Bomb Magazine records, 1978-2017

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Series I: Administrative Records, 1981-2003

Series I holds the administrative records of Bomb Magazine. This series is arranged in three subseries: Art Program, Development and Finances, and Website.


Subseries I.1: Art Program, 1981-2003

The Art Program records document the planning and execution of this financially based initiative. The files consist of artist's biographical material, correspondence, reviews, exhibition catalogues, artist catalogues, and press clippings. Visual material is well represented in the form of photographs and slides of the individual pieces of art. Some digital files may be found in this subseries containing scanned images of artwork and word documents concerning the artists and their work. Several original pieces of artwork are held in the collection by the artists Keith Haring, William Wegman, Billy Copley, and Tina Girouard.


General Administrative and Financial Records



Box 18, 37, 52, 89 Correspondence, undated



Box 82 Digital files--Floppy Disks, undated, (3 1/2 inches)



Box 18, 37, 52 Donation Records, undated


Box 18, 37, 52 Donor Lists, undated


Box 18, 37, 52 Financial Statements, undated


Box 18, 37, 52 Press Releases, undated


Box 18, 37, 52 Publicity Materials, undated


General Artist Records



Box 19, 37 Biographical Material, undated


Box 19, 37 Contracts, undated


Box 19, 37 Correspondence, undated



Box 19 Digital files--CD-R, undated



Box 19, 37 Digital files--Zip Disks, undated


Box 19, 37 Printed Material--General, 1998



Box 63 Printed Material--Artist's Catalogs, 1995-2003


Art



Mapcase 13-J-5 Copley, Billy--"Absolut #1,", 1999


Mapcase 13-J-5 Girouard, Tina--"Voodoo & Vodka" and "Louisiana Spirits,", 1991


Mapcase 13-J-5 Haring, Keith--"One Hundred Cocks for Verlane and Richard,", 1985 June 11


Mapcase 13-J-5 Les Enfants Terrible. Children of the Game by Philip Glass and Susan Marshall, undated


Mapcase 13-J-5 Speak Theater and Film! , undated



Box 105 Martinez, Daniel J.--"Freedom Is,", 1990 December 1


Art--Photographs



Box 45, 52 General, undated



Box 19 Ando, Joe--Oils on Paper, 1995


Box 19 Bleckner, Ross, undated



Box 37 Graupe-Pillard, Grace--"Manipulation/Massacre,", undated


Box 37 Morley, Malcolm--Images of Four Watercolors, 1985-1989


Art--Slides



Box 45 General, undated



Box 19 Acconci Studio--"A City That Rides the Garbage Dump,", 1999


Box 19 Artist Studio Benefit Tour, 2000 April 29


Box 19 Barney, Tina, undated


Box 19 Bedia, Jose, undated--Chromogenic Prints, 1988-1990


Box 19 Bidlo--"Not Warhol (Brillo Box),", 1991


Box 19 Bloom, Barbara--"Untitled,", 1988


Box 19 Casebere, James--"Four Flooded Archies from Right,", 1999


Box 19 Chandler, Michael--Oil on Paper, 1994-1996



Box 37 Charlesworth, Sarah--"Text,", 1994



Box 19 Charlesworth, Sarah--"Levitating Buddha,", undated


Box 19 Chu, Anne--"House with Bamboo Trees and Court Lady" (detail), 1999


Box 19 Copley, Billy, 1992-1995


Box 19 Coyne, Petah--"Untitled (#1018P-01),", 2001


Box 19 Crane, Gregory, 1991-1999


Box 19 Elliot, Jeremy, 2000


Box 19 Ess, Barbara--"Wildlife" Photograph, 1996


Box 19 Fischer, R.M., 1992-1994


Box 19 Fishman, Louise--"Double Dutch,", 1994


Box 19 Fowler, Roy, 1994-1995


Box 19 Goldin, Nan--"Cookie at a Restaurant, Positano,", 1986


Box 19 Greenbaum, Joanne--"Untitled,", 2000


Box 19 Hamilton, Mary--Oil on Canvas, 1994-1995


Box 19 Haring, Keith--"One Hundred Cocks for Verlane and Richard,", 1985 June 11


Box 19 Harper, Sharon--"Flug (Flight),", 2000


Box 19 Hatoum, Mona--"T42,", 1993-1998


Box 19 Heighstein, 1998


Box 19 Heilmann, May--"Barstow,", 1995



Box 37 Howland, R.--"Big Drawings,", 1993



Box 19 Hudson, Judith, 1993, 2001, 1993, 2001


Box 19 Jaudon, Valerie--"Slightly Dangerous,", undated


Box 19 Jimenez, Ivelisse--Painting, undated


Box 19 Kalina, Richard--"Attorney,"1999


Box 19 Kapp, David--"Early Morning Sidewalk,", 2000



Box 52 Lemieux, Annette--"Motherland,", 1993



Box 19 Leonard, Zoe--"Horse,", 1994


Box 19 Lethbridge--"Untitled,", 2001


Box 19 McClelland, Suzanne--"A Kind and Encouraging Word,", 2000


Box 19 Means, Amanda--"Flower (Number 26),", 1996


Box 19 Milhazes, Beatriz--"Ovale,", 2002


Box 19 Muniz, Vik--"The raft of medusa (from pictures of chocolate),", 1999


Box 19 Neshat, Shirin--"Untitled (Rapture Series-Women Pushing Boat),", 1999


Box 19 Newman, Laura--"Untitled,", 2001


Box 19 Owens, Bill--Painting, undated


Box 19 Pozzi, Lucio--"Knot Gone,", 1998


Box 19 Schwartz, E.--"Untitled,", 1981


Box 19 Seator, Glen, undated


Box 19 Shapiro, Joel--"Untitled,", 1995


Box 19 Siena, James--"Detroit,", 1998


Box 19 Siverthorne, Jean, undated


Box 19 Steir, Pat--"A Walk in the Woods,", 2000


Box 19 Stuart, Michelle--"Brookings LXXXIII,", undated



Box 37 Sugiura, Kunie--"Stacks. Tulips. A4. positive 2/2,", 1995



Box 19 Tomaselli, Fred--Collages, 1999-2000


Box 19 Uglow, Alan, undated


Box 19 Westfall, Stephen--"S-13,", 1995


Box 19 Zittel, Andrea--"Study for A-Z Perfected Pillow,", undated



Box 19, 45 Unidentified, undated


Miscellaneous Art Correspondence Archive



Box 152 Jill Moser


Box 152 Elizabeth Payne


Box 152 Adelle Lutz


Box 152 A Conversation Between Krystyna Borkowska and Alan Scarritt


Box 152 Benefit Slides, 2003


Box 152 Archive


Box 152 Miscellaneous Archive


Box 152 Slides


Box 152 Cassette with Illegible Label


Box 152 Correspondence of Betsy Sussler


Subseries I.2: Development and Finances, 1985-2003

Subseries Two is comprised of records concerning the fiscal operations ofBOMB Magazine. Included are budgets and ledgers, correspondence with board members and donors, donor lists, general mailing lists, financial statements, contracts in regards to otherBOMB publications, subscription and distribution information. There are also records for grant applications, most notably the National Endowment for the Arts, and the New York State Council on the Arts (NYSCA).


General, undated



Box 18, 74 Advertising Contracts, 1985-1995



Box 18 Audit, 1994 December 31



Box 94 Bank Statements, 1983-1984



Box 43 Board Members, 2001-2003



Box 74 Contracts, undated



Box 16, 43, 69, 74 Correspondence, undated



Box 71 Digital files--Floppy Disks, undated (3 ½ inches), undated



Box 18 Republic National Bank Loan Payment file, undated


Grants



Box 30 National Endowment for the Arts (NEA), 1990-1996



Box 68 National Endowment for the Arts (NEA)--Digital files--Floppy Disks, 1996-1999 (3 ½ inches), 1996-1999



Box 18 National Endowment for the Humanities (NEH), 2002 May 1-2004 May 1



Box 30 New York State Council on the Arts (NYSCA)--Application Materials, 1990-1996



Box 57 New York State Council on the Arts (NYSCA)--Application Materials, 1996-1997



Box 18 New York Foundation for the Arts (NYFA), 1998



Box 9 Ledger, undated



Box 18 Sitting Pretty Benefit, 1998-1999, 2001-2003, 1998-1999, 2001-2003



Box 57 Sitting Pretty Benefit, 1999-2000


Subscriptions



Box 20 Agreements, 2000-2002


Box 20 Billing Statements, 2000-2002



Box 74 Correspondence, 1985-1995



Box 68 Digital files--Floppy Disks, undated (3 ½ inches), undated



Box 20 Distributors, 2000-2002


Box 20 Anderson News Company


Box 20 Armadillo


Box 20 Deboer


Box 20 Desert Moon


Box 20 Doormouse


Box 20 Eastern News


Box 20 International Periodical Distributors


Box 20 Media Solutions


Box 20 Newsways


Box 20 Don Olson


Box 20 One Source


Box 20 Small Changes


Box 20 Christ Stadler


Box 20 Total Circulation Services


Box 20 Ubiquity


Box 20 Worldwide Media Service


Box 20 Ingram


Box 20 Geographical Distribution Charts, 2000-2002


Box 20 Indie Bookstores, 2000-2002


Subseries 3: Website, 1984-2003

This subseries documents the growth of theBOMB Website and the creation of the Online Archive and "BOMBLive!," a web-based interview series that was established in 2001. The bulk of the records are audio cassettes of online audio material used for "BOMBLive!" as well as cassettes of other published and unpublished interviews that are not associated with a particular issue. Printed matter consists of correspondence, legal records, such as contracts and release forms, exhibition and artist catalogues, and original manuscripts and magazine galleys created by author Phillip Lopate. Photographs, slides and negatives, or profiled artists and artwork are also found in this subseries.



Box 31 General, 2001-2002


Box 31 Contracts


Box 31 Correspondence--General



Box 43 Correspondence-MP3Lit.com



Box 31 Galleys


Box 31 Image Captions


Box 31 Material Release Forms


Box 31 Online Documentation


Box 31 Preservation Information



Box 114 Audio Archives, 1984-2003


BOMBLive!


Box 114 Audio files, 1993-



Box 55 Digital files--CD-R, 2002 December 12



Box 74 Phillip Lopate Documents, 1998

Series II: BOMB Publications, 1981-2011

Series II: BOMB Publications comprise the bulk of the collection and holds records pertaining to the monthly magazine issues as well as the BOMB books entitled, Speak Art!, Speak Fiction and Poetry!, and Speak Theater and Film!, " which are compilations of interviews originally published in the magazine.


Subseries II.1: Issues, 1981-2011

This subseries consists of the finished publication and any accompanying documentation used in the creation of the issue. Included with the general records are correspondence between the editors, in particular Editor-in-Chief Betsy Sussler, and the artists being featured in an issue, transcripts of interviews, literary texts, layouts and galleys, artist catalogues, exhibition material, and other bound materials concerning art and artists. Separated work that is also found in this subseries may consist of a copy of the individual issue, photographs, printed material, copies of literary texts, in the form of reader copies or proofs that have been identified as being incorporated into a particular issue. Audio and Digital files, such as Zip disks, floppy disks, audio cassette tapes, and VHS tapes containing interviews, scanned digital images of artists and artwork, potential galleys and layouts, and advertisements are held in this subseries as well. This subseries has been organized chronologically by issue number.

Accession 2011.2012.M107, 2005-2011 files, was added to Subseries II.1


Issue 1, 1981 Spring



Box 78 General



Box 110 Audio files--Audio Cassettes



Box 100, 115 Issue



Box 78 Manuscripts and Proofs


Box 78 Portrait Photographs


Box 78 Stills



Box 105 Table of Contents


Issue 2, 1981



Box 78 General



Box 110 Audio files--Audio Cassettes



Box 100, 115 Issue



Box 78 Manuscripts and Proofs


Box 78 Photographs



Box 105 Table of Contents


Issue 3, 1982



Box 78 General



Box 110 Audio files--Audio Cassettes



Box 100, 115 Issue



Box 78 Photographs



Box 105 Table of Contents


Issue 4, 1982



Box 78 General



Box 100, 115 Issue



Box 78 Photographs



Box 105 Table of Contents


Issue 5, 1983



Box 79 General



Box 110 Audio files--Audio Cassettes



Box 79 Digital files--Floppy Disks (3 ½ inches)



Box 100, 115 Issue



Box 79 Portrait Photographs



Box 105 Table of Contents


Issue 6, 1983 Spring/Summer



Box 27 General



Box 27, 115 Issue--Sculpture and Fiction



Box 27 Portrait Photographs



Box 105 Table of Contents


Issue 7, 1985 Fall



Box 27 General



Box 110 Audio files--Audio Cassettes



Box 115 Issue



Box 27 Photographs



Box 105 Table of Contents


Issue 8, 1983-1984 Winter



Box 27 General


Box 27 Artwork for Issue



Box 110 Audio files--Audio Cassettes



Box 115 Issue



Box 27 Manuscripts and Proofs--Untitled by Elovich, Richard


Box 27 Photographs



Box 105 Table of Contents


Issue 9, 1984 Spring/Summer



Box 27 General


Box 27 Art--Photographs--Mexican Art



Box 110 Audio files--Audio Cassettes



Box 102, 115 Issue



Box 105 Table of Contents


Issue 10, 1984 Fall



Box 10 General


Box 10 Art--Photographs


Box 10 Art--Slides



Box 110 Audio files--Audio Cassettes



Box 10, 115 Issue


Box 10, 115 Manuscripts and Proofs



Box 105 Table of Contents


Issue 11, 1984 Winter



Box 10 General


Box 10 Art--Photographs



Box 110 Audio files--Audio Cassettes



Box 10, 115 Issue


Box 10, 115 Manuscripts and Proofs



Box 105 Table of Contents


Issue 12, 1985 Spring/Summer



Box 10 General


Box 10 Art--Photographs



Box 110 Audio files--Audio Cassettes



Box 10, 115 Issue


Box 10, 115 Photographs



Box 105 Table of Contents


Issue 13, 1985 Fall



Box 73 General


Box 73 Art--Photographs



Box 110 Audio files--Audio Cassettes



Box 115 Issue



Box 73 Publicity Photographs



Box 105 Table of Contents


Issue 14, 1985-1986 Winter



Box 95 General


Box 95 Art--Photographs



Box 110 Audio files--Audio Cassettes



Box 115 Issue



Box 105 Table of Contents



Box 95 Manuscripts and Proofs


Issue 15, 1986



Box 73 General


Box 73 Art--Photographs



Box 110 Audio files--Audio Cassettes



Box 73, 115 Issue


Box 73, 115 Publicity Photographs



Box 105 Table of Contents


Issue 16, 1986 Summer



Box 95 General


Box 95 Art--Photographs



Box 110 Audio files--Audio Cassettes



Box 68 Digital files--Floppy Disks (3 ½ inches)



Box 115 Issue



Box 95 Manuscripts and Proofs



Box 105 Table of Contents


Issue 17, 1986 Fall



Box 65 General


Box 65 Art--Photographs



Box 110 Audio files--Audio Cassettes


Joan Mitchell by Betty Sussler, Spring 1986, 1 audiocassettes



Box 115 Issue



Box 65 Portrait Photographs



Box 105 Table of Contents


Issue 18, 1987 Winter



Box 65 General


Box 65 Art--Photographs



Box 110 Audio files--Audio Cassettes


Gretchen Bender by Cindy Sherman, November 25, 1986, 1 audiocassettes



Box 115 Issue



Box 65 Portrait Photographs



Box 105 Table of Contents


Issue 19, 1987 Spring



Box 65 General


Box 65 Art--Photographs



Box 110 Audio files--Audio Cassettes



Box 115 Issue



Box 105 Table of Contents


Issue 20, 1987 Summer



Box 65 General



Box 110 Audio files--Audio Cassettes



Box 68 Digital files--Floppy Disks (3 ½ inches)



Box 115 Issue



Box 65 Photographs



Box 105 Table of Contents


Issue 21, 1987 Fall


Box 105 General


Box 105 Art--Photographs



Box 110 Audio files--Audio Cassettes



Box 68 Digital files--Floppy Disks (3 ½ inches)



Box 116 Issue



Box 105 Manuscripts and Proofs


Box 105 Table of Contents


Issue 22, 1988 Winter


Box 105 General


Box 105 Art--Photographs



Box 110 Audio files--Audio Cassettes



Box 68 Digital files--Floppy Disks (3 ½ inches)



Box 116 Issue



Box 105 Manuscripts and Proofs


Box 105 Table of Contents


Issue 23, 1988 Spring



Box 102 General



Box 110 Audio files--Audio Cassettes



Box 116 Issue



Box 102 Publicity Photographs



Box 105 Table of Contents


Issue 24, 1988 Summer



Box 102 General


Box 102 Art--Photographs



Box 110 Audio files--Audio Cassettes



Box 116 Issue



Box 105 Table of Contents


Issue 25, 1988 Fall



Box 107 General



Box 110 Audio files--Audio Cassettes



Box 116 Issue


Issue 26, 1988-1989 Winter



Box 105 General


Box 105 Art--Photographs



Box 110 Audio files--Audio Cassettes



Box 105 Digital files--Floppy Disks (3 ½ inches)



Box 116 Issue



Box 105 Manuscripts and Proofs


Issue 27, 1989 Spring



Box 107 General



Box 110 Audio files--Audio Cassettes



Box 116 Issue


Issue 28, 1989 Summer



Box 107 General



Box 110 Audio files--Audio Cassettes



Box 116 Issue


Issue 29, 1989 Fall



Box 87 General


Box 87 Art--Photographs



Box 110 Audio files--Audio Cassettes


Robert Gober by Craig Gholson, August 16, 1989, 1 audiocassettes



Box 68, 87 Digital files--Floppy Disks (3 ½ inches, 5 ¼ inches)



Box 116 Issue


Issue 30, 1990 Winter



Box 87 General


Box 87 Art--Photographs



Box 110 Audio files--Audio Cassettes



Box 68, 87 Digital files--Floppy Disks (3 ½ inches, 5 ¼ inches)



Box 116 Issue


Issue 31, 1990 Spring



Box 46 General



Box 110 Audio files--Audio Cassettes



Box 68 Digital files--Floppy Disks (3 ½ inches)



Box 116 Issue


Issue 32, 1990 Summer



Box 46 General



Box 110 Audio files--Audio Cassettes



Box 68 Digital files--Floppy Disks (3 ½ inches)



Box 116 Issue 33, 1990 Fall



Box 97 General



Box 110 Audio files--Audio Cassettes



Box 68, 71 Digital files--Floppy Disks (3 ½ inches)



Box 116 Issue



Box 97 Portrait Photographs


Box 97 Aborigine


Box 97 Freud, Bella


Box 97 Phillips, Dorothea


Issue 34, 1990-1991 Winter



Box 98 General



Box 110 Audio files--Audio Cassettes



Box 68, 98 Digital files--Floppy Disks (3 ½ inches, 5 ¼ inches)



Box 116 Issue



Box 98 Publicity Photographs--Metropolitan


Issue 35, 1991 Spring



Box 99 General


Box 99 Art--Photographs



Box 110 Audio files--Audio Cassettes



Box 68, 99 Digital files--Floppy Disks (3 ½ inches, 5 ¼ inches)



Box 116 Issue


Issue 36, 1991 Summer



Box 28 General



Box 111 Audio files--Audio Cassettes



Box 28, 68 Digital files--Floppy Disks (3 ½ inches)



Box 116 Issue


Issue 37, 1991 Fall



Box 109 General


Box 109 Art--Photographs



Box 111 Audio files--Audio Cassettes



Box 68, 71, 109 Digital files--Floppy Disks (3 ½ inches, 5 ¼ inches)



Box 116 Issue



Box 109 Portrait Photographs


Issue 38, 1991-1992 Winter



Box 99 General


Box 99 Art--Photographs



Box 111 Audio files--Audio Cassettes



Box 68, 99 Digital files--Floppy Disks (3 ½ inches, 5 ¼ inches)



Box 116 Issue



Box 99 Portrait Photographs


Issue 39, 1992 Spring



Box 25 General



Box 111 Audio files--Audio Cassettes



Box 25, 68, 71 Digital files--Floppy Disks (3 ½ inches)



Box 117 Issue



Box 25 Photographs


Box 25 Printed Material


Issue 40, 1992 Summer



Box 103 General



Box 111 Audio files--Audio Cassettes



Box 71 Digital files--Floppy Disks (3 ½ inches)



Box 117 Issue



Box 103 Manuscripts and Proofs--Summercoming by Cory Brown


Box 103 Portrait Photographs


Box 103 Publicity Photographs


Issue 41, 1992 Falll, 1992 Fall


Box 103 General



Box 111 Audio files--Audio Casettes



Box 68, 71 Digital files--Floppy Disks (3 ½ inches)



Box 117 Issue



Box 103 Printed Material--Playbill--Fires in the Mirror


Publicity Photographs


Box 103 The Living End


Box 103 Smith, Anna Deveare


Issue 42, 1992-1993 Winter



Box 54 General


Box 54 Art--Photographs


Box 54 Art--Slides



Box 111 Audio files--Audio Cassettes



Box 54, 68, 71 Digital files--Floppy Disks (3 ½ inches)



Box 3 Issue



Box 54 Publicity Photographs


Issue 43, 1993 Spring



Box 3 General



Box 111 Audio files--Audio Cassettes


Box 111 Digital files--Floppy Disks (3 ½ inches)



Box 117 Issue



Box 3 Portrait Photographs


Box 3 Publicity Photographs


Issue 44, 1993 Summer



Box 44 General


Box 44 Art--Slides



Box 111 Audio files--Audio Cassettes



Box 44, 68, 71 Digital files--Floppy Disks (5 ¼ inches)



Box 117 Issue



Box 44 Manuscripts and Proofs--A Gathering of Crows by John Patrick Shanley, 1993


Issue 45, 1993 Fall



Box 3 General



Box 111 Audio files--Audio Cassettes



Box 3, 71 Digital files--Floppy Disks (3 ½ inches)



Box 117 Issue



Box 3 Portrait Photographs


Box 3 Publicity Photographs


Issue 46, 1993-1994 Winter



Box 14 General


Box 14 Art--Photographs



Box 111 Audio files--Audio Cassettes



Box 117 Issue



Box 14 Journal--Performing Arts, Los Angeles Edition Vol. 26, No. 2, 1992 February


Box 14 Portrait Photographs--Graham, Dan


Box 14 Printed Material--Artist's Catalog--Graham, Dan, 1993


Box 14 Publicity Photographs--The Scent of Green Papaya


Issue 47, 1994 Spring



Box 93 General



Box 111 Audio files--Audio Cassettes



Box 71 Digital files--Floppy Disks (3 ½ inches)



Box 57 Interview--Foreman, Richard



Box 117 Issue



Box 93 Portrait Photographs


Box 93 Publicity Photographs


Issue 48, 1994 Summer



Box 88 General



Box 111 Audio files--Audio Cassettes



Box 71 Digital files--Floppy Disks (3 ½ inches)



Box 117 Issue



Box 88 Manuscripts and Proofs


Box 88 The Elephants of Reckoning by Indran Amirthanayagam


Box 88 suburbia by Eric Bogosian


Box 88 Photographs--General


Box 88 Portrait Photographs


Box 88 Publicity Photographs


Issue 49, 1994 Fall



Box 50 General


Box 50 Art--Photographs



Box 112 Audio files--Audio Cassettes



Box 117 Issue



Box 50 Portrait Photographs


Issue 50, 1995-1995 Winter



Box 8 General


Box 8 Art--Photographs



Box 112 Audio files--Audio Cassettes



Box 50 Audio files--Micro Cassettes--Lee-Yiny Lee



Box 68, 71 Digital files--Floppy Disks (3 ½ inches)



Box 117 Issue



Box 8 Layout


Box 8 Portrait Photographs


Box 8 Publicity Photographs


Issue 51, 1995 Spring



Box 40 General


Box 40 Art--Photographs--"Absolut Dickson" by Beth Phillips



Box 112 Audio files--Audio Cassettes



Box 117 Issue



Box 8 Layout



Box 40 Manuscripts and Proofs--Gringa Latina: A Woman of Two Worlds by Gabriella De Ferrari, 1995


Portrait Photographs


Box 40 Cachao


Box 40 Hatfield, Juliana


Box 40 Lee, Li-Young


Box 40 Morrow, Brad


Box 40 Unidentified Woman


Printed Material


Box 40 Book Catalog--University Press of New England


Box 40 Playbill--Hapgood at Lincoln Center


Publicity Photographs


Box 40 Antigone at the Yale Repertory Theater


Box 40 The Death of the Last Black Man in the Whole Entire World at the Yale Repertory Theater


Box 40 Priest


Box 40 Saint Joan of the Stockyards at the Yale Repertory Theater


Box 40 School for Wives at the Yale Repertory Theater


Box 40 Shallow Grave


Issue 52, 1995 Summer



Box 26 General



Box 112 Audio files--Audio Cassettes



Box 68 Digital files--Floppy Disks (3 ½ inches)



Box 117 Issue



Box 26 Portrait Photographs


Box 26 Medeski, Martin & Wood


Box 26 Unidentified Individuals


Issue 53, 1995 Fall



Box 72 General


Box 72 Art--Photographs--Goldberg, Jim



Box 112 Audio files--Audio Cassettes



Box 68, 71 Digital files--Floppy Disks (3 ½ inches)



Box 117 Issue



Box 72 Layout


Box 72 Manuscripts and Proofs--Zombie by Joyce Carol Oates


Portrait Photographs


Box 72 Blue Explosion


Box 72 Brock-Broido, Lucy


Box 72 Cebar, Paul


Box 72 Hargrove, Roy


Box 72 Jordan, June


Box 72 West, Dorothy


Issue 54, 1995-1996 Winter



Box 39 General


Box 39 Art--Photographs and slides--Cheang, Shu Lea



Box 112 Audio files--Audio Cassettes



Box 117 Issue



Box 39 Proofs


Box 39 "The Law of Enclosures" by Dale Peck


Box 39 "Little" by David Treuer


Box 39 Portrait Photographs--Peck, Dale


Box 39 Publicity Photographs--Leaving Las Vegas


Issue 55, 1996 Spring



Box 21, 56 General



Box 112 Audio files--Audio Cassettes



Box 56 Digital files--Floppy Disks (3 ½ inches)



Box 117 Issue


Manuscripts and Proofs


Box 117 "Fling with a Demon Lover" by Kelvin Christopher James


Box 117 "Hey Joe" by Ben Neihart



Box 56 Printed Material--"Look Away! Look Away! Look Away!" by Kara Elizabeth Walter


Publicity Photographs


Box 56 Fargo


Box 56 The United States of Poetry


Box 56 The White Balloon


Issue 56, 1996 Summer



Box 15 General


Box 15 Art--Slides--Michener, Diana


Box 15 Artist's Catalog--Buvoli, Luca, 1994



Box 112 Audio files--Audio Cassettes



Box 15 Digital files--Floppy Disks (3 ½ inches)



Box 117 Issue



Box 15 Manuscripts and Proofs--The World of Jeffrey Vallance, edited by David A. Greene and Gary Kornblau


Portrait Photographs


Box 15 Coleman, Ornette and Denardo


Box 15 Hahn, Ulla


Box 15 Welsh, Irvine


Box 15 Publicity Photographs--Films Produced by Miramax


Issue 57, 1996 Fall



Box 33 General



Box 112 Audio files--Audio Cassettes



Box 33, 68 Digital files--Floppy Disks (3 ½ inches)



Box 117 Issue



Box 33 Manuscripts and Proofs--The Apprentice by Lewis Libby


Portrait Photographs


Box 33 Artists Profiled in Editor's Choice


Box 33 Scott, Elliot


Box 33 Solomon R. Guggenheim Museum


Publicity Photographs


Box 33 The Adventures of Priscilla, Queen of the Desert


Box 33 The Birdcage


Box 33 Secrets & Lies


Issue 58, 1996-1997 Winter



Box 22 General



Box 112 Audio files--Audio Cassettes



Box 22, 68, 71 Digital files--Floppy Disks (3 ½ inches)



Box 68 Digital files--Zip Disks



Box 117 Issue



Box 22 Manuscripts and Proofs


Box 22 "Arcade: Poems" by Erica Hunt, 1996


Box 22 "Famine" by Todd Komarnicki, 1997


Box 22 "Guided Tours of Hell" by Francine Prose


Box 22 "My Drowning" by Jim Grimsley


Box 22 "The Ordinary Seaman,", 1997


Box 22 "Stuart Hall: Critical Dialogues in Cultural Studies,", 1996


Box 22 "The Women" by Hilton Als, 1996


Portrait Photographs


Box 22 Grimsley, Jim, undated


Box 22 Hunt, Erica, 1996 April


Box 22 Hunt, Erica and Saar, Alison, 1996 May


Box 22 Komarnicki, Todd, 1997


Box 22 Ondaatje, Michael, 1996 November


Publicity Photographs


Box 22 The English Patient , 1996


Box 22 Films Produced by Miramax, 1997 Winter/Spring, 1997


Box 22 The People vs. Larry Flint


Box 22 The Substance of Fire


Box 22 Issue 59, 1997 Spring



Box 35 General


Box 35 Art--Photographs--Sullivan, Billy


Art--Slides


Box 35 Kahn, Wolf


Box 35 Schneemann, Carolee



Box 112 Audio files--Audio Cassettes



Box 68 Digital files--Floppy Disks (3 ½ inches)



Box 117 Issue



Box 83 Layout



Box 35 Manuscripts and Proofs


Box 35 "The Keepsake" by Kirsty Gunn


Box 35 Proof of Love and Longing in Bombay: Stories by Vikram Chandra, 1997


Box 35 Van Gogh's Bad Café: A Love Story by Frederic Tuten, 1997


Box 35 Watusi Titanic: Poems by Connie Deanovich


Box 35 Wild Kingdon: Poems by Vijay Seshardi, 1996


Portrait Photographs


Box 35 Moody, Rick


Box 35 Unidentified Children and Plants


Publicity Photographs


Box 35 Everyone Says I Love You , 1996


Box 35 Rosewood , 1997


Box 35 When the Cat's Away , undated


Issue 60, 1997 Summer



Box 83 General


Art--Photographs


Box 83 Dill, Lesley, 1994


Box 83 Ireland, David, undated


Box 83 Le Va, Barry, 1990


Box 83 Unidentified Artist, undated


Box 83 Art--Slides--Swansea, Ena



Box 112 Audio files--Audio Cassettes



Box 68, 71, 83 Digital files


Box 68, 71, 83 Floppy Disks (3 ½ inches)


Box 68, 71, 83 Zip Disks



Box 117 Issue



Box 83 Layout


Portrait Photographs


Box 83 Agha Shahid Ali


Box 83 Harris, Emmylou


Box 83 Mehldau, Brad


Printed Material


Box 83 Artist's Catalog--Le Va, Barry, 1996


Box 83 Exhibition Catalog--"Paradise Alley" by Jane Dickson, 1996


Box 83 Playbill--The Last Night of Ballyhoo at the Helen Hayes Theatre, undated


Publicity Photographs


Box 83 The Designated Mourner , undated


Box 83 Gridlock'd , 1996


Box 83 The Hairy Ape--Wooster Group Theatre Production, undated


Box 83 When We Were Kings , undated


Box 83 Unidentified Film, undated


Issue 61, 1997 Fall



Box 4, 96 General



Box 112 Audio files--Audio Cassettes


Digital files



Box 4, 9, 71, 96 Floppy Disks (3 ½ inches)



Box 68 Zip Disks



Box 9 Editorial Notes



Box 117 Issue


Manuscripts and Proofs



Box 96 "The Devil's Chimney" by Anne Landsman, 1997



Box 4 The Embroidered Shoes: Stories by Can Xue, 1997 September


Box 4 "Jesus Saves" by Darcey Steinke



Box 96 "The Mercy Street" by Rilla Askew



Box 4 The Skull of Charlotte Corday & Other Stories by Leslie Dick, 1995



Box 96 Photographs--General


Portrait Photographs


Box 96 Horowitz, Richard and Deyhim, Sussan, undated


Box 96 Landsman, Anne, undated


Box 96 Murakami, Haruki, undated



Box 4 Parker, Mary-Louise and Vogel, Paula, undated



Box 96 Printed Material--Playbill--How I Learned to Drive at the Vineyard Theatre, undated


Publicity Photographs



Box 4 Different for Girls , 1996


Box 4 Fast, Cheap & Out of Control , 1997



Box 96 Habit , undated



Box 4 Intimate Relations , undated


Box 4 Mrs. Dalloway , 1996


Issue 62, 1997-1998 Winter



Box 84, 90 General



Box 84 Art--Photographs


Box 84 Pearson, Bruce


Box 84 Prieto, Monique



Box 112 Audio files--Audio Cassettes


Digital files



Box 9, 68, 71, 84 Floppy Disks (3 ½ inches)



Box 68 Zip Disks


Box 68 Editorial Notes



Box 118 Issue



Box 84 Manuscripts and Proofs


Box 84 "The Fiery Pantheon" by Nancy Lehman


Box 84 "A Heart so White" by Javier Marias, 1995


Box 84 "Jack Maggs" by Peter Carey, 1998


Box 84 Portrait Photograph--Amis, Martin


Printed Material



Box 90 Artist's Catalog--Murray, Elizabeth



Box 84 Playbill--A Madhouse in Goa at the Second Stage Theatre, 1997 November


Publicity Photographs


Box 84 Bent, 1997 (film), 1997


Box 84 The Kingdom II , undated


Box 84 A Madhouse in Goa , 1997 November


Box 84 Welcome to Sarajevo , 1997


Issue 63, 1998 Spring



Box 79 General



Box 112 Audio files--Audio Cassettes



Box 68, 79 Digital files


Box 68, 79 Floppy Disks, 3 ½ inches


Box 68, 79 Zip Disks



Box 118 Issue


Manuscripts and Proofs



Box 25 "Quarantine" by Jim Crace, 1997



Box 79 Remote Feed: Stories by David Gilbert


Portrait Photographs


Box 79 General


Box 79 Howard, Maureen, 1998


Publicity Photographs


Box 79 General


Box 79 Men with Guns , 1997


Issue 64, 1998 Summer



Box 9 General



Box 112 Audio files--Audio Cassettes


Box 112 Digital files--Floppy Disks (3 ½ inches)



Box 68 Digital files--Zip Disks



Box 118 Issue


Issue 65, 1998 Fall



Box 17 General



Box 112 Audio files--Audio Cassettes



Box 9, 12, 17 Digital files--Floppy Disks (3 ½ inches)



Box 68 Digital files--Zip Disks


Box 68 Editorial Notes



Box 118 Issue


Portrait Photographs



Box 12 Grimsely, Jim, undated



Box 17 Ozick, Cynthia, undated


Box 17 Publicity Slides--Apt Pupil


Issue 66, 1998-1999 Winter, 1998-1999



Box 76, 91 General



Box 91 Art--Photographs


Box 91 English, Simon


Box 91 Kerlin, Sherry



Box 113 Audio files--Audio Cassettes



Box 71 Digital files--CD-R



Box 76 Digital files--Floppy Disks (3 ½ inches)



Box 71 Digital files--Zip Disks



Box 118 Issue



Box 1 Layout



Box 91 Printed Material--Journal. Amnesia Vol. 5 no. 48, 1998


Publicity Photographs


Box 91 Beloved , undated


Box 91 The Celebration , 1998 October


Box 91 Central Station , undated


Box 91 Daryl Roth Theatre, undated



Box 76 George Wallace , 1997


Issue 67, 1999 Spring



Box 24, 75 General



Box 113 Audio files--Audio Cassettes



Box 75 Digital files--Floppy Disks (3 ½ inches)



Box 68, 71 Digital files--Zip Disks



Box 118 Issue



Box 80, 81 Layout



Box 75 Portrait Photographs--Warner, Alan, 1999


Box 75 Publicity Photographs--Hallelujah! Ron Athey: A Story of Deliverance , undated



Box 24 Publicity Photographs--Wanamaker, Zoe and Taylor, Myra Lucretia, undated


Issue 68, 1999 Summer



Box 51 General


Box 51 Art--Photographs



Box 113 Audio files--Audio Cassettes



Box 51, 71 Digital files--Floppy Disks (3 ½ inches)



Box 68, 71 Digital files--Zip Disks



Box 118 Issue



Box 80 Layout



Box 51 Portrait Photographs--Hahn, Kimilo, undated


Box 51 Printed Material--Playbill--Ashes to Ashes Roundabout Theatre Company, undated


Publicity Photographs


Box 51 Ashes to Ashes Roundabout Theatre Company, undated


Box 51 Cookie's Fortune , 1999


Box 51 The Icemen Cometh Brooks Atkinson Theatre, undated


Issue 69, 1999 Fall


Box 51 General


Audio files--Audio Cassette



Box 113 General



Box 48 Cezair-Thompson, Margaret


Box 48 Ginzberg, Carlo


Box 48 Rand, Archie


Box 48 Said, Edward, 1999 July 22



Box 71 Digital files--CD-R



Box 48, 71 Digital files--Floppy Disks (3 ½ inches)



Box 68, 71 Digital files--Zip Disks



Box 118 Issue



Box 81 Layout



Box 48 Portrait Photographs


Box 48 Anderson, Laurie, undated


Box 48 Cezair-Thompson, Margaret, undated


Box 48 Estep, Maggie, undated


Box 48 Gray, Macy, 1999


Box 48 Harvey, P.J., undated


Box 48 Lhasa, undated


Box 48 Poirier, Mark Jude, undated


Publicity Photographs


Box 48 Acid House , 1998?


Box 48 Affliction , undated


Box 48 Being John Malkovich , 1999


Box 48 Cookie's Fortune , 1999


Box 48 George Wallace , 1997


Box 48 Happy, Texas , 1999


Issue 70, 1999-2000 Winter (Americas), 1999-2000



Box 53 General



Box 113 Audio files--Audio Cassettes



Box 71 Digital files--CD-R


Box 71 Issue



Box 81 Layout



Box 53 Portrait Photographs


Box 53 Baca, Susan, 1997


Box 53 Cura, Jose, undated


Printed Material


Box 53 Journals--Vice Versa number 58, 1998 March


Pamphlets


Box 53 "Escuela Nueva" by Juan Manuel Echavarria, 1999


Box 53 "Menu" by Siobhan Gunning, Sean Laurenz, and Claire Clark, recipes by James Emanuel, 2000


Issue 71, 2000 Spring



Box 38, 64 General


Art


Box 38, 64 Moss, Stanley, 1987 February (Inscribed by the artist to Betsy Sussler), 1987 February


Box 38, 64 Rinn, Rivka, undated


Box 38, 64 Art--Photographs--Museu de Serralves, Oporto, Portugal, undated



Box 113 Audio files--Audio Cassettes



Box 71 Digital files--CD-R



Box 38 Digital files--Floppy Disks (3 ½ inches)



Box 68 Digital files--Zip Disks



Box 118 Issue



Box 64 Manuscripts and Proofs


Box 64 Photographs--General


Portrait Photographs



Box 38 After Life


Box 38 Blade, Brian, undated


Box 38 Blakely, Diann, 1999-2000


Box 38 Burton, Abraham, undated


Box 38 Dangor, Achmat, 1999


Box 38 Douglas, Ellen, undated


Box 38 Evans, Bill, undated


Box 38 Evora, Cesaria, undated


Box 38 Galaxy Craze, undated


Box 38 Goldberg, Rose Lee, undated


Box 38 Gray, Macy, undated


Box 38 Guralnick, Peter, undated


Box 38 Hahn, Kimiko, undated


Box 38 Harvey, P.J., undated


Box 38 Homes, A.M., 1999


Box 38 Lhasa, undated


Box 38 Montero, Maya, 1999 May


Box 38 Ondaatje, Michael, undated


Box 38 Ribot, Marc, undated


Box 38 Richard, Mark, 1998


Box 38 Said, Edward, undated


Box 38 Soloff, Lew, 1999


Box 38 Toe 2000 Truckstop, undated, 2000, undated


Box 38 Winchester, Simon, 1998


Box 38 Unidentified Individuals


Printed Material--Pamphlets


Box 38 "Androscoggin Too: The Pejepscot Poems" by Robert M. Chute (Inscribed by the author to Betsy Sussler), 1997


Box 38 "Elliot Schwartz: Selected Photographs,", 1980-1996


Box 38 "Karen Gunderson: Night Garden Sunflowers,", 1994


Box 38 "Jo Baer: Four Drawings," with a Commentary by Jo Baer and Bruce Robbins, 1993


Box 38 "Space Site Intervention: Situating Installation Art,", undated


Box 38 Printed Material--Playbill--Angels in America: Perestroika Walter Kerr Theater, 1994


Publicity Photographs


Box 38 Americanos Latino Life in the United States, undated


Box 38 Apt Pupil , 1998


Box 38 Ashes to Ashes" Roundabout Theatre Company, undated


Box 38 Beloved , 1990


Box 38 The Celebration , 1998


Box 38 Central Station , 1998


Box 38 Cookie's Fortune , 1999


Box 38 Condo Painting , 2000


Box 38 De La Guardia, Daryl Roth Theatre


Box 38 Elektra , undated


Box 38 The Glass Menagerie Yale Repertory Theater, 1999


Box 38 George Wallace , 1997


Box 38 The Iceman Cometh Brooks Atkinson Theatre, undated


Box 38 On the Ropes , 1999


Box 38 Potente, Franka, undated


Box 38 Wanamaker, Zoe, undated


Issue 72, 2000 Summer



Box 64 General



Box 113 Audio files


Box 113 Audio Cassettes


Box 113 Mini Disks



Box 71 Digital files


Box 71 CD-R


Box 71 Floppy Disks (3 ½ inches)



Box 68 Digital files--Zip Disks



Box 118 Issue



Box 64 Manuscripts and Proofs


Box 64 Portrait Photographs


Box 64 Publicity Photographs


Issue 73, 2000 Fall



Box 1 General



Box 113 Audio files


Box 113 Audio Cassettes


Box 113 Mini Disks



Box 71 Digital files


Box 71 CD-R


Box 71 Floppy Disks (3 ½ inches)



Box 118 Issue


Issue 74, 2000-2001 Winter



Box 104 General



Box 113 Audio files


Box 113 Audio Cassettes


Box 113 Mini Disks



Box 71 Digital files--CD-R



Box 71, 104 Digital files--Floppy Disks (3 ½ inches)



Box 118 Issue



Box 104 Manuscripts and Proofs


Box 104 Choke by Chuck Palahniuk, 2000


Box 104 Investigating Sex: Surrealist Research, 1928-1932 edited by Jose Pierre, undated


Box 104 Racism 101 by Nikki Giovanni, undated


Box 104 Portrait Photographs--Goldman, Francisco, undated


Issue 75, 2001 Spring



Box 62 General


Box 62 Art--Photographs--Mead, George, 2000



Box 113 Audio files


Box 113 Audio Cassettes


Box 113 Mini Disks



Box 71 Digital files--CD-R



Box 62 Digital files--Floppy Disks % (3 ½ inches)



Box 118 Issue



Box 62 Publicity Photographs--Kippur , 2000


Issue 76, 2001 Summer



Box 6 General



Box 113 Audio files--Audio Cassettes


Box 113 Digital files--Zip Disks



Box 118 Issue 77, 2001 Fall



Box 60 General



Box 118 Issue



Box 60 Manuscripts and Proofs--Creatures of Habit: Stories by Jill McCorkle, 2001


Issue 78, 2001-2002 Winter (Americas), 2001-2002 Winter



Box 55 General



Box 113 Audio files


Box 113 Audio Cassettes


Box 113 Mini Disks



Box 9 Correspondence with Authors



Box 118 Issue



Box 60 Manuscripts and Proofs


Box 60 El Arma En El Hombre by Horacio Castellanos Moya (Inscribed by the author to Betsy Sussler), 2001


Box 60 Deep Design: Nine Little Art Histories by Libby Lumpkin, undated


Box 60 Flying: Practical Training for Beginners by Luca Buvoli, undated


Box 60 Sleepless Nights by Oliver Herring, undated



Box 55 Portrait Photographs--Company Segundo, undated


Printed Material--Artist's Catalogs, 2000-2001


Box 55 Funt, John


Box 55 Henriques, Anna Ruth


Box 55 James, Merlin


Box 55 Martins, Sylvia


Box 55 Murray, Elizabeth


Box 55 Nauman, Bruce


Box 55 Palacios, Ana Patricia


Box 55 Stephan, Gary


Box 55 Tomaselli, Fred


Box 55 Wilson, Jane


Box 55 Printed Material--Exhibition Catalogs, 1999-2003


Box 55 Printed Material--Journal--Latin American Literature and Arts,No. 65, 2002 Fall, 2002


Issue 79, 2002 Spring



Box 7 General



Box 113 Audio files--Audio Cassettes



Box 71 Digital files--CD-R



Box 7 Digital files--Floppy Disks (3 ½ inches)



Box 68 Digital files--Zip Disks



Box 118 Issue


Issue 80, 2002 Summer



Box 108 General



Box 113 Audio files--Audio Cassettes



Box 71 Digital files--CD-R



Box 108 Digital files--Floppy Disks (3 ½ inches)



Box 118 Issue



Box 108 Printed Material--Pamphlet--Un Studio, undated


Issue 81, 2002 Fall



Box 42 General



Box 113 Audio files--Audio Cassettes



Box 119 Issue



Box 42 Manuscripts and Proofs


Box 42 "Where do We Live" by Christopher Shinn, undated


Box 42 "What Didn't Happen" by Christopher Shinn, undated


Box 42 "The Coming World" by Christopher Shinn, undated


Box 42 "Other People" by Christopher Shinn, undated


Box 42 Printed Material--Program--"Three Tales" by Steve Reich and Beryl Korot


Issue 82, 2002-2003 Winter (Americas), 2002-2003 Winter



Box 43, 49 General



Box 113 Audio files--Audio Cassettes



Box 49 Audio/Visual Material--VHS Tape. Steve Reich and Beryl Korot, Three Excerpts from "Three Tales"



Box 119 Issue


Issue 83, 2003 Spring



Box 34 General



Box 113 Audio files--Audio Cassettes



Box 119 Issue


Issue 84, 2003 Summer



Box 11 General



Box 113 Audio files


Box 113 Audio Cassettes


Box 113 Mini Disks


Box 113 Digital files--CD-R



Box 68 Digital files--Zip Disks



Box 119 Issue



Box 11 Portrait Photographs--Khoury-Ghata, Venus, undated


Issue 85, 2003 Fall



Box 66 General



Box 113 Audio files--Audio Cassettes


Box 113 Audio files--Mini Disks


Box 113 Digital files--CD-R


Box 113 Digital files--Floppy Disks (3 ½ inches)



Box 66 Issue


Box 66 Printed Material--Exhibition Catalogs--ICI (Independent Curators International): New Traveling Exhibitions of Contemporary Art, 2003


Issue 86, 2003-2004 Winter (Americas), 2003-2004 Winter



Box 58 General



Box 43 Art--Photographs--Nechvatal, Joseph



Box 113 Audio files



Box 43 Audio Cassettes


Box 43 Mini Disks


Box 43 Digital files--CD-R



Box 119 Issue



Box 58 Layout



Box 43 Printed Material--Artist's Catalogs--Nechvatal, Joseph


Printed Material--Pamphlets


Box 43 "Evoking a Caribbean" by Annalee Davis, undated


Box 43 "White Skin, Black Kin: Speaking the Unspeakable" by Joscelyn Gardner, An Intervention into the Barbados Museum Galleries, 2004


Issue 87, 2004 Spring



Box 41 General



Box 113 Audio files


Box 113 Audio Cassettes


Box 113 Mini Disks


Box 113 Digital files--CD-R



Box 19 Issue



Box 41 Portrait Photographs--Farah, Nuruddin, undated


Box 41 Printed Material--Book jacket for Links by Nuruddin Farah


Box 41 Printed Material--Artist's Catalogs--Schatz, Chan, 2002-2003


Issue 88, 2004 Summer


Box 41 General



Box 113 Audio files--Audio Cassettes--General



Box 47 Audio files--Audio Cassette--Leth, Jordon



Box 113 Audio files--Mini Disks


Box 113 Digital files--CD-R



Box 119 Issue



Box 47 Printed Material--Journal--Poets & Writers Magazine, 2004 May-June


Issue 89, 2004 Fall



Box 13 General


Box 13 Digital files--CD-R. BOMB Ads



Box 119 Issue



Box 13 Printed Material--Journal--Canadian Art , 2004 Spring


Box 13 Printed Material--Pamphlet--Tarnation a film by Jonathan Caouette, undated


Issue 90, Winter, 2004/2005



Box 77 General



Box 119 Issue



Box 77 Portrait Photographs--Unidentified Man, undated



Box 126 Letters Notes 2004 Contributions, 2004


Box 126 Americas 05 (Editorial)


Box 126 Dancing Wisdom by Yvonne Daniel


Box 126 Conscripts of Modernity: The Tragedy of Colonial Enlightenment by David Scott


Issue 91, Spring, 2005



Box 119 Issue



Box 126 Artists on Artists: Rackstraw Downes on Rudy Burckhardt


Box 126 Artists on Artists: Christine Hill on Danica Phelps


Box 126 "Whitfield Lovell" by Tom Otterness


Box 126 Cecily Brown -- Cover


Box 126 Editor's Choice


Box 126 Interview: Julie Mehretu by Lawrence Chua


Box 126 Interview: Bruce Mau by Kathryn Simon


Box 126 Interview: Brad Cloepfil by Stuart Horodner


Box 126 Interview: Constant by Linda Boersma


Box 126 Interview: Robert Antoni by Lawrence Scott


Box 126 Artists on Artists: Angus Cook on Adam McEwen


Box 126 Interview: Kiyoshi Kurosawa by Jim O'Rourke


Box 126 Interview: Roscoe Mitchell by Anthony Coleman


Box 126 Interview: Pearl Abraham by Aryeh Lev Stollman


Box 126 Artists on Artists: Carlos Brillembourg on Guillermo Kuitca


Box 126 Trinie Dalton -- Spring 05


Box 126 "In Love Blood Shall Flow" by Steve Almond (Spring 05)


Box 126 "Lake Hollywood" by Jacob Forman


Box 126 Kimiko Hahn -- SP 05


Box 126 Mei Chin


Box 126 Alexander Theroux


Box 126 Joy Katz


Box 126 Sidney Wade Spring or Summer


Box 126 Hernán Bravovalera, trs. Michael Dietz


Box 126 Draft of Issue


Issue 92, Summer, 2005



Box 119 Issue



Box 127 John Newman


Box 127 Artists on Artists: Don Shillingburg on Beth Campbell


Box 127 Artists on Artists: Nancy Barton on Sue de Beer


Box 127 Paul Ramírez-Jonas


Box 127 A Ver -- Profiles and Positions


Box 127 Editor's Choice


Box 127 Interview: Luc Tuymans by Kerry James Marshall


Box 127 Interview: Paul Chan by Nell McClister


Box 127 Interview: Allan Sekula by Edward Dimendberg


Box 127 Interview: Heather McHugh by Matthea Harvey


Box 127 Interview: Susan Wheeler by Robert Polito


Box 127 Interview: Tony Conrad by Jay Sanders


Box 127 Interview: George Steel by William Wegman


Box 127 Interview: Miranda July by Rachel Kushner


Box 127 Interview: Carolyn Cantor by Betsy Sussler


Box 127 "Slam Gram" by Mary Morris


Box 127 "The Proposal" by Michael O'Keefe


Box 127 Mark Swartz


Box 127 "Nine Come" by Elana Greenfield


Box 127 "She's Not Here" by Peter Orner


Box 127 Short Stories by Mark Magill


Box 127 Heather McHugh


Box 127 Patricia Spears Jones


Box 127 First Proof Proofs


Issue 93, Fall, 2005



Box 119 Issue



Box 127 Artists on Artists: Lucy Raven on Adam Helms


Box 127 Artists on Artists: Barry Schwabsky on Stanley Whitney


Box 127 Artists on Artists: Saul Ostrow on Jon Kessler


Box 127 Artists on Artists: Jan Estep on Clarence Morgan


Box 127 Editor's Corner


Box 127 Editor's Choice


Box 127 Forrest Gander and Eliot Weinberger in Conversation


Box 127 Interview: Lionel Shriver by Jenefer Shute


Box 127 Lincoln Perry's Charlottesville: An Essay by Ann Beattie


Box 127 Interview: Jennifer Bartlett by Elizabeth Murray


Box 127 Interview: Jennifer Bartlett by Elizabeth Murray (2)


Box 127 Interview: Arturo Herrera by Josiah McElheny


Box 127 Interview: Yinka Shonibare by Anthony Downey


Box 127 Interview: Noah Baumbach by Jonathan Lethem



Box 128 Issue 93, Fall, 2005


Box 128 George Lewis


Box 128 Interview: David Rabe by Evangeline Morphos


Box 128 "From American Genius, A Comedy" by Lynne Tillman


Box 128 Poems by Peter Gizzi


Box 128 "One Marvelous Thing" by Rikki Ducornet


Box 128 Poems by Laurie Blauner


Box 128 Anouar Benmalek trs. by Suzanne Ruta (Fall)


Box 128 Excerpts from Waves Empty on the Tongue by Elena Alexander


Box 128 Poems by Brenda Shaughnessy


Box 128 Poems by Tomaz Salamun


Box 128 "Teachable Moment" by Pierre Hauser


Issue 94, Winter, 05/06


Box 128 Cover/Miscellaneous


Box 128 Contributors' Biographies


Box 128 Dr. Lakra


Box 128 Artists on Artists: John Phillip Santos on Rolando Briseño


Box 128 Priscilla Monge by Tamara Diaz Bringas (trs. Ezra Fitz)


Box 128 Artists on Artists: Frances Richard on Laureana Toledo


Box 128 Interview: Plastilina Mosh (Alejandro Rosso) by Erasmo Guerra


Box 128 Interview: Andy Palacio by Chris Cozier


Box 128 Interview: Pedro Reyes by Tatiana Cuevas


Box 128 Interview: Regina José Galindo by Francisco Goldman


Box 128 Interview: Pablo Vargas Lugo by Rubén Gallo


Box 128 Interview: José Castillo by Carlos Brillembourg


Box 128 Interview: Julieta Campos by Danubio Torres Fierro


Box 128 Interview: Daniel Sada by Jose Manuel Prieto


Box 128 Interview: José Luis Rivas by Mónica de la Torre


Box 128 Interview: Beto Gomez by Carlos Gutierrez


Box 128 Short Stories by Bernardo Esquinca


Box 128 "Meteors" by Alvaro Enrigue (trs. Tanya Huntington)


Box 128 Poems by Julián Herbert


Box 128 Excerpts from Porque Parece Mentira La Verdad Nunca Se Sabe by Daniel Sada


Box 128 Fragment from "The Sands of Shipwreck" by Julieta Campos


Box 128 "A Season in Paradise" by Jose Luis Rivas


Box 128 Short stories by Guillermo Fadaneli


Box 128 Short stories by Eloy Urroz


Box 128 Americas '06 -- Editor's Notes


Box 128 Miscellaneous


Box 128 Changes Entered


Box 128 In Design Changes


Box 128 Changes to Enter


Box 128 Fact-Check #94


Issue 95, Spring, 2006



Box 129 Editor's Choice


Box 129 Artists on Artists: James Casebere on Brian Wood


Box 129 On the Cover: Louise Lawler by Jim Welling


Box 129 Artists on Artists: Andrea Means on Corban Walker


Box 129 Artists on Artists: Keith May erson on Randy Wray


Box 129 Artists on Artists: David Salle on Kate Manheim


Box 129 Interview: Paula Fox by Lynne Tillman


Box 129 Interview: Bernard-Henri Lévy y Frederic Tuten


Box 129 Interview: Tacita Dean by Jeffrey Eugenides


Box 129 Interview: Harrell Fletcher by Allan McCollum


Box 129 Interview: Dana Schutz by Mei Chin


Box 129 Interview: Adam Rapp by Marsha Norman


Box 129 Interview: Judd Ne'eman by Janet Burstein


Box 129 Interview: Antony by Charles Atlas


Box 129 Short Stories by Roberto Bolaño


Box 129 Short Stories by Etgar Keret


Box 129 Poems by Matthea Harvey


Box 129 "The Good Darkey" by Ned Sublette (adapted from The Year Before the Flood: Music, Murder, and the Legacy of Slavery in New Orleans )


Box 129 New Orleans Stories


Box 129 Poems by Delisa Mulkey


Box 129 Poems by Juan Carlos Galeano (trs. James Kimbrell


Box 129 Excerpt from Birds in Fall by Brad Kessler


Box 129 First Proof: Willy Monaghan


Box 129 FP Proofs


Box 129 Bluelines


Issue 96, Summer 2006


Box 129 B96 Editor's Choice


Box 129 Artists on Artists: John Miller on Nicolás Guagnini


Box 129 Steven Charles by Dona Nelson


Box 129 Artists on Artists: Mimi Thompson and Keith Sonnier on Luis Lleo


Box 129 Artists on Artists: Tony Fitzpatrick


Box 129 Photographs by Jason Langer


Box 129 Interview: Jesper Just by Rose Lee Goldberg


Box 129 Interview: Jane Dickson by Liz Larner


Box 129 Interview: Bernard Piffaretti by Joe Fyfe


Box 129 Interview: Tony Oursler by Alan Licht


Box 129 Interview: Anthony Coleman by Michael Goldberg



Box 130 Issue 96, Summer, 2006


Box 130 Colm Tóibín and Chris Abani in Conversation


Box 130 Interview: Kimiko Hahn by Laurie Sheck


Box 130 Interview: Mei Mei Berssenbrugge by Michèle Gerber Klein


Box 130 Interview: William Forsythe b Gabriella de Ferrari


Box 130 Interview: Park Chanwook by Esther Chae


Box 130 Interview: AR Gurne by Romulus Linney


Box 130 Excerpt from Feelings are Facts (MIT Press), "First Proof" by Yvonne Rainer


Box 130 "A Measure of Respect" by Kelvin Christopher James


Box 130 Poems by Dana Caspersen


Box 130 Poems by Dennis Cooper


Box 130 "Gifts from New Orleans" by Guy Gallo


Box 130 "The Strange Case of Rachel K" by Rachel Kushner


Issue 97, Fall, 2006


Box 130 BOMB 97 Front Matter


Box 130 Editor's Choice


Box 130 Artists on Artists


Box 130 Interview: Theresa Rebeck by Evangeline Morphos


Box 130 Interview: Judith Linhares by Madison Smartt Bell


Box 130 Interview: William Katavalos by Deborah Gans



Box 131 Nichole Argo and Omar Amanat


Box 131 Interview: Lynne Tillman by Geoffrey O'Brien


Box 131 Interview: Steven Shainberg by Andy Fierberg


Box 131 Interview: Anthony McCall by Graham Ellard and Stephen Johnstone


Box 131 Interview: Tod Papageorge by Rick Woodward


Box 131 Interview: Amina Claudine Myers by George Lewis


Box 131 "Nabokov's Matches" by Sasha Chavchavadze


Box 131 First Proof


Issue 98, Winter, 2007


Box 131 Front Matter and Layout


Box 131 Proofreading (finished)


Box 131 Artists on Artists: Bill FitzGibbons on Alex Rubio


Box 131 Artists on Artists: Roberto Juarez on Paul Henry Ramirez


Box 131 Artists on Artists: Trinie Dalton on Minerva Cuevas


Box 131 Interview: Gronk by Marisela Norte


Interview: Salvador Plascencia by Max Benavidez



Box 132 Issue 98, Winter, 2007


Box 132 Interview: Virginia Fields by Constance Cortez


Box 132 "Margo in the City of Equivocation" by Álvaro Enrigue


Box 132 Interview: Doña Julia Casimiro by Jesuita Natalia Pineda Casimiro


Box 132 Interview: Jorge Hernandez by Josh Kun


Box 132 Interview: Cherríe Moraga by Adelina Anthony


Box 132 Interview: Gabriel Orozco by Carmen Boullosa


Box 132 Interview: Alberto Kalach by Jose Castillo


Box 132 First Proof #98


Box 132 Performa 05


Box 132 Plate Betsy's


Box 132 Toc Fetch and Tricia Cline


Box 132 Miscellaneous Correspondence


Issue 99, Spring, 2007


Box 132 "The Great Lawn" by Iris Smyles


Box 132 An Excerpt from I'Jaam: An Iraqi Rhapsody by Sinan Antoon


Box 132 "Belisario" by Virgilio Piñera (trs. Mark Schafer)


Box 132 Short Stories by Ben Ehrenreich


Box 132 Excerpts from Like Son by Felicia Luna Lemus


Box 132 Poems by Patricia Carlin


Box 132 First Proof Issue 99


Box 132 Finals on Ads and Mail Contacts


Box 132 Short Stories by Ali Bujnowski


Box 132 Poems by Amanda Aucther


Box 132 "The Portrait" by Mary Morris


Box 132 Photographs by Gerald Slota


Box 132 Interview: Lore Segal by Han Ong


Box 132 Interview: John Turturro by June Stein


Box 132 Interview: Robert Polidori by Michele Gerber Klein


Box 132 Interview: Sarah Ruhl by Paula Vogel


Box 132 Interview: Reinhold Friedl by Elliott Sharp



Box 133 Issue 99, Spring, 2007


Box 133 Interview: Mary Jordan by Nayland Blake


Box 133 Interview: Cristina García by Chris Abani


Box 133 Interview: Bill Jensen by John Yau


Box 133 Artists on Artists: Steve Kurtz on Doug Ashford


Box 133 Artists on Artists: Steve Kurtz on Doug Ashford (2)


Box 133 Artists on Artists: Marjorie Welish on Joe Fyfe


Box 133 Artists on Artists: Ryan Nole on Rose Garcia


Box 133 Artists on Artists: Bob Holman on Jessica Craig-Martin


Box 133 Editor's Choice


Box 133 Artists on Artists: Amy Sillman on Ellen Berkenblit


Box 133 Front Matter and Layouts


Box 133 Various TOC, Contributors, Ads, Pages from Issue 99


Box 133 F.C. Issue 99


Issue 100, Summer, 2007


Box 133 Front Matter


Box 133 Contributors and TOC Issue 100


Box 133 BOMB Celebrates its 25th Year


Box 133 On the Cover: Jennifer Clifford Danner by Betsy Sussler


Box 133 Editor's Choice (Bas Jan Ader)


Box 133 Editor's Choice (Books)


Box 133 Artists on Artists: Rochelle Feinstein on Pam Lins


Box 133 Artists on Artists: Steve Earle on Robbie Conal


Box 133 Artists on Artists: Trevor Paglen on Nicola López


Box 133 Interview: Karin Mamma by Christian Hawkey


Box 133 Interview: Béla Tarr by Fionn Meade


Box 133 Interview: Peter Nádas by Davis Kovacs


Box 133 Interview: Joe Zucker by Chuck Close


Box 133 Interview: Benedict Mason by George Steel


Box 133 Interview: Kate Valk by Kendall Grady


Box 133 Interview: Kara Walker by Matthea Harvey


Box 133 Interview: Howard Norman by Susan Shreve


Box 133 Excerpts from The Dizzies by Ed Park


Box 133 "In My Yoke Skirt" by Diane Williams


Box 133 Poems by Anne Carson


Box 133 "What Happened Between Us" by Riuka Galchen


Box 133 Excerpts from Incantations: Songs, Spells, and Images by May an Women edited by Ambar Past


Box 133 The Life Room by Jill Bialosky


Box 133 Issue 100 Fact Check


Box 133 Calendar/Planner for 2006 and Miscellaneous Papers, 2006


Box 133 Note of Congratulations from Alexis and the College Art Association Staff


Issue 101, Fall, 2007



Box 134 Aric's Photo's for BOMB 101


Box 134 Issue 101, Fall, 2007


Box 134 Front Matter and Layouts


Box 134 Editor's Choice


Box 134 Artists on Artists


Box 134 Artists on Artists: Joe Fyfe on Andrzej Zielinski


Box 134 Interview: David Malouf by Colm Toibin


Box 134 Interview: Peter Doig by Chris Ofili


Box 134 "Big Dance Theater" by John Haskell


Box 134 Interview: R. Stevie Moore by David Shrigley


Box 134 Interview: Richard Pare by Michèle Gerber Klein


Box 134 Interview: Winter Miller by Evangeline Morphos


Box 134 Manon de Boer and Marine Hugonnier in Conversation


Box 134 Interview: Junot Diaz by Edwidge Danticat


Box 134 The Zero Meter Driving Team by Jim Shepard (A Collection of Short Stories)


Box 134 Interview: Idris Khan by Adam Fuss


Box 134 First Proof: "Fish" by Anu Lakhan


Box 134 First Proof: Harold Schechter


Box 134 "Roof Topped" by Terese Svoboda


Box 134 Administrative files: Minutes and Potential Board


Box 134 Administrative files: Sawn, 12/12/06


Box 134 Administrative files: Consortium


Box 134 Administrative files: Award


Box 134 Administrative files: IPA


Box 134 Interview: Isaac Julien by Martina Kudlacek


Box 134 2006/2007 Message Book of Betsy Sussler


Box 134 Correspondence Related to the Doig/Ofili Interview


Issue 102, Winter, 2008



Box 135 Front Matter


Box 135 Artists on Artists: Laura Lima by Cabelo


Box 135 Artists on Artists: Mario Ramiro on Lucia Koch


Box 135 Artists on Artists: Luis Andrade on Jarbas Lopes


Box 135 Interview: Bernardo Carvalho by Natalia Brizuela


Box 135 Artists on Artists: Botika on Thiago Rocha Pitta


Box 135 Interview: the Campana Bothers (Humberto and Fernando) by Vik Muniz


Box 135 Interview: Cao Guimarães and Marilá Dardot (trs. Odile Cisneros)


Box 135 Interview: Karim Ainoz by Tania Cypriano


Box 135 Os Gémeos and the Campana Brothers


Box 135 Interview: Arnaldo Antunes by Euncanaã Ferraz (trs. Claudio Brandt)


Box 135 Interview: Paulo Mendes da Rocha by Ruth Verde Zein


Box 135 Interview: Francisco Alvim by Antonio Sergio Bessa


Box 135 Interview: Fernanda Gomes by Ernesto Neto


Box 135 First Proof -- Barrão


Box 135 First Proof -- "Alice and the Old Lady" by Cristovão Tezza (trs. Johnny Lorenz)


Box 135 First Proof -- "Fortunate Buddhas" by João Ubaldo Ribeiro


Box 135 First Proof -- Poems by Adélia Prado (trs. Ellen Doré Watson)


Box 135 First Proof -- An Excerpt from Jonas by Patrícia Melo (trs. Clifford E. Landers)


Box 135 First Proof -- Poems by Salgado Maranhão (trs. Alexis Levitin)


Box 135 "Olivia and Xania" by Rubem Fonseca (trs. Clifford E. Landers)


Box 135 FP -- Correspondence Related to Nelida Piñon


Box 135 Lygia Fagundes and Manuel Alegre in Conversation


Box 135 Artists on Artists: Tunga on Otávio Schipper


Box 135 Pile of First Proof Stuff


Box 135 First Proof -- Decio Pignatari


Box 135 First Proof -- "Hunger and the Will to Eat" by Cintia Moscovich (trs. Idra Novey)


Box 135 First Proof -- Poems by Manoel de Barros


Box 135 BRAZIL!


