475

1 sound tape reel, 89 minutes, analogue, 9.5 centimeters per second


Box 399

1 sound cassette, 89 minutes, analogue, mono


Russian art in the twentieth century -- Columbia University --, 1962 May 2



Box 476

1 sound tape reel, 66 minutes, analogue, 9.5 centimeters per second


Box 399

1 sound cassette, 66 minutes, analogue, mono


Early Medieval painting (Art History G4330x) -- Columbia University -- 1963 October - 1963 January, 1963 October, 1963 January


(Only reel found in Box 477 is recorded at normal speed, the others were recorded at a slow speed and are in very poor condition. Reformatted duplicates of reels found in Boxes 478 through 483 were produced at normal speed, and are now housed in Boxes 484 through 493. The sound quality of this series is very poor.)


Box 477-483

7 sound tape reels, 1257 minutes, analogue, 4.75 centimeters per second


Box 484-493

10 sound tape reel, 1257 minutes, analogue, 9.5 centimeters per second


Box 399-400

16 sound cassettes, 1257 minutes, analogue, mono


Impressionism (Art History G4630) -- Columbia University, 1964 May 18-25

(The beginning of all three lectures are complete, but the endings of lectures II and III are cut off. Sound quality is decent, but the professor is sometimes off microphone, and there is some audience noise. Questions from the audience are not audible.)


Lecture I



Box 494

1 sound, 70 minutes, analogue, 9.5 centimeters per second


Box 400

1 sound cassette, 70 minutes, analogue, mono


Lecture II



Box 82

1 sound tape reel, 106 minutes, analogue, 9.5 centimeters per second


Box 4

2 sound cassettes, 106 minutes, analogue, mono


Lecture III



Box 496

1 sound tape reel, 65 minutes, analogue, 9.5 centimeters per second


Box 400

1 sound cassette, 65 minutes, analogue, mono


Early Christian art -- Hebrew Union College --, 1965 January

(Beginning and ending of all lectures are complete. All cassettes have slight hum sound, and sound level varies. lecture III has a slight echo effect in some places. Extra lecture given at end of series on The Synagogue. Only the first four lectures were recorded)


Lecture I: symbol, the meanings of early Christian imagery



Box 497

1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 400

2 sound cassettes, 102 minutes, analogue, mono


Lecture II: figure, the image of the sacred person



Box 498

1 sound, 121 minutes, analogue, 9.5 centimeters per second


Box 400

2 sound cassettes, 121 minutes, analogue, mono


Lecture III: order, structure of the image



Box 499

1 sound tape reel, 87 minutes analogue, 9.5 centimeters per second


Box 400

2 sound cassettes, 87 minutes, analogue, mono


Lecture IV: light, light and color in late classic and early Christian art



Box 500

1 sound tape reel, 80 minutes, analogue, 9.5 centimeters per second


Box 400

2 sound cassettes, 80 minutes, analogue, mono


Modern painting since 1900 (Art History G4640y) -- Columbia University -- 1965 February - April, 1900, 1965 February

(Annotations on reel Boxes identify these lectures as "Twentieth Century Painting." The course title used here was identified from Columbia Univeristy course material found in Series III, Subseries: III.2, Sub-Subseries: III.2.1. According to the Metropolitan Museum of Art's inventory, several lectures are recorded on the same reel. As a result, reels are organized according to lecture. Beginnings of all lectures are intact except lecture V and IV. The ending of lecture IV is also cut off. Sound quality is poor on lectures II, III, V, VIII, andXIII. The sound quality is mixed on lectures IV and XIV. Sound disappears midway through side b of lectures IX and XIV. Some of the lectures in this series were on the following topics: The art of the 1880s and 1890s ; The art of the 1890s ; Themes of self-color-portraiture ; Marquet-Matisse ; Matisse continued ; Picasso and Cubism.)


Lecture I and XIII




Box 501

1 sound tape reel, 107 minutes analogue, 9.5 centimeters per second, 4 track


Box 401

2 sound cassettes, 107 minutes, analogue, mono


Lecture II and XII




Box 502

1 sound tape reel, 107 minutes analogue, 9.5 centimeters per second


Box 401

2 sound cassettes, 107 minutes, analogue, mono


Lecture III and XI




Box 503

1 sound tape reel, 107 minutes analogue, 9.5 centimeters per second, 4 track


Box 401

1 sound cassettes, 107 minutes, analogue,


Lecture IV and X




Box 504

1 sound tape reel, 113 minutes analogue, 9.5 centimeters per second


Box 401

2 sound cassettes, 113 minutes, analogue,


Lecture V


Box 505

1 sound tape reel, 54 minutes analogue, 9.5 centimeters per second, 2 track


Box 401

1 sound cassette, 54 minutes, analogue, mono


Lecture VI and VII




Box 506

1 sound tape reel, 102 minutes, analogue, 4.75 centimeters per second


Box 401

2 sound cassette, 102 minutes, analogue,


Lecture VIII



Box 507

1 sound tape reel, 59 minutes analogue, 9.5 centimeters per second


Box 401

1 sound cassettes, 59 minutes, analogue,


Lecture IX



Box 508

1 sound tape reel, 57 minutes analogue, 9.5 centimeters per second


Box 401

1 sound cassettes, 57 minutes, analogue,


Lecture XIV



Box 509

1 sound tape reel, 52 minutes analogue, 9.5 centimeters per second


Box 401

1 sound cassettes, 52 minutes, analogue,


Carolingian manuscripts -- Columbia University, 1966 January 3


(There is a hum on the tape, making it difficult to hear the lecture. Sound quality is poor)


Box 510

1 sound tape reel, 56 minutes analogue, 9.5 centimeters per second


Box 402

2 sound cassettes, 56 minutes, analogue,


Guernica -- Harvard University, Carpenter Design Center --, 1966 December 15


(Reels in Boxes 512 through 514 are duplicates of of the reel in Box 511. The lecture is complete. The voice is audible and clear but the sound level varies.)


Box 511-514

4 sound tape reels, 83 minutes analogue, 9.5 centimeters per second


Box 402

1 sound cassettes, 83 minutes, analogue,


The unity of Picasso's art -- Brandeis University --, 1967 April 11


(Columbia University's Rare Book & Manuscript Library is not in the possession of original sound tape reels. Sound quality is good. Film of the lecture was made by The Metroplican Museum of Art in association with Gittelman Film Associates in 1985)


Box 402

2 sound cassettes, 98 minutes, analogue, mono


Romanesque architectural sculpture -- Charles Eliot Norton lectures -- Harvard University -- 1967 February 8 - March 28, 1967 February 8

(For consistency, lecture titles correspond to those in the posthumous publicationRomanesque architectural sculpture: The Charles Eliot Norton lectures.Chicago: University of Chicago Press, 2006. Lecture titles as they appeared in the Metropolitan Museum of Art's inventory: Lecture I: Rebirth of monumental sculpture in the West-disappearance and return ; Lecture II: Field, figure and frame (1) ; Lecture III: Field, figure and frame (2) ; Lecture IV: Programs of imagery-theemes of action and themes of state ; Lecture V: Programs of imagery-tradition, new reality and nature ; Lecture VI: The human figure ; Lecture VII: Romanesque animal imagery.)


Lecture I: the rebirth of monumental sculpture in the west: disappearance and rebirth,, 1967 February 8



Box 515

1 sound tape reel, 72 minutes, analogue, 9.5 centimeters per second, mono


Box 402

1 sound cassettes, 72 minutes, analogue,


Lecture II: field, figure, and frame, 1967 February 15



Box 516

1 sound tape reel, 63 minutes, analogue, 9.5 centimeters per second, mono


Box 402

peb1 sound cassette, 63 minutes, analogue, mono


Lecture III: field, figure, and frame, 1967 March 8



Box 517

1 sound tape reel, 88 minutes, analogue, 9.5 centimeters per second, mono


Box 402

1 sound cassettes, 88 minutes, analogue,


Lecture IV: programs of imagery (i), 1967 March 11



Box 518

1 sound tape reel, 79 minutes, analogue, 9.5 centimeters per second, mono


Box 402

1 sound cassettes, 79 minutes, analogue,


Lecture V: programs of imagery (ii), 1967 March 15



Box 519

1 sound tape reel, 82 minutes, analogue, 9.5 centimeters per second, mono


Box 402

1 sound cassettes, 82 minutes, analogue,


Lecture VI: the human figure, 1967 March 22



Box 520

1 sound tape reel, 91 minutes, analogue, 9.5 centimeters per second, mono


Box 402

2 sound cassettes, 91 minutes, analogue,


Lecture VII: animal imagery in Romanesque sculpture, 1967 March



Box 521

1 sound tape reel, 82 minutes, analogue, 9.5 centimeters per second, mono


Box 402

1 sound cassettes, 82 minutes, analogue,


On drawing from the figure -- New York Studio School of Drawing, Painting and Sculpture --, 1967 May 26



Box 522

1 sound tape reel, 110 minutes, analogue, 9.5 centimeters per second, mono


Box 402

5 sound cassettes, 110 minutes, analogue,


Abstract painting (Art History G4641x) -- Columbia University -- 1967 October - December, 1968 January, 1967 October, 1968 January

(All the lectures are complete except for lecture II where the second half of the lecture was not recorded, and lecture XII where the sound disappears. Sound quality of these lectures is mixed)


Lecture I: introduction, 1967 October 4



Box 523

1 sound tape reel, 70 minutes, analogue, 9.5 centimeters per second


Box 403

1 sound cassettes, 70 minutes, analogue,


Lecture II: meaning of "abstract" preconditions for Abstract painting,, 1967 October 11



Box 524

1 sound tape reel, 50 minutes, analogue, 9.5 centimeters per second


Box 403

1 sound cassettes, 50 minutes, analogue,


Lecture III: Preconditions for Abstract painting continued and art preceding abstraction -- Annotated typescript and outlines,, 1967 October 18



Box 525

1 sound tape reel, 42 minutes, analogue, 9.5 centimeters per second


Box 403

1 sound cassettes, 42 minutes, analogue,


Lecture IV: themes in art preceding abstraction (1870-1910), 1967 October 25



Box 526

1 sound tape reel, 94 minutes, analogue, 9.5 centimeters per second


Box 403

2 sound cassettes, 94 minutes, analogue,


Lecture V: role of photography and introduction to Cubism, 1967 November 1



Box 527

1 sound tape reel, 104 minutes, analogue, 9.5 centimeters per second


Box 403

2 sound cassettes, 104 minutes, analogue,


Lecture VI: Picasso before Cubism, the Fauves, 1967 November 8



Box 528

1 sound tape reel, 99 minutes, analogue, 9.5 centimeters per second


Box 403

2 sound cassettes, 99 minutes, analogue,


Lecture VII: Cubism, Picasso and Braque, 1967 November 15


Box 529

1 sound, 93 minutes, analogue, 9.5 centimeters per second


Box 403

2 sound cassettes, 93 minutes, analogue,


Lecture VIII: Cubism, 1967 November 22



Box 530

1 sound tape reel, 100 minutes, analogue, 9.5 centimeters per second


Box 403

2 sound cassettes, 100 minutes, analogue,


Lecture IX: developments from Cubism, simultaneity, and the concept of time in painting,, 1967 November 29



Box 531-532

2 sound tape reels, 108 minutes each, analogue, 9.5 centimeters per second


Box 403

2 sound cassettes, 108 minutes, analogue,


Lecture X: development of Cubism: France and Italy, 1967 December 6



Box 533-534

2 sound tape reels, 103 minutes each, analogue, 9.5 centimeters per second


Box 403

2 sound cassettes, 103 minutes, analogue,


Lecture XI: Futurism, Russia, and Suprematism, 1967 December 13



Box 535

1 sound tape reel, 106 minutes, analogue, 9.5 centimeters per second


Box 403

2 sound cassettes, 106 minutes, analogue,


Lecture XII: Suprematism and German Expressionism, 1967 December 20



Box 536

1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 403

2 sound cassettes, 102 minutes, analogue,


Lecture XIII: Kandinsky and Mondrian, 1968 January 10



Box 537-538

2 sound tape reels, 136 minutes each, analogue, 9.5 centimeters per second


Box 403

3 sound cassettes, 136 minutes, analogue,


Lecture XIV: developments from Cubism in America, 1968 January 17



Box 539-540

2 sound tape reels, 109 minutes each, analogue, 9.5 centimeters per second


Box 403

2 sound cassettes, 109 minutes, analogue,


Lecture XV: American Abstract art -- Annotated typescript, 1968 January 24



Box 541-542

2 sound tape reels, analogue, 9.5 centimeters per second


Abstract art -- Slade Lectures in the Fine Arts -- Oxford University -- 1968 Spring, 1968

(Sound quality for this entire series is poor. Only lectures III, VI, and VII are complete. The beginnings and endings are cut off on lectures I and II. The endings are cut off on lectures VI through VI.)


Lecture I: modern Abstract art: its continuity with preceding realistic art,, 1968 May 3



Box 543

1 sound tape reel, 7 minutes, analogue, 19 centimeters per second


Box 404

1 sound cassettes, 7 minutes, analogue, mono


Lecture II: Cubism (i), 1968 May 8


(Annotations indicate that Lecture I is included in this reel even though the Metropolitan Museum of Art inventory does not)


Box 544

1 sound tape reel, 130 minutes, analogue, 19 centimeters per second, 2 track


Box 404

1 sound cassettes, 67 minutes, analogue,


Lecture III: Cubism (ii), 1968 May 15


Box 544

1 sound tape reel, 130 minutes, analogue, 19 centimeters per second, 2 track


Box 404

1 sound cassettes, 63 minutes, analogue,


Lecture IV: Cubism and science, 1968 May 22



Box 545

1 sound tape reel, 114 minutes, analogue, 19 centimeters per second, 2 track


Box 404

1 sound cassettes, 76 minutes, analogue,


Lecture V: Cubism and technology, 1968 May 22



Box 545

1 sound tape reel, 114 minutes, analogue, 19 centimeters per second, 2 track)


Box 404

1 sound cassettes, 38 minutes, analogue,


Lecture VI: Abstract painting: Malevich and Mondrian, 1968 May 24



Box 546

1 sound tape reel, 34 minutes, analogue, 19 centimeters per second


Box 547

1 sound tape reel, analogue, 9.5 centimeters per second


Box 404

1 sound cassettes, 34 minutes, analogue,


Lecture VII: Abstract painting: Kandinsky, 1968 May



Box 548

1 sound tape reel, 62 minutes, analogue, 19 centimeters per second


Box 549

1 sound, analogue, 9.5centimeters per second


Box 404

1 sound cassettes, 62 minutes, analogue,


Lecture VIII: Abstract painting in America: Pollock, Rothko, and others,, 1968 May 29



Box 550

1 sound tape reel, 74 minutes, analogue, 19 centimeters per second


Box 404

1 sound cassettes, 74 minutes, analogue,


Philosophy and worldview in painting -- Oxford University --, 1968 June 4



Box 551-552

2 sound tape reels, 129 minutes, analogue, 19 centimeters per second


Box 404

2 sound cassettes, 219 minutes, analogue,


Insular manuscript art -- Franklin Jasper Walls lectures -- Pierpont Morgan library --, 1968 March

(Schapiro referred to these lectures as "Hiberno-Saxon manuscripts," the title reflects that used in Series III, Subseries: III.3: Lectures, Sub-Subseries: III.3.4: 1960s)


Lecture I: frame, field, and figure, 1968 March 4



Box 553

1 sound tape reel, 273 minutes, analogue, 19 centimeters per second, 2 track


Box 404

1 sound cassettes, 70 minutes, analogue,


Lecture II: the carpet page and the giant initial, 1968 March 11



Box 553

1 sound tape reel, 273 minutes, analogue, 19 centimeters per second, 2 track


Box 404

1 sound cassettes, 84 minutes, analogue,


Lecture III: image and ornament, 1968 March 18



Box 553

1 sound tape reel, 273 minutes, analogue, 19 centimeters per second, 2 track


Box 404

2 sound cassettes, 97 minutes, analogue,


Lecture IV: the models and their transformation (i), 1968 March 20



Box 554

1 sound tape reel, 273 minutes, analogue, 19 centimeters per second, 2 track


Box 404

1 sound cassettes, 88 minutes, analogue,


Lecture V: the models and their transformation (ii), 1968 March 25



Box 554

1 sound tape reel, 273 minutes, analogue, 19 centimeters per second, 2 track


Box 404

1 sound cassettes, 75 minutes, analogue,


Lecture VI: the religious and secular grounds of Hiberno-Saxon art,, 1968 March 27



Box 554

1 sound tape reel, 273 minutes, analogue, 19 centimeters per second, 2 track


Box 404

2 sound cassettes, 110 minutes, analogue,


Baudelaire between the imaginary and the real -- Queens College (New York, N.Y.) --, 1969 April 22



Box 555

1 sound tape reel, 86 minutes, analogue, 9.5 centimeters per second


Box 405

1 sound cassettes, 86 minutes, analogue,


Beatus manuscripts of the apocalypse -- New York Studio School of Drawing, Painting and Sculpture,, 1969 May 2



Box 556

1 sound tape reel, 120 minutes, analogue, 9.5 centimeters per second


Box 405

4 sound cassettes, 120 minutes, analogue, mono

(Accompanied by administrative notes by Lillian Milgram Schapiro)


The present state of art history -- Queens College (New York, N.Y.) -- Annotated outlines, transcript, and notes,, 1969 June 5



Box 557

1 sound tape reel, 98 minutes, analogue, 9.5 centimeters per second


Box 405

2 sound cassettes, 98 minutes, analogue,


E.A. (Elias Avery) Lowe memorial -- Institute for Advanced Study (Princeton, N.J.) --, 1969 October 15



Box 558

1 sound tape reel, 72 minutes, analogue


Box 405

2 sound cassettes, 72 minutes, analogue,


Theory and methods of art history (Art History G6001x) -- Columbia University -- 1969 October - 1970 January, 1969 October, 1970 January

(All lectures are complete except for the beginning of lecture I, and the endings of lectures V and VII. The sound quality of the series is poor. There is a hiss on all the recordings, with the voice audible but not good. Questions from the audience are difficult to hear, and sometimes inaudible.)


Lecture I, 1969 October 1



Box 559

1 sound tape reel, 41 minutes, analogue, 9.5 centimeters per second


Box 405

1 sound cassettes, 41 minutes, analogue,


Lecture II, 1969 October 8



Box 560

1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 405

2 sound cassettes, 102 minutes, analogue,


Lecture III, 1969 October 22



Box 561

1 sound tape reel, 109 minutes, analogue, 9.5 centimeters per second


Box 405

2 sound cassettes, 109 minutes, analogue, mono


Lecture IV, 1969 October 29



Box 562

1 sound tape reel, 103 minutes, analogue, 9.5 centimeters per second


Box 406

2 sound cassettes, 103 minutes, analogue,


Lecture V, 1969 November 5



Box 563

1 sound tape reel, 107 minutes, analogue, 9.5 centimeters per second


Box 406

2 sound cassettes, 107 minutes, analogue,


Lecture VI, 1969 November 12



Box 564

1 sound tape reel, 105 minutes, analogue, 9.5 centimeters per second


Box 406

2 sound cassettes, 105 minutes, analogue,


Lecture VII, 1969 November 19



Box 565

1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 406

2 sound cassettes, 102 minutes, analogue,


Lecture VIII, 1969 November 26



Box 566

1 sound tape reel, 113 minutes, analogue, 9.5 centimeters per second


Box 406

2 sound cassettes, 113 minutes, analogue,


Lecture IX, 1969 December 3



Box 567

1 sound tape reel, 111 minutes, analogue, 9.5 centimeters per second


Box 406

2 sound cassettes, 111 minutes, analogue,


Lecture X, 1969 December 10



Box 568

1 sound tape reel, 111 minutes, analogue, 9.5 centimeters per second


Box 406

2 sound cassettes, 111 minutes, analogue,


Lecture XI, 1969 December 17



Box 569

1 sound tape reel, 110 minutes, analogue, 9.5 centimeters per second


Box 406

2 sound cassettes, 110 minutes, analogue,


Lecture XII, 1970 January 7



Box 570

1 sound tape reel, 114 minutes, analogue, 9.5 centimeters per second


Box 406

2 sound cassettes, 114 minutes, analogue,


Lecture XIII, 1970 January 14



Box 571

1 sound tape reel, 147 minutes, analogue, 9.5 centimeters per second


Box 406

2 sound cassettes, 147 minutes, analogue,


Three texts by Lichtenberg, Diderot and Galiani -- New York Studio School of Drawing, Painting and Sculpture --, 1970 April 10



Box 407

3 sound cassettes, 108 minutes, analogue, mono


Early Christian painting (Art History G4320x) -- Columbia University -- 1970 Fall, 1970

(The sound quality of these lectures is mixed. The beginnings of lectures I-IV, VI, VIII, and XII are cut off. The sound is good on lectures IV-VIII, XI, and XIII. On other lectures the recordings have static and hum sounds, audience noise, and the professor is sometimes off microphone. Annotations indicate the title as "Early Christian art," but Columbia University class bulletins list the course as Early Christian painting)


Lecture I, 1970 September 30



Box 572

1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 407

2 sound cassettes, 102 minutes, analogue,


Lecture II, 1970 October 7



Box 573

1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 407

2 sound cassettes, 102 minutes, analogue,


Lecture III, 1970 October 14



Box 574

1 sound tape reel, 98 minutes, analogue, 9.5 centimeters per second


Box 407

2 sound cassettes, 98 minutes, analogue,


Lecture IV, 1970 October 21



Box 575

1 sound tape reel, 113 minutes, analogue, 9.5 centimeters per second


Box 407

2 sound cassettes, 113 minutes, analogue,


Lecture V, 1970 October 28



Box 576

1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 407

2 sound cassettes, 102 minutes, analogue,


Lecture VI, 1970 November 4



Box 577

1 sound tape reel, 112 minutes, analogue, 9.5 centimeters per second


Box 407

2 sound cassettes, 112 minutes, analogue,


Lecture VII, 1970 November 11



Box 578

1 sound tape reel, 102 minutes, analogue, 9.5 centimeters per second


Box 407

2 sound cassettes, 112 minutes, analogue,


Lecture VIII, 1970 November 18



Box 579

1 sound tape reel, 108 minutes, analogue, 9.5 centimeters per second


Box 407

2 sound cassettes, 108 minutes, analogue,


Lecture IX, 1970 November 25



Box 580

1 sound tape reel, 104 minutes, analogue, 9.5 centimeters per second


Box 407

2 sound cassettes, 104 minutes, analogue,


Lecture X, 1970 December 2



Box 581

1 sound tape reel, 107 minutes, analogue, 9.5 centimeters per second


Box 408

2 sound cassettes, 107 minutes, analogue,


Lecture XI, 1970 December 9



Box 582

1 sound tape reel, 104 minutes, analogue, 9.5 centimeters per second


Box 408

2 sound cassettes, 104 minutes, analogue,


Lecture XII, 1970 December 16



Box 583

1 sound tape reel, 100 minutes, analogue, 9.5 centimeters per second


Box 408

2 sound cassettes, 100 minutes, analogue,


Lecture XIII, 1971 January 6



Box 584

1 sound tape reel, 116 minutes, analogue, 9.5 centimeters per second


Box 408

2 sound cassettes, 116 minutes, analogue,


Men with ideas: Alexander, Daedalus, Icarus: legends of the invention of flying -- Carnegie Institute of Technology --, 1971 January 27


(The original audiotape was torn and needed to be repaired before the cassette copy was recorded. The lecture is complete with good sound. The voice is clear and audible.)


Box 585

1 sound tape reel, 87 minutes, analogue, 9.5 centimeters per second


Box 408

1 sound cassettes, 87 minutes, analogue,


Ornament and painting -- New York Studio School of Drawing, Painting and Sculpture --, 1971 April 23


(The sound quality is poor, with echoes and muffling of the voice.)


Box 586

1 sound tape reel, 170 minutes, analogue, 9.5 centimeters per second, 2 track


Box 408

2 sound cassettes, 170 minutes, analogue,


Mondrian's forms and their relation to preceding styles of representation -- Solomon R. Guggenheim Museum --, 1971 October 9


(The lecture is complete, but the sound quality is mixed. The voice is clear and audible, but the sound level varies. There is audience noise and the professor taps on the podium and is occasionally off microphone.)


Box 587

1 sound tape reel, 38 minutes, analogue, 9.5 centimeters per second


Box 408

1 sound cassette, 38 minutes, analogue, mono


Graphic analysis of structure -- University of Virginia --, 1972 April 11


(The lecture is complete, but the sound quality is poor. The voice is high-pitched, and there is audience noise and varied sound levels.)


Box 588

1 sound tape reel, 53 minutes, analogue, 9.5 centimeters per second


Box 408

1 sound cassettes, 53 minutes, analogue,


An experiment with forms in art -- Columbia University --, 1973 April 2


(The lecture is complete, but the sound quality is poor. There is a hiss on the recording, and an echo effect.)


Box 589

1 sound tape reel, 66 minutes, analogue, 9.5 centimeters per second


Box 408

1 sound cassettes, 66 minutes, analogue,


The south tower of the cathedral of Chartres -- Columbia University. School of Architecture --, 1973 October 3


(The lecture is complete with voice audible. The quality of the sound is mixed, with audience noise, echo sound, and the professor is occasionally off microphone)


Box 590

1 sound tape reel, 83 minutes, analogue, 9.5 centimeters per second


Box 408

1 sound cassettes, 83 minutes, analogue,


The use of the Old Testament in the art of the middle ages -- Jewish Museum (New York, N.Y.) --, 1973 October 22


(All three sound tape reels are incomplete and do not have the end of the lecture recorded. The sound quality is poor with a great deal of audience noise, although the voice itself is clear.)


Box 591-593

3 sound tape reels, 129 minutes each, analogue, 9.5 centimeters per second


Box 409

4 sound cassettes, 129 minutes, analogue,


The unity of Picasso's art -- Albright-Knox Art Gallery --, 1973 December 5


(The lecture is complete with good sound quality, the voice is clear and audible. Film of this lecture was made in 1985 by The Metropolitan Museum and Gittelman Film Associates)


Box 409

2 sound cassettes, 94 minutes, analogue, mono


Theories and methods of investigation of art (Art History G6001x) -- Columbia University, 1974 Fall, 1974

(Lectures I and II were not recorded. All the recorded lectures are complete. The sound quality of this series is mixed. In most recordings the voice is clear and audible, but there is a lot of audience noise and some sounds from a construction site nearby are noticeable on lectures III through VI. The sound is very poor for lectures IV and XI.)


Lecture III, 1974 October 2



Box 594

1 sound tape reel, 108 minutes, analogue, 9.5 centimeters per second


Box 409

2 sound cassettes, 108 minutes, analogue,


Lecture IV, 1974 October 9



Box 595

1 sound tape reel, 106 minutes, analogue, 9.5 centimeters per second


Box 409

2 sound cassettes, 106 minutes, analogue,


Lecture V, 1974 October 16



Box 596

1 sound tape reel, 107 minutes, analogue, 9.5 centimeters per second


Box 409

2 sound cassettes, 107 minutes, analogue, mono


Lecture VI, 1974 October 23



Box 597

1 sound tape reel, 104 minutes, analogue, 9.5 centimeters per second


Box 409

2 sound cassettes, 104 minutes, analogue,


Lecture VII, 1974 October 30



Box 598

1 sound tape reel, 104 minutes, analogue, 9.5 centimeters per second


Box 409

2 sound cassettes, 104 minutes, analogue,


Lecture VIII, 1974 November 6



Box 599

1 sound tape reel, 106 minutes, analogue, 9.5 centimeters per second


Box 409

2 sound cassettes, 106 minutes, analogue,


Lecture IX, 1974 November 13



Box 600

1 sound tape reel, 105 minutes, analogue, 9.5 centimeters per second


Box 409

2 sound cassettes, 105 minutes, analogue,


Lecture X, 1974 November 20



Box 601

1 sound tape reel, 151 minutes, analogue, 9.5 centimeters per second


Box 410

2 sound cassettes, 151 minutes, analogue,


Lecture XI, 1974 November 27



Box 602

1 sound tape reel, 101 minutes, analogue, 9.5 centimeters per second


Box 410

2 sound cassettes, 101 minutes, analogue,


Lecture XII, 1974 December 4



Box 603

1 sound tape reel, 108 minutes, analogue, 9.5 centimeters per second


Box 410

2 sound cassettes, 108 minutes, analogue,


Lecture XIII, 1974 December 11



Box 604

1 sound tape reel, 99 minutes, analogue, 9.5 centimeters per second


Box 410

2 sound cassettes, 99 minutes, analogue,


Lecture XIV, 1974 December 12



Box 605

1 sound tape reel, 130 minutes, analogue, 9.5 centimeters per second


Box 410

2 sound cassettes, 130 minutes, analogue,


The south tower of the cathedral of Chartres -- University of California, Los Angeles --, 1974 January 10


(Cassettes were not made of this lecture because the quality of the recording was too poor)


Box 606-607

2 sound tape reels


Theory and methods of investigation of art (Art History G6021x) -- Columbia University, 1975 Fall, 1975

(All recorded lectures are complete. Lectures I, XI, and XII were not recorded. The sound quality of this series is mixed. The recording of lecture VI has audience noise and a hiss sound on the tape, and the sound of lecture VII is very poor, with audience noise and a buzz sound at the beginning, echo noise throughout, and occasional ringing sound. The voice is best for recordings of lectures IV, V, IX, XIII and XIV. The question periods for all the lectures are hard to hear.)


Lecture II, 1975 September 17



Box 608

1 sound tape reel, 104 minutes, analogue, 9.5 centimeters per second


Box 410

2 sound cassettes, 104 minutes, analogue,


Lecture III, 1975 September 24



Box 609

1 sound tape reel, 108 minutes, analogue, 9.5 centimeters per second


Box 410

2 sound cassettes, 108 minutes, analogue,


Lecture IV, 1975 October 1



Box 610

1 sound tape reel, 112 minutes, analogue, 9.5 centimeters per second


Box 410

2 sound cassettes, 112 minutes, analogue,


Lecture V, 1975 October 8



Box 611

1 sound tape reel, 105 minutes, analogue, 9.5 centimeters per second


Box 410

2 sound cassettes, 105 minutes, analogue,


Lecture VI, 1975 October 15



Box 612

1 sound tape reel, 101 minutes, analogue, 9.5 centimeters per second


Box 411

2 sound cassettes, 101 minutes, analogue,


Lecture VII, 1975 Oct6ober 22, 1975



Box 613

1 sound tape reel, 119 minutes, analogue, 9.5 centimeters per second


Box 411

2 sound cassettes, 119 minutes, analogue,


Lecture VIII, 1975 October 29



Box 614

1 sound tape reel, 108 minutes, analogue, 9.5 centimeters per second


Box 411

2 sound cassettes, 108 minutes, analogue,


Lecture IX, 1975 November 5



Box 615

1 sound tape reel, 104 minutes, analogue, 9.5 centimeters per second


Box 411

2 sound cassettes, 104 minutes, analogue,


Lecture X, 1975 November 12



Box 616

1 sound tape reel, 116 minutes, analogue, 9.5 centimeters per second


Box 411

2 sound cassettes, 116 minutes, analogue,


Lecture XIII, 1975 December 3



Box 617

1 sound tape reel, 113 minutes, analogue, 9.5 centimeters per second


Box 411

2 sound cassettes, 113 minutes, analogue,


Lecture XIV, 1975 December 10



Box 618

1 sound tape reel, 123 minutes, analogue, 9.5 centimeters per second


Box 411

2 sound cassettes, 123 minutes, analogue, mono


Perspective and script: the reader and the viewer in medieval representations -- University of Pittsburgh --, 1976 November



Box 619-620

2 sound tape reels, 74 minutes each, analogue, 9.5 centimeters per second


Box 411

1 sound cassettes, 74 minutes, analogue, mono


Cézanne and the philosophers -- Museum of Modern Art (New York, N.Y.) --, 1977 October 11


(The lecture is complete. The sound quality is good, but has a little audience noise and noise from professor moving around.)


Box 621

1 sound tape reel, 139 minutes, analogue, 9.5 centimeters per second


Box 411

2 sound cassettes, 139 minutes, analogue,


On logic and method in art history: from classification to explanation -- New School for Social Research (New York, N.Y.) --, 1979 November 17


(Reel in Box 623 is a duplicate of the reel in Box 622. The lecture is complete but the sound quality is not good. The sound level varies, there is a hiss noise on the tape and the voice is muffled.)


Box 622-623

2 sound tape reels, 57 minutes, analogue, 9.5 centimeters per second


Box 412

1 sound cassettes, 57 minutes, analogue,


The unity of Picasso's art -- Columbia University --, 1980 April


Lecture I



Box 412

2 sound cassettes, 93 minutes, analogue, mono


Lecture II



Box 412

2 sound cassettes, 100 minutes, analogue, mono


Lecture III



Box 624-625

2 sound tape reels, 99 minutes, analogue, 9.5 centimeters per second


Box 412

2 sound cassettes, 99 minutes, analogue,


Lecture IV



Box 412

2 sound cassettes, 30 minutes, analogue, mono


On the life and work of Arthur Kingsley Porter -- Harvard University --, 1983 April 10



Box 412

3 sound cassettes, 55 minutes, analogue, mono


Meyer Schapiro interview with Ann Newsmith -- Vermont Council on the Arts --, 1982 August


Box 412

1 sound cassette


Meyer Schapiro: Art News [Interview ?] --, 1982 October 28


Box 412

1 sound cassette


Meyer Schapiro: film track, reel one and two


Box 412

1 sound cassette


Unidentified sound recordings


Box 626-631

6 sound tape reels


Box 412

8 sound cassette


Box 396

Oral History with Miriam Schapiro Grosof (Schapiro's daughter)


Subseries: VII.3: Videocassettes, 1988

Subseries VII.3 contains three copies of a program titled "The unity of Picasso's art." The program features audio from two lectures with images from the collection of the Metropolitan Museum of Art. The video was created by the Metropolitan Museum of Art in association with Gittelman Film Associates and produced and directed by Philip Gittelman.


The unity of Picasso's art [videorecording] : a master lecture / by Meyer Schapiro ; Metropolitan Museum of Art in association with Gittelman Film Associates ; produced and directed by Philip Gittelman -- [New York, N.Y.] : Office of Film and Television of The Metropolitan Museum of Art, [1988 ?]

(Credits: Animation camera, Fred Armstrong and Betsy Baker; film editing, Araness Communication ; video editing, Tapepower. Lecture presented at Brandeis University on April 11, 1967 and at Albright Knox Art Gallery on December 5, 1973)


Box 632

3 videocassettes-- 92 minutes each, sound, color; 1/2 inch

Series VIII: Works of art, 1920s-1980s

Schapiro began his artistic practice early in his life when, in his teens, he attended evening art classes taught by artist John Sloan at the Hebrew Settlement House. Schapiro would continually sketch, draw, paint, and sculpt throughout his life, and this series houses the single largest collection of his works of art.

Included in this collection are prints, drawings paintings, sculptures, printing plates, linoleum printing blocks, and sketchbooks from the 1920s through the 1980s. They include images he created at Columbia University, during his trips abroad in Europe and the Near East, portraits of his wife Lillian Milgram Schapiro, and friends, such as Whittaker Chambers.

For Schapiro, the practice of art and the academic pursuit of the art historical discipline were two sides of the same token. Many of his drawings and paintings reflect his interest in issues of form, content, and visual perception, issues pertinent to his writings on art theory.

In 1987, 65 of Schapiro's art works were displayed in the exhibition "Meyer Schapiro: Works of Art, 1919-1979" at Columbia University's Miriam and Ira D. Wallach Art Gallery. Consult Series I: Personal papers, Subseries: I.4: Exhibitions for records relating to that exhibition.

For all other administrative records relating to Schapiro's works of art, Subseries: VIII.1: Administrative records, 1980s-1990s

The works of art in this series are divided by medium to facilitate discovery of the material as follows: Subseries: VIII.2: Prints and drawings, 1920s-1980s, Subseries: VIII.3: Paintings, 1930s-1980s, Subseries: VIII.4: Sculptures and printing plates, 1930s-1980s, Subseries: VIII.5: Linoleum printing blocks, circa 1930s-1960s, Subseries: VIII.6: Sketchbooks, 1960s.