Issue 103, Spring 2008 and Summary, 2008



Box 136 Front Matter


Box 136 Editor's Choice


Box 136 Artists on Artists: James Siena on Chris Martin


Box 136 Artists on Artists: Elka Krajewska on Pôline de Pôlogne


Box 136 Artists on Artists: Betsy Sussler on Rachel Foullon


Box 136 Klava Hobza


Box 136 Interview: Harmony Korine by Richard Bishop


Box 136 Lydia Millet and Jonathan Lethem in Conversation


Box 136 Interview: Steve DiBenedetto by David Humphrey


Box 136 Interview Zachary Lazar by Christopher Sorrentino


Box 136 Interview: Philip Seymour Hoffman by June Stein


Box 136 Interview: Raja Alem by Tom McDonough


Box 136 Interview: Joseph Bartscherer by James Welling


Box 136 Interview: Tav Falco by Erik Morse


Box 136 Interview: Adam Zameenzad by Indran Amirthanayagam


Box 136 First Proof: "Herb and Rosalie Swanson at the Cocoanut Grove" by Peter Orner


Box 136 Poems by Bradford Gray Telford


Box 136 Excerpt from Trauma by Patrick McGrath


Box 136 Poems by Elena Georgiou


Box 136 "Prayer for Some of What Was Lost" by Paul Maliszewski


Box 136 "And It's Hard for Her to Imagine It Now" by Hannah Pittard



Box 137 Issue 103, Spring, 2008


Box 137 "Yes" by Linda Bamber


Box 137 An Excerpt from Alice Invents a Play and Always Wins and "Afterword" by Nick Flynn


Box 137 First Proof Redesign


Box 137 An Excerpt from The Codeswitchers, "Annika Ona: An Introduction"


Box 137 Phone Messages for Betsy Sussler


Box 137 The Random House, Inc. Creative Writing Contest for NYC Public High School Seniors


Box 137 Paul Graham's A Shimmer of Possibility by Tod Papageorge


Issue 104, Summer, 2008


Box 137 Front Matter and Layouts


Box 137 Editor's Choice


Box 137 Deborah Grant


Box 137 Michael Goldberg In Memoriam


Box 137 Artists on Artists: Michèle Gerber Klein on Tristan Perich


Box 137 Artists on Artists: B. Wurtz on Charles Goldman


Box 137 Artists on Artists: Whitfield Lovell on Leslie Hewitt


Box 137 Catherine Sullivan and Meg Stuart in Conversation


Box 137 Interview: Will Eno by Joe Sola


Box 137 Interview: Kalup Linzy by Nick Stillman


Box 137 "Boredoms" (Interview: Yamatsuka Eye by Hisham Bharoocha)


Box 137 Interview: Dara Birnbaum by Karen Kelley and Barbara Schroeder


Box 137 Interview: James Timberlake by Deven Golden


Box 137 Interview" Peter Saul by Saul Ostrow



Box 138 Issue 104, Summer, 2008


Box 138 Interview: Mike David by Lucy Raven


Box 138 Poems by Sally Dawidoff


Box 138 Marjorie Welish


Box 138 The Shanghai Gesture by Gary Indiana


Box 138 Poems by Vincent Katz


Box 138 Short Stories by Christoph Keller and Heinrich Kuhn


Box 138 "Patriots" by Patrick Dacey


Box 138 "House" by Karen Thompson (Fiction Prize Winner)


Box 138 "Some Poblems, Cha-cha-cha" by Fiona Maazel


Box 138 Saltwork by Tom Healy


Box 138 First Proof and Layouts


Issue 105, Fall, 2008


Box 138 Subscription Cards (Holly's Design) and Contributor Notes


Box 138 Editor's Choice


Box 138 Holly Zausner


Box 138 Artists on Artists: Roberto Juarez on Robert Brinker


Box 138 Artists on Artists: Kathryn Andrews on Chris Lipomi


Box 138 Interview: Claire Fontaine by Anthony Huberman


Box 138 Interview: John Giorno by Marcus Boon


Box 138 Interview: Richard Maxwell by John Kelsey


Box 138 Rachel Harrison and Nayland Blake in Conversation


Box 138 Interview: Peter Cole by Ben Lerner


Box 138 "Art Doesn't Come From Ability" (Interview: Roman Singer by Armin Senser, trs. Claudia Steinberg)


Box 138 Interview: Gus Van Sant by Kelly Reichardt


Box 138 Interview: Alan Vega by Matt McCauley and Brain McPeck


Box 138 Downtown Body Postmortem, a Collection of Memories, edited by Ward Shelley



Box 139 Issue 105, Fall, 2008


Box 139 First Proof: Paul Bloodgood


Box 139 "The Poet's Ghost" by Carmen Boullosa, trs. by Samantha Schnee


Box 139 "Captain, Sir, we have plenty of coffee!" by Dubravka Ugresic


Box 139 Poems by Ted Mathys


Box 139 Patricia Cronin Portfolio


Box 139 An Excerpt from Where the Line Bleeds by Jenny Ward


Box 139 An Excerpt from You Are Here, "First Friday in June " by Donald Breckenridge


Box 139 Layouts


Box 139 Sketch for the Downtown Timeline Project Framework


Issue 106, Winter, 2009


Box 139 Alejandro Cesarco by Nicolás Guagnini


Box 139 Artists on Artists: Andrew Moszynski on Fernanda Laguna


Box 139 Artists on Artists: Emma Wilcox on Sebastian Patane Masueli


Box 139 Javier Téllez and Cristóbal Lehyt in Conversation


Box 139 Interview: Jorge Macchi by Edgardo Rudnitzky


Box 139 Interview: Smiljan Radic by Jose Castillo


Box 139 Interview: Lucrecia Martel by Haden Guest


Box 139 Nicanor Parra by Raúl Zurita, trs. Anna Deeny


Box 139 Interview: Guillermo Kuitca by Matias Duville, trs. Margaret Carson


Box 139 Interview: Josefina Guilisasti by Yoshua Okon


Box 139 Interview: César Aira by María Moreno, trs. Philip Penix-Tadsen


Box 139 Interview: Cristina Peri Rossi by Carmen Boullosa


Box 139 Interview: Adrián Dárgelos of the Babasónicos by Laureana Toledo


Box 139 "Venice Without Me (Piazza San Marco)" by María Moreno, trs. by Jessica Ernst


Box 139 Poetry Bomb 106


Box 139 An Excerpt from Mis Dos Mundos by Sergio Chejfec


Box 139 Short Stories by Lina Meruane, trs. Bernadette Walker and Ronald Christ


Box 139 "Ut pictura poesis" by Roberto Echavarren



Box 140 Issue 106, Winter, 2009


Box 140 "Mi vida como un hombre: un diario intimo" by Alan Pauls, trs. Nick Caistor


Box 140 Vincente Grondona


Box 140 Layouts


Box 140 Layouts (2)


Box 140 Layouts (3)


Box 140 Layouts (4)


Issue 107, Spring, 2009


Box 140 Issue 107, Spring 2009 and Summary, 2009


Box 140 Editor's Choice


Box 140 Charcoal Paintings by Joyce Pensato


Box 140 Visual Art by Charles Mary Kubricht


Box 140 Fiction for Driving: "Everything You See Is Real" by Ben Ehrenreich


Box 140 Short Stories by Michael Martone


Box 140 107 Audio


Box 140 Interview: Pauline Oliveros by Cory Arcangel


Box 140 Interview: Roxy Paine by Billie Tsien and Tod Williams


Box 140 Interview: Jacqueline Humphries by Cecily Brown


Box 140 Interview: The Yes Men by Steve Lambert


Box 140 Interview: Eric Kraft by Andrei Codrescu


Box 140 Interview: Matthew Buckingham by Josiah McElheny


Box 140 BOMB Specific: David Clarkson


Box 140 Artists on Artists: Kara Walker on Mickalene Thomas


Box 140 Interview: Mary Gaitskill by Matthew Sharpe


Box 140 Short Stories by Sally Anne Clegg


Box 140 Artists on Artists: Sanford Biggers on Rashid Johnson


Box 140 Interviews: Adam Bartos by AM Homes



Box 141 Issue 107, Spring, 2009


Box 141 "Traveling Fools" by Ana Menéndez


Box 141 Poems by Laura Mullen and Rusty Morrison


Box 141 Emily Jacir


Box 141 First Proof


Issue 108, Summer, 2009


Box 141 Front Matter


Box 141 Editor's Choice


Box 141 Interview: Carrie Mae Weems by Dawoud Bey


Box 141 Interview: Harry Dodge and Stanya Kahn by Mike Smith


Box 141 Interview: Kelly Copper and Pavol Liska (Nature Theater of Oklahoma) by Young Jean Lee


Box 141 Interview: Jacques Roubaud by Marcella Durand


Box 141 Interview: Bill Callahan by Jon Raymond


Box 141 Interview: Nam Le by Charles D'Ambrosio


Box 141 Interview: Guy Maddin by Isabella Rossellini


Box 141 Interview: Joe Bradley by Dike Blair


Box 141 Artists on Artists: Rob Fisher on Michael Combs


Box 141 Artists on Artists: George Negroponte on Dan Wolgers


Box 141 Artists on Artists: Adam Pendleton on Xaviera Simmons


Box 141 Fiction for Driving: "The Bar on Tompkins Square Park: Self Portrait with Blue Horse" by Frederic Tuten


Box 141 "Wayward Sleep" by Tara Goedjen


Box 141 Short Stories from Let the Great World Spin by Colum McCann


Box 141 Visual Art by Adam Simon and Matthew Sharpe


Box 141 Poetry BOMB 108


Issue 109, Fall, 2009


Box 141 Layouts


Box 141 Interview: Joel Shapiro by Michèle Gerber Klein


Box 141 Interview: Rebecca Solnit by Astra Taylor



Box 142 Issue 109, Fall, 2009


Box 142 Interview: Karole Armitage by Lukas Ligeti


Box 142 Interview: Allen Ruppersberg by Cheryl Donegan


Box 142 Interview: Cherien Dabis by June Stein


Box 142 Interview: Thomas Bradshaw by Margo Jefferson


Box 142 Interview: Lydia Peelle by Gillian Welch


Box 142 Artists on Artists: Diana al-Hadid on Tala Madani


Box 142 Artists on Artists: James Siena on Dan Schmidt


Box 142 Micachu by Anni Rossi


Box 142 First Proof Summer, 2009


Box 142 "Scoring Warhol's Screen Tests" by Dean Wareham


Box 142 Interview: So Yong Kim by Ryan Fleck and Bradley Rust Gray


Box 142 Interview: Jennifer Allora and Guillermo Calzadilla by Carlos Motta


Box 142 Visual Art by RH Quaytman


Box 142 Editor's Choice


Box 142 Interview: Eileen Quinland by Walead Beshty


Box 142 Prints of Potential Covers


Box 142 Visual Art by Valerie Belin


Issue 110, Winter, 2010



Box 143 Americas Issue: Venezuela/Colombia/Peru


Box 143 Statement of Ownership Controversy


Box 143 First Proof Winter, 2010


Box 143 Artists on Artists: José Ruiz on Esperanza May obre


Box 143 Lugar a Dudas by José Tomás Giraldo


Box 143 Nascimiento/Lovera by Gabriela Rangel M


Box 143 Interview: Antonieta Sosa by Fanklin Fernández


Box 143 Alvaro Barrios


Box 143 Interview: Antonio Caro by Víctor Manuel Rodríguez


Box 143 Interview: Evelio Rosero by Antonio Ungar, trs. Anne McLean


Box 143 Sergio Fajardo and Giancarlo Mazzanti in Conversation, trs. Phillip Penix-Tadsen


Box 143 Interview: Ana Teresa Torres by Carmen Boullosa


Box 143 Interview: Dulce Gómez by Rafael Castillo Zapata


Box 143 Interview: Carlos Cruz-Diez by Estrellita Brodsky


Box 143 Juan Gabriel Vásquez by Silvana Paternostro


Box 143 Interview: Mario Galeando Toro by Marc Nasdor


Box 143 Interview: Javier Téllez by Pedro Reyes, trs. Jen Hofer


Issue 111, Spring, 2010


Box 143 Interview: Mike Glier by Roberto Juarez


Box 143 Interview: Harvey Shapiro by Maggie Paley


Box 143 Interview: Amanda Ross-Ho by Elad Lassry


Box 143 Web Spread



Box 144 Issue 111, Spring, 2010


Box 144 First Proof


Box 144 Editor's Choice


Box 144 Artists on Artists: Jimbo Blachly on Joanna Malinowska


Box 144 Artists on Artists: Josef Strau on Alex Hubbard


Box 144 BOMB Specific 111


Box 144 Artists on Artists: Minna Proctor by Sharon Harper


Box 144 Interview: TJ Wilcox by Anne Collier


Box 144 Interview: Carlos Reygadas by José Castillo, trs. Camino Detorrela


Box 144 Interview: David Sylvian by Keith Rowe


Box 144 Interview: Sam Lipsyte by Chris Sorrentino


Box 144 Interview: Charles Berstien by Jay Sanders


Box 144 Interview: Edgar Arceneaux by Charles Gaines and Rick Lowe


Box 144 Interview: Patricia Clarkson by Howard Altmann


Box 144 Interview: Guy Ben-Ner by Thom Donovan


Issue 112, Summer, 2010


Box 144 Proof of Issue 112, Summer, 2010


Box 144 Interview: Joan Jonas by Karin Schneider


Box 144 Interview: Dan Asher by Ben Berlow


Box 144 Interview: Alain Mabanckou by Binyavanga Wainaina


Box 144 Interview: Cynthia Hopkins by Annie-B Parson



Box 145 Issue 112, Summer, 2010


Box 145 First Proof


Box 145 Steven's Pictures


Box 145 Front Pages


Box 145 Interview: Jennifer Egan by Heidi Julavits


Box 145 Interview: Elizabeth Streb by AM Homes


Box 145 Interview: Jessica Jackson Horodner


Box 145 Interview: Edward Droste by Rick Moody


Box 145 Editor's Choice


Box 145 "Futurefarmers" by David van der Leer


Box 145 Artists on Artists: Ed Halter on Andrew Lampert


Box 145 Artists on Artists: Stephen Westfall on Cordy Ryman


Box 145 BOMB Specific Summer 2010 Fiona Banner, 2010


Box 145 Interview: Joan Jonas by Karin Schneider (2)


Issue 113, Fall, 2010


Box 145 Editor's Choice


Box 145 Curtis Mitchell (Visual Art and Miscellaneous Articles)


Box 145 BOMB Specific


Box 145 Artists on Artists


Box 145 Interview: Mika Rottenberg by Judy Hudson


Box 145 Interview: Thomas Hirschhorn by Abraham Cruzvillegas


Box 145 Interview: David Toop by Keith Connolly


Box 145 Interview: Adam Philips by Sameer Padania


Box 145 Interview: Fred Tomaselli by David Shields


Box 145 Interview: Charlie Smith by John Reed



Box 146 Issue 113, Fall, 2010


Box 146 Interview: Charlie Smith by John Reed


Box 146 Interview: Charline Von Heyl by Shirley Kaneda


Box 146 Interview: Jan Lauwers by Elizabeth LeCompte


First Proof


Issue 114, Winter, 2011


Box 146 BOMB 114 (Digital), Summary, and Note from Ben Ristow


Box 146 The Leaves of Fate by George Robert Minkoff


Box 146 Interview: Kevin Martin, aka The Bug, by Jace Clayton


Box 146 Interview: Rochelle Feinstein by Justin Lieberman


Box 146 Interview: Sarah Michelson by Ralph Lemon


Box 146 Artists on Artists


Box 146 Editor's Choice


Box 146 Interview: Adam Pendleton by Thom Donavan


Box 146 Interview: Rae Armantrout by Ben Lerner


Box 146 Interview: Gladys Nilsson and James Nutt by Richard Hull


Box 146 Interview: Tristan Garcia by Sandra Laugier, trs. Nicholas Elliott



Box 147 Issue 114, Winter, 2011


Box 147 BOMB 114 Corrections in Layout


Box 147 Interview: Apichatpong Weerasethakul by Lawrence Chua


Box 147 Front Matter


Box 147 Corrections for 114


Box 147 First Proof BOMB 114


Issue 115, Spring, 2011


Box 147 Issue 115, Spring 2011 (Digital), 2011


Box 147 Editor's Choice


Box 147 Artists on Artists


Box 147 Katharina Grosse


Box 147 Interview: Jim Shepard by Christie Hodge


Box 147 Interview: Joe Fyfe by Josh Blackwell


Box 147 Interview: Sebastian Silva by Christian Viveros-Faunes


Box 147 Interview: Luis Camnitzer by Alejandro Cesarco


Box 147 Interview: Sibyl Kempson by Kristen Kosmas


Box 147 Interview: Robert Wyatt by Shadia Mansour


Box 147 Interview: Thomas Pletzinger by Sufjan Stevens, Intro by Sabine Russ


Box 147 Issue 155 Draft


Box 147 Copy Edits


Box 147 Front Matter and Changes to the Entered



Box 148 Issue 115, Spring, 2011


Box 148 Artists on Artists


Box 148 Huma Bhabha


Box 148 First Proof 115


Box 148 Comic Session Issue


Box 148 Interview: Deb Kass


Box 148 Erik Moskowitz and Amanda Trager: Cloud Cuckoo Land


Issue 116, Summer, 2011


Box 148 Artists on Artists


Box 148 BOMB Specific


Box 148 Changes to Enter


Box 148 Paul Dickerson


Box 148 Correction to 114 (Apichatpong Interview)


Box 148 Interview: Francis Alÿs by Carla Faesler, trs. Camino Detorrela


Box 148 Interview: Natalia Almada by Chris Chang


Box 148 Interview: Joanna Newsom by Roy Harper


Box 148 Interview: Binyavanga Wainaina by Rob Spillman


Box 148 Siri Hustvedt and Simon Van Booy in Conversation


Box 148 The Wick


Box 148 Editor's Choice


Box 148 First Proof


Box 148 Interview: Cauleen Smith by Leslie Hewitt


Box 148 Interview: Scott Shepard by Richard Maxwell


Box 148 Artists on Artists: Steve DiBenedetto on Michael Williams116, Summer, 2011


Box 148 Interview: Mickalene Thomas by Sean Landers


Issue 117, Fall, 2011


Box 148 (On top) 117 Proofs


Box 148 117 Proofs


Box 148 Artists on Artists


Box 148 Editor's Choice


Box 148 Front Matter


Box 148 Interview: Clifford Owens by Nick Stillman


Box 148 First Proof


Box 148 BOMB Specific


Box 148 Interview: Peter Eisenman by Carlos Brillembourg


Box 148 Interview: Lisa Yuskavage by Mónica de la Torre


Box 148 Interview: Neil Hagerty by Keith Connolly


Box 148 Sanford Biggers by Terry Adkins



Box 150 Interview: Eve Sussman by Matvej Yankelevich


Box 150 Interview: Kenneth Goldsmith by Marcus Boon


Box 150 Interview: Geoff Dyer by Jonathan Lethem


Box 150 BOMB Issues 90-117, 2005-2011



Box 151 BOMB Live!


Box 151 At the New School -- Winter, 2002


Box 151 Glenn Ligon/Thelma Golden and Betsy Sussler


Box 151 Peter Cole and Edward Hirsch


Box 151 Jonathan Lethem


Box 151 Young Jean Lee


Box 151 Judy Pfaff (2008)


Box 151 Ned Smyth/Keith Sonnier


Box 151 Ned Smyth/Keith Sonnier (2)


Box 151 Ned Smyth/Keith Sonnier, Miscellaneous Notes


Box 151 Matthew Coolidge/Deborah Gans


Box 151 Sharon Hayes/Lawrence Weiner


Box 151 Rackstraw Downes/Philip Lopate, November 2002


BOMB Web Exclusive, 2007-2011


Box 151 Archive Inventory, 2007


Box 151 Interview: Rhys Chatham by Alan Licht


Box 151 Interivew: Silvana Paternostro and Francisco Goldman


Box 151 Interivew: Coco Robicheaux by Ned Sublette


Box 151 Daniel Alarcón, Alex Espinoza, and Gabriela Juaregui in Conversation


Box 151 Interview: Nathan Englander by Rivka Galchen


Box 151 Charles Simic and Tomaz Salamun


Box 151 Interview: Alexsandar Hemon by Deborah Baker


Box 151 2009 Marker, 2009


Box 151 Archive Inventory, 2009


Box 151 Interview: Mitch Epstein by Richard B. Woodward


Box 151 Interview: Rona Pondick by Shirley Kaneda


Box 151 Interview: Ann Lauterbach by John Reed


Box 151 David Korins and Oskar Eustis in Conversation


Box 151 Interview: Tristan Perich by Nick Hallet


Box 151 Francisco Suniaga and Federico Vegas in Conversation


Box 151 Interview: Margaret de Wys by Roberta Louis


Box 151 Interview: Trevor Winkfield by Maggie Paley


Box 151 Interview: Josephine Meckseper by Flavin Judd


Box 151 Interview: Shara Worden by Tim Fite



Box 152 2010 Marker, 2010


Box 152 Web Exclusives, 2010-2011


Box 152 Interview: Tan Lin by Katherine Elaine Sanders


Box 152 Interview: Jace Clayton by Alan Gilbert


Box 152 Interview: Deborah Kass by Irving Sandler


Box 152 Interview: Joe Scanlan by Jeremy Sigler


Box 152 Interview: Jacques Coursil by Jason Weiss


Box 152 Interview: Ralph Bakshi by Morgan Miller


Box 152 Interview: Brain Ulrich by Lynn Saville


Box 152 Interview: Arlene Shechet by Jane Dickson


Box 152 Interview: Adina Hoffman by Deborah Baker


Box 152 Interview: Bette Gordon by Evangeline Morphos


Box 152 2011 Marker, 2011


Box 152 Interview: Maurizio Cattelan by Michèle Gerber Klein


Box 152 Interview: Michael Counts by John Zorn


Box 152 Interview: Martha Wilson by Brian Wheeler


Box 152 Interview: Hans Magnus Enzensberger by Tracy K. Smith


Box 152 "Correspondence" Marker


Box 152 Recent Work BOMB Live


Unpublished files



Box 153 A Conversation Among Gerardo Mosquera, Francis Alÿs, Rafael Ortega, and Cuauhtémoc Medina


Box 153 Angela Hernandez


Box 153 Ani diFranco


Box 153 Lover Boy -- Kevin Bacon


Box 153 Simon Starling


Box 153 Olive Senior


Box 153 Sylvia Plachy


Box 153 Gyorgy Ligeti


Box 153 Artists on Artists: Ellen Harvey


Box 153 Correspondence with Publishers


Box 153 Karole Armitage


Box 153 2006 Fall, 2006


Box 153 Gregory Rabassa


Box 153 Interview: David Sinister by Adam Kleinman


Box 153 John Maeda by Leanne Jouin


Box 153 Interview: Oonya Kempadoo by Harald Leusmann


Box 153 Nameless Interviews


Box 153 Americas Folder Research


Box 153 Stan Douglas


Box 153 Jean Jacques Schuhl


Box 153 Artists on Artists Research Miscellaneous


Box 153 Rose Lee Goldberg


Box 153 PR Only


Box 153 John Kalymnios for AonA by Roberto Juarez 2006-07


Box 153 Teddy Cruz by Paul Ramirez Jonas


Box 153 Thelma Golden


Jessica Stockholder


Subseries II.2: Monographs, 1991-1998

The books are compilations of interviews based upon a specific theme, Art, Fiction and Poetry, and Theater and Film. Editor-in-Chief Betsy Sussler edited the interviews with the assistance of Suzan Sherman and Rone Shavers. Within this series is printed material, in the form of press releases, invitations to book launches, and tickets, as well as correspondence, artist forms, and financial records. Also included, in both paper and digital formats, are manuscript drafts, proofs with accompanying corrections, photographs, and advertising layouts.

Speak Art!Interviews:

Dave Hickey by Saul Ostrow, Eric Fischl by A.M. Homes, Roni Horn by Mimi Thompson, Robert Gober by Craig Gholson, Adam Fuss by Ross Bleckner, Larry Sultan by Catherine Liu, Richard Serra by David Seidner, Sue Williams by David Seidner and Nancy Spero, Ross Bleckner by Aimee Rankin, Vito Acconci by Richard Prince, Kiki Smith by Chuck Close, and Lawrence Weiner by Marjorie Welish

Speak Fiction and Poetry!Interviews:

Michael Ondaatje by Willem Dafoe, John Edgar Wideman by Caryl Phillips, Lucie Brock-Broido by Carole Maso, Russell Banks by Pinkney Benedict, Walter Mosley by Thulani Davis, Jeanette Winterson by Catherine Bush, James Merrill by Tom Bolt, bell hooks by Lawrence Chua, Francine Prose by Deborah Eisenberg, Peter Carey by Robert Polito, Paul Auster by Joseph Mallia, Tobias Wolff by A.M. Homes, Caryl Phillips by Graham Swift, Bradford Morrow by Jim Lewis, Melanie Rae Thon by Caryl Phillips, and Graham Swift by Patrick McGrath.

Speak Theater and Film!Interviews:

Paula Vogel by Mary-Louise Parker, Mike Figgis by Bette Gordon, Arthur Miller by Ron Rifkin, George C. Wolfe by bell hooks, Elizabeth LeCompte by Linda Yablonsky, Anna Deavere Smith by Thulani Davis, Ron Vawter by Jessica Hagedorn, Edward Albee by Craig Lucas, Lee Breuer by Michael Goldberg, Suzan-Lori Parks by Han Ong, Mike Leigh by Bette Gordon, Richard Greenberg by Craig Gholson, Frances McDormand by Willem Dafoe, and Liz Diamond by Marc Robinson.



Box 30 General, 1991


Speak Art! , 1997-1998



Box 57 Benefit Party--General



Box 61, 70 Contracts


Box 61, 70 Correspondence



Box 61, 68, 70 Digital files--Floppy Disks (3 ½ inches)



Box 68 Digital files--Zip Disk



Box 61, 70 Drafts with Corrections


Box 61, 70 Galleys



Box 61, 70, 29 Interviews



Box 61, 70 Layouts



Box 61 Original Manuscript


Box 61 Permission Forms


Speak Fiction and Poetry! , 1997-1998



Box 57 Benefit Party


Box 57 General


Box 57 Photographs



Box 61, 70 Contracts



Box 61, 70, 101 Correspondence



Box 61, 70 Cover



Box 68, 70 Digital files--Floppy Disks (3 ½ inches)



Box 68 Digital files--Zip Disk


Box 68 Drafts with Corrections



Box 101 Galleys with Corrections



Box 61, 70 Mailing Lists


Box 61, 70 Permission Forms


Box 61, 70 Portrait Photographs--Authors


Speak Theater and Film! , 1997-1998



Box 86 Correspondence



Box 68, 70, 82 Digital files


Box 68, 70, 82 Floppy Disks (3 ½ inches)


Box 68, 70, 82 Zip Disks



Box 86 Drafts with Corrections


Box 86 Interviews



Box 86, 101 Galleys



Box 61 Original Manuscript



Box 82 Portrait Photographs


Box 82 Dafoe, Willem


Box 82 Fishburne, Lawrence


Box 82 O'Keefe, Michael


Box 82 Noonan, Tom, 1994


Box 82 Panfilov, Gleb


Box 82 "Tema" (Churikova, Inna)


Box 82 Unidentified Individuals



Box 57, 69 Press Launch (Includes correspondence, press releases, lists, and patron follow-up)



Box 82 Publicity Photograph--The Company of Wolves

Series III: Research Material, 1978-2004

This series is comprised of material that may have been used in the creation of the magazine or the BOMB books, but is not attached to any particular issue. Series III has been arranged by box number. Each box contains material that generally falls into the following categories: manuscripts and proofs of plays, novels, and essays, often with corrections and annotations; printed material, which consists primarily of other arts-based journals and magazines, exhibition catalogues, advertising pamphlets, and artist's catalogs; and photographs and slides of individual pieces of artwork, theatre productions, entire exhibitions, and artists. The documents contained in Series III show the variety of artists and artistic endeavors that BOMB editors considered when compiling potential magazine issues



Box 5 Manuscripts and Proofs--Encyclopedia of Living Artists Eighth Edition, Art Network, 1994


Printed Material


Box 5 Art Issues, 1993-1994


Box 5 Art Book Biannual, A Guide to Exhibition Catalogues and Other Books on Art No. 2, 1994


Artist's Catalogs


Box 5 Alexander, John


Box 5 Andoe, John


Box 5 Bacon, Francis


Box 5 Bertoglio, Edo


Box 5 Blackwell, Patty


Box 5 Borsewicz, Alfonse


Box 5 Botero, Fernando


Box 5 Bruskin, Grisha


Box 5 Cardi, Lorenzo


Box 5 Cohen, Cora


Box 5 Davison, Jean


Box 5 DeSana, Jimmy


Box 5 Desiderio, Vincent


Box 5 Diebenkorn, Richard


Box 5 Drasler, Greg


Box 5 Edelson, Mary Beth


Box 5 Grooms, Red


Box 5 Hoke, Lisa


Box 5 Katz, Alex


Box 5 Kroll, Eric


Box 5 Liddell, Siobham


Box 5 Marcuse, Tanya


Box 5 Mariani, Carlo Maria


Box 5 Munoz, Lucio


Box 5 Oh, Chi-Gyun


Box 5 Pagk, Paul


Box 5 Radford, Matthew


Box 5 Rae, Fiona


Box 5 Rivers, Larry


Box 5 Row, David


Box 5 Shore, Steven


Box 5 Slonem, Hunt


Box 5 Spitzer, Serge


Box 5 Starn, Mike and Doug


Box 5 Tardio, Robert


Box 5 Valdes, Manolo


Box 5 Wahl, Kenneth


Box 5 Webb, Patrick


Box 5 Welliver, Neil


Box 5 Wilson, Jane


Box 5 Yi-yu, Catherine


Box 5 Exhibition Catalogs--General, 1993-1994


Box 5 Exhibition Catalogs--"Assault on the Arts: Culture and Politics in Nazi Germany," New York Public Library, 1993


Box 5 "Fragments of Imaginary Landscapes" by Joan Nelson and Robert Walser, undated


Box 5 Lusitania: A Journal of Reflection and Oceanography No. 5, 1993 Fall


Box 5 M/E/A/N/I/N/G: Contemporary Art Issues No. 14, 1993 November


New Observations


Box 5 Issue 99, 1994 January-February


Box 5 Issue 101, undated


Box 5 Protecting Artists and Their Work: A Summary of Federal and State Laws, 1993 October


Box 5 Rizzoli New York, 1993 Fall, 1993


Box 5 Third World Newsreel 25th Anniversary Catalogue, 1992



Box 16 Manuscripts and Proofs


Box 16 General, 1993-1995


Box 16 "Music for Torching" by A.M. Homes, 1999 January


Box 16 Roughhouse a forthcoming novel by Thaddeus Rutkowski, 1999


Photographs and Slides


Art--Slides


Box 16 Dingle, Kim--Oil Paintings, 1994


Box 16 The Drawing Center--"Pierced Hearts and True Love: A Century of Drawings for Tattoos,", 1995


Box 16 Tomaselli, Fred--Mixed Media Artwork, 1994-1995


Portrait Photographs


Box 16 General, undated


Box 16 "Buried Secrets at the Venice Bienneale" by Bill Viola, 1995


Box 16 Lincoln Center Reception, undated


Printed Material


Box 16 Interview Transcript--David Carrier Talking with Ding Ning, 1998


Pamphlets


Box 16 The Colorist by Susan Daitch Top Stories No. 22, 1985


Playbills, 1993-1998


Box 16 The Winslow Boy a film by David Mamet based on the play by Terrence McNally, undated



Box 23 Manuscripts and Proofs


Box 23 American History Reinvented Photographs by Warren Niedich Aperture, Essays by Linda Day, Reinhold Misselbach, Christopher Phillips, Lew Thomas, and John Welchman, 1989


Box 23 "The Infanta Adventure and the Lost Manet" by Andrew W. Brainerd, 1989 February 28


Box 23 Off the Shelf: A Marketing & Distribution Guide for Independent Literary & Artist Book Publishers edited by Joan Murray, 1989


Box 23 Photographs and Slides--Art--Slides--"Soviet Contemporary Art: The Property of the Kniga Collection, Paris,", 1990 May 5


Printed Material


Artist's Catalogs


Box 23 Alexander, John


Box 23 Baldasano, Felix


Box 23 Bowles, Paul


Box 23 Bowman, John


Box 23 Davies, John


Box 23 Diebenkorn, Richard


Box 23 Fish, Janet


Box 23 Fischer, Lothar


Box 23 Gabriel


Box 23 Gorchov, Ron


Box 23 Gorgoni, Gianfranco


Box 23 Greene, Robert


Box 23 Held, Al


Box 23 Huber, Felix Stephan


Box 23 Ireland, David


Box 23 Kossoff, Leon


Box 23 Kunc, Milan


Box 23 Mullican, Matt


Box 23 Mutal, Lika


Box 23 Nonas, Richard


Box 23 Pasmore, Victor


Box 23 Rauschenberg, Robert


Box 23 Rivers, Larry


Box 23 Sanchez Rubio, Alfonzo


Box 23 Sheehan, Maura


Box 23 Smith, Philip


Box 23 Sultan, Donald


Box 23 Tetherow, Michael


Box 23 Van Alsteine, John


Box 23 Vercruysse, Jan


Box 23 Viaplana, Vicenc


Box 23 Williams, Neil


Box 23 Auction Catalog--"Soviet Contemporary Art: The Property of the Kniga Collection, Paris," Feldman Fine Art Auctioneers, 1990 May 5


Box 23 Exhibition Catalogs, 1988-1990


New Observations


Box 23 No. 60, 1988 September


Box 23 No. 68, 1989 June


Box 23 No. 69, 1989 July-August


Box 23 No., 70, 1989 September


Box 23 Painted Bride Quarterly No. 35, Robert Francis Issue, 1988


Box 23 Le Theatre de la Mode, Edmond Charles-Roux, Herbert R. Lottman, Stanley Garfinkle, Nadine Gasc, Photographs by David Seidner, 1990



Box 31 Audio/Visual files--VHS Tapes--Membranofonismo: Birth of a Movement, Lazaro Gomez Carriles A Film by Jeff Powers, 2002


Manuscripts and Proofs


Box 31 "House Under Snow" by Jill Bialosky, 2002


Box 31 "Instan" by Cecilia Vicuna, 2002


Box 31 "Where the Green Ants Dream: Aspects of Community in Six Parts" by Carol Becker, The Andy Warhol Foundation for the Visual Arts, Paper Series of the Arts, Culture and Society Paper, No. 12, 2002


Photographs and Slides


Box 31 Art--Photographs. Art Installation


Art--Slides.


Box 31 Harper, Sharon--"Flug,", 1997-2000


Box 31 Harper, Sharon--"Moonfall,", 2001


Box 31 Ryan, David--Oil and Wax on Canvas, undated


Portrait Photographs


Box 31 Myers, Max, undated


Box 31 Veloso, Caetano, undated


Printed Material


Box 31 Artist's Catalog--Ledoux, Barry, undated


Box 31 Eyebeam/Atelier Brochure, undated


Box 31 Civitella Ranieri Foundation, 2000


Box 31 The Hugo Boss Prize, Guggenheim Museum, 2002



Box 36 Manuscripts and Proofs


Box 36 Big City Primer: Reading New York at the End of the Twentieth Century Poems by John Yau, Photographs by Bill Barrette, 1991


Box 36 Jean Cocteau: The Mirror and the Mask, A Photo-Biography edited and compiled by Julie Saul, 1992


Box 36 "Predella of Difference" by Michael Young, 1991


Box 36 "Resisting the Dangerous Journey: The Crisis of Journalistic Criticism" by Michael Brenson, The Andy Warhol Foundation for the Visual Arts, Paper Series of the Arts, Culture and Society, No. 4, undated


Box 36 Photographs--Portrait Photographs--Roth, Philip, 1995


Printed Material


Artist's Catalogs


Box 36 Abrams, Michael


Box 36 Bialobroda, Anna


Box 36 Botero, Fernando


Box 36 Caballero, Luis


Box 36 Chadwick, Lynn


Box 36 Chihuly, Dale


Box 36 Georges, Paul


Box 36 Gohlke, Frank


Box 36 Gordillo, Luis


Box 36 Gray, Larry


Box 36 Hambleton, Mary


Box 36 Hepper, Carol


Box 36 Hill, Robin


Box 36 Katz, Alex


Box 36 Krasner, Lee


Box 36 Kuitca, Guillermo


Box 36 Kushner, Robert


Box 36 Melchert, Jim


Box 36 Moss, Stanley


Box 36 Myer, Melissa


Box 36 O'Donnell, Hugh


Box 36 Radford, Matthew


Box 36 Roig, Ramon


Box 36 Sei, Dui


Box 36 Somma, Ossie


Box 36 Tanning, Dorothea


Box 36 Valdes, Manolo


Box 36 Wainio, Carol


Box 36 Watson, Jenny


Box 36 Wei, Zhang


Box 36 Welliver, Neil


Box 36 Whiteman, John


Box 36 Wickiser, Ralph


Box 36 Zeniuk, Jerry


Artist and Influence


Box 36 Vol. VI, Hatch-Billops Collection Inc.


Box 36 Vol. VII, Hatch-Billops Collection Inc.


Box 36 Exhibition Catalogs, 1987-1992


Box 36 "Jodie Foster: Growing Up On-Screen A Retrospective Organized by the Walker Art Center" with an Essay by B. Ruby Rich, 1991


Box 36 Museo D'Arte Contemporanea Prato, Centro Per L'Arte Contemporanea, Luigi Pecci, 1990


Box 36 Press Kit--Sabbath Theater by Philip Roth, undated



Box 67 Manuscript and Proofs


Box 67 "Cream,", 1998


Box 67 Manuscripts by M. Chin, 1989


Box 67 Poems by Ann Lauterbach, 1998


Box 67 Tramp Art: A Folk Art Phenomenon by Helaine Fendelman and Jonathan Taylor, 1999


Photographs and Slides


Box 67 General, undated


Box 67 Art--Photographs--"Art for Lilian Lee, 41,", undated


Art--Slides


Box 67 Dickson, J.--"Saints Grow Up,", 1997 February


Box 67 Taylor, G.--Artwork, 1987


Portrait Photographs


Box 67 Dorfman, Ariel, undated


Box 67 Moffat, undated


Box 67 Plimpton, Martha, undated


Box 67 Unidentified, undated


Printed Material


Artist's Catalogs, 1997-1999


Box 67 Alexander, John


Box 67 Bialobroda, Anna


Box 67 Charles, Michel Ray


Box 67 Downes, Rackstraw


Box 67 Garnet, Eldon


Box 67 Huot, Robert


Box 67 Johnson, Ray


Box 67 Mimran, Patrick


Box 67 Biography--Buvoli, Luca


Box 67 Consortium Book Sales and Distribution Art Catalog, 1998



Box 69 Manuscripts and Proofs


Box 69 "On the Coast: The Life of a Conceptual Artist in San Fransico by Tom Marioni,", undated


Box 69 "Manderlay: Poems" by Rebecca Wolff, 2001 November


Box 69 "Sensuous Theory and Multisensory Media" by Laura V. Marks, 2002


Box 69 A Whistler in the Nightworld edited by Thomas Colchie, undated


Box 69 Untitled Manuscript with an Introduction by Daniel Gluck, undated


Photographs and Slides


Box 69 Art--Slides--Pons, Maria Magdalena Campos, 1998


Portrait Photographs


Box 69 Keen, Robert Earl, undated


Box 69 Unidentified Woman, undated


Printed Material


Box 69 Giovanni Rizzoli, Stadtische Galerie Goppingen, 1996


Box 69 Portfolio of Editorial Work by David Hunt, undated


Box 69 Press Kit--McLuhan's Wake , 2002



Box 85 Digital files--Floppy Disks (5 ¼ inches)


Box 85 Manuscripts and Proofs--Studying the Ground for Holes Poems by Michael Andre, 1978


Photographs and Slides


Art--Photographs


Box 85 Bialobroda, Anna--Paintings, 1989-1990


Box 85 Bialobroda, Anna--"Recreation,", undated


Box 85 Fetting, Rain--Paintings, undated


Box 85 Jacklin, Bill--"The Chess Players (Triptych),", 1986


Box 85 Jacklin, Bill--"Incident on 42nd Street (diptych),", 1988


Box 85 Art--Slides. Bialobroda, Anna--Paintings, 1989-1990


Box 85 Portrait Photograph of Soho, Atco, undated


Printed Material


Artforum International


Box 85 XXIX, No. 1, 1990 September


Box 85 XXIX, No. 3, 1990 November


Artist's Catalogs, 1986-1990


Box 85 Barrette, Bill


Box 85 Botero, Fernando


Box 85 Botts, Gregory


Box 85 Brown, Frederick


Box 85 Cavallon, Giorgio


Box 85 Ess, Barbara


Box 85 Fetting, Rainer


Box 85 Fiskin, Judy


Box 85 Forg, Gunther


Box 85 Garet, Jedd


Box 85 Georges, Paul


Box 85 Highstein, Jean


Box 85 Hodgkin, Howard


Box 85 Jacklin, Bill


Box 85 Janowich, Ron


Box 85 Jaudon, Valerie


Box 85 Kelly, Ellsworth


Box 85 Kolm, Ron


Box 85 Krasner, Lee


Box 85 Larraz, Julio


Box 85 Lobe, Robert


Box 85 Matta-Clark, Gordon


Box 85 Oppenheim, Dennis


Box 85 Porter, Michael


Box 85 Row, David


Box 85 Sicilia, Jose Maria


Box 85 Sultan, Donald


Box 85 Umlauf, Lynn


Box 85 Van Der Zee, James


Box 85 Warhol, Andy


Box 85 Zalopany, Michele


Box 85 Blue Light Red Light, A Periodical of Speculative Fiction and the Arts Vol. 2, No. 1, 1989


Box 85 Code, 1985 February and December, 1985 February


Box 85 Exhibition Catalogs, 1986-1990


Box 85 Ingrid macht eine Weltreise, Puppenbuch No. 3, undated


Box 85 Little, Brown and Company Book Catalog, 1990 September-1991 March


New Observations


Box 85 No. 73, 1990 January-February


Box 85 No. 78, 1990 August-September


Box 85 Poster--Walter De Maria Exhibition, 1989


Box 85 Press Kit--Bialobroda, Anna, 1990


Box 85 Sulfer 24, A Literary Bi-Annual of the Whole Art , undated


Box 85 Survival Research Laboratories S.R.L., Vogelsang, Berlin, undated


Box 85 Story , 1990 Summer


Box 85 TriQuarterly 74 , 1989 Winter


Box 85 Writing 22, Writing Magazine , 1989 Spring



Box 89 Digital files--Floppy Disks (3 ½ inches)


Box 89 Manuscripts and Proofs--"INDECENCY: The Ongoing American Debate Over Sex, Children, Free Speech and Dirty Words by Marjorie Heins, The Andy Warhol Foundation for the Visual Arts, Paper Series of the Arts, Culture and Society, No. 7, 1997


Photographs and Slides


Art--Photographs


Box 89 Corbin, John--"Ginerbadlckowyt,", 1991


Box 89 ArYih, David Ting--Oil and Wax on Linen, 1989-1992


Art--Slides


Box 89 Baril, Tom, undated


Box 89 Galgiani, Phillip, 1990


Box 89 Leo, Vince


Box 89 Ordonez, Sylvia--"1492,", undated


Box 89 Sanchez, Stephanie, 1987-1989


Box 89 Unidentified, undated


Portrait Photographs


Box 89 Alda, Alan, undated


Box 89 Appelfeld, Aharon, 1998


Box 89 Bail, Murray, 1998


Box 89 Blethyn, Brenda, undated


Box 89 Coltrane, Ravi, undated


Box 89 Dyer, Geoff, 1998


Box 89 Earle, Steve, 1997


Box 89 Farah, Nuruddin, undated


Box 89 Gallo, Vincent, undated


Box 89 Garber, undated


Box 89 Gates, David, undated


Box 89 Glissant, Edward, undated


Box 89 Grimsely, Jim, undated


Box 89 Hille, Veda, 1998


Box 89 Hoffman, Yoel, undated


Box 89 Kafka, Franz, undated


Box 89 Kraft, Eric, undated


Box 89 Molina, Alfred, undated


Box 89 Nadas, Peter, 1997


Box 89 Nehamas, Alexander, undated


Box 89 Peck, Dale, undated


Box 89 Powers, Richard, 1998


Box 89 Pugliese, Frank, undated


Box 89 Reed, Lou, 1998


Box 89 Thomn, Melanie Rae, undated


Box 89 Wainwright, Rufus, 1997


Box 89 Williams, Patricia, 1998


Box 89 Unidentified Individuals, undated


Publicity Photographs


Box 89 Amistad Lyric Opera of Chicago, 1997


Box 89 Children of the Revolution ", 1997


Box 89 Driver 23 A Film by Rolf Belgum, undated


Box 89 An Enemy of the People, The Royal National Theatre of Great Britain


Box 89 Gods and Monsters " Sundance, 1998


Box 89 Good Will Hunting , 1997


Box 89 Hoch, Danny-"Jails, Hospitals, & Hip-Hop,", undated


Box 89 Insomnia A Film by Erik Skjoldbjaerg, undated


Box 89 The Kingdom II A Film by Lars von Trier, 1997


Box 89 The Last Night of Ballyhoo, The Helen Hayes Theatre


Box 89 Men with Guns , 1997


Box 89 Ronin , 1998


Box 89 Smith, Roger Guenveur--A Huey P. Newton Story, The Joseph Papp Public Theater


Box 89 La Vita E Bella (Life Is Beautiful) A Film by Roberto Benigni, 1998



Box 92 Manuscripts and Proofs


Box 92 After the Deluge: Essays on Art in the Nineties by Robert C. Morgan, 1993


Box 92 Artist and Influence 1991, Volume X edited by James V. Hatch and Leo Hamalian, 1991


Box 92 "Between a Rock and a Hard Place" by Robert Storr, The Andy Warhol Foundation for the Visual Arts, Paper Series of the Arts, Culture and Society, No. 3, 19, undated


Box 92 "Donald Sultan, Appoggiaturas, Vol. I and II" by Philippe Sergeant, 1992


Box 92 New York Hello! by Vincent Katz and Rudy Burkhardt, 1990


Photographs and Slides


Box 92 Art--Photographs. Artwork at the Andy Warhol Museum, undated


Box 92 Art--Slides. Artwork at the Andy Warhol Museum, undated


Box 92 Portrait Photographs. Hammer, M.C., undated


Printed Material


Box 92 Artforum, Vol. XXIX, No. 10, 1991 Summer, 1991


Artist's Catalogs, 1990-1992


Box 92 Abakanowicz, Magdalena


Box 92 Abrams, Michael


Box 92 Alexander, Joan


Box 92 Arikha, Avigdor


Box 92 Batcheller


Box 92 Balassanian, Sonia


Box 92 Bartlett, Bo


Box 92 Bravo, Claudio


Box 92 Cply


Box 92 Davis, Brad


Box 92 Diamond, Jessica


Box 92 Ess, Barbara


Box 92 Estes, Richard


Box 92 Gellis, Sandy


Box 92 Grooms, Red


Box 92 Gross, Rainer


Box 92 Harms, Robert


Box 92 Harrison, James


Box 92 Hepper, Carol


Box 92 Huebler, Douglas


Box 92 Janowich, Ron


Box 92 Kirili, Alain


Box 92 Maisner, Bernard


Box 92 Malen, Lenore


Box 92 Malinowski, Stephen


Box 92 Melander-Dayton, Joyce


Box 92 Miller, Steve


Box 92 Nelson, Joan


Box 92 Nevrov, Vladimir


Box 92 Ortins, David


Box 92 Rankin, David


Box 92 Rockburne, Dorothea


Box 92 Row, David


Box 92 Rudolph, Joan


Box 92 Saura, Antonio


Box 92 Slonem, Hunt


Box 92 Teraoka, Masami


Box 92 Witkin, Christian


Box 92 Wood, Brian


Box 92 Yamamoto


Box 92 Beatitude, Poetry International Vol. II, 1992


Box 92 Exhibition Catalogs, 1990-1992


Box 92 A Gathering of the Tribes Vol. 1, No. 1, 1991 Fall


Box 92 In New York by Simon Lane, undated


Box 92 The MIT Press Catalog, 1992 Spring, 1992


New Observations


Box 92 No. 86, 1991 November-December


Box 92 No. 87, 1992 January-February


Box 92 Now Time No. 1, 1992


Press Kit


Box 92 Hammer, M.C., undated


Box 92 Andy Warhol Museum, undated


Box 92 Sacred Family/Partisan , 1992 January


Box 92 Shiny, The Magazine of the Future No. 6, 1991 Spring-Summer


Box 92 Virtual Seminar on the Bioapparatus, The Banff Center, 1992



Box 94 Manuscripts and Proofs--"Lillie Seline's Confession (Subtitled: The Wrong Side)" by Larry G. Stenzel, 1982


Photographs


Art--Photographs


Box 94 "MOTIVE/McClard,", undated


Box 94 Liss, Carla, 1981


Box 94 Art--Slides. Umlauf, Lynn, 1994


Portrait Photographs


Box 94 Chaplin, Charlie


Box 94 Warhol, Andy and Burroughs, William, 1980


Box 94 Unidentified Individuals, undated


Publicity Photographs


Box 94 General-Films


Box 94 Busses Roar , 1942


Box 94 Sleepless Nights , undated


Box 94 You Only Live Once , undated


Printed Material


Appearances


Box 94 No. 9, 1983 Spring


Box 94 No. 10, 1983-1984 Winter


Box 94 ArtForum International , 1984 February


Artistes


Box 94 1983 December


Box 94 1984 March


Artist's Catalogs, 1983-1984


Box 94 Dean, Peter


Box 94 Gormley, Anthony


Box 94 Hambleton, Richard


Box 94 Legrady, George


Box 94 Schneemann, Carolee


Box 94 Zakanitch, Robert S.


Box 94 Between C and D, Post Modern Lower East Side Fiction Vol. 1, No. 1, 1984 Winter


Exhibition Catalog


Box 94 Chicago International Art Exposition, 1984


Box 94 Directions 1983 Organized by Phyllis Rosenzweig, Hirshhorn Museum and Sculpture Garden, 1983


Box 94 Framework, A Film Journal Issue 23, 1983 Summer


Box 94 Gandhabba Vol. 1, No. 1, 1984 January


Box 94 Guest Editor Vol. 1, No. 1, 1984 Winter


Box 94 High Performance Vol. 7, No. 2, 1984


Box 94 MOA, Magazine of the Arts Vol. 1, No. 1, 1984 February


Box 94 The Poetry Project Newsletter No. 107, 1984 May


Posters


Box 94 Crossroads and Street Angel at The Collective for Living Cinema, undated


Box 94 Unidentified, undated


Box 94 Program--Performance: Costumes and Other Works by Delia Doherty, Robert Kuschner, Theodora Skipitares, and Jeff Way, Contemporary Arts Center, 1980


Box 94 Real Fun No. 1, 1984


Small Press, The Magazine of Independent Book Publishing


Box 94 Vol. 1, No. 4, 1984 March-April


Box 94 Vol. 1, No. 5, 1984 May-June


Box 94 Wings Over the World Cup, 1982 July



Box 120 Printed Material--General, undated


Box 120 Printed Material--Pamphlet. "Images de la vie quotidienne un ete 89,", undated



Box 121 Art--Print. Charles, Michael Ray--Image on a Paper Bag, undated


Box 121 Printed Material--General, undated



Box 122 Art


Box 122 Wegman, William--"Bank/Bar,", 1983


Box 122 Weissman, Benjamin--Sketch with Typed Text from Headless, 2004


Box 122 Printed Material--General, undated



Box 123 Printed Material--General, undated



Box 125 Audio files


Box 125 Audio Cassettes


Box 125 Micro Cassettes


Box 125 Mini Disks

Series IV: Addition, 1999-2017

Accession number 2017.2018.M073

This significant addition of 27 record cartons and 2 flat boxes containing working/production files for Issues 118 through 141.

This addition also contains artwork donated by Betsy Sussler.


Miscellaneous folders:



Box 154 1999-2000 TOC Contacts, 1999-2000


Box 154 2001-2002 TOC Contacts, 2001-2002


Box 154 2003-2004 TOC Contacts, 2003-2004


Box 154 Printers, 2001-2004


Box 154 DCP/WPG


Box 154 FedEx


Box 154 Receipts


Box 154 Tax Exempt Form


Box 154 Faxes, 2006/2007


Box 154 Dartmouth Printing Company, 2000


Box 154 Dartmouth Printing Company, 2001


Box 154 People


Box 154 Products/Tech/Telephone


People (mostly interviews):


Box 154 Andrea Ray, 2013


Box 154 Ed Clark by Jack Whitten, 2012, 2 folders


Box 154 Andy Freeberg by A.M. Homes, 2013


Box 154 Ati Maier and Matthew Day Jackson, 2013


Box 154 Bruno Dumont


Box 154 Ed Clark


Box 154 Charles Simonds


Box 154 Su Friedrich by Claudia Steinberg (with CD)


Box 154 Trisha Donnelly


Box 154 Spencer Finch


Box 154 Kutlug Ataman


Box 154 Isa Genzken


Box 154 Roberto Tejada


Box 154 May a Beiser


Box 154 Fanny


Box 154 Kurt Hollander


Box 154 Mavis Gallant


Box 154 Mary Carlson webx


Box 154 Jeffrey deShell and Rebecca Wolff webx


Box 154 Leonardo Padura by Oscar Hijuelos, winter, 2013


Box 154 Láscló Krasznahorkai


Box 154 Alicia Hall Moran and Jason Moran


Box 154 Devon Dikeou


Box 154 Ben Lerner by Adam Fitzgerald


Box 154 Frances Richard and Anne Waldman (with CD)


Box 154 Sandy Rower oral history, 2008


Box 154 Withdrawals of poetry


Box 154 Vija Celmins by Betsy Sussler, 2011/2012


Issue 118, Winter, 2011



Box 155 Interviews:


Box 155 Jimmie Durham by Manuel Cirauqui

Original transcription (9 pages); Draft with introduction (7 pages); Draft with text edits by Monica de la Torre (6 pages); Draft with handwritten edits by Manuel Cirauqui (8 pages); Draft with handwritten edits by Monica de la Torre (9 pages); Introduction with handwritten edits by Monica de la Torre (2 pages); Draft with handwritten edits by Sabine Russ (12 pages); Final draft (12 pages); Fact check draft; Title list of works by Jimmie Durham; Essay/interview by Jimmie Durham for heyokamagazine; Essay by Manuel Cirauqui; Layout draft with proofreader marks by Georgia Cool; Layout draft with proofreader marks by Peter Moysaenko; Email corresponence between Manuel Cirauqui, Paul Morris, Monica de la Torre, Christine Koenig Galerie (6/5/2011-11/5/2011).


Box 155 John Miller by Liam Gillick

Original transcription (26 pages); Draft with text edits by Sabine Russ (27 pages); Draft with text edits by Sabine Russ and handwritten edits by Betsy Sussler (18 pages); Draft with text edits by John Miller (13 pages); Draft with text edits by Liam Gillick and Sabine Russ and handwritten edits by Betsy Sussler (10 pages); Introduction with handwritten edits by Betsy Sussler (1 page); Draft with introduction and text edits by John Miller (11 pages); Fact check; Photos of John Miller's work from Metro Pictures; Layout draft with proofreader marks by Peter Moysaenko entered by Sabine Russ; Layout draft with proofread by Georgia Cool; Layout draft with proofreader marks by Peter Moysaenko; Layout draft with proofreader marks by Betsy Sussler; Layout draft with proofreader marks by Peter Moysaenko and Monica de la Torre; Email correspondence between Sabine Russ, John Miller, Liam Gillick, Alice Conconi; Betsy Sussler; and Jane Dickson (5/2/11-10/31/11).


Box 155 Suzanne McClelland by Barry Schwabsky

Original transcription (18 pages); Draft with text edits by Sabine Russ (18 pages); Draft with text edits by Sabine Russ (15 pages); Draft with text edits by Suzanne McClelland (14 pages); Draft with text edits by Betsy Sussler and handwritten edits by Monica de la Torre (15 pages); Draft with text edits by Suzanne McClelland and handwritten edits by Monica de la Torre (16 pages); Draft with text edits by Betsyv Sussler (16 pages); Fact check draft; Layout draft; Layout draft with proofreaders marks by Georgia Cool; Layout draft with proofreader marks by Peter Moysaenko; Layout draft with proofreader marks by Monica de la Torre; Email correspondence between Sabine Russ, Monica de la Torre, Sue Scott, Suzanne McClelland, and Barry Schwabsky (9/29/11-11/10/11).


Box 155 Peter Orner and Paul La Farge

Original transcription (9 pages); Draft with text edits by Betsy Sussler and handwritten edits by Monica de la Torre (9 pages); Draft with edits by Monica de laTorre and Peter Orner (9 pages); Draft with text edits by Paul La Farge (9 pages); Book review for Paul La Farge from New York Times Sunday Book Review; Press packet for Peter Orner's Love and Shame and Love; Press packet for Paul La Farge's Luminous Airplanes-, Layout draft with edits by Betsy Sussler; Layout draft with proofreader marks by Georgia Cool; Layout draft with proofreader marks by Peter Moysaenko; Email correspondence between Monica de la Torre, Peter Orner, and Paul La Farge (10/3/11-11/8/11)


Box 155 Mark Polizzotti and Mark Ford

On translating Raymond Roussel Original transcription with handwritten edits by Monica de la Torre(7 pages); Draft with edits by Mark Ford (9 pages); Draft with edits by Mark Polizzotti (9 pages); Introduction by Trevor Winkfield with handwritten edits by Monica de la Torre (2 pages); Draft of into by Trevor Winkfield with handwritten edits by Betsy Sussler (2 pages); Fact check draft; Image request and receipt from the bibliotheque nationale de france; Color layout draft; Layout draft with proofreaders marks; Layout draft with proofreaders marks; Layout draft with handwritten edits by Monica de la Torre; Email correspondence between Monica de la Torre, Trevor Winkfield, Mark Ford, and Mark Polizzotti (10/19/11-11/1/11)


Box 155 Robert Ashley by Alex Waterman

First draft (9 pages); Draft by Robert Ashley with handwritten edits by Monica de la Torre (10 pages); Draft with text edits by Monica de la Torre (10 pages); Draft with handwritten edits by Monica de la Torre (11 pages); Draft with handwritten and text edits by Monica de la Torre (10 pages); Draft with handwritten edits by Betsy Sussler (17 pages); Draft with text edits by Betsy Sussler (17 pages); Draft with handwritten edits by Monica de la Torre (16 pages); Draft with text and handwritten edits by Sabine Russ (15 pages); Post-layout edits by Monica de la Torre (16 pages); Post-layout draft with handwritten edits by Monica de la Torre (16 pages); Fact check draft; Introduction with handwritten edits by Monica de la Torre (3 pages); Layout draft with handwritten edits by Monica de la Torre; Layout draft with proofreaders marks by Georgia Cool; Layout draft proofread by Betsy Sussler; Layout draft proofread by Peter Moysaenko; Email correspondence between Monica de la Torre and Alex Waterman (8/13/11-11/8/11)


Box 155 Radiohole by Barbara Browning

Original transcription with handwritten edits by Monica de la Torre; Draft with edirs by Barbara Browning; Draft with edits by Eric Dyer; Draft with text edits by Maggie Hoffman; Draft with text edits by Monica de la Torre and handwritten edits by Betsy Sussler (15 pages); Draft with handwritten edits by Barbara Browning (15 pages); Fact check draft; List of image captions; Layout draft with proofreader marks by Georgia Cool; Layout draft with proofreader marks by Peter Moysaenko; Layout draft with proofreader marks by Rebecca Kaye; Email correspondence between Monica de la Torre, Maggie Hoffman, Eric Dyer, Barbara Browning, and Paul Chan (9/21/11-11/8/11)


Box 155 Yang Fudong by Li Zhenhua

Transcription with handwritten edits by Betsy Sussler (16 pages); Draft with text edits by Betsy Sussler and Monica de la Torre; Draft with text edits by Betsy Sussler; Fact check draft; Draft with handwritten edits by Li Zhenhua, Monica de la Torre, and Sabine Russ (12 pages); Draft with text edits by Li Zhenhua; Introduction with handwritten edits by Sabine Russ and text edits by Betsy Sussler; Draft with text edits by Sabine Russ and handwritten edits by Rosie Parker; Exhibition photos from ShanghART Gallery; List of image captions; Layout draft; Layout draft with handwritten edits by Betsy Sussler; Layout draft with proofreader marks by Peter Moysaenko; Layout draft with proofreader marks by Georgia Cool; Layout draft with proofreader marks by Peter Moysaenko and Monica de la Torre; Layout draft with proofreader marks by Peter Moysaenko; Email correspondence between Sabine Russ, Georgia Cool, Helen, Li Zhenhua, and Ying Liu (11/6/11-11/10/11)


Box 155 Artists on Artists

Layout draft with proofreader marks by Georgia Cool; Layout draft with copyedits by Monica de la Torre; Layout draft with proofreader marks by Peter Moysaenko; Layout draft with proofreader marks by Monica de la Torre; Layout draft with proofreader marks by Sabine Russ; Email correspondence between Sabine Russ and Deana Lawson (9/21/11-10/2/11)


Box 155 Jennie C. Jones by Stephen Vitiello

First draft; Draft with text edits by Sabine Russ; Draft with text edits by Stephen Vitiello and handwritten edits by Betsy Sussler; Draft with handwritten edits by Monica de la Torre; Email correspondence between Jennie C. Jones, Sabine Russ, and Stephen Vitiello (9/19/11-10/4/11)


Box 155 Terence Gower by Pedro Reyes

Draft with handwritten edits by Sabine Russ; Draft with text edits by Sabine Russ; Draft with edits by Sabine Russ and Monica de la Torre; Final draft; Email correspondence between Terence Gower and Sabine Russ (11/9/11)


Box 155 Tamara Zahaykevich by B. Wurtz

Draft with handwritten edits by Sabine Russ; Draft with edits entered by Sabine Russ; Draft with edits entered by Sabine Russ and handwritten edits by Betsy Sussler; Layout draft; Email correspondence between Sabine Russ and Steven Stewart (9/23/11)


Box 155 BOMB Specific:


Box 155 Peter Fend

Draft with handwritten edits by Sabine Russ; Draft with edits by Peter Fend entered by Sabine Russ; Layout draft with proofreader marks by Peter Moysaenko; Layout draft with edits by Betsy Sussler; Email correspondence between Sabine Russ, Peter Fend, and Juan Puntes (9/21/11-11/16/11).


Box 155 Editor's Choice

Layout draft with proofreader marks by Georgia Cool; Layout draft with proofreader marks by Betsy Sussler; Layout draft with proofreader marks by Peter Moysaenko, Monica de la Torre, and Sabine Russ; Image captions; Fact check.


Box 155 Jeremy Wad e, fountain

Fact check draft; Draft with handwritten edits by Betsy Sussler; Final draft.


Box 155 Christopher Saucedo

Draft with edits by Sabine Russ; Fact check draft; Overview of Chritopher Saucedo's exhibition at the Good Children Gallery; Email correspondence between Nick Stillman, Sabine Russ, and Monica de la Torre (9/20/11-9/21/11)


Box 155 What I Don't Know About Animals. Fact check draft; Draft with edits by Monica de la Torre.


Box 155 The Day He Arrives Draft by Clinton Krute.


Box 155 You Are Now Running on Reserve Battery Power. Draft with edits by Monica de la Torre and Sabine Russ.


Box 155 Rhys Chatham. Fact check draft; Draft with handwritten edits by Monica de la Torre; Draft with handwritten edits by Betsy Sussler.


Box 155 Wolfgang Staehle

Draft with text edits by Sabine Russ; Draft with edits by Betsy Sussler; Email correspondence between Sabine Russ, Lza Bear, and Magdalena Sawon (9/12/11-9/21/11)


Box 155 Landform Building. Factcheck draft; Draft with handwritten edits by Monica de la Torre; Draft with text edits by Monica de la Torre.


Box 155 Octopus. Draft with fact check notes and handwritten edits by Monica de la Torre.


Box 155 Body Sweats. Fact check draft; Draft with edits by Sabine Russ; Draft with edits by Betsy Sussler.


Box 155 The Death Ray. Fact check draft with edits by Monica de la Torre; Draft with edits by Sabine Russ.


Box 155 First Proof. Layout draft; Layout draft with handwritten edits by Monica de la Torre; Layout draft with proofreader marks by Georgia Cool; Layout of Jimmy Raskin portfolio.


Box 155 Ben Marcus. Excerpt with edits by Monica de la Torre; Email correspondence between Ben Marcus, Monica de la Torre, and Denise Shannon (7/29/11-11/8/11).


Box 155 Tim Griffin. Manuscript by Tim Griffin; Email correspondence between Tim Griffin and Monica de la Torre (11/8/11).


Box 155 Kirsten Kaschock. Manuscript with edits by Monica de la Torre.


Box 155 David Buuck and Juliana Spahr. Draft with handwritten edits by Monica de la Torre; Email correspondence between Juliana Spahr and Monica de la Torre (9/6/11-11/6/11).


Box 155 Sean Hoen. Draft with edits by Monica de la Torre; Draft with handwritten edits by Monica de la Torre; Email correspondence between Monica de la Torre and Sean Hoen (11/5/11-11/6/11).


Box 155 Romulus Linney. Handwritten poem with letter from Laura Callanan (wife).


Box 155 Front Matter.

Mailing slip to Oddi; Page grid; List of color proofs; Email correspindence between Monica de la Torre and Jessica Green; Print of cover; Draft of letter to BOMB contributor's by Betsy Sussler; Layout of masthead; Layout draft of TOC with Durham cover; Layout draft of TOC with Miller cover; Coller layout draft of TOC with Durham cover; Layout draft of masthead; TOC with proofreader marks by Georgia Cool; Contrib bios with proofreader marks by Peter Moysaenko; Contrib bios with edits by Monica de la Torre; Email correspondence between Clinton Krute, Legacy Russel, Sabine Russ, Alexis Boehmler, Monica de la Torre and Paul Morris (10/5/11-11/10/11)


Box 155 Proofs: Soft proofs from Oddi; black and white proof of First Proof.


Issue119 / Spring, 2012


Interviews:


Dean Moss by Young Jean Lee:



Box 156 Original transcription (34 pages)


Box 156 Draft with handwritten edits by Mónica de la Torre (14 pages)


Box 156 Draft with text edits by Mónica de la Torre (18)


Box 156 Draft with text edits by Betsy Sussler (17 pages)


Box 156 Draft with text edits by Mónica de la Torre (16)


Box 156 Draft with text edits by Young Jean Lee (15 pages)


Box 156 Factcheck draft with text edits by Dean Moss (16 pages)


Box 156 Final edit with text edits (15 pages)


Box 156 Layout with handwritten edits by Mónica de la Torre (8 pages)


Box 156 Introduction factcheck with handwritten edits by Ashley McNelis (3 pages)


Box 156 Email correspondence between Alan Gilbert and Mónica de la Torre (June 1, 2011)


Box 156 Email correspondence between dean Moss and Mónica de la Torre (November 29-December 6, 2011)


Box 156 Email correspondence between Mónica de la Torre and Alan Gilbert (November 28-29, 2011)


Box 156 Email correpondence between Mónica de la Torre, Kara Walker Studio, and Dean Moss (December 5-22, 2011)


Box 156 Email correspondence between Mónica de la Torre and Young Jean Lee (December 22-29, 2011)


Box 156 Email correspondence between Dean Moss and Mónica de la Torre (January 13, 2012)


Box 156 Email correspondence between Young Jean Lee and Mónica de la Torre (January 28-31, 2012)


Box 156 Email correspondence between Mónica de la Torre, Dean Moss, and Young Jean Lee (January 24-27, 2012)


Box 156 Email correspondence between Dean Moss and Mónica de la Torre (January 29, 2012)


Box 156 Email correspondence between Young Jean Lee and Mónica de la Torre (February1, 2012)


Box 156 Email correspondence between Young Jean Lee and Mónica de la Torre (February5-6, 2012).


Ingo Schulze by Eliot Weinberger:


Box 156 Original interview (11 pages)


Box 156 Draft with text edits by Mónica de la Torre (11 pages)


Box 156 Draft with text edits by Eliot Weinberger (11 pages)


Box 156 Draft with text edits by Sabine Russ (10 pages)


Box 156 Draft with text edits (11 pages)


Box 156 Draft with handwritten edits by Betsy Sussler (14 pages)


Box 156 Draft of introduction with text edits by Mónica de la Torre (1 page)


Box 156 Draft with introduction with handwritten edits by Betsy Sussler (12 pages)


Box 156 Introduction final draft (1 page)


Box 156 Factcheck (3 pages)


Box 156 Email correspondence between Sabine Russ and Ingo Schulze (September 14-29, 2011)


Box 156 Email correspondence between Eliot Weinberger and Mónica de la Torre (January 25, 2012)


Box 156 Email correspondence between Eliot Weinberger, Sabine Russ, and Mónica de la Torre (January 19-January 20, 2012)


Box 156 Email correspondence between Eliot Weinberger and Mónica de la Torre (January 20, 2012)


Box 156 Email correspondence between Eliot Weinberger and Mónica de la Torre (January 20-21, 2012)


Box 156 Email correspondence between Mónica de la Torre and Eliot Weinberger (February9, 2012).


K8 Hardy by Ariana Reines:


Box 156 Original transcript (42 pages)


Box 156 Draft with handwritten edits by Mónica de la Torre (38 pages)


Box 156 Draft with text edits by Ariana Reines (12 pages)


Box 156 Draft with text edits by K8 Hardy (13 pages)


Box 156 Draft with handwritten edits by Mónica de la Torre (11 pages)


Box 156 Factcheck draft (13 pages)


Box 156 Draft with text edits by Betsy Sussler (12 pages)


Box 156 Draft with text edits by Ariana Reines (11 pages)


Box 156 Draft with text edits by K8 Hardy (11 pages)


Box 156 Final draft with text edits (11 pages)


Box 156 Layout with handwritten edits by Betsy Sussler (9 pages)


Box 156 Original introduction with text edits by Betsy Sussler (1 page)


Box 156 Draft of introduction with text edits by Mónica de la Torre (1 page)


Box 156 Draft of introduction with handwritten edits by Betsy Sussler (1 page)


Box 156 Final introduction (1 page)


Box 156 Email correspondence between Jay Sanders and Mónica de la Torre (November 30-December 1, 2011)


Box 156 Email correspondence between Mónica de la Torre and K8 Hardy (December 5-6, 2011)


Box 156 Email correspondence between Mónica de la Torre and K8 Hardy (December 6, 2012)


Box 156 Email correspondence between Wayne Koestenbaum and Mónica de la Torre (December 27-28, 2011)


Box 156 Email correspondence between Mónica de la Torre and K8 Hardy (December 28-30, 2011)


Box 156 Email correspondence between Ariana Reines and Mónica de la Torre (January 10, 2012)


Box 156 Email correspondence between Ariana Reines and Mónica de la Torre (February3-4, 2012)


Box 156 Email correspondence between Ariana Reines and Mónica de la Torre (February9, 2012)


Box 156 Email correspondence between Ariana Reines and Mónica de la Torre (February9, 2012)


Box 156 Email correspondence between Mónica de la Torre and Betsy Sussler (February9-10, 2012)


Box 156 Email correspondence between K8 Hardy and Mónica de la Torre (February9, 2012


Box 156 Email correspondence between Betsy Sussler and Mónica de la Torre (February12, 2012).


Heidi Julavits by Fiona Maazel:


Box 156 Original transcript (24 pages)


Box 156 Draft of transcript with text edits and handwritten edits by Mónica de la Torre (12 pages)


Box 156 Factcheck craft with handwritten edits by Ashley McNelis (15 pages)


Box 156 Draft with text edits by Heidi Julavits (12 pages)


Box 156 Draft with handwritten edits by Mónica de la Torre (11 pages)


Box 156 Draft with text edits by Heidi Julavits (19 pages)


Box 156 Draft with text edits by Betsy Sussler (13 pages)


Box 156 Draft with text edits by Betsy Sussler (12 pages)


Box 156 Draft with text edits by Heidi Julavits (18 pages)


Box 156 Draft with text edits by Heidi Julavits (13 pages)


Box 156 Draft of introduction with handwritten edits by Mónica de la Torre (1 page)


Box 156 Draft of introduction with text edits by Fiona Maazel (1 page)


Box 156 Final introduction (1 page)


Box 156 Email correspondence between Mónica de la Torre and Heidi Julavits (November 22-29, 2011)


Box 156 Email correspondence between Mónica de la Torre, Mary G and Heidi Julavits (November 29-30, 2011)


Box 156 Email correspondence between Mónica de la Torre and Fiona Maazel (November 30, 2011)


Box 156 Email correspondence between Mónica de la Torre and Fiona Maazel (January 13, 2012)


Box 156 Email correspondence between Heidi Julavits and Mónica de la Torre (January 18, 2012).


Mohsen Namjoo by Shirin Neshat:


Box 156 Original interview (14 pages)


Box 156 Draft with handwritten edits by Betsy Sussler and Ashley McNelis (18 pages)


Box 156 Draft with handwritten edits by Betsy Sussler (15 pages)


Box 156 Draft with text edits by Betsy Sussler (14 pages)


Box 156 Draft with text edits by Shirin Neshat and handwritten edits by Betsy Sussler (14 pages)


Box 156 Draft with text edits by Siavash Karimzadegan and handwritten edits by Betsy Sussler (16 pages)


Box 156 Draft with text edits by Betsy Sussler (17 pages)


Box 156 Draft with text edits by Sabine Russ and Siavash Karimzadegan (14 pages)


Box 156 Draft with text edits by Siavash Karimzadegan (15 pages)


Box 156 Layout with handwritten edits by Mónica de la Torre (12 pages)


Box 156 Layout with handwritten edits by Betsy Sussler (6 pages)


Box 156 Shirin's Revised Questions with text edits (14 pages)


Box 156 Factcheck draft with handwritten edits by Betsy Sussler (12 pages)


Box 156 Layout with handwritten edits by Mónica de la Torre (7 pages)


Box 156 Draft with handwritten edits by Betsy Sussler and text edits (14 pages)


Box 156 Email correspondence between Betsy Sussler and Mónica de la Torre (November 15, 2011 January 19-31, 2012), 2011, January 19-31, 2012


Box 156 Email correspondence between Betsy Sussler and Sabine Russ (November 30-December 5, 2012)


Box 156 Email correspondence between Shirin Neshat and Betsy Sussler (December 5, 2012)


Box 156 Email correspondence between Betsy Sussler and Sabine Russ (December 21-January 12, 2012)


Box 156 Email correspondence between Shirin Neshat, Sabine Russ and Siavash Karimzadegan (January 1-12, 2012)


Box 156 Email correspondence between Shirin Neshat and Sabine Russ (January 5-18, 2012)


Box 156 Email correspondence between Siavash Karimzadegan, Shirin Neshat, and Betsy Sussler (January 17-18, 2012)


Box 156 Email correspondence between Sabine Russ and Siavash Karimzadegan (February2-3, 2012)


Box 156 Email correspondence between Shirin Neshat and Sabine Russ (February3-7, 2012)


Box 156 Email correspondence between Shirin Neshat and Sabine Russ (February7, 2012)


Box 156 Email correspondence between Betsy Sussler and Mónica de la Torre (February12, 2012).


Charles Long by Andrew Winer:


Box 156 Original transcript (22 pages)


Box 156 Draft with text edits by Sabine Russ (19 pages)


Box 156 Draft with text edits by Sabine Russ (24 pages)


Box 156 Draft with Sabine Russ and Andrew Winer's text edits (19 pages)


Box 156 Draft with text edits by Andrew Winer (20 pages)


Box 156 Draft with text edits by Andrew Winer (16 pages)


Box 156 Factcheck draft with handwritten edits by Betsy Sussler (16 pages)


Box 156 Draft with handwritten edits by Betsy Sussler and text edits by Sabine Russ (16 pages)


Box 156 Draft with text edits by Betsy Sussler (?) (16 pages)


Box 156 Draft with handwritten and text edits by Betsy Sussler, Sabine Russ, and Charles Long (16 pages)


Box 156 Draft with handwritten and text edits by Betsy Sussler (17 pages)


Box 156 Layout with text edits by Betsy Sussler and Ashley McNelis (10 pages)


Box 156 Email correspondence between Charles Long and Sabine Russ (December 20, 2011)


Box 156 Email correspondence between Charles Long and Sabine Russ (December 20, 2011)


Box 156 Email correspondence between Charles Long and Sabine Russ (December 20, 2011)


Box 156 Email correspondence between Charles Long and Sabine Russ (December 28, 2011)


Box 156 Email correspondence between Sabine Russ and Andrew Winer (January 9, 2012)


Box 156 Email correspondence between Andrew Winer and Sabine Russ (February3-4, 2012)


Box 156 Email correspondence between Andrew Winer and Sabine Russ (February3-4, 2012)


Box 156 Email correspondence between Andrew Winer, Charles Long, and Sabine Russ (February4, 2012)


Box 156 Email correspondence between Charles Long, Sabine Russ and Andrew Winer (February6, 2012)


Box 156 Email correspondence between Charles Long, Sabine Russ, and Andrew Winer (February6, 2012)


Box 156 Email correspondence between Emily Ruotolo, Sabine Russ, and Charles Lng (February8, 2012)


Box 156 Email correspondence between Charles Long, Sabine Russ, and Emily Ruotolo (February8, 2012)


Box 156 Email correspondence between Sabine Russ, Charles Long, and Andrew Winer (February9-10, 2012)


Box 156 Charles Long notes (3 pages)


Box 156 Email correspondence between Sabine Russ and the Tanya Bonakdar Gallery (February6-7, 2012).


Liz Deschenes by Kathleen Peterson:


Box 156 Draft of introduction with text edits (1 page)


Box 156 Draft of introduction with text edits by Sabine Russ and Kathleen Peterson (1 page)


Box 156 Draft of introduction with handwritten edits by Betsy Sussler (1 page)


Box 156 Final introduction (1 page)


Box 156 Draft with text edits by Betsy Sussler (15 pages)


Box 156 Draft with text edits by Sabine Russ and handwritten edits by Betsy Sussler (15 pages)


Box 156 Draft with text edits by Betsy Sussler (15 pages)


Box 156 Draft with text edits by Betsy Sussler (16 pages)


Box 156 Draft with text edits by Sabine Russ (15 pages)


Box 156 Draft with text edits by Sabine Russ and handwritten edits (14 pages)


Box 156 Factcheck draft (18 pages)


Box 156 Draft with text edits by Sabine Russ (15 pages)


Box 156 Final draft (16 pages)


Box 156 Layout with handwritten edits by Mónica de la Torre (8 pages)


Box 156 Email correspondence between Sabine Russ and Liz Deschenes (December 13-January 4, 2012)


Box 156 Email correspondence between Sabine Russ, Katie Peterson, and Liz Deschenes (December 22-January 4, 2012)


Box 156 Email correspondence between Katie Peterson and Liz Deschenes (January 2-25, 2012)


Box 156 Email corresponence between Sabine Russ and Liz Deschenes (January 19-23, 2012)


Box 156 Email correspondence between Liz Deschenes and Sabine Russ (January 25-February6, 2012)


Box 156 Email correspondence between Sabine Russ and Cora Muennich (February8, 2012)


Box 156 Email correspondence between Liz Deschenes and Sabine Russ (February7-8, 2012)


Box 156 Email correspondence between Katie Peterson and Sabine Russ (February7, 2012)


Box 156 Email correspondence between Katie Peterson and Sabine Russ (February11, 2012).


Gerardo Naranjo and Nicolás Pereda:


Box 156 Draft of introduction with handwritten edits by Betsy Sussler (1 page)


Box 156 Draft of introduction with text edits by Carlos Gutiérrez (2 pages)


Box 156 Draft of introduction with handwritten edits by Mónica de la Torre (1 page)


Box 156 Original transcript (15 pages)


Box 156 Factcheck draft (18 pages)


Box 156 Draft with text edits by Mónica de la Torre and handwritten edits by Ashley McNelis (14 pages)


Box 156 Draft with text edits by Nicolás Pereda (14 pages)


Box 156 Draft with text edits by Gerardo Naranjo (14 pages)


Box 156 Final draft (14 pages)


Box 156 Email correspondence between Mónica de la Torre, Nicolás Pereda, and Gerardo Naranjo (December 12-January 3, 2012)


Box 156 Email correspondence between Mónica de la Torre, Gerardo Naranjo, and Nicolás Pereda (January 3, 2012)


Box 156 Email correspondence between Mónica de la Torre, Gerardo Naranjo, and Nicolás Pereda (January 31-February1, 2012)


Box 156 Email correspondence between Mónica de la Torre and Nicolás Pereda (February1, 2012)


Box 156 Email correspondence between Mónica de la Torre, Gerardo Naranjo, and Nicolás Pereda (February3, 2012)


Box 156 Email correspondence between Mónica de la Torre and Gerardo Naranjo (February3, 2012)


Box 156 Email correspondence between Mónica de la Torre and Gerardo Naranjo (February3, 2012)


Box 156 Email correspondence between Mónica de la Torre and Nicolás Pereda (February7, 2012).


BOMB Specific: Deana Lawson


Box 156 Final text edits draft (2 pages)


Box 156 Email correspondence between Sabine Russ and Deana Lawson (January 10-17, 2012)


Box 156 Email correspondence between Deana Lawson and Sabine Russ (January 22-24, 2012)


Box 156 Email correspondence between Tom Griffiths and Sabine Russ (February6-7, 2012).


Artists on Artists


Box 156 Daniel Wiener by Alexander Ross:


Box 156 Original draft with handwritten edits by Sabine Russ (2 pages)


Box 156 Original draft with handwritten edits by Betsy Sussler (2 pages)


Box 156 Factcheck draft (3 pages)


Box 156 Draft with one handwritten edit (2 pages)


Box 156 Final draft (2 pages)


Box 156 Layout page of works by Daniel Wiener with handwritten edits by Betsy Sussler (1 page)


Box 156 Email of image files from Daniel Wiener (1 page)


Box 156 Email correspondence between Sabine Russ and Alex Ross (January 10, January 11, January 23, January 24, January 25, January 26, 2012)


Box 156 Email correspondence between Sabine Russ and Daniel Wiener (January 11, 2012).


Sheile Pepe by Ryan Johnson:


Box 156 Three drafts with handwritten edits by Mónica de la Torre (3 pages)


Box 156 Factcheck draft (1 page)


Box 156 Layout draft (2 pages)


Box 156 Email correspondence between Cheyney Thompson and Mónica de la Torre (December 22, 2011-January 2, 2012), December 22, 2011-January 2, 2012


Box 156 Email correspondence between Lynda Benglis and Mónica de la Torre (January 4, 2012)


Box 156 Email correspondence between Mónica de la Torre and Ryan Johnson (January 13/16, 2012)


Box 156 Email correspondence between Robert Gober and Mónica de la Torre (January 13, 2012).


Michelle Segre by Huma Bhabha:


Box 156 Draft with text edits by Sabine Russ (2 pages)


Box 156 Draft with text edits by Mónica de la Torre (2 pages)


Box 156 Draft with handwritten edits by Mónica de la Torre (1 page)


Box 156 Draft with handwritten edits by Betsy Sussler (2 pages)


Box 156 Final draft (2 pages)


Box 156 Layout of images with factcheck and edits by Mónica de la Torre (1 page)


Box 156 Email correspondence between Betsy Sussler and Sabine Russ with edits (2 pages)


Box 156 Email correspondence between Sabine Russ and Huma Bhabha (May 26, 2010-June 7, 2010), May 26, 2010-June 7, 2010


Box 156 Email correspondence between Sabine Russ and Huma Bhabha (December 19, 2011 December 21, 2011 January 10, January 11, January 18, January 20, January 23, and January 24, 2012), 2011, December 21, 2011


Box 156 Email correspondence between Sabine Russ and Huma Bhabha (January 24-26, 2012).


Editor's Choice


Box 156 Layout draft with handwritten edits from Betsy Sussler and Mónica de la Torre.


In the Kingdom of the Sea Monkeys by Campbell McGrath from Peter Moysaenko:


Box 156 Draft with text edits and handwritten edits by Betsy Sussler and Mónica de la Torre (3 pages)


Box 156 Factcheck draft (2 pages)


Box 156 Draft without Peter Moysaenko's byline (1 page)


Box 156 Final draft (1 page).


Gilles Deleuze from A to Z by Rachel Kushner:


Box 156 Draft with Rachel Kushner, Mónica de la Torre, and Betsy Sussler's handwritten edits (1 page)


Box 156 Factcheck draft (3 pages)


Box 156 Draft with trackchanges from Betsy Sussler (2 pages)


Box 156 Final draft (2 pages)


Box 156 Email correspondence between Rachel Kushner and Mónica de la Torre (January 4-24, 2012).


Vicky Swanky Is A Beauty by Diane Williams:


Box 156 Factcheck draft with handwritten edits (4 pages)


Box 156 Draft with handwritten edits (3 pages)


Box 156 Draft with Donald Breckenridge's track change corrections (2 pages)


Box 156 Draft with Mónica de la Torre's text edits (3 pages)


Box 156 Final draft (3 pages)


Box 156 Email correspondence between Donald Breckenridge and Mónica de la Torre (January 17, 2012)


Box 156 Email correspondence between Donald Breckenridge and Mónica de la Torre (January 27, 2012).


El Sicario directed by Gianfranco Rosi by Chris Chang:


Box 156 Factcheck draft with handwritten edits by Betsy Sussler (3 pages)


Box 156 Final draft (2 pages).


The Art-Architecture Complex by Hal Foster from Carlos Brillembourg:


Box 156 Original draft (2 pages)


Box 156 Draft with handwritten edits by Mónica de la Torre (1 page)


Box 156 Draft with text edits by Mónica de la Torre (2 pages)


Box 156 Factcheck draft (3 pages)


Box 156 Draft with text edits from Carlos Brillembourg (2 pages)


Box 156 Draft with text edits by Mónica de la Torre (2 pages)


Box 156 Draft with text edits by Mónica de la Torre (1 page)


Box 156 Draft with handwritten edits by Betsy Sussler (2 pages)


Box 156 Draft with track change (2 pages)


Box 156 Draft with text edits by Betsy Sussler (2 pages)


Box 156 Final draft (2 pages)


Box 156 Email correspondence between Betsy Sussler and Carlos Brillembourg (January 18, 2012).


Far Side Virtual Review by Luke Degnan:


Box 156 Factcheck draft (2 pages)


Box 156 Draft with handwritten edits by Mónica de la Torre and Luke Degnan (1 page)


Box 156 Draft with handwritten edtis by Mónica de la Torre (1 page)


Box 156 Final draft (1 page).


Jennifer Levonian by Nell McClister:


Box 156 Factcheck draft (2 pages)


Box 156 Draft with handwritten edits by Betsy Sussler (1 page)


Box 156 Draft with handwritten edits by Betsy Sussler (1 page)


Box 156 Final draft (2 pages)


Box 156 Email correspondence between Nell McClister and Mónica de la Torre (December 12, 2011-January 17, 2012)., December 12, 2011-January 17, 2012


The Collected Writings of Joe Brainard:


Box 156 Final draft (3 pages).


Blessed Meg Stuart/Damaged Goods & EIRA by Lauren Grace Bakst:


Box 156 Factcheck copy (3 pages)


Box 156 Draft with handwritten edits by Betsy Sussler (2 pages)


Box 156 Draft with text edits from Sabine Russ (2 pages)


Box 156 Draft with text edits from Lauren Bakst (2 pages)


Box 156 Final draft (2 pages).


Habemus Papam directed by Nanni Moretti from Nicholas Elliott:


Box 156 Draft with handwritten edits from Betsy Sussler (1 page)


Box 156 Draft with text edits from Mónica de la Torre (2 pages)


Box 156 Draft with text edits from Mónica de la Torre and handwritten edits from Betsy Sussler (1 page)


Box 156 Factcheck draft with handwritten edits by Ashley McNelis (3 pages)


Box 156 Final draft (2 pages)


Box 156 Email correspondence between Nicholas Elliott and Mónica de la Torre (December 9-12, 2011)


Box 156 Email correspondence between Nicholas Elliott and Mónica de la Torre (January 19-20, 2012).


First Proof:


Box 156 Layout draft with handwritten edits by Mónica de la Torre.


Richard Forster by Colm Toíbín:


Box 156 Draft of introduction with computer text edits and fresh copy


Box 156 Portfolio of Forster's work from Ingleby Gallery's Florence Ingleby to Betsy Sussler.


On the Train by Raphael Rudnik from Robert Hamburger:


Box 156 Draft of On the Train with handwritten edits by Mónica de la Torre


Box 156 Email correspondence between Mónica de la Torre and Robert Hamburger (September 21, 2011/February11, 2012).


Dante's Inferno Canto XXXIV translated by Mary Jo Bang:


Box 156 Email correspondence between Mary Jo Bang and Mónica de la Torre (February10, 2012)


Box 156 Draft of Canto XXX with emailed edits from Mary Jo Bang and handwritten edits by Mónica de la Torre


Box 156 Draft of Canto XXI with emailed edits from Mary Jo Bang and handwritten edits from Mónica de la Torre


Box 156 Post-it note from Mónica de la Torre on draft of Canto XXI


Box 156 Draft of Canto XXIV with emailed edits from Mary Jo Bang and handwritten edits from Mónica de la Torre


Box 156 Draft of Canto XXXIV with emailed edits from Mary Jo Bang and handwritten edits from Mónica de la Torre


Box 156 Email correspondence from Mary Jo Bang to Mónica de la Torre (February10, 20120).


Plankticus #372 by Jeremy Sigler:


Box 156 Email correspondence between Jeremy Sigler and Mónica de la Torre (September 30, 2011).


Some Worlds for Dr. Vogt by Matvei Yankelevich:


Box 156 Draft with handwritten edits by Mónica de la Torre


Box 156 Note from Matvei Yankelevich to Mónica de la Torre: "Monica! Thanks for agreeing to take a look at this LONG poem . . . Hope there's something here you might enjoy. Thanks! --MATVEI"


Box 156 Email correspondence between Matvei Yankelevich and Mónica de la Torre (February11, 2012).


Simyon by Etgar Keret:


Box 156 Email correspondence between Anna Stein and Mónica de la Torre (December 15, 2011).


Meyer Lansky Breaks His Silence by Zachary Lazar:


Box 156 Draft with handwritten edits by Mónica de la Torre


Box 156 Post-it note from Betsy Sussler to Mónica de la Torre


Box 156 Email correspondence between Zachary Lazar and Mónica de la Torre (February13, 2012).


The Carpathian Mountain Woman by Cristina Rivera Garza Translated by Alex Ross:


Box 156 Draft with Mónica de la Torre and Betsy Sussler's handwritten edits


Box 156 Email correspondence beween Alex Ross and Mónica de la Torre (February12, 2012).


Frontmatter and The Wick:


The Wick:


Box 156 Email correspondence between Paul Morris and Mónica de la Torre (February3, 2012).


Frontmatter:


Box 156 Draft of TOC for SPRING 2012 SO FAR with text edits, 2012


Box 156 Draft of TOC for SPRING 2012 SO Far with handwritten edits from Mónica de la Torre, 2012


Box 156 Contributor Bios


Box 156 Email correspondence from Betsy Sussler to Sabine Russ and Mónica de la Torre (December 4, 2011)


Box 156 Email correspondence between Betsy Sussler and Sabine Russ (January 31, 2012)


Box 156 Email correspondence between Paul Morris and Betsy Sussler (January 31, 2012)


Box 156 Email correspondence between Luke Degnan and Betsy Sussler via Shay Wafer and Anna Glass (January 30, 2012)


Box 156 BOMB Patrons List with handwritten corrections and post-it note by Betsy Sussler


Box 156 Four Transaction Detail by Account for New Art Publications with handwritten edits from Betsy Sussler.


Proofs:


Box 156 Layout with Peter Moysaenko's handwritten edits


Box 156 Heidi Julavits with Joshua Bauchner's handwritten edits


Box 156 Heidi Julavits with Peter Moysaenko's handwritten edits


Box 156 Ingo Schulze with Joshua Bauchner's handwritten edits


Box 156 Ingo Schulze with Peter Moysaenko's handwritten edits


Box 156 K8 Hardy with Joshua Bauchner's handwritten edits


Box 156 K8 Hardy with Peter Moysaenko's handwritten edits


Box 156 Charles Long with Joshua Bauchner's handwritten edits


Box 156 Gerardo Naranjo and Nicolás Pereda with Joshua Bauchner's handwritten edits


Box 156 Dean Moss with Joshua Bauchner's handwritten edits


Box 156 Michelle Segre with Joshua Bauchner's handwritten edits


Box 156 Liz Deschenes with Joshua Bauchner's handwritten edits


Box 156 Liz Deschenes with Peter Moysaenko's handwritten edits


Box 156 Mohsen Namjoo with Joshua Bauchner's handwritten edits


Box 156 Mohsen Namjoo with Peter Moysaenko's handwritten edits


Box 156 Editor's Choice with Joshua Bauchner's handwritten edits


Box 156 First Proof with Joshua Bauchner's handwritten edits


Box 156 First Proof with Peter Moysaenko's handwritten edits.


Issue 120/Summer, 2012


Front Matter:



Box 157 Final Draft


Box 157 Images:


Box 157 Danny Lyon, Working Girl, Cartagena, Columbia, 1965 Cibachrome, 11 x 14 inches. Courtesy of the artist, Phaidon Press, and Churner and Churner Gallery, New York City., 1965


Contributor's Page:


Box 157 Contributor's bio draft 1 (2 pages)


Box 157 Contributor's bio draft 2 with text edits (2 pages)


Box 157 Contributor's bio draft 3 (2 pages)


Box 157 Contributor's bio Sabine Russ's final draft (2 pages)


Box 157 Blurbs from Betsy, Credits for Contributor's photos.


Box 157 Blues/Proofs


Images:


Box 157 Photo of Susan Meiselas


Box 157 Photo of Kenneth Goldsmith


Box 157 Photo of James Hannaham


Box 157 Photo of Colm Toibin


Box 157 Photo of Cary Wolfe


Box 157 Photo of Blake Butler


Other:


Box 157 Patrons Page (6 pages)


Box 157 Masthead (5 pages)


Images:


Box 157 Michele Oka Doner, Janis Cecil, Andrea Blum and John Newman


Box 157 Interior Décor by Madeline Weinrib


Box 157 Klaus Biesenbach and Patti Smith


Box 157 Sabine Russ and Clifford Owens


Box 157 Richard Serra


Box 157 Theresa Rebeck, Alan Lafer, Susan Rose, and Marsha Norman


Box 157 Betsy Sussler


Box 157 Marina Abramovic, Anes Gund, and Klaus Biesenbach


Box 157 Tom Otterness and Coleen Fitzgibbon


Box 157 Lisa Schultz and Marsha Norman


Box 157 Michael Stipe, Cindy Sherman, and Mike Starn


Box 157 Tamara Zahaykevich, Marina Adams, Madeline Weinrib and Stanley Whitley


Box 157 Tariq Farouki, Dana Farouki, and Sheva Farouki


Box 157 Klaus Kertess


Box 157 Sharon Coplan Hurowitz, Kathy Goodman, and Dorothy Lichtenstein


Editor's Choice:


Beasts of the Southern Wild by Leon Falk (Corresponding page in magazine: 12):


Box 157 Original Draft


Box 157 Draft with type-written edits


Box 157 Final Draft with typewritten notes by Mónica de la Torre


Correspondence:


Box 157 Email correspondence between Ashley McNelis and Mónica de la Torre (April 19th, 2012)


Box 157 Email correspondence between Ashley McNelis, Omar Gonzales and Lindsay Firestone (April 17th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Sarah Peters and Ashley McNelis (April 19th-May 1st, 2012)


Box 157 Email correspondence between Leon Falk and Mónica de la Torre (May 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Sarah Peters (May 3rd-May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Leon Falk (May 3rd, 2012)


Images:


Box 157 2 film stills, Beasts of the Southern Wild


Box 157 The Femicide Machine by Ben Ehrenreich (Corresponding page in magazine: 14):


Box 157 Draft with handwritten edits by Betsy Sussler


Box 157 Draft with type-written edits


Box 157 Fact check draft


Correspondence:


Box 157 Email correspondence between Ben Ehrenreich and Mónica de la Torre (April 16th-April 18th, 2012)


Images:


Box 157 Photograph of Julia Caldera and her granddaughter Jessica, by Corina Arranz


Poetry Out Loud: Volumes 1-10 by Chris Mann (Corresponding page in magazine: 15):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Chris Mann (April 6th-May 9th, 2012)


Images:


Box 157 Cover of Poetry out Loud, no 8. Courtesy of De Stijl Records


Carmen Beuchat and Interdisciplinary Pollinations in the 1970s by Gabriela Rangel (Corresponding page in magazine: 16):


Box 157 Draft with type-written notes by Betsy Sussler


Box 157 Draft with type-written notes by Sabine Russ


Box 157 Draft with handwritten notes by Betsy Sussler


Box 157 Draft with hand-written notes by Mónica de la Torre


Box 157 Draft with handwritten and type-written notes


Box 157 Draft with handwritten notes by Sabine Russ


Box 157 Fact check draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Gabriela Rangel (April 27th-May 1st, 2012)


The Last Books of Hector Viel Temperley by Lila Zemborain (Corresponding page in magazine: 17):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mary Ann Monforton, Arlo Haskell and Mónica de la Torre (March7th-March14th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Lila Zemborain (May 13th, 2012)


Images:


Box 157 Photograph of Viel Temperley


The Least of All Possible Evils: Humanitarian Violence from Arendt to Gaza by Legacy Russell (Corresponding page in magazine: 18):


Box 157 First draft


Box 157 Fact check draft with handwritten notes


Box 157 Final draft with handwritten notes by Betsy Sussler


Correspondence:


Box 157 Email correspondence between Legacy Russell, Sabine Russ, and Mónica de la Torre (March29th-April 25th, 2012)


Images:


Box 157 A topographical model of the Beit Surik area with different possible walls drawn on it, in the office of Adv. Muhmmad Dahla. Photo by Eyal Weizman.


Miss Fuller by Mimi Thompson (Corresponding page in magazine: 20):


Box 157 Draft with handwritten notes by Sabine Russ


Box 157 Final draft with handwritten notes by Betsy Sussler


Correspondences:


Box 157 Email correspondence between Mónica de la Torre, Mimi Thompson and Betsy Sussler (April 12th, 2012)


Images:


Box 157 Miss Fuller, novel cover


John Newman and B. Wurtz Conversation by John Newman and B. Wurtz (Corresponding page in magazine: 24-32):


Box 157 Original transcription (37 pages)


Box 157 Draft with text edits by Sabine Russ (25 pages)


Box 157 Draft with text edits by B. Wurtz (22 pages)


Box 157 Factcheck draft with text edits by Sabine Russ and Betsy Sussler (21 pages)


Box 157 Final edit with text edits (10 pages)


Box 157 Introduction draft by John Newman


Box 157 Introduction by John Newman and B. Wurtz


Box 157 Fact check with text edits by Sabine Russ (1 page)


Box 157 Layout with handwritten edits by Betsy Sussler (10 pages)


Correspondence:


Box 157 Email correspondence between Sabine Russ, John Newman and B. Wurtz (January 24th-25th, 2012)


Box 157 Email correspondence between Sabine Russ, John Newman, and B. Wurtz (March21st-22nd, 2012)


Box 157 Email correspondence between Sabine Russ and John Newman (March27th-28th, 2012)


Box 157 Email correspondence between Sabine Russ, Clinton Krut, Charles Day, Jerred North, and Betsy Sussler (April 1st-5th, 2012)


Box 157 Email correspondence between John Newman and Sabine Russ (April 5th-9th, 2012)


Box 157 Email correspondence between Sabine Russ, B. Wurtz, and John Newman (April 19th-May 3rd, 2012)


Box 157 Email correspondence between Sabine Russ, Tom Griffiths, Jessica Green, and Monica de la Torre (May 4th , 2012)


Box 157 Email correspondence between Sabine Russ and John Newman (May 5th , 2012)


Box 157 Email correspondence between John Newman, Sabine Russ, and Betsy Sussler (May 6th, 2012)


Box 157 Email correspondence between Sabine Russ and B. Wurtz (May 7th-May 9th, 2012)


Box 157 Email correspondence between B. Wurtz, Sabine Russ, and Manuela (May 7th, 2012)


Box 157 Email correspondence between John Newman and Sabine Russ (May 8th-May 10th, 2012)


Audio:


Box 157 John Newman and B. Wurtz, Recording, April 11th, 2012 1:32:42, 2012


Box 157 Audio disk with original recording


Danny Lyon by Susan Meiselas (Corresponding Page in Magazine:124-133):


Box 157 Original transcription (39 pages)


Box 157 Draft with text edits by Mónica de la Torre (20 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (18)


Box 157 Draft with handwritten edits by Betsy Sussler (17 pages)


Box 157 Draft with text edits by Susan Meiselas (16 pages)


Box 157 Factcheck draft with text edits by Mónica de la Torre (16 pages)


Box 157 Draft with handwritten edits by Danny Lyon (20 pages)


Box 157 Draft with text edits by Danny Lyon (12 pages)


Box 157 Layout with handwritten edits by Mónica de la Torre (10 pages)


Box 157 Layout with handwritten edits by Danny Lyon and Mónica de la Torre (10 pages)


Box 157 Layout with handwritten edits by Betsy Sussler (10 pages)


Box 157 Introduction factcheck with handwritten edits by Ashley McNelis (3 pages)


Box 157 Introduction draft by Susan Meiselas (1 page)


Box 157 Fact check with edits by Mónica de la Torre (1 page)


Correspondence:


Box 157 Email correspondence between Danny Lyon, Susan Meiselas and Mónica de la Torre (March18th-19th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Danny Lyon and Susan Meiselas (April 10th-13th, 2012)


Box 157 Email correspondence between Danny Lyon and Ashley McNelis (April 24th-25th, 2012)


Box 157 Email correspondence between Ashley McNelis, Danny Lyon, and Mónica de la Torre (April 25th)


Box 157 Email correspondence between Mónica de la Torre and Danny Lyon (April 18th-24th, 2012)


Box 157 Email correspondence between Danny Lyon and Mónica de la Torre (May 4th, 2012)


Box 157 Email correspondence between Danny Lyon and Mónica de la Torre (May 9th, 2012)


Audio:


Box 157 Danny Lyon and Susan Meiselas, Recording, March18th, 2012 1:26:04, 2012


Box 157 Audio disk with original recording


Wayne Koestenbaum by Kenneth Goldsmith (Corresponding page in magazine: 93-100):


Box 157 Original transcription (29 pages)


Box 157 Draft with text edits by Mónica de la Torre (17 pages)


Box 157 Draft with text edits by Mónica de la Torre (16)


Box 157 Draft with handwritten edits by Wayne Koestenbaum (19 pages)


Box 157 Factcheck draft with text edits by Mónica de la Torre (16 pages)


Box 157 Draft with handwritten edits by Betsy Sussler (20 pages)


Box 157 Draft with text edits by Wayne Koestenbaum (25 pages)


Box 157 Draft with text edits by Betsy Sussler and Mónica de la Torre (26 pages)


Box 157 Draft with handwritten edits by Wayne Koestenbaum (24 pages)


Box 157 Layout with handwritten edits by Mónica de la Torre (7 pages)


Box 157 Introduction draft with handwritten edits by Mónica de la Torre (2 pages)


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (December 27th-28th, 2011)


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (March1st-14th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum and Mónica de la Torre (March21st-24th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum, Mónica de la Torre, and Kenneth Goldsmith (April 4th-26th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Kenneth Goldsmith, and Wayne Koestenbaum (May 2nd-3rd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (May 5th-6th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Kenneth Goldsmith, and Wayne Koestenbaum (May 7th-8th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum and Mónica de la Torre (May 7th-8th)


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (May 8th-9th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum and Mónica de la Torre (May 10th-14th, 2012)


Audio:


Box 157 Wayne Koestenbaum and Kenneth Goldsmith, Recording, 1:38:17


Media Included:


Box 157 Audio disk with original recording


Ariel Pink and Cass McCombs by Ariel Pink and Cass McCombs (Corresponding page in magazine: 58-63):


Box 157 Original transcription 1 (5 pages)


Box 157 Original transcription 2 (11 pages)


Box 157 Original transcription 3 (14 pages)


Box 157 Draft with text edits by Mónica de la Torre (9 pages)


Box 157 Draft with text edits by Betsy Sussler (15 pages)


Box 157 Draft with handwritten and text edits by Mónica de la Torre (15 pages)


Box 157 Draft with edits by Cass McCombs (14 pages)


Box 157 Draft with edits by Cass McCombs (11 pages)


Box 157 Final draft (15 pages)


Correspondence:


Box 157 Email correspondence between Cass McCombs and Mónica de la Torre (April 28th-May 1st, 2012)


Box 157 Email correspondence between Daniel Gill and Mónica de la Torre (May 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre, Jessica Linker and Daniel Gill (April 17th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Jessica Linker (April 17th-May 2nd, 2012)


Box 157 Email correspondence between Cass McCombs and Mónica de la Torre (May 3rd-May 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Jessica Linker (May 4th, 2012)


Box 157 Email correspondence between Cass McCombs and Mónica de la Torre (May 4th, 2012)


Box 157 Email correspondence between Clinton Krute and Mónica de la Torre (May 7th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Cass McCombs (May 7th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Daniel Gill, and Jessica Linker (May 3rd-May 7th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Cass McCombs (May 7th-May 10th, 2012)


Audio:


Box 157 Ariel Pink, Cass McCombs, Mónica de la Torre, Clinton Krute, April 26th, 2012 57:05, 2012


Media Included:


Box 157 Audio disk with original recording


Ralph Lemon by James Hannaham by Ralph Lemon and James Hannaham (Corresponding page in magazine: 34-43):


Box 157 Original transcription (49 pages)


Box 157 Draft with text edits by Sabine Russ (50 pages)


Box 157 Draft with text edits by Ralph Lemon (10 pages)


Box 157 Draft with text edits by Betsy Sussler and Sabine Russ (11 pages)


Box 157 Draft with text edits by James Hannaham (25 pages)


Box 157 Draft with text and handwritten edits by Sabine Russ and Betsy Sussler (15 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (15 pages)


Box 157 Introduction draft (2 pages)


Box 157 Final Layout (5 pages)


Correspondences:


Box 157 Email correspondence between Ralph Lemon and Sabine Russ (March1st, 2012)


Box 157 Email correspondence between Sabine Russ, Monica de la Torre, and Betsy Sussler (March1st, 2012)


Box 157 Email correspondence between Sabine Russ and Ralph Lemon (March5th-29th, 2012)


Box 157 Email correspondence between Sabine Russ and James Hannaham (March30th)


Box 157 Email correspondence between Sabine Russ and Ralph Lemon (April 2nd)


Box 157 Email correspondence between Sabine Russ, Ralph Lemon, and James Hannaham (April 2nd-16th, 2012)


Box 157 Email correspondence between James Hannaham and Sabine Russ (April 16th, 2012)


Box 157 Email correspondence between Emily Harney, Ralph Lemon, and Sabine Russ (April 17th, 2012)


Box 157 Email correspondence between Sabine Russ, James Hannaham and Ralph Lemon (April 28th-May 2nd, 2012)


Box 157 Email correspondence between Ralph Lemon and Sabine Russ (May 2nd, 2012)


Box 157 Email correspondence between James Hannaham and Sabine Russ (May 3rd-4th, 2012)


Box 157 Email correspondence between Sabine Russ, Ralph Lemon, and James Hannaham (May 4th-6th, 2012)


Box 157 Email correspondence between Ralph Lemon and Sabine Russ (May 6th-7th, 2012)


Box 157 Email correspondence between Sabine Russ and Ralph Lemon (May 7th-9th, 2012)


Box 157 Email correspondence between Sabine Russ, Ralph Lemon, and James Hannaham (May 10th, 2012)


Audio:


Box 157 Ralph Lemon and James Hannahm, Recording, 1:44:29


Media Included:


Box 157 Audio disk with original recording


Brian Evenson by Blake Butler by Brian Evenson and Blake Butler (Corresponding page in magazine: 72-77):


Box 157 Original transcription (31 pages)


Box 157 Draft with handwritten edits by Blake Butler (20 pages)


Box 157 Draft with text edits by Mónica de la Torre (20 pages)


Box 157 Draft with text edits incorporated by Mónica de la Torre (13 pages)


Box 157 Draft with text edits by Brian Evenson (10 pages)


Box 157 Draft with text edits by Brian Evenson (9 pages)


Box 157 Draft with text edits by Mónica de la Torre (27 pages)


Box 157 Draft with text edits by Betsy Sussler (27 pages)


Box 157 Draft with highlighting by Betsy Sussler (12 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (13 pages)


Box 157 Draft with text edits by Brian Evenson (13 pages)


Box 157 Final draft (13 pages)


Box 157 Fact check (1 page)


Correspondences:


Box 157 Email correspondence between Tricia O'Reilly, Brian Evenson, and Mónica de la Torre (March8th-12th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Brian Evenson (March12th-29th, 2012)


Box 157 Correspondence between Mónica de la Torre and Guy Maddin (March28th-30th, 2012)


Box 157 Correspondence between Mónica de la Torre and Brian Evenson (March30th, 2012)


Box 157 Correspondence between Mónica de la Torre and Blake Butler (March30th, 2012)


Box 157 Correspondence between Brian Evenson and Mónica de la Torre (March30th-April 2nd, 2012)


Box 157 Correspondence between Blake Butler, Brian Evenson and Mónica de la Torre (April 10th-25th, 2012)


Box 157 Email correspondence between Blake Butler and Mónica de la Torre (April 25th, 2012)


Box 157 Email correspondence between Blake Butler, Brian Evenson and Mónica de la Torre (April 25th-May 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Betsy Sussler (May 9th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Brian Evenson (May 10th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Blake Butler (


Audio:


Box 157 Blake Butler and Brian Evenson, April 18th, 2012 Recording, 1:20:56, 2012


Media included:


Box 157 Audio disk with original recording


Eija-Liisa Ahtila by Cary Wolfe (Corresponding page in magazine: 134-142):


Box 157 Draft with text edits by Sabine Russ (12 pages)


Box 157 Draft with handwritten edits by Cary Wolfe (11 pages)


Box 157 Draft with handwritten edits by Betsy Sussler (11 pages)


Box 157 Final Draft (11 pages)


Box 157 Fact check (2 pages)


Box 157 Text by Cary Wolfe (10 pages)


Correspondence:


Box 157 Email correspondence between Linda Pellegrini and Sabine Russ (December 5th-22nd, 2011)


Box 157 Email correspondence between Sabine Russ and Betsy Sussler (December 22nd, 2011)