Subseries: VIII.1: Administrative records, 1980s-1990s


Box 55 Folder 1

Paintings and drawings -- Gelatin silver negatives, 1939 June 17

(These negatives document Schapiro's art works while also serving as "copying experimentations" for his photography skills)


Box 55 Folder 2 to 4

Unframed paintings and drawings -- Slides, (3 Folders)


Box 55 Folder 5

Paintings and drawings hung in Vermont home -- Slides


Box 56 Folder 1

Paintings -- Slides and reproductions


Box 56 Folder 2

Paintings, drawings, and sculptures -- Slides and reproductions


Box 56 Folder 3 to 4

Drawings and paintings -- Reproductions, (2 Folders)


Box 56 Folder 5

Published or exhibited paintings, drawings, and sculptures -- List


Box 56 Folder 6

Published works of art -- Reproductions


Box 56 Folder 7

Works of art in museum collections -- Reproductions and correspondence,, 1989-1999


Box 56 Folder 8

Administration of works of art -- Notes, 2002

(written by Lillian Milgram Schapiro)


Subseries VIII.2: Prints and Drawings, 1920s-1980s


Box 1

001-1121 Drapery - Study

Inscribed on verso, marked "3". 11 x 8 1/2 Graphite on detached diary page


Box 1

002-1121 Drapery

Inscribed on verso and paginated number "8." 11 x 8 1/2 Graphite on detached diary page


Box 1

003-1121 Columbia Campus South Field

10 3/8 x 7 5/8 Graphite pencil on paper


Box 1

004-1121 Life Sketch - National Academy

10 7/8 x 8 3/8 Conte crayon on paper


Box 1

005-1121 Bear at the Zoo

5 x 8 Charcoal on paper


Box 1

006-1121 Men and Women - Sketches

11 x 8 1/2 Graphite pencil on paper


Box 1

007-1121 Bearded Man

8 1/4 x 5 1/2 Graphite pencil on lined paper


Box 1

008-1121 Bear at the Zoo

5 1/2 x 8 1/2 Charcoal on paper


Box 1

009-1121 Columbia Library

8 x 5 1/2 Crayon on paper


Box 1

010-1121 Interior Study - Columbia

12 x 9 Charcoal on paper


Box 1

011-1121 Figure Studies Album

Multiple sheets torn from bound sketch book 12 x 9 Charcoal on paper


Box 1

012-1121 At Columbia

8 x 8 Charcoal on paper


Box 1

013-1121 Studies of Simplified Forms

12 x 9 Conte crayon on paper


Box 1

014-1121 Photocopies at Columbia

Photocopies of original charcoal drawings. Originals given to Jack Rush, subject of drawings. 8 1/2 x 11 Charcoal on paper


Box 1

015-1121 Interior - Study

4 7/8 x 3 Ink on paper


Box 1

016-1121 At Columbia

9 x 6 Charcoal on broadside


Box 1

017-1121 Figure in Interior - Studies

12 x 8 7/8 Charcoal on paper


Box 1

018-1121 Abstracted Interiors - Studies

11 x 9 Conte crayon on paper


Box 1

019-1121 At Columbia

7 3/4 x 5 Charcoal on paper


Box 1

020-1121 Study

Inscribed on verso. Paginated number "20" - see 069-1121. 8 1/2 x 11 Charcoal on detached diary paper


Box 1

021-1121 Elephants at the Zoo

5 3/8 x 8 1/2 Charcoal on paper


Box 1

022-1121 At Columbia

5 x 8 Ink on paper


Box 1

023-1121 At Columbia

10 3/8 x 7 7/8 Charcoal on paper


Box 1

024-1121 Wrestlers

11 x 8 1/2 Ink on paper


Box 1

025-1121 Nudes on the Beach - Study for Painting

7 1/2 x 9 Graphite pencil and gouache on kraft paper


Box 1

026-1121 At Columbia Library

5 1/2 x 8 1/2 Crayon on paper


Box 1

027-1121 Head Study

5 1/2 x 4 Charcoal on paper


Box 1

028-1121 At Columbia

Two sheets. 8 x 5 Charcoal on paper


Box 1

029-1121 Citiscape [sic]

8 x 5 Charcoal on paper


Box 1

030-1121 Landscape

8 x 5 Charcoal on paper


Box 1

031-1121 Person Looking at Works of Art

12 x 9 Charcoal on paper


Box 1

032-1121 Near Columbia

8 x 5 Crayon on paper


Box 1

033-1121 At Columbia

10 3/8 x 7 7/8 Charcoal on paper


Box 1

034-1121 [At Columbia]

8 3/8 x 10 7/8 Charcoal on paper


Box 1

035-1121 Two Studies

8 x 5 Charcoal on paper


Box 1

036-1121 Two Studies

8 3/8 x 5 3/4 Charcoal on lined paper


Box 1

037-1121 Nude

9 5/8 x 5 1/2 Charcoal on paper


Box 1

038-1121 Male Nude

8 x 5 Charcoal on paper


Box 1

039-1121 Citiscape [sic]

8 1/2 x 5 1/2 Charcoal on paper


Box 1

040-1121 In the Zoo

5 1/2 x 8 1/2 Charcoal on paper


Box 1

041-1121 Buffalo at the Zoo

5 1/2 x 8 1/2 Charcoal on paper


Box 1

042-1121 At the Zoo

8 1/2 x 5 3/4 Crayon on paper


Box 1

Bear at the Zoo

5 x 7 3/4 Charcoal on paper


Box 1

044-1121 Cat at the Zoo

Two sheets. 5 3/8 x 8 1/2 Charcoal on paper


Box 1

045-1121 Bears at the Zoo

Two sheets. 5 x 8 Charcoal on paper


Box 1

046-1121 Two Men

8 x 5 Crayon on paper


Box 1

047-1121 Citiscape [sic] - Perspective

5 x 8 Charcoal on paper


Box 1

048-1121 Crouching Figure - Sketch

8 1/2 x 5 3/4 Crayon on lined paper


Box 1

049-1121 Man with Beard - Sketch

8 1/4 x 5 3/4 Graphite on lined paper


Box 1

050-1121 Two Studies

8 x 5 Charcoal on paper


Box 1

051-1121 Study

7 3/4 x 5 Crayon on paper


Box 1

052-1121 Sketch

8 1/2 x 5 1/2 Crayon on paper


Box 1

053-1121 Study

7 3/4 x 5 Charcoal on paper


Box 1

054-1121 Two Studies

8 1/2 x 5 3/8 Charcoal on paper


Box 1

055-1121 [Columbia]

11 7/8 x 3 Ink on paper


Box 1

056-1121 Dr. J.L. Perrier - My French Teacher

6 x 9 Crayon on broadside


Box 1

057-1121 Boats - Sketch

8 1/2 x 5 1/2 Charcoal on paper


Box 1

058-1121 Woman - Sketch

8 1/4 x 5 2/3 Graphite on lined paper


Box 1

059-1121 Nurse and Child and Carriage - Sketch

8 1/4 x 5 3/4 Graphite on lined paper


Box 1

060-1121 Two Women

12 x 9 Graphite pencil on paper


Box 1

061-1121 Four Men - Sketch

5 1/4 x 5 1/2 Graphite pencil on paper


Box 1

062-1121 Sketch

5 1/2 x 6 1/4 Compressed charcoal on paper


Box 1

063-1121 Life Sketch - National Academy

11 x 8 1/2 Crayon on paper


Box 1

069-1121 Figure Study

Handwritten scopecontents on verso. Paginated as number "19" -- see item 020-1121. 8 1/2 x 11 Conte crayon on detached diary paper


Box 1

070-1121 Life Sketch - National Academy

10 7/8 x 8 3/8 Charcoal on paper


Box 1

071-1121 Seminar Room - Columbia

8 x 10 1/2 Ink on paper


Box 1

072-1121 Townscape - Study

12 x 9 Charcoal on paper


Box 1

073-1121 At Columbia

Paginated as number "19" -- see item 076-1211. 9 3/4 x 7 7/8 Graphite pencil on detached diary page


Box 1

074-1121 Boy

8 x 5 Charcoal on paper


Box 1

075-1121 Male Study

10 1/2 x 8 1/2 Charcoal on paper


Box 1

076-1121 At Columbia

Paginated as number "10" -- see item 073-1211. 9 7/8 x 7 7/8 Charcoal on detached diary page


Box 1

077-1121 Jack Rush

Clipping from The jester of Meyer Schapiro drawing. 6 3/4 x 5 1/4


Box 1

078-1121 College Study - Columbia

5 1/2 x 8 Conte crayon on paper.


Box 1

079-1121 Big Cats at Zoo

5 1/2 x 8 1/2 Charcoal on paper


Box 1

080-1121 Buffalo at Zoo

5 1/2 x 8 1/2 Charcoal on paper


Box 1

081-1121 Female Study

10 1/2 x 8 1/2 Charcoal on paper


Box 1

082-1121 Female Study

10 1/2 x 8 1/2 Charcoal on paper


Box 1

083-1121 At Columbia

Sketches on verso and recto. 6 1/2 x 4 1/8 Graphite pencil and crayon on paper


Box 1

084-1121 At Columbia

7 7/8 x 5 Crayon on paper


Box 1

085-1121 Reclining Man

11 7/8 x 6 7/8 Charcoal on paper


Box 1

086-1121 Clifton "Kip" Fadiman - Columbia

10 1/4 x 7 7/8 Ink and charcoal on paper


Box 1

087-1121 [Columbia]

8 1/2 x 5 1/2 Charcoal on lined paper


Box 1

088-1121 Boys - Sketch

8 x 5 Crayon on paper


Box 1

089-1121 People in Park

5 x 8 Crayon on paper


Box 1

090-1121 Man in White Pajamas

8 1/4 x 5 1/4 Graphite pencil on lined paper


Box 1

091-1121 Mother and Child in Cityscape - Sketch

8 1/2 x 5 Crayon on paper


Box 1

092-1121 Head - Sketch

8 3/8 x 6 1/2 Graphite pencil on lined paper


Box 1

093-1121 Heads - Sketch

Sketches on recto and verso. 8 3/8 x 6 1/2 Graphite pencil on lined paper


Box 1

094-1121 Artist and Easel

8 1/2 x 5 3/8 Compressed charcoal on paper


Box 1

095-1121 Study After Unknown

5 x 8 Ink on paper


Box 1

096-1121 Men in Boats

Two sheets. 8 x 5 Charcoal on paper


Box 1

097-1121 10 Prostrated on Hottest June 5

7 1/4 x 6 1/4 Graphite on newspaper


Box 1

098-1121 At Columbia

8 x 5 Charcoal on paper


Box 1

099-1121 Woman Writing

7 3/4 x 5 Crayon on lined paper


Box 1

100-1121 At Columbia

5 1/2 x 8 1/2 Graphite pencil on paper


Box 1

101-1121 Figure Study

5 5/8 x 9 1/8 Charcoal on paper


Box 1

102-1121 Two Figures

5 5/8 x 9 1/8 Charcoal on paper


Box 1

103-1121 Student

Attribution uncertain to Meyer Schapiro. 11 7/8 x 3 Graphite pencil on card catalog


Box 1

104-1121 At Columbia

8 1/2 x 5 3/8 Charcoal on paper


Box 1

105-1121 Man Drawing at Columbia

8 3/8 x 6 5/8 Ink on lined paper


Box 1

106-1121 Horsman [sic]

Inscribed on verso. See item 076-1121. 10 x 8 Charcoal on detached diary page


Box 1

107-1121 Nude at Columbia

10 1/4 x 7 7/8 Graphite pencil on paper


Box 1

108-1121 Boating

6 3/8 x 8 1/8 Graphite on paper


Box 1

109-1121 Drapery Study

8 1/4 x 6 5/8 Graphite pencil on lined paper


Box 1

110-1121 Two Nudes

5 x 8 Charcoal on paper


Box 1

111-1121 At Columbia

10 3/8 x 7 7/8 Charcoal on paper


Box 2

112-1121 At Ida Adams' With Eugene Purver

6 1/2 x 8 3/8 Ink on lined paper


Box 2

113-1121 Mary Jane

8 5/16 x 6 1/2 Ink on lined paper


Box 2

114-1121 At Ida Adams' With Eugene Purver

8 3/8 x 6 1/2 Ink on lined paper


Box 2

115-1121 At Ida Adams' With Eugene Purver

Accompanied by scopecontent. 6 5/8 x 8 3/8 Ink on lined paper


Box 2

116-1121 At Ida Adams' With Eugene Purver

8 3/8 x 6 1/2 Ink on lined paper


Box 2

117-1121 At Ida Adams' With Eugene Purver

6 3/4 x 8 3/8 Ink on lined paper


Box 2

118-1121 At Ida Adams' With Eugene Purver

6 1/2 x 8 1/4 Ink on lined paper


Box 2

119-1121 At Ida Adams' With Eugene Purver

6 5/8 x 8 3/8 Ink on lined paper


Box 2

120-1121 At Ida Adams' With Eugene Purver

6 5/8 x 8 3/8 Ink on lined paper


Box 2

121-1121 At Ida Adams' With Eugene Purver

6 5/8 x 8 3/8 Ink on lined paper


Box 2

122-1121 At Ida Adams' With Eugene Purver

6 5/8 x 8 3/8 Ink on lined paper


Box 2

123-1121 At Ida Adams' With Eugene Purver

6 5/8 x 8 3/8 Ink on lined paper


Box 2

124-1121 At Ida Adams' With Eugene Purver

6 5/8 x 8 3/8 Ink on lined paper


Box 2

125-1121 At Ida Adams' With Eugene Purver

6 3/4 x 8 1/4 Ink on lined paper


Box 2

126-1121 At Ida Adams' With Eugene Purver

6 1/2 x 8 3/8 Ink on lined paper


Box 2

127-1121 At Ida Adams' With Eugene Purver

8 3/8 x 6 5/8 Ink on lined paper


Box 2

128-1121 Columbia

8 x 5 Conte crayon on paper


Box 2

129-1121 Lillian

8 x 5 1/4 Crayon on Columbia University letterhead stationery


Box 2

130-1121 Lillian Drying Her Hair

10 15/16 x 8 3/8 Ink on paper


Box 2

131-1121 Woman Sweeping

6 x 4 Conte crayon on paper


Box 2

132-1121 At Ida Adams' With Eugene Purver

6 1/2 x 8 1/4 Ink on lined paper


Box 2

133-1121 Vermont

8 3/8 x 6 1/2 Ink on paper


Box 2

134-1121 Interior Study - Columbia

12 x 8 7/8 Conte crayon on paper


Box 2

135-1121 At the Zoo

5 3/8 x 8 1/2 Conte crayon on paper


Box 2

136-1121 Lillian

8 x 5 1/4 Conte crayon on Columbia University letterhead stationery


Box 2

137-1121 Saint

8 x 5 1/4 Crayon on Columbia University letterhead stationery


Box 2

138-1121 Lillian

11 x 8 3/8 Ink on paper


Box 2

139-1121 Lillian

11 x 8 1/2 Ink on paper


Box 2

140-1121 After Jacques Lipchitz

6 x 4 Ink on paper


Box 2

141-1121 Lillian

11 x 8 3/8 Ink on paper


Box 2

142-1121 Church and Town - France

Accompanied by scopecontent indicating drawing was moved from Barrow Farm drawings. 8 1/4 x 6 Graphite pencil on paper


Box 2

143-1121 Woman

11 x 9 Ink on paper


Box 2

144-1121 Lillian

10 3/8 x 7 1/4 Ink on paper


Box 2

145-1121 Lillian

11 1/8 x 8 1/2 Graphite pencil on paper


Box 2

146-1121 Rowboat on Lack [sic]

11 x 8 1/2 Crayon on paper


Box 2

147-1121 Lillian

11 x 8 1/2 Ink on paper


Box 2

148-1121 Drawing After Meyer's Wood Sculpture

11 1/2 x 9 Crayon on paper


Box 2

149-1121 Subway

3 1/16 x 3 Graphite pencil on paper


Box 2

150-1121 Near Cloisters - Sketch for Painting

6 1/2 x 10 Graphite pencil on paper


Box 2

151-1121 Lillian

11 x 8 1/2 Ink on paper


Box 2

152-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 2

153-1121 Male Studies

8 1/2 x 11 Crayon on paper


Box 2

154-1121 [Vermont]

8 1/2 x 5 1/2 Graphite pencil on paper


Box 2

155-1121 Park Bench

8 1/2 x 11 Graphite pencil on paper


Box 2

156-1121 River View

6 1/4 x 9 1/2 Crayon on paper


Box 3

157-1121 Conque Study

5 3/4 x 5 Ink on lined paper


Box 3

158-1121 Lillian Raising Arm

10 15/16 x 8 1/2 Ink on paper


Box 3

159-1121 Ferry Boat

Scrap of Columbia University exam schedule 5 3/4 x 4 Ink on paper


Box 3

160-1121 Male Portrait

Inscribed on verso. 10 1/2 x 8 Ink on Columbia University Library letterhead stationery


Box 3

161-1121 Subway

8 1/2 x 6 1/2 Graphite pencil on kraft paper


Box 3

162-1121 Wood Sculpture

11 x 8 1/2 Graphite pencil on paper


Box 3

163-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper


Box 3

164-1121 France

8 x 5 Ink on paper


Box 3

165-1121 Bondon

8 1/2 x 5 1/2 Ink on lined paper


Box 3

166-1121 Edgewater, New Jersey

6 x 9 Charcoal on verso of broadside


Box 3

167-1121 Nude Figure

12 x 9 Crayon on paper


Box 3

168-1121 Martin Raphael

12 1/4 x 9 1/8 Ink on paper


Box 3

169-1121 Figure Study

8 1/2 x 5 1/2 Charcoal on paper


Box 3

170-1121 A Church

9 x 11 1/2 Ink on paper


Box 3

171-1121 Flower

5 3/4 x 8 1/2 Ink on paper


Box 3

172-1121 Cityscape

Inscribed on verso. 7 3/4 x 5 Graphite pencil on lined paper


Box 3

173-1121 Like Paiting of Betsy - Head Park

5 3/8 x 6 1/2 Pastels on paper


Box 3

174-1121 Flower

5 1/8 x 8 1/2 Ink on paper


Box 3

175-1121 Landscape

3 x 4 3/4 Ink on paper


Box 3

176-1121 After Unknown

Two sheets. Drawings on recto and verso. 5 1/2 x 4 1/8 Graphite pencil on paper


Box 3

177-1121 Highway

5 x 8 Conte crayon on paper


Box 3

178-1121 Tent Forms in the City

8 x 10 1/2 Ink on Columbia University Library letterhead stationery


Box 3

179-1121 Figure Study

8 x 5 Conte crayon on paper


Box 3

180-1121 Building Study

8 1/4 x 6 3/4 Conte crayon on lined paper


Box 3

181-1121 Boy at Desk and Vase

6 x 8 7/8 Ink on lined paper


Box 3

182-1121 Nude Study

8 1/2 x 11 Crayon on paper


Box 3

183-1121 Male Studies

11 x 8 1/2 Crayon on paper


Box 3

184-1121 Study After Benozzo Gozzoli

11 x 8 1/2 Conte crayon on paper


Box 3

185-1121 [Park Scene]

3 x 4 3/4 Ink on paper


Box 3

186-1121 [Pennsylvania State]

6 x 9 Conte crayon on verso of broadside


Box 3

187-1121 Figure Study

8 x 5 Conte crayon on paper


Box 3

188-1121 Students at Ease

9 x 12 Conte crayon on paper


Box 3

189-1121 Heads

8 3/16 x 5 5/16 Ink on paper


Box 3

190-1121 [Ravenna]

6 11/16 x 5 3/8 Graphite pencil on paper


Box 3

191-1121 Ravenna

6 11/16 x 5 3/8 Ink on paper


Box 3

192-1121 [Copy of a Meyer Schapiro]

4 x 6 Ink on card index


Box 3

193-1121 Studies After Benozzo Gozzoli

8 1/2 x 11 Conte crayon on paper


Box 3

194-1121 Drapery - Study

9 1/8 x 12 Conte crayon on paper


Box 3

195-1121 Study

Drawings on recto and verso. 9 1/8 x 12 Conte crayon on paper


Box 3

196-1121 Studies After Benozzo Gozzoli

8 1/2 x 10 7/8 Conte crayon on paper


Box 3

197-1121 Townscapes

9 x 12 Conte crayon on paper


Box 3

198-1121 Unknown

Inscribed on verso. 10 1/2 x 8 Ink on paper


Box 3

199-1121 Study of Sculpture

7 x 3 Ink on paper


Box 3

200-1121 Untitled

6 x 8 3/4 Ink on paper


Box 3

201-1121 Riverside Drive

10 1/4 x 12 1/2 Oil paint on paper


Box 3

202-1121 Riverside Drive

10 1/4 x 12 7/8 Ink and oil paint on paper


Box 3

203-1121 Riverside Drive [in 70s]

10 1/2 x 12 3/4 Oil paint on paper


Box 3

204-1121 Looking East From Near Cloisters, New York

6 3/8 x 9 7/8 Graphite pencil on paper


Box 3

205-1121 Unknown

11 1/2 x 9 Charcoal on paper


Box 3

206-1121 Portrait

11 1/2 x 9 Ink on paper


Box 3

207-1121 After Meyer Schapiro Wood Sculpture

12 1/2 x 10 Ink on paper


Box 3

208-1121 [Log Tavern]

11 x 8 1/2 Crayon on paper


Box 3

209-1121 Log Tavern Lake

8 1/2 x 11 Graphite pencil on paper


Box 3

210-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 3

211-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 3

212-1121 After Michelangelo

6 1/2 x 5 Ink on paper


Box 3

213-1121 Amsterdam Avenue and 115th Street

8 1/4 x 6 1/4 Ink on paper


Box 3

214-1121 Girl

11 1/2 x 9 Charcoal on paper


Box 4

215-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 4

216-1121 Lillian

10 15/16x 8 1/2 Colored pencil on paper


Box 4

217-1121 Riverside Drive

10 x 6 3/4 Ink on paper


Box 4

218-1121 Lillian

9 1/4 x 7 1/4 Graphite pencil on paper


Box 4

219-1121 Jack Rush

8 1/2 x 5 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 4

220-1121 Lillian

12 x 9 Conte crayon on paper


Box 4

221-1121 Lillian

9 1/2 x 6 1/4 Chalk on paper


Box 4

222-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 4

223-1121 Lillian

11 x 8 1/2 Ink on paper


Box 4

224-1121 Jack Rush

10 1/2 x 8 Graphite pencil on paper


Box 4

225-1121 Drawing for Painting of Betsy - Head Park

8 x 5 Crayon on paper


Box 4

226-1121 Woman

10 x 7 1/2 Ink on paper


Box 4

227-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 4

228-1121 Boating Trip

6 x 4 Conte crayon on paper


Box 4

229-1121 Nude

6 x 4 Graphite pencil on paper


Box 4

230-1121 Lillian

11 x 8 1/2 Ink on paper


Box 4

231-1121 Lillian - West 76th Street

11 x 8 1/2 Graphite pencil on paper


Box 4

232-1121 Untitled

16 x 6 1/2 Gouache on paper


Box 4

233-1121 Untitled

10 x 6 3/8 Gouache on paper


Box 4

234-1121 Lillian Seated Reading

9 x 8 1/2 Conte crayon on paper


Box 4

235-1121 Lillian

9 3/8 x12 Ink on paper


Box 4

236-1121 Lillian Reading

11 1/4 x 7 1/4 Crayon on paper


Box 4

237-1121 Lillian - [Log Tavern]

9 3/4 x 6 3/8 Crayon on paper


Box 4

238-1121 Cuxa Capital - Cloisters, New York

10 x 6 1/8 Crayon on paper


Box 4

239-1121 Lillian

11 x 8 1/2 Ink on paper


Box 4

240-1121 Nude

12 x 9 Crayon on paper


Box 4

241-1121 Lake of Log Tavern [or Tohone]

8 1/2 x 5 3/8 Crayon on paper


Box 4

242-1121 [Log Tavern or Barrington]

11 x 8 1/2 Crayon on paper


Box 4

243-1121 Lillian - Log Tavern

9 5/8 x 6 1/4 Crayon on paper


Box 4

244-1121 View from the Cloisters

6 1/8 x 9 7/8 Graphite pencil on paper


Box 4

245-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 4

246-1121 Lillian

11 x 8 1/2 Ink on paper


Box 4

247-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 4

248-1121 Wrestlers

11 1/4 x 9 Crayon on paper


Box 4

249-1121 Lillian

11 x 8 1/2 Ink on paper


Box 4

250-1121 Lillian

Drawing on verso. 11 x 8 1/2 Graphite pencil on paper


Box 4

251-1121 Portrait

11 1/4 x 10 Oil paint on paper


Box 4

252-1121 Portrait of a Friend

12 1/2 x 10 Ink on paper


Box 4

253-1121 Portrait

11 3/4 x 10 Oil paint on paper


Box 4

254-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 4

255-1121 Shooshine [sic] in the Park

11 x 8 1/2 Graphite pencil on paper


Box 4

256-1121 Wood Sculpture by Meyer Schapiro

11 1/2 x 9 Graphite pencil on paper


Box 4

257-1121 Wood Sculpture by Meyer Schapiro

12 x 10 Oil paint on paper


Box 4

258-1121 Lillian

12 1/2 x 9 3/4 Oil paint on paper


Box 4

259-1121 Mother and Child - Two

11 1/2 x 9 Graphite pencil on paper


Box 4

260-1121 Mother and Child - One

11 1/2 x 9 Graphite pencil on paper


Box 4

261-1121 Wrestlers

12 x 9 Ink on paper


Box 4

262-1121 Lillian

11 1/2 x 9 Ink on paper


Box 4

263-1121 Portrait of a Friend

11 1/2 x 9 Ink on paper


Box 4

264-1121 Alan Wax

12 1/2 x 9 1/2 Ink on paper


Box 4

265-1121 Lillian

11 1/2 x 7 1/2 Oil paint on paper


Box 4

266-1121 Lillian

11 1/4 x 7 1/2 Oil paint on paper


Box 4

267-1121 Lillian

12 x 8 1/2 Ink on paper


Box 4

268-1121 Lillian

12 x 8 1/2 Ink on paper


Box 4

269-1121 Portrait

12 x 9 Ink on paper


Box 4

270-1121 Houses in Vermont

11 x 8 1/2 Conte crayon on paper


Box 4

271-1121 A Model

12 x 9 Crayon on paper


Box 4

272-1121 A Model

12 x 9 Crayon on paper


Box 4

273-1121 A Model

12 x 9 Crayon on paper


Box 4

274-1121 A Model

12 x 9 Crayon on paper


Box 4

275-1121 After Michelangelo [From Reproduction]

11 1/2 x 9 Conte crayon on paper


Box 4

276-1121 Portrait

Typing on verso. 11 x 8 1/2 Graphite pencil on paper


Box 4

277-1121 Wrestlers

From series for study for Linoleum-block-block cut. 11 1/2 x 9 Crayon on paper


Box 4

278-1121 Wrestlers

11 1/2 x 9 Crayon on paper


Box 4

279-1121 Wrestlers

11 1/2 x 9 Crayon on paper


Box 4

280-1121 Wrestlers

11 1/2 x 9 Crayon on paper


Box 4

281-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 4

282-1121 Lillian

11 x 8 1/2 Ink on paper


Box 4

283-1121 Lillian

9 1/2 x 6 1/2 Graphite pencil and watercolor on paper


Box 4

284-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 4

285-1121 Lillian

12 x 9 Crayon on paper


Box 4

286-1121 Young Woman

12 x 8 7/8 Conte crayon on paper


Box 4

287-1121 Tower Buildings

10 x 6 1/4 Graphite pencil on paper


Box 4

288-1121 Lillian

11 1/2 x 9 Conte crayon on paper


Box 4

289-1121 Lillian

13 x10 Conte crayon on paper


Box 4

290-1121 Lillian

13 x 10 Conte crayon on paper


Box 4

291-1121 Study for Wood Sculpture

11 1/2 x 9 Conte crayon on paper


Box 4

292-1121 Lillian Sitting

12 x 9 Crayon on paper


Box 4

293-1121 Lillian

12 x 9 Crayon on paper


Box 4

294-1121 Lillian

12 x 9 Ink on paper


Box 4

295-1121 Wood Figure

11 3/4 x 10 1/2 Ink on paper


Box 4

296-1121 Lillian Sleeping

12 x 9 Conte crayon on paper


Box 4

297-1121 Boating Trip

6 x 4 Conte crayon on paper


Box 4

298-1121 Boating Party

6 x 4 Conte crayon on paper


Box 4

299-1121 Wrestlers

12 x 10 Ink on paper


Box 4

300-1121 Lillian Sleeping

12 x 9 Conte crayon on paper


Box 4

301-1121 Lions

12 x 9 Ink on paper


Box 5

302-1121 Nude

12 x 9 Oil paint on paper


Box 5

303-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 5

304-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 5

305-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 5

306-1121 [Sophie Milgram]

10 3/8 x 7 1/4 Ink on paper


Box 5

307-1121 Lillian

11 x 8 1/2 Ink on paper


Box 5

308-1121 Lillian

Drawing on verso. 9 x 11 1/2 Ink on paper


Box 5

309-1121 Wrestlers

12 1/8 x 9 Crayon on paper


Box 5

310-1121 Lillian

11 x 8 1/2 Ink on paper


Box 5

311-1121 High Bridge - East River

8 1/2 x 6 3/8 Ink on paper


Box 5

312-1121 Lillian

Dated March 14. 11 x 8 1/2 Ink on paper


Box 5

313-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 5

314-1121 [Lillian]

6 x 4 Graphite pencil on paper


Box 5

315-1121 Lillian

6 x 4 Ink on paper


Box 5

316-1121 Lillian

6 x 4 Ink on paper


Box 5

317-1121 [Lillian and Teddy]

6 1/2 x 4 1/4 Crayon on paper


Box 5

318-1121 [Lillian]

11 x 8 1/2 Graphite pencil on paper


Box 5

319-1121 Riverside Drive - Sketch for Painting

8 1/4 x 6 1/4 Ink on paper


Box 5

320-1121 Sketches

Drawing on verso. 8 1/2 x 8 1/2 Ink and graphite pencil on napkin


Box 5

321-1121 Drawings of Friends

Drawing and inscription on verso. 9 x 6 Graphite pencil on paper


Box 5

322-1121 Riverside Park

6 1/4 x 8 1/8 Ink on paper


Box 5

323-1121 From Sculpture - From Imagination

6 x 4 Graphite pencil on paper


Box 5

324-1121 Lillian

11 x 8 1/2 Ink on paper


Box 5

325-1121 [Lillian]

6 x 4 Graphite pencil on paper


Box 5

326-1121 Lillian

9 x 12 Ink on paper


Box 5

327-1121 Lillian Sleeping

12 x 9 Conte crayon on paper


Box 5

328-1121 In New York Subway

Inscription on verso. 6 x 4 Graphite pencil on paper


Box 5

329-1121 From Imagination - From Sculpture

4 x 6 Graphite pencil on paper


Box 5

330-1121 After Michelangelo

6 x 4 Ink on paper


Box 5

331-1121 [Katherine Milgram]

11 1/2 x 8 1/2 Graphite pencil on paper


Box 5

332-1121 City Scene

11 x 6 15/16 Crayon on paper


Box 5

333-1121 Riverside Park

4 x 6 Crayon on paper


Box 5

334-1121 Columbia Friend - Marty Raphael

12 1/8x 9 1/4 Ink on paper


Box 5

335-1121 Lillian Sewing

11 x 8 1/2 Graphite pencil on paper


Box 5

336-1121 Lillian Sewing

11 x 8 1/2 Graphite pencil on paper


Box 5

337-1121 Lillian

8 1/2 x 11 Graphite pencil on paper


Box 5

338-1121 Howard Shaw

11 x 8 1/2 Conte crayon on paper


Box 5

339-1121 Lillian

9 x 12 Charcoal on paper


Box 5

340-1121 Untitled

12 1/2 x 10 Watercolor on paper


Box 5

341-1121 Two Heads

11 1/2 x 9 Ink on paper


Box 5

342-1121 For Wood Sculpture

10 x 7 1/4 Ink on paper


Box 5

343-1121 Landscape

8 1/2 x 11 Crayon on paper


Box 5

344-1121 Landscape

4 x 6 Ink on paper


Box 5

345-1121 Woman

Drawing on verso. 11 1/8 x 8 1/2 Graphite pencil on paper


Box 5

346-1121 Wood Sculpture

10 x 7 1/4 Ink on paper


Box 5

347-1121 Drawing of Wood Sculpture

11 1/2 x 8 1/2 Ink on paper


Box 6

348-1121 Berlin

Box 6 contains drawings relating to Schapiro's trip to Berlin and Brussels in 1923 and includes portraits of Whittaker Chambers. 10 7/8 x 8 1/2 Conte crayon on paper


Box 6

349-1121 [Henry Zolinsky]

Inscribed: Berlin (in Stillman's studio). 9 1/8 x 7 1/8 Conte crayon on paper


Box 6

350-1121 [Henry Zolinsky]

Incribed: Brussels. 10 3/8 x 7 7/8 Conte crayon on paper


Box 6

351-1121 Brussels

8 3/8 x 10 7/8 Conte crayon on paper


Box 6

352-1121 Outskirts of Brussels

8 3/8 x 10 7/8 Conte crayon on paper


Box 6

353-1121 Berlin

8 3/8 x 10 7/8 Conte crayon on paper


Box 6

354-1121 Outskirts of Brussels

8 7/8 x 10 7/8 Conte crayon on paper


Box 6

355-1121 Drawing of Henry Zolinsky

Inscribed: Berlin, in studio of Ary Stillman. 9 1/8 x 7 1/8 Conte crayon on paper


Box 6

356-1121 Brussels

8 3/8 x 10 7/8 Conte crayon on paper


Box 6

357-1121 Henry Zolinsky

Inscribed: Berlin. 9 1/8 x 7 1/8 Conte crayon on paper


Box 6

358-1121 Henry Zolinsky

Inscribed: Berlin. 9 x 7 1/8 Conte crayon on paper


Box 6

359-1121 Whittaker

Inscribed: Brussels 8 3/8 x 10 3/8 Conte crayon on paper


Box 6

360-1121 Whittaker

Inscribed: Brussels. 10 7/8 x 8 3/8 Conte crayon on paper


Box 6

361-1121 Whittaker Reading

Inscribed: Brussels. 10 7/8 x 8 3/8 Conte crayon on paper


Box 6

362-1121 Whittaker Behind

Inscribed: Brussels. 10 7/8 x 8 3/8 Conte crayon on paper


Box 6

363-1121 Whittaker

Inscribed: Brussels. 8 3/8 x 10 7/8 Conte crayon on paper


Box 6

364-1121 Henry Zolinsky

Inscribed: Berlin. Drawing on verso. 9 x 7 1/8 Conte crayon on paper


Box 6

365-1121 Outskirts of Brussels

8 3/8 x 10 7/8 Conte crayon on paper


Box 6

366-1121 Park - Brussels

10 7/8 x 8 3/8 Conte crayon on paper


Box 6

367-1121 Drawn on Dutch Boat [Veendam]

Inscribed: from Jester. 5 3/4 x 5 1/4 Conte crayon on clipping


Box 6

368-1121 Meyer and Whittaker's Room

Inscribed: Brussels. 8 1/8 x 6 3/8 Conte crayon on paper


Box 6

369-1121 [Henry Zolinksky]

9 1/8 x 7 1/8 Conte crayon on paper


Box 6

370-1121 Outskirts of Brussels

8 7/8 x 10 7/8 Conte crayon on paper


Box 6

371-1121 Outskirts - Brussels

10 7/8 x 8 3/8 Conte crayon on paper


Box 6

372-1121 Whittaker

Inscribed: Brussels. 8 3/8 x 10 3/8 Conte crayon on paper


Box 6

373-1121 Outskirts - Brussels

8 3/8 x 10 7/8 Conte crayon on paper


Box 6

374-1121 Brussels

10 7/8 x 8 1/2 Conte crayon on paper


Box 6

375-1121 Brussels

10 7/8 x 8 3/8 Conte crayon on paper


Box 6

376-1121 Brussels

8 3/8 x 10 7/8 Conte crayon on paper


Box 7

377-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

378-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

379-1121 Woman Washing

8 1/2 x 5 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

380-1121 Coal Storage Building [Pennsylvania]

8 x 5 Conte crayon on paper


Box 7

381-1121 Landscape - Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

382-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

383-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

384-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

385-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on paper


Box 7

386-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

387-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

388-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

389-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

390-1121 Figure Study

7 3/4 x 5 Conte crayon on lined paper


Box 7

391-1121 Figure Study

7 3/4 x 5 Conte crayon on lined paper


Box 7

392-1121 Barrow Farms

4 1/4 x 4 Graphite pencil on Barrow Farms Inn letterhead envelope


Box 7

393-1121 Figure

7 3/4 x 5 Conte crayon on lined paper


Box 7

394-1121 Barrow Farms

8 1/2 x 5 1/2 Charcoal on paper


Box 7

395-1121 Barrow Farms

5 1/2 x 6 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

396-1121 Barrow Farms

5 1/2 x 6 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

397-1121 [Barrow Farms]

5 x 7 3/4 Charcoal on lined paper


Box 7

398-1121 [Barrow Farms]

5 1/2 x 8 1/2 Ink on paper


Box 7

399-1121 Barrow Farms

5 1/2 x 4 1/4 Charcoal on Barrow Farms Inn letterhead stationery


Box 7

400-1121 Barrow Farms

5 1/2 x 8 1/2 Charcoal on Barrow Farms Inn letterhead stationery


Box 7

401-1121 Barrow Farms

5 1/2 x 8 1/2 Charcoal on Barrow Farms Inn letterhead stationery


Box 7

402-1121 Barrow Farms

5 1/2 x 8 1/2 Charcoal on Barrow Farms Inn letterhead stationery


Box 7

403-1121 Barrow Farms

Inscribed on verso. 5 1/2 x 8 1/2 Charcoal on Barrow Farms Inn letterhead stationery