Box 157 Email correspondence between Sabine Russ and Linda Pellegrini (January 4th-March5th, 2012)


Box 157 Email correspondence between Cary Wolfe and Sabine Russ (March4th, 2012)


Box 157 Email correspondence between Sabine Russ and Cary Wolfe (March1st-April 16th, 2012)


Box 157 Email correspondence between Linda Pellegrini and Sabine Russ (March5th, 2012)


Box 157 Email correspondence between Sabine Russ and Eija-Liisa Ahtila (March5th-27th, 2012)


Box 157 Email correspondence between Cary Wolfe, and Sabine Russ (April 22nd-May 1st, 2012)


Box 157 Email correspondence between Eija-Liisa Ahtila and Sabine Russ (May 9th-May 11th, 2012)


Tom Murphy by Colm Toibin (Corresponding pages in magazine: 44-51):


Box 157 Original transcription with handwritten edits by Sabine Russ (17 pages)


Box 157 Draft with handwritten and text edits by Sabine Russ (15 pages)


Box 157 Draft with text edits by Sabine Russ (14 pages)


Box 157 Draft with handwritten edits by Betsy Sussler (12 pages)


Box 157 Fact check draft with edits by Sabine Russ (12 pages)


Box 157 Draft with handwritten edits by Sabine Russ (12 pages)


Box 157 Final draft (12 pages)


Box 157 Fact check sheet (4 pages)


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Colm Toibin (February28-March2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Colm Toibin (March15th-March20th, 2012)


Box 157 Email correspondence between Caitlin Kasunich and Sabine Russ (April 24th, 2012)


Box 157 Email correspondence between Caitlin Kasunich and Ashley McNelis (April 17th-April 25th, 2012)


Box 157 Email correspondence between Sabine Russ and Sinead Mcphillips (May 8th-May 10th, 2012)


Box 157 Email correspondence between Sabine Russ, Colm Toibin, Sinead McPhillips and Thomas Conway Druid (May 14th, 2012)


Box 157 Email correspondence between Sabine Russ, Betsy Sussler, and Charles Day (May 14th, 2012)


Box 157 Email correspondence between Sabine Russ and Sinead McPhillips (May 14th, 2012)


Media included:


Box 157 Audio disk with original recording


First Proof:


The Girl With the Matted Hair, Eight Scenes from Childhood by Carole Maso (Corresponding page in magazine: 78):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Betsy Sussler (October 5th, 2011)


Box 157 Email correspondence between Lisa Cocchia, Mónica de la Torre and Betsy Sussler (February14th-April 20th, 2012)


Four Poems by Daniel Shapiro (Corresponding page in magazine: 80):


Box 157 Draft


Correspondence:


Box 157 Email correspondence between Daniel Shapiro and Mónica de la Torre (March30th-May 14th, 2012)


Excerpt from Sent by Joshua Cohen (Corresponding page in magazine: 82):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Joshua Cohen (March14th-May 14th, 2012)


On the Water by Victoria Moon (Corresponding page in magazine: 85):


Box 157 Draft with handwritten notes by Mónica de la Torre and Betsy Sussler


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Victoria Moon (January 25th-May 14th, 2012)


Seven Scenes from the Wreckage by Lynn Melnick (Corresponding page in magazine: 91):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Lynn Melnick (April 19th-May 14th, 2012)


Don Ilario by Gabriella De Ferrari (Corresponding page in magazine: 101):


Box 157 Draft with handwritten notes by Mónica de la Torre and Betsy Sussler


Correspondence:


Box 157 Email correspondence between Betsy Sussler, Mónica de la Torre and Gabriella De Ferrari (January 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Gabriella De Ferrari (January 4th-January 5th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Ashley McNiels (January 12th-13th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Gabriella De Ferrari (January 19th, 2012)


Box 157 Email correspondence between Betsy Sussler and Mónica de la Torre (January 19th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Gabriella De Ferrari (January 24th-June 6th, 2012)


Late and Soon, Getting and Spending Prose Sonnets on Dailiness by Jessica Baran (Corresponding page in magazine: 109):


Box 157 Final draft


Correspondences:


Box 157 Email correspondence between Mónica de la Torre and Jessica Baran (December 19th, 2011-June 22nd-2012)


Portfolio by Tom Fairs (Corresponding page in magazine: 68):


Box 157 Final Draft (Bio)


Correspondences:


Box 157 Email correspondence between Sabine Russ and Kerry Schuss (March28th-May 9th, 2012)


Images:


Box 157 7 Tom Fairs drawings


Portfolio by Margaret Lee (Corresponding page in magazine: 104):


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Margaret Lee (March14th-May 1st, 2012)


Images:


Box 157 14 Photographs by Margaret Lee


Artists on Artists:


Justin Lieberman by Nic Guagnini/ Nic Guagnini by Justin Lieberman (Corresponding page in magazine: 116):


Box 157 Original draft (2 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (2 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Justin Lieberman (2 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Nic Guagnini (2 pages)


Box 157 Draft (2 pages)


Box 157 Draft with text edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Nic Guagnini (2 pages)


Box 157 Draft with text edits by Mónica de la Torre (2 pages)


Box 157 Fact check draft (5 pages)


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (March23rd-March30th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Ni Guagnini (April 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Nicolas Guagnini (April 2nd-April 3rd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 10th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Nicolas Guagnini (April 10th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 11th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Sabine Russ (April 11th, 2012)


Box 157 Email correspondence between Nicolas Guagnini and Mónica de la Torre (April 11th-April 20th, 2012)


Box 157 Email correspondence between Sabine Russ and Mónica de la Torre (April 11th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 11th-May 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Betsy Sussler (May 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (May 4th-May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Nicolas Guagnini (May 7th-May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Sabine Russ and Betsy Sussler (May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (May 10th-May 11th, 2012)


Images:


Box 157 Justin Lieberman/20 paintings, Oil on canvas Valet of the Infinite, 2012


Box 157 Justin Lieberman/Cameras, taxidermied crabs, EX74, stool, hat and scarf Tom, 2012


Box 157 Justin Lieberman/Mixed media, electricity, sound The First Tower, 2012


Box 157 Justin Lieberman/Spraypaint, carpet, welded steel suitcase, Plexiglas room divider, found painting, scarf, ventilator mask, food items, 2012 Ameisenbar's Home Away From Home


Box 157 Justin Lieberman/Oil on Wood Untitled, 2010


Box 157 Justin Lieberman/Oil on Wood with rubber doll Untitled, 2010


Luther Price by Andrew Lampert (Corresponding page in magazine: 114):


Box 157 First Draft


Box 157 Draft with handwritten edits by Mónica de la Torre


Box 157 Draft with text edits by Mónica de la Torre


Box 157 Draft with text edits by Mónica de la Torre


Box 157 Draft with text edits by Betsy Sussler


Box 157 Draft with text edits by Andrew Lampert


Correspondences:


Box 157 Email correspondence between Mónica de la Torre and Andrew Lampert (April 3rd-May 10th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Ed Halter (May 7th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Lia Gang (May 8th-May 9th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Sophie Cavoulacos (May 8th-May 9th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Luther Price (May 8th -- May 11th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Lia Gant (May 9th, 2012)


Images:


Box 157 Luther Price/Handmade slide Family in Kitchen, 2005


Lucy Winton by April Gornik (Corresponding page in magazine: 120):


Box 157 Draft with text edits by Sabine Russ


Box 157 Draft with text edits by Sabine Russ


Box 157 Draft with text edits by Lucy Winton


Box 157 Draft with text edits by Sabine Russ


Box 157 Draft with text edits by Sabine Russ


Box 157 Draft with text edits by Lucy Winton


Box 157 Draft with text edits by Sabine Russ


Box 157 Draft with text edits by April Gornik


Box 157 Final Draft


Correspondences:


Box 157 Email correspondence between Betsey Sussler, Sabine Russ, and Mónica de la Torre (December 12th, 2011)


Box 157 Email correspondence between Betsy Sussler and Sabine Russ (March15th, 2012)


Box 157 Email correspondence between April Gornik and Sabine Russ (March17th-May 3nd, 2012)


Box 157 Email correspondence between Lucy Winton and Sabine Russ (April 11th-June 13th, 2012)


Box 157 Email correspondence between April Gornik and Sabine Russ (May 12th-May 14th, 2012)


Box 157 Email correspondence between Lucy Winton and Sabine Russ (May 3rd-May 4th, 2012)


Images:


Box 157 Lucy Winton/Charcoal After War, Snow, 2011


Box 157 Lucy Winton/acrylic Just Sneak Out, 2009


Box 157 Lucy Winton/Acrylic on duralar Monkey Baby


Box 157 Lucy Winton/oil airbrush on wood Tiger Dream, 2003


Box 157 Lucy Winton/charcoal Untitled, 2011


BOMB Specific:


Theo Rosenblum and Chelsea Seltzer (Corresponding page in magazine:52-57):


Box 157 Images sent on April 12th, 2012 5 pages, 2012


Correspondence:


Box 157 Email correspondence between Chelsea Seltzer and Mónica de la Torre (March12th-April 13th, 2012), Images sent as attachments (April 12th, 2012) from Chelsea Seltzer to Mónica de la Torre


Images:


Box 157 Chelsea Seltzer and Theo Rosenblum, 5 images, photographed paintings, color, sent via YouSendIt.


The Wick


Who are you Going to Be? by Matthew Swanson and Robbi Behr (Corresponding page in magazine: 144):


Box 157 Blues/Proofs


Correspondence:


Box 157 Email correspondence between Paul Morris and Mónica de la Torre (April 20th, 2012)


Box 157 Email correspondence between Robbi Behr, Matthew Swanson and Sabine Russ (April 26th, 2012)


Box 157 Email correspondence between Sabine Russ and Tom Griffiths (April 26th, 2012)


Box 157 Email correspondence between Sabine Russ, Matthew Swanson and Robbi Behr (June 12th-June 18th, 2012)


Images:


Box 157 Matthew Swanson and Robbi Behr, "Who Are You Going to Be?", April 26th, 2012 Colored copy of "Who are you Going to Be?," Print out from email., 2012


Editor's Choice:


Beasts of the Southern Wild by Leon Falk (Corresponding page in magazine: 12):


Box 157 Original Draft


Box 157 Draft with type-written edits


Box 157 Final Draft with typewritten notes by Mónica de la Torre


Correspondence:


Box 157 Email correspondence between Ashley McNelis and Mónica de la Torre (April 19th, 2012)


Box 157 Email correspondence between Ashley McNelis, Omar Gonzales and Lindsay Firestone (April 17th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Sarah Peters and Ashley McNelis (April 19th-May 1st, 2012)


Box 157 Email correspondence between Leon Falk and Mónica de la Torre (May 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Sarah Peters (May 3rd-May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Leon Falk (May 3rd, 2012)


The Femicide Machine by Ben Ehrenreich (Corresponding page in magazine: 14):


Box 157 Draft with handwritten edits by Betsy Sussler


Box 157 Draft with type-written edits


Box 157 Fact check draft


Correspondence:


Box 157 Email correspondence between Ben Ehrenreich and Mónica de la Torre (April 16th-April 18th, 2012)


Poetry Out Loud: Volumes 1-10 by Chris Mann (Corresponding page in magazine: 15):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Chris Mann (April 6th-May 9th, 2012)


Carmen Beuchat and Interdisciplinary Pollinations in the 1970s by Gabriela Rangel (Corresponding page in magazine: 16):, 1970s


Box 157 Draft with type-written notes by Betsy Sussler


Box 157 Draft with type-written notes by Sabine Russ


Box 157 Draft with handwritten notes by Betsy Sussler


Box 157 Draft with hand-written notes by Mónica de la Torre


Box 157 Draft with handwritten and type-written notes


Box 157 Draft with handwritten notes by Sabine Russ


Box 157 Fact check draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Gabriela Rangel (April 27th-May 1st, 2012)


Box 157 The Last Books of Hector Viel Temperley by Lila Zemborain (157Corresponding page in magazine: 17)


The Least of All Possible Evils: Humanitarian Violence from Arendt to Gaza by Legacy Russell (Corresponding page in magazine: 18):


Box 157 First draft


Box 157 Fact check draft with handwritten notes


Box 157 Final draft with handwritten notes by Betsy Sussler


Correspondence:


Box 157 Email correspondence between Legacy Russell, Sabine Russ, and Mónica de la Torre (March29th-April 25th, 2012)


Miss Fuller by Mimi Thompson (Corresponding page in magazine: 20):


Box 157 Draft with handwritten notes by Sabine Russ


Box 157 Final draft with handwritten notes by Betsy Sussler


Correspondence:


Box 157 Email correspondence between Mónica de la Torre, Mimi Thompson and Betsy Sussler (April 12th, 2012)


First Proof:


The Girl With the Matted Hair, Eight Scenes from Childhood by Carole Maso (Corresponding page in magazine: 78):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Betsy Sussler (October 5th, 2011)


Box 157 Email correspondence between Lisa Cocchia, Mónica de la Torre and Betsy Sussler (Febuary 14th-April 20th, 2012)


Box 157 Four Poems by Daniel Shapiro (Corresponding page in magazine: 80):


Box 157 Draft


Correspondence:


Box 157 Email correspondence between Daniel Shapiro and Mónica de la Torre (March30th-May 14th, 2012)


Excerpt from Sent by Joshua Cohen (Corresponding page in magazine: 82):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Joshua Cohen (March14th-May 14th, 2012)


On the Water by Victoria Moon (Corresponding page in magazine: 85):


Box 157 Draft with handwritten notes by Mónica de la Torre and Betsy Sussler


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Victoria Moon (January 25th-May 14th, 2012)


Seven Scenes from the Wreckage by Lynn Melnick (Corresponding page in magazine: 91):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Lynn Melnick (April 19th-May 14th, 2012)


Don Ilario by Gabriella De Ferrari (Corresponding page in magazine: 101):


Box 157 Draft with handwritten notes by Mónica de la Torre and Betsy Sussler


Correspondence:


Box 157 Email correspondence between Betsy Sussler, Mónica de la Torre and Gabriella De Ferrari (January 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Gabriella De Ferrari (January 4th-January 5th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Ashley McNiels (January 12th-13th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Gabriella De Ferrari (January 19th, 2012)


Box 157 Email correspondence between Betsy Sussler and Mónica de la Torre (January 19th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Gabriella De Ferrari (January 24th-June 6th, 2012)


Portfolio by Tom Fairs (Corresponding page in magazine: 68):


Box 157 Final Draft (Bio)


Correspondences:


Box 157 Email correspondence between Sabine Russ and Kerry Schuss (March28th-May 9th, 2012)


Images:


Box 157 7 Tom Fairs drawings


Late and Soon, Getting and Spending Prose Sonnets on Dailiness by Jessica Baran (Corresponding page in magazine: 109):


Box 157 Final draft


Correspondences:


Box 157 Email correspondence between Mónica de la Torre and Jessica Baran (December 19th, 2011-June 22nd-2012)


Portfolio by Margaret Lee (Corresponding page in magazine: 104):


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Margaret Lee (March14th-May 1st, 2012)


Images:


Box 157 14 Photographs by Margaret Lee


The Wick:


Who are you Going to Be? by Matthew Swanson and Robbi Behr


Correspondence:


Box 157 Email correspondence between Paul Morris and Mónica de la Torre (April 20th, 2012)


Box 157 Email correspondence between Robbi Behr, Matthew Swanson and Sabine Russ (April 26th, 2012)


Box 157 Email correspondence between Sabine Russ and Tom Griffiths (April 26th, 2012)


Box 157 Email correspondence between Sabine Russ, Matthew Swanson and Robbi Behr (June 12th-June 18th, 2012)


Images:


Box 157 Matthew Swanson and Robbi Behr, "Who Are You Going to Be?", April 26th, 2012 Colored copy of "Who are you Going to Be?", Print out from email., 2012


Artists on Artists:


Nicolas Guagnini and Justin Lieberman (Corresponding page in magazine: 116):


Box 157 Original draft (2 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (2 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Justin Lieberman (2 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Nic Guagnini (2 pages)


Box 157 Draft (2 pages)


Box 157 Draft with text edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Nic Guagnini (2 pages)


Box 157 Draft with text edits by Mónica de la Torre (2 pages)


Box 157 Fact check draft (5 pages)


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (March23rd-March30th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Ni Guagnini (April 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Nicolas Guagnini (April 2nd-April 3rd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 10th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Nicolas Guagnini (April 10th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 11th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Sabine Russ (April 11th, 2012)


Box 157 Email correspondence between Nicolas Guagnini and Mónica de la Torre (April 11th-April 20th, 2012)


Box 157 Email correspondence between Sabine Russ and Mónica de la Torre (April 11th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 11th-May 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Betsy Sussler (May 4th, 2012)


Box 157 Email correspondence btween Mónica de la Torre and Justin Lieberman (May 4th-May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Nicolas Guagnini (May 7th-May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Sabine Russ and Betsy Sussler (May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (May 10th-May 11th, 2012)


Images:


Box 157 Justin Lieberman/20 paintings, Oil on canvas Valet of the Infinite, 2012


Box 157 Justin Lieberman/Cameras, taxidermied crabs, EX74, stool, hat and scarf Tom, 2012


Box 157 Justin Lieberman/Mixed media, electricity, sound The First Tower, 2012


Box 157 Justin Lieberman/Spraypaint, carpet, welded steel suitcase, plexiglass room divider, found painting, scarf, ventilator mask, food iteams, 2012 Ameisenbar's Home Away From Home


Box 157 Justin Lieberman/Oil on Wood Untitled, 2010


Box 157 Justin Liberman/Oil on Wood with rubber doll Untitled, 2010


Interviews:


John Newman and B. Wurtz Conversation (Corresponding page in magazine: 24-32):


Box 157 Original transcription (37 pages)


Box 157 Draft with text edits by Sabine Russ (25 pages)


Box 157 Draft with text edits by B. Wurtz (22 pages)


Box 157 Factcheck draft with text edits by Sabine Russ and Betsy Sussler (21 pages)


Box 157 Final edit with text edits (10 pages)


Box 157 Introduction draft by John Newman


Box 157 Introduction by John Newman and B. Wurtz


Box 157 Fact check with text edits by Sabine Russ (1 page)


Box 157 Layout with handwritten edits by Betsy Sussler (10 pages)


Correspondence:


Box 157 Email correspondence between Sabine Russ, John Newman and B. Wurtz (January 24th-25th, 2012)


Box 157 Email correspondence between Sabine Russ, John Newman, and B. Wurtz (March21st-22nd, 2012)


Box 157 Email correspondence between Sabine Russ and John Newman (March27th-28th, 2012)


Box 157 Email correspondence between Sabine Russ, Clinton Krut, Charles Day, Jerred North, and Betsy Sussler (April 1st-5th, 2012)


Box 157 Email correspondence between John Newman and Sabine Russ (April 5th-9th, 2012)


Box 157 Email correspondence between Sabine Russ, B. Wurtz, and John Newman (April 19th-May 3rd, 2012)


Box 157 Email correspondence between Sabine Russ, Tom Griffiths, Jessica Green, and Monica de la Torre (May 4th , 2012)


Box 157 Email correspondence between Sabine Russ and John Newman (May 5th , 2012)


Box 157 Email correspondence between John Newman, Sabine Russ, and Betsy Sussler (May 6th, 2012)


Box 157 Email correspondence between Sabine Russ and B. Wurtz (May 7th-May 9th, 2012)


Box 157 Email correspondence between B. Wurtz, Sabine Russ, and Manuela (May 7th, 2012)


Box 157 Email correspondence between John Newman and Sabine Russ (May 8th-May 10th, 2012)


Audio:


Box 157 John Newman and B. Wurtz, Recording, April 11th, 2012 1:32:42, 2012


Danny Lyon by Susan Meiselas (Corresponding Page in Magazine:124-133):


Box 157 Original transcription (39 pages)


Box 157 Draft with text edits by Mónica de la Torre (20 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (18)


Box 157 Draft with handwritten edits by Betsy Sussler (17 pages)


Box 157 Draft with text edits by Susan Meiselas (16 pages)


Box 157 Factcheck draft with text edits by Mónica de la Torre (16 pages)


Box 157 Draft with handwritten edits by Danny Lyon (20 pages)


Box 157 Draft with text edits by Danny Lyon (12 pages)


Box 157 Layout with handwritten edits by Mónica de la Torre (10 pages)


Box 157 Layout with handwritten edits by Danny Lyon and Mónica de la Torre (10 pages)


Box 157 Layout with handwritten edits by Betsy Sussler (10 pages)


Box 157 Introduction factcheck with handwritten edits by Ashley McNelis (3 pages)


Box 157 Introduction draft by Susan Meiselas (1 page)


Box 157 Fact check with edits by Mónica de la Torre (1 page)


Correspondence:


Box 157 Email correspondence between Danny Lyon, Susan Meiselas and Mónica de la Torre (March18th-19th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Danny Lyon and Susan Meiselas (April 10th-13th, 2012)


Box 157 Email correspondence between Danny Lyon and Ashley McNelis (April 24th-25th, 2012)


Box 157 Email correspondence between Ashley McNelis, Danny Lyon, and Mónica de la Torre (April 25th)


Box 157 Email correspondence between Mónica de la Torre and Danny Lyon (April 18th-24th, 2012)


Box 157 Email correspondence between Danny Lyon and Mónica de la Torre (May 4th, 2012)


Box 157 Email correspondence between Danny Lyon and Mónica de la Torre (May 9th, 2012)


Audio:


Box 157 Danny Lyon and Susan Meiselas, Recording, March18th, 2012 1:26:04, 2012


Wayne Koestenbaum by Kenneth Goldsmith (Corresponding page in magazine: 93-100):


Box 157 Original transcription (29 pages)


Box 157 Draft with text edits by Mónica de la Torre (17 pages)


Box 157 Draft with text edits by Mónica de la Torre (16)


Box 157 Draft with handwritten edits by Wayne Koestenbaum (19 pages)


Box 157 Factcheck draft with text edits by Mónica de la Torre (16 pages)


Box 157 Draft with handwritten edits by Betsy Sussler (20 pages)


Box 157 Draft with text edits by Wayne Koestenbaum (25 pages)


Box 157 Draft with text edits by Betsy Sussler and Mónica de la Torre (26 pages)


Box 157 Draft with handwritten edits by Wayne Koestenbaum (24 pages)


Box 157 Layout with handwritten edits by Mónica de la Torre (7 pages)


Box 157 Introduction draft with handwritten edits by Mónica de la Torre (2 pages)


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (December 27th-28th, 2011)


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (March1st-14th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum andn Mónica de la Torre (March21st-24th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum, Mónica de la Torre, and Kenneth Goldsmith (April 4th-26th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Kenneth Goldsmith, and Wayne Koestenbaum (May 2nd-3rd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (May 5th-6th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Kenneth Goldsmith, and Wayne Koestenbaum (May 7th-8th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum and Mónica de la Torre (May 7th-8th)


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (May 8th-9th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum and Mónica de la Torre (May 10th-14th, 2012)


Audio:


Box 157 Wayne Koestenbaum and Kenneth Goldsmith, Recording, 1:38:17


Ariel Pink and Cass McCombs (Corresponding page in magazine: 58-63):


Box 157 Original transcription 1 (5 pages)


Box 157 Original transcription 2 (11 pages)


Box 157 Original transcription 3 (14 pages)


Box 157 Draft with text edits by Mónica de la Torre (9 pages)


Box 157 Draft with text edits by Betsy Sussler (15 pages)


Box 157 Draft with handwritten and text edits by Mónica de la Torre (15 pages)


Box 157 Draft with edits by Cass McCombs (14 pages)


Box 157 Draft with edits by Cass McCombs (11 pages)


Box 157 Final draft (15 pages)


Correspondence:


Box 157 Email correspondence between Cass McCombs and Mónica de la Torre (April 28th-May 1st, 2012)


Box 157 Email correspondence between Daniel Gill and Mónica de la Torre (May 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre, Jessica Linker and Daniel Gill (April 17th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Jessica Linker (April 17th-May 2nd, 2012)


Box 157 Email correspondence between Cass McCombs and Mónica de la Torre (May 3rd-May 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Jessica Linker (May 4th, 2012)


Box 157 Email correspondence between Cass McCombs and Mónica de la Torre (May 4th, 2012)


Box 157 Email correspondence between Clinton Krute and Mónica de la Torre (May 7th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Cass McCombs (May 7th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Daniel Gill, and Jessica Linker (May 3rd-May 7th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Cass McCombs (May 7th-May 10th, 2012)


Audio:


Box 157 Ariel Pink, Cass McCombs, Mónica de la Torre, Clinton Krute, April 26th, 2012 57:05, 2012


Ralph Lemon by James Hannaham (Corresponding page in magazine: 34-43):


Box 157 Original transcription (49 pages)


Box 157 Draft with text edits by Sabine Russ (50 pages)


Box 157 Draft with text edits by Ralph Lemon (10 pages)


Box 157 Draft with text edits by Betsy Sussler and Sabine Russ (11 pages)


Box 157 Draft with text edits by James Hannaham (25 pages)


Box 157 Draft with text and handwritten edits by Sabine Russ and Betsy Sussler (15 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (15 pages)


Box 157 Introduction draft (2 pages)


Box 157 Final Layout (5 pages)


Correspondences:


Box 157 Email correspondence between Ralph Lemon andn Sabine Russ (March1st, 2012)


Box 157 Email correspondence between Sabine Russ, Monica de la Torre, and Betsy Sussler (March1st, 2012)


Box 157 Email correspondence between Sabine Russ and Ralph Lemon (March5th-29th, 2012)


Box 157 Email correspondence between Sabine Russ and James Hannaham (March30th)


Box 157 Email correspondence between Sabine Russ and Ralph Lemon (April 2nd)


Box 157 Email correspondence between Sabine Russ, Ralph Lemon, and James Hannaham (April 2nd-16th, 2012)


Box 157 Email correspondence between James Hannaham and Sabine Russ (April 16th, 2012)


Box 157 Email correspondence between Emily Harney, Ralph Lemon, and Sabine Russ (April 17th, 2012)


Box 157 Email correspondence between Sabine Russ, James Hannaham and Ralph Lemon (April 28th-May 2nd, 2012)


Box 157 Email correspondence between Ralph Lemon and Sabine Russ (May 2nd, 2012)


Box 157 Email correspondence between James Hannaham and Sabine Russ (May 3rd-4th, 2012)


Box 157 Email correspondence between Sabine Russ, Ralph Lemon, and James Hannaham (May 4th-6th, 2012)


Box 157 Email correspondence between Ralph Lemon and Sabine Russ (May 6th-7th, 2012)


Box 157 Email correpondence between Sabine Russ and Ralph Lemon (May 7th-9th, 2012)


Box 157 Email correspondence between Sabine Russ, Ralph Lemon, and James Hannaham (May 10th, 2012)


Audio:


Box 157 Ralph Lemon and James Hannahm, Recording, 1:44:29


Brian Evenson by Blake Butler (Corresponding page in magazine: 72-77):


Box 157 Original transcription (31 pages)


Box 157 Draft with handwritten edits by Blake Butler (20 pages)


Box 157 Draft with text edits by Mónica de la Torre (20 pages)


Box 157 Draft with text edits encorporated by Mónica de la Torre (13 pages)


Box 157 Draft with text edits by Brian Evenson (10 pages)


Box 157 Draft with text edits by Brian Evenson (9 pages)


Box 157 Draft with text edits by Mónica de la Torre (27 pages)


Box 157 Draft with text edits by Betsy Sussler (27 pages)


Box 157 Draft with highlighting by Betsy Sussler (12 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (13 pages)


Box 157 Draft with text edits by Brian Evenson (13 pages)


Box 157 Final draft (13 pages)


Box 157 Fact check (1 page)


Correspondences:


Box 157 Email correspondence between Tricia O'Reilly, Brian Evenson, and Mónica de la Torre (March8th-12th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Brian Evenson (March12th-29th, 2012)


Box 157 Correspondence between Mónica de la Torre and Guy Maddin (March28th-30th, 2012)


Box 157 Correspondence between Mónica de la Torre and Brian Evenson (March30th, 2012)


Box 157 Correspondence between Mónica de la Torre and Blake Butler (March30th, 2012)


Box 157 Correspondence between Brian Evenson and Mónica de la Torre (March30th-April 2nd, 2012)


Box 157 Correspondence between Blake Butler, Brian Evenson and Mónica de la Torre (April 10th-25th, 2012)


Box 157 Email correspondence between Blake Butler and Mónica de la Torre (April 25th, 2012)


Box 157 Email correspondence between Blake Butler, Brian Evenson and Mónica de la Torre (April 25th-May 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Betsy Sussler (May 9th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Brian Evenson (May 10th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Blake Butler (


Audio:


Box 157 Blake Butler and Brian Evenson, April 18th, 2012 Recording, 1:20:56, 2012


Eija-Liisa Ahtila by Cary Wolfe (Corresponding page in magazine: 134-142):


Box 157 Draft with text edits by Sabine Russ (12 pages)


Box 157 Draft with handwritten edits by Cary Wolfe (11 pages)


Box 157 Draft with handwritten edits by Betsy Sussler (11 pages)


Box 157 Final Draft (11 pages)


Box 157 Fact check (2 pages)


Box 157 Text by Cary Wolfe (10 pages)


Correspondences:


Box 157 Email correspondence between Linda Pellegrini and Sabine Russ (December 5th-22nd, 2011)


Box 157 Email correspondence between Sabine Russ and Betsy Sussler (December 22nd, 2011)


Box 157 Email correspondence between Sabine Russ and Linda Pellegrini (January 4th-March5th, 2012)


Box 157 Email correspondence between Cary Wolfe and Sabine Russ (March4th, 2012)


Box 157 Email correspondence between Sabine Russ and Cary Wolfe (March1st-April 16th, 2012)


Box 157 Email correspondence between Linda Pellegrini and Sabine Russ (March5th, 2012)


Box 157 Email correspondence between Sabine Russ and Eija-Liisa Ahtila (March5th-27th, 2012)


Box 157 Email correspondence between Cary Wolfe, and Sabine Russ (April 22nd-May 1st, 2012)


Box 157 Email correspondence between Eija-Liisa Ahtila and Sabine Russ (May 9th-May 11th, 2012)


Tom Murphy by Colm Toibin (Corresponding pages in magazine: 44-51):


Box 157 Original transcription with handwritten edits by Sabine Russ (17 pages)


Box 157 Draft with handwritten and text edits by Sabine Russ (15 pages)


Box 157 Draft with text edits by Sabine Russ (14 pages)


Box 157 Draft with handwritten edits by Betsy Sussler (12 pages)


Box 157 Fact check draft with edits by Sabine Russ (12 pages)


Box 157 Draft with handwritten edits by Sabine Russ (12 pages)


Box 157 Final draft (12 pages)


Box 157 Fact check sheet (4 pages)


Correspondences:


Box 157 Email correspondence between Mónica de la Torre and Colm Toibin (Febuary 28-March2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Colm Toibin (March15th-March20th, 2012)


Box 157 Email correspondence between Caitlin Kasunich and Sabine Russ (April 24th, 2012)


Box 157 Email correspondence between Caitlin Kasunich and Ashley McNelis (April 17th-April 25th, 2012)


Box 157 Email correspondence between Sabine Russ and Sinead Mcphillips (May 8th-May 10th, 2012)


Box 157 Email correspondence between Sabine Russ, Colm Toibin, Sinead McPhillips and Thomas Conway Druid (May 14th, 2012)


Box 157 Email correspondence between Sabine Russ, Betsy Sussler, and Charles Day (May 14th, 2012)


Box 157 Email correspondence between Sabine Russ and Sinead McPhillips (May 14th, 2012)


Box 157 Audio media included


Issue 121/Fall, 2012


Front Matter:


Contributor's Page:



Box 158 Contributor's bio draft with highlighting and handwritten edits by Mónica de la Torre


Other:


Box 158 2012 patrons page draft with handwritten edits by Mónica de la Torre (1 page), 2012


Box 158 Masthead (1 page)


Box 158 Fact check by Katy Schneider


Editor's Choice:


Sung Hwan Kim The Tanks at Tate Modern by Jessica Kate Weatherup (Corresponding page in magazine 22):


Box 158 Draft with typewritten notes by Sabine Russ


Burning City: Poems of Metropolitan Modernity Edited by Jed Rasula and Tim Conley by Alan Gilbert (Corresponding page in magazine 18):


Box 158 Draft with handwritten edits by Mónica de la Torre


Box 158 Draft with text edits by Betsy Sussler


Box 158 Draft with text edits by Alan Gilbert


Box 158 Correspondence:


Box 158 Email correspondence between Mónica de la Torre and Joyelle McSweeney (July 26th-August 6th)


Infinite Jest HAU Theater by Michael Schmelling (Corresponding page in magazine 12):


Box 158 Draft with handwritten edits and highlighting by Betsy Sussler


Box 158 Draft with handwritten edits by Mónica de la Torre


Media Included:


Box 158 Slate.com article "DFW's 1,000-Page Novel Becomes a 24-Hour Play" by Aaron Wiener, June 18, 2012


The Cruise: A floating audio film eteam by Sabine Russ (Corresponding page in magazine 24):


Box 158 Draft with handwritten notes by Mónica de la Torre and Katy Schneider


Box 158 Draft with handwritten notes by Mónica de la Torre


Box 158 Draft with handwritten notes by Betsy Sussler


Box 158 Final Draft


Correspondence:


Box 158 Email correspondence between Mónica de la Torre and Gabriela Rangel (April 27th-May 1st, 2012)


Faking It: Manipulated Photography before Photoshop Mia Fineman by Tim Davis (Corresponding page in magazine 14):


Box 158 Draft with handwritten edits by Sabine Russ


Box 158 Draft with handwritten edits by Mónica de la Torre


Box 158 Final draft


Media Included:


Box 158 Faking It: Manipulated Photography Before Photoshop brochure for the catalog published by The Metropolitan Museum of Art, distributed by Yale University Press


Seeing Sound: Sound Art, Performance, and Music, 1978--2011 Gordon Monahan by Nicolas Collins (Corresponding page in magazine 15):


Box 158 Draft with handwritten notes by Mónica de la Torre


Box 158 Final draft with highlighting


Correspondence:


Box 158 Email correspondence between Legacy Russell, Sabine Russ, and Mónica de la Torre (March29th-April 25th, 2012)


800 Views of Airports Peter Fischli and David Weiss by Alain de Botton (Corresponding page in magazine 17):


Box 158 Correspondence


Box 158 Review copy request form submitted by Mónica de la Torre to Art Book | D. A. P.


Box 158 First Proof


Five Poems by Pedro Serrano (Corresponding pages in magazine 78-79):


Box 158 Draft in Spanish with comments on translation by Mónica de la Torre


Box 158 Translated draft with handwritten edits by Mónica de la Torre


Box 158 Layout with handwritten edits by Mónica de la Torre and Sabine Russ


Box 158 Final draft


Boys by Ben Ehrenreich (Corresponding pages in magazine 104-109):


Box 158 Draft with handwritten edits by Betsy Sussler


Kixote Becomes Kixote by Charlie Smith :


Box 158 Draft with handwritten edits by Betsy Sussler


Correspondence:


Box 158 Email correspondence between Charlie Smith and Mónica de la Torre (August 2nd--August 4th)


Box 158 Email correspondence between Charlie Smith and Mónica de la Torre (June 6th--June 14th)


Box 158 Email correspondence between Charlie Smith and Mónica de la Torre (May 5th)


All That You Aren't but Might Possible Be from Promising Young Women by Suzanne Scanlon


Box 158 Draft with handwritten edits by Mónica de la Torre and Betsy Sussler


Correspondence:


Box 158 Email correspondence between Suzanne Scanlon and Mónica de la Torre (June 18th)


Box 158 Email correspondence between Suzanne Scanlon and Mónica de la Torre (August 2nd--August 6th)


The Giant Baby by Laurie Foos


Box 158 Final draft


Correspondence:


Box 158 Email correspondence between Laurie Foos and Mónica de la Torre (August 2nd--August 6th)


Two Poems by Calvin Bedient (Corresponding pages in magazine 102):


Box 158 Draft with handwritten edits by Mónica de la Torre


Box 158 Final draft


Correspondence:


Box 158 Email correspondence between Mónica de la Torre and Calvin Bedient (August 2nd--August 3rd)


Winner of BOMB's 2012 Poetry Contest by Daniel Poppick (Corresponding pages in magazine 90-91):


Box 158 Final draft


Correspondence:


Box 158 Email correspondence between Mónica de la Torre and Daniel Poppick (August 2nd--August 4th)


Portfolio by Anne Gilman (Corresponding page in magazine 68):


Box 158 Final Draft (Bio)


Correspondence:


Box 158 Email correspondence between Sabine Russ and Anne Gilman (April 1st--April 2nd)


Box 158 Email correspondence between Sabine Russ and Anne Gilman (June 9th, 2012)


Media Included:


Box 158 Invitation/brochure for "Anne Gilman


Box 158 A Jolly Balance" at The Center for Book Arts


Images:


Box 158 Black Ice, 2012


Box 158 Black Ice, 2012 (detail), 2012


Box 158 Tree Skin, 2012


Box 158 Desabotonar/Deshacer, 2011


Box 158 Sticks and Stones, 2012


Box 158 Black Ice, 2012 (text detail), 2012


Box 158 Desabotonar/Deshacer (detail dots)


Box 158 Desabotonar/Deshacer (text detail)


Portfolio by Barney Kulok


Correspondence:


Box 158 Email correspondence between Barney Kulok and Sabine Tuss (June 20th--October 9th)


Interviews:


Lucy Raven by Jason Simon by Lucy Raven and Jason Simon (Corresponding pages in magazine 124-133):


Box 158 Original transcription (35 pages)


Box 158 Draft with text edits by Jason Simon (11 pages)


Box 158 Draft with handwritten edits by Mónica de la Torre (11 pages)


Box 158 Draft with text edits incorporated by Mónica de la Torre (12 pages)


Box 158 Draft with text edits by Lucy Raven (10 pages)


Box 158 Draft with handwritten edits by Mónica de la Torre (10 pages)


Box 158 Draft with text edits incorporated by Mónica de la Torre (9 pages)


Box 158 Draft with text edits by Betsy Sussler (9 pages)


Box 158 Draft with highlighting by Mónica de la Torre


Box 158 Draft with text edits by Lucy Raven (pages)


Box 158 Draft with text edits by Jason Simon and handwritten edits by Mónica de la Torre


Box 158 Introduction draft by Jason Simon (1 page)


Box 158 Introduction draft with handwritten edits by Mónica de la Torre (1 page)


Box 158 Introduction draft with handwritten edits by Sabine Russ (1 page)


Box 158 Introduction draft with handritten edits by Betsy Sussler (1 page)


Box 158 Introduction draft with text edits by Mónica de la Torre (1 page)


Box 158 Fact check with text edits by Katy Schneider (3 pages)


Box 158 Layout draft with handwritten edits and highlighting by Katy Schneider (10 pages)


Box 158 Layout draft with handwritten edits and highlighting by Betsy Sussler and Katy Schneider (10 pages)


Correspondences:


Box 158 Email correspondence between Sabine Russ and Morgan Kroll (May 30th, 2012)


Box 158 Email correspondence between Jason Simon, Mónica de la Torre, and Lucy Raven (July 30th, 2012)


Box 158 Email correspondence between Lucy Raven, Mónica de la Torre, and Jason Simon (July 30th, 2012)


Box 158 Email correspondence between Lucy Raven, Mónica de la Torre, and Jason Simon (August 2, 2012)


Box 158 Email correspondence between Jason Simon and Mónica de la Torre (August 5, 2012)


Audio:


Box 158 Lucy Raven and Jason Simon recording, June 20th, 2012 June 26th, 2012 (1:13:37, 1:25:15), 2012, 2012


Media Included:


Box 158 Audio disk with original recording


Six Organs of Admittance by Sir Richard Bishop by Ben Chasny and Richard Bishop (Corresponding Pages in Magazine 58 -- 63):


Box 158 Original transcription (7 pages)


Box 158 Draft with handwritten edits by Mónica de la Torre (7 pages)


Box 158 Draft with text edits incorporated by Mónica de la Torre (8 pages)


Box 158 Draft with handwritten edits by Betsy Sussler (8 pages)


Box 158 Draft with text edits incorporated by Betsy Sussler (8 pages)


Box 158 Draft with text edits by Richard Bishop (8 pages)


Box 158 Draft with text edits by Ben Chasny (9 pages)


Box 158 Introduction draft with handwritten edits by Mónica de la Torre and Betsy Sussler (1 page)


Box 158 Layout with handwritten edits by Katy Schneider and Mónica de la Torre (5 pages)


Box 158 Layout with highlighting by Katy Schneider (5 pages)


Box 158 Fact check with edits by Katy Schneider (4 pages)


Haim Steinbach by Haim Steinbach and Peter Schwenger (Corresponding pages in magazine 34 -- 43):


Box 158 Original transcription (24 pages)


Box 158 Draft with text edits by Peter Schwenger (12 pages)


Box 158 Draft with text edits by Peter Schwenger (9)


Box 158 Draft with text edits by Haim Steinbach (9 pages)


Box 158 Draft with handwritten edits and highlighting by Mónica de la Torre (9 pages)


Box 158 Draft with text edits by Betsy Sussler (9 pages)


Box 158 Draft with text edits by Mónica de la Torre (9 pages)


Box 158 Draft with text edits by Haim Steinbach (9 pages)


Box 158 Draft with text edits by Joshua Bachner (10 pages)


Box 158 Final draft (10 pages)


Box 158 Introduction draft with handwritten edits by Betsy Sussler (1 page)


Box 158 Introduction draft with handwritten edits by Betsy Sussler (1 page)


Box 158 Introduction with handwritten edits by Mónica de la Torre (1 page)


Box 158 Final introduction with text edits incorporated by Mónica de la Torre


Box 158 Layout with handwritten edits and highlighting by Katy Schneider (10 pages)


Box 158 Layout with text edits and handwritten edits by Betsy Sussler (10 pages)


Box 158 Factcheck draft with edits by Betsy Sussler (2 pages)


Correspondence:


Box 158 Email correspondence between Mónica de la Torre and Peter Schwenger (July 27th--July 28th, 2012)


Box 158 Mail correspondence between Mónica de la Torre and Emily Ruotolo (July 30th, 2012)


Box 158 Email correspondence between Mónica de la Torre and Haim Steinbach (July 30th--July 31st, 2012)


Box 158 Email correspondence between Haim Steinbach and Mónica de la Torre (July 31st, 2012)


Box 158 Undated email from Haim Steinbach to Mónica de la Torre, Undated


Audio:


Box 158 Haim Steinbach and Peter Schwenger recording July 17th, 2012 (49:47, 9:57, and 12:02), 2012


Media Included:


Box 158 Audio file on CD


Josiah McElheny and Gregg Bordowitz (Corresponding pages in magazine 134 -- 143):


Box 158 Original transcription (18 pages)


Box 158 Draft with text edits by Sabine Russ (27 pages)


Box 158 Draft with text edits by Gregg Bordowitz (13 pages)Draft with text edits by Sabine Russ and handwritten edits by Betsy Sussler (12 pages)


Box 158 Draft with text edits by Greg Bordowitz (12 pages)


Box 158 Draft with text edits by Joshua Bauchner (12 pages)


Box 158 Draft with text edits by Josiah McElheny (13 pages)


Box 158 Draft with text edits by Gregg Bordowitz (13 pages)


Box 158 Final draft (pages)


Box 158 Layout with handwritten edits by Mónica de la Torre (10 pages)


Box 158 Layout with handwritten edits with handwritten edits by Josiah McElheny, Mónica de la Torre, and Katy Schneider (10 pages)


Box 158 Layout with handwritten edits by Betsy Sussler and Katy Schneider (10 pages)


Box 158 Fact sheet by Katy Schneider (4 pages)


Correspondence:


Box 158 Email correspondence between Josiah McElheny and Mónica de la Torre (May 12th, 2012)


Box 158 Email correspondence between Josiah McElheny (artist), Gregg Bordowitz (interviewer), Sabine Russ (editor), John Jordan (transcriber), Jessica Eckert (of the Andrea Rosen gallery), Joshua Bauchner (copy editor), Tom Griffith (designer), Melanie Rihm (Sternberg Press), Colette Randall (ICA Boston) (May 12th--August 6th)


Audio:


Box 158 Josia McElheny and Gregg Bordowitz, Recording, 2:03:28


Media Included:


Box 158 Audio file on CD


Jaime Manrique by Edith Grossman Corresponding pages in magazine (92 -- 97):


Box 158 Original Transcript (11 pages)


Box 158 Draft with handwritten edits by Mónica de la Torre (11 pages)


Box 158 Draft with text edits by Mónica de la Torre (8 pages)


Box 158 Draft with text edits by Jaime Manrique and handwritten edits by Mónica de la Torre (14 pages)


Box 158 Draft with text edits by Mónica de la Torre and handwritten edits by Betsy Sussler (14 pages)


Box 158 Draft with text edits by Jaime Manrique


Box 158 Final draft with tracked changes by Mónica de la Torre (15 pages)


Box 158 Introduction draft with handwritten edits by Mónica de la Torre (1 page)


Box 158 Draft for fact check with highlighting by Mónica de la Torre


Box 158 Fact check sheet by Katy Schneider (3 pages)


Susanna Moore by Kurt Andersen (Corresponding pages in magazine 72 -- 77):


Box 158 Original transcript (pages)


Box 158 Draft with text edits by Sabine Russ (13 pages)


Box 158 Draft with text edits by Susanna Moore (13 pages)


Box 158 Draft with text edits by Kurt Andersen (14 pages)


Box 158 Draft with handwritten edits by Katy Schneider, Sabine Russ, and Betsy Sussler


Box 158 Final draft with highlighting by Katy Schneider (12 pages)


Box 158 German language edits by Sabine Russ (8 pages)


Box 158 Fact sheet by Katy Schneider (4 pages)


Correspondence:


Box 158 Email correspondence between Betsy Sussler, Susanna Moore, Mónica de la Torre, and Sabine Russ (May 24th, 2012)


Box 158 Email correspondence between Kurt Andersen, Betsy Sussler, and Sabine Russ (May 29th, 2012)


Box 158 Email correspondence between Sabine Russ and Jessica Purcell (May 29th, 2012)Email correspondence between Brittany Morrongiello and Sabine Russ (May 30th, 2012--June 1st, 2012)


Box 158 Email correspondence between Susanna Moore, Sabine Russ, and Brittany Morrongiello (May 30th, 2012--June 4th, 2012)


Box 158 Email correspondence between Sabine Russ and Susanna Moore (June 11th, 2012--June 16th, 2012)


Box 158 Email correspondence between Sabine Russ, Kurt Andersen and Susanna Moore (July 5th, 20120)


Box 158 Email correspondence between Sabine Russ and Susanna Moore (July 16th, 2012--July 18th, 2012)


Box 158 Email correspondence between Susanna Moore, Sabine Russ and Kurt Andersen (July 18th, 2012)


Box 158 Email correspondence between Sabine Russ and Brittany Morrongiello (July 18th, 2012)


Box 158 Email correspondence between Brittany Morrongiello and Sabine Russ (July 18th--July 30th, 2012)


Box 158 Email correspondence between Sabine Russ, Susanna Moore and Kurt Andersen (August 1st, 2012--August 3rd, 2012)


Box 158 Email correspondence between Brittany Morrongiello and Sabine Russ (July 18th--August 31st, 2012)


Amy Herzog and Carolyn Cantor (Corresponding pages in magazine 44 -- 50):


Box 158 Original transcript (21 pages)


Box 158 Draft with handwritten edits by Sabine Russ (20 pages)


Box 158 Draft with text edits by Carolyn Cantor (23 pages)


Box 158 Draft with text edits by Sabine Russ (15 pages)


Box 158 Draft with handwritten edits by Betsy Sussler (13 pages)


Box 158 Draft with text edits incorporated by Betsy Sussler and text edits by Sabine Russ (13 pages)


Box 158 Introduction with handwritten edits by Mónica de la Torre


Box 158 Caption edits with highlighting by Mónica de la Torre


Correspondence:


Box 158 Email correspondence between Sabine Russ, Michael Borowski, Paul Cantor, Barbara Carroll, and Betsy Sussler (July 16th--July 18th)


Box 158 Email correspondence between Carolyn Cantor and Sabine Russ (July 16th--July 24th)


Media Included:


Box 158 Manuscript of The Great God Pan by Amy Herzog


Miguel Gutierrez and Ishmael Houston Jones (Corresponding pages in magazine 26 -- 33):


Box 158 Original transcription (11 pages)


Box 158 Draft with text edits by Mónica de la Torre (11 pages)


Box 158 Draft with text edits by Miguel Gutierrez (8 pages)


Box 158 Draft with text edits by Ishmael Houston Jones (9 pages)


Box 158 Draft with handwritten edits by Mónica de la Torre and Sabine Russ (9 pages)


Box 158 Draft with handwritten edits by Sabine Russ (9 pages)


Box 158 Draft with text edits incorporated by Mónica de la Torre and Sabine Russ (9 pages)


Box 158 Draft with text edits by Betsy Sussler and handwritten edits by Mónica de la Torre (9 pages)


Box 158 Itemized edits by Joshua Bauchner (1 page)


Box 158 Introduction draft with handwritten edits by Sabine Russ and Mónica de la Torre (2 pages)


Box 158 Final introduction (1 page)


Box 158 Layout with handwritten edits by Mónica de la Torre and Katy Schneider (8 pages)


Box 158 Layout with handwritten edits and highlighting by Katy Schneider (8 pages)


Box 158 Layout with handwritten edits by Mónica de la Torre (8 pages)


Box 158 Final layout (8 pages)


Box 158 Factsheet by Katy Schneider


Correspondence:


Box 158 Email correspondence between Mónica de la Torre, Thomas Benjamin Snapp Pryor, and Miguel Gutierrez (July 31st, 2012)


Box 158 Email correspondence between Mónica de la Torre, Thomas Benjamin Snapp Pryor, and Miguel Gutierrez (July 31st--August 4th, 2012)


Audio:


Box 158 Miguel Gutierrez and Ishmael Houston Jones recording, date unknown (33:35)


Media Included:


Box 158 Audio file on CD


Artists on Artists:


Katie Bell by John O'Connor


Box 158 Draft with commentary by Mónica de la Torre


Box 158 Final draft


Correspondence:


Box 158 Email correspondence between Katie Bell and Sabine Russ (July 17th, 2012)


Box 158 Email correspondence between John O'Connor and Sabine Russ (July 19th, 2012)


Images:


Box 158 Thumbnails from artist's website (2 pages)


Wendy White by EJ Hauser


Box 158 First Draft


Box 158 Draft with handwritten edits by Betsy Sussler


Box 158 Draft with handwritten edits by Mónica de la Torre


Box 158 Draft with text edits by Sabine Russ


Box 158 Draft with text edits by Mónica de la Torre


Box 158 Draft with text edits by EJ Hauser


Catherine Howe by Madeline Weinrib


Box 158 Draft with text edits by Sabine Russ


Box 158 Draft with text edits by Sabine Russ


Box 158 Draft with text edits by Catherine Howe;


Correspondences:


Box 158 Email correspondence between Betsy Sussler, Sabine Russ, and Madeline Weinrib (July 12, 2012)


Box 158 Email correspondence between Sabine Russ and Dana Greenridge (July 18--July 19 )


BOMB Specific


BOMB Specific by EJ Hauser (Corresponding page in magazine 52-57):


Box 158 Final draft (5 pages)


Correspondence:


Box 158 Email correspondence between Mónica de la Torre and EJ Hauser (July 31st, 2012)


Issue 122/Winter, 2013


Front Matter:



Box 159 Folder 1 Page layout with notes from SR, black font, yellow, purple, and green highlighting, 4 pages


Box 159 Folder 2 Masthead with note "Ok BRS," black font, 1 page


Box 159 Folder 3 Draft of TOC blurbs, black font, 1 page


Box 159 Folder 4 TOC with notes from BRS, black font, blue pen, 3 pages


Box 159 Folder 5 Correspondence from Joshua Bauchner to Monica de la Torre attached to copy of TOC with Josh's corrections, black font, blue and black pen, yellow highlighting, 8 pages


Box 159 Folder 6 Patrons Page 122, marked in blue pen "Final copy," black font, 6 pages


Box 159 Folder 7 Contributor's bios, black and blue font, yellow highlighting, 2 pages


Other:


Box 159 Copy of 121 with sticky notes from BRS to check patron pages


Editor's Choice:


The Arcadia Project edited by Joshua Corey and G.C. Waldrep by Jeff Nagy (Corresponding page in magazine: 14):


Box 159 Folder 1 Final copy, black font, 3 pages


Box 159 Folder 2 MT3+handwritten comments from SR in pencil and black pen, black font, 3 pages


Box 159 Folder 3 MT3 highlighted for factchecking, black font, 3 pages


Box 159 Folder 4 MT3, black and blue font, 3 pages


Box 159 Folder 5 JN2, black font, green highlighting, 3 pages


Box 159 Folder 6 MT1, black and red font, green highlighting, 3 pages


Box 159 Folder 7 Copy of original with handwritten notes in red pencil and blue pen, black font, 2 pages


Box 159 Folder 8 Fact check, black and grey font, 1 page


Box 159 Folder 9 Press release flyer for The Arcadia Project


Box 159 Email correspondence between Monica de la Torre and Jeff Nagy


A Response from The Arcadia Project's Coeditor by Joshua Corey (Corresponding page in magazine: 15):


Box 159 Folder 1 Response final, black font, 2 pages


Box 159 Folder 2 MT3 clean copy, black font, marks in red pencil and blue pen, 2 pages


Box 159 Folder 3 MT3, black and grey font, 2 pages


Box 159 Folder 4 Arcadia response 2, black font, marks in red pencil, 2 pages


Box 159 Folder 5 Original draft, black font, marks in blue pen, 1 page


Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art edited by Catherine Morris and Vincent Bonin by Frances Richard (Corresponding page in magazine: 12-13):


Box 159 Folder 1 Copy of original draft with comments from SR and MT, black font, pencil, black and blue pen, 2 pages


Box 159 Folder 2 Copy of original draft highlighted for fact check, black font, yellow highlighting, 2 pages


Box 159 Folder 3 Fact check for Lucy R. Lippard, black, blue, and red font, 3 pages


Box 159 Folder 4 Brooklyn Museum image catalogue for Materializing "Six Years": Lucy R. Lippard and the Emergence of Conceptual Art, black font, color images, marks in blue pencil, 28 pages


Box 159 Folder 5 Brooklyn Museum Press image gallery for "Six Years", black and grey, marks in pencil, 2 pages


The Poet's Tongue by Ulises Carrión by Alga Marghen (Corresponding page in magazine: 18):


Box 159 Folder 1 Final copy, black font, 2 pages


Box 159 Folder 2 Correspondence from Tom Griffiths to Monica de la Torre, text in layout, black font, 1 page


Box 159 Folder 3 Fact check, black font, 1 page


Box 159 Folder 4 SR/BRS2 with comments from MT, black font, blue pencil, 2 pages


Box 159 Folder 5 MT1 with comments from BRS, black font, black pen, 2 pages


Box 159 Folder 6 Original copy with comments from SR, black font, red pen, 3 pages


Pataphysics: A Useless Guide by Andrew Hugill by Daniel Levin Becker (Corresponding page in magazine: 20):


Box 159 Folder 1 Original draft marked "SR to read," black font, blue pen, 1 page


The Myopia and Other Plays by David Greenspan by Anne Washburn (Corresponding page in magazine: 17):


Box 159 Folder 1 Final copy, black font, 1 page


Box 159 Folder 2 AW2 highlighted for fact check, black font, yellow highlighting, red pencil, 1 page


Box 159 Folder 3 AW2, black font, blue pen, 1 page


Box 159 Folder 4 MT1 with comments from unknow, black font, black and blue pen, 1 page


Box 159 Folder 5 MT1, black and red font, 1 page


Box 159 Folder 6 Original copy, black font, yellow highlighting, black pen, 1 page


Box 159 Folder 7 Fact check sheet, black and blue font, 1 page


Bish Bosch by Scott Walker by Bill Callahan (Corresponding page in magazine: 22):


Box 159 Folder 1 Final copy, black font, 2 pages


Box 159 Folder 2 MT1 with handwritten notes from BRS, black and grey font, black pen, 2 pages


Box 159 Folder 3 Original copy with handwritten notes from MT, black font, red pencil, 1 page


Night Across the Street directed by Raúl Ruiz by Chris Chang (Corresponding page in magazine: 24):


Box 159 Folder 1 Final copy, black font, 2 pages


Box 159 Folder 2 SR3, black and blue font, 2 pages


Box 159 Folder 3 CC2, black and blue font, 3 pages


Box 159 Folder 4 SR1 highlighted for fact check


Box 159 Folder 5 SR1 stapled to original, with comments from BRS, black and grey font, black pen, 6 pages


Box 159 Folder 6 Fact check, black, blue, red, and purple font, orange highlighting, 3 pages


Box 159 Folder 7 Article on Raul from The Guardian


Horst Ademeit


Box 159 Folder 1 Copy of bio/captions addressed to "Tom," black font, 3 pages


Box 159 Folder 2 Portfolio of images and write-ups from Galerie Susanne Zander, black font, color images, 23 pages


Box 159 Collected correspondences from Monica de la Torre, Sabine Russ, Susanne Zander, Monika Koencke.


First Proof:


Box 159 Copy of all First Proof in layout, black font, marks in blue and black pen, red and yellow sticky notes, 16 pages


Mrs. Job in Connecticut by George Minkoff (Corresponding pages in magazine: 84-86):


Box 159 Folder 1 Original draft of "Mrs. Job in Connecticut," black font, pencil, 11 pages


Box 159 Folder 1 From "Minkoff Books" to Monica, November 1 2012 Subject: Re: Mrs. Job in Connecticut, 2012


Dark Side of Time; Dear Communard; We Live; The Milk Was Sour by Lewis Warsh (Corresponding pages in magazine: 88-89):


Box 159 Folder 1 Stapled copies of "Dear Communard," "The Milk Was Sour," "We Live," "The Survey," "Dark Side of Time," "Once," "Written in Stone," "Watch on the Rind," black font, marks in black pen and red pencil, 8 pages


Box 159 Folder 1 From Lewis Warsh to Monica de la Torre, November 4 2012 Subject: Re: BOMB proofs, black font, 2 pages, 2012


The Father by Trey Sager (Corresponding pages in magazine: 90-95):


Box 159 Folder 1 Cover letter, handwritten in black pen, comments in blue pen, 1 page


Box 159 Folder 2 Copy of "The Father," black font, marks in pencil, 17 pages


Box 159 Folder 3 Unsent return envelope addressed to Trey Sager in his own handwriting, black pen


Box 159 Folder 1 From Trey Sager to Monica de la Torre, November 1 2012 Subject: Re: BOMB proofs, 2012


Pilgrimage Past the Written; The Snowman Recast by Suzanne Wise (Corresponding pages in magazine: 96-97):


Box 159 Folder 1 Stapled copies of "The Post," "Pilgrimage Past the Written," "The Snowman Recast," "Lullaby," black font, marks in black and blue pen, red pencil, 8 pages


Box 159 Folder 2 Copy of "Pilgrimage Past the Written," black font, marks in blue pen, 2 pages


Box 159 Folder 3 Copy of "Blues Overflow," black font, marks in blue pen, 3 pages


from Bough Down by Karen Green (Corresponding pages in magazine: 98-101):


Box 159 Folder 1 Copy of "Bough Down," black font, color images, 19 pages


Box 159 Folder 1 From Lisa Pearson to Monica de la Torre, July 9, 2012


Data Harbor by Daniel Borzutzky (Corresponding pages in magazine: 102-103):


Box 159 Folder 1 Copy of piece with pink sticky note from Monica to BRS, black font, 4 pages


Correspondence:


Box 159 Folder 1 From Daniel to Monica on November 1, 2012 Subject: Re: BOMB proofs, black font, 1 page, November 1, 2012


Q23 by James Hannaham (Corresponding pages in magazine: 104-109):


Box 159 Folder 1 Original draft of "Q23," black font, marks in black pen and red pencil, orange sticky note, 19 pages


Box 159 Folder 2 Later draft of "Q23," black font, 18 pages


Box 159 Folder 1 From James Hannaham to Monica de la Torre, November 2 2012 Subject: Re: BOMB proofs, black font, 1 page, 2012


Interviews:


Oscar Murillo by Legacy Russell by Oscar Murillo and Legacy Russell (Corresponding pages in magazine: 34-41):


Box 159 Folder 1 original transcript


Box 159 Folder 2 Transcript cleaned up by Wendy;


Box 159 Folder 3 printed interview with highlights and edits SR2;


Box 159 Folder 4 edit by Legacy Russell LR3


Box 159 Folder 5 printed interview with blue and black font SR4;


Box 159 Folder 6 printed interview with blue and black font SR 5 to Oscar;


Box 159 Folder 7 edit by Oscar Murillo OM 6


Box 159 Folder 8 edit 7 by SR with comments by BRS


Box 159 Folder 9 Interview copy in Word for Fact Check with yellow highlights


Box 159 Folder 10 fact check sheet with links and pink highlights;


Box 159 Folder 11 edit by Betsy Sussler (BRS after layout)


Box 159 Folder 12 copyeditor's changes (Joshua Bauchner)


Box 159 Folder 13 Betsy Sussler's edits in layout


Box 159 Folder 14 introduction by Legacy Russel;


Box 159 Folder 15 introduction by Legacy with edits from BRS


Box 159 Folder 16 introduction by Legacy with edits from SR with BRS edits


Box 159 Folder 17 introduction by Legacy FINAL


Box 159 Folder 18 Oscar Murillo copy edits with handwritten notes from Sabine


Correspondence:


Box 159 Collected emails from Sabine Russ, Betsy Sussler, Monica de la Torre, Oscar Murillo, Rashid Johnson, Legacy Russel; Taylor Trabulus (Nicole Klagsbrun Gallery); Stella Bottai (Serpentine Gallery); Stuart Shave and Aaron Hazan (Modern Art).


Audio:


Box 159 DM450015.MP3, Oscar Murillo and Legacy Russell, 10.22.12, 52:49


Tony Feher by Saul Ostrow (Corresponding pages in magazine: 134-143):


Box 159 Folder 1 Feher TRN, original transcript


Box 159 Folder 2 SR1-edit9-13-12 printed blue and black font


Box 159 Folder 3 SR4a/SR4b blue and black font


Box 159 Folder 4 SR5 begins with "Consult the files SR4A and SR4B…"


Box 159 Folder 5 SR5forTonynotused "Dear Tony, please only look at your parts"


Box 159 Folder 6 SO6 black and grey font


Box 159 Folder 7 SR7forTony, only black font


Box 159 Folder 8 SR6 with handwritten notes from Betsy


Box 159 Folder 9 BRS8 forTony


Box 159 Folder 10 TF9Sunday, blue and black font


Box 159 Folder 11 SR10 withintrotojoshua_jhb, blue and black font


Box 159 Folder 12 FeherFINALafterFC, just black font


Box 159 Folder 13 FeherFINALfinal, just black font


Box 159 Folder 14 MT's corrections, text in layout


Box 159 Folder 15 TonyFeher_factcheckCF red, blue, and black font


Box 159 Folder 16 TonyFeherFC, blue and black font with pink highlights


Box 159 Folder 17 TonyFeherintroduction


Box 159 Folder 18 TonyFeherintroduction SO [to] BRS [to] MT=SR1


Box 159 Folder 19 SR1 to Saul, blue, black, and yellow font


Box 159 Folder 20 TonyFeher_intro_SO2, blue, black, and yellow font


Box 159 Folder 21 TonyFeher_intro_SR3, blue, black, and yellow font


Box 159 Folder 22 TonyFeher_intro_SO4, black, purple, and yellow font


Box 159 Folder 23 TonyFeher_intro_FINAL just black font


Box 159 Folder 24 FeherintroJBtoSaul, black and blue font


Box 159 Folder 25 Bomb Magazine captions for Tony Feher


Box 159 Folder 26 After layout with handwritten notes in red ink and pink highlighter


Correspondences:


Box 159 Collected correspondences from Damelio Gallery, Sabine Russ, Sarah Sieradzki, Saul Ostrow, Tony Feher, Monica de la Torre


Audio:


Box 159 Tony Feher_audio.mp3, Tony Feher and Saul Ostrow, MP3 file, 1:22:23


Media Included:


Box 159 Print-out of Feher's exhibition history from the D'Amelio website


Rude Mechanicals by Eric Dryer by Eric Dryer, Shawn Sides, Lana Lesley, and Madge Darlington (Corresponding pages in magazine: 42-49):


Box 159 Folder 1 Original Transcript


Box 159 Folder 2 RudeMechs_ED1, ED edit 1, notes in red ink


Box 159 Folder 3 RudeMechs_MT2, blue and black ink


Box 159 Folder 4 RudeMechs_KLedit3, black and grey ink changes unmarked


Box 159 Folder 5 RudeMechs_LL4, black, blue, and green ink


Box 159 Folder 6 RudeMechs_SS5, black, blue, red, and green ink


Box 159 Folder 7 RudeMechs_MD6, black, blue, green, red, and purple ink


Box 159 Folder 8 RudeMechs_ED7, blue, black, green, red, purple, and brown ink, also handwritten notes in blue ink from MT


Box 159 Folder 9 Marked for fact check


Box 159 Folder 10 RudeMechs_MT8 with notes from BRS in black ink


Box 159 Folder 11 RudeMechs_BRS9, black and blue ink


Box 159 Folder 12 RudeMechs_ED10, black, blue, and red font with yellow highlighting


Box 159 Folder 13 RudeMechs_final just black ink


Box 159 Folder 14 Rude Mechs Queries sheet with list of captions and handwritten notes from Sabine in pencil


Box 159 Folder 15 First layout draft


Box 159 Folder 16 Layout with Josh's corrections, 10/31/12


Box 159 Folder 17 Layout with Sabine's corrections, 11/1/12


Box 159 Folder 18 Rude Mechanicals Fact Check sheet


Correspondence:


Box 159 Collected correspondences from Eric Dyer, Monica de la Torre, Kirk Lynn, Lala Lesley, Madge Darlington, Shawn Sides, Thomas Graves


Alix Perlstein by John Pilson (Corresponding pages in magazine: 124-133):


Box 159 Folder 1 Perlstein_TRN, black and grey ink with red pencil marks


Box 159 Folder 2 Pearlstein_JP1, black ink, edits not marked, red pencil "Use this one for my edits"


Box 159 Folder 3 Pearlstein_MT2, black and blue ink


Box 159 Folder 4 Pearlstein_AP3, black font and marks in blue pen


Box 159 Folder 5 Pearlstein_final, red flag tags marking quotes to pull


Box 159 Folder 6 Copy of final with marks in blue pen from BRS, "Alix's changes to enter InDesign"


Box 159 Folder 7 Alix Intro, black font, no marks


Box 159 Folder 8 Bomb_2moreQuestions, black font


Box 159 Folder 9 AlixPearlstein_FactCheck_CF, black and grey font, marks in blue pen


Box 159 Folder 10 Pearlstein Queries, marks in blue pen


Box 159 Folder 11 Copy Edit Pearlstein -- Cristy Fernandex, black font with marks in blue pen


Box 159 Folder 12 Layout with Josh's first corrections, marks in blue pen


Box 159 Folder 13 Layout, Josh's corrections entered, AP's corrections entered, blue pen marks and green flag tag, marked "BRS checked AP/JOSH/CAPS/FACTCHECK


Correspondences:


Box 159 Collected correspondences from Lara Tobin, Monica de la Torre, Alix Pearlstein, Betsy Sussler; Tom Griffiths and Jessica Green (Everything Studio).


David Lang by Nico Muhly (Corresponding pages in magazine: 26-32):


Box 159 Folder 1 DavidLang_TRN, black font


Box 159 Folder 2 DavidLang_MT1, black and grey font


Box 159 Folder 3 DavidLang_DL2, black and blue font, yellow highlighting


Box 159 Folder 4 DavidLang_BRS4, black and blue font


Box 159 Folder 5 Copy of "Final" with further edits in blue pen from BRS, red flag tags


Box 159 Folder 6 DavidLang_Final, black font


Box 159 Folder 7 Davidlang_factcheck_CF, black, blue, and red font, with red pencil, yellow highlighting


Box 159 Folder 8 Lang Queries, black font with blue pen marks


Box 159 Folder 9 In layout, Josh's first corrections with marks in blue pen


Box 159 Folder 10 In layout, Josh's corrections entered, further corrections from BRS, green flag tags, marks in blue pen, yellow highlighting


Correspondence:


Box 159 Collected correspondences from Monica de la Torre, Nico Muhly, David Lang, Betsy Sussler.


Fanny Howe by Kim Jensen (Corresponding pages in magazine: 76-83):


Box 159 Folder 1 FannyHoweTRN, black font


Box 159 Folder 2 FannyHoweSR1, black and blue font with marks in pencil and yellow highlighting


Box 159 Folder 3 FannyHowe2, black and grey font


Box 159 Folder 4 Copy of FannyHowe2 with marks in red pencil, grey pencil, yellow highlighter, orange highlighter from MT


Box 159 Folder 5 MT3, black and grey font notes in orange highlighter and on yellow post-it note


Box 159 Folder 6 Fanny Howe excerpt from Radical Love


Box 159 Folder 7 Fanny Howe fact check, black and grey font


Box 159 Folder 8 After layout, two copies of Josh's corrections with note on queries and correspondence with Kim Jensen


Box 159 Folder 9 Selection of Kim Jensen's poems from The Only Thing that Matters


Correspondence:


Box 159 Collected correspondences between Sabine Russ, Fanny Howe, Kim Jensen


Mark Z. Danielewski by Christopher O'Riley (Corresponding pages in magazine: 70-75):


Box 159 Folder 1 Original transcript with notes in blue pen from MT -- MT's edits Round 1, 7 pages


Box 159 Folder 2 Copy of MTedit1 with notes in blue pen and yellow highlighter from CO, 9 pages


Box 159 Folder 3 MD edit 2, notes in black pen, 8 pages


Box 159 Folder 4 MD edit 2, highlighted for fact checking, 8 pages


Box 159 Folder 5 MT3, black font, changes unmarked, 7 pages


Box 159 Folder 6 CO edit 4, black font, changes unmarked, 8 pages


Box 159 Folder 7 First draft of CO's introduction, 1 page


Box 159 Folder 8 Second draft of CO's introduction, highlighted for factchecking, 1 page


Box 159 Folder 9 Copy of Danielewski FINAL with marks in blue pen from MT and in pencil from BRS, 12 pages


Box 159 Folder 10 In layout with Josh's corrections marked, notes in pencil and red pencil from BRS, 13 pages


Box 159 Folder 11 Fact check sheet, black and grey font, marks in blue pen, 6 pages


Box 159 Folder 12 Description of ebook version of The Fifty Year Sword, 1 page


Correspondence:


Box 159 Collected correspondences from Monica de la Torre, Anne Carson, Michele Reverte, Christopher O'Riley


Cristian Mungiu by Liza Béar (Corresponding pages in magazine: 50-57):


Box 159 Folder 1 Original transcript, black font, 11 pages


Box 159 Folder 2 SR1 and comments from BRS and MT, black and blue font, marks in red and grey pencil, black pen, 14 pages


Box 159 Folder 3 MT2, blue and black font, 14 pages


Box 159 Folder 4 LB3 PDF copy, black, grey, red, and green font, shows tracked changes, 14 pages


Box 159 Folder 5 LB3 Word document, black and grey font, 14 pages


Box 159 Folder 6 SR3 highlighted for fact check, black font, marks in pencil, yellow highlighting, 14 pages


Box 159 Folder 7 Fact check, bkue and black font, yellow highlighting, 2 pages


Box 159 Folder 8 In first layout, notes in pencil from SR, 7 pages


Box 159 Folder 9 In layout, BRS+MT comments 11/3, yellow highlighting, green flag tags, 8 pages


Box 159 Folder 10 In layout with Josh's corrections in red pen, 8 pages


Box 159 Folder 11 In layout with Josh's corrections in red pen + notes from Liza in pen, 9 pages


Box 159 Folder 12 Mungiu Queries with Liza's replies, black font, 3 pages


Box 159 Folder 13 "Beyond the Hills" Photos on set PHOTO CAPTIONS, 9 pages


Correspondence:


Box 159 Collected correspondences from Clinton Krute, Sabine Russ, Liza Bear, Betsy Sussler.


Media Included:


Box 159 Item 1 Review of "Beyond the Hills" from The Guardian


Box 159 Item 2 Press packet for "Beyond the Hills"


Artists On Artists:


Dasha Shishkin by Ellen Berkenblit (Corresponding pages in magazine: 114-116):


Box 159 Folder 1 Final copy, black font, 2 pages


Box 159 Folder 2 BRS4, black font with marks in black pen and pencil, 2 pages


Box 159 Folder 3 SR3+handwritten notes in pencil, black font, 2 pages


Box 159 Folder 4 EB2/SR3, black and blue font, 1 page


Box 159 Folder 5 Color image copy, uncaptioned, 1 page


Box 159 Folder 7 SR1, black and blue font, 2 pages


Box 159 Folder 9 Original draft from EB, black font, 1 page


Correspondence:


Box 159 Collected correspondences from Sabine Russ, Eleen Berkenblit, Grace Evans (Zach Feuer Gallery).


Gunther Uecker by Ahmed Alsoudani (Corresponding pages in magazine: 120-122):


Box 159 Folder 1 Final copy, black font, 2 pages


Box 159 Folder 2 Placeholder to design, black and grey font, 2 pages


Box 159 Folder 3 BRS4, black and blue font, orange highlighter, 2 pages


Box 159 Folder 4 SR3, black and blue font, 2 pages


Box 159 Folder 5 AA2, black font, changes unmarked, 1 page


Box 159 Folder 6 SR1, black and blue font, yellow highlighting, 3 pages


Box 159 Folder 7 Original draft from AA, printed on page with letterhead from Haunch of Venison New York, 1 page


Correspondence:


Box 159 Collected correspondences from Sabine Russ, Monica de la Torre, Sara Wyer (Prentice Art Communications)


Erica Baum by Kim Rosenfield (Corresponding pages in magazine: 117-119):


Box 159 Folder 1 Final copy, black font, 3 pages


Box 159 Folder 2 EB1+notes from MT in red pencil, black font, 2 pages


Box 159 Folder 3 EB1+notes from unknown in black pen, black font, 3 pages


Issue 123/Spring, 2013



Box 160 Item 1 Masthead


Box 160 Item 2 Patrons Page


Box 160 Item 3 TOC Blurbs SR1


Box 160 Item 4 TOC Blurbs MT_SR


Box 160 Item 5 TOC Blurbs Final


Box 160 Item 6 TOC Edits in Layout, with marks in blue ink and pencil


Box 160 Item 7 Contributor's Bio's


Editor's Choice:


Routine Spectacle of Andy Kaufman and Stuart Sherman by Michael Smith (Corresponding pages in magazine: 12-14):


Box 160 Item 1 MT1 (Version 1 and 2), black font with marks in red pencil, 5 pages (each)


Box 160 Item 2 BRS2, black font with marks in black ink, 5 pages


Box 160 Item 3 MT3, black font with red pencil, 5 pages


Box 160 Item 4 Final, black font, 5 pages


Box 160 Item 5 Fact-check, black and red font


Box 160 Item 6 Copyeditor's notes (Joshua Bauchner in layout, black font, marks in red, 4 pages


Box 160 Item 7 Final proofread in layout, black font, marks in red pencil and blue ink, 4 pages


Box 160 Collected correspondence from Mónica de la Torre, Michael Smith, and Marcine Miller


Gut Renovation Su Friedrich by Claudia Steinberg (Corresponding pages in magazine: 16):


Box 160 Item 1 Original, black font, 2 pages


Box 160 Item 2 SR1, black font with track changes, 3 pages


Box 160 Item 3 BRS2, black font with marks in black ink and yellow highlighter


Box 160 Item 4 CS3, black font with track changes, 3 pages


Box 160 Item 5 SR4, black font with track changes, 3 pages


Box 160 Item 6 Copyeditor's (Joshua Bauchner changes in layout, marks in red and blue, 1 page


Box 160 Item 7 Final Proofread in layout, marks in blue ink, 1 page


Box 160 Item 8 Fact-check, blue and black font, 1 page


Box 160 Collected correspondence from Sabine Russ and Claudia Steinberg


Alina Szapocznikow by Joanna Malinowska (Corresponding pages in magazine: 18):


Box 160 Item 1 Original, black font, 1 page


Box 160 Item 2 MT1, black font with notes in blue font, 1 page


Box 160 Item 3 JM2, black font, 2 pages


Box 160 Item 4 BRS3, black font with marks in blue ink, 2 pages


Box 160 Item 5 Final, black font, 2 pages


Box 160 Item 6 Fact-check, black font


Box 160 Item 7 Copyeditor's changes (Joshua Bauchner in layout, black font with marks in red and blue, 1 page


Box 160 Item 8 Final proofread in layout, black font with blue marks, 1 page


Box 160 Collected correspondence from Mónica de la Torre, Carrie Adams, and Joanna Malinowska


A Book Beginning What and Ending Away Clark Coolidge by Wendy Lotterman (Corresponding pages in magazine: 22):


Box 160 Item 1 WL, black font with marks in black ink, 2 pages


Box 160 Item 2 WL, black font with marks in black ink, 2 pages


Box 160 Item 3 MT, black and blue font, 1 page


Box 160 Item 4 WL, black font, 1 page


Box 160 Item 5 MT, black and blue font, 1 page


Box 160 Item 6 WL, black and blue font, 1 page


Box 160 Item 7 WL, black font, 1 page


Box 160 Item 8 BRS, black font with marks in blue ink, 1 page


Box 160 Item 9 Copyeditor's changes (Joshua Bauchner) in layout, black font with marks in red and blue


Box 160 Item 10 Final proofread in layout, black font with blue marks


Box 160 Item 11 Fact-check


Box 160 Collected correspondence from Monica de la Torre and Wendy Lotterman


Too Freedom... Adrienne Truscott by Lauren Bakst (Corresponding pages in magazine: 20):


Box 160 Item 1 Original, black font, 1 page


Box 160 Item 2 SR1, black font with track changes, 2 pages


Box 160 Item 3 LB2, black font, 2 pages


Box 160 Item 4 Final, black font, 2 pages


Box 160 Item 5 Fact-check


Box 160 Item 6 Copyeditor's changes (Joshua Bauchner) in layout, black font with red marks, 1 page


Box 160 Item 7 Final proofread in layout, black font with marks in blue, 1 page


Box 160 Collected correspondence from Sabine Russ and Lauren Bakst


First Proof:


from Drawing Water by Eva Heisler (Corresponding pages in magazine: 80-81):


Box 160 Item 1 Excerpt of Drawing Water, 11 pages


Box 160 Item 2 Selected excerpt from excerpt of Drawing Water, highlighting and marks in pink pencil, 1 page


Box 160 Item 3 Final selection of excerpt to be ready for layout, black font, 5 pages


Box 160 Item 4 Edits in layout, marks in blue and highlighter


Box 160 Collected correspondence from Eva Heisler, Sabine Russ, and Mónica de la Torre


Minding the Elephants (03/20/2003-12/18/2011); J. Depp, The Sparrow; The Goat by Elena Alexander (Corresponding pages in magazine: 99-101):


Box 160 Item 1 Stapled copies of "W.W.A.D.?," "The Goat," "Early Riser," "Late Riser," "J. Depp, the Sparrow," "Minding the Elephants," and "May the World"


Box 160 Item 2 Edits in layout, marks in blue ink and highlighter


Box 160 Collected correspondence between Mónica de la Torre and Elena Alexander


Universe by Diana Hamilton


Box 160 Item 1 Copy of "Universe"


Box 160 Item 2 Edits in layout, marks in blue and highlighter


Box 160 Collected correspondence from Mónica de la Torre, Diana Hamilton, and Editorial Intern


From Tejas by Carmen Boullosa (translated by Samantha Schneee) (Corresponding pages in magazine: 82-87):


Box 160 Item 1 MT1, black font with marks in pencil, black ink and yellow highlighter, 45 pages


Box 160 Item 2 Changes entered (Montana Ray), black font with track changes, 16 pages


Box 160 Item 3 CB2, black font with track changes, 12 pages


Box 160 Item 4 Final, black font with track changes, 12 pages


Box 160 Item 5 Edits in layout, black font with marks in blue ink and yellow highlighter, 6 pages


Box 160 Collected correspondence from Mónica de la Torre and Carmen Boullosa


Details Inside by T Cooper (Corresponding pages in magazine: 91-98):


Box 160 Item 1 Copy of Details Inside


Box 160 Item 2 BRS + Intern Edit, black font with marks in blue and black ink, 30 pages


Box 160 Item 3 Edit in layout, black font with marks in blue ink and yellow highlighter


Box 160 Collected correspondence from Betsy Sussler, T Cooper, and Mónica de la Torre


Clandestine Happiness by Clarice Lispector (translated from the Portuguese by Rachel Klein (Corresponding pages in magazine: 102-103):


Box 160 Item 1 Copy of Clandestine Happiness, First Kiss, The Waters of the World, The Remains of the Carnival, A Hope, with marks in red pencil


Box 160 Item 2 Edit of Clandestine Happiness, black font with marks in blue and black ink, 4 pages


Box 160 Item 3 Edits in layout, black font with marks in blue ink and yellow highlighter


Box 160 Collected correspondence from Mónica de la Torre, Rachel Klein, and Barbara Epler


"Quiet Hands" and "Turning Into Her" by Tom Healy (Corresponding pages in magazine: 110):


Box 160 Item 1 Copy of "Quiet Hands" and "Turning Into Her", black font, 2 pages


Box 160 Item 2 Edits in layout, black font, 1 page


Box 160 Collected correspondence from Mónica de la Torre, Betsy Sussler, and Tom Healy


Seton Smith: Portfolio by Catherine Grout (translated by Wendy Lotterman)


Box 160 Item 1 Original (in French), black font, 2 pages


Box 160 Item 2 Translated Version, black font, 1 page


Box 160 Item 3 MT2, black font wth marks in black ink and red pencil, 1 page


Box 160 Item 4 BRS3, black font with marks in blue ink, 1 page


Box 160 Item 5 Final, black font, 1 page


Box 160 Item 6 Edits in layout (1), black font with marks in black ink, 1 page


Box 160 Item 7 Edits in layout (2), black font with marks in blue ink and yellow highlighter


Box 160 Collected correspondence from Mónica de la Torre, Wendy Lotterman, Seton Smith, and Catherine Grout


BOMB Specific (Archive Issue 123):


The Feminist Responsibility Project 2013 by Beverly Semmes (Corresponding pages in magazine: 114-119 + Front Cover):, 2013


Box 160 Item 1 Image files from The Feminist Responsibility Project, 2013


Box 160 Correspondence: Collected correspondence between Mónica de la Torre, Sabine Russ, and Beverly Semmes


Artists On Artists:


Archive:


Halsey Rodman by Ulrike Müller (Corresponding pages in magazine: 131-133):


Box 160 Item 1 HR+handwritten notes in black and blue ink, black font, 2 pages


Box 160 Item 2 SR, black font with blue track changes, 2 pages


Box 160 Item 3 UM, black font with track changes, 2 pages


Box 160 Item 4 BRS5, black font with blue marks, 2 pages


Box 160 Item 5 Final Copy, black font, 2 pages


Box 160 Item 6 Fact Check, black and blue font with marks in black ink and yellow highlighter, 3 pages


Box 160 Item 7 Copy ediotr's (Joshua Bauchner) changes, marks in red


Box 160 Item 8 Final copy edit in layout with MT's comments, marks in blue ink and red pencil


Box 160 Collected correspondences from Sabine Russ, Ulrike Müller, and Halsey Rodman


Aki Onda by Michael Snow (Corresponding pages in magazine: 128-130):


Box 160 Item 1 Original draft from MS+notes from MT in black ink, black font, 2 pages


Box 160 Item 2 MT1, black font with black marks, 2 pages


Box 160 Item 3 BR2, black font with blue marks, 2 pages


Box 160 Item 4 Final, black font, 1 page


Box 160 Item 5 Fact Check, black and blue font with marks in blue and black ink, and yellow highlighter


Box 160 Item 6 Copy editor's changes (Joshua Bauchner), marks in red


Box 160 Item 7 Final copy edit in layout, marks in red pencil


Box 160 Collected correspondences from Monica de la Torre, Sabine Russ, Michael Snow, and Aki Onda


Christopher Deeton by Raphael Rubenstein (Corresponding pages in magazine: 123-124):


Box 160 Item 1 Original draft from RR+ notes from MT in black ink, black font, 2 pages


Box 160 Item 2 Final, black font, 2 pages


Box 160 Item 3 Fact Check, black, blue, and red font with marks in blue ink and pink highlighting, 3 pages


Box 160 Item 4 Copy editor's changes (Joshua Bauchner), marks in red


Box 160 Item 5 Final copy edit in layout, marks in blue ink and red pencil


Collected correspondences from Raphael Rubinestein and Monica de la Torre


Interviews:


Coleen Fitzgibbon by P. Adams Sitney (Corresponding pages in magazine: 120-127):


Box 160 Item 1 Original transcript, black font, 41 pages


Box 160 Item 2 KS1 (Katy Scneider Revision), black font with yellow on-sceen highlighting, 32 pages


Box 160 Item 3 SR2, black font with blue track changes, grey on-screen highlighting, 33 pages


Box 160 Item 4 CF3, black font with grey and yellow on-screen highlighting, 24 pages


Box 160 Item 5 BRS 4, black and red font with grey and yellow on-screen highlighting, 14 pages


Box 160 Item 6 PAS 5, black font with yellow and grey on-screen highlighting, 22 pages


Box 160 Item 7 SR8 & Fact Check, black, blue, and red font with grey and yellow on-screen highlighting, 21 pages


Box 160 Item 8 Fact Check2, black font, pink highlighting, 21 pages


Box 160 Item 9 Fact Check3, black font with link in blue, 8 pages


Box 160 Item 10 Introduction P. Adams's edit1, black, red, and grey font, 1 page


Box 160 Item 11 Introduction, black font, 1 page


Box 160 Item 12 Introduction Final, black font, 1 page


Box 160 Item 13 Copyeditor's changes in layout (Joshua Bauchner), marks in black


Box 160 Item 14 Proofread of copyeditor's changes, marks in grey and pink pencil, and highlighter


Box 160 Item 15 BRS 's last changes in layout, marks in blue ink and highlighter


Box 160 Item 16 Final, marks in blue ink and highlighter


Box 160 Collected correspondences from Sabine Russ, Coleen Fitzgibbon, P. Adam's Sitney, and Besty Sussler


Audio:


Box 160 Colleen Fitzgibbon.mp3; Colleen. Fitzgibbon and P. Adams Sitney; MP3 file; 2:08:33


Federico León by Richard Maxwell by Federico León and Richard Maxwell (Translated from Spanish by Mónica de la Torre (Corresponding pages in magazine: 48-55):


Box 160 Item 1 Original transcript, black font, 17 pages


Box 160 Item 2 FL's edits (Spanish version, entered into English version by MT), black, red, green, and blue font with marks in black ink by MT, 11 pages


Box 160 Item 2 RM1, black font with blue track changes and yellow on-screen highlighting, 15 pages


Box 160 Item 3 MT2, black font, 10 pages


Box 160 Item 4 RM3, black font with blue track changes, 16 pages


Box 160 Item 5 BRS4, black font with marks in black ink and pencil, 14 pages


Box 160 Item 6 MT5, black font with marks in black ink, 14 pages


Box 160 Item 7 FL6, black font with marks in black ink, 14 pages


Box 160 Item 8 Copyeditor's Corrections (Joshua Bauchner), black font with marks in red and grey pencil


Box 160 Item 9 Proofread of copyeditor's changes, black font with marks in pencil and highlighter


Box 160 Item 11 MT Final changes in layout, marks in red and grey pencil, black and blue ink, and highlighter


Box 160 Item 12 SR entered changes and checked


Box 160 Item 13 Fact Check, black font with blue links and discrepancies in red, 2 pages.


Box 160 Item 14 Fact Check, black font with pik highlighter, 14 pages


Box 160 Collected correspondence from Federico León, Richard Maxwell, and Mónica de la Torre


Audio:


Box 160 12/12/12_Leon part 1.mp3,12/13/12_Leon part 2.mp3; Federico León, Richard Maxwell, and Mónica de la Torre; 12.12-13.12; 1:01:56 (Part 1), 1:04:15 (Part 2)


Enrique Vila-Matas by Lina Meruane (Translated from Spanish by Valerie Miles (Corresponding pages in magazine: 72-78):


In Spanish:


Box 160 Item 1 Original Transcript, black font, 28 pages


Box 160 Item 2 VM2, black font with marks in red pencil, 20 pages


Box 160 Item 3 MT3, black font with track changes, 14 pages


Box 160 Item 4 LM4, black font, 14 pages


In English:


Box 160 Item 5 MT1, black font with blue track changes, 13 pages


Box 160 Item 6 BRS2, (with track changes purple, green, blue and black font, with track changes, on-screen highlighting, and marks in blue ink, 26 pages


Box 160 Item 7 BRS2 (without track changes), black font, 14 pages


Box 160 Item 8 MT3, black font with marks in blue ink and yellow highlighter, 14 pages


Box 160 Item 9 Comments by translator: Valerie Miles, black font with red on-screen highlighting, 17 pages


Box 160 Item 10 Copyeditor's corrections (Joshua Bauchner), black font with marks in red and regular pencil, 7 pages


Box 160 Item 11 Corrections entered by MT, black font with marks in pencil and yellow highlighter, 7 pages


Box 160 Item 12 BRS changes, black font with marks in black ink and red pencil, 7 pages


Box 160 Item 13 Lina Meruane's Comments, black font with marks in blue ink, 7 pages


Box 160 Item 14 Corrections to enter, black font with marks in blue ink, pencil, and yellow highlighter, 7 pages


Box 160 Item 15 Introduction (in Spanish), black font, 1 page


Box 160 Item 16 Introduction (in English), black font with marks in red pencil, blue ink, and yellow highlighter, 1 page


Box 160 Item 17 Introduction, black font with marks in black ink, 1 page


Box 160 Collected correspondences from Lina Meruane, Mónica de la Torre, and Valerie Miles


Audio:


Box 160 Enrique Vila Matasz_2.mp3, Enrique Vila Matas_3.mp3; Enrique Vila Matas and Lina Meruane; MP3 Audio file; 1:12:18 (_2), 6:55 (_3)


Verne Dawson and Genesis BREYER P-ORRIDGE by Verne Dawson and Genesis BREYER P-ORRIDGE (Corresponding pages in magazine: 26-37):


Box 160 Item 1 Original Transcript, black font, 50 pages


Box 160 Item 2 MT1-1(Very Rough edit), black font with marks in black ink and red pencil, 50 pages


Box 160 Item 3 MT1-2 (Not Final First Edit), black font with marks in black ink, 14 pages


Box 160 Item 4 MT1-3 (2nd Round of MT's First Edit), black font with marks in blue ink


Box 160 Item 5 VD2, black font, 18 pages


Box 160 Item 6 MT3, black font, 20 pages


Box 160 Item 7 BRS4, black font, yellow highlighting (for fact check), 18 pages


Box 160 Item 8 Genesis's Changes, black font with marks in red pencil, 20 pages


Box 160 Item 9 Layout with Copyeditor's Corrections (Joshua Bauchner), black font with marks in red, black, and blue, 12 pages


Box 160 Item 10 Layout with Ali's corrections, black font, marks in pencil, black ink, and yellow highlighter, 12 pages


Box 160 Item 11 Layout with corrections in pink pencil and yellow highlighter, 12 pages


Box 160 Item 12 Final Layout, black font, 12 pages


Box 160 Item 13 Fact Check, black, blue and red font with red pencil marks, 4 pages


Box 160 Correspondences collected from Genesis BREYER P-ORRIDGE, Verne Dawson, Mónica de la Torre, Risa Needleman, and Benjamin Tischer


Audio:


Box 160 Dawson_P-Orridge_2.mp3, Dawson_P-Orridge_3.mp3; Verne Dawson and Genesis BREYER P-ORRIDGE; MP3 file; 12/4/12; 2:10:32(_2), 32:29(_3)


Media:


Box 160 Verne Dawson Photographic Reproduction Permission Form via Gavin Brown's enterprise; Promotion Post Card and Press Release of Genesis


Box 160 BREYER P-ORRIDGE: 30 Years of Being Cut Up, September 9 -- October 18, 2009 Invisible-Exports 14A Orchard St. NYC., October 18, 2009


Stan Allen by Nader Tehrani by Stan Allen and Nader Tehrani (Corresponding pages in magazine: 56-64):


Box 160 Item 1 Original Transcript, back font, 11 pages


Box 160 Item 2 KS2, black font with track changes, 11 pages


Box 160 Item 3 SR3, black font with track changes, 11 pages


Box 160 Item 4 NT4, black font with track changes, 23 pages


Box 160 Item 5 SA5, black font with track changes, 23 pages


Box 160 Item 6 SA6, black font with pink and yellow highlighting, 12 pages


Box 160 Item 7 SR7, black font, 12 pages


Box 160 Item 8 BRS8, black font with marks in black ink, 12 pages


Box 160 Item 9 SA9, black font with track changes, 13 pages


Box 160 Item 10 SR10, black font with track changes, 13 pages


Box 160 Item 11 SR11, Katie's Proofread, black font with track changes, marks in black and blue ink, 13 pages


Box 160 Item 12 Final to design (before MT), black font, 13 pages


Box 160 Item 13 Copyeditor's changes (Joshua Bauchner), black font with marks in red, black, and blue, 11 pages


Box 160 Item 14 Proofread of copyeditor's entered changes, black font, marks in pencil and yellow highlighter


Box 160 Item 15 Final proofread, black font, marks in grey and pink pencil and highlighter


Box 160 Item 16 MT Final, marks in blue and black ink, pink and red pencil


Box 160 Item 17 Fact check, black and red font with links in blue, 3 pages


Box 160 Item 18 Images, captions, and file names


Box 160 Item 19 Introduction (edited by Stan Allen), black font, 1 page


Box 160 Collected correspondence from Stan Allen, Nader Tehrani, Sabine Russ, and Mónica de la Torre


Audio:


Box 160 2013-01-08 time 10_17_05 Outgoing Peer-to-peer Call nadertehrani47.mp3; Stan Allen and Nader


Box 160 Tehrani; MP3 file; 01/08/2013 1:03:52, 01/08/2013


Stanley Whitney by David Reed by Stanley Whitney and David Reed (Corresponding pages in magazine: 38-46):


Box 160 Item 1 Transcript, black font, 19 pages


Box 160 Item 2 SR2, black font with track changes, 21 pages


Box 160 Item 3 SR3, black font with track changes, 12 pages


Box 160 Item 4 DR4, black font with track changes, 15 pages


Box 160 Item 5 SR5, black font with track changes and marks in blue ink, 17 pages


Box 160 Item 6 BRS6, black font with track changes, 13 pages


Box 160 Item 7 SW7, black font with track changes, 14 pages


Box 160 Item 8 Draft8, black font with track changes, 13 pages


Box 160 Item 9 Draft9, black font with track changes, 14 pages


Box 160 Item 10 SR10 (Includes fact check), black font with track changes, 15 pages


Box 160 Item 11 MT11, black font with marks in black and blue ink, 13 pages


Box 160 Item 12 SRMT12 (combined lastest edits by Sabine, Betsy, and Mónica plus factcheck), black font with track changes, 15 pages


Box 160 Item 13 Draft 13 (after SW Final Edit), black font with track changes, 15 pages


Box 160 Item 14 Final14, black font, 12 pages


Box 160 Item 15 Fact Check, black and red ink, links in blue, yellow highlighting


Box 160 Item 16 Introduction, black font, 3 pages


Box 160 Item 17 Intro: BRS's Edit, black font with track changes, 2 pages


Box 160 Item 18 Alexandra's proofread (before Joshua), marks in pencil and yellow highlighter


Box 160 Item 19 Copyeditor's (Joshua Bauchner corrections, marks in red


Box 160 Item 20 Proofread of editor's changes, marks in grey and pink pencil


Box 160 Item 21 Final Proofread/Last MT, marks in pencil


Box 160 Collected correspondence from Sabine Russ, Stanley Whitney, David Reed, and Betsy Sussler


Audio:


Box 160 StanleyWhitney_part01.mp3 and StanleyWhitney_part02.mp3; Stanley Whitney and David Reed; MP3 file; 13:41 (part_01), 59:38 (part_02)


Rachel Kushner by Hari Kunzru:


Box 160 Item 1 Original Transcript, black font, 16 pages


Box 160 Item 2 HK1, black font, 16 pages


Box 160 Item 3 RK2, black font, 19 pages


Box 160 Item 4 MT3, black font, 18 pages


Box 160 Item 5 BRS4, black font with track changes, 14 pages


Box 160 Item 6 MT5, black font with track changes, 14 pages


Box 160 Item 7 RK6, black font with red pencil marks, 14 pages


Box 160 Item 8 HK7, black font, changes in bold, 14 pages


Box 160 Item 9 MT8, black font with yellow highlighting, 13 pages


Box 160 Item 10 Final, black font, 13 pages


Box 160 Item 11 Factcheck, black and red font, yellow highlighting


Box 160 Item 12 Copyeditor's changes, marks in red and black


Box 160 Item 13 Final proofread, marks in blue


Box 160 Item 14 Introduction, black font, 1 page


Box 160 Correspondences collected from Mónica de la Torre, Hari Kunzru, and Rachel Kushner


Audio:


Box 160 Rachel Kushner interview.mp3;Rachel Kushner and Hari Kunzru; MP3 file.; 1/22/13; 1:04:13


Katrín Sigurdardóttir by Eva Heisler (Corresponding pages in magazine: 136-143):


Box 160 Item 1 Original (EH1), black and red font, 14 pages


Box 160 Item 2 SR2, black font with track changes, 17 pages


Box 160 Item 3 EH3/SR4, black font with track changes, 16 pages


Box 160 Item 4 KS5, black font, 10 pages


Box 160 Item 5 SR6, black font with track changes, 10 pages


Box 160 Item 6 SR7 (Includes Factcheck), black, blue, and red font, with yellow highlighting and marks in black ink


Box 160 Item 7 BRS8, black font with marks in blue ink, 13 pages


Box 160 Item 8 KS9 post-layout changes, black font with track changes, 11 pages


Box 160 Item 9 Images and captions, black font


Box 160 Item 10 Copyeditor's changes in layout (Joshua Bauchner), black font, marks in red and purple


Box 160 Item 11 2nd proofread in layout, black font, marks in purple and blue.


Box 160 Item 12 MT's correction's in layout, marks in red


Box 160 Item 13 Final Proofread in layout, black font, marks in black ink


Correspondences collected from Sabine Russ, Eva Heisler, Katrín Sigurdardottir, Nick Naber, and Mónica de la Torre


Media Included:


Box 160 Eva Heisler featured in Otoliths


Box 160 Award announcement and excerpt on Poetry Society of America site


Box 160 Book listing on amazon.com


Box 160 Three poems: "Letter to the house," "Yellow Flag," and "The End of Part One"


Issue 124/Summer, 2013


Ed's Choice:


Violeta Went to Heaven Directed by Andres Wood (Corresponding pages in magazine: 12):



Box 161 Item 1 Draft 1, black font, 4 pgs


Box 161 Item 2 translation, black font w black pen, 1 pg


Box 161 Item 3 CV2, black and blue font, 1 pg


Box 161 Item 4 MT3, black font w black pen, 1 pg


Box 161 Item 5 Proof 1, black and white w pencil, 1 pg


Box 161 Item 6 Proof 2, black and white w pink and black pencil, 1pg


Box 161 Item 7 Proof 3, color picture, 1pg


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Carlos A Gutierrez, Cecilia Vicuna


First Proof:


Tomaz Salamun (Corresponding pages in magazine: 80-81):


Box 161 Item 1 Draft 1, black font w blue pen, 9 pgs


Box 161 Item 2 Selection, black font, 3 pgs


Box 161 Item 3 Color Proof, 2 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Tomaz Slalmun


Artists On Artists:


Lucy Skaer by William Corvin by William Corvin (Corresponding pages in magazine: 141-143):


Box 161 Item 8 Draft 1, black font, 1 pg


Box 161 Item 9 SR2, black and blue font, 2 pg


Box 161 Item 10 WC 3, black font blue pen, 3 pg


Box 161 Item 11 SR4, black and blue font, 3 pg


Box 161 Item 12 SR5, black font blue pen, 2 pg


Box 161 Item 13 Final, black font, 2 pg


Box 161 Item 14 Fact check, 3 pg


Box 161 Item 15 Proof 1 black and white images, 3 pg


Box 161 Item 16 Proof 2 color images, 3 pg


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, William Corvin, Aurime Aleksandraviciute


Nadja Bournonville by Zoe Beloff (Corresponding pages in magazine: 138-140):


Box 161 Item 1 Draft 1, black font, 2 pg


Box 161 Item 2 SR1, black font w edits, 2 pg


Box 161 Item 3 SR2, black font w edits, 2pg


Box 161 Item 4 BRS4, black font w edits, 2pg


Box 161 Item 5 NAL5, black font, 2 pg


Box 161 Item 6 Fact check 4 pg


Box 161 Item 7 Proof 1, black and white images w pink pencil, 3 pg


Box 161 Item 8 Proof 2, black and white images w pink pencil, 3 pg


Box 161 Item 9 Proof 3, black and white images w pen, 3 pg


Box 161 Item 10 Proof 4, color images w highlighting, 3 pg


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Nadja Bournonville, and Zoe Beloff


Iris Has Free Time by Iris Smyles by Frederic Tuten (Corresponding pages in magazine: 14):


Box 161 Item 1 Draft 1, Black font w blue pen, 2 pgs


Box 161 Item 2 MT1, black and blue font w highlighting, 2 pgs


Box 161 Item 3 FT3, black font w blue pen, 2 pgs


Box 161 Item 4 Fact check, 1 pg


Box 161 Item 5 Proof 1, black and white w black pen


Box 161 Item 6 Proof 2, color image w black pen


Box 161 Collected correspondences from Monica Del La Torre, Betsy Sussler, Frederic Tuten


BOMB Specific:


Welcome, Foreign Brother: Graham Greene…Photographer? by Fredi Casco (Corresponding pages in magazine: 124-129):


Box 161 Item 1 Draft 1, black and white images, 4 pgs


Box 161 Item 2 Proof 1, pen and punk highlighter, 3 pgs


Box 161 Item 3 Proof 2, Pen and pink highlighter, 3 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Mary-Ann Monforton, Fredi Casco


Additional Materials:


Box 161 Fredi Casco, Visual Works 2007-2012 CD-R, 2007-2012


Interviews:


Hope Gangloff by Yuri Masnyj (Corresponding pages in magazine: 24-33):


Box 161 Item 1 Original Transcript, black font, 31 pgs


Box 161 Item 2 List of deletions from track changes, black text


Box 161 Item 3 SR1, black font with track changes on right, 18 pgs


Box 161 Item 4 SR2, black font w track changes on right, followed by track changes list of deletions, 21 pgs


Box 161 Item 5 SR3, black font with track changes on right and gray onscreen highlighting, 13 pgs


Box 161 Item 6 YM4 (Yuri Masnyj edits), black font with track changes, gray onscreen highlighting, onscreen strikethroughs, 14 pgs


Box 161 Item 7 SR6, black font with blue text, gray highlighting, 13 pgs


Box 161 Item 8 BRS edits, black font with blue text, gray onscreen highlighting, blue pen marks throughout, 13 pgs


Box 161 Item 9 BRS 7, black font with blue text (gray on the paper), page numbers on bottom right, 12 pgs


Box 161 Item 10 Hope's changes, photocopied pages, black font with blue text, red pen notes throughout, 11 pgs


Box 161 Item 11 HG8 (Hope Gangloff edits), black text, page numbers on bottom right, 12 pgs


Box 161 Item 12 Fact Check, black font with blue text, yellow onscreen highlighting, yellow highlighter, 10 pgs


Box 161 Item 13 Fact Check list, black blue and red font, 2 pgs


Box 161 Item 14 Introduction, black font, 1pg


Box 161 Item 15 "Final" (prelayout), black font with gray (red onscreen) text in intro, 12 pgs


Box 161 Item 16 Monica's first changes in inDesign, full color images, changes in blue and black ink, pink highlighter


Box 161 Item 17 Monica's 2nd changes in inDesign, full color images, changes in blue and black ink


Box 161 Item 18 Monica's 3rd changes in inDesign, grayscale images, pink pencil and black ink


Box 161 Item 19 Betsy's changes in inDesign, grayscale images, changes in gray pencil


Box 161 Item 20 Ali's proof, grayscale images, changes in pencil, black ink, yellow and pink highlighter


Box 161 Item 21 InDesign pre-Joshua, grayscale images, no marks


Box 161 Item 22 Joshua's changes in inDesign, changes in ink (photocopied) and pink highlighter


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Yuri Masnyj, Hope Gangloff, Susan Inglett


Audio:


Box 161 080513-000.mp3; Hope Gangloff and Yuri Masnyj; MP3 file; 1:25:45


Additional Materials:


Box 161 Press packet on Hope Gangloff from Susan Inglett


Joanne Greenbaum by Jeremy Sigler (Corresponding pages in magazine: 50-57):


Box 161 Item 1 Original Transcript, black font, 18 pgs (also SR1 and SR2, both unchanged from TRN)


Box 161 Item 2 SR3, red track changes on right, 25 pgs


Box 161 Item 3 Before Jeremy, deletions in blue, blue and black ink, 19 pgs


Box 161 Item 4 SR5, purple and red track changes, 19 pgs


Box 161 Item 5 JS4, black font w red track changes, 11 pgs


Box 161 Item 6 SR6 to JG, purple and red text and track changes, 16 pgs


Box 161 Item 7 JG7, purple, red, and light blue track changes, 21 pgs


Box 161 Item 8 JG 7 (2) blue and red text, 15 pgs


Box 161 Item 9 SR7, black text w track changes, 15 pgs


Box 161 Item 10 SR8 (with FC), red font, gray highlighting onscreen, yellow highlighting on page, fact check attached,11 pgs


Box 161 Item 11 BRS, black text with black and blue pen, 10 pgs


Box 161 Item 12 BRS9, dark blue track changes, yellow onscreen highlighting, 12 pgs


Box 161 Item 13 BRS10, dark and light blue track changes, yellow onscreen highlighting, 12 pgs


Box 161 Item 14 SR11, track changes, colored text, 11 pgs


Box 161 Item 15 "To layout," black text with JS intro, 11 pgs


Box 161 Item 16 MT edits in inDesign, edits in pink pencil, grayscale images, 8 pgs


Box 161 Item 17 Ali (1), edits in inDesign, edits in pencil, black pen, yellow highlighter


Box 161 Item 18 Joshua's edits in inDesign, maroon pen, pink highlighter, blue and black pen


Box 161 Item 19 BRS proof, edits in pink pencil and black pen


Box 161 Item 20 Ali's proof, edits in black pen and yellow highlighter


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Joanne Greenbaum, Jeremy Sigler, Joshua Bauchner


Audio:


Box 161 Joanne Greenbaum and Jeremy Sigler; MP3 file; 58:11


Philip Lopate by Shifra Sharlin (Corresponding pages in magazine: 105-110):


Box 161 Item 1 TRN, black font, 26 pgs


Box 161 Item 2 SS1, black font, 10 pgs


Box 161 Item 3 PL2, black font, 10 pgs


Box 161 Item 4 MT3, red and black ink edits, 10 pgs


Box 161 Item 5 MT3, black font, 10 pgs


Box 161 Item 6 Final edit (pre intro), black font, 10 pgs


Box 161 Item 7 Intro SS1, black font, 1 pg


Box 161 Item 8 Intro MT2, black font w yellow onscreen highlighting, 1pg


Box 161 Item 9 "Betsy's edits entered", black and blue ink marks, 1 pg


Box 161 Item 10 Intro SS3/Final, black font, 1 pg


Box 161 Item 11 "intro fact check" black font w yellow on page highlighting, 11 pgs


Box 161 Item 12 Fact check, black and blue underlined font, 2 pgs


Box 161 Item 13 First proof, black and red ink edits, 6 pgs


Box 161 Item 14 inDesign edit, brown first page w black ink marks, 6 pgs


Box 161 Item 15 Lopate edit, list of questions, black font, 1 pg


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Leah Johanson, Philip Lopate and Shifra Sharlin


Audio:


Box 161 Philip Lopate and Shifra Sharlin; MP3 file; 1:42:24


Richard Thompson by Keith Connolly (Corresponding pages in magazine: 34-38):


Box 161 Item 1 TRN, black font, 14 pgs


Box 161 Item 2 MT's edits--first pass, black font w red pen, 14pgs


Box 161 Item 3 MT1, black and blue font, red pen, 10 pgs


Box 161 Item 4 KC2, red blue black font, 12 pgs


Box 161 Item 5 MT3, black font w track changes, 9 pgs


Box 161 Item 6 RT4, black font, 9 pgs


Box 161 Item 7 MT5, black font, 9 pgs


Box 161 Item 8 KC6, black font w track changes, 9 pgs


Box 161 Item 9 KC6 (2), black font w blue & black pen, 9 pgs


Box 161 Item 10 MT7, black font w track changes, 9 pgs


Box 161 Item 11 BRS8/final, black font, 9 pgs


Box 161 Item 12 FC Interview, black font w links and highlighting, 12 pgs


Box 161 Item 13 KC Intro, black font, 1 pg


Box 161 Item 14 FC Intro, black font w links and highlighting, 2 pgs


Box 161 Item 15 Intro final, black font, 1 pg


Box 161 Item 16 Proof 1, pencil and black pen marks, 5 pgs


Box 161 Item 17 Proof 2, pencil pen highlighting marks, 5 pgs


Box 161 Item 18 Proof 3, pink pencil and highlighting, 5 pgs


Box 161 Item 19 Proof 4, maroon and black pen, 5 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Richard Thompson, and Keith Connolly


Audio:


Box 161 Richard Thompson interview.mp3; Richard Thompson and Keith Connolly; MP3 file; 51:16


Matías Piñeiro by Clinton Krute (Corresponding pages in magazine: 40-47):


Box 161 Item 1 TRN, black font, 23 pgs


Box 161 Item 2 CK1, black font, 23 pgs


Box 161 Item 3 MT2, black font w pencil edits, 23 pgs


Box 161 Item 4 CK3, black font w yellow and blue track changes, 11pgs


Box 161 Item 5 BRS4, black font w yellow and blue track changes, 11pgs


Box 161 Item 6 MT5, black font w edits, 10pgs


Box 161 Item 7 MP, black font w grey edits, 11pgs


Box 161 Item 8 Intro 1, black font, 1 pg


Box 161 Item 9 Intro MT2, black font, 1 pg


Box 161 Item 10 Intro 3, black font w black ink edits, 1 pg


Box 161 Item 11 Fact Check, red black blue fonts w highlighter, 12 pgs


Box 161 Item 12 Final, black font, 11pgs


Box 161 Item 13 Proof 1, black and maroon edits, 8pgs


Box 161 Item 14 Proof 2, highlighter, pink and grey pencil, sticky notes, 8 pgs


Box 161 Item 15 Proof 3, pen and highlighter edits, 8 pgs


Box 161 Item 16 Proof 4, pen and highlighter edits, 8pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Matías Piñeiro, Miriam Bale, Carlos Gutierrez, and Clinton Krute


Audio:


Box 161 Piñeiro audio.mp3, Matías Piñeiro and Clinton Krute, 1:06:55


David Grubbs by C. Spencer Yeh (Corresponding pages in magazine: 130-134):


Box 161 Item 1 TRN, black font, 28 pgs


Box 161 Item 2 CK2, black font, 8 pgs


Box 161 Item 3 BRS3, black font, 8 pgs


Box 161 Item 4 SR4, black font w track changes, 12 pgs


Box 161 Item 5 SR5, black font w track changes, 10 pgs


Box 161 Item 6 SY6, black font w track changes, 11pgs


Box 161 Item 7 SR7, black font, 8 pgs


Box 161 Item 8 Fact check, black red blue fonts w highlighter, 15 pgs


Box 161 Item 9 Joshua's Proof, maroon, blue, green pen, 6pgs


Box 161 Item 10 Ali's proof, color imagew pencil and highlighter, 5 pgs


Box 161 Item 11 Monica's proof, black and white image with pink pencil and green highlighter, 5 pgs


Box 161 Item 12 Last Proof, pen and pink highlighter, 5 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Clinton Krute, David Grubbs, Kellie Morgan, and C. Spencer Yeh


Gyula Kosice by Lyle Rexer by Gyula Kosice, Lyle Rexer, and Gabriel Pérez-Barreiro (Corresponding pages in magazine: 58-64):


Box 161 Item 1 TRN, black font with some pen comments, 11 pgs


Box 161 Item 2 MR1, black font with pen on first page, 4 pgs


Box 161 Item 3 MT2, black font with some colored edits, 6 pgs


Box 161 Item 4 LR3, black font with colored edits, 6 pgs


Box 161 Item 5 MT4, black font with colored edits, 6 pgs


Box 161 Item 6 GPB5, track changes on right, 6 pgs


Box 161 Item 7 MT6, track changes on right, 7pgs


Box 161 Item 8 GPB7, track changes on right, 8pgs


Box 161 Item 9 MT8, red and blue font w highlighter and pen marks, 8pgs


Box 161 Item 10 MT8 (2), black font, 8 pgs


Box 161 Item 11 LR9, black and blue fonts, 8 pgs


Box 161 Item 12 GPB10, black and blue fonts, 8 pgs


Box 161 Item 13 MT11, highlighter and pen marks, 8pgs


Box 161 Item 14 BRS proof edits, pen and sticky notes, 7 pgs


Box 161 Item 15 MT proof edits 1, blue pen, pink pencil, highlighter, 7 pgs


Box 161 Item 16 MT proof edits 2, blue and maroon pen, pink pencil, highlighter, 8pgs


Box 161 Item 17 Last proof edits, pink and grey pencil, black pen, highlighter, 8 pgs


Box 161 Item 18 Fact Check, blue and red fonts, 4 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Clinton Krute, Meg Blackburn, Mariana Barrera Pieck, Gyula Kosice, Lyle Rexer, and Gabriel Pérez-Barreiro


Audio:


Box 161 Gyula Kosi.mp3; Gyula Kosice, Lyle Rexer, and Gabriel Pérez-Barreiro; MP3; 39:36


Fiona Maazel by Justin Taylor (Corresponding pages in magazine: 74-79):


Box 161 Item 1 Draft 1, black type w track changes and underlined additions, 8pgs


Box 161 Item 2 Draft 2, black type with pencil edits, 11pgs


Box 161 Item 3 SR2, black type with trach changes, 11pgs


Box 161 Item 4 FM3, black type with onscreen edits, 11pgs


Box 161 Item 5 JT4, black type with onscreen edits, 12 pgs


Box 161 Item 6 SR5, black type, 11 pgs


Box 161 Item 7 MT/BRS 6, black type with red blue black pen, 11 pgs


Box 161 Item 8 Final, black type, 11 pgs


Box 161 Item 9 Fact Check, black and blue type, highlighting, 13 pgs


Box 161 Item 10 Ali's proof, colored proof with highlighting, 6 pgs


Box 161 Item 11 Joshua's proof, colored proof w maroon pen, 7 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Fiona Maazel, and Justin Taylor


Abraham Cruzvillegas by Haegue Yang (Corresponding pages in magazine: 114-123):


Box 161 Item 17 Draft 1, black type w blue pen marks, 7 pgs


Box 161 Item 18 Draft 2, black type w blue and yellow track changes, 7 pgs


Box 161 Item 19 MT2, black and blue type, 6 pgs


Box 161 Item 20 BRS3, black type w yellow and blue track changes, 6 pgs


Box 161 Item 21 HY4, black type w yellow and blue track changes, 6 pgs


Box 161 Item 22 Final, black type, 9 pgs


Box 161 Item 23 Intro v 1, black type, 1 pg


Box 161 Item 24 Intro v 2, black and blue type, 1 pg


Box 161 Item 25 Intro v 3, black blue green type, 1 pg


Box 161 Item 26 Intro 4, black type, 1 pg


Box 161 Item 27 Fact check, black red blue type, highlighting, 11 pgs


Box 161 Item 28 Proof 1, black and white images w pencil marks, 11 pgs


Box 161 Item 29 Proof 2, black and white images, pencil marks, 10 pgs


Box 161 Item 30 Joshua's proof, maroon and black pen marks, 10 pgs


Box 161 Item 31 Proof 4, color images, highlighting, 10 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Abraham Cruzvillegas and Hague Yang


TABBOO! The Art of Stephen Tashjian by Sean Mellyn (Corresponding pages in magazine: 16):


Box 161 Item 1 Draft 1, black font, 2 pgs


Box 161 Item 2 SR1, black and blue font w highlighting, 5 pgs


Box 161 Item 3 SR2, black font w black and blue pen, 3 pgs


Box 161 Item 4 BRS3, black font, 4 pgs


Box 161 Item 5 Draft 4, black font w highlighting, 3 pgs


Box 161 Item 6 Final, black font, 3 pgs


Box 161 Item 7 Fact check, 2 pgs


Box 161 Item 8 Proof 1, black and white w pink highlighter and pen, 1 pg


Box 161 Item 9 Proof 2, black and white w yellow highlighter and pen, 1 pg


Box 161 Item 10 Proof 3, black and white w pencil, 1 pg


Box 161 Collected correspondences from Monica Del La Torre, Sabine Russ, Sean Mellyn


Fill the Void Directed by Rama Burshtein by Liza Bear (Corresponding pages in magazine: 18):


Box 161 Item 1 Draft 1, black font w pen, 2 pgs


Box 161 Item 2 MT2, black font, track changes, 2 pgs


Box 161 Item 3 LB/SR 3, black font w blue pen, 2 pgs


Box 161 Item 4 Final, black font, 2 pgs


Box 161 Item 5 Fact check, 2 pgs


Box 161 Item 6 Proof 1, black and white, pen marks, 1 pg


Box 161 Item 7 Proof 2, black and white, pencil marks, 1 pg


Box 161 Item 8 Proof 3, color picture, highlighter, 1 pg


Box 161 Collected correspondences from Monica Del La Torre, Sabine Russ, Betsy Sussler, Liza Bear


Above and Below: Gordon Matta-Clark by Lytle Shaw (Corresponding pages in magazine: 20):


Box 161 Item 1 Draft 1, black font, 1 pg


Box 161 Item 2 MT2, black font, 1 pg


Box 161 Item 3 Proof 1, pink pencil and pen, 1 pg


Box 161 Item 4 Proof 2, color images, highlighter, 1 pg


Box 161 Collected correspondences from Monica Del La Torre, Sabine Russ, Betsy Sussler, Lytle Shaw