Box 7

404-1121 Barrow Farms

5 3/4 x 8 1/2 Charcoal on paper


Box 7

405-1121 Barrow Farms

5 1/2 x 4 3/8 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

406-1121 Townscape - Barrow Farms

Drawing on verso. 5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

407-1121 Cabins and Country - Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

408-1121 Landscape

5 1/2 x 7 3/4 Conte crayon on lined paper


Box 7

409-1121 Barrow Farms

4 1/4 x 5 1/2 Charcoal on Barrow Farms Inn letterhead stationery


Box 7

410-1121 Cabins - Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

411-1121 Haircut - Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

412-1121 Landscape - Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

413-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

414-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

415-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

416-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

417-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

418-1121 Barrow Farms

5 1/2 x 7 7/8 Graphite pencil on paper


Box 7

419-1121 Barrow Farms

5 x 7 3/4 Conte crayon on lined paper


Box 7

420-1121 Landscape - Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

421-1121 Barrow Farms

7 7/8 x 4 7/8 Graphite pencil on paper


Box 7

422-1121 Barrow Farms

8 1/2 x 5 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

423-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

424-1121 Barrow Farms

5 3/4 x 8 1/2 Conte crayon on paper


Box 7

425-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on paper


Box 7

426-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

427-1121 [Jack Rush] - Barrow Farms

8 1/2 x 5 1/2 Graphite pencil on paper


Box 7

428-1121 [Jack Rush - Barrow Farms]

8 1/2 x 5 1/2 Graphite pencil on paper


Box 7

429-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on paper


Box 7

430-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

431-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

432-1121 [Barrow Farms]

5 1/2 x 7 3/4 Conte crayon on lined paper


Box 7

433-1121 Barrow Farms

Two sheets. 5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

434-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

435-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

436-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

437-1121 Barrow Farms

7 3/4 x 5 Conte crayon on lined paper


Box 7

438-1121 Barrow Farms

8 1/2 x 5 1/2 Charcoal on Barrow Farms Inn letterhead stationery


Box 7

439-1121 Barrow Farms

5 x 7 3/4 Conte crayon on lined paper


Box 7

440-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

441-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

442-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on paper


Box 7

443-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

444-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

445-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on paper


Box 7

446-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

447-1121 Barrow Farms

8 1/2 x 5 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

448-1121 Seated Figure - Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

449-1121 Seated Figure - Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 7

450-1121 Horse - Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

451-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

452-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

453-1121 Barrow Farms

5 1/2 x 8 1/2 Graphite pencil on Barrow Farms Inn letterhead stationery


Box 7

454-1121 Barrow Farms

5 5/8 x 8 1/2 Charcoal on paper


Box 7

455-1121 Barrow Farms

5 1/2 x 8 1/2 Conte crayon on Barrow Farms Inn letterhead stationery


Box 8

456-1121 Ernest

11 1/2 x 9 Pastels on paper


Box 8

457-1121 New York Skyline

5 7/8 x 8 15/16 Ink on paper


Box 8

458-1121 Bridge - New York

10 1/2 x 8 Graphite pencil on paper


Box 8

459-1121 Wooden Structures - Vermont

11 x 15 Oil paint on paper


Box 8

460-1121 Vermont House with Abstract Sky

12 x 8 7/8 Oil paint on paper


Box 8

461-1121 Abstraction - Horned Animal Head

9 5/8 x 6 7/8 Oil paint on cardboard


Box 8

462-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 8

463-1121 Lillian

10 1/4 x 8 Crayon on paper


Box 8

464-1121 France [Cluny]

5 3/8 x 7 Conte crayon on paper


Box 8

465-1121 Lillian

10 1/2 x 8 1/2 Graphite pencil on paper


Box 8

466-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 8

467-1121 A Vermont Landscape

8 1/2 x 10 5/8 Conte crayon on paper


Box 8

468-1121 Lillian

6 x 4 Conte crayon on paper


Box 8

469-1121 Lillian and Miriam

6 x 4 Graphite pencil on paper


Box 8

470-1121 Miriam

12 x 9 1/2 Conte crayon on paper


Box 8

471-1121 Lillian

10 x 6 3/8 Ink on paper


Box 8

472-1121 Untitled

Page of travel diary from trip to St. Gilles, France, 1931. Inscribed on verso. 7 1/2 x 5 1/2 Ink on paper


Box 8

473-1121 Lillian - Belmont, Vermont

11 x 8 1/2 Graphite pencil on paper


Box 8

474-1121 Lillian

12 1/4 x 9 1/8 Gouache on paper


Box 8

475-1121 Lillian

8 1/2 x 10 7/8 Graphite pencil on paper


Box 8

476-1121 Lillian

6 x 4 Graphite pencil on paper


Box 8

477-1121 Mark in the Desert #4

5 x 8 Conte crayon on paper


Box 8

478-1121 Dog and Flower

11 x 8 1/2 Oil paint on paper


Box 8

479-1121 Abstraction - Vertical Forms #1

12 x 9 1/8 Oil paint on paper


Box 8

480-1121 Miriam, Lillian and Miriam

11 x 8 1/2 Graphite pencil on paper


Box 8

481-1121 Lillian

10 1/2 x 8 Graphite pencil on paper


Box 8

482-1121 Mark in the Desert #3

5 x 8 Conte crayon on paper


Box 8

483-1121 Lillian

8 1/2 x 11 Graphite pencil on paper


Box 8

484-1121 Miriam

9 x 12 1/8 Conte crayon on paper


Box 8

485-1121 Miriam - Vermont

Inscribed: from VIII. 9 1/8 x 12 Oil paint on paper


Box 8

486-1121 Male Study

10 7/8 x 8 1/2 Crayon on paper


Box 8

487-1121 Woman

4 x 6 Crayon on paper


Box 8

488-1121 Lillian

4 1/4 x 6 1/2 Conte crayon on paper


Box 8

489-1121 Unknown City

10 1/2 x 7 1/2 Pastels on paper


Box 8

490-1121 Unknown City

8 1/2 x 6 3/4 Conte crayon on paper


Box 8

491-1121 Vermont Hill House

10 3/4 x 7 Crayon on paper


Box 8

492-1121 Lillian

9 3/8 x 12 1/8 Oil on paper


Box 8

493-1121 Vermont House and Barn and Lean-to from Roadside

11 x 8 1/2 Crayon on paper


Box 8

494-1121 A Vermont Landscape

11 1/8 x 14 Oil paint on paper


Box 8

495-1121 A Vermont Scene

11 x 8 3/8 Crayon on paper


Box 8

496-1121 A Vermont Scene

11 x 8 1/2 Crayon on paper


Box 8

497-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 8

498-1121 Young Girl

10 7/8 x 8 1/2 Crayon on paper


Box 8

499-1121 [Vermont Lake]

4 x 5 Oil paint on scopecontentcard


Box 8

500-1121 For Ernest

10 x 13 1/8 Pastels on paper


Box 8

501-1121 Hair Drawing

Inscribed on verso: this was made by gluing hair to paper. 9 x 4 3/4 Graphite pencil on paper


Box 8

502-1121 Vermont Hill House

12 x 9 Oil paint on paper


Box 8

503-1121 Ernest

11 x 8 1/2 Crayon on paper


Box 8

504-1121 Lillian

10 7/8 x 8 1/2 Graphite pencil on paper


Box 8

505-1121 Children at Winhall Brook Below Vermont House

12 5/8 x 9 3/8 Oil paint on paper


Box 8

506-1121 Vermont From Hill - Unfinished

4 x 6 Gouache on paper


Box 8

507-1121 Vermont Garage - Unfinished

12 x 9 Oil paint on paper


Box 8

508-1121 Vermont Hill House

9 1/8 x 6 1/8 Gouache on paper


Box 8

509-1121 Vermont Garage - Unfinished

12 x 9 Oil paint on paper


Box 8

510-1121 Lillian

10 1/2 x 8 1/4 Colored pencil on paper


Box 8

511-1121 [Vermont]

8 1/2 x 11 Crayon on paper


Box 8

512-1121 For Ernest

12 x 8 3/8 Pastels on paper


Box 8

513-1121 Miriam

10 7/8 x 6 Crayon on envelope


Box 8

514-1121 Woman in Bathing Suit

9 5/8 x 12 1/2 Colored pencil on paper


Box 8

515-1121 Lillian

12 x 9 1/4 Ink on paper


Box 8

516-1121 Vermont Carbapple Tree

9 1/2 x 6 Gouache on paper


Box 8

517-1121 Miriam

8 3/8 x 11 Crayon on paper


Box 8

518-1121 Ink Blot of Signature of Meyer Schapiro

6 x 3 7/8 Ink on paper


Box 8

519-1121 Head

8 1/2 x 6 1/2 Conte crayon on paper


Box 8

520-1121 Hill House and House

12 1/8 x 9 Oil paint on paper


Box 8

521-1121 Dora Milgram

With five photocopies of original drawing. 12 1/8 x 9 1/2 Crayon on paper


Box 8

522-1121 Lillian

10 3/8 x 8 Graphite pencil on paper


Box 8

523-1121 Head

11 x 8 1/2 Crayon on paper


Box 8

524-1121 Ernest

11 x 8 1/2 Oil pastels on paper


Box 8

525-1121 [Female Head]

6 x 4 Conte crayon on paper


Box 8

526-1121 Lillian Asleep

4 x 6 Graphite pencil on paper


Box 8

527-1121 Lillian on Ship

Drawing on verso. 8 1/4 x 10 3/4 Graphite pencil on stationery


Box 8

528-1121 Vermont - Rausonville

Inscribed on verso: from III. 8 1/2 x 11 Conte crayon on paper


Box 8

529-1121 Lillian on Ship

8 1/4 x 10 3/4 Graphite pencil on stationery


Box 8

530-1121 After Mantegna

11 x 8 1/2 Graphite pencil on paper


Box 8

531-1121 Lillian - Europe

8 1/2 x 11 Conte crayon on paper


Box 8

532-1121 [France]

5 3/8 x 7 Conte crayon on paper


Box 8

533-1121 [France]

6 1/8 x 9 Conte crayon on paper


Box 8

534-1121 Lillian

6 x 4 Graphite pencil on paper


Box 8

535-1121 Lillian and Teddy

8 1/2x 11 Graphite pencil on paper


Box 8

536-1121 Lillian

13 1/8 x 9 3/8 Ink on paper


Box 8

537-1121 Lillian

12 x 9 3/4 Ink on paper


Box 8

538-1121 Lillian

13 1/4 x 9 1/4 Ink on paper


Box 8

539-1121 Lillian

11 1/2 x 9 Ink on paper


Box 8

540-1121 Teddy

Inscribed on verso: Katherine Milgram Shaw. 11 x 8 1/2 Conte crayon on paper


Box 8

541-1121 [Europa and Bull]

5 1/4 x 8 1/2 Graphite pencil on paper


Box 8

542-1121 Landscape - Sketch

6 x 3 5/8 Graphite pencil on paper


Box 8

543-1121 Vermont House and Barn

8 3/8 x 11 Crayon on paper


Box 8

544-1121 Miriam

9 x 12 Charcoal on paper


Box 8

545-1121 Vermont House and Lean-to

11 x 8 1/2 Graphite pencil on paper


Box 8

546-1121 Miriam

9 3/8 x 13 Crayon on paper


Box 8

547-1121 [Vermont]

8 1/2 x 11 Crayon on paper


Box 8

548-1121 Landscape

8 7/8 x 11 3/8 Graphite pencil on paper


Box 8

549-1121 Ernest

11 x8 1/2 Conte crayon on paper


Box 8

550-1121 Vermont Hill House and House

12 x 9 Oil paint on paper


Box 8

551-1121 Rawsonville House From N.E.

9 x 12 Pastels on paper


Box 8

552-1121 Rawsonville House - Vermont

9 x 12 Pastels on paper


Box 8

553-1121 Rawsonville House - Vermont

9 x 12 Pastels on paper


Box 8

554-1121 Lilly Klein's House - Vermont

10 x 14 Conte crayon on paper


Box 8

555-1121 Lilly Klein's House

10 x 14 Conte crayon on paper


Box 8

556-1121 Vermont

9 x 12 Oil paint on paper


Box 8

557-1121 Vermont

9 3/4 x 12 Oil paint on paper


Box 8

558-1121 Sleeping Woman

8 1/2 x 11 Graphite pencil on paper


Box 8

559-1121 Bronze Sculpture

5 x 3 Graphite pencil on paper


Box 8

560-1121 From Piero Della Francesca

6 x 4 Ink on paper


Box 8

561-1121 Greek Sculpture

4 x 6 Graphite pencil on paper


Box 8

562-1121 Lillian

6 x 4 Graphite pencil on paper


Box 8

563-1121 Glebe Mountain - Rawsonville, Vermont

6 x 4 Graphite pencil on paper


Box 8

564-1121 Rawsonville

4 x 6 Ink on paper


Box 8

565-1121 Bowl and Lillian - Vermont

3 x 5 Ink on paper


Box 8

566-1121 Church - Europe

6 x 4 Graphite pencil on paper


Box 8

567-1121 Lillian

6 x 4 Graphite pencil on paper


Box 8

568-1121 Interior - [Vermont]

4 x 6 Ink on paper


Box 8

569-1121 St. George

6 x 4 Graphite pencil on paper


Box 8

570-1121 Miriam and Dog

11 x 8 1/2 Conte crayon on paper


Box 8

571-1121 Unknown

Drawing on verso. 4 x 6 Graphite pencil on paper


Box 8

572-1121 Lillian - Belmont, Vermont

11 1/2 x 9 Crayon on paper


Box 8

573-1121 Copy of a Manuscript - Pierpont Morgan Library

Accompanied by two sheets of research scopecontents. 4 x 6 Graphite pencil on paper


Box 8

574-1121 Tracing of a Man With Tie

4 x 6 Graphite pencil on paper


Box 8

575-1121 Monster and People

6 x 4 Ink on paper


Box 8

576-1121 [Subway]

6 x 4 Graphite pencil on paper


Box 8

577-1121 Belmont, Vermont

Inscribed: three trees above the roof of the Odd Fellows Hall, in Belmont, highest village in Vermont, in moonlight. 4 x 6 Graphite pencil on paper


Box 8

578-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 8

579-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 8

580-1121 Lillian

8 1/2 x 11 Graphite pencil on paper


Box 8

581-1121 Miriam

11 x 8 1/2 Graphite pencil on paper


Box 8

582-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 8

583-1121 After Rembrandt

4 x 6 Ink on paper


Box 8

584-1121 Miriam

11 x 8 1/2 Graphite pencil on paper


Box 8

585-1121 Miriam

11 x 8 1/2 Graphite pencil on paper


Box 8

586-1121 Miriam

9 x 12 Conte crayon on paper


Box 8

587-1121 Glebe Mountain - Vermont

4 x 6 Ink on paper


Box 8

588-1121 In Hunt's Garage - Mechanic Working on Car - South Londonderry, Vermont

6 x 4 Graphite pencil on paper


Box 8

589-1121 Meadow and Glebe Mountain - Vermont

4 x 6 Conte crayon on paper


Box 8

590-1121 Badminton Court and Glebe Mountain

4 x 6 Ink on paper


Box 8

591-1121 Glebe Mountain - Vermont

4 x 6 Conte crayon on paper


Box 8

592-1121 Sky

4 x 6 Conte crayon on paper


Box 8

593-1121 Tire Swing - Vermont

9 x 12 1/28 Oil paint on paper


Box 8

594-1121 Vermont House and Glebe Mountain

4 x 6 Conte crayon on paper


Box 8

595-1121 Meadow, Vermont, with Glebe Mountain

6 x 4 Ink on paper


Box 8

596-1121 Glebe Mountain - Vermont

4 x 6 Conte crayon on paper


Box 8

597-1121 Badminton Court - Vermont

4 x 6 Ink on paper


Box 8

598-1121 Kitchen - Vermont

4 x 6 Graphite pencil on paper


Box 8

599-1121 Animal Eating Flower

3 1/8 x 4 1/4 Graphite pencil on scrap


Box 8

600-1121 Winhall Brook

4 x 6 Ink on paper


Box 8

601-1121 In Hunt's Garage - Mechanic Working on Car - South Londonderry, Vermont

6 x 4 Graphite pencil on paper


Box 8

602-1121 In Hunt's Garage - Mechanic Working on Car - South Londonderry, Vermont

4 x 6 Graphite pencil on paper


Box 8

603-1121 In Hunt's Garage - Mechanic Working on Car - South Londonderry, Vermont

4 x 6 Graphite pencil on paper


Box 8

604-1121 In Hunt's Garage - Mechanic Working on Car - South Londonderry, Vermont

6 x 4 Graphite pencil on paper


Box 8

605-1121 Lillian

6 x 4 Graphite pencil on paper


Box 8

606-1121 Lillian

4 x 6 Ink on paper


Box 8

607-1121 [Memory of Soutine Painting]

6 x 4 Conte crayon on paper


Box 8

608-1121 Glebe Mountain - Vermont

3 x 5 Ink on paper


Box 8

609-1121 Clothesline - Vermont

8 1/2 x 11 Oil pastel on paper


Box 8

610-1121 Miriam

6 x 4 Ink on paper


Box 8

611-1121 Abstraction - Vertical Forms With Zig-Zag #3

12 x 9 1/8 Oil paint on paper


Box 8

612-1121 Miriam

Two sheets. 6 x 4 Ink on paper


Box 8

613-1121 Abstraction - Scroll Forms Over Diagonal Curvilinear Shape #4

12 x 9 1/8 Oil paint on paper


Box 8

614-1121 Boy

8 1/2 x 5 1/2 Ink on paper


Box 8

615-1121 Abstraction - Diagonal Curvilinear Shapes With Rectangles #6

12 x 9 Oil paint on paper


Box 8

616-1121 Abstraction - Vertical Forms #2

12 x 9 1/8 Oil paint on paper


Box 8

617-1121 Cowboy

11 1/4 x 8 1/2 Oil paint on paper


Box 8

618-1121 Lillian on Ship

10 5/8 x 8 3/8 Graphite pencil on stationery


Box 8

619-1121 Nun - On Ship

8 1/4 x 10 3/4 Graphite pencil on stationery


Box 8

620-1121 Lillian On Ship

8 1/4 x 10 3/4 Graphite pencil on stationery


Box 8

621-1121 Lillian

10 3/4 x 8 1/4 Graphite pencil on stationery


Box 8

622-1121 Lillian On Ship

8 1/4 x 10 3/4 Graphite pencil on stationery


Box 8

623-1121 Lillian and Ernest

11 x 8 1/2 Conte crayon on paper


Box 8

624-1121 [Black Form in Landscape]

12 x 9 Oil paint on paper


Box 8

625-1121 Ernest Greeting Arrivals

8 1/2 x 11 Conte crayon on paper


Box 8

626-1121 Lillian

9 1/8 x 8 1/2 Conte crayon on paper


Box 8

627-1121 Lillian and Couple On Ship

8 1/4 x 10 3/4 Graphite pencil on stationery


Box 8

628-1121 Two Femme Heads

8 3/8 x 8 5/8 Conte crayon on paper


Box 8

629-1121 Lillian

10 3/8 x 8 Graphite pencil on paper


Box 8

630-1121 Sleeping Figure

4 x 6 Graphite pencil on paper


Box 8

631-1121 Man Lifting Child

11 x 8 1/2 Conte crayon on paper


Box 8

632-1121 Mother and Child

6 x 4 Graphite pencil on paper


Box 8

633-1121 Ernest On Rock in Winhall Brook with Weasel

8 1/2 x 11 Pastels on paper


Box 8

634-1121 Ernest

8 1/2 x 11 Conte crayon on paper


Box 8

635-1121 Child Asleep

8 1/2 x 11 Conte crayon on paper


Box 8

636-1121 [Ernest]

8 1/2 x 11 Conte crayon on paper


Box 8

637-1121 My Family

8 1/2 x 11 Conte crayon on paper


Box 8

638-1121 Cityscape

8 1/2 x 11 Conte crayon on paper


Box 8

639-1121 Cityscape

8 1/2 x 11 Conte crayon on paper


Box 8

640-1121 Farm Scene

8 1/2 x 11 Conte crayon on paper


Box 8

641-1121 Weasels

8 1/2 x 11 Conte crayon on paper


Box 8

642-1121 Miriam

11 x 8 1/2 Conte crayon on paper


Box 8

643-1121 Ernest - Vermont

11 x 8 1/2 Graphite pencil on paper


Box 8

644-1121 Lillian and Ernest - Vermont

11 x 8 1/2 Graphite pencil on paper


Box 8

645-1121 clotheslines - Vermont

8 1/2 x 11 Conte crayon on paper


Box 8

646-1121 Miriam

Drawing on verso. 11 x 8 1/2 Conte crayon on paper


Box 8

647-1121 W Motif

6 x 4 Conte crayon on paper


Box 8

648-1121 Miriam

8 1/2 x 11 Conte crayon on paper


Box 8

649-1121 W Motif

Drawing on verso. 6 x 4 Conte crayon on paper


Box 8

650-1121 W Motif

Drawing on verso. 6 x 4 Ink on paper


Box 8

651-1121 Miriam

11 x 8 1/2 Conte crayon on paper


Box 8

652-1121 Miriam

11 x 8 1/2 Pastels on paper


Box 8

653-1121 Building

6 1/4 x 8 1/2 Conte crayon on paper


Box 8

654-1121 Mark in the Desert [#1]

5 x 8 Conte crayon on paper


Box 8

655-1121 Mark in the Desert #4

5 x 8 Conte crayon on paper


Box 8

656-1121 Couple on Stage

8 5/8 x 11 1/4 Graphite pencil on paper


Box 8

657-1121 [Dog]

Drawing on verso. 4 x 6 Graphite pencil on paper


Box 8

658-1121 [Dog]

4 x 6 Graphite pencil on paper


Box 8

659-1121 Eagle

4 x 6 Graphite pencil on paper


Box 8

660-1121 W Motif

=6 x 4 Conte crayon on paper


Box 8

661-1121 Heads

6 x 4 Conte crayon on paper


Box 8

662-1121 Head in Circle

6 x 4 Conte crayon on paper


Box 8

663-1121 W Motif

6 x 4 Conte crayon on paper


Box 8

664-1121 W Motif

6 x 4 Conte crayon on paper


Box 8

665-1121 [Dog]

4 x 6 Graphite pencil on paper


Box 8

666-1121 Animal

4 x 6 Graphite pencil on paper


Box 8

667-1121 W Motif

6 x 4 Conte crayon on paper


Box 8

668-1121 W Motif

Drawing on verso, 6 x 4 Conte crayon on paper


Box 8

669-1121 W Motif

6 x 4 Conte crayon on paper


Box 8

670-1121 Female Heads and Ls

Drawing on verso. 4 x 6 Graphite pencil on paper


Box 8

671-1121 Vermont Meadow With Glebe Mountain

4 1/8 x 6 Oil paint on paper


Box 8

672-1121 Miriam

11 x 8 3/8 Graphite pencil on paper


Box 8

673-1121 Miriam

11 x 8 1/2 Graphite pencil on paper


Box 8

674-1121 Rawsonville

9 1/2 x 12 1/4 Oil paint on paper


Box 8

675-1121 Vermont

9 7/8 x 12 Oil paint on paper


Box 8

676-1121 Lillian and [Miriam or Ernest]

9 x 11 1/2 Oil paint on paper


Box 8

677-1121 Miriam and Doll

Drawing on verso. 11 x 8 Graphite pencil on paper


Box 8

678-1121 Miriam - Vermont

9 x 12 Oil paint on paper


Box 8

679-1121 Miriam

12 5/8 x 9 1/8 Oil paint on paper


Box 8

680-1121 Vermont Landscape

14 1/2 x 11 Oil paint on paper


Box 8

681-1121 Rawsonville House With Children

11 1/2 x 9 Pastels on paper


Box 8

682-1121 Apple Tree - Rawsonville

9 1/2 x 12 1/4 Oil paint on paper


Box 8

683-1121 Vermont

9 1/2 x 12 Oil paint on paper


Box 8

684-1121 Meyer and Lillian in Vermont

4 x 5 Oil paint on scopecontentcard


Box 8

685-1121 Rawsonville House - Vermont

9 1/8 x 11 1/2 Oil paint on paper


Box 8

686-1121 Vermont

9 1/2 x 12 Oil paint on paper


Box 8

687-1121 Near Cloisters, Washington Heights

10 x 12 Gouache on paper


Box 8

688-1121 Lillian

12 1/4 x 9 Ink on paper


Box 8

689-1121 Meyer Working in Vermont - Sketch for a Painting

Drawing on verso. 9 1/4 x 12 1/4 Oil paint on paper


Box 8

690-1121 Meadow and Glebe Mountain - Vermont

9 1/8 x 11 1/2 Oil paint on paper


Box 9

691-1121 Lillian

11 1/4 x 8 15/16 Colored pencil on paper


Box 9

692-1121 Model

11 1/8 x 8 1/2 Graphite pencil on paper


Box 9

693-1121 Lillian - Vermont

11 1/2 x 9 Ink on paper


Box 9

694-1121 Lillian - Montpellier, France

7 5/8 x 5 1/4 Ink on graph paper


Box 9

695-1121 Church

8 1/4 x 5 1/4 Crayon on graph paper


Box 9

696-1121 Lillian

11 1/8 x 8 1/2 Graphite pencil on paper


Box 9

697-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper


Box 9

698-1121 [Lillian - Belmont]

11 x 8 1/2 Crayon on paper


Box 9

699-1121 Lillian - Belmont

11 x 8 1/2 Crayon on paper


Box 9

700-1121 Lillian - Belmont

11 x 8 1/2 Crayon on paper


Box 9

701-1121 Model

11 1/8 x 8 1/2 Crayon on paper


Box 9

702-1121 Model

11 1/8 x 8 1/2 Crayon on paper


Box 9

703-1121 Le Havre

8 3/8 x 5 1/2 Pastels on cardboard


Box 9

Lillian

9 x 4 Graphite pencil on paper


Box 9

705-1121 Belmont

6 3/16 x 9 3/8 Crayon on paper


Box 9

706-1121 Lillian - Montpellier, France

8 1/4 x 5 5/16 Ink on graph paper


Box 9

707-1121 Lillian - Montpellier, France

8 1/4 x 5 5/16 Ink on graph paper


Box 9

708-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 9

709-1121 Nude

6 x 4 Graphite pencil on paper


Box 9

710-1121 [Belmont]

11 x 8 1/2 Crayon on paper


Box 9

711-1121 Lillian

5 1/2 x 8 1/2 Graphite pencil on paper


Box 9

712-1121 Belmont

9 3/8 x 6 1/4 Crayon on paper


Box 9

713-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 9

714-1121 Lillian

6 x 4 Conte crayon on paper


Box 9

715-1121 Lillian - Belmont, Vermont

Inscribed: from III. 9 1/4 x 6 1/4 Graphite pencil on paper


Box 9

716-1121 Lillian

Inscribed: Belmont. 12 x 9 Crayon and watercolor on paper


Box 9

717-1121 After Sculpture

6 x 4 Graphite pencil on paper


Box 9

718-1121 Town Landscape Next to Tall Buildings

13 x 10 Gouache on paper


Box 9

719-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper


Box 9

720-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper


Box 9

721-1121 Lillian

11 x 81/2 Graphite pencil on paper


Box 9

722-1121 Woman

8 1/2 x 5 1/4 Crayon on paper


Box 9

723-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper


Box 9

724-1121 [Heads of Lillian]

7 1/4 x 5 3/4 Ink on paper


Box 9

725-1121 Belmont, Vermont

11 x 8 1/2 Crayon on paper


Box 9

726-1121 Vermont

8 x 5 Ink on paper


Box 9

727-1121 Vermont

8 x 5 Ink on paper


Box 9

728-1121 [Belmont, Vermont]

11 x 8 1/2 Crayon on paper


Box 9

729-1121 Woman

11 x 8 1/2 Graphite pencil on paper


Box 9

730-1121 Avignon - South France

10 1/2 x 8 3/8 Ink on paper


Box 9

731-1121 Lillian

6 7/8 x 5 1/8 Graphite pencil on paper


Box 9

732-1121 Pots

5 x 2 7/8 Graphite pencil on paper


Box 9

733-1121 Cycladic Sculpture

5 x 2 7/8 Graphite pencil on paper


Box 9

734-1121 Cycladic Sculpture

5 x 2 7/8 Graphite pencil on paper


Box 9

735-1121 Portrait

6 x 4 Ink on paper


Box 9

736-1121 Nude

6 x 4 Crayon on paper


Box 9

737-1121 Asleep on Table Edge

11 x 8 1/2 Ink on paper


Box 9

738-1121 Belmont

9 1/2 x 6 1/2 Crayon on paper


Box 9

739-1121 Belmont

11 x 8 1/2 Crayon on paper


Box 9

740-1121 Nude

6 x 4 Graphite pencil on paper


Box 9

741-1121 Europe

Drawing on verso inscribed: Friend. 7 3/4 x 4 7/8 Ink on paper


Box 9

742-1121 Belmont

9 3/8 x 6 3/8 Crayon on paper


Box 9

743-1121 Europe

7 5/8x 4 7/8 Ink on paper


Box 9

744-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 9

745-1121 Country Silhouette

5 x 8 Conte crayon on paper


Box 9

746-1121 Rawsonville House - Vermont

9 x 12 Pastels on paper


Box 9

747-1121 Lillian

11 x 8 1/2 Crayon on paper


Box 9

748-1121 Lillian

5 1/2 x 7 1/2 Graphite pencil on graph paper


Box 9

749-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 9

750-1121 Lillian

11 x 8 1/2 Ink on paper


Box 9

751-1121 Lillian

11 x 8 1/2 Crayon on paper


Box 9

752-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 9

753-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 9

754-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 9

755-1121 A Statuet [sic] and a Plant

12 x 10 Ink on paper


Box 9

756-1121 Wood Statues amd Some Plant [sic]

11 1/2 x 7 1/2 Ink on paper


Box 9

757-1121 Poor Man

4 3/8 x 7 1/2 Oil paint on paper


Box 9

758-1121 Lillian

12 x 10 Ink on paper


Box 9

759-1121 Lillian

12 1/8 x 9 1/8 Ink on paper


Box 9

760-1121 Lillian

12 1/8 x 8 1/2 Ink on paper


Box 9

761-1121 Marty Raphael

12 1/4 x 9 Ink on paper


Box 9

762-1121 A Friend

12 1/4 x 9 Ink on paper


Box 9

763-1121 Bulldog

11 x 8 1/2 Crayon on paper


Box 9

764-1121 Lillian

12 x 9 3/8 Ink on paper


Box 9

765-1121 Lillian

10 3/8 x 8 Crayon on paper


Box 9

766-1121 Ernest

Drawn on verso of letter to Lillian Milgram from the E.L. Patch Company. 10 7/8 x 8 3/8 Graphite pencil on paper


Box 9

767-1121 Lillian

Inscribed on verso: "The Little Finger" or "A Great Improvement." 10 3/8 x 8 Crayon on paper


Box 9

768-1121 Unknown

11 1/2 x 9 Conte crayon on paper


Box 9

769-1121 Fish Tank

7 1/2 x 8 1/2 Graphite pencil on paper


Box 9

770-1121 [Vermont Road]

12 1/4 x 10 1/4 Oil paint on paper


Box 9

771-1121 Sleeping Woman

8 1/2 x 11 Graphite pencil on paper


Box 9

772-1121 Woman - [From Sculpture]

8 1/2 x 11 Conte crayon on paper


Box 9

773-1121 Lillian

11 x 8 1/2 Conte crayon on paper


Box 9

774-1121 Man Seated

11 x 8 1/2 Conte crayon on paper


Box 9

775-1121 Lillian

11 x 8 1/2 Conte crayon on paper


Box 9

776-1121 Ernest

11 x 8 1/2 Crayon on paper


Box 9

777-1121 Untitled

12 x 9 Graphite pencil and oil paint on paper


Box 9

778-1121 Belmont, Vermont

12 x 9 1/2 Watercolor on paper


Box 9

779-1121 Lillian

11 1/2 x 9 Crayon and oil paint on paper


Box 9

780-1121 Lillian in Belmont, Vermont

9 1/2 x 6 1/2 Crayon on paper


781-1121 Star Lake - Belmont

11 x 8 1/2 Crayon on paper


Box 9

782-1121 Belmont

11 x 8 1/2 Graphite pencil on Green Mountain College letterhead stationery


Box 9

783-1121 [Lillian]

12 x 9 1/2 Crayon on paper


Box 9

784-1121 [Hudson River]

6 1/4 x 8 1/2 Graphite pencil on paper


Box 9

785-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 9

786-1121 Lillian

Inscribed on verso: from XLIX. 8 1/2 x 11 Graphite pencil on paper


Box 9

787-1121 In Europe

Seven sheets. 7 1/2 x 5 1/2 Graphite pencil and ink on graph paper


Box 9

788-1121 Rawsonville

8 x 5 1/16 Crayon on paper


Box 9

789-1121 Miriam

14 1/2 x 9 3/4 Crayon on paper


Box 9

790-1121 Mother and Child

15 x 9 5/8 Crayon on paper


Box 9

791-1121 Lillian

9 x 12 Ink on paper


Box 9

792-1121 Lillian

10 1/2 x 8 1/2 Graphite pencil on paper


Box 9

793-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 9

794-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 9

795-1121 Belmont, Vermont

6 3/8 x 10 Crayon on paper


Box 9

796-1121 After Sculpture

6 x 4 Graphite pencil on paper


Box 9

797-1121 After a Statue

6 x 4 Graphite pencil on paper


Box 9

798-1121 Lillian

6 x 4 Graphite pencil on paper


Box 9

799-1121 [Belmont, Vermont]

11 x 8 1/2 Graphite pencil on paper


Box 9

800-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper


Box 9

801-1121 Belmont

8 1/2 x 5 3/8 Crayon on paper


Box 9

802-1121 Lillian

8 1/2 x 5 3/8 Graphite pencil on paper


Box 9

803-1121 Lillian in Europe

7 3/4 x 5 1/4 Graphite pencil on graph paper


Box 9

804-1121 Boaters Study

4 x 6 Crayon on paper


Box 9

805-1121 Boaters Study

4 x 6 Crayon on paper


Box 9

806-1121 Boaters Study

4 x 6 Crayon on paper


Box 9

807-1121 Belmont

Inscribed on verso. Sketch on verso initialed "LMS." 9 1/2 x 6 1/4 Crayon on paper


Box 9

808-1121 Belmont

9 1/2 x 6 1/4 Graphite pencil on paper


Box 9

809-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper


Box 9

810-1121 Wooden Sculpture

6 x 4 Graphite pencil on paper


Box 9

811-1121 Lillian

Drawing on verso. 7 1/8 x 5 1/4 Crayon on graph paper


Box 9

812-1121 Belmont

11 x 8 7/16 Crayon on paper


Box 9

813-1121 [Belmont]

5 5 /16 x 8 3/8 Crayon on paper


Box 9

814-1121 [Sophie Milgram] - Belmont

6 3/8 x 9 9/16 Crayon on paper


Box 9

815-1121 Female

5 1/2 x 8 7/16 Graphite pencil on paper


Box 9

816-1121 Lillian in Sad Mood

11 x 8 1/2 Graphite pencil on paper


Box 9

817-1121 Lillian

8 1/2 x 5 1/2 Graphite pencil on paper


Box 9

818-1121 Rawsonville House - Vermont

9 x 12 Oil paint on paper


Box 9

819-1121 On Rock in River

8 1/2 x 11 Conte crayon on paper


Box 9

820-1121 Lillian

11 1/2 x 9 Ink on paper


Box 9

821-1121 Untitled

11 x 8 1/2 Ink on paper


Box 9

822-1121 Lillian Nursing Miriam

6 x 4 Graphite pencil on paper


Box 9

823-1121 [Howard]

11 x 8 1/2 Crayon on paper


Box 9

824-1121 Lillian

6 x 4 Graphite pencil on paper


Box 10

825-1121 Female Head

11 1/2 x 9 Pastels on paper


Box 10

826-1121 [Couple on Stage]

8 1/2 x 11 1/4 Pastels on paper


Box 10

827-1121 Miriam #2

11 x 8 1/2 Pastels on paper


Box 10

828-1121 Passenger on Boat to Europe

11 x 8 1/2 Oil paint on paper


Box 10

829-1121 Lillian

Inscribed: Belmont, Summer 1932. Pregnant, unknown to two sisters. 9 1/2 x 6 1/2 Crayon and oil paint on paper


Box 10

830-1121 Household Objects - Vermont

11 x 8 1/2 Graphite pencil on paper


Box 10

831-1121 Curved Forms and Four Profiles

8 1/2 x 11 Conte crayon on paper


Box 10

832-1121 Found Cow's Pelvic Bone

6 x 4 Graphite pencil on paper


Box 10

833-1121 Sphere and Cube on Table

4 1/2 x 6 Oil paint on paper


Box 10

834-1121 Found Cow's Pelvic Bone

5 7/8 x 4 Graphite pencil on paper


Box 10

835-1121 Cemetery - Rawsonville

8 1/2 x 11 Conte crayon on paper


Box 10

836-1121 Miriam and Her Toys

8 1/2 x 11 Graphite pencil and pastels on paper


Box 10

837-1121 Young Woman

Drawing on verso. 11 x 8 1/2 Graphite pencil on paper


Box 10

838-1121 Miriam

6 x 4 Graphite pencil on paper


Box 10

839-1121 Corner of Studio - Vermont

Drawing on verso. Inscribed: 2 sides reversible. 4 x 6 Conte crayon on paper


Box 10

840-1121 [Person Dreaming]

12 x 8 1/2 Conte crayon on paper


Box 10

841-1121 Meyer and Lillian, Miriam and Dada

11 x 8 1/2 Graphite pencil on paper


Box 10

842-1121 Lillian

8 1/2 x 11 Conte crayon on paper


Box 10

843-1121 Color Study

scopecontentcard is an invitation to meet the editors of the second issue of the Marxist Quarterly. 4 x 5 Oil paint on scopecontentcard


Box 10

844-1121 Sphere and Cube on Table #2

4 5/8 x 6 Oil paint on paper


Box 10

845-1121 Color Study

scopecontentcard is an invitation to meet the editors of the second issue of the Marxist Quarterly. 5 x 4 Oil paint on paper


Box 10

846-1121 Color Study

scopecontentcard is an invitation to meet the editors of the second issue of the Marxist Quarterly. 4 x 5 Oil paint on paper


Box 10

847-1121 Color Study

scopecontentcard is an invitation to meet the editors of the second issue of the Marxist Quarterly. 4 x 5 Oil paint on paper


Box 10

848-1121 Color Study

scopecontentcard is an invitation to meet the editors of the second issue of the Marxist Quarterly. 4 x 5 Oil paint on paper


Box 10

849-1121 Family Admiration of Child

4 x 6 Conte crayon on paper


Box 10

850-1121 Family Admiration of Child

4 x 6 Conte crayon on paper


Box 10

851-1121 Miriam

6 x 4 Colored pencil on paper


Box 10

852-1121 Miriam

6 x 4 Graphite pencil on paper


Box 10

853-1121 Mother and Child

6 x 4 Graphite pencil on paper


Box 10

854-1121 Miriam

6 x 4 Conte crayon on paper


Box 10

855-1121 Lillian

6 x 4 Graphite pencil on paper


Box 10

856-1121 Lillian

6 x 4 Graphite pencil on paper


Box 10

857-1121 Lillian

6 x 4 Graphite pencil on paper


Box 10

858-1121 Miriam or Ernest

6 x 4 Graphite pencil on paper


Box 10

859-1121 Family Admiration of Child

4 x 6 Conte crayon on paper


Box 10

860-1121 Eye-Parasols

6 x 4 Graphite pencil on paper


Box 10

861-1121 [Lillian] and Ernest

4 x 11 Charcoal on paper


Box 10

862-1121 Howard Shaw

10 7/8 x 8 3/8 Graphite pencil on paper


Box 10

863-1121 Howard Shaw

11 x 8 3/8 Graphite pencil on paper


Box 10

864-1121 Kitchen - Vermont

4 x 6 Graphite pencil on paper


Box 10

865-1121 Kitchen

4 x 6 Conte crayon on paper


Box 10

866-1121 Color Study

scopecontentcard is an invitation to meet the editors of the second issue of the Marxist Quarterly. 4 x 5 Oil paint on paper


Box 10

867-1121 Unknow

11 x 8 1/2 Colored pencil on paper


Box 10

868-1121 [At Hapgood Pond] - Vermont

8 1/2 x 10 7/8 Conte crayon on paper


Box 10

869-1121 Ernest

8 1/2 x 11 Conte crayon on paper


Box 10

870-1121 Ernest

8 1/2 x 11 Conte crayon on paper


Box 10

871-1121 Ernest

8 1/2 x 11 Conte crayon on paper


Box 10

872-1121 Ernest

11 x 8 1/2 Conte crayon on paper


Box 10

873-1121 Lillian Reading the Paper - Vermont

9 x 10 3/4 Conte crayon on paper


Box 10

874-1121 Howard Shaw

8 3/8 x 10 7/8 Graphite pencil on paper


Box 10

875-1121 After Marcks

11 1/2 x 9 Ink on paper


Box 10

876-1121 After Marcks - From Memory

9 x 11 1/2 Pastels on paper


Box 10

877-1121 After Marcks - From Memory

11 1/2 x 9 Pastels on paper


Box 10

878-1121 City Scene

9 x 11 1/4 Ink on paper


Box 10

879-1121 City Scene

9 x 10 3/4 Pastels on paper


Box 10

880-1121 Lillian

9 1/2 x 12 Oil paint on paper


Box 10

881-1121 Children

9 1/2 x 12 1/4 Conte crayon on paper


Box 10

882-1121 Lillian

12 x 9 1/2 Conte crayon on paper


Box 10

883-1121 Running Nude

13 x 9 1/2 Conte crayon on paper


Box 10

884-1121 Miriam

11 1/2 x 9 Oil paint on paper


Box 10

885-1121 Two Heads in Frames

9 1/2 x 13 1/8 Graphite pencil on paper


Box 10

886-1121 Vermont

9 x 12 Watercolor on paper


Box 10

887-1121 Female Head

11 1/2 x 9 Pastels on paper


Box 10

888-1121 William's House - Vermont

9 1/2 x 12 Oil paint on paper


Box 10

889-1121 [Belmont]

9 1/2 x 12 1/4 Oil paint on paper


Box 10

890-1121 Female Head

11 1/2 x 9 Pastels on paper


Box 10

891-1121 Ernest

11 1/2 x 9 Pastels on paper


Box 10

892-1121 City Scene

9 x 10 3/4 Crayon on paper


Box 10

893-1121 Belmont

9 1/2 x 12 1/4 Oil paint on paper


Box 10

894-1121 Belmont

9 1/2 x 12 1/4 Oil paint on paper


Box 10

895-1121 West 4th Street

8 1/2 x 11 Pastels on paper


Box 10

896-1121 Teddy and Howard

11 x 8 1/2 Graphite pencil on paper


Box 10

897-1121 Landman's Barn

8 1/2 x 11 Conte crayon on paper


Box 10

898-1121 Landscape - On Boat to Europe

8 1/2 x 11 Oil paint on paper


Box 10

899-1121 Nuns - On Boat to Europe

11 1/8 x 8 1/2 Oil paint on paper


Box 10

900-1121 Sailor on Boat to Europe

11 1/8 x 8 1/2 Oil paint on paper


Box 10

901-1121 Passenger on Boat to Europe

11 1/8 x 8 1/2 Oil paint on paper


Box 10

902-1121 Passenger on Boat to Europe

11 1/8 x 8 1/2 Oil paint on paper


Box 10

903-1121 On Boat to Europe

11 1/8 x 8 1/2 Oil paint on paper


Box 10

904-1121 On Boat to Europe

8 1/2 x 11 1/8 Oil paint on paper


Box 10

905-1121 Lillian

11 1/8 x 8 1/2 Oil paint on paper


Box 10

906-1121 Lillian - Profile

11 1/8 x 8 1/2 Oil paint on paper


Box 10

907-1121 Sketch for Apple-Picking Painting

11 1/8 x 8 1/2 Graphite pencil on League of Professional Groups for Foster and Ford letterhead stationery


Box 10

908-1121 Sketch for Apple-Picking Painting

11 x 8 1/2 Graphite pencil on League of Professional Groups for Foster and Ford letterhead stationery


Box 10

909-1121 Sketch for Apple-Picking Painting

11 x 8 1/2 Graphite pencil on paper


Box 10

910-1121 Sketch for Apple-Picking Painting

11 1/8 x 8 1/2 Graphite pencil on paper


Box 10

911-1121 View - Vermont

12 x 9 1/2 Conte crayon on paper


Box 10

912-1121 Family Admiration of Child

12 x 9 1/2 Conte crayon on paper


Box 10

913-1121 Dog and Bug

9 x 12 Oil paint on paper


Box 10

914-1121 Lillian

13 x 9 1/2 Crayon on paper


Box 10

915-1121 Vermont

9 1/8 x 12 Oil paint on paper


Box 10

916-1121 [Sea Monster? Dragon?]

13 x 10 Oil paint on paper


Box 11

917-1121 Wooden Structures - Vermont

11 x 15 Oil paint on paper


Box 11

918-1121 Lillian Reading

6 x 4 Conte crayon on paper


Box 11

919-1121 Lillian

Drawing on verso. 8 x 8 Graphite pencil on paper doily


Box 11

920-1121 Studio - Vermont

9 1/4 x 6 Oil paint on paper


Box 11

921-1121 Winhall River - Vermont

9 1/8 x 11 1/2 Oil paint and graphite pencil on paper


Box 11

922-1121 Vermont House

5 1/8 x 7 3/4 Conte crayon on lined paper


Box 11

923-1121 Young Man

6 x 4 Graphite pencil on paper


Box 11

924-1121 Young Man

6 x 4 Graphite pencil on paper


Box 11

925-1121 Lillian

6 x 4 Graphite pencil on paper


Box 11

926-1121 Barn - Vermont

8 1/2 x 6 1/8 Crayon on paper


Box 11

927-1121 Lillian

6 x 4 Graphite pencil on paper


Box 11

928-1121 Miriam

6 x 3 7/8 Graphite pencil on paper


Box 11

929-1121 Miriam, Infant

6 x 3 7/8 Graphite pencil on paper


Box 11

930-1121 Lillian

6 x 4 Graphite pencil on paper


Box 11

931-1121 [Lillian]

4 x 6 Graphite pencil on paper


Box 11

932-1121 Reclining Woman

4 x 6 Graphite pencil on paper


Box 11

933-1121 [Young Girl and "Alice" Characters]

4 x 6 Graphite pencil on paper


Box 11

934-1121 Child

Drawing on verso. 6 x 4 Graphite pencil on paper


Box 11

935-1121 Lillian and Miriam in Vermont - Sketches for a Painting

5 x 8 Ink on paper


Box 11

936-1121 Miriam

Two sheets. 6 x 4 Graphite pencil on paper


Box 11

937-1121 Lillian

6 x 4 Graphite pencil on paper


Box 11

938-1121 Lillian

6 x 4 Graphite pencil on paper


Box 11

939-1121 Unknown

3 x 5 Ink on cardboard


Box 11

940-1121 New Year Card - Project

Two sheets. 6 x 4 Ink on paper


Box 11

941-1121 Interior with Piano and Radiator

4 x 6 Graphite pencil on paper


Box 11

942-1121 Visitor in the Hospital

5 1/2 x 3 1/2 Graphite pencil on Beacon Nurse's Registry Agency paper


Box 11

943-1121 Unknown on Subway

6 x 4 Ink on paper


Box 11

944-1121 Tracing

4 x 6 Conte crayon on paper


Box 11

945-1121 Lillian Sleeping

6 x 4 Ink on paper


Box 11

946-1121 Lillian

8 x 5 Ink on paper


Box 11

947-1121 Unknown Girl

6 x 4 Graphite pencil on paper


Box 11

948-1121 Unknown Girl

3 x 5 Ink on paper


Box 11

949-1121 After Michelangelo Ceiling

6 x 4 Ink on paper


Box 11

950-1121 Lillian

Three sheets. 7 1/5 x 5 3/4 Conte crayon on paper


Box 11

951-1121 Unknown

6 x 4 Graphite pencil on cardboard


Box 11

952-1121 Vermont

5 x 8 Conte crayon on paper


Box 11

953-1121 From 307 West 4th Street - From Our Back Window

6 x 4 Ink on paper


Box 11

954-1121 Vermont

5 x 8 Conte crayon on paper


Box 11

955-1121 [Chinese Bronze]

6 x 4 Ink on paper


Box 11

956-1121 [Vermont]

4 x 6 Graphite pencil on paper


Box 11

957-1121 Old Lean-To on Vermont House

4 x 6 Colored pencil on paper


Box 11

958-1121 Intertwined Figures

6 x 4 Ink on paper


Box 11

959-1121 Head

6 x 4 Conte crayon on paper


Box 11

960-1121 Miriam

6 x 4 Graphite pencil on paper


Box 11

961-1121 Lillian

Two sheets. 6 x 4 Graphite pencil on paper


Box 11

962-1121 Building

4 x 6 Graphite pencil on paper


Box 11

963-1121 Man Bending Over

4x 6 Conte crayon on paper


Box 11

964-1121 Vermont

4 x 6 Graphite pencil on paper


Box 11

965-1121 Woman

6 x 4 Ink on paper


Box 11

[Letters]

6 x 4 Graphite pencil on paper


Box 11

967-1121 Nude Running

4 x 6 Ink on paper


Box 11

968-1121 Nude Running

4 x 6 Ink on paper


Box 11

969-1121 [Sketch After a Painting]

4 x 6 Graphite pencil on paper


Box 11

970-1121 Sunset Over Glebe Mountain

scopecontentcard is an invitation to meet the editors of the second issue of the Marxist Quarterly. 4 x 5 Oil paint on scopecontentcard


Box 11

971-1121 Miriam

5 1/2 x 5 Graphite pencil on paper


Box 11

972-1121 Mother and Child

5 1/4 x 7 1/2 Crayon on lined paper


Box 11

973-1121 Grotesques

4 3/4 x 3 1/8 Ink on paper


Box 11

974-1121 In Spain

7 7/8 x 5 3/8 Graphite pencil on graph paper


Box 11

975-1121 Miriam

6 x 4 Ink on paper


Box 11

976-1121 Man and Wolf

4 x 6 Ink on paper


Box 11

977-1121 [Lillian]

6 x 4 Conte crayon on paper


Box 11

978-1121 Vermont House

5 x 8 Conte crayon on paper


Box 11

979-1121 Vermont House

5 x 8 Conte crayon on paper


Box 11

980-1121 Vermont House

5 1/8 x 7 3/4 Conte crayon on lined paper


Box 11

981-1121 Vermont House

5 1/8 x 7 3/4 Conte crayon on lined paper


Box 11

982-1121 Figure Sketches

8 x 5 Conte crayon on paper


Box 11

983-1121 Vermont House

5 1/8 x 7 3/4 Conte crayon on lined paper


Box 11

984-1121 Vermont House

5 1/8 x 7 3/4 Conte crayon on lined paper


Box 11

985-1121 Miriam

Three sheets. 6 x 4 Graphite pencil on lined paper


Box 11

986-1121 Birds

Drawing on verso. 6 x 4 Graphite pencil on paper


Box 11

987-1121 Faces

Drawing on verso. 6 x 4 Graphite pencil on paper


Box 11

988-1121 From 307 West 4th Street - Across the Street

6 1/2 x 4 1/4 Ink and pastels on paper


Box 11

989-1121 Sketch for Painting

6 x 4 Graphite pencil on paper


Box 11

990-1121 Vermont House

4 x 6 Graphite pencil on paper


Box 11

991-1121 Lillian in Vermont

6 x 4 Conte crayon on paper


Box 11

992-1121 Lillian

6 x 4 Graphite pencil on paper


Box 11

993-1121 Lillian Sleeping

6 x 4 Graphite pencil on paper


Box 11

994-1121 New Year Card

6 x 4 Ink on paper


Box 11

995-1121 New Year Card

Two sheets. 6 x 4 Ink on paper


Box 11

996-1121 New Year Card

Three sheets. 6 x 4 Ink on paper


Box 11

997-1121 Landscape

4 x 6 Conte crayon on paper


Box 11

998-1121 Unknown Woman

5 x 3 Graphite pencil on paper


Box 11

999-1121 Unknown

scopecontentcard is an invitation to a lecture by Kenneth de B. Codrington at New York University. 5 1/2 x 3 1/2 Ink on scopecontentcard


Box 11

1000-1121 Ernest

6 x 4 Graphite pencil on paper


Box 11

1001-1121 After RVR [Rembrandt van Rijn] - Syndics

4 x 6 Ink on paper


Box 11

1002-1121 Descending Order of Power

Two sheets. 4 x 6 Ink on paper


Box 11

1003-1121 "En Lisant" [After ?] #1

9 1/2 x 6 3/8 Conte crayon on paper


Box 11

1004-1121 Rawsonville

10 7/8 x 8 1/2 Graphite pencil on paper


Box 11

1005-1121 ["Matyr"] #2

9 1/2 x 6 1/4 Conte crayon on paper


Box 11

1006-1121 ["Matyr"] #3

9 1/2 x 6 1/4 Conte crayon on paper


Box 11

1007-1121 Country Road

5 1/2 x 8 3/8 Conte crayon on paper


Box 11

1008-1121 Emerging Infant Head - Profile #6

4 7/8 x 7 5/8 Graphite pencil on paper


Box 11

1009-1121 Emerging Head #5

4 7/8 x 7 5/8 Graphite pencil on paper


Box 11

1010-1121 Face in Shading #7

4 7/8 x 7 5/8 Graphite pencil on paper


Box 11

1011-1121 Egyptian Fantasy #4

4 7/8 x 7 5/8 Graphite pencil on paper


Box 11

1012-1121 Fantasy #3

4 7/8 x 7 5/8 Graphite pencil on paper


Box 11

1013-1121 Emerging Head #7 - [Insect on Comb] #8

4 7/8 x 7 5/8 Graphite pencil on paper


Box 11

1014-1121 [Beach Scene]

4 x 6 Ink on paper


Box 11

1015-1121 Female

6 x 4 Ink on paper


Box 11

1016-1121 Country House

3 5/8 x 6 Ink on paper


Box 11

1017-1121 Miriam

11 x 8 1/2 Pastels on paper


Box 11

1018-1121 Miriam and Doll

11 x 8 13/8 Pastels on paper


Box 11

1019-1121 Sketch for Painting

8 1/2 x 11 Pastels on paper


Box 11

1020-1121 Sketch for Painting of Joe

4 x 6 Conte crayon on paper


Box 11

1021-1121 Sketch for Painting of Apple-Picking

11 x 8 1/2 Pastels on paper


Box 11

1022-1121 Sketch for Painting of Apple-Picking

11 x 8 1/2 Pastels on paper


Box 11

1023-1121 Meeting

4 x 6 Conte crayon on paper


Box 11

1024-1121 Lillian Reading

6 x 4 Conte crayon on paper


Box 11

1025-1121 Meeting

4 x 6 Conte crayon on paper


Box 11

1026-1121 Meeting

4 x 6 Conte crayon on paper


Box 11

1027-1121 Meeting

4 x 6 Conte crayon on paper


Box 11

1028-1121 Meeting

4 x 6 Conte crayon on paper


Box 11

1029-1121 Vermont

4 x 6 Conte crayon on paper


Box 11

1030-1121 Color scopecontents

4 x 6 Graphite pencil on paper


Box 11

1031-1121 Sculpture by Jacques Lipchitz From Memory

6 x 4 Graphite pencil on paper


Box 11

1032-1121 Study of Lines and Triangles

6 x 4 Graphite pencil on paper


Box 11

1033-1121 Study of Lines and Triangles

6 x 4 Graphite pencil on paper


Box 11

1034-1121 Eye-Parasols

4 x 6 Graphite pencil on paper


Box 11

1035-1121 Miriam Eating

3 x 5 Graphite pencil on paper


Box 11

1036-1121 Miriam in Vermont

6 3/4 x 9 Oil paint on paper


Box 11

1037-1121 Miriam in Vermont

6 37/8 x 9 Oil paint on paper


Box 11

1038-1121 Study

6 1/4 x 9 Oil paint on paper


Box 11

1039-1121 Car in Repair

Drawing on verso. 6 3/8 x 9 5/8 Crayon on paper


Box 11

1040-1121 Entwined Animals

9 x 11 1/4 Crayon on paper


Box 11

1041-1121 Entwined Animals

9 x 11 1/4 Crayon on paper


Box 11

1042-1121 Vermont

9 x 10 3/4 Gouache on paper


Box 12

1043-1121 Shapes Piled On Table

9 1/2 x 12 3/4 Oil paint on paper


Box 12

Miniatures

12 x 9 Pastels on paper


Box 12

1045-1121 Abstraction - Diagonal Curvilinear Shapes #5

12 x 9 Oil paint on paper


Box 12

1046-1121 Following My Father's Elevated Train

Inscribed on verso: Williamsburg. 12 x 8 1/2 Oil paint on paper


Box 12

1047-1121 Family in Vermont

9 x 12 Oil paint on paper


Box 12

1048-1121 Winged Shapes - Abstraction

12 x 8 3/8 Pastels on paper


Box 12

1049-1121 Sailing with the Beasts - A Sketch

9 1/2 x 13 1/4 Oil paint on paper


Box 12

1050-1121 Man Wrestling Bird

9 x 12 Oil paint on paper


Box 12

1051-1121 Family in Vermont

9 1/2 x 12 Oil paint on paper


Box 12

1052-1121 Winged Shapes - Abstraction

12 x 8 3/8 Pastels on paper


Box 12

1053-1121 Lillian

5 x 8 Graphite pencil on paper


Box 12

Miriam on Phone

Two sheets. 3 1/2 x 5 1/2 Ink on paper


Box 12

Family Picnic in Winhall River - Sketch for Painting

9 x 11 1/2 Oil paint on paper


Box 12

1056-1121 Lillian

9 1/2 x 12 Oil paint on paper


Box 12

1057-1121 Winhall Brook - Vermont

4 x 5 7/8 Graphite pencil on paper


Box 12

1058-1121 Miriam

8 1/2 x 12 Pastels on paper


Box 12

1059-1121 Vermont

8 1/2 x 6 Pastels on paper


Box 12

1060-1121 Vermont House From East

7 x 10 5/8 Watercolor on paper


Box 12

1061-1121 Vermont From Hill Looking West

8 1/8 x 11 Oil paint on paper


Box 12

1062-1121 Vermont Shed

7 3/4 x 11 Oil paint on paper


Box 12

1063-1121 End of the Shed - Vermont

9 3/4 x 13 1/8 Oil paint on paper


Box 12

1064-1121 Vermont House From Hill

9 x 12 Oil paint on paper


Box 12

1065-1121 [Lillian]

12 x 8 1/2 Crayon on paper


Box 12

1066-1121 Head of Woman

5 x 2 7/8 Graphite pencil on paper


Box 12

1067-1121 Vermont Shed

4 x 5 7/8 Ink on paper


Box 12

1068-1121 Vermont Landscape II

6 1/8 x 9 1/2 Ink on paper


Box 12

1069-1121 From Cast of Chartres Head in Vermont

6 x 4 Graphite pencil on paper


Box 12

1070-1121 Seated Woman

6 x 4 Ink on paper


Box 12

1071-1121 Sailing with the Beasts

Two sheets. 4 x 6 Graphite pencil on paper


Box 12

1072-1121 Vermont House - Meyer, Lillian and the Children

9 1/8 x 6 1/8 Oil paint on paper


Box 12

1073-1121 Lillian

11 x 7 1/2 Ink on paper


Box 12

1074-1121 Corner of Study - West 4th Street

Drawn on verso of scrap of final examination for Fine Arts 175 - Modern Painting. 8 1/2 x 7 Graphite pencil on paper


Box 12

1075-1121 Junk-Shop

4 x 5 7/8 Graphite pencil on paper


Box 12

1076-1121 Darks in My Painting of Vermont House

3 x 4 Ink and graphite pencil on paper


Box 12

1077-1121 Fanciful Map

4 x 6 Ink and graphite pencil on paper


Box 12

1078-1121 House and Barn - Vermont

9 x 12 Oil paint on paper


Box 12

1079-1121 Cubist Buildings

6 x 4 Ink on paper


Box 12

1080-1121 Lillian Reading

4 x 6 Graphite pencil on paper


Box 12

1081-1121 House Helper and Ernest - [Vermont]

4 1/2 x 6 1/4 Ink on paper


Box 12

1082-1121 Woman Sleeping

8 7/8 x 6 Graphite pencil on paper


Box 12

1083-1121 Ballet

4 x 6 Ink on paper


Box 12

1084-1121 Central Park

5 3/4 x 7 5/8 Graphite pencil on paper


Box 12

1085-1121 Miriam

6 x 4 Graphite pencil on paper


Box 12

1086-1121 Fantasy Landscape

4 x 6 Ink on paper


Box 12

1087-1121 Abstract With Light

9 x 11 1/2 Conte crayon on paper


Box 12

1088-1121 Vermont Landscape I

6 1/8 x 9 1/2 Ink on paper


Box 12

1089-1121 Lillian Sketches

12 x 8 1/2 Graphite pencil on paper


Box 12

1090-1121 [Lillian]

12 x 8 1/2 Graphite pencil on paper


Box 12

1091-1121 Ernest at 5

11 x 8 1/2 Graphite pencil on paper


Box 12

1092-1121 Head of Young Girl

4 x 6 Graphite pencil on paper


Box 12

1093-1121 Lillian Wet Hair in Towel

6 x 4 Graphite pencil on paper


Box 12

1094-1121 Sky Battle Over Church

5 3/4 x 3 7/8 Ink on paper


Box 12

1095-1121 Pails and Kettles

4 x 6 Graphite pencil on paper


Box 12

1096-1121 Lillian Sketches

12 x 8 1/2 Graphite pencil on paper


Box 12

1097-1121 Head - Study

13 1/4 x 9 1/2 Crayon on paper


Box 12

1098-1121 House and Barn - Vermont

12 x 9 Oil paint on paper


Box 12

1099-1121 House and Barn with Wash-Line - Vermont

9 1/2 x 13 Oil paint on paper


Box 12

1100-1121 Lillian

9 x 7 3/4 Graphite pencil on paper


Box 12

1101-1121 Chair and Pitcher - Abstraction

4 x 6 Ink on paper


Box 12

1102-1121 Chair and Pitcher - Abstraction

3 x 5 Graphite pencil on paper


Box 12

1103-1121 [Cat Playing Cat's Cradle]

3 x 5 Graphite pencil on paper


Box 12

1104-1121 Rawsonville

3 1/8 x 4 1/4 Crayon on paper


Box 12

1105-1121 Ernest - Colored By Ernest

6 x 4 Pastels on paper


Box 12

1106-1121 Young Woman

6 x 3 7/8 Graphite pencil on paper


Box 12

1107-1121 Woman Profile Body

5 x 3 Ink on paper


Box 12

1108-1121 Artichoke

3 x 5 Ink on paper


Box 12

1109-1121 Woman's Head

5 x 3 Ink on paper


Box 12

1110-1121 Young Woman

5 x 3 Ink on paper


Box 12

1111-1121 Young Woman

5 x 3 Ink on paper


Box 12

1112-1121 Man with Mustache and Tie

Drawing on verso. 6 x 4 Ink on paper


Box 12

1113-1121 Landscape with Figures Carrying Body or Corpse

4 x 6 Graphite pencil on paper


Box 12

1114-1121 Triptyche on a Table

4 x 6 Ink on paper


Box 12

1115-1121 Ink Blots

Two sheets. 4 x 6 Ink on paper


Box 12

1116-1121 Looking Into Hall from Living Room - 279 West 4th Street

4 x 6 Ink on paper


Box 12

1117-1121 Morris

6 x 3 7/8 Graphite pencil on paper


Box 12

1118-1121 Morris - Violin

6 x 4 Graphite pencil on paper


Box 12

1119-1121 [Landscape]

4 x 6 Ink on paper


Box 12

1120-1121 Lillian with Towel on Head

6 x 4 Graphite pencil on paper


Box 12

1121-1121 Lillian with Towel on Head

6 x 4 Graphite pencil on paper


Box 12

1122-1121 Lillian with Towel on Head

6 x 4 Graphite pencil on paper


Box 12

1123-1121 Lillian with Towel on Head

6 x 4 Graphite pencil on paper


Box 12

1124-1121 Lillian on Queen Elizabeth

Drawn on verso of RMS "Queen Elizabeth" stationery. 5 3/8 x 6 7/8 Ink on paper


Box 12

1125-1121 Wildflowers for Ernest

6 x 4 Pastels on paper


Box 12

1126-1121 Wildflowers for Ernest

6 x 4 Pastels on paper


Box 12

1127-1121 Wildflowers for Ernest

6 x 4 Pastels on paper


Box 12

1128-1121 Wildflowers for Ernest

6 x 4 Pastels on paper


Box 12

1129-1121 Royal Institution

Inscribed: folding paper on wet ink. 5 7/8 x 4 Ink on paper


Box 12

1130-1121 Lillian

3 7/8 x 6 Grpahite pencil on paper


Box 12

1131-1121 Dancing

Two sheets. 6 x 4 Graphite pencil on paper


Box 12

1132-1121 [Horses and Figure from Sculpture]

4 x 5 7/8 Ink on paper


Box 12

1133-1121 Face

5 7/8 x 4 Graphite pencil on paper


Box 12

1134-1121 Child's Head - [Ernest]

5 7/8 x 4 Graphite pencil on paper


Box 12

1135-1121 Chinese Bronzes

5 7/8 x 3 7/8 Ink on paper


Box 12

1136-1121 Scattered Dots

6 1/8 x 4 Ink on paper


Box 12

1137-1121 Female Head

6 x 9 Graphite pencil on paper


Box 12

1138-1121 Figure

4 1/8 x 6 Graphite pencil on paper


Box 12

1139-1121 Lillian

5 x 3 Graphite pencil on paper


Box 12

1140-1121 Hill House - Vermont

5 1/8 x 7 1/4 Crayon on lined paper


Box 12

1141-1121 Miriam on the Phone

12 x 9 Graphite pencil on paper


Box 12

1142-1121 Lillian Sketches

12 x 8 1/2 Graphite pencil on paper


Box 12

1143-1121 Lillian Sketches

12 x 8 1/2 Graphite pencil on paper


Box 12

1144-1121 Lillian and Ernest

9 3/4 x 12 3/4 Charcoal on paper


Box 12

1145-1121 Lillian

12 1/4 x 9 3/8 Ink on paper


Box 12

1146-1121 After English Miniature Painting of 13th Century

9 3/8 x 5 1/2 Ink on paper


Box 12

1147-1121 Vermont House from South

7 1/2x 11 Oil paint on paper


Box 12

1148-1121 A Fragment - Legs

11 1/2 x 9 Graphite pencil on paper


Box 12

1149-1121 Untitled

9 x 11 1/2 Conte crayon on paper


Box 12

1150-1121 Landscape

4 x 6 Ink on paper


Box 12

1151-1121 Zoomorphic Form Over Overlapping Shapes

9 x 12 Crayon and watercolor on paper


Box 12

1152-1121 Black and White Abstraction

9 x 12 Charcoall on paper


Box 12

1153-1121 Landscape with Farm House

6 x 9 1/2 Ink on paper


Box 12

1154-1121 View of Side Roads and Mountains

Inscribed on verso: Meadow and Glebe Mountain, Rawsonville, Vermont. 15x 11 Pastels on paper


Box 12

1155-1121 Vermont Landscape

15 1/8 x 11 1/2 Oil paint on paper


Box 12

1156-1121 The Corner of the House and Garden - Vermont

15 x 11 1/8 Oil paint on paper


Box 12

1157-1121 Farm Meadows

15 x 11 Oil paint on paper


Box 12

1158-1121 A Couple - Half Figures

11 x 8 1/2 Graphite pencil on paper


Box 12

1159-1121 Vermont Landscape

15 1/8 x 11 1/8 Oil paint on paper


Box 12

1160-1121 House and Barns From West - Vermont

9 1/2 x 12 3/4 Oil paint on paper


Box 12

1161-1121 Eve

9 x 11 1/2 Oil paint on paper


Box 12

1162-1121 [Eve]

12 x 9 Oil paint on paper


Box 12

1163-1121 Ernest and Miriam - Sketch for Painting

12 x 9 Graphite pencil on paper


Box 12

1164-1121 Vermont

6 3/4 x 9 Oil paint on paper


Box 12

1165-1121 Studio and Hillside - Rawsonville

14 x 10 3/4 Oil paint on cardboard


Box 12

1166-1121 Abstraction

11 1/8 x 15 Gouache on paper


Box 12

1167-1121 Vermont Meadow and Landscape

12 x 8 1/2 Pastels on paper


Box 12

1168-1121 Sailing with the Beasts - A Sketch

9 3/8 x 13 1/8 Oil paint on paper


Box 12

1169-1121 Miriam in Vermont - Convalescent

14 x 10 Oil paint on canvas board


Box 12

1170-1121 Sailing with the Beasts - A Sketch

9 1/2 x 13 1/4 Oil paint on paper


Box 12

1171-1121 Sailing with the Beasts - A Sketch

9 1/2 x 13 1/8 Oil paint on paper


Box 12

1172-1121 Miriam and Ernest - Vermont Shed

8 x 10 7/8 Oil paint on paper


Box 12

1173-1121 Vermont Shed with Clouds and People

8 x 10 7/8 Oil paint on paper


Box 12

1174-1121 Miriam and Ernest - Vermont

6 7/8 x 8 7/8 Oil paint on paper


Box 12

1175-1121 Vermont - Study

5 3/4 x 5 7/8 Oil paint on paper


Box 12

1176-1121 Sailing with the Beasts - A Sketch

9 1/2 x 13 1/4 Oil paint on paper


Box 12

1177-1121 [Ernest]

12 x 9 1/2 Oil paint on paper


Box 12

1178-1121 Miriam Reading

12 1/2 x 9 Graphite pencil on paper


Box 12

1179-1121 Still Life

9 1/2 x 6 1/2 Oil paint on paper


Box 12

1180-1121 Lillian

12 x 9 Crayon on paper


Box 12

1181-1121 Lillian

14 1/2 x 11 1/8 Crayon on paper


Box 12

1182-1121 Head - Study

12 1/4 x 9 Crayon on paper


Box 12

1183-1121 Rubbing of Cover of Book by Hugh Miller

6 x 4 Graphite pencil on paper


Box 12

1184-1121 Somewhere - Vermont

9 1/2 x 12 Oil paint on paper


Box 12

1185-1121 Shed Door, Miriam and Ernest - Vermont

8 x 11 Oil paint on paper


Box 12

1186-1121 Lillian

5 7/8 x 4 Crayon on paper


Box 12

1187-1121 Vermont House

11 5/8 x 9 1/8 Crayon on paper


Box 12

1188-1121 Vermont Meadow and Landscape

12 x 8 1/2 Pastels on paper


Box 12

1189-1121 Trace of Texture

11 x 8 1/2 Graphite pencil and crayon on paper


Box 12

1190-1121 The Vermont Barn with Glebe Mountain

9 1/2 x 6 Oil paint on paper


Box 12

1191-1121 Still Life

11 x 15 Oil paint on paper


Box 12

1192-1121 Abstraction

11 1/2 x 9 Watercolor and crayon on paper


Box 12

1193-1121 Sailing with the Beasts - A Sketch

7 x 11 Pastels on paper


Box 12

1194-1121 [Self-Portrait]

12 x 9 1/2 Conte crayon on paper


Box 12

1195-1121 Good Shepard Figure from Sculpture

4 1/8 x 5 1/8 Ink on paper


Box 12

1196-1121 Open-Mouthed Head

6 x 4 Charcoal on paper


Box 12

1197-1121 New Year's Card

4 x 6 Pastel and ink on paper


Box 12

1198-1121 Lillian and Children - Vermont

4 x 6 Graphite pencil on paper


Box 12

1199-1121 Church Plans and Sections

6 x 4 Ink on cardboard


Box 12

1200-1121 After J. Lipchitz His Sumerian Object

6 x 4 Ink on paper


Box 12

1201-1121 Landscape

3 3/4 x 5 Oil paint on paper


Box 12

1202-1121 Head

9 1/8 x 12 Pastels on paper


Box 12

1203-1121 Baby

4 x 5 1/4 Crayon on paper


Box 12

1204-1121 Male Figure

4 x 6 Graphite pencil on paper


Box 12

1205-1121 [Boy and Dog]

3 1/2 x 5 Ink on paper


Box 12

1206-1121 Drawings After Romanesque Capital Reliefs

4 x 6 Ink on paper


Box 12

1207-1121 Figures

4 x 6 Conte crayon on paper


Box 12

1208-1121 Figures

4 x 6 Conte crayon on paper


Box 12

1209-1121 On Marble Wall on Lower Ground Floor Left

5 x 3 Ink on paper


Box 12

1210-1121 [Howard]

6 x 4 Conte crayon on paper


Box 12

1211-1121 Allegorical Subject

9 x 12 Pastels on paper


Box 12

1212-1121 [Painter at Work]