City of Angels: or, The Overcoat of Dr. Freud by Christa Wolf by Larissa Zimberoff (Corresponding pages in magazine: 22):


Box 161 Item 1 Draft 1, black font, 2 pg


Box 161 Item 2 SR2, black blue font, 2pg


Box 161 Item 3 SR3 black blue font, 2 pg


Box 161 Item 4 LZ4, black blue font, 2 pgs


Box 161 Item 5 SR5, black blue red font, 2 pg


Box 161 Item 6 Fact check 2 pg


Box 161 Item 7 LZ6, black blue red font, 2 pg


Box 161 Item 8 SR7, black font, 2 pg


Box 161 Item 9 BRS 8, black red font 2 pg


Box 161 Item 10 Final black font pen 2 pgs


Box 161 Item 11 Proof 1, black and white pencil, 1 pg


Box 161 Item 12 Proof 2, black and white pen, 1 pg


Box 161 Collected correspondences from Monica Del La Torre, Sabine Russ, Betsy Sussler, Clinton Krute, Luke Degnan, Larissa Zimberoff


Portfolio:


Paola Ferrario Artist: Paola Ferrario (Corresponding pages in magazine: 135-137):


Box 161 Item 1 Draft 1, black font, 1 pg


Box 161 Item 2 Draft 2, black font, 1 pg


Box 161 Item 3 SR1, black font, 1 pg


Box 161 Item 4 Ferrario captions, 1 pg


Box 161 Item 5 Proof, color images w highlighter, 3 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Paola Ferrario


Additional Materials:


Collection of images, available on BOMB server


Wick:


This Is The Last Time I Do a Charity Event Artist: Jim Torok (Corresponding pages in magazine: 144):


Box 161 Item 1 12 cartoons of Jesus on the cross, color, 1 pg each


Box 161 Item 2 Proof, color image, pencil, 1 pg


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Jim Torok


Issue 125/Fall, 2013


Editor's Choice:


Picturing the Unsayable: Carl E. Hazlewood by Patricia Spears Jones (Corresponding pages in magazine: 14-15):



Box 162 Folder 1 Original, black font, pencil, 3 pages


Box 162 Folder 2 SR1, black font, 3 pages


Box 162 Folder 3 BRS2, black font, black ink, 2 pages


Box 162 Folder 4 SR3, black font, includes original in gray font, 4 pages


Box 162 Folder 5 BRS4, black, red & blue font with track changes, includes original, 4 pages


Box 162 Folder 6 Proof 1, black font, black ink, pink highlighter, pencil, b&w photos, 1 page


Box 162 Folder 7 Proof 2, black font, pencil, b&w photos, 1 page


Box 162 Folder 8 Proof 3, black font, black ink, red pencil, black & blue ink, yellow post-it, 1 page


Box 162 Folder 9 Proof 4, black font, blue ink, yellow highlighter, b&w photos, blue sticky


Box 162 Folder 10 Final Edit, black font, 2 pages


Box 162 Folder 11 Fact Check, black, red & blue font, blue ink, green highlighter


Operation Massacre By Rodolfo Walsh by Ellie Robins (Corresponding pages in magazine: 16):


Box 162 Folder 1 SR1, BRS, black & blue font with track changes, black ink, yellow onscreen highlighting, 2 pages


Box 162 Folder 2 SR2, black and gray font with track changes, 2 pages


Box 162 Folder 3 ER3, black & gray font with track changes, 2 pages


Box 162 Folder 4 SR4, black font, 2 pages


Box 162 Folder 5 Final Edit, black font, 2 pages


Box 162 Folder 6 Proof 1, black font, black ink, b&w photos, 1 page


Box 162 Folder 7 Proof 2, black font, black ink, pencil, yellow highlighter, b&w photos, 1 page


Box 162 Folder 8 Proof 3, black font, black ink, red pencil, b&w photos, 1 page


Box 162 Folder 9 Proof 4, black font, blue ink, yellow highlighter, b&w photos, 1 page


Box 162 Folder 10 Fact Check, black & gray font, 1 page


Between Artists: Thom Andersen/William E. Jones by Andrew Lampert (Corresponding pages in magazine: 17):


Box 162 Folder 1 Original, black font, 1 page


Box 162 Folder 2 SR1, black font, 2 page


Box 162 Folder 3 BRS2, black & gray font with track changes, gray onscreen highlighting, 2 pages


Box 162 Folder 4 SR3, black & gray font with track changes, 2 pages


Box 162 Folder 5 AL4, black & gray font with track changes, 2 pages


Box 162 Folder 6 Proof 1, black font, black ink, b&w photos 1 page


Box 162 Folder 7 Proof 2, black font, blue ink, pencil, yellow highlighter, b&w photos, 1 page


Box 162 Folder 8 Proof 4, black font, blue ink, yellow highlighter, blue sticky, 1 page


Box 162 Folder 9 Final Edit, black font, 2 pages


Box 162 Folder 10 Fact Check, black, red, blue font, pencil, black ink, green highlighter, onscreen yellow highlighting


Box 162 Collected correspondences from Mónica de la Torre, Sabine Russ, Adam Lampert


Lynda Benglis: Beyond Process by Susan Richmond by Stuart Horodner (Corresponding pages in magazine: 18):


Box 162 Folder 1 MT1, black & gray font with track changes, 2 pages


Box 162 Folder 2 BRS2, black & gray font with track changes, 2 pages


Box 162 Folder 3 BRS3, black & gray font with track changes, black ink, yellow highlighter, 2 pages


Box 162 Folder 4 MT4, black & gray font with track changes, blue ink, 2 pages


Box 162 Folder 5 SR5, black font, yellow highlighter, pencil, 2 pages


Box 162 Folder 6 Proof 1, black font, black ink, red pencil, b&w photo, 1 page


Box 162 Folder 7 Proof 2, black font, black ink, red pencil, b&w photo, 1 page


Box 162 Folder 8 Proof 3, black font, blue ink, yellow highlighter, blue sticky, b&w photo, 1 page


Box 162 Folder 9 Final Edit, black font, 2 pages


Box 162 Folder 10 Fact Check, black, blue & red ink, 1 page


Beyond This Point Are Monsters by Susan Roxanne Carter by Alexandra Gauss (Corresponding pages in magazine: 20):


Box 162 Folder 1 Original, black font, 1 page


Box 162 Folder 2 DK1, black and gray font with track changes, 1 page


Box 162 Folder 3 SR2, black and gray font with track changes, 2 pages


Box 162 Folder 4 Proof 1, black font, black ink, red pencil, b&w photo, 1 page


Box 162 Folder 5 Proof 2, black font, 1 page


Box 162 Folder 6 Final Edit, black font, 2 pages


Savage Coast by Muriel Rukeyser by Stefanie Sobelle (Corresponding pages in magazine: 22):


Box 162 Folder 1 Original, black font, 1 page


Box 162 Folder 2 SR2, black font, 1 page


Box 162 Folder 3 MT3, black font, 1 page


Box 162 Folder 4 Proof 1, black font, pencil, b&w photo, 1 page


Box 162 Folder 5 Proof 2, black font, pencil, pink highlighter, b&w photo


Box 162 Folder 6 Proof 3, black font, black ink, b&w photo, 1 page


Box 162 Folder 7 Proof 4, black font, black ink, red pencil, b&w photo, 1 page


Box 162 Folder 8 Proof 5, black font, b&w photo, 1 page


Box 162 Folder 9 Fact Check, black & gray font, 1 page


Box 162 Collected correspondences from Mónica de la Torre, Stefanie Sobelle


Anfang Gut. Alles Gut. Actualization of the Futurist Opera Victory over the Sun 1913 by V. Vogler (Corresponding pages in magazine: 24):, 1913


Box 162 Folder 1 MT1, black font, blue pen, 2 pages


Box 162 Folder 2 MT2, black & gray font with track changes, 2 pages


Box 162 Folder 3 VV3, black font, 2 page


Box 162 Folder 4 DK3, black font, black ink, 2 pages


Box 162 Folder 5 MT4, black font, 2 pages


Box 162 Folder 6 BRS5, black font, 2 pages


Box 162 Folder 7 Proof 1, black font, black ink, red pencil, b&w photo, 1 page


Box 162 Folder 8 Proof 2, black font, blue ink, yellow highlighter, b&w photo, blue sticky, 1 page


Sarah Charlesworth 1947-2013 by Betsy Sussler (Corresponding pages in magazine: 26-27):, 1947-2013


Box 162 Folder 1 MT1, black & gray font with track changes, 2 pages


Box 162 Folder 2 SR4, black & gray font with track changes, 2 pages


Box 162 Folder 3 BRS5, black font, 2 pages


Box 162 Folder 4 MT6, black & gray font with track changes, 2 pages


Box 162 Folder 5 BRS7, black font, 2 pages


Box 162 Folder 6 Proof 1, black font, black ink, red pencil, 1 page


Box 162 Folder 7 Proof 2, black font, blue ink, yellow & pink highlighter, blue sticky, b&w photo, 2 pages


Box 162 Folder 8 FC, black & gray font, 1 page


Interviews:


Ben Rivers by Coleen Fitzgibbon by Ben Rivers and Coleen Fitzgibbon (Corresponding pages in magazine: 54-63):


Box 162 Folder 1 Original Transcript, black font, 28 pages


Box 162 Folder 2 SR1, black font with track changes, page numbers on bottom right, 28 pages


Box 162 Folder 3 CF2, black font with track changes, 12 pages


Box 162 Folder 4 BRS3, black font with track changes, black text, 11 page


Box 162 Folder 5 CF4, black font with track changes, 11 pages


Box 162 Folder 6 BRS5, black font with track changes, black text, 11 pages


Box 162 Folder 7 SR6, black font with track changes, 11 pages


Box 162 Folder 8 SR7, black font


Box 162 Folder 9 SR8, black font with track changes, gray onscreen highlighting, 12 pages


Box 162 Folder 10 CF9, black font with track changes, gray onscreen highlighting, 11 pages


Box 162 Folder 11 SR10, black font with track changes, gray onscreen highlighting, 11 pages


Box 162 Folder 12 Proof 1, black font, blue ink, yellow and pink highlighter, b&w photos 10 pages


Box 162 Folder 13 Proof 2, black font, pencil, yellow highlighter and purple tags, b&w photos, 10 pages


Box 162 Folder 14 Proof 3, black font, pencil, pink and green highlighter, b&w photos, 10 pages


Box 162 Folder 15 Proof 4, black font, yellow post-its, pink tags, b&w photos, 10 pages


Box 162 Folder 16 Proof 5, entered captions, pencil, blue highlighter b&w photos, 10 pages


Box 162 Folder 17 Proof 6, black font, yellow post-its, pink highlighter, colored photos, 10 pages


Box 162 Folder 18 Proof 7, black font, black ink, yellow highlighter, colored photos.


Box 162 Folder 19 Final, black font, 11 pages


Box 162 Folder 20 Fact Check, black font, onscreen highlighting, 11 pages


Box 162 Folder 21 BRS Film Names/Spelling & Dates, black & blue font, red & yellow onscreen highlighting, pink highlighter, 3 pages


Box 162 Folder 22 Coleen's edits, black font, yellow post-it, pink and yellow highlighter, 3 pages


Box 162 Collected correspondences from Sabine Russ, Mónica de la Torre, Betsy Sussler, Ben Rivers, Coleen Fitzgibbons.


Box 162 Ben Rivers and Coleen Fitzgibbons; mov file; 1:27:54


Additional Materials:


Box 162 NYT article


Amy Sillman by R.H. Quaytman (Corresponding pages in magazine: 114-121):


Box 162 Folder 1 Original Transcript, black font, 38 pages


Box 162 Folder 2 SR1, black font, blue track changes, 38 pages


Box 162 Folder 3 AS3, black font, 14 pages


Box 162 Folder 4 SR4, black font, blue track changes, 14 pages


Box 162 Folder 5 SR5, black font, 24 pages


Box 162 Folder 6 BRS6, black font, red track changes, gray onscreen highlighting, pencil


Box 162 Folder 7 BRS6 #2, black font, black ink, yellow post-it notes, pages numbered on lower right, 14 pages


Box 162 Folder 8 SR7, black font, gray track changes, 14 pages


Box 162 Folder 9 AS8, black font, blue track changes, yellow & pink highlighter, 15 pages


Box 162 Folder 10 SR9, black font, gray track changes, 14 pages


Box 162 Folder 11 Final, black font, black ink, yellow post-its14 pages


Box 162 Folder 12 Fact Check, black font, gray track changes, pencil, black ink, yellow highlighter track changes in blue font, 15 pages


Box 162 Folder 13 Proof 1, black font, pink & yellow highlighter, pencil & black ink, b&w photos, 8 pages


Box 162 Folder 14 Proof 2, black font, red pencil, 8 pages


Box 162 Folder 15 Proof 3,black font, pencil, green highlighter, 8 pages


Box 162 Folder 16 Proof 4, black font, black ink, pencil, yellow highlighter, 8 pages


Box 162 Collected correspondences from Sabine Russ, Amy Sillman


Audio:


Box 162 Amy Sillman Interview; Amy Sillman and R.H. Quaytman; MPEG; 01:21:12


Paulo Bruscky by Sergio Antonio Bessa (Corresponding pages in magazine: 122-129):


Box 162 Folder 1 Original Transcript, in Portuguese, black font, 12 pages


Box 162 Folder 2 Original transcript, excerpt, in Portuguese, block font, 7 pages


Box 162 Folder 3 Original Transcript, in English, black font, 10 pages


Box 162 Folder 4 MT1, black font, red pencil, 10 pages


Box 162 Folder 5 BRS2, black & gray font with track changes, blue ink, green sticky, 13 pages


Box 162 Folder 6 PB3, black font & gray font with track changes, 13 pages


Box 162 Folder 7 MT4, black font, 13 pages


Box 162 Folder 8 Original PB Intro, black font, 1 pages


Box 162 Folder 9 SB2, PB Intro, black font with gray onscreen highlighting, 1 page


Box 162 Folder 10 MT3, PB Intro, black font


Box 162 Folder 11 Final Edit, in Portuguese, 12 pages


Box 162 Folder 12 Fact Check, black & gray ink, black marker, yellow highlighter, 16 pages


Box 162 Folder 13 Proof 1, black font, black ink, red pencil, yellow post-it, b&w photos, 8 pages


Box 162 Folder 14 Proof 2, black font, black & blue ink, b&w photos, 8 pages


Box 162 Folder 15 Proof 3, black font, black ink, b&w photos, 8 pages


Box 162 Collected correspondences from Sergio Bessa, Mónica de la Torre


First Proof:


Pain Quotient by Charles North (Corresponding pages in magazine: 82-83):


Box 162 Folder 1 MT1, black font, black ink, red & lead pencil, 2 pages


Box 162 Folder 2 Proof 1, black font, black ink, yellow highlighter, 2 pages


Box 162 Collected correspondences from Mónica de la Torre, Alexandra Gauss


A Tour of the Horizon; Charm Offensive; Neither/Noir by Barry Schwabsky (Corresponding pages in magazine: 94-95):


Box 162 Folder 1 Original Submission, black font, 10 pages


Box 162 Folder 2 Proof 1, black font, pencil. 1 page


Box 162 Folder 3 Proof 2, black font, 2 pages


Box 162 Collected correspondences from Barry Schwabsky, Alexandra Gauss


Ten Ways To Mourn A Dead Language; Loan Words; Neologism by Jennifer Kronovet (Corresponding pages in magazine: 102-103):


Box 162 Folder 1 Original Submission, black font, black & blue ink, 10 pages


Box 162 Folder 2 Final Edit, black font, pencil, green highlighter


From As Flies to Whatless Boys; Disembarkation; Cumbruxions by Robert Antoni (Corresponding pages in magazine: 96-100):


Box 162 Folder 1 Original Submission, As Flies to Whatless Boys, black font, yellow post-it


Box 162 Folder 2 Second Submission, black font, blue & black ink, pencil, yellow highlighter, yellow sticky.


Box 162 Collected correspondences from Mónica de la Torre, Sabine Russ, Betsy Sussler, Robert Antoni


Additional Materials:


Box 162 Map drawing


Furniture, Table, Chair, Shelves by Amina Cain (Corresponding pages in magazine: 92-93):


Box 162 Folder 1 Original Submission, black font, red & lead pencil 8 pages


Box 162 Folder 2 Proof 1, black font, pencil, green highlighter, 2 pages


Box 162 Folder 3 Proof 2, black font, red & lead pencil, 2 pages


May an Dusk by Juan Villoro (Corresponding pages in magazine: 77-81):


Box 162 Folder 1 Original Submission, black font, red pencil, magenta onscreen highlighting, 2 pages


Box 162 Folder 2 Proof 1, black font, black ink, red pencil, 4 pages


Box 162 Folder 3 Proof 2, black font, black ink, yellow highlighter, 5 pages


The Music Lovers by Susan Friedland (Corresponding pages in magazine: 84-90):


Box 162 Folder 1 BRS1, black & gray font with track changes, 24 pages


Box 162 Folder 2 BRS2, black font, black & blue ink, 24 pages


Box 162 Folder 3 BRS3, black & gray font with track changes, 24 pages


Box 162 Folder 4 SF4, black & gray font with track changes, 24 pages


Box 162 Folder 5 MT4, black & gray font with track changes, blue ink, pencil, green sticky, 24 pages


Box 162 Folder 6 MT/SF 5, black & gray font with track changes, gray onscreen highlighting, 25 pages


Box 162 Folder 7 Proof 1, black font, black ink, 8 pages


Box 162 Folder 8 Proof 2, black font, black ink, red pencil, 7 pages


Box 162 Folder 9 Proof 3, black font, black & blue ink, yellow post-it, 8 pages


Box 162 Collected correspondences from Betsy Sussler, Mónica de la Torre, Susan Friedlander


First Proof Final Edit:


Box 162 BRS/MT, black font, black ink, red & lead pencil, yellow & purple post-its, colored photos, yellow & green highlighter, 41 pages


Artists on Artists:


Florian Hecker by Ben Vida (Corresponding pages in magazine: 130-132):


Box 162 Folder 1 Original, black font, 2 pages


Box 162 Folder 2 SR1, 3 copies, black & blue font with track changes, black ink, pencil, yellow & red onscreen highlighting, 7 pages


Box 162 Folder 3 SR2, black & blue font with track changes, black ink, yellow onscreen highlighting, 3 pages


Box 162 Folder 4 BV2, black font, 2 pages


Box 162 Folder 5 SR3, black font, pencil, 2 pages


Box 162 Folder 6 BRS4, black font, black ink pencil, 2 pages


Box 162 Folder 7 Final Edit, black font, 2 pages


Box 162 Folder 8 Fact Check, black font, black ink, green & pink highlighter, pink post-it, 2 pages


Box 162 Folder 9 Proof 1, black font, black ink, b&w photos, 2 pages


Box 162 Folder 10 Proof 2, black font, black ink, b&w photos, 3 pages


Box 162 Collected correspondences from Sabine Russ, Ben Vida


Additional Materials:


Box 162 Primary Information Press Release for Florian Hecker


Ben Durham by Christopher Stackhouse (Corresponding pages in magazine: 133-135):


Box 162 Folder 1 CS1, black font, 2 pages


Box 162 Folder 2 SR2, black font, 2 pages


Box 162 Folder 3 Proof 1, black font, b&w photos, 3 pages


Additional Materials:


Box 162 Artist Statement; poem


Miyoshi Barosh by Annetta Kapon (Corresponding pages in magazine: 136-137):


Box 162 Folder 1 Original, black font, 2 pages


Box 162 Folder 2 Proof 1, black font, b&w photos, 2 pages


Box 162 Folder 3 Proof 2, black font, black ink, 1 page


Issue 126/Winter, 2014


Interviews:



Box 163 Dodie Bellamy by David Buuck (Corresponding pages in magazine: 72-78):


Box 163 Item 1 Original Transcript, black font, 60 pages


Box 163 Item 2 MT edit 1 (Monica de la Torre edit), black font, 28 pages


Box 163 Item 3 DJB2 (David Buuck edit 2), black font, 15 pages


Box 163 Item 4 David Buuck edit 3, black font, 15 pages


Box 163 Item 5 MT edit 5 (Dodie Bellamy edit 4), black font with black pen, 16 pages


Box 163 Item 6 MT edit 5, black font, 16 pages, 5119 words, 5119


Box 163 Item 7 Dodie Bellamy edit 8, black font, 15 pages, 5149 words, 5149


Box 163 Item 8 BRS edit 6, black font with red, 15 pages


Box 163 Item 9 Fact Check, black font with yellow highlighting, 15 pages


Box 163 Item 10 Introduction, black font, 1 page


Box 163 Item 11 MT 1 edit Introduction, black font with blue pen, 1 page


Box 163 Item 12 Introduction fact check, black font with yellow highlighting, 1 page


Box 163 Item 13 Copyeditor's changes in layout, marks in red


Box 163 Item 14 Editor's receipt and acceptance of changes, marks in blue ink


Box 163 Item 15 Proofread of copyeditor's changes, marks in navy ink


Box 163 Item 16 BRS's last changes in layout, black ink and pencil


Box 163 Email from Dodie Bellamy to David Buuck


Audio:


Box 163 Dodie Bellamy and David Buuck, two mp3 files, 1:03:25 and 40:43


Edwidge Danticat by Garnette Cadogan (Corresponding pages in the magazine: 104-110):


Box 163 Item 1 Original transcription, black font, 3512 words, 6 pages, 3512


Box 163 Item 2 MT2 (Monica de la Torre edit 2) black font with blue highlight and black pen, 3451 words, 3451


Box 163 Item 3 BRS edit 3, black font with crossed out words, 3451 words, 9 pages, 3451


Box 163 Item 4 MT4, black font with words crossed out, 9 pages


Box 163 Item 5 MT5, black font with edits, 10 pages


Box 163 Item 6 ED6 (Edwidge Danticat edit 6), black font with edits, 5180 words, 14 pages, 5180


Box 163 Item 7 GC7 (Garnette Cadogan edit 7), blue, black and red font, 15 pages


Box 163 Item 8 GC7 (Monica de la Torre edit 8). Black font with black pen edits, 13 pages


Box 163 Item 9 Final, BRS edit 9, black font with black pen edits, 12 pages


Box 163 Item 10 Fact Check, black font with red and blue pen, highlights, 12 pages


Box 163 Item 11 Fact Check links, blue links with black font, 4 pages


Box 163 Item 12 Copyeditor's changes in layout, black pen marks


Box 163 Item 13 Editor's reception of changes, black pen and blue pen


Box 163 Item 14 Proofread copyeditor's changes in layout, black pen comments, blue paper


Box 163 Item 15 BRS final review of interview in layout, pencil marks


Box 163 Correspondence: Collected from Sabine Russ between Betsy Sussler, Garnette Cadogan and Edwidge Danticat


Box 163 Audio: mp3 files


Phyllida Barlow and Vincent Fecteau (Corresponding pages in magazine: 48-57):


Box 163 Item 1 Full Transcription, black font with blue highlights, 3584 words, 3584


Box 163 Item 2 VF edit 2, black font with red and blue highlights, 5297 words, 9 pages, 5297


Box 163 Item 3 MT edit 3, black font with blue highlights and black ink changes, 4288 words, 4288


Box 163 Item 4 BRS4, black font with black ink, 4288 words, 4288


Box 163 Item 5 Final, black font, 4219 words, 4219


Box 163 Item 6 Cut from Fecteau, black, blue and red font, 1 page


Box 163 Item 7 Fact Check, black font with red and blue pen marks, 11 pages


Box 163 Item 8 Fact Check links, black font with blue links, 2 pages


Box 163 Item 9 Introduction by MT, black font, 1 page


Box 163 Item 10 Introduction edit by MT, black font with blue ink edits, 1 page


Box 163 Item 11 List of high-resolution images available, black font with images, 17 pages


Box 163 Item 12 Copyeditor's changes in layout with Editor's remarks, black font, gray changes, blue ink, 10 pages


Box 163 Item 13 Proofread changes, black font with yellow highlights, 10 pages


Box 163 Item 14 BRS final read, black font, black ink, yellow highlights and red tabs, 10 pages


Box 163 Correspondence: Collected from Monica de la Torre between Vincent Fecteau


Box 163 Audio: mp3


Leonardo Padura by Oscar Hijuelos (Corresponding pages in the magazine: 32-37):


Box 163 Item 1 Transcription in Spanish, black font, 21 pages


Box 163 Item 2 Translation by Ellie Robins, black font, 12 pages


Box 163 Item 3 OH edit 1 (MT edit 2), black font with blue ink edits, 14 pages


Box 163 Item 4 MT edit 2 (BRS 3 edit), black and blue font with pencil edits, 13 pages


Box 163 Item 5 BRS edit 3, black font with blue pen, 13 pages


Box 163 Item 6 Final, black font, 14 pages


Box 163 Item 7 Fact Check, black font with blue, red and yellow marks, 13 pages


Box 163 Item 8 Photocopies of fact-check sources, black font with yellow highlights, 9 pages


Box 163 Item 9 List of fact check sources, blue links and red corrections, 7 pages


Box 163 Item 10 Copyeditor's (Marianne) changes in layout, black font with blue and black ink marks, 6 pages


Box 163 Item 11 Proofread (Kendall) of copyeditor's changes, black font with yellow highlights, 6 pages


Box 163 Item 12 BRS final corrections, black font with black ink, 6 pages


Box 163 Item 13 BRS final corrections, black font with pencil and blue ink marks, 6 pages


Box 163 Item 14 Oscar Hijuelos contributor's bio, black font, 1 page


Box 163 Item 15 Padura excerpt, black font with black sharpie marks, five pages


Box 163 Item 16 Final Padura excerpt, white font on black page, 1 page


Box 163 Correspondence: Collected from Monica de la Torre between Oscar Hijuelos, Betsy Sussler and Sabine Russ


Mary Halvorson by Steve DiBenedetto (Corresponding pages in the magazine: 136-142):


Box 163 Item 1 Transcription, black font, 44 pages


Box 163 Item 2 Edit 1, black font with red deletions, 44 pages


Box 163 Item 3 SR3 (Sabine Russ edit 3), black font with yellow and gray highlights, 23 pages


Box 163 Item 4 SD4 (Steve DiBenedetto edit 4), black font, 27 pages


Box 163 Item 5 SR6 (Sabine Russ edit 6), black font with red and yellow highlights, 11 pages


Box 163 Item 6 Intro SR2, black font with blue edits, 1 page


Box 163 Item 7 Intro SR3, black font with yellow highlights and black pen, 1 page


Box 163 Item 8 Final Intro, black font, 1 page


Box 163 Item 9 Fact Check, black font with blue, red and yellow notations, 11 pages


Box 163 Item 10 List of references Fact Check, blue links with red corrections, 3 pages


Box 163 Item 11 Copyeditor's changes in layout, black font with red changes and pencil editor marks, 3 pages


Box 163 Item 12 Proofread of copyeditor's changes, black font with yellow highlight, 5 pages


Box 163 Item 13 BRS final corrections, black font with pencil and black ink corrections, 7 pages


Box 163 Correspondence: Collected from Sabine Russ


Box 163 Audio: Five parts of STE--000. Wav


Hans Witschi by Zipora Fried (Corresponding pages in the magazine: 114-121):


Box 163 Item 1 Transcription, black font with orange crayon corrections, 12 pages


Box 163 Item 2 SR3 (Sabine Russ edit 3), black font with red corrections, 19 pages


Box 163 Item 3 SR3, black font with blue and red corrections, 20 pages


Box 163 Item 4 SR4, black font with blue corrections, 19 pages


Box 163 Item 5 SR6 (corrected over the phone), black font with blue corrections, 19 pages


Box 163 Item 6 SR7 (after fact check), black font with blue corrections, 19 pages


Box 163 Item 7 Final, black font, 19 pages


Box 163 Item 8 Fact Check, black font with red, blue and yellow ink, 17 pages


Box 163 Item 9 Lists of fact check sources, black font, blue sources and red corrections, 5 pages


Box 163 Item 10 Copyeditor's changes in layout, black font with red changes and orange highlights, 8 pages


Box 163 Item 11 Proofread of copyeditor's changes, black font with yellow changes, 8 pages


Box 163 Item 12 BRS final corrections, black font with black ink and red tabs, 8 pages


Box 163 Correspondence: Collected from Sabine Russ between Hans Witschi, 8 pages


Kai Althoff by David Grubbs by Kai Althoff and David Grubbs (Corresponding pages in the magazine: 58-64):


Box 163 Item 1 DG workshop essay, black font, 9 pages


Box 163 Item 2 Transcription, black font with questions in bold, 7 pages


Box 163 Item 3 SRl, black font with blue corrections, 13 pages


Box 163 Item 4 SR2, black font with blue corrections, 13 pages


Box 163 Item 5 DGKA3, black font with track changes boxes, 13 pages


Box 163 Item 6 SR4, email attached: black font with black and blue ink changes, 15 pages


Box 163 Item 7 Final, black font, 13 pages


Box 163 Item 8 Fact Check, black font with yellow highlighting, 13 pages


Box 163 Item 9 List of fact-check sources, black font with blue links, 2 pages


Box 163 Item 10 KA music links, black font, 1 page


Box 163 Item 11 Copy editor's changes in layout, black font with red corrections, 13 pages


Box 163 Item 12 Final in layout, black font with images, 7 pages


Box 163 Item 13 Side by side layout, black font with images, 4 pages 14)Article on Kai Althoff, black font (German), 4 pages


Box 163 Item 15 Amazon listing of Kai Althoff, blue font plus image, 1 page


Box 163 Correspondence: Initial solicitation from Monica de la Torre and subsequent correspondence from Sabine Russ


Amie Siegel by Lynn Hershman Leeson (Corresponding pages in the magazine: 38-47):


Box 163 Item 1 1st Transcription, black font, 18 pages


Box 163 Item 2 ASLH edit 1, black font with pu rple and blue changes, 19 pages


Box 163 Item 3 SR2 (Sabine Russ edit 2), black font, 14 pages


Box 163 Item 4 ASLH edit 2, black font with blue and yellow changes, 15 pages


Box 163 Item 5 ASLH edit 2 w/Intro, black font, 15 pages


Box 163 Item 6 SR3, black font with red changes, 9 pages


Box 163 Item 7 SR3, black font, 9 pages


Box 163 Item 8 BRS4, black font with Track Changes, 9 pages


Box 163 Item 9 AS6, black font with red and purple changes, 9 pages


Box 163 Item 10 SR7, black font with red changes, 10 pages


Box 163 Item 11 LH8, black font with red changes, 10 pages 12) Final, black font, 10 pages


Box 163 Item 13 Introduction SR3, black font, 2 pages


Box 163 Item 14 Fact Check, black font with yellow highlighting, 10 pages


Box 163 Item 15 List of sources, black font with red corrections, 3 pages


Box 163 Item 16 List of high-resolution images, black font with images, 8 pages


Box 163 Item 17 Copy editor's changes in layout, black font with blue and red ink changes, 10 pages


Box 163 Item 18 Copyeditor's changes, black font with red and pink changes, 10 pages Correspondence: Collected from Sabine Russ and Monica de la Torre between two artists/authors


Box 163 Audio: 2 lynnhersh.mov files


Artists On Artists:


Elana Herzog by Brenda Coultas (Corresponding pages in the magazine: 134-135):


Box 163 Item 1 MT edit 1, Black font with blue pen, 2 pages


Box 163 Item 2 MT2, Black font with red corrections, 2 pages


Box 163 Item 3 SR2, Black font with blue pen and yellow highlighting, 2 pages


Box 163 Item 4 Final, Black font, 2 pages


Jon Pestoni by Joanne Greenbaum (Corresponding pages in the magazine: 131-133):


Box 163 Item 1 Original, black font, 1page


Box 163 Item 2 MT edit 1, black font, 1page


Box 163 Item 3 JG edit 3, black font, 1page


Box 163 Item 4 BRS edit 4, black font with pink pen, 1page


Box 163 Item 5 Final, black font, 2 pages


Raha Raissnia by Jeanne Liotta (Corresponding pages in the magazine: 128-130):


Box 163 Item 1 Original (MT edit 1), black font with blue ink, 2 pages


Box 163 Item 2 MT2, black font with blue font, 2 pages


Box 163 Item 3 BRS3, black font with black pen corrections, 2 pages


Box 163 Item 4 Final, black font, one page


Box 163 Item 5 Fact check, black font with yellow highlighting, 2 pages


Box 163 Item 6 List of sources, black font, 1 page


Box 163 Item 7 Cut words, black font, 1 page


Box 163 Item 8 SR edit in layout, black with pencil marks, 8 pages


Box 163 Item 9 Copyeditor's changes in layout, black font with gray Track changes, 8 pages


Box 163 Item 10 BRS changes in layout, 8 pages


Box 163 Item 11 Proofread changes, yellow highlighting, 4 pages


Box 163 Item 12 List of captions, black font, 1 page


Dear David: An Exchange by David Geers and Peter Rostovsky (Corresponding pages in magazine: 122-127):


Box 163 Item 1 MTl, black font, 5 pages


Box 163 Item 2 Edit 1&2, black font, 5 pages


Box 163 Item 3 R4, Black font with red and green changes, 5 pages


Box 163 Item 4 MT4, black font with blue and black pen changes, 5 pages


Box 163 Item 5 Copyeditor's changes in layout, black font with black and red changes, 3 pages


Box 163 Item 6 Proofread copyeditor's changes, black font with yellow highlighting, 6 pages


Box 163 Item 7 Proofread #2, black font with yellow highlighting, 6 pages


Box 163 Item 8 BRS changes in layout, black font with yellow tab, 6 pages


Box 163 Item 9 Two articles by Peter Rostovsky, black font, 9 pages


Box 163 Correspondence: Collected from MT to Peter Rostovsky


Editor's Choice:


I Am The Center: Private Issue New Age by Dustin Wong (Corresponding pages in magazine: 22):


Box 163 Item 1 CD Cover Image, color image, 1 page


Box 163 Item 2 Original I Am The Center, black font, 2800 words, 2800


Box 163 Item 3 MT1, black font with blue and pencil comments, 11pages


Box 163 Item 4 Final passage selection (Kendall), black font, 2 pages


Landscape Futures: Instruments, Devices and Architectural Invention by Emily Gordon, edited by Geoff Manaugh (Corresponding pages in magazine: 18):


Box 163 Item 1 MT edit 1, black font with blue corrections, 2 pages


Box 163 Item 2 Original edited by Monica, black font pencil corrections, 2 pages


Box 163 Item 3 MT2, black font with black ink changes, 2 pages


Box 163 Item 4 BRS final, black font with blue ink changes, 2 pages


Box 163 Item 5 Final, black font, 2 pages


Box 163 Item 6 Fact Check, black font with yellow highlighting, 2 pages


Box 163 Item 7 List of sources, one page


Box 163 Correspondence: Collected from Monica de la Torre to Emily Gordon


Casa de Lava: Scrapbook by Pedro Costa. Author Tania Cypriano (Corresponding pages in the magazine: 16-17):


Box 163 Item 1 MT edit 1, black font with black pen, 2 pages


Box 163 Item 2 MT edit 1, black font with inserted changes, 2 pages


Box 163 Item 3 MT3, black font with blue pen, 2 pages (466 words)


Box 163 Item 4 MT3, black font with blue inserted changes, 2 pages (495 words)


Box 163 Item 5 TC 4&5, black font with red changes, 2 pages


Box 163 Item 6 SR6, black font with red changes, 2 pages


Box 163 Correspondence: Collected from Sabine


Damnation by Janice Lee. Author: Christine Wertheim (Corresponding pages in the magazine: 28):


Box 163 Item 1 MT edit 1, black font with red ink corrections, 2 pages


Box 163 Item 2 BRS edit, black font with black ink, 1 page


Box 163 Item 3 Fact check, black font with red, yellow and blue pen, 1 page


Box 163 Item 4 Final, black font, 1 page


Norte, The End of History by Lav Diaz. Author: Alan Felsenthal (Corresponding page in the magazine: 20):


Box 163 Item 1 MT edit 2, black font with yellow highlighting, 2 pages


Box 163 Item 2 BRS3, black font with pink pen corrections and some blue, 2 pages


Box 163 Item 3 SR4, black font with blue pen, 2 pages


Box 163 Item 4 Final, black font with one highlight, 2 pages


Box 163 Item 5 Fact check with list of sources, black font and red corrections, 4 pages


En Atendant and Cesena by Anne Teresa de Keersmaeker by Lauren Grace Bakst (Corresponding pages in the magazine: 26):


Box 163 Item 1 SR2, Black font with red Track Changes, 2 pages


Box 163 Item 2 LB3, Black font with blue Track Changes, 2 pages


Box 163 Item 3 SR4, Black with red words, 2 pages


Box 163 Item 4 LBS, black font, 2 pages


Box 163 Item 5 Fact Check, black font with yellow highlighting, 3 pages


William Kentridge: Fortuna, Edited by Lilian Tone by Nell McLister (Corresponding pages in the magazine: 12-13):


Box 163 Item 1 Fact Check, black font with yellow highlighting, 2 pages


Box 163 Item 2 List of sources, black with yellow highlighting and red, 2 pages


Jane Antoni, Within by Scott Turri (Corresponding pages in the magazine: 14-15):


Box 163 Item 1 SR2, black font with red edits, 2 pages


Box 163 Item 2 SR3, black font with tracked changes, 2 pages


Box 163 Item 3 Fact Check with list of sources, black font, 3 pages


Bruce Dessner Aheym Featuring the Kronos Quartet by Elliott Sharp (Corresponding page in the magazine: 24):


Box 163 Item 1 Edit 1, black font with pink and yellow corrections, 2 pages


Box 163 Item 2 Fact check with list of sources, black font with yellow highlighting, 4 pages


First Proof:


Box 163 Item 1 Two tables of contents, black font with pencil, 6 pages


Box 163 Item 2 Mirtha Dermisache images, images with black font, 11 pages


Box 163 Item 3 Captions of Mirtha Dermisache images, black font, 1 page


Eduard Marquez by Translated from Catalan by Lawrence Venuti (Corresponding pages in the magazine: 71):


Box 163 Item 1 Original (MT edit), black font with blue pen, 7 pages


Box 163 Item 2 Copyeditor's changes in layout, black font with red corrections, 1 page


Box 163 Item 3 Editor's changes in layout, black font with blue pen, 1 page


Box 163 Item 4 Final, black font, 1 page


The Princesses of Japantown by Aja Gabel (Corresponding pages in the magazine: 86-91):


Box 163 Item 1 Original, black font with gold tabs, 20 pages


Box 163 Item 2 Copyeditor's changes in layout, black font with blue and black pen, 6 pages


Box 163 Item 3 Proofread copyeditor's changes, black font with yellow highlighting, 6 pages


Box 163 Correspondence: Collected from MT to Valerie Borchardt


The Aluminum Piece by Michael Baptist (Corresponding pages in the magazine: 92-95):


Box 163 Item 1 Original, black font, 12 pages


Box 163 Item 2 MB2 and MT1, black font with blue pen marks, 12 pages


Box 163 Item 3 MT3, black font with black Sharpie marks, 12 pages


Box 163 Item 4 MB2, black font, 12 pages


Box 163 Item 5 MT3, black font with blue pen marks, 12 pages


Box 163 Item 6 MB4, black font with green highlighting, 12 pages


Box 163 Item 7 Copyeditor's changes in layout, black font with red changes and blue pen, 4 pages


Box 163 Item 8 Proofread comments, black font with red pencil, 4 pages


Box 163 Item 9 BRS final changes, black font with black pen, 4 pages


Box 163 Correspondence: Collected from MT to Michael Baptist


Tesseract by Percival Everett (Corresponding pages in the magazine: 98-101):


Box 163 Item 1 PE round 2, black font with blue pen, 14 pages


Box 163 Item 2 MT edit 2, black font with blue pen, 11 pages


Paler Gray Uncomposed Book/ Also Scored Greta Thurstan from Metaphysical Licks by Gregoire Pam Dick (Corresponding pages in the magazine: 80-85):


Box 163 Item 1 Original and excepts of Pam Dick, black font, 30 pages


Box 163 Item 2 Copyeditor's changes in layout, black font with red changes, 6 pages


Box 163 Correspondence: Collected from MT to Pam Dick


Two Poems by Paul Hlava (Corresponding pages in the magazine: 96-97):


Box 163 Item 1 Original submission, black font, 7 pages


Box 163 Item 2 Copyeditor's changes in layout, black font with gray changes, 10 pages


Box 163 Item 3 Final, black font, 10 pages


The Falls by Craig Dworkin (Corresponding pages in the magazine: 102-103):


Box 163 Item 1 Original manuscript, black font, 31 pages


Box 163 Item 2 Excerpt one, black font, 4 pages


Box 163 Item 3 Excerpt two, black font 4 pages


Box 163 Item 4 Final, black font, 5 pages


Box 163 Correspondence: Collected from MT to Craig Dworkin


Issue 127/Spring, 2014


Interviews:


Jay Scheib by Alix Pearlstein (Corresponding pages in the magazine: 27-36):



Box 164 Original Transcript, black font, 35 pages


Box 164 Item 2 Jay Scheib edit 1, black font, 33 pages


Box 164 Item 3 MT edit 2, black font, 28 pages


Box 164 Item 4 MT edit 3, black font, 15 pages


Box 164 Item 5 BRS edit 5, black font, 15 pages


Box 164 Item 6 Fact Check, black with yellow highlighting and green pen, 18 pages


Box 164 Item 7 SR edit 7, black and red font, 15 pages


Box 164 Item 8 SR edit 8, black font, 15 pages


Box 164 Item 9 Copyeditor's changes in layout, marks in red


Box 164 Item 10 Proofread of copyeditor's changes, marks in pencil


Box 164 Correspondence: Collected from Mónica de la Torre


Box 164 Audio: 17 m4a files


Matthew Barney and Gaspar Noé (Corresponding pages in the magazine: 36-44


Box 164 Item 1 Original transcript, black font, 16 pages


Box 164 Item 2 SR edit 2, black and blue font, 17 pages


Box 164 Item 3 SR edit 3, black and blue font, 11 pages


Box 164 Item 4 SR edit 4, black and blue font with marks in pencil, 11 pages


Box 164 Item 5 SR edit 5, black and blue font with marks in pencil, 11 pages


Box 164 Item 6 Matthew Barney edit 5; black, blue, and red font; 11 pages


Box 164 Item 7 Fact Check, black font with yellow highlighting, 4 pages


Box 164 Item 8 Online publication, black font, 7 pages


Box 164 Item 9 Introduction, black font, 1 page


Box 164 Item 10 BRS 1 edit Introduction, black and blue font, 1 page


Box 164 Item 11 Introduction final, black font, 1 page


Box 164 Item 12 SR edit 8, black font with blue highlighting and marks in pen, 11 pages


Box 164 Item 13 SR edits in layout, black font with markings in black and red pen, 8 pages


Box 164 Item 14 Copyeditor's changes in layout, marks in red, blue pen, and pink highlighting, 8 pages


Box 164 Correspondences: Collected from Sabine Russ


Box 164 Audio: mp3 file [1:07:43]


chameckilerner by Eve Sussman (Corresponding pages in the magazine: 44-54


Box 164 Item 1 Original transcription, black font, 42 pages


Box 164 Item 2 Eve Sussman edit 1, black font with yellow highlighting, 40 pages


Box 164 Item 3 SR edits 2, 3, and 4; black and blue font with yellow highlighting, 64 pages


Box 164 Item 4 Eve Sussman and SR edit 6, black and red font with yellow highlighting, 13 pages


Box 164 Item 5 BRS edit 8, black and blue font, 12 pages


Box 164 Item 6 Fact check 1, black font with blue markings, 22 pages


Box 164 Item 7 Fact check 2, black font with yellow highlighting, 2 pages


Box 164 Item 8 Copyeditor's changes in layout, marks in red, 25 pages


Box 164 Item 9 Proofread of copyeditor's changes, marks with black pen, 10 pages


Box 164 Correspondence: Collected from Sabine Russ


Box 164 Audio: mp3 file [1:37:49]


Shannon Ebner and Zoe Leonard (Corresponding pages in the magazine: 54-72


Box 164 Item 1 Original transcript, black font markings in blue pen, 28 pages


Box 164 Item 2 MT edit 1, black font with green highlighting, 12 pages


Box 164 Item 3 MT edit 3, black font with green highlighting, 11 pages


Box 164 Item 4 Shannon Ebner edit 4, black and blue font, 13 pages


Box 164 Item 5 Zoe Leonard edit 5, black and blue font, 19 pages


Box 164 Item 6 Shannon Ebner edit 6, black and red font, 20 pages


Box 164 Item 7 MT edit 7, black font with green highlighting, 11 pages


Box 164 Item 8 Zoe Leonard edit 8, black font with green and yellow highlighting, 11 pages


Box 164 Item 9 Fact check, black font with yellow highlighting, 17 pages


Box 164 Item 10 Shannon Ebner edit 9, black font with yellow highlighting, 12 pages


Box 164 Item 11 MT edit 10, black font with green highlighting, 10 pages


Box 164 Item 12 Zoe Leonard edit 11, black font with green highlighting, 10 pages


Box 164 Item 13 Zoe Leonard edit 12, black font with magenta highlighting, 10 pages


Box 164 Item 14 Copyeditor's changes in layout, marks in red, 11 pages


Box 164 Item 15 SR corrections in layout, marks in black and red pen, 11 pages


Box 164 Item 16 Proofread of layout, marks in pencil, 11 pages


Box 164 Item 17 Proofread 2 of layout, marks in blue pen, 11 pages


Box 164 Correspondence: Collected from Mónica de la Torre


Teju Cole by Aleksander Hemon (Corresponding pages in the magazine: 72-94):


Box 164 Item 1 Original transcript, black font, 10 pages


Box 164 Item 2 SR edit 3, black font with orange pen, 10 pages


Box 164 Item 3 BRS edit 4 and fact check, black font with yellow highlighting and black pen, 13 pages


Box 164 Item 4 Introduction, black font, 2 pages


Box 164 Item 5 SR edit 1 Introduction, black and blue font, 2 pages


Box 164 Item 6 Copyeditor's changes in layout, black font with yellow highlighter and red pen, 5 pages


Box 164 Correspondence: Collected from Sabine Russ


Etel Adnan by Lisa Robertson (Corresponding pages in the magazine: 94-99


Box 164 Item 1 Excerpts from Etel Adnan reader


Box 164 Item 2 Original transcript, black font, 13 pages


Box 164 Item 3 MT edit 1, black font with green highlighting, 11 pages


Box 164 Item 4 BSR edit 2, black font with green highlighting, 11 pages


Box 164 Item 5 Lisa Robertson edit 3, black and purple font with green highlighting, 11 pages


Box 164 Item 6 Etel Adnan edit 5; black, gold, and red font; 12 pages


Box 164 Item 7 Fact check, black font with yellow highlighting, 16 pages


Box 164 Item 8 Introduction, black font, 1 page


Box 164 Item 9 SR edit 1 Introduction, black font with red and yellow highlighting, 1 page


Box 164 Item 10 Copyeditor's changes in layout, marked in red, 6 pages


Box 164 Item 11 Proofread of layout, black font with green pen, 6 pages


Box 164 Correspondence: Collected from Monica de la Torre


Box 164 Audio: 3 mp3 file [25:19, 3:13, 33:58]


Natalie Frank by Dasha Shishkin (Corresponding pages in the magazine: 128-136):


Box 164 Item 1 Original transcript, black font, 19 pages


Box 164 Item 2 MT edit 1, black and blue font, 21 pages


Box 164 Item 3 Natalie Frank edit 2, black and blue font, 12 pages


Box 164 Item 4 Dasha Shishkin edit 3, black and blue font, 23 pages


Box 164 Item 5 MT edit 4, black font with blue pen, 10 pages


Box 164 Item 6 BRS edit 5, black font with black pen, 15 pages


Box 164 Item 7 Fact check, black font with yellow highlighting, 19 pages


Box 164 Item 8 Introduction, black font, 1 page


Box 164 Item 9 MT edit 1 of Introduction, black font, 1 page


Box 164 Item 10 Natalie Frank and MT edit 7, black font with black marker, 16 pages


Box 164 Item 11 Copyeditor's changes in layout, marked in red with yellow highlighter and black pen, 8 pages


Box 164 Item 12 Proofread of layout, black font with black and red pen, 8 pages


Box 164 Correspondence: Collected from Mónica de la Torre


Box 164 Audio: mp3 file [1:00:02]


Valerie Snobeck by Joe Fyfe (Corresponding pages in the magazine: 136-143):


Box 164 Item 1 Original transcript, black font, 22 pages


Box 164 Item 2 Valerie Snobeck and Joe Fyfe edit 1; black, orange, and red font, 23 pages


Box 164 Item 3 SR edit 3, black and blue font, 22 pages


Box 164 Item 4 Joe Fyfe edit 4, black and blue font, 19 pages


Box 164 Item 5 SR edit 5, black and blue font, 10 pages


Box 164 Item 6 Valerie Snobeck edit 6; black, blue, and red font; 12 pages


Box 164 Item 7 SR edit 8, black and red font with yellow highlighting, 10 pages


Box 164 Item 8 BRS edit 9, black font with black pen, 11 pages


Box 164 Item 9 Fact check, black font with yellow highlighting, 14 pages


Box 164 Item 10 JM edit 10 in layout, black font with red and black pen, 16 pages


Box 164 Item 11 Copyeditor's changes in layout, red markings with yellow highlighting, 8 pages


Box 164 Item 12 Proofread of layout, black font with pink highlighter, 8 pages


Box 164 Item 13 Proofread 2 of layout, black font with yellow highlighter, 8 pages


Box 164 Correspondence: Collected from Sabine Russ


Box 164 Audio: 3 mp3 files [23:25, 34:12, 23:10]


Artists On Artists:


Jason Simon by Andrew Durbin (Corresponding pages in the magazine: 119-122):


Box 164 Item 1 Andrew Durbin edit 1, black font, 1 page


Box 164 Item 2 MT edit 2, black font with green highlighting, 1 page


Box 164 Item 3 Andrew Durbin edit 3, black font, 1 page


Box 164 Item 4 MT edit 4, black font with green highlighting, 1 page


Box 164 Item 5 Andrew Durbin edit 5, black font, 1 page


Box 164 Item 6 BRS edit 6, black and blue font with green highlighting, 1 page


Box 164 Item 7 BRS edit 7, black font with markings in black pen, 2 pages


Box 164 Item 8 Fact check, black font with yellow highlighting, 1 page


Box 164 Item 9 Proofread of layout, black font with pink highlighting, 1 page


Box 164 Simone Leigh by Malik Gaines (Corresponding pages in the magazine: 122-124):


Box 164 Item 1 MT edit 1, black and blue font, 2 pages


Box 164 Item 2 SR edit 2, black and blue font, 2 pages


Box 164 Item 3 Fact check, black font with yellow highlighting, 4 pages


Box 164 Samuel Jablon by James Hyde


James Hyde (Corresponding pages in the magazine: 125-127


Box 164 Item 1 SR edit 1, black and blue font, 3 pages


Box 164 Item 2 SR edit 2, black font with markings in blue pen, 2 pages


Box 164 Item 3 James Hyde edit 3, black font, 2 pages


Box 164 Item 4 SR edit 4, black and blue font, 2 pages


Box 164 Item 5 Fact check, black font with yellow highlighting, 2 pages


Box 164 Item 6 Copyeditor's changes in layout, markings in red with yellow and pink highlighting, 4 pages


Bomb Specific:


Box 164 No. XXXXXXXXXX by Ramiro Chaves (Corresponding pages in magazine: 113-118):


Box 164 Item 1 Used images, black and white images, 32 pages


Box 164 Item 2 Unused images, black and white images, 7 pages


Box 164 Item 3 Original transcript in Spanish, black font, 1 page


Box 164 Item 4 MT edit, black font with black pen, 1 page


Box 164 Item 5 Copyeditor's changes in layout, markings in red with orange highlighting, 1 page


Editor's Choice:


Our House is on Fire by Shirin Neshat. Author: Anna Della Subin (Corresponding pages in the magazine: 18-19):


Box 164 Item 1 SR edit 1, black font with markings in black pen, 2 pages


Box 164 Item 2 Fact check, black font with yellow highlighting, 1 page


Box 164 Correspondence from Mónica de la Torre


Gerty Loves Pussy by Bill Orcutt. Author: Clinton Crute (Corresponding pages in the magazine: 19-20):


What Would Lynne Tillman Do? by Lynne Tillman. Author: Sara Jaffe (Corresponding pages in the magazine: 20-21):


Box 164 Item 1 MT edit 1, black font with markings in black pen and pencil, 1 page


Box 164 Item 2 MT edit 2, black and blue font, 1 page


Box 164 Item 3 Fact check, black and blue font, 2 pages


Box 164 Correspondence collected from Mónica de la Torre


No, Wait. Yep. Definitely Still Hate Myself by Robert Fitterman. Author: Nick Thurston (Corresponding pages in the magazine: 21-22):


Box 164 Item 1 MT edit 1, black font with markings in blue pen, 6 pages


Box 164 Item 2 MT edit 2, black and blue font, 6 pages


Box 164 Item 3 MT edit 3, black font with blue pen, 4 pages


Box 164 Item 4 Nick Thurston edit 4, black font, 2 pages


Box 164 Item 5 MT edit 5, black font with blue highlighting, 2 pages


Box 164 Item 6 Nick Thurston edit 6, black and red font, 2 pages


Box 164 Item 7 MT edit 7, black and blue font, 2 pages


Box 164 Item 8 BRS edit 8, black and blue font, 2 pages


Box 164 Item 9 BRS edit 9, black font with black pen, 2 pages


Box 164 Item 10 MT edit 10, black font with blue pen, 2 pages


Box 164 Item 11 Fact check, black font with yellow highlighting, 3 pages


Box 164 Item 12 Copyeditor's changes in layout, markings in red, 1 page


Box 164 Item 13 BRS edit in layout, black font with orange highlighting, 1 page


Box 164 Correspondence from Mónica de la Torre


Herstory Inventory: 100 Feminist Drawings by 100 Artists by Ulrike Müller


Thom Donovan (Corresponding pages in the magazine: 22-23):


Box 164 Item 1 MT edit 1, black font with green highlighting, 1 page


Box 164 Item 2 Thom Donovan edit 2, black font with green highlighting, 1 page


Box 164 Item 3 SR edit 3, black font with yellow and green highlighting, 2 pages


Box 164 Item 4 SR edit 4, black font with markings in pencil, 1 page


Box 164 Item 5 MT edit 5, black font with blue pen, 1 page


Box 164 Item 6 Fact check, black font with yellow highlighting, 1 page


Box 164 Item 7 Copyeditor's changes in layout, marked in red, 1 page


Box 164 Item 8 Proofread of layout, black font with black pen, 1 page


Box 164 Correspondence from Mónica de la Torre


Le Derrière Cri by Tom Griffiths (Corresponding pages in the magazine: 23-24):


Box 164 Item 1. MT edit 1, black and blue font, 1 page


Box 164 Item 2. MT edit 2, black font with blue pen, 1 page


Box 164 Item 3. Copyeditor's changes in layout, marked in red, 2 pages


Box 164 Correspondence from Mónica de la Torre


Broke Baroque by Tony Medina. Author: Patricia Spears Jones (Corresponding page in the magazine: 24-25):


Box 164 Item 1 MT edit 1, black and blue font, 2 pages


Box 164 Item 2 Fact check, black font with yellow highlighting, 2 pages


Box 164 Item 3 Copyeditor's changes in layout, marked in red, 2 pages


Box 164 Item 4 Proofread of layout, black font with black pen, 2 pages


Box 164 Correspondences from Mónica de la Torre


First Proof:


Color Drawing Poems by Robert Grenier (Corresponding pages in the magazine: 67-71):


Box 164 Item 1 Used images, variegated font, 6 pages


Box 164 Item 2 Unused images, variegated font, 11 pages


Box 164 Item 3 CD of images


Box 164 Correspondence from Mónica de la Torre


Before by Lucy Corin (Corresponding pages in the magazine: 78-81):


Box 164 Item 1 BRS edit 1, black font with black pen, 13 pages


Box 164 Item 2 Copyeditor's changes in layout, marked in red, 4 pages


Box 164 Item 3 Proofread in layout, black font with green highlighter, 4 pages


Box 164 Correspondence from Mónica de la Torre


from I Can Give You Anything but Love: A Memoir by Gary Indiana (Corresponding pages in the magazine: 84-87):


Box 164 Item 1 Complete manuscript with possible excerpts highlighted, 135 pages


Box 164 Item 2 Copyeditor's changes in layout, marked in red, 4 pages


Box 164 Correspondence from Mónica de la Torre


Berenice's Hair by Peggy Shinner (Corresponding pages in the magazine: 88-89


Box 164 Item 1 Original manuscript, black font, 5 pages


Box 164 Item 2 Fact check in layout, black font with yellow highlighting, 2 pages


Box 164 Item 3 Copy editor's changes in layout, marked in red, 2 pages


Box 164 Correspondence from Mónica de la Torre


The Vicious Ladies by Carribean Fragoza (Corresponding pages in the magazine: 94-100):


Box 164 Item 1 Original manuscript, black font, 16 pages


Box 164 Item 2 MT edit 1, black and blue font, 17 pages


Box 164 Item 3 Carribean Fragoza edit 2, black and blue font, 17 pages


Box 164 Item 4 Copyeditor's changes in layout, marked in red, 6 pages


Box 164 Item 5 Proofread of layout, black font with green pen, 6 pages


Box 164 Correspondence from Mónica de la Torre


Translations of Li Shangyin, translated by Chloe Garcia Roberts (Corresponding pages in the magazine: 82-83):


Box 164 Item 1 Original manuscript, black font with markings in pencil, 6 pages


Box 164 Item 2 Chloe Roberts edit, black font, 3 pages


Box 164 Item 3 Copyeditor's changes in layout, marked in red, 2 pages


Box 164 Correspondence from Mónica de la Torre


Poems by Anselm Berrigan (Corresponding pages in the magazine: 89-93


Box 164 Item 1 Manuscript with image of original notebook, black font and black and white images, 13 pages


Box 164 Item 2 Copy editor's changes in layout, marked in red, 5 pages


Box 164 Correspondence: Collected from Mónica de la Torre


The Hermit by Lucy Ives (Corresponding pages in the magazine: 100-101):


Box 164 Item 1 Original manuscript with possible excerpts marked, black font and pencil, 32 pages


Box 164 Correspondence: Collected from Mónica de la Torre


The Lost Adventures by Alejandra Pizarnik, translated by Rachel Klein (Unpublished in magazine due to permission issues)


Issue 128/Summer, 2014


Interviews:


John Ashbery by Adam Fitzgerald (Corresponding pages in the magazine: 72-78):



Box 165 Item 1 2 Original Transcripts, black font, 9 pages and 32 pages


Box 165 Item 2 Adam Fitzgerald edit 1, black font, 16 pages


Box 165 Item 3 MT edit 2, black font with green highlighting, 11 pages


Box 165 Item 4 AF, John Ashbery edit 3, black font with green highlighting, 14 pages


Box 165 Item 5 MT edit 4, black font with green highlighting, 13 pages


Box 165 Item 6 MT, BRS edit 5, black and red font, 15 pages


Box 165 Item 7 JA edit 6, black font with yellow highlighting, 13 pages


Box 165 Item 8 Copyeditor's changes in layout, marks in red


Box 165 Item 9 Proofread of copyeditor's changes, marks in pencil


Box 165 Item 10 Fact Check, black with yellow highlighting, 2 pages


Box 165 Item 11 AF introduction, black font, 1 page


Box 165 Item 12 MT edit 1 introduction, black font, 1 page


Box 165 Item 13 BSR edit 2 introduction, black font with blue pen, 2 pages


Box 165 Item 14 BSR notes in layout


Box 165 Correspondence from Mónica de la Torre


Box 165 Audio: 3 mp3 files, [35:14] [01:19:57] [01:03:48]