8 3/4 x 12 Graphite pencil on paper


Box 12

1213-1121 Miriam and Ernest in Vermont

9 3/4 x 12 Oil paint on paper


Box 12

1214-1121 Family in Vermont - Sketch

5 x 8 Oil paint on paper


Box 12

1215-1121 Hill House

6 1/4 x 7 3/4 Oil paint on paper


Box 12

1216-1121 Male Nude

9 x 11 1/2 Pastels on paper


Box 12

1217-1121 Lillian

13 7/8 x 9 7/8 Oil paint on canvas board


Box 12

Man Wrestling Bird

9 x 12 Oil paint on paper


Box 13

3172-1121 Siena landscape

Drawn on hotel brochure. 3 1/2 x 5 1/2 Ink on paper


Box 13

1219-1121 Miriam

6 x 3 7/8 Graphite pencil on paper


Box 13

1220-1121 Lillian

6 x 4 Graphite pencil on paper


Box 13

1221-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 13

1222-1121 Icarus

10 7/8 x 7 1/2 Pastels on paper


Box 13

1223-1121 Hill House with Curvilinear Vegetation

11 1/2 x 9 Oil paint on paper


Box 13

1224-1121 Overlapping Shapes with Violin

12 x 9 Crayon and watercolor on paper


Box 13

1225-1121 Ernest

8 1/2 x 7 Pastels on paper


Box 13

1226-1121 Hill House, Garage, Barn - Vermont

13 1/8 x 9 7/8 Oil paint on paper


Box 13

1227-1121 A Brook in Vermont

7 1/2 x 11 Oil paintl on paper


Box 13

1228-1121 Lillian with Hat

5 7/8 x 4 Graphite pencil on paper


Box 13

1229-1121 Ernest

8 1/2 x 6 Crayon on paper


Box 13

1230-1121 Lillian Reading - Vermont

9 x 12 Oil paint on paper


Box 13

1231-1121 Ernest

9 x 11 1/2 Oil paint on paper


Box 13

1232-1121 Hill House - Vermont

9 x 6 1/8 Oil paint on paper


Box 13

1233-1121 Lillian

4 x 5 7/8 Graphite pencil on paper


Box 13

1234-1121 Untitled

4 1/2 x 6 1/4 Oil paint on paper


Box 13

1235-1121 Jack in the Pulpit

12 x 8 1/2 Pastels on paper


Box 13

1236-1121 Ernest

11 x 8 1/2 Conte crayon on paper


Box 13

1237-1121 The Family in the Room at the Window

11 x 8 1/2 Crayon on paper


Box 13

1238-1121 Lillian

9 x 11 1/2 Conte crayon on paper


Box 13

1239-1121 Ernest

10 5/8 x 7 Conte crayon on paper


Box 13

1240-1121 Lillian Reading

4 x 6 Graphite pencil on paper


Box 13

1241-1121 Cubistic Head

4 x 6 Conte crayon on paper


Box 13

1242-1121 Lillian

6 x 4 Graphite pencil on paper


Box 13

1243-1121 From Memory of Lipchitz

4 x 5 7/8 Graphite pencil on paper


Box 13

1244-1121 Bombers and Anti-Aircraft Fire

6 x 4 Ink on paper


Box 13

1245-1121 Bombers and Anti-Aircraft Fire

6 x 4 Ink on paper


Box 13

1246-1121 Bombers and Anti-Aircraft Fire

6 x 4 Ink on paper


Box 13

1247-1121 Bombers and Flag

6 x 4 Pastels on paper


Box 13

1248-1121 Bombers and Flag

6 x 4 Pastels on paper


Box 13

1249-1121 Bombers and Flag

6 x 4 Pastels on paper


Box 13

1250-1121 Paris

2 7/8 x 4 3/8 Ink on lined paper


Box 13

1251-1121 Paris

Inscribed on verso: Tuilleries. 2 7/8 x 4 3/8 Ink on lined paper


Box 13

1252-1121 Lillian Resting

3 x 5 Ink on paper


Box 13

1253-1121 Italianate Perspective

3 7/8 x 5 7/8 Ink on paper


Box 13

1254-1121 [Lillian] with Hat

5 7/8 x 4 Graphite pencil on paper


Box 13

1255-1121 [Ernest] Playing Violin

6 x 4 Graphite pencil on paper


Box 13

1256-1121 Lillian with Drying Hair

6 x 4 Ink on paper


Box 13

1257-1121 Standing Pair

5 x 3 Graphite pencil on paper


Box 13

1258-1121 Seated Person

5 x 3 Graphite pencil on paper


Box 13

1259-1121 Young Woman

6 x 4 Pastels and graphite pencil on paper


Box 13

1260-1121 Ernst

Two sheets. 6 x 4 Crayon on paper


Box 13

1261-1121 Ernst

Two sheets. 6 x 4 Crayon on paper


Box 13

1262-1121 Seated Woman

Two sheets. 6 x 4 Graphite pencil on paper


Box 13

1263-1121 Lillian

Two sheets. 5 x 3 Graphite pencil on paper


Box 13

1264-1121 Head and Flower

Two sheets. 4 x 6 1/8 Ink on paper


Box 13

1265-1121 [After Grunewald]

5 x 3 Graphite pencil on paper


Box 13

1266-1121 Ernest

4 x 6 Graphite pencil on paper


Box 13

1267-1121 Sketch for Greeting Card

4 x 6 Graphite pencil on paper


Box 13

1268-1121 Sketchbook of an Afternoon in Rawsonville

Three sheets. 6 3/8 x 9 1/2 Oil paint on paper


Box 13

1269-1121 Crucifixion

Two sheets. 4 x 6 Graphite pencil on paper


Box 13

1270-1121 Mother and Child

4 x 6 Ink on paper


Box 13

1271-1121 Crucifixion

4 x 6 Graphite pencil on paper


Box 13

1272-1121 Desert Scene - Surrealist

Two sheets. 4 x 6 Graphite pencil on paper


Box 13

1273-1121 Three Persons on a Bed

4 x 6 Graphite pencil on paper


Box 13

1274-1121 [Landscape]

5 x 6 1/4 Ink on paper


Box 13

1275-1121 Head Looking Over Another Person's Shoulder

5 1/4 x 8 1/4 Ink on paper


Box 13

1276-1121 Running Figure

5 x 3 Graphite pencil on paper


Box 13

1277-1121 Ernst

Two sheets. 5 7/8 x 4 7/8 Graphite pencil on paper


Box 13

1278-1121 Two Women

4 x 6 Graphite pencil on paper


Box 13

1279-1121 Young Girl

6 x 4 Crayon on paper


Box 13

1280-1121 [Ernest]

6 x 4 Crayon on paper


Box 13

1281-1121 Bust

6 1/4 x 4 3/8 Ink on paper


Box 13

1282-1121 Joe Milgram

6 x 4 Graphite pencil on paper


Box 13

1283-1121 Griot = Alfred "Rosmer" and Marguerite

Inscribed on recto: griot house in Perigny. 6 x 3 1/2 Ink on paper


Box 13

1284-1121 Ernest

6 x 4 Graphite pencil on paper


Box 13

1285-1121 Young Woman

scopecontentcard is invitation to a lecture by Georges Gaillard at New York University. 5 3/8 x 4 1/4 Ink on scopecontentcard


Box 13

1286-1121 [West 4th Street Backyard]

3 x 4 15/16 Graphite pencil on paper


Box 13

1287-1121 Lillian

5 7/8 x 4 Graphite pencil on paper


Box 13

1288-1121 Ground Plan - Sketches

5 7/8 x 4 Graphite pencil on paper


Box 13

1289-1121 Corner of Upstairs Bedroom - Vermont

6 x 4 Graphite pencil on paper


Box 13

1290-1121 [Lillian] with Hat

5 7/8 x 4 Graphite penil on paper


Box 13

1291-1121 Paris

2 7/8 x 4 3/8 Ink on lined paper


Box 13

1292-1121 Ernest

6 x 4 Pastels on paper


Box 13

1293-1121 Vermont Meadow and Mountain

8 1/2 x 11 Oil paint on paper


Box 13

1294-1121 [Vermont View]

4 x 6 Ink on paper


Box 13

1295-1121 Young Girl

11 x 7 3/8 Oil paint on paper


Box 13

1296-1121 Young Girl

11 x 7 1/2 Oil paint on paper


Box 13

1297-1121 View from Hill House

11 x 8 Pastels on paper


Box 13

1298-1121 Lillian

4 x 6 Graphite pencil on paper


Box 13

1299-1121 Ernest

6 x 4 Pastels on paper


Box 13

1300-1121 [Miriam]

7 x 10 1/2 Conte crayon on paper


Box 13

1301-1121 Cringing Figure #2

6 x 4 Graphite pencil on paper


Box 13

1302-1121 Cringing Figure #3

5 1/2 x 2 7/8 Graphite pencil on paper


Box 13

1303-1121 Cat

5 7/8 x 3 7/8 Graphite pencil on paper


Box 13

1304-1121 Lillian

4 x 6 Conte crayon on paper


Box 13

1305-1121 Meyer's Slipper and Bell

Drawing on verso. 6 1/4 x 9 5/8 Conte crayon on paper


Box 13

1306-1121 Vermont Scene Through Window

8 1/4 x 9 1/2 Pastels on paper


Box 13

1307-1121 Head - Study

13 1/4 x 9 1/2 Conte crayon on paper


Box 13

1308-1121 Girl with Flowers

6 x 4 Graphite pencil on paper


Box 13

1309-1121 Lillian

9 x 11 1/2 Graphite pencil on paper


Box 13

1310-1121 Flowers

7 x 10 1/8 Oil on cardboard


Box 13

1311-1121 Ernest

11 x 8 1/2 Crayon on paper


Box 13

1312-1121 Ernest

11 x 8 1/2 Crayon on paper


Box 13

1313-1121 Abstract Bust

9 1/4 x 6 1/4 Gouache on paper


Box 13

1314-1121 Studies for Abstract Figure

9 1/8 x 12 Pastels on paper


Box 13

1315-1121 Study for Reclining Figures and Bust Figure

9 x 12 Graphite pencil on paper


Box 13

1316-1121 Bust Figure

9 1/2 x 6 1/8 Gouache on paper


Box 13

1317-1121 Sketch for Painting of Abstract Bust

6 x 3 7/8 Graphite pencil on paper


Box 13

1318-1121 Horse and Rider - [After Sculpture]

Inscribed on verso: England? 4 x 6 Ink on paper


Box 13

1319-1121 Lillian

9 x 11 1/2 Conte crayon on paper


Box 13

1320-1121 Hill House Interior

9 x 12 Gouache on paper


Box 13

1321-1121 Children Playing in Woods - Vermont

9 x 12 Pastels on paper


Box 13

1322-1121 Lillian and Children - Vermont Kitchen

9 x 12 Oil paint on paper


Box 13

1323-1121 Miriam and Ernest and Linda Schapiro

9 x 12 Pastels on paper


Box 13

1324-1121 Door Message

Inscribed on recto: We're up in the woods will be back around 3 or 3:30. 12 x 9 Graphite pencil on paper


Box 13

1325-1121 Lillian - Vermont

8 1/2 x 12 Oil paint on paper


Box 13

1326-1121 Lillian - Vermont

9 1/2 x 13 1/8 Conte crayon on paper


Box 13

1327-1121 Ernest Picking Daisies

9 x 11 5/8 Pastels on paper


Box 13

1328-1121 Young Child

6 x 4 Graphite pencil on paper


Box 13

1329-1121 Unknown Girl

12 x 9 1/2 Gouache and graphite pencil on paper


Box 13

1330-1121 Sketch for Painting of Family Picnic

9 x 11 1/2 Oil paint on paper


Box 13

1331-1121 Ernest

9 x 12 Pastels on paper


Box 13

1332-1121 Ernest

11 1/2 x 9 Pastels on paper


Box 13

1333-1121 Ernest

11 1/2 x 9 Pastels on paper


Box 13

1334-1121 River Scene

9 x 11 1/2 Pastels on paper


Box 13

1335-1121 River Scene

9 x 11 1/2 Pastels and gouache on paper


Box 13

1336-1121 Child or Doll

9 x 12 Pastels on paper


Box 13

1337-1121 Vermont Abstract #2

12 x 9 Oil paint on paper


Box 13

1338-1121 Vermont #1

12 x 8 7/8 Oil paint on paper


Box 13

1339-1121 Hill House

9 1/2 x 13 1/8 Oil paint on paper


Box 13

1340-1121 Ernest

8 1/2 x 12 Pastels on paper


Box 13

1341-1121 Siren

13 1/8 x 9 5/8 Conte crayon on paper


Box 13

1342-1121 Hill House Framed by House Window #1

12 x 9 1/2 Gouache and graphite pencil on paper


Box 13

Vermont House

Accompanied by detached diary page inscribed: Souvenir of Rawsonville, Vermont, July 1941. 5 7/8 x 4 Graphite pencil on paper


Box 13

1344-1121 Vermont

5 7/8 x 4 Graphite pencil on paper


Box 13

1345-1121 Ernest Gathering Flowers - Vermont

6 x 4 Graphite pencil on paper


Box 13

1346-1121 Hill House

6 x 4 Graphite pencil on paper


Box 13

1347-1121 Hill House

6 x 4 Graphite pencil on paper


Box 13

1348-1121 Vermont House Views

6 x 4 Graphite pencil on paper


Box 13

1349-1121 Vermont Views

6 x 4 Graphite pencil on paper


Box 13

1350-1121 [Abstraction Machine] with Mirrored Form

9 x 12 Pastels on paper


Box 13

1351-1121 Female Nude

11 1/2 x 9 Graphite pencil on paper


Box 14

1352-1121 Small Overlapping Shapes

7 1/2 x 11 Pastels on paper


Box 14

1353-1121 Abstract #4 - Still Life with Fruit

7 1/2 x 11 Pastels on paper


Box 14

1354-1121 Abstract #5 - Still Life with Fruit

7 1/2 x 11 Pastels on paper


Box 14

1355-1121 Still Life with Fruit

7 3/8 x 11 Watercolor on paper


Box 14

1356-1121 Overlapping Shapes

7 1/2 x 11 Pastels on paper


Box 14

1357-1121 Overlapping Perspective

12 x 9 Conte crayon on paper


Box 14

1358-1121 Abstraction - Still Life

9 x 12 Conte crayon on paper


Box 14

1359-1121 Abstraction #2 with Cone Shape

11 1/2 x 9 Conte crayon on paper


Box 14

1360-1121 Studio Interior

11 1/2 x 9 Conte crayon on paper


Box 14

1361-1121 Rawsonville House Kitchen

7 1/2 x 11 Ink on paper


Box 14

1362-1121 Abstraction #3 with Cone Shape

11 1/2 x 9 Conte crayon on paper


Box 14

1363-1121 Still Life - Cup and Fruit

9 1/2 x 12 Conte crayon on paper


Box 14

1364-1121 Coal Scuttle - Vermont

9 x 11 1/2 Conte crayon on paper


Box 14

1365-1121 Ovoids Over Blue and Green

7 1/2 x 11 Gouache on paper


Box 14

1366-1121 Old Persian Monarch

7 1/2 x 11 Pastels on paper


Box 14

1367-1121 Purple Snake Over Inhabited Background Green, Red, Yellow

7 3/8 x 11 Pastels on paper


Box 14

1368-1121 Field and Sky

11 x 7 1/2 Pastels on paper


Box 14

1369-1121 Smaller Ovoids Over Blue and Green

7 3/8 x 11 Gouache on paper


Box 14

1370-1121 Bottles

7 1/2 x 11 Pastels on paper


Box 14

1371-1121 Crab Apple Tree - Vermont

11 x 7 5/8 Pastels on paper


Box 14

1372-1121 Black-Eyed Susans

5 1/2 x 7 Oil paint on paper


Box 14

1373-1121 Landscape with Farmhouse and Barn

11 x 7 1/2 Pastels on paper


Box 14

1374-1121 Shapes on Vertical Bars

11 x 7 1/2 Gouache on paper


Box 14

1375-1121 Lillian

11 x 7 1/2 Oil paint on paper


Box 14

1376-1121 Miriamn

11 x 7 1/2 Graphite pencil on paper


Box 14

1377-1121 Vermont House - North End

7 1/2 x 11 Oil paint on paper


Box 14

1378-1121 Studio Interior - Sketch - Vermont

11 1/2 x 9 Crayon on paper


Box 14

1379-1121 Vermont Stream

9 1/2 x 13 Oil paint on cardboard


Box 14

1380-1121 Sketches of People - Vermont

11 x 7 1/2 Ink on paper


Box 14

1381-1121 View from Kitchen - Vermont

11 x 7 1/2 Ink on paper


Box 14

1382-1121 Reversed Profile and Head

12 x 9 Crayon on paper


Box 14

1383-1121 Abstract Still Life with Fruit

11 x 7 1/2 Pastels on paper


Box 14

1384-1121 Old Oriental Monarch

7 1/2 x 10 7/8 Pastels on paper


Box 14

1385-1121 Shapes on Vertical Bars

10 7/8 x 7 1/2 Gouache on paper


Box 14

1386-1121 Landscape with Mountain - [Vermont]

7 1/2 x 11 Gouache on paper


Box 14

1387-1121 Country Landscape with House

7 1/2 x 11 Pastels on paper


Box 14

1388-1121 Abstraction - Window View

11 x 7 1/2 Pastels on paper


Box 14

1389-1121 Annunciation

7 3/8 x 11 Gouache on paper


Box 14

1390-1121 Red, Tan, Green Abstraction with Ball

11 x 7 1/2 Pastels on paper


Box 14

1391-1121 Red, Tan, Green Abstraction

11 x 7 1/2 Pastels on paper


Box 14

1392-1121 Abstract #3 - Still Life with Fruit

7 1/2 x 11 Pastels on paper


Box 14

1393-1121 Purple Snake Over Inhabited Background Yellow, Red, Green

7 1/2 x 11 Pastels on paper


Box 14

1394-1121 Woman Under Hair Dryer

11 x 8 1/2 Graphite pencil on paper


Box 14

1395-1121 [Triborough Bridge]

3 x 5 Ink on paper


Box 14

1396-1121 Zoomorphic Creature

6 x 4 Pastels on paper


Box 15

1397-1121 Black Zig Zags and Color Patches #1

15 1/8 x 11 Oil paint on paper


Box 15

1398-1121 Flight Into Egypt

11 x 8 1/2 Pastels on paper


Box 15

1399-1121 Figure

11 x 8 1/2 Ink on paper


Box 15

1400-1121 Three Figures

11 x 8 1/2 Ink on paper


Box 15

1401-1121 Two Figures

11 x 8 1/2 Ink on paper


Box 15

1402-1121 After Picasso - Photo

4 x 6 Ink on paper


Box 15

1403-1121 Rio

Two sheets. 4 x 6 Crayon on paper


Box 15

1404-1121 A Farm Yard

6 x 4 Graphite pencil on paper


Box 15

1405-1121 Landscape - Abstract

6 3/8 x 9 1/2 Gouache on paper


Box 15

1406-1121 Many Shapes

11 x 7 1/2 Crayon on paper


Box 15

1407-1121 Abstraction of Still Life - Circular Shape Over Angular Shapes

9 x 11 1/2 Crayon on paper


Box 15

1408-1121 Abstraction of Still Life - Cut Circular Shape Over Triangular Shapes

7 1/2 x 11 Crayon on paper


Box 15

1409-1121 Smoker

11 x 8 1/2 Crayon on paper


Box 15

1410-1121 Lillian

15 x 11 1/2 Graphite pencil on paper


Box 15

1411-1121 Woman and Popet [sic]

14 3/4 x 9 5/8 Crayon and graphite pencil on paper


Box 15

1412-1121 Lillian

15 1/8 x 11 Crayon on paper


Box 15

1413-1121 Untitled

4 x 6 Graphite pencil on paper


Box 15

1414-1121 Highland Station - Chestnut Hill, Philadelphia

4 x 6 Graphite pencil on paper


Box 15

1415-1121 [Jerry and Jocelyn]

7 1/8 x 8 1/2 Graphite pencil on paper


Box 15

1416-1121 Lillian's Dress

5 x 3 1/8 Graphite pencil on paper


Box 15

[Frost on Window]

3 7/8 x 6 Ink on paper


Box 15

1418-1121 Head of Woman

4 1/4 x 5 5/8 Ink on newspaper clipping


Box 15

1419-1121 After Degas - Private Collector, New York

3 1/2 x 5 Ink on paper


Box 15

1420-1121 At Yaddo

9 x 11 1/8 Oil paint on paper


Box 15

1421-1121 At Yaddo

8 7/8 x 11 1/4 Oil paint on paper


Box 15

1422-1121 At Yaddo

8 7/8 x 11 Oil paint on paper


Box 15

1423-1121 At Yaddo

8 3/4 x 11 1/2 Pastels on paper


Box 15

1424-1121 Lillian at Yaddo

12 x 7 1/2 Graphite pencil on paper


Box 15

1425-1121 Profile

Two sheets. 6 x 4 Crayon on paper


Box 15

1426-1121 Howard Shaw

6 x 4 Crayon on paper


Box 15

1427-1121 A Vermont Barn

4 x 6 Graphite pencil on paper


Box 15

1428-1121 Hudson River

4 x 6 Graphite pencil on paper


Box 15

1429-1121 After Durer

4 x 6 Ink on paper


Box 15

1430-1121 After Picasso

4 x 6 Ink on paper


Box 15

1431-1121 After Picasso

4 x 6 Ink on paper


Box 15

1432-1121 Lillian

Two sheets. 6 x 4 Ink on paper


Box 15

1433-1121 After Picasso

4 x 6 Ink on paper


Box 15

1434-1121 [Lillian]

6 1/4 x 5 Ink on paper


Box 15

1435-1121 Lillian - West 4th Street Kitchen

4 1/4 x 5 Ink on paper


Box 15

1436-1121 [Lillian] - Female Bust

5 1/2 x 4 1/4 Ink on paper


Box 15

1437-1121 [Lillian] - Two Heads

6 x 4 Ink on paper


Box 15

1438-1121 Landscape with Figure

4 x 5 7/8 Ink on cardboard


Box 15

1439-1121 Woman Reading

4 x 6 Graphite pencil on paper


Box 15

1440-1121 Woman Resting on Table

4 x 6 Graphite pencil on paper


Box 15

1441-1121 Rio

Two sheets. 4 x 6 Crayon on paper


Box 15

1442-1121 Rio

Two sheets. 4 x 6 Crayon on paper


Box 15

1443-1121 Lillian

13 1/8 x 9 1/2 Graphite pencil on paper


Box 15

1444-1121 Lillian

15 x 11 Graphite pencil on paper


Box 15

1445-1121 Lillian

8 x 5 Ink on paper


Box 15

1446-1121 Lillian

8 x 5 Ink on paper


Box 15

1447-1121 Thread in Surrealist Landscape

7 1/2 x 11 Pastels on paper


Box 15

1448-1121 Abstraction - Egg Shapes

9 x 11 1/2 Crayon on paper


Box 15

1449-1121 Lillian

9 1/2 x 8 1/4 Crayon on paper


Box 15

1450-1121 Lillian in Lawn Chair - Vermont

Inscribed on verso: from XL. 7 7/8 x 9 7/8 Pastels on paper


Box 15

1451-1121 Abstract - Blue Rectangle on Horizontal Bands

11 x 8 1/2 Gouache on paper


Box 15

1452-1121 Horseman in the Woods

12 x 8 1/2 Conte crayon on paper


Box 15

1453-1121 Green and Orange Patches Among Black Rectangles

9 x 11 1/2 Gouache on paper


Box 15

1454-1121 Eve

4 x 3 1/4 Gouache on paper


Box 15

1455-1121 Abstract Figure by a Stream

11 1/2 x 9 Pastels on paper


Box 15

1456-1121 Sailing with the Beasts

9 x 12 Gouache on paper


Box 15

1457-1121 Dog and Another Animal

6 1/8 x 9 1/2 Conte crayon on paper


Box 15

1458-1121 Abstraction with Vases

15 1/8 x 11 Pastels on paper


Box 15

1459-1121 Figure with Rectangles - Abstract

15 x 10 Pastels on paper


Box 15

1460-1121 animal in Landscape - Abstraction

11 x 15 Pastels on paper


Box 15

1461-1121 Water Creatures

11 x 15 Ink on paper


Box 15

1462-1121 Bones

11 x 15 Ink on paper


Box 15

1463-1121 Coiled Shapes and Diagonals

11 x 15 Gouache on paper


Box 15

1464-1121 Vermont House

12 x 8 1/2 Pastels on paper


Box 15

1465-1121 Vermont House

12 x 8 1/2 Pastels on paper


Box 15

1466-1121 Lillian - Yaddo

9 1/2 x 8 1/4 Conte crayon on paper


Box 15

1467-1121 Lillian - Yaddo

9 1/2 x 8 1/4 Conte crayon on paper


Box 15

1468-1121 Vermont House at Night

9 1/4 x 12 1/8 Oil paint on paper


Box 15

1469-1121 Vermont House and Meadow

8 7/8 x 12 Pastels on paper


Box 15

1470-1121 Untitled

11 x 15 Gouache on paper


Box 15

1471-1121 [Flowers]

5 x 3 Ink on paper


Box 15

[Europe]

5 x 3 7/8 Graphite pencil on lined paper


Box 15

1473-1121 [Sketches of Paintings in a Museum]

6 x 4 Graphite pencil on paper


Box 15

1474-1121 Landscape Compositions

4 x 6 Graphite pencil on paper


Box 15

1475-1121 Lillian

6 x 4 Graphite pencil on paper


Box 15

1476-1121 Riez

4 x 3 7/8 Graphite pencil and watercolor on lined paper


Box 15

1477-1121 Lillian

4 x 6 Ink on paper


Box 15

1478-1121 Portrait - [Lillian]

Typing on verso. 5 1/8 x 3 7/8 Ink on scrap paper


Box 15

1479-1121 Glebe Mountain - Vermont

6 x 4 Ink on paper


Box 15

1480-1121 Landscape

3 x 5 Graphite pencil on paper


Box 15

1481-1121 Lillian

8 1/4 x 5 1/4 Graphite pencil on paper


Box 15

1482-1121 [Benjamin or David]

6 x 4 Conte crayon on paper


Box 15

1483-1121 Untitled

5 3/4 x 4 3/8 Crayon on paper


Box 16

1484-1121 Rounds and Tubes

12 1/2 x 9 Conte crayon on paper


Box 16

1485-1121 Woman - Study of Light and Dark

9 1/4 x 6 Crayon on paper


Box 16

1486-1121 Black Lines Over Color Ovoids

9 x 11 1/2 Pastels on paper


Box 16

1487-1121 Lillian

15 x 11 Graphite pencil on paper


Box 16

1488-1121 Abstracted Bowl of Flowers

8 1/2 x 12 Pastels on paper


Box 16

1489-1121 Head

14 x 9 Oil paint on canvas


Box 16

1490-1121 Abstract Horizontal Colored Bands

10 7/8 x 7 7/8 Gouache on paper


Box 16

1491-1121 Horizontal Bands with Semicircles

11 1/2 x 9 Gouache on paper


Box 16

1492-1121 Landscape [#4]

11 x 15 1/8 Oil paint on paper


Box 16

1493-1121 Sailing Vessel with Animals

15 x 11 Crayons on paper


Box 16

1494-1121 Overlapping Shapes Over Horizontals

11 1/2 x 9 Crayon on paper


Box 16

1495-1121 The Fall of Icarus

15 x 11 Oil paint on paper


Box 16

1496-1121 Vermont

4 x 6 Crayon on paper


Box 16

1497-1121 Pyramid Landscape

6 x 4 Graphite pencil on paper


Box 16

1498-1121 Yaddo

9 1/2 x 8 1/4 Conte crayon on paper


Box 16

1499-1121 Lillian

15 x 11 Graphite pencil on paper


Box 16

1500-1121 Hands and Legs

9 7/8 x 9 7/8 Ink on paper


Box 16

1501-1121 Portraits

6 x 4 Ink on paper


Box 16

1502-1121 Herbert Ferber Working on "The Burning Bush"

6 1/8 x 9 1/4 Graphite pencil on paper


Box 16

1503-1121 Man Holding Lamp

9 x 12 Crayon on paper


Box 16

1504-1121 Lillian in Hat

9 x 4 3/8 Graphite pencil on paper


Box 16

1505-1121 Ernest

5 7/8 x 4 Ink on paper


Box 16

1506-1121 Woman Asleep in Armchair

6 x 9 1/4 Graphite pencil on paper


Box 16

1507-1121 Dog Head in Fantastic Landscape

9 x 11 1/2 Conte crayon on paper


Box 16

1508-1121 Yaddo

9 1/2 x 8 1/4 Pastels on paper


Box 16

1509-1121 My Room in Yaddo

9 1/2 x 8 1/8 Colored pencils on paper


Box 16

1510-1121 Squiggles on Contact Paper

7 1/4 x 3 3/4 Pastels on paper


Box 16

1511-1121 Rio

Two sheets. 4 x 6 Crayon on paper


Box 16

1512-1121 Variation on Braque

9 1/4 x 6 Crayon on paper


Box 16

1513-1121 Glebe Mountain

Inscribed on verso: from XL. 7 7/8 x 9 7/8 Pastels on paper


Box 16

1514-1121 Vermont

4 5/8 x 7 3/8 Crayon on paper


Box 16

1515-1121 A and L Collins

5 1/2 x 8 1/2 Crayon on paper


Box 16

1516-1121 Lillian

Two sheets. 6 x 4 Ink on paper


Box 16

1517-1121 Lillian

Two sheets. 6 x 4 Ink on paper


Box 16

1518-1121 Lillian

13 1/8 x 9 1/2 Graphite pencil on paper


Box 16

1519-1121 Landscape in Black

8 3/8 x 12 Crayon on paper


Box 16

1520-1121 Small Abstract Forms

9 x 11 3/4 Watercolor on paper


Box 16

1521-1121 Still Life - Vermont

11 1/2 x 9 Pastels on paper


Box 16

1522-1121 Lillian

13 1/8 x 9 1/2 Graphite pencil on paper


Box 16

1523-1121 Shaded Spherical Forms

12 x 8 1/2 Conte crayon on paper


Box 16

1524-1121 Studio Interior - Hill House

13 1/8 x 8 1/2 Ink on paper


Box 16

1525-1121 Vermont

11 x 15 Gouache on paper


Box 16

1526-1121 Vermont Meadow

11 x 15 Pastels on paper


Box 16

1527-1121 Abstract Lamp Shades

9 3/8 x 13 1/8 Pastels on paper


Box 16

1528-1121 [Figure] [in Landscape] - Abstraction

11 1/8 x 15 Pastels on paper


Box 16

1529-1121 Abstract Lamp Shades

9 1/4 x 13 1/8 Pastels on paper


Box 16

1530-1121 Cup - Abstraction

6 x 4 Graphite pencil on paper


Box 16

1531-1121 Cup - Abstraction

6 x 4 Graphite pencil on paper


Box 16

1532-1121 Old Outhouse and Shed - Vermont

8 3/4 x 12 Pastels on paper


Box 16

1533-1121 By Free Association

Two pieces. 6 3/4 x 8 Ink on cardboard


Box 16

1534-1121 Overlapping Bands

11 x 15 Gouache on paper


Box 16

1535-1121 Lillian

15 1/8 x 11 1/8 Graphite pencil on paper


Box 16

1536-1121 Lillian

15 1/8 x 11 Crayon on paper


Box 16

1537-1121 Lillian - Yaddo

15 1/8 x 11 Graphite pencil and oil paint on paper


Box 16

1538-1121 For Ernest - To Illustrate "Falling All Over Himself"

15 1/8 x 11 1/8 Gouache on paper


Box 16

1539-1121 Interior with Still Life

12 5/8 x 9 1/2 Gouache on paper


Box 16

1540-1121 Abstracted Woman in Armchair

9 1/4 x 5 3/4 Graphite pencil on paper


Box 16

1541-1121 Woman Asleep in Armchair

9 1/4 x 5 3/4 Graphite pencil on paper


Box 16

1542-1121 Herbert Ferber Working on "The Burning Bush"

Inscribed on verso: at Schnabels' studio on West 57th Street. 6 x 9 1/4 Crayon on paper


Box 16

1543-1121 Lillian at Yaddo

15 1/2 x 11 Crayon on paper


Box 16

1544-1121 Lillian Reading

15 x 11 Conte crayon on paper


Box 16

1545-1121 Miriam - Vermont Study

14 7/8 x 11 Oil paint on paper


Box 16

1546-1121 Landscape with Glebe Mountain

12 5/8 x 9 1/2 Charcoal on paper


Box 16

1547-1121 Sailing Vessel with Animals

14 3/4 x 11 Crayons on paper


Box 16

1548-1121 Miriam - Vermont

11 1/8 x 8 7/8 Oil paint on paper


Box 16

1549-1121 Lillian in Outdoor Chair - Vermont

7 7/8 x 10 Crayon on paper


Box 16

1550-1121 Lillian - Yaddo

15 1/8 x 11 Colored pencil on paper


Box 16

1551-1121 Animals Playing

11 1/8 x 7 1/2 Pastels on paper


Box 16

1552-1121 Icarus

11 1/8 x 15 1/8 Oil paint on paper


Box 16

1553-1121 Lillian

15 x 11 Graphite pencil on paper


Box 16

1554-1121 Abstractions

15 1/8 x 11 Colored pencil on paper


Box 16

1555-1121 Radial Composition

15 x 11 Gouache on paper


Box 16

1556-1121 Abstraction

15 x 11 Gouache on paper


Box 16

1557-1121 Abstraction

15 x 11 Gouache on paper


Box 16

1558-1121 Rawsonville House and View Surrounding

8 1/4 x 11 Crayon on paper


Box 16

1559-1121 Farm Products

6 x 4 Graphite pencil on paper


Box 16

1560-1121 In the Kitchen

Drawing on verso. 6 x 4 Crayon on paper


Box 16

1561-1121 Abstraction - One of a Pair

11 1/2 x 9 Crayon on paper


Box 16

1562-1121 Abstraction - One of a Pair

9 x 11 1/2 Crayon on paper


Box 16

1563-1121 Organic Shapes - Abstraction

15 x 11 1/8 Crayon on paper


Box 16

1564-1121 Still Life

11 1/2 x 9 Crayon on paper


Box 16

1565-1121 Abstraction of Still Life with X-Shapes

11 1/2 x 9 Crayon on paper


Box 16

1566-1121 Yellow Egg Shape Over Black and White

9 x 11 1/2 Crayon on paper


Box 16

1567-1121 Sailing Vessel with Animals - Study for Painting

15 x 11 Gouache on paper


Box 16

1568-1121 Sailing Vessel with Animals with Brown Background

11 x 15 Crayon on paper


Box 16

1569-1121 Abstraction

11 x 15 Gouache on paper


Box 16

1570-1121 Abstraction

11 x 15 Gouache on paper


Box 16

1571-1121 Abstraction

15 x 11 Gouache on paper


Box 16

1572-1121 Overlapping Shapes with Shading

9 x 11 1/2 Crayon on paper


Box 16

1573-1121 Abstraction

12 1/4 x 9 1/2 Gouache on paper


Box 16

1574-1121 Seascape

7 1/2 x 11 Crayon on paper


Box 16

1575-1121 Abstraction - Stages

15 x 11 Gouache on paper


Box 16

1576-1121 Abstraction - Speaker

15 x 11 Gouache on paper


Box 16

1577-1121 Woman in Yellow Hat

15 x 11 Gouache on paper


Box 16

1578-1121 Vermont View with Crab Apple Tree

15 x 11 Oil paint on paper


Box 17

1579-1121 Lillian Reading - Vermont

11 x 8 1/2 Gouache on paper


Box 17

1580-1121 Abstract Head

11 x 8 1/2 Oil paint on paper


Box 17

1581-1121 [Abstract Seascape]

8 1/2 x 11 Pastels on paper


Box 17

1582-1121 Vermont Landscape

7 1/2 x 11 Watercolor and crayon on paper


Box 17

1583-1121 Lillian - For Teddy

Inscribed on verso: in Vermont. 12 5/8 x 9 1/4 Pastel on paper


Box 17

1584-1121 Abstract - Layered Colored Forms

8 1/2 x 12 Pastel on paper


Box 17

1585-1121 After Sketch of 1952

9 1/2 x 12 1/2 Tempera on paper


Box 17

1586-1121 Red, White and Black Forms

8 1/2 x 10 7/8 Pastels and oil paint on paper


Box 17

1587-1121 Abstraction with Emerging Heads

13 x 8 3/4 Gouache on paper


Box 17

1588-1121 Abstract - Lamp Shape

12 x 8 3/8 Pastels and ink on paper


Box 17

1589-1121 Abstract - Lamp Shape

11 x 8 1/2 Pastels on paper


Box 17

1590-1121 Lillian

4 1/2 diameter Crayon on paper


Box 17

1591-1121 View of Glebe Mountain

4 1/2 (radius) Crayon on paper


Box 17

1592-1121 Heavy Forms #3

8 1/2 x 12 Ink on paper


Box 17

1593-1121 Abstraction

Drawing on detached pamphlet sheet from Poses Institute of Fine Art. 12 5/8 x 8 3/4 Gouache and ink on paper


Box 17

1594-1121 Abstraction with Black and White Forms

7 x 5 Ink on paper


Box 17

1595-1121 Abstraction - Four Linear Forms - Version 3

7 7/8 x 4 7/8 Ink on paper


Box 17

1596-1121 Drawing for Relief Sculpture

8 3/8 x 12 Ink on paper


Box 17

1597-1121 Beach Haven Pool

4 x 6 Ink on paper


Box 17

1598-1601-1121 Sketchbook

Two drawings in bound scopecontentbook. Two loose sheets in scopecontentbook. 8 3/8 x 5 1/2 Graphite pencil on paper

1598 measures 8 3/8 x 5 1/2 and is dated 1962 October 11. 8 3/8 x 5 1/2 Graphite pencil on paper

1599 measures 8 3/8 x 5 1/2 and is dated 1965 October 12. 8 3/8 x 5 1/2 Graphite pencil on paper

1600 measures 8 x 4 7/8 and is dated 1968 May 6. 8 3/8 x 5 1/2 Graphite pencil on paper

1601 measures 6 1/4 x 4 3/8 and is dated 1968 November 17. 8 3/8 x 5 1/2 Graphite pencil on paper


Box 17

1602-1121 Abstract - Overlapping Blacks and Greys

8 1/2 x 11 Ink on paper


Box 17

1603-1121 Lillian

Photocopy of original from scopecontentbook. 8 x 5 3/8 Graphite pencil on paper


Box 17

1604-1121 Palo Alto

8 x 5 Ink on paper


Box 17

1605-1121 California View

6 x 4 Ink on paper


Box 17

1606-1121 Back Side - Siesta Key House

4 x 6 Ink on paper


Box 17

1607-1121 Abstraction

9 7/8 x 10 Ink and pastels on paper


Box 17

1608-1121 Abstraction

10 7/8 x 8 1/2 Pastels on paper


Box 17

1609-1121 Vermont Landscape

Drawn on verso of announcement card for exhibition of Edward Corbett's paintings at the Borgennicht Gallery. 9 1/8 x 6 Crayon on paper


Box 17

1610-1121 Abstraction with Calligraphic Shapes

11x 8 1/2 Oil paint on paper


Box 17

1611-1121 California Coast

Two sheets. 4 x 6 Colored pencils on paper


Box 17

1612-1121 Woodland Path - Vermont

14 7/8 x 11 Oil paint on paper


Box 17

1613-1121 Bands Radiating Gray Central Shape

8 3/8 x 11 Pastels on paper


Box 17

1614-1121 Abstract Head on Black Ground

8 1/2 x 11 Pastels on paper


Box 17

1615-1121 Vermont Landscape

7 1/2 x 11 Pastels on paper


Box 17

1616-1121 Martin's Beach - California

3 x 5 Graphite pencil on paper


Box 17

1617-1121 Piece at Ben Heller's Gallery

6 x 4 Ink on paper


Box 17

1618-1121 Center for Behvioral Sciences - Palo Alto

5 x 8 Ink on paper


Box 17

1619-1121 Untitled

8 7/8 x 5 7/8 Ink on cardboard


Box 17

1620-1121 Edge of Hill House - Vermont

12 x 8 3/8 Pastels on paper


Box 17

1621-1121 Abstraction - Piled Up Forms

8 x 5 Pastels on paper


Box 17

1622-1121 Vermont Site

Drawn on verso of exhibition announcement. 7 7/8 x 9 Pastels on paper


Box 17

1623-1121 View from Rawsonville House

11 x 8 1/2 Pastels on paper


Box 17

1624-1625-1121 Vermont Greeting to Teddy and Howard

Two cards. Various Pastels on paper

1624 is dated 1964 June 6 and measures 7 7/8 x 5. Inscription on recto. Various Pastels on paper

1625 is dated 1964 July 20 and measures 5 x 7. Inscription on verso: for Teddy and Howard, affectionately, Meyer. Various Pastels on paper


Box 17

1626-1121 Woman Playing Flute

Drawn on verso of a chamber music program at Stanford University dated 1962 November 11. 9 x 6 Graphite pencil on paper


Box 17

1627-1121 Lillian

8 x 5 Ink on paper


Box 17

1628-1121 Sculpture of Antinoos

6 x 4 Crayon on paper


Box 17

1629-1121 Stanford

5 x 3 Ink on paper


Box 17

1630-1121 House and Trees [unfinished]

5 1/4 x 8 3/8 Gouache on paper


Box 17

1631-1121 Untitled

11 x 7 1/2 Oil paint and graphite pencil on paper


Box 17

1632-1121 San Fransisco

7 1/4 x 15 Graphite pencil on paper


Box 17

1633-1121 Head Crossed By Black Bands

12 x 8 3/8 Gouache on paper


Box 17

1634-1121 Two Portraits

Drawn on verso of program for a film series presented by the Cambridge Center for Adult Education. 8 1/2 x 11 Ink on paper


Box 17

1635-1121 Pacific Coast

Three sheets. 6 x 4 Ink and graphite pencil on paper


Box 17

1636-1121 Abstraction with Black and White Forms

7 7/8 x 4 7/8 Colored pencils on paper


Box 17

1637-1121 Studio - Rawsonville

12 x 8 3/8 Pastels on paper


Box 17

1638-1121 Landscape - San Fransisco

Inscribed on verso: from Alex Fried's window. 8 1/2 x 13 Graphite pencil on paper


Box 17

1639-1121 San Fransisco

8 1/2 x 13 Graphite pencil on paper


Box 17

1640-1121 San Fransisco

Inscribed on verso: from Alex Fried's window. 8 1/2 x 12 7/8 Graphite pencil on paper


Box 17

1641-1121 Rawsonville

Drawing on verso. 8 7/8 x 12 Crayon on paper


Box 17

1642-1121 Landscape with Blacks

Inscribed on recto: to Teddy and Howard with love from Meyer. 8 3/8 x 12 Pastels on paper


Box 17

1643-1121 Lillian - Sarasota

7 7/8 x 4 7/8 Ink on paper


Box 17

1644-1121 Western Strata #2

11 x 8 1/2 Pastels on paper


Box 17

1645-1121 Melon Shape on Black

8 1/2 x 12 Pastels on paper


Box 17

1646-1121 Melon Shape on Purple and Green

8 1/2 x 12 Pastels on paper


Box 17

1647-1121 Melon Shape on Purple

8 1/2 x 12 Pastels on paper


Box 17

1648-1121 Lillian Reading - Vermont

11 x 8 1/2 Pastels and graphite pencil on paper


Box 17

1649-1121 Unknown Location

6 1/2 x 7 5/8 Ink on paper


Box 17

1650-1121 At Sophie's - Shaftesbury

11 x 8 1/2 Crayon on paper


Box 17

1651-1121 Drawing for Tin Cut-Out

8 1/2 x 12 Conte crayon on paper


Box 17

1652-1121 For Poem of Ephraim Mikhael on Priest Admiring Himself

11 x 7 1/2 Pastels on paper


Box 17

1653-1121 At Sophie's - Shaftesbury

11 x 8 1/2 Pastels on paper


Box 17

1654-1121 Abstract Brown Bands Over Black Dumbbell Shapes

11 x 15 Oil paint on paper


Box 17

1655-1121 After a Drawing of Late 40s

8 1/2 x 11 Ink and pastels on paper


Box 17

1656-1121 Abstract - Organic Shapes

11 x 8 1/2 Gouache on paper


Box 17

1657-1121 Lillian

6 x 4 Ink on paper


Box 17

1658-1121 Multicolored Overlapping Shapes

11 x 8 1/2 Pastels on paper


Box 17

1659-1121 Abstract Seated Figure

11 x 8 1/2 Gouache on paper


Box 17

1660-1121 Color Studies [See Yaddo]

9 x 6 Oil paint on paper


Box 17

1661-1121 Landscape

8 1/2 x 11 Pastels on paper


Box 17

1662-1121 Abstract - Spaced Colored Rectangles #2

8 1/2 x 11 Pastels on paper


Box 17

1663-1121 Abstract - Spaced Multicolored Rectangles #1

8 1/2 x 11 Pastels on paper


Box 17

1664-1121 Landscape with House

9 3/4 x 7 1/2 Pastels on paper


Box 17

1665-1121 Lillian Reading

15 x 11 Conte crayon on paper


Box 17

1666-1121 Abstract with Vertical Stripes

8 1/2 x 11 Pastels on paper


Box 17

1667-1121 Lillian

11 x 8 1/2 Graphite pencil on paper


Box 17

1668-1121 Creature with Tail

8 1/2 x 11 Ink on paper


Box 17

1669-1121 Lillian

11 x 8 1/2 Ink on paper


Box 17

1670-1121 Abstract - Flower

11 x 8 1/2 Pastels on paper


Box 17

1671-1121 Abstract - Lozenge Shapes with Vertical Bands

8 x 5 Pastels and ink on paper


Box 17

1672-1121 Person on a Horse in Landscape - Sketch

8 x 5 Pastels and ink on paper


Box 17

1673-1121 Abstract - Organic Forms Over Horizontals #1

8 1/2 x 11 Pastels on paper


Box 17

1674-1121 Abstract - Palette Shape Over Horizontals

8 1/2 x 11 Gouache on paper


Box 17

1675-1121 Abstract - Flying Forms

8 1/2 x 11 Gouache on paper


Box 17

1676-1121 Abstract - Interior

8 1/2 x 11 Pastels on paper


Box 17

1677-1121 Florida Gulf Sunset

6 x 9 Colored pencils on paper


Box 17

1678-1121 Lillian - Florida

7 x 5 Colored pencils on paper


Box 17

1679-1121 Siesta Key House

4 1/2 x 6 1/4 Colored pencils on paper


Box 17

1680-1121 Lillian

7 7/8 x 4 7/8 Ink on paper


Box 17

1681-1121 Beach Haven - Florida

5 x 3 Colored pencils on paper


Box 17

1682-1121 Lillian

4 7/8 x 7 7/8 Graphite pencil on paper


Box 17

1683-1121 Lillian in Hat - Florida

4 7/8 x 7 7/8 Ink on paper


Box 17

1684-1121 Florida

3 3/4 x 6 5/8 Ink on paper


Box 17

1685-1121 Front - Beach Haven

Drawn on verso of RMS Queen Elizabeth stationery. 5 1/4 x 6 7/8 Conte crayon on paper


Box 17

1686-1121 Beach Haven - Florida

4 1/2 x 6 3/8 Conte crayon on paper


Box 17

1687-1121 Beach Haven - Florida

3 x 5 Ink on paper


Box 17

1688-1121 Siesta Key House

6 x 9 Ink on paper


Box 17

1689-1121 Unfinished - Florida

Drawn on scrap. Typing on verso. 3 x 3 5/8 Pastels on paper


Box 17

1690-1121 For Hanna Josephson - "Baruch Pri ha-Gefen"

Drawn on scrop. Typing on verso. 3 3/4 x 4 3/8 Ink on paper


Box 17

1691-1121 Unknown - Siesta Key, Florida

4 x 6 Conte crayon on paper


Box 17

1692-1121 Dketch for Landscape - Florida

3 x 5 Graphite pencil on paper


Box 17

1693-1121 Unknown - Florida

5 x 3 Ink on paper


Box 17

1694-1121 After Photo Card - Florida

5 x 3 Ink on paper


Box 17

1695-1121 View From House Front on Mall - Florida

Drawn on verso of RMS Queen Elizabeth stationery. 5 1/4 x 6 7/8 Colored pencils on paper


Box 17

1696-1121 Checkerboard - Green, Yellow, Red - Florida

7 x 4 7/8 Colored pencils on paper


Box 17

1697-1121 Beach Haven - Florida

7 5/8 x 5 3/4 Pastels on paper


Box 17

1698-1121 Florida

6 x 4 Graphite pencil on paper


Box 17

1699-1121 View from Porch - Florida

3 x 5 Graphite pencil on paper


Box 17

1700-1121 View of Beach - Florida

6 x 4 Conte crayon on paper


Box 17

1701-1121 The Play of Oedipus

9 7/8 x 9 7/8 Ink on paper


Box 17

1702-1121 Positive and Negative Heads in Lozenges

5 x 8 Ink on paper


Box 17

1703-1121 Positive and Negative Heads and Shapes

5 x 8 Ink and oil paint on paper


Box 17

1704-1121 Color Shapes Over Green

8 1/2 x 11 Pastels on paper


Box 17

1705-1121 Color Shapes Over White

8 1/2 x 11 Pastels on paper


Box 17

1706-1121 Yellow Tree Forms

8 1/2 x 11 Gouache on paper


Box 17

1707-1121 Multicolor Tree Forms

8 1/2 x 11 Pastels on paper


Box 17

1708-1121 Study in Planes and Depth

9 x 12 Conte crayon on paper


Box 17

1709-1121 Flying Form #6

Drawn on detached pamphlet sheet. Typing on verso. 9 x 12 1/2 Ink on paper


Box 17

1710-1121 Flying Form #5

Drawn on detached pamphlet sheet. Typing on verso. 9 x 12 1/2 Ink on paper


Box 17

1711-1121 Flying Form #4

Drawn on detached pamphlet sheet. Typing on verso. 9 x 12 1/2 Ink on paper


Box 17

1712-1121 Flying Form #1

Drawn on detached pamphlet sheet. Typing on verso. 9 x 12 1/2 Ink on paper


Box 17

1713-1121 Flying Form #2

Drawn on detached pamphlet sheet. Typing on verso. 9 x 12 1/2 Ink on paper


Box 17

1714-1121 [Hillside]

4 x 6 Ink on paper


Box 17

1715-1121 Bedroom - Vermont

4 x 6 Ink on paper


Box 17

1716-1121 Deer in Field

Drawn on scrap. Typing on verso. 3 x 5 1/2 Ink on paper


Box 17

1717-1121 Meadow and Glebe Mountain - Vermont

4 x 6 Ink on paper


Box 17

1718-1121 Kitchen - Vermont

6 x 4 Ink on paper


Box 17

1719-1121 Lillian - Vermont

4 x 6 Ink on paper


Box 17

1720-1121 Irregular Shape Over Vertical Bands

8 1/2 x 11 Pastels on paper


Box 17

1721-1121 Abstraction - Scallops and Verticals

8 1/2 x 11 Pastels on paper


Box 17

1722-1121 Abstraction - Scallops and Verticals #1

11 x 8 1/2 Pastels on paper


Box 17

1723-1121 Abstraction Studies

11 x 8 1/2 Pastels on paper


Box 17

1724-1121 [Stage Set] #2

11 x 8 1/2 Ink on paper


Box 17

1725-1121 [Trees Before Buildings in City]

9 x 12 Gouache on paper


Box 17

1726-1121 [Recalled City View]

11 x 8 1/2 Oil paint on paper


Box 17

1727-1121 Black Shapes on Colored Ground

8 1/2 x 11 Pastels on paper


Box 17

1728-1121 Head

11 x 8 1/2 Pastels and oil paint on paper


Box 17

1729-1121 Imaginary Microscope View

12 x 8 1/2 Ink and pastels on paper


Box 17

1730-1121 Rape of Europa - Sketch for Sculpture

8 1/2 x 12 Conte crayon on paper


Box 17

1731-1121 Sunset

8 1/2 x 12 Pastels on paper


Box 17

1732-1121 Rape of Europa - Sketch for Sculpture

8 1/2 x 12 7/8 Graphite pencil on paper


Box 17

1733-1121 Rape of Europa - Sketch for Sculpture

8 1/2 x 12 Conte crayon on paper


Box 17

1734-1121 Rape of Europa - Sketch for Sculpture

8 1/2 x 12 Conte crayon on paper


Box 17

1735-1121 heavy Foms #1

8 1/2 x 12 Ink and conte crayon on paper


Box 17

1736-1121 Hunting Party

8 1/2 x 12 Gouache on paper


Box 17

1737-1121 Woman in a Hat

8 1/8 x 7 Ink on paper


Box 17

1738-1121 Rape of Europa - Sketch for Sculpture

8 1/2 x 12 Conte crayon on paper


Box 17

1739-1121 Abstract - Triangles

8 1/2 x 11 Gouache on paper


Box 17

1740-1121 Vermont

9 7/8 x 9 7/8 Pastel on paper


Box 17

1741-1121 Floating Forms

8 1/2 x 11 Pastels on paper


Box 17

1742-1121 Abstraction - Flooding Forms

11 x 15 Oil paint on paper


Box 18

1743-1121 Vermont Meadow

8 7/8 x 11 7/8 Pastels on paper


Box 18

1744-1121 Landscape Forms

Drawn on detached pamphlet sheet. Typing on verso. 9 x 12 1/2 Ink and Ink on paper


Box 18

1745-1121 Cubic Forms

Drawn on announcement card for exhibition of Wolf Kahn's work at Borgenicht Gallery dated 1969 February 1-28. 8 1/2 x 3 3/4 Ink on paper


Box 18

1746-1121 Abstract Black Amorphous Shapes

Inscribed on verso: drawn in Florida. 7 7/8 x 4 7/8 Conte crayon on paper


Box 18

1747-1121 Abstract - Overlapping Grays

8 1/2 x 11 Ink on paper


Box 18

1748-1121 Abstract Cubistic Study #3

6 x 4 Ink on paper


Box 18

1749-1121 After Seurat

12 x 9 Crayon on paper


Box 18

1750-1121 Abstrat - [Landscape]

11 x 8 1/2 Ink on paper


Box 18

1751-1121 Abstraction of Seascape in Black, Gray and White

8 3/8 x 12 Conte crayon on paper


Box 18

1752-1121 Abstract White Opening

10 7/8 x 8 1/2 Goauche on paper


Box 18

1753-1121 [Abstract Chair] of Overlapping Shapes

8 3/8 x 12 Gouache and Ink on paper


Box 18

1754-1121 Vermont Landscape

8 1/2 x 11 Pastels on paper


Box 18

1755-1121 Abstract - Overlapping Rectangles

11 x 8 1/2 Gouache on paper


Box 18

1756-1121 Landscape with Moon

12 x 8 1/2 Pastels on paper


Box 18

1757-1121 Black Zig-Zags on Green and Orange

7 1/2 x 11 Gouache on paper


Box 18

1758-1121 Abstract Landscape

8 1/2 x 11 Pastels on paper


Box 18

1759-1121 View with Road - Vermont

12 x 8 1/2 Pastels on paper


Box 18

1760-1121 White Figure Under Verticals and Diagonals

Inscribed on verso: Florida. 6 x 4 Colored pencils on paper


Box 18

1761-1121 White Figure With Colored Verticals and Diagonals

Inscribed on verso: Florida. 6 1/4 x 4 1/2 Colored pencils on paper


Box 18

1762-1121 White Figure Under Colored Verticals and Diagonals

Inscribed on verso: Florida. 6 x 4 Colored pencils on paper


Box 18

1763-1121 Gulf View of Sunset - Florida

4 3/8 x 5 7/8 Colored pencils on paper


Box 18

1764-1121 Cone and Egg Shape - Color Study

Inscribed on recto: Florida. 6 x 4 Colored pencils on paper


Box 18

1765-1121 Sunset - Florida

8 x 5 Pastels on paper


Box 18

1766-1121 Goblet Form

6 x 4 Colored pencils on paper


Box 18

1767-1121 From Our Porch - Florida

6 x 4 Colored pencils on paper


Box 18

1768-1121 Hill House Interior - Vermont

8 1/2 x 11 Pastels and Ink on paper


Box 18

1769-1121 Bowl of Flowers in a Country House

11 x 8 1/2 Pastels on paper


Box 18

1770-1121 Calligraphic Shapes and Colors #2

8 1/2 x 11 Pastels and oil paint on paper


Box 18

1771-1121 Circle and Lozenge Shapes Over Rectangles

12 x 8 1/2 Pastels on paper


Box 18

1772-1121 Abstract Landscape

Inscribed on verso: see same subject 1969 July. 8 1/2 x 11 Pastels on paper


Box 18

1773-1121 Lillian

15 1/8 x 11 Crayon on paper


Box 18

1774-1121 After Seurat

4 x 6 Graphite pencil on paper


Box 18

1775-1121 [Lillian] [In Florida House]

Accompanied by detached sketch for drawing measuring 5 x 3. 5 1/2 x 7 3/8 Crayon on paper


Box 18

1776-1121 Female Figure

8 x 5 Ink on paper


Box 18

1777-1121 Man Fighting Lion

5 x 8 Crayon on paper


Box 18

1778-1121 Man Fighting Lion

5 x 8 Crayon on paper


Box 18

1779-1121 Man Fighting Lion

5 x 8 Crayon on paper


Box 18

1780-1121 Untitled

5 x 8 Graphite pencil on cardboard


Box 18

1781-1121 Untitled

Drawn on scrap.Typing on verso. 5 x 6 Ink on paper


Box 18

1782-1121 [California] [Seattle]

5 1/4 x 8 1/4 Graphite pencil on paper


Box 18

1783-1121 From Our Porch - Florida

6 x 4 Graphite pencil on paper


Box 18

1784-1121 Goblet Form

6 x 4 Conte crayon on paper


Box 18

1785-1121 Beach - Florida

4 3/8 x 6 1/4 Ink on paper


Box 18

1786-1121 Abstract Cubistic Study #2

6 x 4 Ink on paper


Box 18

1787-1121 Abstract Cubistic Study #1

6 x 4 Ink on paper


Box 18

1788-1121 Lillian

8 x 5 Ink on paper


Box 18

1789-1121 Interior - Vermont

12 x 8 3/8 Conte crayon and graphite pencil on paper


Box 18

1790-1121 Family - Rawsonville

5 7/8 x 9 1/2 Ink on paper


Box 18

1791-1121 Katherine Shaw

9 x 6 Crayon on paper


Box 18

1792-1121 Lillian - Sarasota

4 7/8 x 7 7/8 Ink on paper


Box 18

1793-1121 Abstract - Fish Shapes

6 1/8 x 9 Oil paint on paper


Box 18

1794-1121 Head Study in Colors

6 x 4 Colored pencils on paper


Box 18

1795-1121 Our House - View of Rear - Florida

3 3/4 x 6 Ink and colored pencil on paper


Box 18

1796-1121 Abstract - Flying Forms

8 1/2 x 11 Gouache on paper


Box 18

1797-1121 Abstract - Head #5

11 x 8 1/2 Pastels on paper


Box 18

1798-1121 Abstract - Gray Zig-Zag Bands Over Tan Backgrounds

8 1/2 x 11 Pastels on paper


Box 18

1799-1121 Still Life with Pitcher and Spoon

8 1/2 x 10 5/8 Oil paint on cardboard


Box 18

1800-1121 Lillian Reclining on Coach

9 x 12 Pastels on paper


Box 18

1801-1121 Interior - Vermont

11 x 7 1/2 Gouache on paper


Box 18

1802-1121 Abstract - "Arrival"

Inscribed on verso: for oil painting on board, in hill house studio. 8 1/2 x 11 Pastels on paper


Box 18

1803-1121 [Abstract Head]

12 x 8 Oil paint on cardboard


Box 18

1804-1121 Abstract - [Landscape]

11 x 15 Gouache on paper


Box 18

1805-1121 Black Forms Over Horizontals

8 1/2 x 11 Watercolor on paper


Box 18

1806-1121 Midsummmer

8 1/2 x 10 7/8 Watercolor on paper


Box 18

1807-1121 Melon Shape on Black, Yellow and Blue

8 3/8 x 12 Pastels on paper


Box 18

1808-1121 Abstract - Green Star

8 1/2 x 11 Gouache on paper


Box 18

1809-1121 Abstract - Vase Shape Over Multicolored Shapes #3

8 1/2 x 11 Pastels on paper


Box 18

1810-1121 Backyard at 279 West 4th Street

7 1/2 x 6 1/4 Ink on paper


Box 18

1811-1121 Lillian

12 x 8 1/2 Pastels on paper


Box 18

1812-1121 Abstraction with Organic Shapes

9 3/4 x 11 1/4 Oil paint on paper


Box 18

1813-1121 Abstraction - Sharped Edge Forms

12 x 8 1/4 Pastels on paper


Box 18

1814-1121 Lillian

10 x 9 7/8 Ink on paper


Box 18

1815-1121 Hillside - Vermont

15 x 11 Oil paint on paper


Box 18

1816-1121 Black Forms in Imaginary Landscape

11 x 14 7/8 Oil paint on paper


Box 18

1817-1121 Abstract - Organic Forms on Horizontals #2

[8 1/2 x 11] Pastels on paper


Box 18

1818-1121 Sunset

8 1/2 x 12 Pastels on paper


Box 18

1819-1121 Lillian in Lawn Chair - Vermont

9 x 12 Gouache on paper


Box 18

1820-1121 Heavy Forms #4

12 x 8 1/2 Ink on paper


Box 18

1821-1121 Gray, Green, Brown, Rectangles

6 x 8 1/2 Oil paint on cardboard


Box 18

1822-1121 Study for White Figure Under Verticals and Diagonals

Inscribed on verso: Florida - 5858 Midnight Pass Road. 6 x 4 Graphite pencil on paper


Box 18

1823-1121 Abstract - Black Lines

6 x 4 Ink on paper


Box 18

1824-1121 Insect on Colored Paper

Inscribed on verso: Florida. 6 x 4 Crayons and watercolor on paper


Box 18

1825-1121 Abstract - Vertical Bands

8 1/2 x 11 Pastels on paper


Box 18

1826-1121 [Ernest]

12 x 8 1/2 Conte crayon on paper


Box 18

1827-1121 Abstract - Vermont Studio - [Interior]

8 1/2 x 12 Ink on paper


Box 18

1828-1121 Landscape Through a Window

11 x 8 1/2 Pastels on paper


Box 18

1829-1121 Color Studies [See Yaddo]

6 1/8 x 9 1/8 Oil paint on paper


Box 18

1830-1121 Lower Figure with Open Book

Drawn on scrap. Typing on verso. 8 1/2 x 5 3/4 Ink on paper


Box 18

1831-1121 Abstraction - Two Versions - One with Black and One with White Form

7 7/8 x 4 7/8 Ink on paper


Box 18

1832-1121 Abstraction - Linear Forms - Version 7

7 7/8 x 4 7/8 Ink on paper


Box 18

1833-1121 Abstraction - Four Linear Forms - Version 4

7 7/8 x 4 7/8 Ink on paper


Box 18

1834-1121 Abstraction - Four Linear Forms - Version 5

7 7/8 x 4 7/8 Ink on paper


Box 18

1835-1121 Abstraction - Four Linear Forms - Version 6

7 7/8 x 4 7/8 Ink on paper


Box 18

1836-1121 Male and Female Figures

9 3/4 x 11 7/8 Crayon on paper


Box 18

1837-1121 Vermont Landscape

8 3/8 x 12 Crayon on paper


Box 18

1838-1121 Night View with Moon

8 1/2 x 12 Crayon on paper


Box 18

1839-1121 Abstraction - Vertical Forms

11 x 8 1/2 Crayons on paper


Box 18

1840-1121 Plant Forms

8 1/2 x 12 Gouache on paper


Box 18

1841-1121 Lillian - Sarasota

4 7/8 x 7 7/8 Ink on paper


Box 18

1842-1121 Lillian - Sarasota

4 7/8 x 7 7/8 Ink on paper


Box 18

1843-1121 Abstract - Still Life with Stippling

5 x 8 Pastels and ink on paper


Box 18

1844-1121 Abstract - Landscape

8 1/2 x 11 Pastels on paper


Box 18

1845-1121 View From Deck of Siesta Key House - Florida

3 x 5 Ink on paper


Box 18

1846-1121 Interlace Color Threads

8 1/2 x 11 Pastels on paper


Box 18

1847-1121 Landscape

5 1/2 x 8 1/4 Pastels on paper


Box 18

1848-1121 Lillian - Vermont

6 x 4 Ink on paper


Box 18

1849-1121 Landscape

10 x 10 Pastels on paper


Box 18

1850-1121 Abstract Landscape

Accompanied by sketch measuring 4 x 6. 9 x 12 Oil on canvas board


Box 18

1851-1121 Abstract Figure in Hat

11 x 7 3/4 Ink on paper


Box 18

1852-1121 Abstract - [Flowers]

8 7/8 x 11 7/8 Pastels on paper


Box 19

1853-1121 After a Portrait by Gainsborough

6 x 4 Pastels on paper


Box 19

1854-1121 Overlapping Cubes

4 1/2 x 6 1/8 Ink on paper


Box 19

1855-1121 From Vancouver University

3 1/2 x 6 Conte crayon on paper


Box 19

1856-1121 Dead Trunk - Point Lobos

4 x 6 Pastels on paper


Box 19

1857-1121 From the University - Vancouver, B.C.

3 1/2 x 6 Conte crayon on paper


Box 19

1858-1121 [Victoria]

3 x 5 Conte crayon on paper


Box 19

1859-1121 Vancouver or Victoria

4 x 6 Conte crayon on paper


Box 19

1860-1121 Seattle

4 x 6 Conte crayon on paper


Box 19

1861-1121 Seattle

4 x 6 Conte crayon on paper


Box 19

1862-1121 California

4 x 6 Ink on paper


Box 19

1863-1121 Overlapping Forms

4 x 6 Ink on paper


Box 19

1864-1121 Wasp

4 x 6 Ink on paper


Box 19

1865-1121 Unknown Woman

4 x 6 Conte crayon on paper


Box 19

1866-1121 Unknown Woman

4 x 6 Ink on paper


Box 19

1867-1121 Buckle

4 x 6 Ink on paper


Box 19

1868-1121 Lillian

4 x 6 Conte crayon on paper


Box 19

1869-1121 Folded Forms

4 x 6 Ink on paper


Box 19

1870-1121 Female Unknown

6 x 4 Ink on paper


Box 19

1871-1121 Lillian

5 x 3 Graphite pencil on paper


Box 19

1872-1121 Lillian

5 x 3 Graphite pencil on paper


Box 19

1873-1121 279 West 4th Street

6 1/4 x 4 1/8 Ink on paper


Box 19

1874-1121 Lillian

6 x 4 Conte crayon on paper


Box 19

1875-1121 Lillian

6 x 4 Graphite pencil on paper


Box 19

1876-1121 After Bout's Drawing

6 x 4 Graphite pencil on paper


Box 19

1877-1121 Lillian

4 x 3 Ink on paper


Box 19

1878-1121 River from Study Window - Cambridge

4 x 6 Ink on paper


Box 19

1879-1121 Cambridge

4 x 6 Graphite pencil on paper


Box 19

1880-1121 Landscape Sketch - [Cambridge]

4 x 6 Ink on paper


Box 19

1881-1121 Charles River from Eliot House

4 1/2 x 6 Ink on paper


Box 19

1882-1121 Boston Landscape

4 x 6 Ink on paper


Box 19

1883-1121 [Cambridge]

4 3/4 x 3 3/8 Ink on paper


Box 19

1884-1121 Boston or Cambridge

5 1/4 x 8 1/2 Ink on paper


Box 19

1885-1121 Indian - Vancouver, University of B.C.

4 x 6 Conte crayon on paper


Box 19

1886-1121 West Coast

6 x 4 Ink on paper


Box 19

1887-1121 Columbia Icefields - Alberta, Canada

3 1/2 x 6 Conte crayon on paper


Box 19

1888-1121 Stone, Indian - City Museum, Vancouver

4 x 6 Conte crayon on paper


Box 19

1889-1121 Stone Carving, Indian - Vancouver Museum, University of B.C.

6 x 4 Ink on paper


Box 19

1890-1121 [Virginia B. Wright's Dog] - Seattle

4 x 6 Graphite pencil on paper


Box 19

1891-1121 Butchart Gardens - Victoria

6 x 4 Conte crayon on paper


Box 19

1892-1121 Center - Stanford, California

4 x 6 Conte crayon on paper


Box 19

1893-1121 Palo Alto

3 x 5 Graphite pencil on paper


Box 19

1894-1121 After a Japanese Print - Hokusai

6 x 4 Ink on paper


Box 19

1895-1121 Point Lobos

4 x 6 Conte crayon on paper


Box 19

1896-1121 Salem

6 x 4 Ink on paper


Box 19

1897-1121 Museum - Vancouver, University of B.C.

4 x 6 Conte crayon on paper


Box 19

1898-1121 Mountains - Sketch

4 x 6 Conte crayon on paper


Box 19

1899-1121 [California]

3 x 5 Conte crayon on paper


Box 19

1900-1121 [California]

3 x 5 Conte crayon on paper


Box 19

1901-1121 Vancouver or Victoria

4 x 6 Conte crayon on paper


Box 19

1902-1121 Seattle

4 x 6 Conte crayon on paper


Box 19

1903-1121 Seattle

4 x 6 Ink on paper


Box 19

1904-1121 Seattle

6 x 4 Conte crayon on paper


Box 19

1905-1121 Seattle

4 x 6 Conte crayon on paper


Box 19

1906-1121 Bridge - San Fransisco

4 x 6 Ink on paper


Box 19

1907-1121 Seattle

4 x 6 Conte crayon on paper


Box 19

1908-1121 Lillian - California

6 x 4 Ink on paper


Box 19

1909-1121 Inverness

4 x 6 Ink on paper


Box 19

1910-1121 San Fransisco

4 x 6 Ink on paper


Box 19

1911-1121 California

4 x 6 Ink on paper


Box 19

1912-1121 California

4 x 6 Ink on paper


Box 19

1913-1121 On the Road from a Moving Car - California

6 x 4 Conte crayon on paper


Box 19

1914-1121 On the Road - California

6 x 4 Conte crayon on paper


Box 19

1915-1121 Carmel - California

4 x 6 Pastels on paper


Box 19

1916-1121 California

4 x 6 Graphite pencil on paper


Box 19

1917-1121 California

4 x 6 Graphite pencil on paper


Box 19

1918-1121 Landscape - Stanford

4 x 6 Ink on paper


Box 19

1919-1121 Point Lobos

6 x 4 Conte crayon on paper


Box 19

1920-1121 California

4 x 6 Patels on paper


Box 19

1921-1121 California

4 x 6 Conte crayon on paper


Box 19

1922-1121 Point Lobos

4 x 6 Conte crayon on paper


Box 19

1923-1121 Lillian - California

6 x 4 Ink on paper


Box 19

1924-1121 Museum Object

4 x 6 Ink on paper


Box 19

1925-1121 Lillian - [Cambridge]

4 1/2 x 6 1/4 Ink on paper


Box 19

1926-1121 Seated Man

5 x 3 Graphite pencil on paper


Box 19

1927-1121 Seated Man

Drawing on verso. 3 x 5 Graphite pencil on paper


Box 19

1928-1121 Three Heads

Drawing on verso. 5 x 3 Graphite pencil on paper


Box 19

1929-1121 Chair

5 x 3 Graphite pencil on paper


Box 19

1930-1121 Unknown

6 x 4 1/2 Conte crayon on paper


Box 19

1931-1121 Seated Man

5 x 3 Graphite pencil on paper


Box 19

1932-1121 Lillian

6 x 4 Conte crayon on paper


Box 19

1933-1121 Lillian

4 1/2 x 5 3/8 Conte crayon on paper


Box 19

1934-1121 Unknown

6 x 4 Ink on paper


Box 19

1935-1121 Grasshopper

4 x 6 Ink on paper


Box 19

1936-1121 Lillian

5 x 3 Ink on paper


Box 19

1937-1121 Landscape

4 x 6 Conte crayon on paper


Box 19

1938-1121 Landscape

4 x 6 Conte crayon on paper


Box 19

1939-1121 Landscape

6 x 4 Conte crayon on paper


Box 19

1940-1121 Lillian

6 x 4 Ink on paper


Box 19

1941-1121 Lillian

5 x 3 Ink on paper


Box 19

1942-1121 Two Heads

6 x 4 Graphite pencil on paper


Box 19

1943-1121 At Andre Racz's - Lillian and Claire

4 x 6 Conte crayon on paper


Box 19

1944-1121 Lillian

4 x 6 Conte crayon on paper


Box 19

1945-1121 At Racz's

4 x 6 Conte crayon on paper


Box 19

1946-1121 Lillian at Racz's

4 x 6 Conte crayon on paper


Box 19

1947-1121 Lillian

6 x 4 Conte crayon on paper


Box 19

1948-1121 Variations on Mondrian

3 1/8 x 5 3/8 Ink on scrap


Box 19

1949-1121 Leaves

3 x 5 Graphite pencil on cardboard


Box 19

1950-1121 Good Shepherd

5 1/4 x 4 1/8 Ink on paper


Box 19

1951-1121 After Degas

6 x 4 Ink on paper


Box 19

1952-1121 Building - Sketch

4 x 6 Ink on paper


Box 19

1953-1121 Rubbing of Fancilful Beast

4 x 6 Graphite pencil on paper


Box 19

1954-1121 Head - [Sketch of Michelangelo]

6 x 4 Ink on paper


Box 19

1955-1121 Sketches of Medieval Objects

Drawing on verso. 4 x 6 Ink on cardboard


Box 19

1956-1121 "Tailed" Shapes

6 x 4 Conte crayon on paper


Box 19

1957-1121 Lillian

Drawing on verso. 5 x 3 Graphite pencil on paper


Box 19

1958-1121 Copenhagen

6 x 4 Ink on paper


Box 19

1959-1121 Objects in Museum - Copenhagen

4 x 6 Ink on paper


Box 19

1960-1121 Lillian

6 x 4 Ink on paper


Box 19

1961-1121 Female Unknown

5 x 3 Graphite pecil on paper


Box 19

1962-1121 Lillian

4 x 6 Conte crayon on paper


Box 19

1963-1121 [Daniel] Esterman

6 x 4 Graphite pencil on paper


Box 19

1964-1121 [At the Esterman's]

4 x 6 Ink on paper


Box 19

1965-1121 [At Esterman's]

6 x 4 Ink on paper


Box 19

1966-1121 After Dutch

Inscription on verso. 3 5/8 x 3 Ink on paper


Box 19

Sketch of [Byzantine] Object

5 x 3 Ink on paper


Box 19

1968-1121 Lillian

4 x 6 Ink on paper


Box 19

1969-1121 Central Park Landscape - Sketch

5 x 3 Graphite pencil on paper


Box 19

1970-1121 Central Park

5 x 3 Graphite pencil on paper


Box 19

1971-1121 Central Park

5 x 3 Graphite pencil on paper


Box 19

1972-1121 Central Park

3 x 5 Graphite pencil on paper


Box 19

1973-1121 Central Park

3 x 5 Graphite pencil on paper


Box 19

1974-1121 Lillian

6 x 4 Ink on paper


Box 19

1975-1121 Antinoos

6 x 4 Graphite pencil on paper


Box 19

1976-1121 After 12th Century English Manuscript Painting

Typing on verso. 2 1/2 x 3 1/2 Ink on paper


Box 19

1977-1121 From Joe's Back Window

4 x 6 Ink on paper


Box 19

1978-1121 Two Paintings of the Late 20s and Hydes - Abstraction on Our Walls (Bedroom)