Juan Uslé by Shirley Kaneda (Corresponding pages in the magazine: 36-44):


Box 165 Item 1 Original transcript, black font, 34 pages


Box 165 Item 2 Transcript supplement, black font in Spanish and English, 12 pages


Box 165 Item 3 Transcript supplement 2, black font in Spanish and English, 10 pages


Box 165 Item 4 MT translation 1, black font, 7 pages


Box 165 Item 5 Shirley Kaneda edit 2, black font, 6 pages


Box 165 Item 6 Fact check, black font with yellow highlighting, 3 pages


Box 165 Item 7 BRS edit 3, black font with yellow highlighting, 6 pages


Box 165 Item 8 Copyeditor's changes in layout, marks in red


Box 165 Item 9 Proofread of copyeditor's changes


Box 165 Item 10 BRS edit in layout, blue pen


Box 165 Item 11 SR edit in layout, pencil and black pen


Box 165 Item 12 Original introduction, black font, 1 page


Box 165 Item 13 MT edit 1 introduction, black font, 1 page


Box 165 Item 14 SK edit 2 introduction, black font, 1 page


Box 165 Correspondence from Mónica de la Torre


Box 165 Audio: 2 mp3 files, [01:37:39] [30:48]


Lola Arias by Elianna Kan (Corresponding pages in the magazine: 58-66):


Box 165 Item 1 Original Transcript, black font in Spanish, 11 pages


Box 165 Item 2 Translated transcript, black font, 9 pages


Box 165 Item 3 MT edit 1, black font with red pencil, 10 pages


Box 165 Item 4 Fact Check, black font with yellow highlighting, 2 pages


Box 165 Item 5 Elianna Kan edit 2, black and green font, 10 pages


Box 165 Item 6 Lola Arias edit 3; black, green, and blue font; 11 pages


Box 165 Item 7 EK edit 4; black, green, and blue font; 11 pages


Box 165 Item 8 MT edit 5, black font with green highlighting, 9 pages


Box 165 Item 9 MT edit 6, black font with green highlighting, 9 pages


Box 165 Item 10 BRS edit 7, black font with green highlighting, 9 pages


Box 165 Item 11 Original Introduction, black font, 1 page


Box 165 Item 12 MT edit 1 introduction, black and green font, 1 page


Box 165 Item 13 MT edit 2 introduction, black font with green pen, 1 page


Box 165 Item 14 Jonah Max edit 3 introduction, in layout, 1 page


Box 165 Item 15 BRS edit in layout, red and blue pen


Box 165 Item 16 Copyeditor's changes in layout, marks in red


Box 165 Item 17 Proofread of copyeditor's changes


Box 165 Item 18 BRS edit in layout, blue pen


Box 165 Item 19 SR edit in layout, pencil and red pen


Box 165 Correspondence from Mónica de la Torre


Joe Sola by Stuart Horodner (Corresponding pages in the magazine: 134-143):


Box 165 Item 1 CD-ROM of original interview video


Box 165 Item 2 Original transcript, black font, 24 pages


Box 165 Item 3 Stuart Horodner edit 1, black font, 11 pages


Box 165 Item 4 SR edit 2; black, green, and blue font; 11 pages


Box 165 Item 5 SR edit 3, black and green font, 15 pages


Box 165 Item 6 SR edit 4, black and blue font with pencil, 16 pages


Box 165 Item 7 BRS edit 5, black font with yellow highlighting and black and red pen, 14 pages


Box 165 Item 8 Fact check, black font with yellow highlighting, 3 pages


Box 165 Item 9 Copyeditor's changes in layout, marks in red


Box 165 Item 10 Proofread of copyeditor's changes


Box 165 Item 11 JM edit in layout


Box 165 Correspondence from Sabine Russ


Box 165 Audio: 12 mp4 video files


First Proof:


Portfolio Katherine Bradford (Corresponding pages in the magazine: 67-69):


Box 165 Item 1 Portfolio images, 10 pages


Box 165 Item 2 Selected images in layout, 4 pages


Box 165 Correspondence from Mónica de la Torre


Moon Over Quabbin by Michael Coffey (Corresponding pages in the magazine: 70-71):


Box 165 Item 1 Original submission, black font, 6 pages


Box 165 Item 2 Second submission


Box 165 Item 3 Copyeditor's changes in layout, marks in red


Box 165 Item 4 Proofread of copyeditor's changes


Box 165 Item 5 Michael Coffey edit 1, black font, 2 pages


Box 165 Item 6 MC edit 2, black and blue font, 4 pages


Box 165 Item 7 Proofread in layout


Box 165 Item 8 Final layout, notes in blue pen


Box 165 Correspondence from Mónica de la Torre


Poems Vincent Katz (Corresponding pages in the magazine: 87-89):


Box 165 Item 1 Original submission, black font, 7 pages


Box 165 Item 2 MT edit in layout, black font with blue and red pen, 3 pages


Box 165 Correspondence from Mónica de la Torre


soft/not-soft doppelgänger by Eleni Sikelianos (Corresponding pages in the magazine: 79-81):


Box 165 Item 1 Original submission, black font, 10 pages


Box 165 Item 2 Copyeditor's changes in layout, marks in red


Box 165 Item 3 Proofread of copyeditor's changes


Box 165 Item 4 JM edit in layout


Box 165 Item 5 Final layout


Box 165 Correspondence from Mónica de la Torre


And Then by Donald Breckenridge (Corresponding pages in the magazine: 90-94):


Box 165 Item 1 Original submission, black font, 15 pages


Box 165 Item 2 MT edit 1, black font with green pen, 16 pages


Box 165 Item 3 Copyeditor's changes in layout, marks in red


Box 165 Item 4 Proofread of copyeditor's changes


Box 165 Item 5 Final layout


Box 165 Correspondence from Mónica de la Torre


Poems by Kim Bendheim (Corresponding pages in the magazine: 95-97):


Box 165 Item 1 Original submission, black font, 3 pages


Box 165 Item 2 Copyeditor's changes in layout, marks in red


Box 165 Item 3 Proofread of copyeditor's changes


Box 165 Item 4 Final layout with BRS notes


Box 165 Correspondence from Mónica de la Torre


Stormchasers by Sara Jaffe (Corresponding pages in the magazine: 98-100):


Box 165 Item 1 Original submission, black font, 8 pages


Box 165 Item 2 Copyeditor's changes in layout, marks in red


Box 165 Item 3 Proofread of copyeditor's changes


Box 165 Item 4 Final layout


Box 165 Correspondence from Mónica de la Torre


ZERO by Azareen Van der Vliet Oloomi (Corresponding pages in the magazine:82-86):


Box 165 Item 1 Original submission, black font with black pen, 17 pages


Box 165 Item 2 Copyeditor's changes in layout, marks in red


Box 165 Item 3 Proofread of copyeditor's changes


Box 165 Item 4 Final layout


Box 165 Correspondence from Mónica de la Torre


Editor's Choice:


Critical Practices by Mónica de la Torre (Corresponding pages in the magazine: 26-27):


Box 165 Item 1 BRS edit 1, black font with black pen, 2 pages


Box 165 Item 2 SR edit 2, black font with pencil, 2 pages


Box 165 Item 3 SR edit 3, black font with pencil, 2 pages


Brenda Coultas's The Tatters by Ammiel Alcalay:


Box 165 Item 1 Original article, black font, 1 page


Box 165 Item 2 SR edit 1, black font with yellow highlighting, 1 page


Box 165 Item 3 Fact check, black font with yellow highlighting, 1 page


Box 165 Item 4 Copyeditor's changes in layout, marks in red (Corresponding pages in the magazine: 24-25


Box 165 Correspondences from Mónica de la Torre


Paul Chan's Selected Writings, 2000-2014 by Author: Alan Gilbert (Corresponding pages in the magazine: 12-13):


Box 165 Item 1 Original article, black font, 1 page


Box 165 Item 2 SR edit 1, black and green font, 1 page


Box 165 Item 3 BRS edit 2, black font with yellow highlighting, 1 page


Box 165 Item 4 Fact check, black and blue font, 1 page


Box 165 Item 5 Copyeditor's changes in layout, marks in red


Box 165 Item 6 Proofread of copyeditor's changes with additional edits


Box 165 Correspondences from Mónica de la Torre


Philip Glahn's Bertolt Brecht by Richard Foreman (Corresponding pages in the magazine: 20-21):


Box 165 Item 1 SR edit 1, variegated font, 2 pages


Box 165 Item 2 BRS edit 2, black font with yellow highlighting, 2 pages


Box 165 Item 3 Fact check, black font with yellow highlighting, 1 page


Box 165 Item 4 Final copy for design, black font, 2 pages


Box 165 Item 5 Copyeditor's changes in layout, marks in red


Box 165 Item 6 Proofread of copyeditor's changes with additional edits


Box 165 Correspondences from Mónica de la Torre


Ray Johnson's Not Nothing by Trisha Low


Drafts 16-17:


Box 165 Item 1 MT edit 1, black and green font, 2 pages


Box 165 Item 2 Trisha Low edit 2, black and gold font, 2 pages


Box 165 Item 3 MT edit 3, variegated font, 2 pages


Box 165 Item 4 MT edit 4, black font with blue pen, 2 pages


Box 165 Item 5 BRS edit 5, black and red font, 2 pages


Box 165 Item 6 Fact check, black font with yellow highlighting, 3 pages


Box 165 Item 7 MT edit 6, black font with black pen, 1 page


Box 165 Item 8 MT edit 7, variegated font, 2 pages


Box 165 Item 9 TL edit 8, variegated font, 2 pages


Box 165 Item 10 Copyeditor's changes in layout, marks in red


Box 165 Item 11 Proofread of copyeditor's changes with additional edits


Box 165 Item 12 Additional edits in layout


Box 165 Correspondences from Mónica de la Torre


The George Kuchar Reader Edited by Adam Lampert by Kalup Linzy:


Drafts: 18-19:


Box 165 Item 1 MT edit 1, black font with yellow highlighting, 1 page


Box 165 Item 2 Kalup Linzy edit 2, black font, 2 pages


Box 165 Item 3 BRS edit 3, black font with blue pen, two pages


Box 165 Item 4 KL edit 4, black font, 1 page


Box 165 Item 5 Fact check, black font with yellow highlighting, 1 page


Box 165 Item 6 Copyeditor's changes in layout, marks in red


Box 165 Item 7 Proofread of copyeditor's changes with additional edits (Corresponding pages in the magazine:


Box 165 Correspondences from Mónica de la Torre


Richard Barnett's The Sick Rose: Disease and the Art of Medical Illustration by Andrew Bourne:


Drafts: 14-15:


Box 165 Item 1 SR edit 1, black and green font, 2 pages


Box 165 Item 2 MT edit 2, black font with blue pen, 2 pages


Box 165 Item 3 Copyeditor's changes in layout, marks in red


Box 165 Item 4 Proofread of copyeditor's changes with additional edits (Corresponding pages in the magazine:


Semiotext(e): 28 Pamphlets for the 2014 Whitney Biennial by Corina Copp, 2014


Drafts 22-23:


Box 165 Item 1 Corina Copp edit 1, black font, 3 pages


Box 165 Item 2 MT edit 2, black font with blue pen, 3 pages


Box 165 Item 3 CC edit 3, black and green font, 3 pages


Box 165 Item 4 MT edit 4, black font with black pen, 2 pages


Box 165 Item 5 SR edit 5, black font with blue pen, 2 pages


Box 165 Item 6 Fact check, black font with yellow highlighting, 4 pages


Box 165 Item 7 Proofread of copyeditor's changes with additional edits (Corresponding pages in the magazine:


Box 165 Correspondences from Mónica de la Torre


Giuliana Bruno by Sarah Oppenheimer


Drafts: 50-57:


Box 165 Item 1 Sarah Oppenheimer intro, black font, 1 page


Box 165 Item 2 Sabine Russ Intro edit 1 black and blue font with yellow and blue highlighting and track changes, 1 page


Box 165 Item 3 SO Intro edit 2, black font, 1 page


Box 165 Item 4 SB Intro edit 3, black & blue font with yellow highlighting and track changes, 1 page


Box 165 Item 5 Original Transcript, black font, 32 pages


Box 165 Item 6 SB edit 1, black and blue font and yellow highlighting with track changes, 31 pages


Box 165 Item 7 SB edit 2, black and blue font with yellow highlighting and track changes, 17 pages


Box 165 Item 8 SB edit 3, black and blue font, with yellow highlighting, 17 pages


Box 165 Item 9 Giuliana Bruno edit 4, black and blue font with yellow highlighting


Box 165 Item 10 SR edit 5, black and blue font with yellow highlighting, 17 pages


Box 165 Item 11 GB edit 6, black and blue font with yellow highlighting, 20 pages


Box 165 Item 12 GB edit 7, black and blue font, 17 pages


Box 165 Item 13 SR8, black and blue font font with yellow highlighting, 18 pages


Box 165 Item 14 BRS9, black font with gray highlighting, black and red pen, 18 pages


Box 165 Item 15 SR10, black and blue font with yellow highlighting, 9 pages


Box 165 Item 16 Fact check, black and blue font with yellow highlighting, 10 pages


Box 165 Item 17 Copyeditor's changes in layout, marks in red and blue pencil with track changes


Box 165 Item 18 Copyeditor's changes 2 in layout, marks in blue and black ink along with yellow and orange highlighter


Box 165 Item 19 Proofread of copyeditor's changes with additional edits


Box 165 Correspondences from Mónica de la Torre, Betsy Sussler and Sabine Russ and Giuliana Bruno.


Charlemagne Palestine by Steve Dalachinksy (Corresponding pages in the magazine: 28-35):


Box 165 Item 1 Steve Dalachinksy Intro Original, black font, 1 page


Box 165 Item 2 Steve Dalachinksy Intro edit 1, black font, 1 page


Box 165 Item 3 Sabine Russ, Intro edit 2, black and blue font, 1 page


Box 165 Item 4 Steve Dalachinsky, Charlemagne Palestine, Original transcript, black font, 49 pages


Box 165 Item 5 Jonah Max edit 1, black and yellow font with track changes, 59 pages


Box 165 Item 6 SR edit 2, black and yellow ink with track changes, 59 pages


Box 165 Item 7 SR edit 4, black, gray and yellow ink with track changes, 20 pages


Box 165 Item 8 SR edit 5, black, and blue ink, 22 pages


Box 165 Item 9 SRBRS edit 6, black and red ink with track changes, 18 pages


Box 165 Item 10 SR7 edit 7, black ink with yellow highlighting, 18 pages


Box 165 Item 11 Fact check, black and blue font with yellow highlighting, 10 pages


Box 165 Item 12 MT edit in layout, blue ink with orange highlighter, 8 pages.


Box 165 Item 13 Copyeditor's changes in layout, marks in pencil and orange highlighter 8 pages


Box 165 Correspondences from Steve Dalachinksy, Sabine Russ


Box 165 Additional Materials sent by Charlemagne Palestine


Tania Bruguera by Paul O'Neill (Corresponding pages in the magazine: 124-133):


Box 165 Item 1 Tania Bruguera Intro, black font, 1 page


Box 165 Item 2 Original TRN, black font, 12 pages


Box 165 Item 3 Monica de la Torre, edit 1, black font, 24 pages


Box 165 Item 4 MT, edit 2, black font, green highlighting, 10 pages


Box 165 Item 5 MT, edit 3, black font, green highlighting, 10 pages


Box 165 Item 6 Paul O'Neill, edit 4, black font, green highlighting


Box 165 Item 7 Tania Bruguera, edit 4, black font, green highlighter, green ink, 10 pages


Box 165 Item 8 Paul O'Neill, edit 6, black font, purple highlighting, 9 pages


Box 165 Item 9 MT, edit 7, black font, 10 pages


Box 165 Item 10 Betsy Sussler, edit 8, black & red font with grey & blue highlighting, 9 pages


Box 165 Item 11 Final, black font, 9 pages


Box 165 Item 12 FC, black & blue font, red & green highlighting, 3 pages


Box 165 Item 13 Copyeditor's changes 1 in layout, black font with red track changes and black ink; yellow highlighter; color images, 10 pages


Box 165 Item 14 Betsy's comments in layout, black font with pencil and black ink; black & white images, 10 pages


Box 165 Item 15 Copyeditor's changes 3 in layout, black font with pencil and blue ink; pink highlighter; color images, 10 pages


Box 165 Item 16 Copyeditor's changes 4 in layout, black font with red pencil; color images, 10 pages


Box 165 Correspondence from Monica de la Torre, Paul O'Neill, Tania


Roxane Gay by John Freeman (Corresponding pages in the magazine: 102-108):


Box 165 Item 1 Sabine Russ, edit 1, black & blue font, yellow highlighting, 12 pages


Box 165 Item 2 Betsy Sussler's suggestions, black & blue ink with yellow highlighter and red pencil, 12 pages


Box 165 Item 3 BRS, edit 2, black & blue font with track changes, 12 pages


Box 165 Item 4 SR1John Freeman, edit 3, black & blue font, yellow highlighter, 23 pages


Box 165 Item 5 Copyeditor's changes 1 in layout, black font, blue ink, blue & yellow post-its, 7 pages


Box 165 Item 6 Copyeditor's changes 2 in layout, black font with red track changes and pencil, 7 pages


Box 165 Item 7 Copyeditor's changes 3 in layout, black font and red pencil,7 pages


Box 165 Item 8 FC, black & blue f ont; yellow, pink & orange highlighter; blue pencil; 27 pages


Box 165 Correspondences from Mónica de la Torre, Sabine Russ and John Freeman


Box 165 Additional Materials: Color photo of PEETA


Artists on Artists:


Ricardo Nicolayevsky by Luis Felipe Fabre (Corresponding pages in the magazine: 119-121):


Box 165 Item 1 Original TRN in Spanish, black font, 2 pages


Box 165 Item 2 TRN translated by Camino Detorrela, black font, green ink, yellow highlighter, 2 pages


Box 165 Item 3 Monica de la Torre, edit 1, black font, 2 pages


Box 165 Item 4 Sabine Russ, edit 2, black font, black & green ink, 2 pages


Box 165 Item 5 Betsy Sussler, edit 3, black &red font, 2 pages


Box 165 Item 6 Copyeditor's changes 1 in layout, black & red font; yellow highlighter and blue ink, 1 page


Box 165 Item 7 Copyeditor's changes 2 in layout, black & red font, red pencil; orange and yellow highlighter,1 page


Box 165 Item 8 FC: black & blue font with yellow highlighter; one page


Box 165 Additional Materials: Image captions, black font, 1 page


Mika Tajima by Kareem Estefan (Corresponding pages in the magazine: 116-118):


Box 165 Item 1 Monica de la Torre, edit 1, black font, green highlighting, 2 pages


Box 165 Item 2 Betsy Sussler, edit 2, black & blue font, 2 pages


Box 165 Item 3 Kareem Estefan, edit 3, black, blue & pink font, 2 pages


Box 165 Item 4 Final, black font, 2 pages


Box 165 Item 5 FC, black & blue font; yellow highlighting, 3 pages


Box 165 Item 6 Copyeditor's changes in layout, black & red font; pencil; yellow highlighter' black ink, 3 pages


Box 165 Correspondences from Sabine Russ, Veronika Vogler and Mika Tajima


Box 165 Additional Materials: Press release from Eleven Rivington Gallery; Image Captions from Eleven rivingotn Gallery


Christine and Margaret Wertheim by Marianne Shaneen (Corresponding pages in the magazine: 113-115):


Box 165 Item 1 Sabine Russ, edit 1, black font, 3 pages


Box 165 Item 2 SR edit 2, black, green & blue font with track changes, 2 pages


Box 165 Item 3 Marianne Shaneen, edit 3, black font, 2 pages


Box 165 Item 4 SR edit 4 for Betsy Sussler, black font, 2 pages


Box 165 Item 5 BRS edit 5, black & red font


Box 165 Item 6 Monica de la Torre, edit 6, black, green & red font with track changes, 3 pages


Box 165 Item 7 MS edit 7, black, purple & green font with track changes; yellow highlighting 2 pages


Box 165 Item 8 Final, black & red font, 2 pages


Box 165 Item 9 Copyeditor's changes 1 in layout, black & red font, pencil; orange highlighter, 2 pages


Box 165 Item 10 Copyeditor's changes 2 in layout, black font, red pencil; orange highlighter, 3 pages


Box 165 Item 11 Copyeditor's changes 3 in layout, black font; pencil & pen; yellow highlighter, 3 pages


Box 165 Item 12 FC black & blue font with yellow highlighter; blue pencil; 2 pages


Issue 129/Fall, 2014


Interviews:


Nicole Cherubini by Sarah Braman (Corresponding pages in magazine: 136-143):



Box 166 Item 1 Original transcript, black font, some notes in blue ink, 36 pages


Box 166 Item 2 MT (Monica de la Torre) edit 1, black font, changes tracked in green, 13 pgs


Box 166 Item 3 SB (Sarah Braman) edit 2, black font, changes/notes in green, 13 pages


Box 166 Item 4 NC (Nicole Cherubini) edit 3, black font, changes/notes in green, notes in red ink, 24 pgs


Box 166 Item 5 MT edit 4, black font, 12 pages, 4,832 words


Box 166 Item 6 MT edit 5, black font, highlights in gray, 12 pages


Box 166 Item 7 MT edit 6, black font, gray highlights, 11 pages, 4,730 words


Box 166 Item 8 NC edit 7, black font, 12 pages, 4,922 words


Box 166 Item 9 Fact check: black and blue font with yellow highlighting, some notes in red ink 3 pgs


Box 166 Item 10 Rough draft of interview, black font, changes by NC in uppercase, yellow highlights, notes in blue ink


Box 166 Item 11 Copy editor's changes in layout, marks in red Notes (MT and BRS (Betsy Sussler) in blue and black ink)


Box 166 Item 12 Editor's receipt and acceptance of changes, marks in red ink (intern's proofread)


Box 166 Item 13 Second intern's proofread of changes, marks in blue ink, yellow highlighting


Box 166 Item 14 MT and SR's (Sabine Russ) final changes in layout, red and black ink


Box 166 Correspondence from Monica de la Torre to Nicole Cherubini


Box 166 Audio: Nicole Cherubini and Sarah Braman, mp3 file, 01:10:53


James Hoff by Eli Keszler (Corresponding pages in magazine: 36-43):


Box 166 Item 1 Original transcript, black font, 7 pages


Box 166 Item 2 JH and EK (James Hoff and Eli Keszler) edit 1, black font, 16 pages


Box 166 Item 3 MT edit 2, black font, tracked changes in blue and red ink, 9 pages


Box 166 Item 4 MT edit 3, black font, tracked changes in blue ink, notes in black pen, 11 pages


Box 166 Item 5 MT edit 4, black font, tracked changes in blue ink, SR's notes in blue, black, and red pen, 13 pages


Box 166 Item 6 BRS edit 5, black font, changes tracked in gray, comments to the right, 13 pages


Box 166 Item 7 James Hoff by Eli Keszler FINAL, black font, 1 comment front page, 13 pages


Box 166 Item 8 Fact check: black and blue font with yellow highlighting, notes in black pen, 2 pages


Box 166 Item 9 Copy editor's changes in layout, marks in red, yellow highlighting, MT's notes in blue pen


Box 166 Item 10 Editor's receipt and acceptance of changes, intern's comments in red pen and MT's acceptance of comments in black pen


Box 166 Item 11 Proofread by SR, notes in red pen and pencil, MT's notes in blue pen, some notes in black pen


Box 166 Item 12 Printed list (with images and captions) of Hoff's work (images for BOMB Magazine) from Callicoon Fine Arts


Box 166 Correspondence from Monica de la Torre to Eli Keszler and James Hoff


Box 166 Audio: James Hoff and Eli Keszler, mp3 file, 56:50


Moyra Davey by Elisabeth Lebovici (Corresponding pages in magazine: 28-35):


Box 166 Item 1 Original transcript (TRN), black font, 28 pages (two pages per side)


Box 166 Item 2 SR edit 1, black font, tracked changes in gray, gray highlighting, comments to the right, 20 pgs


Box 166 Item 3 SR/BRS 2 to EL/MD, black font, blue highlighting, some red font, 9 pages


Box 166 Item 4 SR edit 3, black font, tracked changes in gray, gray highlighting, comments to the right, 16 pgs


Box 166 Item 5 EL (Elisabeth Lebovici) edit 4, black font, 10 pages


Box 166 Item 6 SR edit 5, black font, 10 pages


Box 166 Item 7 SR edit 6, black font, 9 pages (two pages per side)


Box 166 Item 8 SR/BRS edit 7, black and gray font, gray highlighting, 9 pages (two pages per side)


Box 166 Item 9 EL/MD (Moyra Davey) edit 8, black font, 9 pages (two pages per side)


Box 166 Item 10 Moyra Davey by Elisabeth Lebovici FINAL, black font, 9 pages (two pages per side)


Box 166 Item 11 Fact check: blue and black font, yellow and blue highlighting, notes in pencil and orange highlighter, 5 pages


Box 166 Item 12 Copyeditor's changes in layout, marks in gray, SR's comments in red pen


Box 166 Item 13 Editor's receipt and acceptance of changes, intern's comments in blue pen


Box 166 Item 14 Comments in blue pen (possibly MT), SR's comments in red


Box 166 Item 15 BRS's comments in black pen, interns comments in blue pen, SR's comments in pencil, pink highlighter


Box 166 Item 16 Two loose pages of the interview (layout form), comments in red pen made by intern


Box 166 Correspondence from Sabine Russ to Moyra Davey and Elisabeth Lebovici


Box 166 Audio: Moyra Davey and Elisabeth Lebovici, two Quick Time movie files, 43:50 and 53:49


Ben Lerner and Ariana Reines (Corresponding pages in magazine: 70-76):


Box 166 Item 1 BL/AR (Ben Lerner/Ariana Reines) edit 1, comments (possibly BRS's) in black pen, 13 pgs


Box 166 Item 2 SR edit 2, black and gray font, comments to the right, 14 pages


Box 166 Item 3 BL/AR edit 3 AND SR edit 4, black and gray font, comments to the right, 14 pages


Box 166 Item 4 Ben Lerner and Ariana Reines FINAL, black font, 14 pages


Box 166 Item 5 Fact check part 1 and part 2: black and gray font


Box 166 Item 6 Copyeditor's changes in layout, marks in red ink, yellow highlighting, SR's notes in pencil


Box 166 Item 7 Editor's receipt and acceptance of changes, interns marks in red pen


Box 166 Item 8 Proofread by two interns, marks in blue and red pen, SR's notes in pencil


Box 166 Item 9 MT's notes/changes in red pen, SR's in pencil and black pen


Box 166 Item 10 BRS's changes in layout, black and red pen


Box 166 Item 11 Final proofread done by intern, marks in black pen and yellow highlighter


Box 166 Correspondence from Sabine Russ (Some from MT) to Ariana Reines and Ben Lerner


Box 166 Audio: Ben Lerner and Ariana Reines, mp3 file, 1:43:51


Valeria Luiselli by Jennifer Kabat. (Corresponding pages in magazine: 102-107):


Box 166 Item 1 Original transcript, black font, yellow highlighting, 34 pages


Box 166 Item 2 MT edit 1, black font (notes in blue ink), yellow highlighting, 12 pages


Box 166 Item 3 JK (Jennifer Kabat) edit 2, black and gray font, 11 pages


Box 166 Item 4 MT edit 3 (by hand), black and blue font, yellow highlighting, notes in black pen, 11 pages


Box 166 Item 5 VL/JK (Valeria Luiselli/ Jen Kabat) edit 4, black font, 11 pages


Box 166 Item 6 JK edit 5, black and gray font, comments to the right, 12 pages


Box 166 Item 7 MT edit 6, black font, yellow highlighting, 10 pages


Box 166 Item 8 BRS edit 7, black font, notes in black pen, 15 pages


Box 166 Item 9 JK edit 7, black and gray font, comments to the right, 15 pages


Box 166 Item 10 VL edit 8, black and gray font, comments to the right, 16 pages


Box 166 Item 11 First draft of intro by JK, MT's comments in blue pen, 2 pages


Box 166 Item 12 Clean draft of intro by JK, MT edit 1, black and gray font comments to the right


Box 166 Item 13 Intro JK edit 2, black and gray font, comments to the right


Box 166 Item 14 Intro MT edit 3, black and gray font, comments to the right


Box 166 Item 15 Intro JK edit 4, black and gray font, comments to the right


Box 166 Item 16 Intro, FINAL, black font, 2 pages


Box 166 Item 17 Valeria Luiselli by Jennifer Kabat, FINAL, black font, 17 pages


Box 166 Item 18 Fact check: blue and black font, yellow highlighting, notes in black pen, three pages


Box 166 Item 19 Copyeditor's changes in layout, marks in red, MT's notes in blue pen


Box 166 Item 20 Intern's marks in red pen, SR's marks in green pencil, MT's marks in black and blue pen


Box 166 Item 21 BRS's final changes/comments in black pen, MT's marks in blue pen


Box 166 Correspondence from Monica de la Torre to Valeria Luiselli and Jennifer Kabat


Box 166 Audio: Valeria Luiselli and Jennifer Kabat, mp3 file, 1:27:08


Claudia Rankine by Lauren Berlant (Corresponding pages in magazine: 44-49):


Box 166 Item 1 MT edit 1 (on original draft), black font, notes in blue pen, 9 pages


Box 166 Item 2 BRS edit 2, black and blue font, notes in black pen, 12 pages


Box 166 Item 3 BRS edit 3, black and gray font, 12 pages


Box 166 Item 4 LB (Lauren Berlant) edit 4, black and gray font, 13 pages


Box 166 Item 5 CR (Claudia Rankine) edit 5, black and gray font, 14 pages


Box 166 Item 6 MT edit 6, black font, notes in black marker, yellow highlighting, 13 pages


Box 166 Item 7 Claudia Rankine by Lauren Berlant FINAL, black font, 13 pages


Box 166 Item 8 Fact check: blue and black font (some red), yellow highlighting, MT's marks in black marker


Box 166 Item 9 Copyeditor's changes in layout, marks in red, MT's marks in blue pen


Box 166 Item 10 Changes proofread by intern, marks in red pen, MT's marks in blue pen


Box 166 Item 11 Proofread by BRS, marks in black pen


Box 166 Item 12 Final proofread by SR, marks in black pen, MT's marks in red pen, some pink highlighting


Box 166 Correspondence from Monica de la Torre to Claudia Rankine and Lauren Berlant


Tyondai Braxton and Ben Vida (Corresponding pages in magazine):


Box 166 Item 1 Original transcript, black font, SR's notes in black pen, 7 pages


Box 166 Item 2 SR edit 1, black and gray font, 11 pages


Box 166 Item 3 SR edit 2, black and blue font, yellow highlighting, SR's notes in black pen, 11 pages


Box 166 Item 4 BRS edit 3, black and gray font, gray highlighting, 12 pages


Box 166 Item 5 SR edit 4, black and gray font, gray highlighting, 12 pages


Box 166 Item 6 Tyondai Braxton and Ben Vida FINAL, black font, 8 pages


Box 166 Item 7 Fact check: black and gray font, two pages


Box 166 Item 8 Copyeditor's changes in layout, marks in red, SR's marks in pencil


Box 166 Item 9 Changes proofread by intern, marks in red pen


Box 166 Item 10 Second proofread by intern, marks in black pen, SR's marks in pencil, red pen, and pink highlighter


Box 166 Item 11 MT's final changes in layout, marks in red pen, BRS's marks in black pen, SR's marks in pencil


Box 166 Correspondence from Sabine Russ (some from MT) to Ben Vida and Tyondai Braxton


Box 166 Audio: Tyondai Braxton and Ben Vida, mp3 file, 1:23:03


Matthew Weinstein by Laurie Simmons (Corresponding pages in magazine: 56-64):


Box 166 Item 1 JM (Jonah Max) edit 1, black and gray font, comments on the right, 19 pages


Box 166 Item 2 JM edit 2, black and gray font, comments on the right, 22 pages


Box 166 Item 3 MW (Matthew Weinstein) edit 3, black font, notes (JM?) in blue pen, 7 pages


Box 166 Item 4 BRS/SR 4, black and gray font, 11 pages


Box 166 Item 5 Introduction, black font, yellow highlighting, BRS's marks in black pen, SR's notes in orange highlighter


Box 166 Item 6 Matthew Weinstein by Laurie Simmons FINAL, black font, 15 pages


Box 166 Item 7 Fact check: black and blue font, yellow highlighting, SR's notes in black pen, 3 pages


Box 166 Item 8 Draft of interview used for fact check, black font, yellow highlighting, intern's marks in black pen


Box 166 Item 9 Copyeditor's changes in layout, marks in red, SR's marks in pencil and pink highlighter, intern's marks in red pen


Box 166 Item 10 Second round of marks by copy editor, marks in red, some yellow highlighting


Box 166 Item 11 BRS's comments in layout, marks in black pen, some yellow highlighting


Box 166 Item 12 MT's final comments in layout, marks in red pen


Box 166 Correspondence from Sabine Russ to Matthew Weinstein and Laurie Simmons


Box 166 Audio: Matthew Weinstein and Laurie Simmons, AIFF-C audio, 51:00


The following interview was not published:


Kenneth Frampton by Carlos Brillembourg:


First attempt--2013


Box 166 Item 1 Original transcript, black font, 24 pages (two pages per side)


Box 166 Item 2 BRS edit 1, black font, 19 pages (two pages per side)


Box 166 Item 3 CB (Carlos Brillembourg) edit 2, black and gray font, 18 pages (two pages per side)


Box 166 Item 4 SR edit 3, black, blue, and red font, yellow highlighting, 19 pages


Box 166 Item 5 SR edit 4, black font, 17 pages


Box 166 Item 6 Introduction, SR's comments in black pen, yellow highlighter


Box 166 Item 7 SR edit 5, black and gray font, 17 pages


Box 166 Item 8 SR edit 6, black and gray font, 17 pages


Box 166 Item 9 Unidentified portion of interview, notes in pencil, ("Hope this is helpful! I included dates for him!"), black font, 11 pages


Box 166 Item 10 Fact check: black, blue, and red font, yellow highlighting, note in pink highlighter, 7 pages


Box 166 Item 11 Draft of interview used for fact check, black font, yellow highlighter, marks in pencil, 17 pages


Box 166 Item 12 Request list of images to be considered for publication alongside interview, black font


Second attempt-2014


Box 166 Item 1 New transcript, black font, 25 pages (two pages per side)


Box 166 Item 2 BRS edit 1, black and red font, yellow highlighting, 20 pages


Box 166 Correspondence from Betsy Sussler and Sabine Russ with Kenneth Frampton and Carlos Brillembourg


Box 166 Audio: First attempt--KF and CB, 13 MPEG-4 files; Second attempt--KF and CB, 5 MPEG-4 files


Kevin Killian and Ugo Rondinone (Corresponding pages in magazine: 126-135):


Images:


Box 166 Item 1 The Nothing by KK and UR


Box 166 Item 2 The Silence by KK and UR


Box 166 Item 3 The Empty by KK and UR


Box 166 Item 4 The Blank by KK and UR


Box 166 Item 5 The Zero by KK and UR


Artists On Artists:


Michele Araujo by Lisa Cohen (Corresponding pages in magazine: 53-55):


Box 166 Item 1 Original draft, black font, notes in black pen, 2 pages


Box 166 Item 2 SR edit 2, black and gray font, three pages


Box 166 Item 3 Michele Araujo by Lisa Cohen FINAL, black font, 2 pages


Box 166 Item 4 Copyeditor's changes in layout, marks in red, yellow highlighting SR's marks in black pen


Box 166 Correspondence from Sabine Russ to Michele Araujo and Lisa Cohen


Ben Berlow by Lanny Jordan Jackson (Corresponding pages in magazine: 117-119):


Box 166 Item 1 Original, black font, notes in blue and red pen, 2 pages


Box 166 Item 2 MT edit 1 (by hand), black font, marks in red pen


Box 166 Item 3 MT edit 1 Printed version, black and gray font, two pages


Box 166 Item 4 Ben Berlow and Lanny Jordan Jackson, FINAL, black and gray font


Box 166 Item 5 Fact check: black and gray font


Box 166 Item 6 Layout, clean version, black font, color images, 4 pages


Box 166 Item 7 Copyeditor's changes in layout, marks in red, yellow highlighting, MT's marks in blue pen


Box 166 Item 8 Clean version (possibly final), black font, black and white image, 1 page


Box 166 Correspondence from Sabine Russ and Monica de la Torre to Ben Berlow and Lanny Jordan Jackson


Brie Ruais by James Trainor (Corresponding pages in magazine: 114-116):


Box 166 Item 1 Original, black font, MT's marks in blue pen, two pages


Box 166 Item 2 MT edit 1 (printed version), black and gray font, two pages


Box 166 Item 3 JT (James Trainor) edit 2, black font, two pages


Box 166 Item 4 BRS edit 4, black font, BRS's notes in blue pen, two pages


Box 166 Item 5 Brie Ruais by James Trainor FINAL, black font, 3 pages


Box 166 Item 6 Fact check: black and blue font, yellow highlighting, 2 pages


Box 166 Item 7 Draft of article for fact check, black font, yellow highlighting, intern's notes in black pen


Box 166 Item 8 Copyeditor's changes in layout, marks in gray, MT's marks in blue pen


Box 166 Item 9 Clean copy of layout, black font, images in color


Box 166 Correspondence from Monica de la Torre to Brie Ruais and James Trainor


Andra Ursuta by Veronika Vogler (Corresponding pages in magazine: 50-52):


Box 166 Item 1 Original, black font, 2 pages


Box 166 Item 2 SR edit 2, black and blue font, three pages


Box 166 Item 3 VV (Veronika Vogler) edit 3, black font, 2 pages


Box 166 Item 4 SR edit 4, black and blue font, yellow and gray highlighting, 3 pages


Box 166 Item 5 VV edit 5, black and blue font, yellow and gray highlighting, 3 pages


Box 166 Item 6 SR edit 6, black and blue font, gray highlighting, 3 pages


Box 166 Item 7 VV edit 7, black font, SR's marks in pencil, MT's marks in black pen, 2 pages


Box 166 Item 8 SR edit 8, black and gray font, 4 pages


Box 166 Item 9 "Second try" original, black font, SR's comments in blue pen, 1 page


Box 166 Item 10 MT edit 1, black and gray font, 1 page


Box 166 Item 11 VV edit 2, black and blue font, 1 page


Box 166 Item 12 Andra Ursuta by Veronika Vogler FINAL, black font, 1 page


Box 166 Item 13 Copyeditor's changes in layout, marks in red, SR's marks in black pen, pink and yellow highlighting


Box 166 Correspondence from Sabine Russ (some from MT) to Veronika Vogler


Editor's Choice:


Allen Ruppersberg's Sourcebook: Reanimating the 20th Century by Lauren Mackler (Corresponding page in magazine: 24):


Box 166 Item 1 MT edit 1 on original draft, black font, yellow highlighting, blue pencil, 1 page


Box 166 Item 2 LM (Lauren Mackler) edit 2, black and gray font, 1 page


Box 166 Item 3 BRS edit 3, black font, marks in black pen, MT's marks in red pen, 1 page


Box 166 Item 4 Edit 4 (possibly MT), black font, marks in red pen, 2 pages


Box 166 Item 5 Final, black font, 2 pages


Box 166 Item 6 Fact check: black font, yellow highlighting, 1 page


Box 166 Item 7 Copyeditor's changes in layout, marks in red, marks in black pen (possibly BRS's)


Box 166 Item 8 Intern's marks in layout, blue pen


Box 166 Item 9 BRS's final changes in layout, black pen


Box 166 Correspondence from Monica de la Torre to Lauren Mackler and Independent Curators International (ICI)


Chloe Griffin's Edgewise: A Picture of Cookie Mueller by Pati Hertling (Corresponding pages in magazine: 12-13):


Box 166 Item 1 Original draft of "long" version sent by Hertling, black font, 2 pages


Box 166 Item 2 Original draft of "short" version sent by Hertling, black font, 1 page


Box 166 Item 3 SR edit 1, black and gray font, comments to the right, 2 pages


Box 166 Item 4 SR edit 2, black and gray font, comments to the right, 2 pages


Box 166 Item 5 Stapled: BRS edit, black and blue font, marks in black pen; SR notes in black pen on clean draft; draft used for fact check, black font, yellow highlighting, intern's notes in black pen


Box 166 Item 6 Final, black font, (note on top in gray font), 2 pages


Box 166 Item 7 Fact check: black font, 1 page


Box 166 Item 8 Copyeditor's changes in layout, marks in red, black font, yellow highlighting


Box 166 Item 9 BRS's final changes in layout, marks in red and black pen, SR's marks in pencil


Box 166 Correspondence from Sabine Russ to Pati Hertling


Fantasy Football Psychoanalysis by Sina Najafi (Corresponding pages in magazine: 18):


Box 166 Item 1 Original draft, black font, MT's notes in blue pen, 1 page


Box 166 Item 2 MT edit 1, black and gray font, 1 page


Box 166 Item 3 SN (Sina Najafi) edit 1, black, red, and green font, MT's notes in blue pen, 2 pages


Box 166 Item 4 MT edit three, black and gray font, comments to the right, 1 page


Box 166 Item 5 BRS edit 4, black, red, green, and blue font, two pages


Box 166 Item 6 Final, black font, 1 page


Box 166 Item 7 Fact check: black and blue font, 1 page


Box 166 Item 8 Copyeditor's changes in layout, marks in red, yellow highlighting, 1 page


Box 166 Item 9 BRS's comments in layout, marks in black pen, SR's comments in pencil, MT's marks in red pen


Box 166 Correspondence from Monica de la Torre to Sina Najafi


The Cahiers Series by Sarah Gerard (Corresponding pages in magazine: 14-15):


Box 166 Item 1 Original draft, black font, MT's comments in black pen/marker, 2 pages


Box 166 Item 2 MT edit 1, printed version, black and gray font, 2 pages


Box 166 Item 3 SG (Sarah Gerard) edit 2, black and gray font, comments to the right, 2 pages


Box 166 Item 4 MT edit 3, black font, comments to the right, 3 pages


Box 166 Item 5 Possibly BRS's comments in black pen, black font, 3 pages


Box 166 Item 6 Final, black font, 3 pages


Box 166 Item 7 Fact check: black font, yellow highlighting, 2 pages


Box 166 Item 8 Layout, possibly copyeditor's comment in red pen, possibly MT's marks in black pen, SR's marks in pencil


Box 166 Item 9 Layout, one mark in red pen


Box 166 Correspondence from Monica de la Torre to Sarah Gerard


Disco Patrick and Patrick Vogt's Disco by Nick Stilman (Corresponding pages in magazine: 20):


Box 166 Item 1 Original draft, black font, MT edit 1 (by hand) in blue pen, two pages


Box 166 Item 2 MT edit two, black font, used by intern for fact check, intern's highlighting in yellow, marks in black pen, 2 pages


Box 166 Item 3 BRS's edit, black and green font, marks in black pen, MT's marks in blue pen


Box 166 Item 4 Fact check: black and blue font, yellow highlighting, 1 page


Box 166 Item 5 Copyeditor's changes in layout, marks in red, yellow highlighting


Box 166 Item 6 BRS's changes in layout, marks in black pen, pink highlighter


Box 166 Item 7 Intern's changes in layout, marks in blue pen, MT's marks in pencil


Box 166 Correspondence from Monica de la Torre to Nick Stillman


CAConrad's ECODEVIANCE: SOMA(TICS) FOR THE FUTURE WILDERNESS by Charity Coleman (Corresponding page in magazine: 26):


Box 166 Item 1 Original draft, black font, MT's edit 1 (by hand) in blue pen, pink highlighter, 1 page


Box 166 Item 2 CC (Charity Coleman) edit 2, black and gray font, 2 pages


Box 166 Item 3 MT edit 2, black font, 2 pages


Box 166 Item 4 BRS edit 3, black font, marks in black pen, MT's marks in blue pen, 2 pages


Box 166 Item 5 Final, black font, 2 pages


Box 166 Item 6 Fact check: black and gray font, 1 page


Box 166 Item 7 Copyeditor's changes in layout, marks in red, yellow highlighting


Box 166 Item 8 Interns marks in layout, marks in red pen


Box 166 Correspondence from Monica de la Torre to Charity Coleman


Aby Ngana Diop's Liital by Boima Tucker (Corresponding pages in magazine: 16):


Box 166 Item 1 MT edit 1 (changes tracked in original draft), black and red font, 2 pages


Box 166 Item 2 BRS edit 2, black and blue font, marks (possibly MT's) in blue pen, 2 pages


Box 166 Item 3 BRS edit 3, black font, yellow highlighting, MT's marks in blue pen, 2 pages


Box 166 Item 4 FINAL, black font, 2 pages


Box 166 Item 5 Fact check: black and blue font, yellow highlighting, 1 page


Box 166 Item 6 Copyeditor's changes in layout, marks in red


Box 166 Item 7 BRS's changes in layout, marks in black pen, intern's marks in red pen


Box 166 Correspondence from Monica de la Torre to Boima Tucker


Carroll Dunham's Note to Self (Drawings 1979-2014) by Chris Change (Corresponding pages in magazine: 22):


Box 166 Item 1 Stapled: SR edit 1 on original draft, black font, marks in black pen; draft used for fact check, black font, intern's highlighting in yellow, marks in black pen


Box 166 Item 2 SR edit 2, black font, 1 page


Box 166 Item 3 Final, black font, 1 page


Box 166 Item 4 Fact check: black and gray font, 1 page


Box 166 Item 5 Copyeditor's changes in layout, marks in red, yellow highlighting


Box 166 Item 6 BRS's changes in layout, marks in black and red pen


Box 166 Correspondence from Sabine Russ to Chris Chang


First Proof:


Box 166 Item 1 2 tables of contents, black font with black and blue pen, pencil, 2 pages


Box 166 Item 2 Jens Fange image, black and white with black font, 1 page


Box 166 Item 3 Stapled: list of captions for Jens Fange portfolio, black font, gray highlighting, 1 page; 3 Jens Fange images, black and white, black font


Box 166 Item 4 Stapled: email from gallery to SR, listing captions for Jens Fange images; 1 Jens Fange image, black and white, black font, pink highlighter; table of contents, black font, red pen, pencil; 3 Jens Fange images, black and white, black font, pencil, pink highlighter


Winter, 1965 by Frederic Tuten (Corresponding pages in magazine: 77-83):


Box 166 Item 1 Original draft, black font, marks in red pen by MT, marks in black pen by BRS, 26 pages


Box 166 Item 2 MT edit 1, comments in black pen made by intern, yellow highlighting, 26 pages


Box 166 Item 3 FT (Frederic Tuten) edit 2, black font, 26 pages (two pages per side)


Box 166 Item 4 Final, black font, 20 pages (two pages per side)


Box 166 Item 5 Copyeditor's changes in layout, marks in red, MT's marks in blue pen, 6 pages


Box 166 Item 6 Intern's marks in layout, marks in red pen, MT's marks in blue pen, 7 pages


Box 166 Item 7 Intern's marks in layout, marks in red pen, MT's marks in blue pen, 7 pages


Box 166 Item 8 BRS's final changes in layout, marks in black pen, 7 pages


Box 166 Correspondence from Betsy Sussler and Monica de la Torre to Frederic Tuten


Let Her Come Dancing All Afire by Dylan Landis (Corresponding pages in magazine: 86-91):


Box 166 Item 1 Original draft, black font, BRS's notes in black pen, MT's notes in blue pen


Box 166 Item 2 Copyeditor's changes in layout, marks in red, MT's notes in blue pen


Box 166 Item 3 Intern's marks in layout, red pen, MT's marks in blue pen


Box 166 Item 4 Intern's marks in layout, red pen, MT's marks in blue pen


Box 166 Item 5 BRS's and intern's marks in layout, black pen


Box 166 Correspondence from Monica de la Torre to Dylan Landis


excerpts from S.D. Chrostowska's Red is the Color of Attention by Author: S.D. Chrostowska (Corresponding pages in magazine: 94-95):


Box 166 Item 1 Original draft of "Red is the Color of Attention" (full manuscript), black font, marks in green, black and blue pen


Box 166 Item 2 Original draft of excerpt, black font, 4 pages


Box 166 Item 3 MT's changes in layout, black pen


Box 166 Item 4 Intern's changes in layout, red pen, MT's marks in blue pen


Box 166 Correspondence from Monica de la Torre to S.D. Chrostowska


from The Block by Dan Machlin (Corresponding pages in magazine: 92-93):


Box 166 Item 1 Original draft ("Selection 1" as sent by Machlin), black font, marks in blue pen, 10 pages


Box 166 Item 2 Original draft ("Selection 2" as sent by Machlin), black font, marks in black marker and pencil, 10 pages


Box 166 Item 3 MT's changes in layout, marks in black pen, 2 pages


Box 166 Correspondence from Monica de la Torre to Dan Machlin


from Wear You To The Ball by Steve Dickison (Corresponding pages in magazine: 83-85):


Box 166 Item 1 Original draft, black font, black marker, 5 pages


Box 166 Item 2 Original draft of CAConrad's introduction, black font, 1 page


Box 166 Item 3 Bios for Steve Dickinson (poetry contest winner) and David Vandeloo (runner up), black font, 1 page


Box 166 Item 4 Copyeditor's changes in layout, marks in red, MT's marks in blue marker


Box 166 Item 5 Intern's marks in layout, marks in red pen, MT's marks in blue pen


Box 166 Item 6 BRS's changes in layout, marks in black pen


Box 166 Correspondence from Monica de la Torre to Steve Dickinson


Bath Praise by Corina Copp (Corresponding pages in magazine: 99-101):


Box 166 Item 1 Original draft, black font, 7 pages


Box 166 Item 2 Intern's changes in layout, red pen, 3 pages


Box 166 Item 3 MT's changes in layout, black pen, 3 pages


Box 166 Correspondence from Monica de la Torre to Corina Copp


from Zig Zag: a Memoir by Klaus Kertess (Corresponding pages in magazine: 96-98):


Box 166 Item 1 Original draft of excerpt, BRS's comments in pencil, pages 176-207


Box 166 Item 2 Original draft of excerpt, MT's comments in blue and black pen, pages 263-273


Box 166 Item 3 Copyeditor's comments on draft of excerpt, black and blue font, blue highlighting


Box 166 Item 4 BRS's comments after copyediting, black pen, 8 pages


Box 166 Item 5 Fact check: black and gray font, yellow highlighting, 2 pages


Box 166 Item 6 Draft used for fact check, black font, yellow highlighting, marks in red pencil


Box 166 Item 7 Two interns' marks in layout, blue and red pen


Box 166 Correspondence from Monica de la Torre to Betsy Sussler and Klaus Kertess


Issue 130/Winter, 2015


Interviews:


Paola Prestini by Helga Davis (Corresponding pages in magazine: 58-64):



Box 167 Item 1 Original transcript, black font, 14 pages


Box 167 Item 2 SR (Sabine Russ) edit 1, black font, tracked changes in blue, 15 pages


Box 167 Item 3 SR edit 2, black font, comments and tracked changes in blue, with green and yellow highlighting, 19 pages


Box 167 Item 4 SR edit 3, black font, comments and tracked changes in blue, with green and yellow highlighting, 23 pages


Box 167 Item 5 SR edit 3 with comments from PP (Paola Prestini), black font, PP's comments and changes in purple, SR's comments and changes in blue, with green and yellow highlighting, 27 pages


Box 167 Item 6 SR edit 4, black font, comments and tracked changed in blue and purple, with green and yellow highlighting, 37 pages


Box 167 Item 7 SR edit 5, black font, with yellow highlighting, 11 pages


Box 167 Item 8 BRS (Betsy Sussler) edit 6, tracked changes in red, with gray and yellow highlighting, 11 pages


Box 167 Item 9 BRS edit 7, tracked changes in red, with gray and yellow highlighting, marks in blue pen, 11 pages


Box 167 Item 10 Paola Prestini FINAL, black font, 11 pages


Box 167 Item 11 Fact Check: black and blue font, 4 pages


Box 167 Item 12 Copy editor's comments in layout, marks in red Notes in blue and black ink


Box 167 Item 13 SR's comments in layout, notes and changes in blue ink


Box 167 Item 14 MT's comments in layout, notes and changes in black and blue ink, some yellow and pink highlighting


Box 167 Item 15 Intern's proofread, notes in black ink


Box 167 Item 16 SR's final changes in layout, notes in black ink


Box 167 Item 17 BRS's final comments in layout, notes in red ink


Box 167 Item 18 PP's final changes post-layout, some notes in red and black ink


Box 167 Correspondence from Sabine Russ to Paola Prestini


Box 167 Audio: Paola Prestini and Helga Davis, mp3 file, 00:46:12


Theater Gates by Tom McDonough by (Corresponding pages in magazine: 41-49):


Box 167 Item 1 Original transcript, black font, MT's (Mónica de la Torre) notes in black ink, 12 pages


Box 167 Item 2 MT edit 1, black font, changes and comments in blue, notes in black ink, 9 pages


Box 167 Item 3 TMD (Tom McDonough) edit 2, black font, changes in red, 9 pages


Box 167 Item 4 TG (Theaster Gates) edit 3, black font, changes in blue, 9 pages


Box 167 Item 5 First draft of intro by TMD, black font, MT's notes in black ink, 2 pages


Box 167 Item 6 Intro TMD edit 1, black font, 3 pages


Box 167 Item 7 MT edit 4, black font, comments and changes in red ink, 9 pages


Box 167 Item 8 BRS edit 5, black font, comments in blue ink, 9 pages


Box 167 Item 9 Theaster Gates FINAL, black font, 9 pages


Box 167 Item 10 Fact Check: black and blue font, 2 pages


Box 167 Item 11 Copy editor's comments in layout, marks in red MT's notes in black ink


Box 167 Item 12 Intern's proofread, changes in black ink


Box 167 Item 13 Second intern's proofread, changes in black ink


Box 167 Correspondence from Mónica de la Torre to Theaster Gates, Tom McDonough, Kate Hadley Williams, and Sara Pooley


Box 167 Audio: Theater Gates and Tom McDonough, 3 mov files, 00:57:00


A.G. Porta by Margaret Hooks (Corresponding pages in magazine: 74-79):


Box 167 Item 1 Original transcript, black font, 9 pages


Box 167 Item 2 MT edit 1, black font, changes and comments in red ink, 9 pages


Box 167 Item 3 MH (Margaret Hooks) edit 2, black font, MH's changes in green, 12 pages


Box 167 Item 4 AB (Andrew Bourne) edit 3, black font, AB's changes in purple, 12 pages


Box 167 Item 5 MH edit 4, black font, MH's changes in green, 11 pages


Box 167 Item 6 AB edit 5, black font, AB's changes in purple, 11 pages


Box 167 Item 7 MH edit 6, clean copy, black font, 11 pages


Box 167 Item 8 BRS edit 7, black font, 11 pages


Box 167 Item 9 MT edit 8, black font, changes and comments in blue, 12 pages


Box 167 Item 10 First draft of intro by MH, black font, 2 pages


Box 167 Item 11 Intro AB edit 1, black font, changes in blue, 2 pages


Box 167 Item 12 Intro MT edit 2, black font, changes in black ink, 2 pages


Box 167 Item 13 A. G. Porta Final, with intro, black font, 12 pages


Box 167 Item 14 Fact Check: black and blue font, 3 pages


Box 167 Item 15 Copy editor's comments in layout, marks in red MT's notes in black ink


Box 167 Item 16 Intern's proofread, marks in black ink


Box 167 Item 17 MH changes post-layout, black font, comments and changes in green, yellow highlighting, 12 pages


Box 167 Item 18 Porta Readymade sidebar poem, black font, 2 pages


Box 167 Item 19 Porta sidebar poem, AB edit 1, black font, 2 pages


Box 167 Item 20 Porta sidebar poem, final version, black font, 2 pages


Box 167 Correspondence from Mónica de la Torre to Margaret Hooks


Adam Broomberg and Oliver Chanarin by Sabine Mirlesse (Corresponding pages in magazine: 32-40):


Box 167 Item 1 Original transcript with intro, black font, 12 pages


Box 167 Item 2 SR edit 2, black font, 12 pages


Box 167 Item 3 SR edit 3, black font, changes in blue, blue highlighting, 16 pages


Box 167 Item 4 SR edit 4, black font, comments and changes in blue, yellow highlighting, 10 pages


Box 167 Item 5 MT edit 5, black font, comments and changes in blue, yellow highlighting, 10 pages


Box 167 Item 6 SR edit 6, black font, comments and changes in blue, 13 pages


Box 167 Item 7 SM (Sabine Mirlesse) edit 7, black font, SM's addition in highlighted blue font, 14 pages


Box 167 Item 8 SR edit 8, black font, comments and changes in blue, with blue and yellow highlighting, 14 pages


Box 167 Item 9 SR edit 9, black font, 13 pages


Box 167 Item 10 BC (Broomberg and Chanarin) edit 10, B's changes in orange, C's changes in gray, 14 pages


Box 167 Item 11 Broomberg Chanarin FINAL, black font, 12 pages


Box 167 Item 12 Fact Check: black and blue font, yellow and green highlighting, 5 pages


Box 167 Item 13 Copy editor's comments in layout, marks in red MT's notes in black ink


Box 167 Item 14 Intern's proofread, marks in black ink


Box 167 Correspondence from Sabine Russ to Sabine Mirlesse


Eugène Green by Nicholas Elliott (Corresponding pages in magazine: 138-143):


Box 167 Item 1 Original transcript with intro, black and gray font, with gray highlighting, 10 pages


Box 167 Item 2 SR edit 2, black and gray font, comments and changes in blue, yellow highlighting, 11 pages


Box 167 Item 3 SR edit 3, black font, gray highlighting, some comments in blue, 10 pages


Box 167 Item 4 BRS edit 4, black font, changes in red, with gray highlighting, SR's comments in pencil, 10 pages


Box 167 Item 5 SR edit 5, black font, changes in blue, gray and yellow highlighting, 11 pages


Box 167 Item 6 NE (Nicholas Elliott) edit 6, black font, changes in red, comments to the right, 9 pages


Box 167 Item 7 Eugène Green FINAL, black font, gray and yellow highlighting, 9 pages


Box 167 Item 8 Fact Check: black and blue font, 3 pages


Box 167 Item 9 Draft of interview for layout, notes in blue pen, yellow highlighting, 6 pages


Box 167 Item 10 First proofread of draft, notes in black pen, 6 pages


Box 167 Item 11 Copy editor's comments in layout, marks in red SR's comments in black ink


Box 167 Correspondence from Sabine Russ to Nicholas Elliott


Martin Wilner by Francis Levy (Corresponding pages in magazine: 50-57):


Box 167 Item 1 Original transcript day 1 (fragment), black font, 10 pages


Box 167 Item 2 Original transcript day 2, black font, blue and yellow highlighting, comments to the right, 14 pages


Box 167 Item 3 AB edit 1, black font, changes in green, blue and yellow highlighting, 14 pages


Box 167 Item 4 MW (Martin Wilner) and FL (Francis Levy) edit 2/3, with first draft of intro (unused), black font, MW's changes in purple, FL's changes in green, purple and yellow highlighting, 17 pages