4 x 6 Graphite pencil on paper


Box 19

1979-1121 Copy of Unknown Subject

4 x 6 Ink on paper


Box 19

1980-1121 [Sophie Esterman]

6 x 4 Ink on paper


Box 19

1981-1121 Interlace

6 x 4 Graphite pencil on paper


Box 19

1982-1121 [Jester]

6 x 4 Ink on paper


Box 19

1983-1121 Point Lobos

6 x 4 Conte crayon on paper


Box 19

1984-1121 Parthenon - British Museum

6 x 4 Conte crayon on paper


Box 19

1985-1121 Erechthium - British Museum

6 x 4 Conte crayon on paper


Box 19

1986-1121 Parthenon Metope - British Museum

4 x 6 Conte crayon on paper


Box 19

1987-1121 Erechtium Figure - British Museum

6 x 4 Conte crayon on paper


Box 19

1988-1121 Iffley

6 x 4 Conte crayon on paper


Box 19

1989-1121 Ingres

6 x 4 Conte crayon on paper


Box 19

1990-1121 Ingres

6 x 4 Conte crayon on paper


Box 19

1991-1121 Hawksmoor, London

6 x 4 Conte crayon on paper


Box 19

1992-1121 Hawksmoor, London

6 x 4 Conte crayon on paper


Box 19

1993-1121 Hawksmoor, London

6 x 4 Conte crayon on paper


Box 19

1994-1121 Hawksmoor, London

4 x 6 Conte crayon on paper


Box 19

1995-1121 Piero di Cosimo - National Gallery

3 x 5 Ink on paper


Box 19

1996-1121 Victoria and Albert Museum

3 x 5 Ink on paper


Box 19

1997-1121 [English] Landscape

4 x 6 Conte crayon on paper


Box 19

1998-1121 Rembrandt van Rijn - Monk - National Gallery

6 x 4 Conte crayon on paper


Box 19

1999-1121 Portrait

6 x 4 Graphite pencil on paper


Box 19

2000-1121 View from Deck of Florida House

3 x 5 Graphite pencil on paper


Box 19

2001-1121 Varese Memorial Concert - MoMA

Drawn on detached libretto page. 9 x 6 Ink on paper


Box 19

2002-1121 Glebe Mountain - Vermont

4 x 6 Ink on paper


Box 19

2003-1121 Professor Sam Eilenberg's India Bronze

6 x 4 Graphite pencil on paper


Box 19

2004-1121 After Jacques Lipchitz

4 x 6 Graphite pencil on paper


Box 19

2005-1121 Boat Race - Oxford, England

4 x 6 Ink on lined paper


Box 19

2006-1121 California

4 x 6 Ink on paper


Box 19

2007-1121 California

4 x 6 Ink on paper


Box 19

2008-1121 Vancouver or California

4 x 6 Ink on paper


Box 19

2009-1121 Museum Study - Vancouver or California

6 x 4 Ink on paper


Box 19

2010-1121 Baseball Players for Benjamin

Three sheets. Drawings on verso and recto. 6 x 9 Ink on paper


Box 19

2011-1121 [California] - Sketch for Painting

4 x 6 Graphite pencil on paper


Box 19

2012-1121 Female Toddler

6 x 4 Graphite pencil on paper


Box 19

2013-1121 Lillian

4 x 6 1/4 Ink on scrap


Box 19

2014-1121 Untitled

5 x 3 Ink on paper


Box 19

2015-1121 Untitled

3 3/8 x 5 1/2 Ink on paper


Box 20

2016-1121 Landscape

11 x 8 1/2 Oil paint and pastels on paper


Box 20

2017-1121 Landscape with Black Forms #5

8 1/2 x 11 Oil paint and pastels on paper


Box 20

2018-1121 Abstract - Clouds

8 1/2 x 11 Oil paint on paper


Box 20

2019-1121 Abstraction - Wood-like Structure

11 x 8 1/2 Gouache on paper


Box 20

2020-1121 Abstract - [Still Life]

11 x 8 1/2 Oil paint on paper


Box 20

2021-1121 Abstract - [Flower] #2

Inscrived on verso: from XLIX. 8 1/2 x 11 Gouache on paper


Box 20

2022-1121 Abstract - Diagonal Rectangles of Six Different Colors

8 1/2 x 12 Pastels on paper


Box 20

2023-1121 Landscape with River

5 x 7 1/2 Oil paint on paper


Box 20

2024-1121 Landscape with Road

8 7/8 x 11 7/8 Pastels on paper


Box 20

2025-1121 Gray Forms

11 x 8 1/2 Conte crayon on paper


Box 20

2026-1121 Abstract - Overlapping Verticals and Diagonal

12 x 8 1/2 Pastels on paper


Box 20

2027-1121 Landscape [with Figure] in Foreground

9 1/2 x 8 1/4 Pastels on paper


Box 20

2028-1121 Back Door - Vermont

12 x 8 1/2 Pastels on paper


Box 20

2029-1121 Abstract - Circle and Square on Horizontals

8 1/2 x 12 Pastels on paper


Box 20

2030-1121 Lillian

11 7/8 x 9 Ink on vellum


Box 20

2031-1121 Abstract - Overlapping Axe-Shapes

8 1/2 x 12 Pastels on paper


Box 20

2032-1121 Landscape

9 x 12 Oil paint on canvas board


Box 20

2033-1121 Landscape

8 1/2 x 12 Gouache on paper


Box 20

2034-1121 Landscape - Meadow, Vermont

8 1/2 x 11 Pastels on paper


Box 20

2035-1121 Abstract - [Landscape]

12 x 8 1/2 Pastels on paper


Box 20

2036-1121 Abstract Seascape

11 7/8 x 8 7/8 Pastels on paper


Box 20

2037-1121 Abstract - [Bottle] of Overlapping Shapes

12 x 8 3/8 Gouache on paper


Box 20

2038-1121 [Seascape Through Grotto Window]

9 x 12 Pastels on paper


Box 20

2039-1121 Lillian

Drawing on verso. 9 x 12 Ink on paper


Box 20

2040-1121 Abstract - Black Forms on Multicolored Background

12 x 8 1/2 Gouache on paper


Box 20

2041-1121 Abstract - Black Forms on Multicolored Background

12 x 8 1/2 Gouache on paper


Box 20

2042-1121 Abstract Landscape Trapezoid Over Horizontal Stripes

Inscribed on verso: see same subject dated 6/30/73. 8 7/8 x 11 7/8 Pastels on paper


Box 20

2043-1121 Abstract Landscape Trapezoid Over Horizontal Stripes

Inscribed on verso: see same subject dated 6/30/73. 8 7/8 x 11 7/8 Pastels on paper


Box 20

2044-1121 Landscape

12 x 8 1/2 Pastels on paper


Box 20

2045-1121 [Landscape]

8 7/8 x 11 7/8 Pastels on paper


Box 20

2046-1121 Landscape

8 1/2 x 12 Pastels on paper


Box 20

2047-1121 Black and White Forms Over Pink and Yellow Verticals

11 x 7 1/2 Gouache on paper


Box 20

2048-1121 Abstract - Overlapping Grays with Head

8 1/2 x 12 Ink on paper


Box 20

2049-1121 Abstract Landscape

Inscribed on verso: see same subject dated 1960s? 8 1/2 x 11 Pastels on paper


Box 20

2050-1121 [Vermont]

7 1/2 x 11 Gouache on paper


Box 20

2051-1121 Landscape in Black and White with House

7 1/2 x 11 Conte crayon on paper


Box 20

2052-1121 Lillian Watering Flowers - Vermont

8 1/2 x 12 Pastels on paper


Box 20

2053-1121 Landscape - Vermont

8 1/2 x 12 Gouache on paper


Box 20

2054-1121 Landscape

8 1/2 x 12 Pastels on paper


Box 20

2055-1121 Abstract Landscape

8 1/2 x 12 Gouache on paper


Box 20

2056-1121 Abstract - Spaced Colored Rectangles on Colored Background

8 1/2 x 12 Pastels on paper


Box 20

2057-1121 Landscape

8 1/2 x 12 Gouache on paper


Box 20

2058-1121 Abstract - Multicolored Shapes

12 x 8 1/2 Pastels on paper


Box 20

2059-1121 Abstract - Black Zigzags on Colored Background

8 1/2 x 12 Gouache on paper


Box 20

2060-1121 Primitive Figures

12 x 8 1/2 Conte crayon on paper


Box 20

2061-1121 Abstract - Vase Shape Over Multicolored Shapes #4

8 1/2 x 11 Pastels on paper


Box 20

2062-1121 Abstract Landscape - Sunset

8 1/2 x 12 Pastels on paper


Box 20

2063-1121 Abstract Landscape - Sunset

8 1/2 x 12 Pastels on paper


Box 20

2064-1121 Country Road

12 x 8 1/2 Pastels on paper


Box 20

2065-1121 L's Mother

Photocopy of original drawing. 11 x 8 1/2 Ink on paper


Box 20

2066-1121 Abstract - Diagonal Black and White

11 x 8 1/2 Goauche on paper


Box 20

2067-1121 Switzerland

4 1/8 x 5 3/8 Graphite pencil on paper


Box 20

2068-1121 Switzerland

4 1/8 x 5 3/8 Ink on paper


Box 20

2069-1121 Landscape - [Europe]

8 1/2 x 12 Pastels and Ink on paper


Box 20

2070-1121 Vermont

12 x 8 1/2 Pastels on paper


Box 20

2071-1121 Concert - Stanford

Drawn on concert program. Drawing on verso and recto. 9 x 6 Ink on paper


Box 20

2072-1121 Many Colored Head on Many Colored Background

11 7/8 x 8 7/8 Pastels on paper


Box 20

2073-1121 Abstract - Multicolored Lozenge Shapes

8 1/4 x 9 1/2 Gouache on paper


Box 20

2074-1121 Primitive Figure

Drawing on verso. 12 x 8 1/2 Conte crayon on paper


Box 20

2075-1121 Flower Sketches at Sophie's House - Shaftsburg, Vermont

11 x 8 1/2 Conte crayon and colored pencil on paper


Box 20

2076-1121 Flower Sketches at Sophie's House - Shaftsburg, Vermont

11 x 8 1/2 Colored pencil on paper


Box 20

2077-1121 Harpsichordist - Stanford

Drawn on concert program. 9 x 6 Ink on paper


Box 20

2078-1121 Abstract - [Multicolored Landscape]

8 1/2 x 12 Pastels on paper


Box 20

2079-1121 Abstract - [Landscape] [Sunset]

8 1/2 x 11 Pastels on paper


Box 21

2080-1121 Vertical Forms with Three Breaks

11 x 8 1/2 Ink on paper


Box 21

2081-1121 After Rodin Figure

6 x 4 Ink on paper


Box 21

2082-1121 Blind Drawing

6 x 4 Ink on paper


Box 21

2083-1121 Blind Drawing

6 x 4 Ink on paper


Box 21

2084-1121 Blind Drawing

6 x 4 Ink on paper


Box 21

2085-1121 Black Ladder - Shape Variations

6 x 8 1/2 Ink on paper


Box 21

2086-1121 Siesta Key, Florida

5 1/2 x 8 3/4 Ink on paper


Box 21

2087-1121 Lillian - Florida

8 5/8 x 5 1/2 Ink on paper


Box 21

2088-1121 Siesta Key, Florida

11 1/4 x 8 3/4 Graphite pencil on paper


Box 21

2089-1121 White Rectangle Over Color Forms

7 x 5 Pastels on paper


Box 21

2090-1121 Black Zoomorphic Forms #1

8 1/2 x 11 Pastels on paper


Box 21

2091-1121 Black and White Heads #3

8 1/2 x 12 Oil paint on paper


Box 21

2092-1121 Unfinished Doors #4

8 1/2 x 12 Ink on paper


Box 21

2093-1121 Overlaps #6

8 1/2 x 10 1/2 Pastels on paper


Box 21

2094-1121 Siesta Key, Florida

8 3/4 x 11 1/4 Pastels on paper


Box 21

2095-1121 Interior - Sarasota House

4 7/8 x 7 7/8 Ink on paper


Box 21

2096-1121 Abstract Landscape

Inscribed on verso: Fla. 7 5/8 x 5 3/4 Pastels on paper


Box 21

2097-1121 Vermont

3 x 5 Ink on paper


Box 21

2098-1121 Colored Squares Cut Daigonally

11 x 8 1/2 Oil paint on paper


Box 21

2099-1121 Geometrical Forms

8 1/2 x 5 1/2 Watercolor on paper


Box 21

2100-1121 Diagonal Black Grid with Colored Squares #4

4 x 6 Ink on paper


Box 21

2101-1121 Lillian

11 1/4 x 8 7/8 Crayon on paper


Box 21

2102-1121 Black Bars #2

8 1/2 x 11 Ink on paper


Box 21

2103-1121 Black Bars on Verticals #1

6 x 8 1/2 Ink on paper


Box 21

2104-1121 Postitive-Negative Heads

8 1/2 x 12 Oil paint on paper


Box 21

2105-1121 Siesta Key, Florida

7 3/4 x 5 Colored pencil on paper


Box 21

2106-1121 Black Bars #1

8 1/2 x 11 Ink on paper


Box 21

2107-1121 Untitled

5 1/2 x 3 1/2 Ink on paper


Box 21

2108-1121 Untitled

Drawn on exhibition card for Philip Guston paintings at the David McKee gallery dated 1979. 5 7/8 x 4 1/4 Ink on paper


Box 21

2109-1121 Abstract Landscape

8 1/2 x 11 Pastels on paper


Box 21

2110-1121 For My Dear Lillian

6 x 4 Ink on paper


Box 21

2111-1121 Untitled

4 x 6 Ink on paper


Box 21

2112-1121 Overlaps #1

8 1/2 x 12 Ink on paper


Box 21

2113-1121 Pseudo-Script #3

8 1/2 x 12 Ink on paper


Box 21

2114-1121 Grid

8 1/2 x 11 1/2 Ink on paper


Box 21

2115-1121 Calligraphic Shapes on Black

5 1/2 x 8 1/2 Ink on paper


Box 21

2116-1121 Abstract Gray Globe Shape Floating in Colors

Inscribed on verso: Fla. 7 3/4 x 5 3/4 Pastels on paper


Box 21

2117-1121 Colored Interlace on Rectangles

8 1/2 x 12 Pastels on paper


Box 21

2118-1121 Band #2

8 1/2 x 12 Ink on paper


Box 21

2119-1121 Radiating Black Lines

11 x 8 1/2 Ink on paper


Box 21

2120-1121 Club Shapes Over Horizontals

8 1/2 x 11 Pastels on paper


Box 21

2121-1121 Black and White Heads #4

8 1/2 x 11 Oil paint on paper


Box 21

2122-1121 From Postcard

Postcard of Nicolas Poussin's "Paysage avec Orion aveugle" included. Inscribed on verso and signed "Eva and Jim". 4 x 6 Pen on paper


Box 21

2123-1121 Lillian - West 4th Street

5 x 3 Ink on paper


Box 21

2124-1121 Rawsonville

3 1/2 x 5 1/2 Ink on paper


Box 21

2125-1121 Abstract Lines and Cubes

5 x 3 Ink on paper


Box 21

2126-1121 Abstract Lines and Cubes

5 x 3 Ink on paper


Box 21

2127-1121 Overlaps

8 1/2 x 11 Crayons on paper


Box 21

2128-1121 Sunset - Gulf - Florida

8 x 5 Pastels on paper


Box 21

2129-1121 Circus at Venice, Florida

7 7/8 x 4 7/8 Ink on paper


Box 21

2130-1121 View from Porch

7 7/8 x 4 7/8 Ink on paper


Box 21

2131-1121 Colored Grid

4 x 6 Ink on paper


Box 21

2132-1121 Geometrical Forms

8 1/2 x 5 1/2 Watercolor and ink on paper


Box 21

2133-1121 Horizontal Shapes

8 1/2 x 11 Pastels on paper


Box 21

2134-1121 Bars and Pear Shape

6 x 4 Ink on paper


Box 21

2135-1121 Abstract Landscape

3 3/4 x 7 1/2 Pastel on paper


Box 21

2136-1121 Zigzagging Heavy Black Lines

11 x 8 1/2 Ink on paper


Box 21

2137-1121 Overlapping Flecked Colored Rectangles

8 1/2 x 11 Ink on paper


Box 21

2138-1121 Abstract - Overlapping Curvilinear Vertical Shapes

8 1/2 x 12 Pastel on paper


Box 21

2139-1121 Abstract - Spaced Black Shapes

11 x 8 1/2 Oil paint on paper


Box 21

2140-1121 Organic Shapes Over Horizontal Bands #2

8 1/2 x 11 Pastels on paper


Box 21

2141-1121 Vertical Rectangles

11 x 15 Oil paint on paper


Box 21

2142-1121 Vertical Forms with Two Breaks

12 x 8 3/8 Ink on paper


Box 21

2143-1121 Black Compartmented Circular Form with Colors #4

8 1/2 x 11 Ink and pastels on paper


Box 21

2144-1121 Abstract Black Rectangle Over Horizontal Stripes #2

Inscribed on verso: see 1960? of same subject. 8 1/2 x 12 Ink on paper


Box 21

2145-1121 Convergence

8 1/2 x 11 Pastels on paper


Box 21

2146-1121 Abstracted Hillside

8 1/2 x 11 Ink on paper


Box 21

2147-1121 Lillian

5 x 3 Ink on paper


Box 21

2148-1121 [Lillian]

7 7/8 x 5 7/8 Ink on paper


Box 21

2149-1121 Lillian

11 1/4 x 8 7/8 Crayon on paper


Box 21

2150-1121 Lillian

11 1/4 x 8 3/4 Crayon on paper


Box 21

2151-1121 Lillian

11 1/4 x 8 3/4 Crayon on paper


Box 21

2152-1121 Man and Load

3 x 4 7/8 Ink on cardboard


Box 21

2153-1121 Leaf

8 3/4 x 11 1/4 Ink on paper


Box 21

2154-1121 Lillian Reading

11 1/4 x 8 7/8 Graphite pencil on paper


Box 21

2155-1121 Unfinished Female Face

11 1/4 x 8 7/8 Ink on paper


Box 21

2156-1121 Lillian

11 1/4 x 8 3/4 Crayon on paper


Box 21

2157-1121 Back of Sarasota House

6 x 9 Ink on paper


Box 21

2158-1121 Imaginary Architecture

4 x 6 Ink on paper


Box 21

2159-1121 Study for Vertical Forms with Central Break

7 x 5 Pastels on scrap


Box 21

2160-1121 Untitled

4 x 6 Ink on cardboard


Box 21

2161-1121 After Durer

7 7/8 x 5 Ink on paper


Box 21

2162-1121 Untitled

3 x 4 3/4 Graphite pencil on paper


Box 21

2163-1121 Joined Squares

8 3/4 x 11 1/4 Ink on paper


Box 21

2164-1121 Leaf Form

Drawn on detached pamphlet sheet. Typing on verso. 8 1/2 x 13 Ink on paper


Box 21

2165-1121 [After Medieval Sculpture]

8 1/2 x 12 Ink on paper


Box 21

2166-1121 Black Grid with Colored Rectangles #3

4 x 6 Ink on paper


Box 21

2167-1121 Black Grid with Various Shapes #2

4 x 6 Ink on paper


Box 21

2168-1121 Curvilinear Forms Over Verticals

8 1/2 x 11 Pastels on paper


Box 21

2169-1121 [Abstract Landscape]

6 x 8 1/2 Ink on paper


Box 21

2170-1121 Brachiated Forms

4 x 6 Ink on paper


Box 21

2171-1121 View of Vermont Property from Hill

8 1/2 x 12 Ink on paper


Box 21

2172-1121 Butterfly

8 1/2 x 11 Pastels on paper


Box 21

2173-1121 Pseudo-Script

9 x 11 1/2 Ink on paper


Box 21

2174-1121 Floating Shapes in Pastels

8 1/2 x 12 Pastels on paper


Box 21

2175-1121 Siesta Key

8 3/4 x 11 1/4 Ink on paper


Box 21

2176-1121 Siesta Key Beach

8 3/4 x 11 1/4 Ink on paper


Box 21

2177-1121 Unknown - In Subway

Two sheets. 5 x 3 Ink on paper


Box 21

2178-1121 Lido Beach

7 3/4 x 5 3/4 Conte crayon on paper


Box 21

2179-1121 Subway

3 3/4 x 8 Ink on paper


Box 21

2180-1121 Ezekial I

6 x 4 Ink and colored pencil on paper


Box 21

2181-1121 Ezekial I

6 x 4 Ink on paper


Box 21

2182-1121 Grid and Movable Cut-Outs for Vertical Forms with Central Break

11 x 8 1/2 Graphite pencil on paper


Box 21

2183-1121 Palm Trees #2 - Florida

11 1/4 x 8 3/4 Ink on paper


Box 21

2184-1121 Palm Trees #3 - Florida

11 1/4 x 8 3/4 Ink on paper


Box 21

2185-1121 Palm Trees - Florida

9 1/2 x 6 1/2 Ink and pastels on paper


Box 21

2186-1121 Drawing for David Grossoff (For Shell Mosaic of David and Goliath - Florida

6 x 4 Pastels on paper


Box 21

2187-1121 View from Our Porch - Florida

5 x 8 Ink on paper


Box 21

2188-1121 Myakka - Florida

Inscribed on verso. 4 1/4 x 4 3/4 Ink on scrap


Box 21

2189-1121 Line Cubic Forms

3 x 5 Ink on paper


Box 21

2190-1121 Florida

3 3/4 x 5 1/4 Ink on scrap


Box 21

2191-1121 Lillian - Florida

11 1/4 x 8 3/4 Conte crayon on paper


Box 21

2192-1121 Seashore Objects

8 1/4 x 11 1/4 Pastels on paper


Box 21

2193-1121 Beach at Siesta Key, Florida

8 3/4 x 11 1/4 Pastels on paper


Box 21

2194-1121 Beach at Siesta Key, Florida

8 3/4 x 11 1/4 Conte crayon on paper


Box 21

2195-1121 Blue Zigzag Under Black Quatrefoil

11 1/4 x 8 7/8 Watercolor and graphite pencil on paper


Box 21

2196-1121 Blue Zigzag Under Black Quatrefoil

11 1/4 x 8 7/8 Watercolor and graphite pencil on paper


Box 21

2197-1121 Black Brachiated Forms

8 1/2 x 11 Oil paint on paper


Box 21

2198-1121 Lillian

4 x 6 Ink on paper


Box 21

2199-1121 Female Nude in Heavy Black Line

11 x 8 1/2 Ink on paper


Box 21

2200-1121 Landscape

3 x 5 Graphite pencil on paper


Box 21

2201-1121 Lillian

5 7/8 x 3 5/8 Ink on scrap


Box 21

2202-1121 Creatures and Dentate Forms

8 1/2 x 11 Ink on paper


Box 21

2203-1121 Geometrical Shapes Surrounded by Bands

4 x 6 Ink on paper


Box 21

2204-1121 Landscape [with Gray Wall]

8 1/2 x 12 Pastels on paper


Box 21

2205-1121 New York

4 x 6 Graphite pencil on paper


Box 21

2206-1121 Jerusalem

4 x 6 Ink on paper


Box 21

2207-1121 Lillian

Drawn on detached diary page. 6 3/4 x 4 Ink on paper


Box 21

2208-1121 Lillian

6 x 4 Ink on paper


Box 21

2209-1121 Vermont

4 x 6 Pastels on paper


Box 21

2210-1121 From the Beach - Siesta Key

4 x 6 Ink on paper


Box 21

2211-1121 [Vermont]

3 x 5 Ink on paper


Box 21

2212-1121 Black Compartments with Green, Yellow and Red

8 1/2 x 12 Gouache on paper


Box 21

2213-1121 Black Angular Shapes #2

8 1/2 x 11 Ink on paper


Box 21

2214-1121 Vermont Meadows and Mountains

6 x 4 Ink on paper


Box 21

2215-1121 Trees and Mountains

4 x 6 Ink on paper


Box 21

2216-1121 Sarasota House

4 x 6 Graphite pencil on paper


Box 21

2217-1121 Jerusalem

4 x 6 Graphite pencil on paper


Box 21

2218-1121 In Mount Sinai

6 x 4 Graphite pencil on paper


Box 21

2219-1121 Study for "Slipping Grid" Painting on Plasterboard

6 x 4 Ink on paper


Box 21

2220-1121 Black and White Head #1

8 1/2 x 12 Oil paint on paper


Box 21

2221-1121 Abstract Brown Trapezoid Over Horizontal Stripes #1

Inscribed on verso: see 1960? of same subject. 8 1/2 x 12 Ink on paper


Box 21

2222-1121 Country House

5 x 3 Ink on paper


Box 21

2223-1121 Londonderry, Vermont

5 x 3 Ink on paper


Box 21

2224-1121 Head

Drawing of hillside in Vermont on verso. 7 x 5 1/8 Ink on cardboard


Box 21

2225-1121 Hillside - Vermont

8 1/2 x 12 Pastels on paper


Box 21

2226-1121 Black Compartmented Rectangle with Colors #3

8 1/2 x 11 Ink and pastels on paper


Box 21

2227-1121 Heavy Black Straight and Curved Short Lines

8 1/2 x 6 Ink on paper


Box 21

2228-1121 Black Compartment with Red, Green, Yellow #3

8 1/2 x 12 Gouache on paper


Box 21

2229-1121 Multicolored Mirror Image

8 1/2 x 11 Pastels on paper


Box 21

2230-1121 Labyrinth of Lines

8 1/2 x 6 Ink on paper


Box 21

2231-1121 Palm Trees #4

9 1/2 x 6 1/2 Ink on paper


Box 21

2232-1121 Palm Trees #5 - Florida

9 1/2 x 6 3/8 Ink on paper


Box 21

2233-1121 Goblet Shape

5 x 3 Ink on paper


Box 22

2234-1121 Lillian

10 x 7 7/8 Ink on paper


Box 22

2235-1121 Female Nude

9 7/8 x 10 3/4 Crayon on paper


Box 22

2236-1121 Butterfly

9 7/8 x 9 7/8 Pastels on paper


Box 22

2237-1121 Vermont Crabapple and Abstract Landscape

9 7/8 x 5 Pastels on paper


Box 22

2238-1121 Branch

9 7/8 x 9 7/8 Pastels on paper


Box 22

2239-1121 Country Landscape

9 7/8 x 9 7/8 Pastels on paper


Box 22

2240-1121 Sketch for Toy

9 7/8 x 9 7/8 Pastels on paper


Box 22

2241-1121 Abstract Tan Cross Over Vertical Rectangles

9 7/8 x 9 7/8 Pastels on paper


Box 22

2242-1121 Abstract - Landscape #1

9 7/8 x 9 7/8 Pastels on paper


Box 22

2243-1121 Abstract - Landscape, Trees #2

9 7/8 x 9 7/8 Pastels on paper


Box 22

2244-1121 Abstract - [Interior]

9 7/8 x 9 7/8 Pastels on paper


Box 22

2245-1121 Abstract - Red-Orange Cross Over Vertical Rectangles

9 7/8 x 9 7/8 Pastels on paper


Box 22

2246-1121 Abstract - Vertical Rectangles

9 7/8 x 9 7/8 Pastels on paper


Box 22

2247-1121 Landscape

9 7/8 x 9 7/8 Pastels on paper


Box 22

2248-1121 Cubist Head

11 x 7 1/2 Graphite pencil on paper


Box 22

2249-1121 Abstraction in Blue and Yellow

9 7/8 x 9 7/8 Pastels and ink on paper


Box 22

2250-1121 Abstraction - Verticals, Some Horizontals

8 1/2 x 11 Watercolor on paper


Box 22

2251-1121 Colored Bands

10 x 9 7/8 Pastels on paper


Box 22

2252-1121 Terza Rimer #3

9 7/8 x 9 7/8 Pastels on paper


Box 23

2253-1121 Self-Portrait

12 x 9 Oil paint on paper


Box 23

2254-1121 Untitled

9 3/8 x 8 1/8 Oil paint on fiberboard


Box 23

2255-1121 Meyer Schapiro

12 1/2 x 9 1/2 Crayon on paper


Box 23

2256-1121 Self-Portrait

Drawings after Michelangelo figures of Sistine Chapel on verso. 11 1/2 x 9 Graphite pencil on paper


Box 23

2257-1121 Self-Portrait

9 1/8 x 5 1/2 Graphite pencil on paper


Box 23

2258-1121 Untitled

Inscribed on verso: cut from a sketchbook? 7 3/8 x 5 1/8 Ink on paper


Box 23

2259-1121 Self-Portrait

8 3/8 x 6 3/4 Pastels on lined paper


Box 23

2260-1121 Self-Portrait

10 1/2 x 8 Ink on Columbia University Library letterhead stationery


Box 23

2261-1121 Untitled

6 x 4 Graphite pencil on paper


Box 23

2262-1121 Untitled

6 x 4 Graphite pencil on paper


Box 23

2263-1121 Self-Portrait

Photocopy of original drawing in unnumbered sketchbook, paginated 71. 8 x 5 Crayon on paper


Box 23

2264-1121 Self-Portrait

Photocopy of original drawing. 8 1/4 x 5 1/2 Crayon on paper


Box 23

2265-1121 Self-Portrait - Vermont

Photocopy of original drawing. 8 1/2 x 5 3/4 Crayon on paper


Box 23

2266-1121 Self-Portrait

Inscribed on verso: from VIII. 11 x 8 1/2 Conte crayon on paper


Box 23

2267-1121 Meyer Schapiro - Florida

8 x 5 Ink on paper


Box 23

2268-1121 Untitled

Drawing on verso. 5 1/2 x 8 1/2 Graphite pencil on paper


Box 23

2269-1121 Studies of Left Hand

Drawing on verso. 10 7/8 x 8 5/8 Graphite pencil on paper


Box 23

2270-1121 Self-Portrait

11 x 8 1/2 Conte crayon on paper


Box 23

2271-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 63. 8 1/4 x 6 Graphite pencil on paper


Box 23

2272-1121 Meyer Schapiro - Florida

7 x 5 Ink on paper


Box 23

2273-1121 Self-Portrait

Photocopy of original from unnumbered sketchbook, paginated 67. 8 x 5 Graphite pencil on paper


Box 23

2274-1121 Self-Portrait

11 x 8 1/2 Graphite pencil on paper


Box 23

2275-1121 Self-Portrait

Photocopy of original, paginated 66. 8 1/2 x 6 1/4 Graphite pencil on paper


Box 23

2276-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 42. 8 1/2 x 6 Ink on paper


Box 23

2277-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 66. 9 1/2 x 6 1/2 Graphite pencil on paper


Box 23

2278-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 63. 9 1/2 x 6 1/2 Graphite pencil on paper


Box 23

2279-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 59. 8 1/2 x 6 Ink on paper


Box 23

2280-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 53A. 8 1/2 x 6 Graphite pencil on paper


Box 23

2281-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 24. 8 1/2 x 6 1/4 Crayon on paper


Box 23

2282-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 11. 11 x 8 1/2 Graphite pencil on paper


Box 23

2283-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 19. 9 1/2 x 6 1/4 Graphite pencil on paper


Box 23

2284-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 4. 8 1/2 x 11 Graphite pencil on paper


Box 23

2285-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 3. 9 1/2 x 6 1/2 Ink and graphite pencil on paper


Box 23

2286-1121 Self-Portrait

8 x 5 Ink on paper


Box 23

2287-1121 Self-Portrait - Florida

6 x 4 Graphite pencil on paper


Box 23

2288-1121 Self-Portrait

6 x 4 Ink on paper


Box 23

2289-1121 Self-Portrait

6 x 4 Ink on paper


Box 23

2290-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 3. 8 1/2 x 6 Ink and graphite pencil on paper


Box 23

2291-1121 Self-Portrait - Vermont

Photocopy of original. 7 x 5 Crayon on paper


Box 23

2292-1121 Self-Portrait

Photocopy of original. 8 1/2 x 5 1/2 Crayon on paper


Box 23

2293-1121 Self-Portrait

Photocopy of original. 6 3/4 x 4 3/8 Crayon on paper


Box 23

2294-1121 Self-Portrait

5 x 3 Ink on card index


Box 23

2295-1121 Self-Portrait - Florida

6 x 4 Ink on card index


Box 23

2296-1121 Self-Portrait

Photocopy of original from unnumbered sketchbook, paginated 69. 8 x 5 Crayon on paper


Box 23

2297-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 76. 8 1/2 x 6 Graphite pencil on paper


Box 23

2298-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 73. 9 1/2 x 6 1/4 Crayon on paper


Box 23

2299-1121 Self-Portrait

5 7/8 x 4 3/8 Ink on paper


Box 23

2300-1121 Self-Portrait

Photocopy of original. 11 x 8 1/2 Ink on paper


Box 23

2301-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 20. 11 x 8 1/2 Graphite pencil on paper


Box 23

2302-1121 Self-Portrait

6 x 4 Ink on paper


Box 23

2303-1121 Self-Portrait - Siesta Key

Photocopy of original, paginated 123. 9 1/2 x 6 1/2 Ink on paper


Box 23

2304-1121 Self-Portrait

5 x 3 Graphite pencil on paper


Box 23

2305-1121 Self-Portrait - Florida

6 x 4 Ink on paper


Box 23

2306-1121 Self-Portrait - Florida

6 x 4 Ink on paper


Box 23

2307-1121 [Self-Portrait]

8 7/8 x 6 Ink on paper


Box 23

2308-1121 Self-Portrait

9 x 7 Conte crayon on paper


Box 23

2309-1121 Self-Portrait

13 x 10 Ink on paper


Box 23

2310-1121 Self-Portrait

11 x 8 1/2 Conte crayon on paper


Box 23

2311-1121 Self-Portrait

9 3/8 x 6 Oil on paper


Box 23

2312-1121 Self-Portrait

8 1/2 x 5 1/4 Graphite pencil on paper


Box 23

2313-1121 Self-Portrait

8 1/2 x 5 1/2 Charcoal on paper


Box 23

2314-1121 Self-Portrait - Brussels

10 7/8 x 8 1/2 Conte crayon on paper


Box 23

2315-1121 Self-Portrait

10 1/2 x 8 Ink on paper


Box 23

2316-1121 Self-Portrait

10 1/2 x 8 Graphite pencil on Columbia University letterhead stationery.


Box 23

2317-1121 Self-Portrait

9 1/2 x 6 7/8 Oil on cardboard


Box 23

2318-1121 Self-Portrait

11 1/4 x 8 5/8 Colored pencil on paper


Box 23

2319-1121 Self-Portrait

12 7/8 x 9 3/8 Conte crayon on paper


Box 23

2320-1121 Self-Portrait

12 3/4 x 9 1/2 Conte crayon on paper


Box 23

2321-1121 Self-Portrait - Florida

6 x 4 Ink on paper


Box 23

2322-1121 Self - Florida

7 x 5 Ink on paper


Box 23

2323-1121 Self-Portrait

8 x 5 Ink on paper


Box 23

2324-1121 Self-Portrait

11 x 8 5/8 Ink on paper


Box 23

2325-1121 Self-Portrait

6 x 4 Conte crayon on paper


Box 23

2326-1121 Self-Portrait

6 x 4 Conte crayon on paper


Box 23

2327-1121 Meyer Schapiro Left Hand - Brussels

10 7/8 x 8 1/2 Conte crayon on paper


Box 23

2328-1121 Self-Portrait - Brussels

11 x 8 1/2 Conte crayon on paper


Box 23

2329-1121 Meyer Schapiro Left Hand - Brussels

10 7/8 x 8 3/8 Conte crayon on paper


Box 23

2330-1121 Self-Portrait

11 1/2 x 8 Charcoal on paper


Box 23

2331-1121 Self-Portrait

12 x 10 Graphite pencil on paper


Box 23

2332-1121 Self-Portrait

12 1/2 x 9 5/8 Graphite pencil on paper


Box 24

2333-1121 War Allegory

6 1/8 x 9 Ink on paper, Etching


Box 24

2334-1121 Monotype

12 x 8 5/8 Monotype print, Ink on paper


Box 24

2335-1121 Untitled

5 x 3 3/4 Etching, Ink on paper


Box 24

2336-1121 [War Allegory]

11 3/8 x 8 Etching, Ink on paper


Box 24

2337-1121 Untitled

Accompanied by two copies of same print. 9 1/2 x 6 1/8 Unknown


Box 24

2338-1121 Rome

Two copies. 7 1/4 x 10 7/8 Etching, Ink on paper


Box 24

2339-1121 [Forgotten Symbols in Europe]

scopecontentcard is an invitation to a lecture at New York University, dated 1939 January 20. 3 1/2 x 5 1/2 Ink on scopecontentcard


Box 24

2340-1121 Logo of Facsimile Text Society

Accompanied by three sheets with copies of same print. 11 x 8 1/2 Linoleum-block-block print, Ink on paper


Box 24

2341-1121 Sketches for New Year's Cards - Fish Eating Fish - [Self Over West Europe]

8 x 5 1/8 Ink on paper


Box 24

2342-1121 New Year Card

4 x 6 Ink on paper


Box 24

2343-1121 Composition for New Year Card

4 x 6 Ink on paper


Box 24

2344-1121 Untitled

Accompanied by one copy of same print. 8 7/8 x 6 1/8 Linoleum-block-block print, Ink on paper


Box 24

2345-1121 Beginning of Greeting Cards

Four folded sheets. 5 1/2 x 7 Gouache on paper


Box 24

2346-1121 Morningside

Inscribed on recto: for College magazine cover. 9 x 5 3/4 Etching, Ink on paper

Accompanied by three sheets with copies of same print. 9 x 5 3/4 Etching, Ink on paper


Box 24

2347-1121 Happy New Year

4 1/4 x 3 3/4 Etching, Ink on paper


Box 24

2348-1121 New York View

Inscribed on verso: printed by Andre Racz, 1980. 6 1/4 x 8 Etching, Ink on paper

Two copies of same print. 6 1/4 x 8 Etching, Ink on paper


Box 24

2349-1121 Arlette Seligman

9 1/2 x 11 3/4 Etching, Ink on paper


Box 24

2350-1121 Arlette Seligman

7 1/4 x 6 1/4 Etching, Ink on paper


Box 24

2351-1121 Arlette Seligman

10 3/4 x 8 Etching, Ink on paper


Box 24

2352-1121 Female Figure

9 x 12 Linoleum-block-block print, Ink on paper


Box 24

2353-1121 Lillian

Accompanied by two copies of same print measuring 6 1/4 x 8. 11 1/4 x 7 Etching, Ink on paper


Box 24

2354-1121 Flagellation

Accompanied by five copies of same print. 10 x 6 1/4 Linoleum-block-block print, Ink on paper


Box 24

2355-1121 Flagellation

Accompanied by one copy of same print. 10 x 8 Linoleum-block-block print, Ink on canvas


Box 24

2356-1121 [Andre Racz]

Accompanied by one copy of same print. 12 5/8 x 8 1/8 Etching, Ink on paper


Box 24

2357-1121 New Year Card

Accompanied by one copy of same print measuring 8 7/8 x 11 1/4. 12 x 9 3/4 Linoleum-block-block print, Ink on paper


Box 24

2358-1121 Study - Rubbing

5 x 3 1/4 Crayon on paper


Box 24

2359-1121 "Janie's" New Year Card

Two sheets. 10 1/2 x 6 Print, Ink on paper


Box 24

2360-1121 After Holbein

11 1/2 x 9 1/8 Linoleum-block-block print, Ink on paper


Box 24

2361-1121 Untitled

9 x 12 Monotype print, Ink on paper


Box 24

2362-1121 A Tale of a Philosopher

5 x 7 1/2 Etching, Ink on paper


Box 24

2363-1121 Deposition

11 1/4 x 7 3/8 Linoleum-block-block print, Ink on paper


Box 24

2364-1121 Crucifixion

6 x 7 1/8 Linoleum-block-block print, Ink on paper


Box 24

2365-1121 [Related to War]

9 1/2 x 12 1/2 Etching, Ink on paper


Box 24

2366-1121 Female Figure

Accompanied by one copy of same print. 9 1/4 x 7 7/8 Linoleum-block-block print, Ink on paper


Box 24

2367-1121 Drawing for Etching

5 5/8 x 8 3/8 Conte crayon on paper


Box 24

2368-1121 Landscape

Accompanied by original metal printing plate. 6 1/4 x 7 1/4 Etching, Ink on paper


Box 24

2369-1121 Rubbing

Drawn on scrap paper. Typing on verso. 5 x 3 1/4 Graphite pencil on paper


Box 24

2370-1121 Rubbing

Drawn on scrap paper. Typing on verso. 5 x 3 1/4 Graphite pencil on paper


Box 24

2371-1121 Father Time - New Year Card

Accompanied by five sheets with copies of same print. 9 x 12 Linoleum-block print, Ink on paper


Box 24

2372-1121 Girl

6 1/4 x 4 3/4 Linoleum-block print, Ink on paper


Box 24

2373-1121 Sledding

4 x 3 1/2 Linoleum-block print, Ink on paper


Box 24

2374-1121 Unknown Woman

7 x 11 1/4 Etching, Ink on paper


Box 24

2375-1121 New York View

12 1/2 x 9 1/2 Etching, Ink on paper


Box 24

2376-1121 Sketch for Palo Alto Etching

5 x 8 Graphite pencil on paper


Box 24

2377-1121 Palo Altio

5 5/8 x 7 Etching, Ink on paper


Box 24

2378-1121 For New Year's Card

11 x 8 1/2 Linoleum-block print, Ink on paper


Box 24

2379-1121 After Poussin From Memory

Photocopy of original etching. 4 3/8 x 6 Etching, Ink on paper


Box 25

2380-1121 Wrestlers

11 1/2 x 8 Charcoal on paper


Box 25

2381-1121 [Eve]

9 3/4 x 7 3/8 Linoleum-block print, Ink on paper


Box 25

2382-1121 Untitled

Accompanied by two postcards of Nicholas Poussin's "The Infant Bacchus Entrsuted to the Nymphs." 7 x 11 1/4 Etching, Ink on paper


Box 25

2383-1121 Wrestlers

8 1/2 x 10 1/8 Linoleum-block print, Ink on paper


Box 25

2384-1121 Ms. Arlette S.

10 3/4 x 8 3/4 Etching and aquatint, Ink on paper


Box 25

2385-1121 [War Allegory]

7 1/2 x 10 Etching, Ink on paper


Box 25

2386-1121 Lillian in Vermont

11 1/2 x 16 Etching, Ink on paper


Box 25

2387-1121 The Ferry

11 1/2 x 8 1/2 Linoleum-block print, Ink on paper


Subseries VIII.3: Paintings, 1930s-1980s


Box 29

2899-1121 Portrait of L. - Belmont, Vermont

CU18 16 x 12 Oil paint on canvas


Box 29

2900-1121 Rawsonville, Vermont

17 1/4 x 13 13/4 Oil paint on canvas


Box 29

2901-1121 [Model for Rag Rug]

Accompanied by scopecontent: not hung in Vermont. 12 x 18 Oil paint on canvas


Box 30

2902-1121 Rawsonville, Vermont

14 x 24 Oil paint on canvas


Box 30

2903-1121 Church and Barn

CU12 14 1/8 x 18 Oil paint on canvas


Box 30

2904-1121 Vermont Woods, Summer Light - Rawsonville, Vermont

17 5/8 x 13 5/8 Oil paint on wallboard


Box 30

2905-1121 Sherman Monument - The Plaza, 59th Street and 5th Avenue

CU10. 12 x 16 Oil paint on canvas board

Inscribed on verso: from memory, after drawing sketch circa 1925-1926. 12 x 16 Oil paint on canvas board


Box 30

2906-1121 Loaded Creature in Full Dress

16 x 19 7/8 Oil paint on canvas board


Box 30

2907-1121 Bony [sic] Structures and Hollows

16 x 19 Oil paint on fiberboard


Box 30

2908-1121 Lillian - Yaddo

Inscribed on verso: 110.Studio. 20 x 16 Oil paint on canvas board


Box 30

2909-1121 Rawsonville House, Rear View and Barns

14 3/8 x 19 1/2 Oil paint on fiberboard


Box 31

2910-1121 Near Frank Williams' House - Rawsonville

16 x 20 Oil paint on canvas


Box 31

2911-1121 Lillian and Miriam - Rawsonville

16 x 20 Oil paint on canvas


Box 31

2912-1121 Untitled

20 x 16 Oil paint on canvas


Box 31

2913-1121 Road and Houses - Belmont, Vermont

CU4 16 x 20 1/8 Oil paint on canvas


Box 32

2914-1121 Houses in Village - Belmont, Vermont

22 x 18 Oil paint on canvas


Box 32

2915-1121 Pike's Falls

18 x 22 Oil paint on canvas


Box 32

2916-1121 Untitled

18 x 22 Oil paint on canvas


Box 33

2917-1121 Untitled

CU23 18 x 24 Oil paint on canvas


Box 33

2918-1121 Rawsonville, Vermont

22 x 18 Oil paint on canvas


Box 33

2919-1121 Belmont, Vermont

CU26 18 x 24 Oil paint on canvas


Box 33

2920-1121 Star Lake - Belmont, Vermont

CU15 18 x 24 Oil paint on canvas


Box 34

2921-1121 Landscape with Church - Belmont, Vermont

16 x 20 1/8 Oil paint on canvas


Box 34

2922-1121 Belmont, Vermont

16 x 20 1/8 Oil paint on canvas


Box 34

2923-1121 Untitled

16 x 20 Oil paint on canvas


Box 35

2924-1121 Untitled

17 7/8 x 23 7/8 Oil paint on canvas


Box 35

2925-1121 Farmhouse and Outbuildings - Belmont, Vermont

16 x 20 1/8 Oil paint on canvas


Box 35

2926-1121 Landscape - Belmont, Vermont

CU2 18 x 24 Oil paint on canvas


Box 35

2927-1121 Star Lake - Belmont, Vermont

CU11 18 x 24 Oil paint on canvas


Box 36

2928-1121 Lillian on Sofa - Belmont

CU14 20 x 26 Oil paint on canvas


Box 36

2929-1121 Portrait of L. - Belmont, Vermont

CU16 26 x 20 Oil paint on canvas


Box 37

2930-1121 Betsy Head Park and Playground - Brownsville, Brooklyn

19 3/4 x 30 Oil paint on canvas


Box 37

2931-1121 Untitled

30 x 24 Oil paint on canvas


Box 51

2932-1121 [Study after Manet]

30 x 25 Oil paint on canvas


Box 38

2933-1121 Untitled

19 x 24 1/4 Oil paint on paper


Box 38

2934-1121 Untitled

14 x 18 3/4 Oil paint on paper


Box 38

2935-1121 Lillian, Miriam and Meyer (On Ladder Picking Apples)

Accompanied by scopecontent: several drawings for this painting are dated 12/25/34. 18 1/2 x 14 1/2 Oil paint on paper


Box 38

2936-1121 View of Hillside and Mountains - Vermont

CU20 12 x 19 Oil paint on paper


Box 38

2937-1121 Vermont Landscape with Glebe Mountain

CU3 9 1/2 x 12 1/2 Oil paint on paper


Box 38

2938-1121 Lillian

CU 57; cat.32 8 1/4 x 10 5/8 Graphite pencil on paper


Box 38

2939-1121 Lillian and Miriam - Vermont

9 1/2 x 12 1/2 Oil paint on paper


Box 38

2940-1121 Untitled

11 x 15 Watercolor on paper


Box 38

2941-1121 Untitled

19 x 14 5/8 Oil paint on paper


Box 38

2942-1121 Still Life

CU 78; Accompanied by scopecontent: basement corridor. 8 3/4 x 6 1/8 Oil paint on paper


Box 38

2943-1121 Lillian

CU47 11 x 8 3/8 Ink on paper


Box 38

2944-1121 Suspended Pieces

CU76 5 1/2 x 6 1/4 Gouache on paper


Box 38

2945-1121 L. Sleeping

CU104, cat.13 8 3/8 x 11 Ink on paper


Box 38

2946-1121 Lillian

CU20, cat.40 16 x 10 1/4 Etching


Box 38

2947-1121 Branch Form

CU117, cat.55 8 3/8 x 12 Gouache on paper


Box 38

2948-1121 Concert Hall Lobby

CU82, cat.3 10 1/4 x 8 1/2 Charcoal on paper


Box 38

2949-1121 Lillian, Elbow on Table

CU99, cat.19 8 1/2 x 11 Graphite pencil on paper


Box 38

2950-1121 Clarice with Sliding Board

CU112, cat.30 9 x 11 1/2 Oil paint on paper


Box 38

2951-1121 From Sunshine to the Sunless Land: Remembering Mark Rothko

CU79, cat.58 14 x 11 Crayon on paper


Box 38

2952-1121 Vermont Landscape with Trees at Sunset

CU5, cat.34 9 x 11 1/2 Oil paint on paper


Box 38

2953-1121 War and Peace

CU12, cat.47 11 3/8 x 8 Etching


Box 38

2954-1121 Dr. Joseph Milgram

CU108, cat.35 10 x 6 1/8 Oil paint on paper


Box 38a

2955-1121 Whittaker Chambers in Europe After Reading George Moore

CU D81 POL, cat.6 11 x 8 3/8 Charcoal on paper


Box 38a

2956-1121 Study After Seurat's Drwing of a Child in LA GRAND JATTE

CU27, cat.53 12 3/8 x 9 1/2 Conte crayon on paper


Box 38a

2957-1121 Figures on the Beach

CU122, cat.2 9 x 12 Oil paint on paper


Box 38a

2958-1121 On the Beach at Siesta Key, Florida


Box 38a

2959-1121 New York Harbor

CU33, cat31 8 1/2 x 11 1/2 Oil paint on paper

Accompanied by scopecontent: corridor (near dining room). 8 1/2 x 11 1/2 Oil paint on paper


Box 38a

2960-1121 Riverside Park, New York, Near West Eighties

CU21 12 x 16 Oil paint on canvas board


Box 38a

2961-1121 Hudson River at Riverside Drive

CU19 12 x 15 3/4 Oil paint on paper


Box 38a

2962-1121 Siesta Key

14 x 15 3/4 Pastels on paper


Box 38a

2963-1121 L. Half-Figure, Hands Behind Head

CU91 11 1/2 x 9 Ink on paper


Box 38a

2964-1121 Picnic Surrealiste

Accompanied by scopecontent: drawn for Kurt Seligman. 8 1/2 x 11 Watercolor on paper

Accompanied by one typed and one handwritten transcription of poem inscribed on painting. 8 1/2 x 11 Watercolor on paper


Box 38a

2965-1121 L.

CU88 12 x 9 1/4 Oil paint on paper


Box 38a

2966-1121 Ernest Fishing

CU47 9 1/2 x 12 1/2 Oil paint on paper


Box 38a

2967-1121 Lillian Millgram

Painted by Lillian, not Meyer Schapiro. 9 1/2 x 12 1/2 Oil paint on paper


Box 38a

2968-1121 Lillian Among Rocks at Everett Vail's Property in Rawsonville

Accompanied by scopecontent: 1933 sketch for oil painting on canvas dated 1933 given by Meyer Schapiro to Sophie Esterman in 1968. 10 x 12 1/2 Oil paint on paper


Box 38a

2969-112 Vermont Landscape

6 x 10 1/8 Watercolor on paper


Box 38a

2970-1121 Two Heads and Leaf

9 x 12 Conte crayon on paper


Box 38a

2971-1121 Hudson River at West Eighties

10 x 12 1/2 Watercolor on paper


Box 38a

2972-1121 Star Lake - Belmont, Vermont

CU1 9 1/2 x 12 1/2 Oil paint on paper


Box 38a

2973-1121 Vermont Landscape with Mountain

9 1/2 x 12 1/2 Oil paint on paper


Box 38a

2974-1121 Fright

CU110, cat.18 11 x 8 1/2 Crayon on paper


Box 38a

2975-1121 Lillian

CU51, cat.20 11 x 8 1/2 Crayon on paper


Box 38a

2976-1121 Self-Portrait

CU46, cat.1 11 x 8 1/2 Graphite pencil on paper


Box 38a

2977-1121 Miriam and Ernest

CU54, cat.38 12 x 9 Watercolor on paper

Accompanied by scopecontent: April 1940, Meyer's drawing, Miriam's color 12 x 9 Watercolor on paper


Box 38a

2978-1121 Chicken House and Shed - Vermont

11 x 15 Oil paint on paper


Box 38a

2979-1121 Shed with Clothesline - Vermont

12 5/8 x 9 1/2 Oil paint on paper


Box 38a

2980-1121 Vermont Landscape

Accompanied by scopecontent: 279 West 4th Street. 9 1/2 x 12 1/2 Watercolor on paper


Box 38a

2981-1121 Untitled miscellaneous items

Nine photocopies. Various


Box 39

2982-1121 Untitled

Inscribed on recto: to Lloyd, with love, for his long awaited return 1/26/64. 8 1/4 x 14 Colored pencil on paper

Accompanied by approximately fifty photocopies of original. 8 1/4 x 14 Colored pencil on paper


Box 39b

2983-1121 Vermont

19 x 12 1/8 Oil paint on paper


Box 39a

2984-1121 Nude

18 1/2 x 8 1/2 Charcoal on cardboard


Box 39b

2985-1121 In Martin's Class

10 7/8 x 9 1/2 Charcoal on paper


Box 39b

2986-1121 Lillian

19 1/2 x 12 3/8 Graphite pencil on paper


Box 39b

2987-1121 Miriam

12 x 18 Graphite pencil on paper


Box 40a

2988-1121 West 76th Street

16 1/8 x 12 7/16 Gouache on paper


Box 39b

2989-1121 Lillian

19 x 12 Crayon on paper


Box 39b

2990-1121 Ernst

14 5/8 x 19 1/16 Oil paint on paper


Box 39a

2991-1121 Monotype at Yaddo

16 7/8 x 12 1/4 Ink on paper


Box 39b

2992-1121 Lillian - Drawn Left Hand or Foot

19 x 12 3/8 Graphite pencil on paper


Box 39b

2993-1121 Lillian

12 1/2 x 9 1/2 Paint on paper


Box 39b

2994-1121 Ernst

18 x 12 Charcoal on paper


Box 39b

2995-1121 Lillian - Hair Washed

19 1/2 x 12 1/2 Ink on paper


Box 39a

2996-1121 Rawsonville - Barnes and Howse [sic] From Hill

11 1/16 x 14 7/16 Oil paint on paper


Box 39a

2997-1121 Family and Dada at Winhall

16 3/8 x 12 3/4 Oil paint and graphite pencil on paper


Box 39b

2998-1121 Untitled

14 1/2 x 19 Crayon on paper


Box 39b

2999-1121 Untitled

14 1/2 x 19 Crayon on paper


Box 39b

3000-1121 Miriam

12 x 18 Graphite pencil on paper


Box 39b

3001-1121 Hyde Salomon at Yaddo

117 x 13 3/4 Crayon on paper


Box 39b

3002-1121 Lillian in Mexican Blouse

12 3/4 x 19 1/8 Charcoal on paper


Box 39b

3003-1121 Lillian

12 1/2 x 18 3/4 Gouache on paper


Box 39b

3004-1121 Sketches After Painting

18 x 12 Graphite pencil on paper


Box 39a

3005-1121 Lillian

15 1/8 x 12 1/8 Gouache on paper


Box 39b

3006-1121 Lillian

19x 12 Crayon on paper


Box 39a

3007-1121 Rawsonville - Barnes [sic] and Houses

14 7/8 x 11 1/16 Oil paint on paper


Box 39b

3008-1121 Lillian Nursing Ernst

18 x 12 Crayon on paper


Box 39b

3009-1121 Vermont

18 x 12 Charcoal on paper


Box 39b

3010-1121 Lillian and Miriam

12 x 18 Graphite pencil on paper


Box 39b

3011-1121 A Concert in Carnigy [sic] Hall

14 x 17 6/8 Charcoal on paper


Box 40a

3012-1121 Lillian

19 7/8 x 13 7/8 Graphite pencil on paper


Box 40a

3013-1121 Miriam

19 7/8 x 13 7/8 Graphite pencil on paper


Box 40a

3014-1121 Untitled

16 3/4 x 23 Paint on paper


Box 39a

3015-1121 Vermont Hill House

12 x 16 3/4 Gouache on paper


Box 39b

3016-1121 Lillian

19 1/8 x 12 Charcoal on paper


Box 39b

3017-1121 Lillian

19 x 14 3/4 Oil paint on paper


Box 39b

3018-1121 Woman in Bathing Suit

19 x 12 1/8 Charcoal on paper


Box 39b

3019-1121 Miriam

18 x 12 Graphite pencil on paper


Box 39b

3020-1121 Young Man

19 x 12 `1/8 Crayon on paper


Box 40a

3021-1121 Miriam, Ernst

19 7/8 x 13 7/8 Crayon on paper


Box 39b

3022-1121 Lillian Asleep in Folding Chair

12 1/2 x 19 Charcoal on paper


Box 39b

3023-112 Lillian

12 3/4 x 19 Charcoal on paper


Box 39b

3024-1121 Lillian

19 x 12 3/4 Graphite pencil on paper


Box 39b

3025-1121 [Shoe-Shine in Union Square]

12 7/16 x 19 Gouache on paper


Box 39b

3026-1121 Lillian

19 1/16 x 14 5/8 Oil paint on paper


3027-1121 Lillian - Brownsville

19 x 12 3/4 Charcoal on paper

Not found as of July 2022; could be one of unnumbered/unidentified works.


Box 40a

3028-1121 Lillian

19 1/8 x 12 7/8 Charcoal on paper


Box 41

3029-1121 Chinese Head

See item 3035 for additional print and item 3049 for corresponding plate. 25 x 15 1/4 Ink on paper


Box 39a

3030-1121 Barnes and Howse [sic] with Line Holder - Rawsonville

11 1/16 x 14 15/16 Oil paint on paper


Box 41

3031-1121 Family in Vermont

18 1/8 x 24 1/8 Graphite pencil on paper


Box 41

3032-1121 Vermont House

19 1/8 x 25 1/2 Oil paint on paper


Box 40a

3033-1121 Vermont House from Hill

12 1/8 x 19 1/8 Oil paint on paper


Box 41

3034-1121 The Vermont House

19 1/8 x 25 7/8 Oil paint and charcoal on paper


Box 41

3035-1121 Chinese Head

Item 3029-1121 is also a print and 3049 is the corresponding plate. 25 1/2 x 15 1/4 Lithograph, Ink on paper


Box 41

3036-1121 A House in Vermont

19 1/8 x 25 1/4 Oil paint on paper


Box 41

3037-1121 A House in Vermont

25 1/4 x 19 1/8 Graphite pencil on paper


Box 39b

3038-1121 Vermont House

15 1/4 x 19 1/8 Oil paint on paper


Box 41

3039-1121 Lillian - Yaddo

24 1/2 x 17 Monotype, Ink on paper


Box 41

3040-1121 Seated Figure - Yaddo

24 1/2 x 17 Monotype, Ink on paper


Box 41

3041-1121 Landscape - Yaddo

24 1/2 x 17 Monotype, Ink on paper


Box 41

3042-1121 [Landscape] - Yaddo

17 x 24 1/2 Monotype, Ink on paper


Box 41

3043-1121 [Landscape] [With Building] - Yaddo

17 x 24 1/2 Monotype, Ink on paper


Box 41

3044-1121 Memory of Romanesque - Yaddo

24 1/2 x 17 Monotype, Ink on paper


Box 41

3045-1121 Hyde Solomon - Yaddo

24 1/4 x 17 Monotype, Ink on paper


Box 41

3046-1121 Hyde Solomon - Yaddo

24 1/4 x 17 Monotype, Ink on paper


Box 41

3047-1121 Clowns - Yaddo

20 x 24 1/4 Monotype, Ink on paper


Box 41

3048-1121 Memory of a Romanesque - Yaddo

Recto and verso. 24 1/4 x 20 Monotype, Ink on paper


Box 41

3049-1121 Chinese Head

Accompanied by two prints. 25 1/2 x 15 1/4 Lithographic plate, Ink on paper

Items 3029-1121 and 3035 are also prints. 25 1/2 x 15 1/4 Lithographic plate, Ink on paper


Box 40

3050-1121 Abstraction with Black Disc

12 x 8 3/8 Pastels on paper


Box 39a

3051-1121 Interior, Studio - Vermont

11 1/2 x 9 Conte crayon on paper


Box 39b

3052-1121 Children Playing in Vermont

13 1/2 x 13 1/2 Oil paint on paper


Box 39b

3053-1121 After a Painting Unfinished on Kurt Seligman's Easel

Marked CU15. 13 x 12 1/4 Etching, Ink on paper


Box 39b

3054-1121 Lillian

19 x 12 1/2 Oil paint on paper


Box 39b

3055-1121 Lillian Nursing Ernst

18 x 12 Crayon on paper


Box 39a

3056-1121 Lillian

12 1/2 x 10 Crayon on paper


Box 39b

3057-1121 Wagon Ride - Vermont

19 x 9 1/2 Charcoal on paper


Box 39b

3058-1121 Miriam

19 x 12 Crayon on paper


Box 39b

3059-1121 [Lillian and Miriam and Teddy and Howard]

19 x 12 1/8 Oil paint on paper


Box 39b

3060-1121 Vermont - Sketch

12 x 19 Oil paint and graphite pencil on paper


Box 40

3061-1121 Lillian Sleeping

20 x 12 1/4 Graphite pencil on paper


Box 40

3062-1121 Lillian Sleeping

20 x 12 1/4 Graphite pencil on paper


Box 40

3063-1121 Lillian Sleeping

20 1/8 x 11 3/4 Pastels on paper


Box 40

3064-1121 Lillian Sleeping

20 1/8 x 12 3/8 Pastels on paper


Box 40

3065-1121 Lillian Sleeping

19 7/8 x 12 1/4 Pastels on paper


Box 40

3066-1121 Lillian

20 x 14 Crayon on paper


Box 39a

3067-1121 Vermont Landscape

9 1/2 x 12 Oil paint on paper


Box 39b

3068-1121 Hudson River Seen From Mountain Side

12 3/4 x 10 1/4 Oil paint on paper


Box 39a

3069-1121 Untitled

Attribution to Meyer Schapiro uncertain. 6 3/4 x 7 7/8 Etching, Ink on paper

Accompanied by one additional print. 6 3/4 x 7 7/8 Etching, Ink on paper


Box 39a

3070-1121 By Katherine Milgram-Shaw

Accompanied by additional sheet. 11 3/8 x 8 3/4 Ink on paper


Box 39b

3071-1121 Untitled

Inscribed: by Ernest Schapiro. 19 x 12 3/4 Crayon on paper


Box 40

3072-1121 Untitled

Inscribed on recto: Miriam Schapiro, 6th Class. 10 3/8 x 13 Paint on paper


Box 39a

3073-1121 Twilight Scene

Marked C39. 11 x 8 1/2 Oil paint and pastels on paper


Box 39a

3074-1121 Vertical Colour Bands

Marked C45. 12 3/4 x 17 3/4 Oil paint on paper


Box 39a

3075-1121 Landscape - Black Zig-Zags and Color Patches #2

15 1/8 x 11 Oil paint on paper


Box 39b

3076-1121 Dora Milgram - Rawsonville

19 x 12 1/2 Oil paint and charcoal on paper


Box 40

3077-1121 Hyde Solomon at Yaddo

20 1/2 x 14 1/4 Oil paint and charcoal on paper


Box 39b

3078-1121 Lillian and Miriam

19 x 12 1/2 Oil paint and graphite pencil on paper


Box 39b

3079-1121 Miriam on Rocking Chair

14 5/8 x 19 Oil paint and graphite pencil on paper


Box 40

3080-1121 Front Door - Vermont

12 x 21 Oil paint on paper


Box 39a

3081-1121 Hill Side

11 x 8 1/2 Pastels on paper


Box 39a

3082-1121 Abstraction

10 x 9 7/8 Pastels on paper


Box 39b

3083-1121 Rectangles

12 x 17 1/4 Gouache on paper


Box 39a

3084-1121 Hill House - Rawsonville

11 x 14 7/8 Oil paint on paper


Box 40

3085-1121 Vague Forms

8 1/2 x 12 Pastels on paper


Box 39b

3086-1121 Miriam on Rug in Vermont Living Room

14 3/4 x 19 1/8 Oil paint on paper


3087-1121 [Abstracted]

12 x 8 1/2 Crayon on paper

Not found as of August 2022. See unidentified and unnumbered items


Box 39a

3088-1121 Vermont

14 1/8 x 11 Oil paint on paper


Box 39a

3089-1121 Belmont, Vermont

9 1/4 x 13 1/8 Gouache on paper


Box 39a

3090-1121 Untitled

Marked CU77 and "from XLVII." 8 1/4 x 9 1/4 Gouache on paper


Box 39b

3091-1121 [Howard Shaw]

19 x 12 1/2 Crayon on paper


Box 39b

3092-1121 Untitled

19 x 12 1/2 Crayon on paper


Box 39b

3093-1121 Untitled

19 x 12 1/2 Crayon on paper


Box 39b

3094-1121 Untitled

19 x 12 1/2 Crayon on paper


Box 39a

3095-1121 Abstraction - Four-Sided Forms

9 7/8 x 9 7/8 Pastels on paper


Box 39a

3096-1121 Rawsonville Landscapes

10 x 9 Oil paint on paper


Box 39a

3097-1121 Abstraction with Reserved Whites

7 1/2 x 8 3/8 Tempera on paper


Box 39a

3098-1121 Abstraction with Blues

8 3/8 x 12 Ink on paper


Box 39a

3099-1121 Abstraction - Calligraphic Shapes

11 x 8 1/2 Oil paint and pastels on paper


Box 39b

3100-1121 Vermont

12 x 15 Oil paint on paper


Box 39a

3101-1121 Figure

12 x 14 Crayon on paper


Box 40

3102-1121 Meyer, Lillian, Miriam and Dada

19 1/8 x 14 5/8 Oil paint on paper


Box 42

3103-1121 Untitled

19 3/4 x 24 1/2 Raised relief, Plaster on fiberboard


Subseries VIII.4: Sculptures and printing plates, circa 1930s-1980s


Box 42

Sculptures and Bases

4 wood sculptures, 2 wood bases.


Box 43

Sculptures

1 wood sculpture.


Box 44

Sculptures and Bases

1 cut-copper sculpture with wood base (damaged), 2 clay sculptures (both damaged), 1 plaster sculpture.


Box 45

3104-1121 Untitled

2 1/2 x 3 1/8 Copper printing plate


Box 46

3105-1121 Untitled

3 3/8 x 3 Copper printing plate


Box 46

3106-1121 [Andre Racz]

See item 2356-1121. 7 x 5 Printing plate


Box 46

3107-1121 Lillian

See item 2353-1121. 5 x 4 Copper printing plate


Box 46

3108-1121 New York View

See item 2348-1121. 5 x 4 Printing plate


Box 46

3109-1121 Sarah Levine

See item 2463-1121. 6 x 4 Printing plate


Box 46

3110-1121 Flowers and Window - My First Etching

See item 2475-1121. 5 x 4 Printing plate


Box 46

3111-1121 My Second Etching

See item 2389-1121. 5 x 4 Printing plate


Box 46

3171-1121 Center for Advanced Study in Behavioral Science building, Stanford

5 x 4 Printing plate


Box 47

Sculpture

1 cut-copper sculpture on wood base.


Box 48

Sculptures

1 cut-copper sculpture on wood base (damaged), 2 aluminum-cut sculptures on wood bases, 1 unfinished wood carving and one wood block with sketch affixed.


Box 49

Sculpture

1 wood sculpture.


Subseries VIII.5: Linoleum printing blocks, circa 1930s-1960s

Box 50 contains the original Linoleum printing blocks for the prints found in box 24 and box 25.


Box 50

3112-1121 Eve

5 1/2 x 3 1/8 Linoleum printing block


Box 50

3113-1121 Wrestlers

7 7/8 x 7 1/4 Linoleum printing block


Box 50

3114-1121 Vermont

6 x 5 Linoleum printing block


Box 50

3115-1121 Deposition

3 1/2 x 4 1/8 Linoleum printing block


Box 50

3116-1121 Memory of Camping with Whittaker Chambers Near His House

8 x 7 1/2 Linoleum printing block


Box 50

3117-1121 Sledding

5 3/4 x 5 3/7 Linoleum printing block


Box 50

3118-1121 Crucifixion

4 1/4 x 7 5/8 Linoleum printing block


Box 50

3119-112 After Holbein's Portrait

5 7/8 x 4 7/8 Linoleum printing block


Box 50

3120-1121 Imaginary Murder

4 1/2 x 5 1/2 Linoleum printing block


Box 50

3121-1121 New Year Card

13 x 11 Linoleum printing block


Box 50

3122-1121 Phoenix

4 1/8 x 6 Linoleum printing block


Box 50

3123-1121 Female

7 1/4 x 5 3/4 Linoleum printing block


Box 50

3124-1121 The Ferry

6 1/2 x 4 1/8 Linoleum printing block


Box 50

3125-1121 Untitled

See item 2337-1121. 5 1/2 x 5 3/4 Linoleum printing block


Box 50

3126-1121 Flagellation

7 3/4 x 5 1/2 Linoleum printing block


Box 50

3127-1121 "Janie's" New Year Card

5 7/8 x 4 7/8 Linoleum printing block


Box 50

3128-1121 Untitled

7 1/4 x 6 3/8 Linoleum printing block


Box 50

3129-1121 Untitled

4 x 6 Linoleum printing block


Box 50

3130-1121 Untitled

12 1/2 x 13 1/4 Linoleum printing block


Box 50

3131-1121 Untitled

7 1/2 x 7 Linoleum printing block


Subseries VIII.6: Sketchbooks, 1960s


Box 52

3132-1121 Tokyo 1966 - "P"

Marked CU37. 4 5/8 x 6 3/4


Box 52

3133-1121 Sketchbook "HH"

8 1/4 x 5 5/8


Box 52

3134-1121 Sketchbook "EE"

Contains drawings of Sophie(1968). 8 1/4 x 5 1/2


Box 52

3135-1121 Sketchbook "G"

Contains mainly landscapes and self-portraits. 8 1/4 x 5 1/2


Box 52

3136-1121 Mustair 1961 - Sketchbook "F"

8 x 5 1/4


Box 52

3137-1121 Etretat, August 1939; Le Havre; Boat, September 1939 - Sketchbook "H"

7 3/4 x 5 3/4


Box 52

3138-1121 Sketchbook "CC"

Marked CU28. 7 3/4 x 5 3/4


Box 52

3139-1121 California and Canada - Sketchbook "L"

8 1/4 x 5 3/4


Box 52

3140-1121 Sketchbook "FF"

8 1/4 x 5 1/2


Box 52

3141-1121 West Coast - Sketchbook "K"

8 1/4 x 5 5/8


Box 52

3142-1121 Sketchbook "MM"

Contains sketches of Lillian. 8 1/4 x 5 3/4


Box 52

3143-1121 Utah and Nevada - Sketchbook "N"

6 3/4 x 4 1/2


Box 52

3144-1121 Later 1950s, 1960-1962 Vermont - Sketchbook "E"

6 3/4 x 5 1/2


Box 52

3145-1121 Vermont 1950s-1970s - Sketchbook "PP"

8 x 5 1/4


Box 52

3146-1121 Vermont 1961-1965 and 1971 - Sketchbook "V"

Marked CU40. 7 1/8 x 5 1/4


Box 52

3147-1121 Yaddo and Saratoga, Also Vermont - Sketchbook "U"

Marked CU39. 7 1/4 x 5 1/4


Box 52

3148-1121 New York - Sketchbook "T"

Marked CU34. 6 3/4 x 4 1/8


Box 52

3149-1121 Vermont 1950s - Sketchbook "B"

6 3/4 x 4 1/2


Box 52

3150-1121 Sketchbook "BB"

Marked CU30. 6 3/4 x 4 1/2


Box 52

3151-1121 Sketchbook

Marked CU29. 8 1/2 x 6 3/4


Box 52

3152-1121 Columbia College 1923-1924

Contains analyses of paintings and sketches of Columbia campus. 8 1/2 x 11


Box 52

3153-1121 Trip to California 1962- Sketchbook "C"

10 x 8


Box 52

3154-1121 At Joe's, Marlboro - Sketchbook "I"

6 1/2 x 10


Box 52

3155-1121 Vermont

8 1/4 x 6 `1/2


Box 52

3156-1121 [New York] - Sketchbook "QQ"

6 x 9


Box 52

3157-1121 Untitled

9 3/4 x 6 1/4


Box 52

3158-1121 Untitled

5 1/8 x 3 5/8


Box 52

3159-1121 Untitled

6 x 4


Box 52

3160-1121 Untitled"

Marked CU45. 7 1/2 x 4 7/8


Box 53

3161-1121 Mary Sklar's Sketchbook

6 x 9


Box 53

3162-1121 Sketchbook "AA"

8 3/4 x 12


Box 53

3163-1121 Sketchbook "GG"

9 3/4 x 8 1/2


Box 53

3164-1121 Starting 1965 - Sketchbook "JJ"

12 1/4 x 9


Box 53

3165-1121 New York 1960s - Sketchbook "W"

9 3/4 x 8 1/2


Box 53

3166-1121 Sketchbook "II"

13 x 9 3/4


Box 54

3167-1121 California - Sketchbook "Y"

Marked CU35. 11 x 14


Box 54

3168-1121 Paris 1931 - Sketchbook "NN"

Marked XXIV. 13 x 16


Box 54

3169-1121 Sarasota 1969- Sketchbook "OO"

14 x 17


Box 54

3170-1121 Sketchbook

14 x 17