Box 167 Item 5 AB edit 4, black font, AB's changes in blue, 10 pages


Box 167 Item 6 MW edit 5, black font, MW's changes in purple, 11 pages


Box 167 Item 7 AB edit 6, black font, AB's changes in blue, 9 pages


Box 167 Item 8 MT edit 7, black font, comments and changes in black ink, 9 pages


Box 167 Item 9 Martin Wilner FINAL, black font, 9 pages


Box 167 Item 10 Second draft of intro (unused) by FL, black font, 1 page


Box 167 Item 11 First draft of new intro by FL, black font, 1 page


Box 167 Item 12 Final draft of intro, black font, 1 page


Box 167 Item 13 Fact Check: black and blue font, 2 pages


Box 167 Item 14 Copy editor's comments in layout, marks in red MT's comments in black ink


Box 167 Item 15 First intern's proofread, comments in blue and red ink


Box 167 Item 16 Second intern's proofread, comments in blue and red ink


Box 167 Item 17 BRS's final comments in layout, notes in pencil and red ink


Box 167 Correspondence from Mónica de la Torre to Martin Wilner and Francis Levy


Paweł Althamer by Nell McClister (Corresponding pages in magazine: 122-129):


Box 167 Item 1 Original transcript, black font, intern's notes in black pen with yellow highlighting, 14 pages


Box 167 Item 2 BRS edit 2, black font, changes in red, yellow highlighting, 14 pages


Box 167 Item 3 SR edit 3, black font, changes and comments in blue, yellow and green highlighting, 16 pages


Box 167 Item 4 NM (Nell McClister) edit 4, black font, comments in red with yellow highlighting, marks in blue ink, 15 pages


Box 167 Item 5 Paweł Althamer Final, black font, some yellow highlighting, 15 pages


Box 167 Item 6 Fact Check: black and blue font, green and yellow highlighting, 4 pages


Box 167 Item 7 Copy editor's comments in layout, marks in red Some marking from SR in pink and yellow highlighter


Box 167 Item 8 MT's comments in layout, notes in black and blue ink, some yellow and pink highlighting


Box 167 Item 9 MRS proofread in layout, notes in red ink


Box 167 Item 10 MT's final comments in layout, notes in blue and red ink


Box 167 Item 11 Inter's final proofread in layout, some notes in black ink


Box 167 Paweł Althamer Final, black font, 14 pages


Box 167 Correspondence from Sabine Russ to Regina Alivisatos, Amber Power, Nell McClister, and Anna Wiese


Pierre Guyotat by Noura Wedell (Corresponding pages in magazine: 94-99):


Box 167 Item 1 Original transcript, black font, 8 pages


Box 167 Item 2 MT edit 1, black font, changes and comments in blue, 8 pages


Box 167 Item 3 NW (Noura Wedell) edit 2, black font, changes in blue and green, 10 pages


Box 167 Item 4 NW and PG edit 3, black font, changes in blue and green, MT's notes in black ink, 10 pages


Box 167 Item 5 MT edit 4, black font, MT's changes in red and gray, NW's changes in orange, yellow highlighting, comments on the right, 17 pages


Box 167 Item 6 BRS edit 5, black font, changes in gray, gray highlighting, 14 pages


Box 167 Item 7 Fact Check: black and blue font, 2 pages


Box 167 Item 8 Pierre Guyotat FINAL, black font, NW's changes in blue, 14 pages


Box 167 Item 9 Copy editor's comments in layout, marks in gray (MT's comments in red ink)


Box 167 Item 10 MT's final proofread in layout, comments in black ink


Box 167 Item 11 Final draft of intro by NW, black font, 2 pages


Box 167 Correspondence from Mónica de la Torre to Noura Wedell


Specific For 130:


Mario García Torres and Manuel Cirauqui or: Mario García Torres and Manuel Cirauqui (Corresponding pages in magazine: 130-137):


Box 167 Item 1 Original untranslated found documents, 13 pages


Box 167 Item 2 Translation MC (Manuel Cirauqui) edit 1, black font, MT's comment in black ink, 2 pages


Box 167 Item 3 Copy editor's comments in layout, marks in red MT's comments in black ink


Box 167 Item 4 BRS proofread in layout, notes in blue ink


Box 167 Correspondence from Mónica de la Torre to Manuel Cirauqui


Artists On Artists:


Bethany Ides by Suzanne Joelson (Corresponding pages in magazine: 116-118):


Box 167 Item 1 Original draft, black font, 3 pages


Box 167 Item 2 SR edit 2, comments in blue, 3 pages


Box 167 Item 3 SR edit 3, comments and changes in teal, 4 pages


Box 167 Item 4 SJ (Suzanne Joelson) edit 4, comments and changes in gray, 4 pages


Box 167 Item 5 BRS edit 5, comments and changes in pencil and red ink, 3 pages


Box 167 Item 6 Fact Check: blue and black font, green and yellow highlighting, notes in blue ink, 2 pages


Box 167 Item 7 Bethany Ides FINAL, black font, 3 pages


Box 167 Item 8 Copy editor's comments in layout, marks in red MT's comments in pencil and black ink


Box 167 Item 9 Intern's proofread, comments in black ink


Box 167 Correspondence from Sabine Russ to Suzanne Joelson


Cristina de Middel by Pradeep Dalal by (Corresponding pages in magazine: 113-115):


Box 167 Item 1 Original draft, black font, 2 pages


Box 167 Item 2 SR edits 1/2, black font, comments and changes in blue, 4 pages


Box 167 Item 3 SR edit 3, black font, comments and changes in blue, 2 pages


Box 167 Item 4 PD (Pradeep Dalal) and SR edits 4/5, black font, changes in blue, SR's notes in red ink, 2 pages


Box 167 Item 5 Copy editor's comments in layout, marks in gray (MT's comments in red ink)


Box 167 Item 6 Intern's proofread, comments in black ink


Box 167 Correspondence from Sabine Russ to Pradeep Dalal


Leeza Meksin by Sophie Pinkham (Corresponding pages in magazine: 119-121):


Box 167 Item 1 Original draft, black font, 2 pages


Box 167 Item 2 SR edit 1, black font, comments in blue ink, 2 pages


Box 167 Item 3 MT edit 2, black font, comments and changes in blue, 2 pages


Box 167 Item 4 SP (Sophie Pinkham) and BRS edits 3/4, BRS's comments and changes in red ink, 2 pages


Box 167 Item 5 MT edit 5, comment in blue ink, BRS's changes in red ink, 2 pages


Box 167 Item 6 Fact Check: black and blue font, green highlighting, 1 page


Box 167 Item 7 Copy editor's comments in layout, marks in red MT's comments in pencil


Box 167 Item 8 Intern's proofread, changes in black ink


Box 167 Correspondence from Mónica de la Torre to Sophie Pinkham


Editor's Choice:


Finnbogi Petursson's Second/Second by Scott Turri (Corresponding pages in magazine: 16-17):


Box 167 Item 1 SR edits 2/3 on original draft, black font, changes in gray, 2 pages


Box 167 Item 2 SR edit 4, black font, changes in blue, comments in green, 2 pages


Box 167 Item 3 ST (Scott Turri) edit 5, black font, changes and comments in red, 2 pages


Box 167 Item 4 Finnbogi Petursson FINAL, black font, 2 pages


Box 167 Item 5 Copy editor's comments in layout, marks in red, yellow highlighting


Box 167 Item 6 BRS's comments in layout, notes in pencil


Box 167 Item 7 AB's comments in layout, notes in blue pencil


Box 167 Correspondence from Sabine Russ to Scott Turri and Finnbogi Petursson


Astra Taylor's The People's Platform by Orit Gat (Corresponding pages in magazine: 30-31):


Box 167 Item 1 OG (Orit Gat) original draft, black font, comments to the right, 1 page


Box 167 Item 2 AB edit 2, black font, changes in blue, 2 pages


Box 167 Item 3 OG edit 3, black font, 2 pages


Box 167 Item 4 SR edit 4, black font, comments and changes in blue, yellow highlighting, 2 pages


Box 167 Item 5 OG edit 5, black font, changes in green, comments to the right, 2 pages


Box 167 Item 6 Copy editor's comments in layout, marks in red, yellow highlighting


Box 167 Item 7 MT's comments in layout, notes in green pen


Box 167 Item 8 Fact Check: black font, 1 page


Box 167 Correspondence from Sabine Russ to Orit Gat


Ralph Lemon's Scaffold Room by Jenn Joy (Corresponding pages in magazine: 26-27):


Box 167 Item 1 MT edit 1, black font, comments in blue, notes in black pen, 1 page


Box 167 Item 2 JJ (Jenn Joy) edit 2, changes in blue, 2 pages


Box 167 Item 3 Copy editor's comments in layout, marks in red, yellow highlighting


Box 167 Item 4 BRS's comments in layout, notes in pencil and red pen


Box 167 Item 5 AB's comments in layout, notes in blue pencil


Box 167 Item 6 Fact Check: black and blue font, yellow highlighting, 3 pages


Box 167 Correspondence from Mónica de la Torre to Jenn Joy


Pier Paolo Pasolini's Selected Poetry, Edited and Translated by Stephen Sartarelli. Author: Jonas Mekas (Corresponding pages in magazine: 12-15):


Box 167 Item 1 MT edit 1, black font, notes in red pen, 6 pages


Box 167 Item 2 Copy editor's comments in layout, marks in red, yellow highlighting


Box 167 Item 3 BRS's comments in layout, notes in red pen


Box 167 Item 4 AB's comments in layout, notes in blue pencil


Box 167 Item 5 Intern's comments in layout, notes in pencil


Box 167 Correspondence from Mónica de la Torre to Jonas Mekas


Kate Soper's Here be Sirens by Andrea Ray (Corresponding pages in magazine: 22):


Box 167 Item 1 AR (Andrea Ray) original draft, black font, 1 page


Box 167 Item 2 AR edit 2, black font, 2 pages


Box 167 Item 3 SR edit 3, black font, changes in green, 3 pages


Box 167 Item 4 Copy editor's comments in layout, marks in red, yellow highlighting


Box 167 Item 5 BRS's comments in layout, notes in pencil and red pen, yellow highlighting


Box 167 Item 6 MT's comments in layout, notes in pencil and green and blue pen


Box 167 Correspondence from Sabine Russ to Andrea Ray


Takashi Makino's 2012 by Marianne Shaneen (Corresponding pages in magazine: 20):


Box 167 Item 1 MT edit 1 on original draft, black font, notes in black pen, 1 page


Box 167 Item 2 MS (Marianne Shaneen) edit 2 / MT edit 3, black font, MS's additions highlighted yellow, MT's comments in black and blue pen, 2 pages


Box 167 Item 3 Copy editor's comments in layout, marks in red, yellow highlighting, MT's marks in green pen


Box 167 Item 4 AB's comments in layout, notes in blue pencil, MT's marks in green pen


Box 167 Correspondence from Mónica de la Torre and Sabine Russ to Marianne Shaneen


Erik Satie's A Mammal's Notebook by Anthony Huberman (Corresponding page in magazine: 18):


Box 167 Item 1 MT edit 1 on original draft, black font, notes in black pen, 1 page


Box 167 Item 2 Copy editor's comments in layout, marks in red, yellow highlighting, MT's marks in black pen


Box 167 Item 3 AB's comments in layout, notes in blue pencil


Box 167 Item 4 Print-out of Mammal's Notebook's webpage from publisher, pink highlighting


Box 167 Item 5 Fact Check: black font, yellow highlighting, 2 pages


Box 167 Correspondence from Mónica de la Torre and Michael Demeroukas-Fetterman to Anthony Huberman


Simon Critchley's Memory Theatre by Nova Benway (Corresponding page in magazine: 24):


Box 167 Item 1 NB (Nova Benway) original draft, black font, pink highlighting, 1 page


Box 167 Item 2 SR edit 1, comments and changes in black pen, yellow highlighting, 1 page


Box 167 Item 3 Copy editor's comments in layout, marks in red, yellow highlighting


Box 167 Item 4 BRS's comments in layout, notes in red pen


Box 167 Item 5 AB's comments in layout, notes in blue and gray pencil


Box 167 Correspondence from Sabine Russ to Nova Benway


Numero Group's Music from the Mountain Provinces by Clinton Krute (Corresponding page in magazine: 28):


Box 167 Item 1 SR edit 2 on CK (Clinton Krute's) original draft, black font, comments in blue, yellow highlighting, 2 pages


Box 167 Item 2 Copy editor's comments in layout, marks in red, yellow highlighting


Box 167 Item 3 MT's comments in layout, marks in green and red pen


Box 167 Item 4 Fact Check: black font, pink and yellow highlighting, 2 pages


Box 167 Correspondence from Sabine Russ to Clinton Krute


First Proof:


"Bar Diary" by Roberto Bolaño and A.G. Porta, translated by Margaret Hooks (Corresponding pages in magazine: 80-82):


Box 167 Item 1 Original draft in Spanish, MT's notes in pencil, 4 pages


Box 167 Item 2 MT edit 1 on MH's translation, black font, comments and changes in black pen, 6 pages


Box 167 Item 3 MH edit 2, black font, changes in blue, comments to the right, 6 pages


Box 167 Item 4 BRS edit 3, black font, comments and changes in red pen, 6 pages


Box 167 Item 5 Copy editor's comments in layout, marks in red, yellow highlighting


Box 167 Item 6 Permission Grant from Wylie


Box 167 Item 7 Copyright Agreement from Margaret Hooks


Box 167 Correspondence from Mónica de la Torre to Margaret Hooks


"Kunicki: Water II" from Runners by Olga Tokarczuk, translated by Jennifer Croft (Corresponding pages in magazine: 83-87):


Box 167 Item 1 MT edit 1 on JC (Jennifer Croft)'s translation, black font, notes in black pen, 17 pages


Box 167 Item 2 Copy editor's comments in layout, marks in red, yellow highlighting


Box 167 Item 3 BRS's comments in layout, marks in red pen


Box 167 Correspondence from Mónica de la Torre to Jennifer Croft


Poems and drawings from Window-book by Semezdin Mehmedinović, translated by Ammiel Alcalay (Corresponding pages in magazine: 100-102):


Box 167 Item 1 Original copies of poems, notes in pencil


Box 167 Item 2 Copy editor's comments in layout, marks in red, yellow highlighting


Box 167 Item 3 BRS's comments in layout, marks in red pen


Box 167 Correspondence from Mónica de la Torre to Ammiel Alcalay


Here Comes Kitty: A Comic Opera by Richard Kraft (Corresponding pages in magazine: 68-73):


Box 167 Item 1 BRS's comments in layout, marks in red pen


Box 167 Correspondence from Mónica de la Torre to Richard Kraft


"The Good Farmer and the Bad Farmer: a story of Woodchuck" by Ted Pelton (Corresponding pages in magazine: 90-93):


Box 167 Item 1 TP (Ted Pelton)'s original draft, black font, MT's marks in black pen, 18 pages


Box 167 Item 2 Copy editor's comments in layout, marks in red, yellow highlighting


Box 167 Item 3 BRS's comments in layout, marks in red pen


Box 167 Item 4 Intern's proofread in layout, marks in blue pen


Box 167 Correspondence from Mónica de la Torre to Ted Pelton


Five Poems by David Vandeloo (Corresponding pages in magazine: 87-89):


Box 167 Item 1 DV (David Vandeloo)'s original draft, black font, 5 pages


Box 167 Item 2 Copy editor's comments in layout, marks in red, yellow highlighting


Box 167 Item 3 BRS's comments in layout, marks in red pen


Box 167 Item 4 Intern's proofread in layout, marks in blue pen


Box 167 Correspondence from Mónica de la Torre to David Vandeloo


"The Cub" by Celia Dovell Bell


Box 167 Item 1 CDB (Celia Dovell Bell)'s original draft, black font, 22 pages


Box 167 Item 2 MT edit 1, black font, comments in blue and black pen, 21 pages


Box 167 Item 3 Copy editor's comments in layout, marks in red, yellow highlighting


Box 167 Item 4 BRS's comments in layout, marks in red pen


Box 167 Correspondence from Mónica de la Torre to Celia Dovell Bell


Issue 131


Interviews:


Soon-Mi Yoo by Paul Dallas (Corresponding pages in magazine: 38-45):



Box 168 Item 1 Original transcript, black font, 21 pages


Box 168 Item 2 SR (Sabine Russ) edit 1, black font, tracked changes in blue, 21 pages


Box 168 Item 3 SR edit 2, comments from PD (Paul Dallas), tracked changes in blue, 10 pages


Box 168 Item 4 SR edit 3, comments from PD, black font, SR tracked changes in blue, PD comments in red, with green and yellow highlighting, 19 pages


Box 168 Item 5 SR edit 5, SM (Soon-Mi Yoo) comments, black font, SR tracked changes in blue, SM comments in red, 8 pages


Box 168 Item 6 SR edit 6, SM comments, black font, SR tracked changes in blue, SM comments in red, 9 pages


Box 168 Item 7 PD final edit, black font, green track changes (seem more like 'signifiers' of past edits), and blue track changes, notes from SM in red, 7 pages


Box 168 Item 8 Betsy Sussler (BRS) edit, black font, red track changes, 8 pages


Box 168 Item 9 SR edit 8 for FC and BRS edit, black font, no visible tracked changes, 8 pages (this was found already in file not on server)


Box 168 Item 10 Introduction, SR edit 1, black font, blue tracked changes, 1page


Box 168 Item 11 Introduction, SR edit 2 with PD edits, black font, blue tracked changes, 1 page 12. Layout 1, intern's proofread, red and blue ink, 7 pages


Box 168 Item 13 Layout 2, proofreader' s edits and MT edits. MT blue ink and pencil changes, proofreader red tracked edits, green and yellow highlighting, 6 pages


Box 168 Item 14 Layout 3, no edits, 8 pages


Box 168 Item 15 Fact Check, black and blue font, 6 pages


Box 168 Correspondence: Collected from Sabine Russ


Box 168 Audio: Soon-Mi Yoo by Paul Dallas


Tatiana Bilbao interviewed by Terence Gower (Corresponding pages in magazine: 56-64):


Box 168 Item 1 Original transcript, black font


Box 168 Item 2 MT (M6nica de la Torre) edit 1, black font, blue ink, red tracked changes, 5 pages


Box 168 Item 3 MT edit 2, black font, questions instead of tracks (in all caps), assumed this copy went out to the author, 5 pages


Box 168 Item 4 TG (Terence Gower) edit 3, black font, no tracked changes, 8 pages


Box 168 Item 5 TG edit 4 with MT changes, blue ink, 8 pages


Box 168 Item 6 TB (Tatiana Bilbao) edit 5, black font, blue tracked changes, 8 pages


Box 168 Item 7 MT edit 6, black font, no visible tracked changes, 8 pages


Box 168 Item 8 TG edit 7, black font, no tracked changes, 9 pages


Box 168 Item 9 Layout 1, SR edits and proofreader's edits, SR in black and blue ink, yellow and green highlights, proofreader red tracked edit, 10 pages


Box 168 Item 10 Layout 2, no marks, black and white, 9 pages


Box 168 Item 11 Layout 3, final, 9 pages


Box 168 Item 12 Fact Check, black and blue font, 1page


Box 168 Correspondence: Collected from Monica de la Torre


Box 168 Audio: Tatiana Bilbao by Terence Gower


Alejandro Zambra by Daniel Alarcon (Corresponding pages in magazine: 72-76):


Box 168 Item 1 Original transcript, black font, green highlight/ blue comment from MT, 19 pages


Box 168 Item 2 MT (Monica de la Torre) edit 1, black font, blue tracked changes, 13 pages


Box 168 Item 3 AZ (Alejandro Zambra) edit 2, black font, no visible track changes, 11 pages


Box 168 Item 4 BRS (Betsey Sussler) edit 3, black font, yellow highlight, 11 pages


Box 168 Item 5 MT edit 4, black font, no visible track changes but certain things in bold, 11 pages


Box 168 Item 4 DA (Daniel Alarcon) intro draft, no visible track changes


Box 168 Item 7 MT edit 4 (for design), inclusion of introduction, no visible track changes, 12 pages


Box 168 Item 8 Fact Check, black and blue font, 3 pages


Box 168 Item 9 MT edit 5 (for design) bolded text, 12 pages


Box 168 Item 10 Layout 1, proofreader's edits and MT edits. MT blue and red ink changes, proof reader red tracked edits, yellow highlighting, 6 pages


Box 168 Item 11 Layout 3, Intern proofread, 6 pages


Box 168 Item 12 Layout 3, SR (?) edits in pencil and blue ink, 6 pages


Box 168 Correspondence: Collected from Monica de la Torre


Box 168 Audio: Alejandro Zambra by Daniel Alarc6n 1:37:17


Matana Roberts by Christopher Stackhouse (Corresponding pages in magazine: 130-136):


Box 168 Item 1 Original transcript, black font, yellow highlight, 13 pages


Box 168 Item 2 SR edit 1, first edit without tracking, black and blue font, black ink, green and yellow highlight, 20 pages


Box 168 Item 3 Fact check attached to edit one, 3 pages


Box 168 Item 3 SR edit 5, black font, blue tracked changes and yellow highlight, 15 pages


Box 168 Item 4 SR edit 5 with MT (?) edits, black font, black ink and pencil, 14 pages


Box 168 Item 5 Layout 1, proofreader marks and MT edits, yellow highlight and blue ink from MT and proofreader red tracked edits, 5 pages


Box 168 Item 6 Layout 2, Intern proofread, 3 pages


Box 168 Item 7 Layout 3, Final, no changes, 3 pages


Box 168 Correspondence: Collected from Sabine Russ


Box 168 Audio: Matana Roberts by Christopher Stackhouse 2:06:03


Barbara Kasten by Leslie Hewitt (Corresponding pages in magazine: 136-144):


Box 168 Item 1 Original transcript, black font with blue highlighting, 12 pages


Box 168 Item 2 MT edit 1, black font with green highlight, blue ink and and blue tracked changes, 9 pages


Box 168 Item 3 MT edit 2, black font, blue and red tracked changes, yellow highlight, 7 pages


Box 168 Item 4 BK edit 2, needs to be collated with Leslie's edit, blue tracked changes, 6 pages


Box 168 Item 5 MT edit 3, black font, blue track changes and blue ink, bolded quotes probably for design purposes, 6 pages


Box 168 Item 6 MT edit 2 of Intro, black font with blue tracked changes, 1page


Box 168 Item 7 LH edit 3 of Intro, black font with blue tracked changes, 1page


Box 168 Item 8 MT edit 4 of Intro, black font, 1page


Box 168 Item 9 BK edit 3, black font, orange and blue tracked changes, 10 pages


Box 168 Item 10 Fact Check, black font with blue tracked changes and yellow highlight, 9 pages


Box 168 Item 11 MT edit 3, black font, bolded quotes


Box 168 Item 12 Layout 1, Intern proofread, MT edits, black font, blue and green highlight and black ink


Box 168 Item 13 Layout 2, SR (?) edits and proofreader edits, black fnt, yellow highlight and blue and red ink from SR. Proofreader red tracked edits, 6 pages


Box 168 Item 14 Press Images, blue ink, 4 pages


Box 168 Item 15 Press Images, blue ink, 3 pages


Box 168 Item 16 Final layout, 4 pages


Box 168 Correspondence Collected from Monica de la Torre


Box 168 Audio; Barbara Kasten by Leslie Hewitt, mp3 file, 50:34


Tom McCarthy by Frederic Tuten (Corresponding pages in magazine: 102-103):


Box 168 Item 1 MT edit 1, black font, red ink, 8 pages


Box 168 Item 2 MT edit 2, black font, blue tracked changes, 9 pages


Box 168 Item 3 Fact check, black and blue font, blue tracked changes, pink highlight, 10 pages


Box 168 Item 4 MT edit 3, black font, blue ink


Box 168 Item 5 Final edit, black font and bolded quotes for format, 9 pages


Box 168 Item 6 MT edit 2 of introduction, black font with blue ink, 1page


Box 168 Item 7 Final introduction, black font, one page


Box 168 Item 8 Layout 1, black font with images, 3 pages


Box 168 Correspondence: Collected from Monica de la Torre, Frederic Tuten, and Tom McCarthy


Agnieszka Kurant by Sabine Russ (Corresponding pages in magazine: 46-55):


Box 168 Item 1 SR edit 1, black font, blue track changes, 11pages


Box 168 Item 2 SR edit 2, black font, blue tracked changes with marks in pencil, 18 pages


Box 168 Item 3 Fact Check by Nicole


Box 168 Item 4 SR changes in layout in pencil and black ink


Box 168 Item 5 Kurant captions


Box 168 Item 6 Copyeditor changes in red


Box 168 Item 7 SR changes in layout in pencil


Box 168 Item 8 Kurant HuffPo article


Box 168 Correspondence: Collected from Sabine Russ and Agnieszka Kurant


Rosa Barba by Joan Jonas (Corresponding pages in magazine: 30-36):


Box 168 Item 1 SR1, black font, changes in red ink, 13pages


Box 168 Item 2 Fact Check, black font, 4 pages


Box 168 Item 3 Image list, black font, 4 pages


Box 168 Item 4 Copyeditor's changes in layout in red, 8 pages


Box 168 Item 5 Hannah's changes in layout in pencil, 8 pages


Box 168 Item 6 MT's changes in layout in blue ink, 8 pages


Box 168 Correspondence: Collected from Sabine Russ, Rosa Barba, and Joan Jonas


Artists on Artists: Collected drafts and correspondence from MT, SR, and contributors:


Box 168 Samara Golden by Kristen Lucas (Corresponding pages in magazine: 119-121)


Box 168 Christian Thompson by Sean Lowry (Corresponding pages in magazine: 116-118)


Box 168 Kevin Kline and Bruce Schultz by Zachary Lazar (Corresponding pages in magazine: 113-115)


Bomb Specific:


BOMB Specific by Julie Ault (Corresponding pages in magazine: 122-129):


Box 168 Item 1 draft 1


Box 168 Correspondence: Collected from Sabine Russ and Barbra


Ed'S Choice (Collected drafts and correspondence from MT, SR, Marianne Shaneen, BRS, and interns (proofreaders)):


Box 168 Renee Green's Other Planes of There by Thom Donovan (Corresponding pages in magazine: 28)


Box 168 Florentina Holzineer and Vincent Riebeek's Kein Applaus Fiir Scheisse by Lauren Bakst (Corresponding pages in magazine: 26)


Box 168 Seth Price's Folklore U.S. by Ben Fama (Corresponding pages in magazine: 24)


Box 168 P. lnman's Written: 1976-2013 by Ian Dreiblatt (Corresponding pages in magazine: 22), 1976-2013


Box 168 Benny and Joshua Safdie's Heaven Knows What by Sara Driver (Corresponding pages in magazine: 20)


Box 168 Cesar Aira's The Musical Brain: And Other Stories by Ryan Chapman (Corresponding pages in magazine: 18)


Box 168 Margaret Morton's Cities of the Dead: TheAncestral Cemeteries of Kvrgyzstan by Claudia Steinberg (Corresponding pages in magazine: 16)


Box 168 James Mackay's Derek Jarman Super 8 by Genesis Breyer P-Orridge (Corresponding pages in magazine: 14)


First Proof (Collected drafts from MT and contributors)


Fiction:


Box 168 Ravalushan by Mohammed Naseehu Ali (Corresponding pages in magazine: 93-96)


Box 168 Masses and Motets: Another Francesca Fruscella Mystery by Jeffrey DeShell (Corresponding pages in magazine: 98-101)


Box 168 Night Ride by Colin Dickey (Corresponding pages in magazine: 90-92)


Box 168 Making Tom (Return): Behind the Scenes by Jeffery Renard Allen (Corresponding: pages in magazine: 81-88)


Poetry:


Box 168 Line and Light by Jeffrey Yang and Melissa McGill (Corresponding pages in magazine: 77-79)


Box 168 "Without Looking" (After Magritte) by Kimiko Hahn (Corresponding pages in magazine: 89)


Box 168 Four Poems by Rae Armantraut (Corresponding pages in magazine: 96-97)


Portfolio:


Box 168 The Slanted Life of Emily Dickinson by Rosanna Bruno (Corresponding pages in magazine: 67-69)


Frontmatter (Collected drafts and correspondence from MT, SR, Marianne Shaneen, BRS, and interns (proofreaders))


Poster (Collected drafts and correspondence from SR and Neo):


Box 168 Neo Rauch by Sabine Russ by Sabine Russ (Corresponding pages in magazine: pull-out)


Issue 132


Artists on Artists:


Lauren Bakst and Yuri Masnyj (Correspondine pages in magazine: 119-121):



Box 169 Item 1 Original draft, black font, 3 pages


Box 169 Item 2 SR (Sabine Russ) edit 1, black font, changes in red and blue, 4 pages


Box 169 Item 3 Lauren Bakst and Yuri Masnyj, edit 2, black, red, and blue font, changes in green, 4 pages


Box 169 Item 4 Lauren Bakst and Yuri Masnyj, Final, black font and yellow highlights, 3 pages


Box 169 Item 5 MT (Monica de la Torre) edits in layout, marks in black pen


Box 169 Item 6 Copy editor's (Marianne Shaneen) changes in layout, marks in red and yellow highlights


Caroline Woolard by John Haskell (Corresponding pages in magazine: 117-118):


Box 169 Item 1 Artists Statement original draft, black font, 1page


Box 169 Item 2 Original draft, black font, 2 pages


Box 169 Item 3 SR edit 1, black font, changes in blue, grey highlights, 2 pages


Box 169 Item 4 SR edit 2, black font, changes in blue, grey highlights, 2 pages


Box 169 Item 5 John Haskell edit 3, black font, changes in blue, grey highlights, marks in blue pen, 2 pages


Box 169 Item 6 SR edit 4, black font, marks in black and blue pen


Box 169 Item 7 Fact check: black font, marks in red pen and blue highlighter


Box 169 Item 8 Edits in layout, marks in pencil and black pen


Box 169 Item 9 Copyeditor's changes in layout, marks in red and yellow highlights


Samuel Messer by Mary Reid Kelley (Corresponding pages in magazine: 113-116):


Box 169 Item 1 Original draft, black font, 1page


Box 169 Item 2 Copyeditor's changes in layout, marks in red and yellow highlights


Interviews:


Leigh Ledare by Chris Krauss (Corresponding pages in magazine: 56-64):


Box 169 Item 1 Original transcript, black font, yellow highlights, 19 pages, 9,473 words


Box 169 Item 2 MT edit 1, black font, changes in blue, 15 pages, 6,663 words


Box 169 Item 3 CK (Chris Krauss) edit 2, black font, changes in blue, 13 pages, 5,771 words


Box 169 Item 4 LL (Leigh Ledare) edit 3, black font, 10 pages


Box 169 Item 5 MT edit 4, black font, green highlights, 9 pages, 5,833 words


Box 169 Item 6 LL edit 5, black font, yellow highlights, 9 pages, 5,587 words


Box 169 Item 7 MT edit 6, black font, yellow highlights, 9 pages, 5,587 words


Box 169 Item 8 LL edit 7, black font, lilac highlight, 9 page, 5,539 words


Box 169 Item 9 Final edit, black font, 9 pages, 5,539 words


Box 169 Item 10 Fact check: black font with blue highlights, blue pen, 9 pages


Box 169 Item 11 Fact check links: black and blue font, yellow highlights, marks in black pen, 5 pages


Box 169 Item 12 Copyeditor's changes in layout in red ink, MT's marks in purple


Box 169 Item 13 Edits in layout, MT and BRS (Betsy Sussler) in purple and red marker


Box 169 Item 14 Intern's (Nicole Monforton) edits in layout in blue pen, MT in blue marker


Box 169 Item 15 Edits in layout, pencil (SR) and purple marker (MT)


Box 169 Item 16 Second intern's (Dylan Furcall) edits in black pen and pink highlighter


Box 169 Item 17 Email correspondence from Monica de la Torre, Leigh Ledare, and Chris Kraus


Box 169 Audio: Leigh Ledare and Chris Krauss, mp3 file, 1:19:00


Carolee Schneemann by Coleen Fitzgibbon (Corresponding pages in magazine: 30-37):


Box 169 Item 1 Original transcript, black font, 26 pages, 8,273 words


Box 169 Item 2 Intro, black font, 1page


Box 169 Item 3 CF (Carolee Schneemann) and CS (Coleen Fitzgibbon) edit 1, black font, 14 pages, 5,851 words


Box 169 Item 4 SR edit 2, black font, changes in blue, yellow and grey highlights, 16 pages, 5,851 words


Box 169 Item 6 SR edit 3, black font, changes in blue, grey highlights, 13 pages


Box 169 Item 6 Fact check: black and blue font, yellow highlights, 8 pages


Box 169 Item 7 SR edits in layout, pencil


Box 169 Item 8 BRS edits in layout, intern (Gianni Defalco) notes, blue and red pen


Box 169 Item 9 Intern's edits in layout, blue marker


Box 169 Item 10 Copyeditor's notes in layout, changes in red ink and yellow highlights


Box 169 Item 11 CF's edits in layout in green marker, intern (Dylan Furcall) notes in pen and pink highlights


Box 169 Item 12 Caption and Courtesy List: color images and black font, notes in pencil


Box 169 Item 13 Email correspondence from Monica de la Torre, Coleen Fitzgibbon, and Carolee Schneeman


Maggie Nelson by A.L. Steiner (Correspondine pages in magazine: 70-77):


Box 169 Item 1 Original transcript, black font, some notes in colored ink, 14 pages, 9,587 words


Box 169 Item 2 MT edit 1, black font, notes in blue, 10 pages


Box 169 Item 3 ALS (AL. Steiner) edit 2, black font, edits and added content in blue, yellow, and grey ink, 13 pages


Box 169 Item 4 MT edit 3, black font, edits in green font, 9 pages, 4,876 words


Box 169 Item 5 ALS edit 4, black font, changes in green, 9 pages, 4,751 words


Box 169 Item 6 MT edit 5, black font, edits in blue pen, 9 pages


Box 169 Item 7 ALS edit 6, black font, edits in blue, 9 pages, 4,734 words


Box 169 Item 8 Final edit, black font, 8 pages, 4,734 words


Box 169 Item 9 Fact check: transcript with blue pen and blue highlights, 9 pages


Box 169 Item 10 Fact check: black and blue font, yellow highlights, edits in red ink, 4 pages


Box 169 Item 11 Original intro, black font, with MT's notes in red pen, 1page


Box 169 Item 12 Edited intro, black font with comments in yellow highlight; rewrite in black and purple font, 1page


Box 169 Item 13 Copyeditor's edits in layout, red ink and yellow highlights, MT's notes in purple marker


Box 169 Item 14 MT's edits in layout, black pen


Box 169 Item 15 Intern's (Dylan Furcall) edits in layout, black pen


Box 169 Item 16 MT and RS edits in layout, pencil and purple marker


Box 169 Item 17 Intern's (Thatcher) edits in layout, black pen


Box 169 Item 18 Email correspondence from Monica de la Torre, Maggie Nelson, and AL. Steiner


Justin Vivian Bond by Joy Episalla (Corresponding pages in magazine: 42-49):


Box 169 Item 1 Justi n Vivian Bond: A User's Guide, black font, 5 pages


Box 169 Item 2 Original transcript, black font with yellow highlights, 21 pages, 11,816 words


Box 169 Item 3 Intro, black font, 1page


Box 169 Item 4 Intro for design, black font, 1page


Box 169 Item 5 SR edit 1, black font with edits in grey ink and pencil, 32 pages, 11,800 words


Box 169 Item 6 SR edit 2, black font with edits in blue font, yellow highlights, 28 pages


Box 169 Item 7 SR edit 3, black font with edits in blue and green font, grey and yellow highlights, 14 pages


Box 169 Item 8 SR edit 4, black font with edits in blue and green, grey and yellow highlights, 18 pages


Box 169 Item 9 JVB (Justin Vivian Bond) edit 5, black, blue, and green font, edits in red font, 7 pages


Box 169 Item 10 SR edit 6, black, blue, and green font, edits in red font, 15 pages


Box 169 Item 11 JE (Joy Episalla) edit 7, black font, edits in red and blue, 19 pages


Box 169 Item 12 SR edit 8, black font with edits in red, 11pages


Box 169 Item 13 Final edit, black font, 11pages


Box 169 Item 14 Fact check: black and blue font, yellow highlights, 2 pages


Box 169 Item 15 Intern (Hannah Snyder) edit, black font with changes in blue and red pen and highlighter


Box 169 Item 16 SR edit, black font with edits in black pen and highlighter


Box 169 Item 17 Copyeditor edit in layout, notes in red ink and yellow highlights


Box 169 Item 18 BRS edit in layout, notes in red marker, some pencil, pen, highlighter


Box 169 Item 19 Intern (Gianni DeFalco) edit in layout, notes in red pen, editorial reception in pencil


Box 169 Item 20 MT edit in layout, edits in blue pen and pencil


Box 169 Item 21 Intern (Dylan Furcall) edit in layout, edits in black pen


Box 169 Item 22 Email correspondence from Monica de la Torre, Lia Gangitano, Justin Vivian Bond, and Joy Episalla


Nicole Eisenman and David Humphrey (Corresponding pages in magazine: 30-41):


Box 169 Item 1 Original transcript, black font, 16 pages, 6,348 words


Box 169 Item 2 MT edit, black font, marks in black and blue pen, 16 pages


Box 169 Item 3 MT edit 1, black font, changes in blue, yellow highlights, 17 pages, 5,448 words


Box 169 Item 4 DH (David Humphrey) edit 2, black font, changes in blue, 19 pages, 5,469 words


Box 169 Item 5 NE (Nicole Eisenman) edit 3, black font, changes in blue, 14 pages, 5,146 words


Box 169 Item 6 DH edit 4, black font, changes in blue, 14 pages, 5,143 words


Box 169 Item 7 NE edit 5, black font, changes in blue, yellow highlights, 19 pages, 5,469 words


Box 169 Item 8 DH edit 6, black font, changes in blue and red, 13 pages, 4,915 words


Box 169 Item 9 MT edit 7, black font, changes in pen and blue highlights, 13 pages


Box 169 Item 10 FINAL edit, black font, 13 pages, 4,885 words


Box 169 Item 11 Fact check: black and blue font, yellow highlights, 2 pages


Box 169 Item 12 Intro, first draft, black font, 1page


Box 169 Item 13 Revised intro, black font, 1page


Box 169 Item 14 MT edits in layout, red and purple marker


Box 169 Item 15 Copyeditor's edits in layout, changes in red ink


Box 169 Item 16 SR edits in layout, marks in pencil and black pen


Box 169 Item 17 Intern's edits in layout, marks in pencil


Box 169 Item 18 Intern's (GDF) edits in layout, marks in red pen, editorial receipt in blue pen


Box 169 Item 19 Email correspondence from Monica de la Torre, Nicole Eisenman, and David Humphrey


Robert Grenier and Paul Stephens (Corresponding pages in magazine: 95-107):


Box 169 Item 1 First version, black font, 16 pages


Box 169 Item 2 PS (Paul Stephens) edited version, black font, MT's comments in pencil, 16 pages


Box 169 Item 3 Fact check: pink highlights on PS version, 16 pages


Box 169 Item 4 Fact check: black and blue font, yellow highlights, 4 pages


Box 169 Item 5 Intro, black font with MT's notes in black pen, 1page


Box 169 Item 6 Revised intro, black font, 1page


Box 169 Item 7 MT's edits in layout, marks in red and blue pen, green highlights


Box 169 Item 8 Email of Grenier's proofs, MT's receipt in purple marker


Box 169 Item 9 Intern (OF) edits in layout, marks in black pen and pink highlights


Box 169 Item 10 Copyeditor's edits in layout, comments in red ink and yellow highlights, MT's receipt in pen and purple marker


Box 169 Item 11 Email correspondence from Monica de la Torre, Paul Stephens, and Robert Grenier


Mariah Evans by Lawrence Kumpf (Corresponding pages in magazine: 138-144):


Box 169 Item 1 Original transcript part 1, black font, 9 pages, 4,645 words


Box 169 Item 2 Original transcript part 2, black font with yellow highlights, 7 pages, 3,383 words


Box 169 Item 3/4 SR edits 1and 2, black font, revisions in blue font and grey highlights, 17 pages, 4,645 and 3,900 words


Box 169 Item 5 LK (Lawrence Kumpf) edit 3, black font, revisions in blue font and grey highlights, 8 pages


Box 169 Item 6 ME (Moriah Evans) edit 4, black font, revisions in blue font and grey highlights, 9 pages


Box 169 Item 7 LK edit 5, black font, revisions in blue font, 8 pages


Box 169 Item 8 SR edit 6, black font, revisions in blue font, grey highlights, 8 pages


Box 169 Item 9 SR edit 7, black font, notes in blue font, grey highlights, 8 pages, 3,700 words


Box 169 Item 10 MT edit 8, black font, green highlights, pink highlighter, 12 pages, 6,008 words


Box 169 Item 11 ME edit 9, black font, green highlights, 10 pages, 5,122 words


Box 169 Item 12 MT edit 10, black font, green highlights, 10 pages, 4,953 words


Box 169 Item 13 LK edit 11, black font, edits in blue font, green highlights, 14 pages


Box 169 Item 14 ME edit 12, black font, 10 pages, 5,012 words


Box 169 Item 15 Final edit, black font, 10 pages, 5,012 words


Box 169 Item 16 Fact check: black font, marks in pink highlighter, 3 pages


Box 169 Item 17 BRS and SR edits in layout, marks in black pen, pencil, various highlighters. Attached note in black and blue font.


Box 169 Item 18 Copyeditor's changes in layout, red ink and yellow highlights, editor's receipt in neon green highlighter


Box 169 Item 19 lntern's edits in layout, marks in pencil


Box 169 Item 20 Email correspondence from Monica de la Torre, Lawrence Kumpf, Sabine Russ, and Moriah Evans


Alsadair Robert by Clinton Krute (Corresponding pages in magazine: 50-55):


Box 169 Item 1 Original transcript, black font, 13 pages


Box 169 Item 2 SR edit 1, black font, revisions in blue font, blue and yellow highlights, 9 pages


Box 169 Item 3 SR edit 2, black font, revisions in blue font, blue and yellow highlights, 15 pages


Box 169 Item 4 CL (Clinton Krute) edit 3, black and blue font, revisions in green and red font, blue highlights, 8 pages


Box 169 Item 5 AR (Alsadir Roberts) edit 4, black and bl ue font, 13 pages


Box 169 Item 6 SR edit 5, black font and blue font, grey highlights, 12 pages


Box 169 Item 7 SR edit 6 for design, black font, 12 pages


Box 169 Item 8 Intro original draft, black font, 1page


Box 169 Item 9 Intro SR edit 1, black font, revisions in bl ue font, 1page 10. Intro FINAL, black font, 1page


Box 169 Item 11 Fact check: Black and blue font, yellow highlights, editor's receipt in neon green highlights, 5 pages


Box 169 Item 12 Fact check in layout: marks in pen and various highlighters


Box 169 Item 13 Copyeditor's edits in layout, red ink and yellow highlights, editor's receipt in pencil, pink highlighter


Box 169 Item 14 lntern's edits in layout, marks in red pen, editor's receipt in blue pen 15. BRS edits in layout, marks in red marker


Box 169 Item 16 "FINAL" proof in layout, marks in red pen 17. Email from AR to SR, 1page


Box 169 Item 18 Edits in layout, marks in blue pen and yellow highlighter, some pencil 19. lntern's edits in layout, marks in pencil


Box 169 Item 20 Email correspondence from Monica de la Torre, Clinton Krute, and Sabine Russ


Editor's Choice:


I Love Taylor Mead and Gay Power: Taylor Mead Columns 1969-1970. Both Edited and Published by John Edward Heys


Bob Holman (Corresponding pages in magazine: 16):


Box 169 Item 1 Original draft, black font, 1page


Box 169 Item 2 MT edit 1, black font, edits in red pen, 1page


Box 169 Item 3 Fact check: black font, black pen and pink highlights, 2 pages


Box 169 Item 4 Fact check: black and blue font, yellow highlights, 2 pages


Box 169 Item 5 lntern's edits in layout, marks in black pen, editor's receipt in blue pen


Box 169 Item 6 Copyeditor's edits in layout, marks in red ink and yellow highlights, editor's receipt in green highlighter and blue pen


Box 169 Item 7 Editor's comments in layout, black pen and green highlighter


Box 169 Item 8 MT's edits in layout, marks in purple marker and black pen


Walerian Borowczyk's Obscure Pleasures and Other Polish Films by Peter Dudek (Correspomding page in magazine: 20):


Box 169 Item 1 Original draft, black font, 2 pages


Box 169 Item 2 SR edit 1, black font with changes in blue, 2 pages


Box 169 Item 3 SR edit 2, black font, 1page


Box 169 Item 4 lntern's edit in layout, marks in pencil and black pen


Box 169 Item 5 Copyeditor's edits in layout, marks in red ink and yellow highlights, editor's receipt in pen and pencil


Box 169 Item 6 MT's edits in layout, marks in pen and purple marker


Dorothy Iannone: You Who Read Me With Passion Now Must Forever Be My Friends. Edited by Lisa Pearson, with an Essay by Trinie Dalton by Christine Wertheim (Corresponding page in magazine: 13):


Box 169 Item 1 Original draft, black font, 2 pages


Box 169 Item 2 MT's edits, black font with marks in black pen, 2 pages


Box 169 Item 3 MT edit 1, black font, comments in aqua highlights, 2 pages


Box 169 Item 4 Christine Wertheim edit 2, black font, comment in aqua highlight


Box 169 Item 5 Fact check: black font, pink highlights, black pen, 2 pages


Box 169 Item 6 Fact check: black and blue font, yellow highlights, red pen, 1page


Box 169 Item 7 lntern's edits in layout, mark in black pen


Box 169 Item 8 Copyeditor's edits in layout, red ink and yellow highlights


Box 169 Item 9 *


Box 169 Item 10 MT's edits in layout, pu rple marker and black pen


Shelley Marlow's Two August s in a Row in a Row by Kevin Killian (Corresponding page in magazine: 15):


Box 169 Item 1 Original draft, black font, 1page


Box 169 Item 2 SR edit 1, black font, edits in blue font, yellow highlights


Box 169 Item 3 Fact check: black font, blue highlighter, 1page


Box 169 Item 4 Fact check, black and blue font, yellow highlight 1page


Box 169 Item 5 MT's edits in layout, purple marker and black pen


Box 169 Item 6 BRS edits in layout, black pen, editor's receipt in neon green highlighter


Box 169 Item 7 Copyeditor's edits in layout, red ink and yellow highlights, editor's receipt in blue pen and neon green highlighter


Box 169 Item 8 lntern's edits in layout, black pen, editor's receipt in neon green highlighter


Raphael Rubinstein's The Miraculous by Anthony Graves Corresponding page in magazine: 22):


Box 169 Item 1 Original draft, black font, 1page


Box 169 Item 2 MT edit 1, black font, notes in blue highlights, 2 pages


Box 169 Item 3 AG (Anthony Graves) edit 2, black font and blue highlights


Box 169 Item 4 MT edit 3, black font, marks in purple highlighter and red pen, 2 pages


Box 169 Item 5 AG edit 4, black font, changes in blue font, blue highlights, 2 pages


Box 169 Item 6 Fact check: black font, blue highlighter, 2 pages


Box 169 Item 7 Fact check: black and blue font, yellow highlights, 1page


Box 169 Item 8 Intern's edits in layout, marks in black pen, editor's receipt in pencil


Box 169 Item 9 Copyeditor's edits in layout, red ink


Box 169 Item 10 Final edit in layout


Anne Garreta's Sphinx by Tyler Curtis (Corresponding page in magazine: 26):


Box 169 Item 1 Original draft, black font, 1page


Box 169 Item 2 MT edit 1,black font, notes in black ink, 1page


Box 169 Item 3 TC (Tyler Curtis) edit 2, black font, changes in blue and red font, 1 page


Box 169 Item 4 MT edit 3, black font, notes in blue highlights


Box 169 Item 5 TC edit 4, black font, notes in blue font, blue highlights, 2 pages


Box 169 Item 6 Fact check: black font, blue highlighter, 1page


Box 169 Item 7 Fact check: Black and blue font, 1page


Box 169 Item 8 Intern's edits in layout, marks in black pen, editor's receipt in pencil


Box 169 Item 9 Copyeditor's edits in layout, red ink and yellow highlights, editor's receipt in pencil


Box 169 Item 10 Final edit in layout


Philip Glass's Words Without Music: A Memoir by Michal Coffey (Correspondine pages in magazine: 18):


Box 169 Item 1 Original draft, black font, edit in black pen


Box 169 Item 2 Fact check: black font, blue highlighter, 2 pages


Box 169 Item 3 Fact check: black and blue font, yellow highlights, 1page


Badlands Unlimited New Lovers series by Monica de la Torre (Correspondine page in magazine: 24):


Box 169 Item 1 Original draft, black font, edits in red font and black pen, 1page


First Proof:


Utopia Parkway, Turning, Outside the Embassy by Arthur Solway (Corresponding pages in magazine: 78-80):


Box 169 Item 1 Original drafts and cover letter, black font, 4 pages


Box 169 Item 2 Copyeditor's edits in layout for "Turning," red ink and yellow highlight, editor's receipt in purple marker


Assholes and Oxheads by Will Heinrich (Corresponding pages in magazine: 92-93):


Box 169 Item 1 Original draft, black font with MT's edits in black pen and blue highlighter, 6 pages


Box 169 Item 2 Email from Will Heinrich to MT, 1page


Olympia by Robert Walser trans. by Susan Bernofsky (Corresponding pages in magazine: 84-85):


Box 169 Item 1 Original transcri pt, black font, MT's edits in black pen


Chronicles of Nueva York (El Bar Stonewall) by Pedro Lemebel trans. by Montana Ray (Corresponding pages in magazine: 81):


Box 169 Item 1 Original draft, black font, edits in black and green pen, 3 pages


Box 169 Item 2 Second draft, black font, edits in pencil and black pen, 2 pages


Box 169 Item 3 Emails, 4 pages


Box 169 Item 4 Copyeditor's edits in layout, red ink and yellow highlights, editor's recei pt in pu rple marker


Evolution by Eileen Myles (Corresponding pages in magazine: 82-83):


Box 169 Item 1 Original draft, black font, edits in green pen, 8 pages


Self Veil, Hell (Opens Like), Sense by Laura Mullen (Corresponding pages in magazine: 89-91):


Box 169 Item 1 Original submission, black font, 11pages


Box 169 Item 2 Original draft with bio fact check, black font, marks in green pen, 5 pages


Box 169 Item 3 Email from Mullen to MT, 1page


Box 169 Item 4 Copyeditor's edits in layout, red ink and yellow highlights, editor's receipt in purple marker


Portfolio by John Ashbery and Archie Rand (Corresponding pages in magazine: 65-69):


Box 169 Item 1 Color scans, 13 pages


Box 169 Item 2 Color scans, 4 pages


Excerpt from White Time by Bernadette Van-Huy (Corresponding pages in magazine: 86-88):


Box 169 Item 1 Original draft, edits, and emails


Box 169 Item 2 Copyeditor's edits in layout, red ink and yellow highlights, editor's receipt in purple marker


Additional Documents:


Box 169 Item 1 BRS Literary Supplement edits in layout


Box 169 Item 2 Intern First Proof edits in layout


Box 169 Item 3 Table of Contents edits, black and blue font, marks in black pen, 3 pages


Box 169 Item 4 Miscellaneous documents


Box 169 Item 5 Miscellaneous edits in layout


Box 169 Item 6 Edits in layout, spiral bound copy


Box 169 Item 7 Printer's sample


Issue 133


Interviews:


Deana Lawson and Henry Taylor (Corresponding pages in magazine: 122-132):



Box 170 Item 1 Original transcript, black font, 13805 words


Box 170 Item 2 SR (Sabine Russ) edit 1, black font, edits in blue, 6,837 words


Box 170 Item 3 SR edit 2, black font, edits in blue, 5800 words, 5800


Box 170 Item 4 DL (Deana Lawson) and SR edit 3, black font, yellow and green highlights, 4535 words, 4535


Box 170 Item 5 SR edit 4, black font, green highlights, 4,639 words


Box 170 Item 6 BRS (Betsy Sussler) edit 5, black font, yellow highlights, 5,080 words


Box 170 Item 7 SR edit 6, black font, yellow highlights, 5,074 words


Box 170 Item 10 Fact check: black font


Box 170 Item 12 MS (Marianne Shaneen) edit 7 Copyeditor's changes in layout in red ink


Box 170 Item 13 MT (Monica Torres) changes in layout, marks in blue


Box 170 Item 14 Intern's (Dylan Furcall) edits in layout, changes in red pen


Box 170 Item 15 Email correspondence among Sabine Russ, Henry Taylor, Deana Lawson, and Ted Dodson


Tonya Foster and John Keene (Corresponding pages in magazine: 70-76):


Box 170 Item 1 Original transcript, black font, 12,476 words


Box 170 Item 2 MT edit 1, black font, edits in blue, 7,407 words


Box 170 Item 3 TF (Tonya Foster) edit 2 and JK (John Keene) edit 2, TF edits in red ink, 6,284 words


Box 170 Item 4 Intern (Dylan Furcall) edit 3, edits red ink 6,284 words


Box 170 Item 5 Fact check: black font, edits black ink, yellow highlight


Box 170 Item 5 MT edit 4, black text, 5,594 words


Box 170 Item 6 MT and BRS edit 7, black text, edits in blue, 5,529 words


Box 170 Item 7 MT final pass, JF and TF edit 8, black text, notes in black ink, edits in blue, 5,577 words


Box 170 Item 8 Edits in layout, black font, changes in red ink


Box 170 Item 9 Introduction, black text, notes in blue


Box 170 Item 10 Introduction edit 2, black text, changes in blue and black ink


Box 170 Item 11 Introduction edit 3, black text, changes in blue ink


Box 170 Item 12 Email correspondence among Tonya Forster, MT, and John Keene


Rachel Rose by Aily Nash (Corresponding pages in magazine: 58-64):


Box 170 Item 1 Rachel Rose CV


Box 170 Item 2 BAMcinematek 6th annual Migrating Forms film and video festival brochure, black text, blue highlights


Box 170 Item 3 Original transcript, black font, 10,030 words


Box 170 Item 4 SR edit 1, black font, edits in green, grey highlight, 5,800 words


Box 170 Item 5 RR edit 2, black font, edits in purple, 5,800 words


Box 170 Item 6 SR edit 3, black font, edits in green, notes in blue 3,580 words


Box 170 Item 7 SR edit 4, black font, edits in blue, 3,447 words


Box 170 Item 8 AN (Aily Nash) edit 5, black font, edits in blue, yellow highlight, 3,885 words


Box 170 Item 9 SR edit 6, black font, edits in blue, yellow highlight, 3,442 words


Box 170 Item 10 AN edit 7, black font, edits in blue, yellow, green, and blue highlight, 3,703 words


Box 170 Item 11 SR edit 8, edits in blue, grey and yellow highlight, 3,393 words


Box 170 Item 12 Fact check: black and blue font


Box 170 Item 13 RR edit 9, black font, edits in purple, green and yellow highlights, 3,167 words


Box 170 Item 14 SR edit 10, black font, additions in green, edits in blue, yellow highlights, 3,568 words


Box 170 Item 15 AN edit 11, black and blue font, edits in red, yellow highlights, 3,618 words


Box 170 Item 16 SR edit 12, black and blue font, edits in blue


Box 170 Item 17 BRS edit 13, black font, edits in black ink, blue highlights


Box 170 Item 18 FINAL edit, black font, edits in blue, 3,487 words


Box 170 Item 19 MS Copyeditor's edits in layout, changes in red ink, yellow highlights


Box 170 Item 20 SR edits in layout, changes in orange highlighter


Box 170 Item 21 Intern's (Dylan Furcall) edits in layout, changes in red ink and pencil


Box 170 Item 22 Intern's (Dylan Furcall) edits in layout, black ink, blue highlights


Box 170 Item 23 Email correspondence among MT, SR, Andrew Bourne, Aily Nash, and Rachel Rose


Nari Ward by Lee Jaffe (Corresponding pages in magazine: 32-41):


Box 170 Item 1 Original transcript, black font, 11,976 words


Box 170 Item 2 SR edit 1, black font, edits in blue, yellow and red highlights, 7,217 words


Box 170 Item 3 SR edit 2, black font, edits in blue, yellow and grey highlights, 5,366 words


Box 170 Item 4 LJ edit 3, black font, SR's blue and red font, edits in green highlights, 5,432 words


Box 170 Item 5 NR edit 4, black font, SR's blue and red text, edits in yellow highlights, 5,432 words


Box 170 Item 6 SR edit 5, black font, edits in blue, grey and yellow highlights, 5,527 words


Box 170 Item 7 Fact check, black and blue font


Box 170 Item 8 Fact check, black font, Intern's edits in red ink, pink highlights


Box 170 Item 9 SR edit 6, black font, edits in blue, yellow and grey highlights, 5,550 words


Box 170 Item 10 Introduction, SR edit 1, black font, edits in blue


Box 170 Item 11 SR edit 7, black font, edit in blue, 5,500 words


Box 170 Item 12 BRS edit 8, black font, edits in black ink, 5,400 words


Box 170 Item 13 Final edit, black font, 5,400 words


Box 170 Item 14 MT edits in layout, blue ink, green pink and yellow highlights


Box 170 Item 15 Copyeditor's edits in layout, changes in red


Box 170 Item 16 Intern's (Dylan Furcall) edits in layout, red ink, yellow highlights


Box 170 Item 17 Intern's (Dylan Furcall) edits in layout, red ink


Box 170 Item 18 Final correspondence with LJ


Box 170 Item 19 Email correspondence among Nari Ward, Sabine Russ, and Lee Jaffe


David Diao by Matthew Deleget Author (Corresponding pages in magazine: 48-57):


Box 170 Item 1 Original transcript, black font, 19,724 words


Box 170 Item 2 DD (David Diao) edit 2, black font, edits in blue, 10,327 words


Box 170 Item 3 BRS edit 3, black font, pink highlights, 6674 words, 6674


Box 170 Item 4 MD (Matthew Deleget) edit 4, black font, edits in red, pink highlights, 6,674 words


Box 170 Item 5 MD edit 5, black font, edits in yellow highlight, 6,684 words


Box 170 Item 3 DD edit 6, black font, edits in blue, 5252


Box 170 Item 8 MD edit 7, black font, 5,243 words


Box 170 Item 9 Final edit, black font, changes by MT


Box 170 Item 10 Fact check, black and blue ink, yellow highlights


Box 170 Item 11 Original introduction, black font, edits in black ink


Box 170 Item 12 Introduction edit 2, black font, edits in black ink


Box 170 Item 13 photograph


Box 170 Item 14 SR edits in layout, black font, changes in black ink, orange highlights


Box 170 Item 15 Intern's (Dylan) edits in layout, changes in blue ink, blue highlights


Box 170 Item 16 MS Copyeditor's edits in layout, black font, changes in red


Box 170 Item 17 Email correspondence among MT, Matthew Deleget, David Diao


Alice Notley by Robert Dewhurst Author (Corresponding pages in magazine: 96-102):


Box 170 Item 1 Original interview from RD (Robert Dewhurst), black font, edits by MT in black ink 5,923 words


Box 170 Item 2 MT edit 2, black font, edits in blue, 5,581 words


Box 170 Item 3 RD edit 3, black font, edits in yellow 5,584 words


Box 170 Item 4 MT edit 4, black font, edits in grey, green highlights, notes in blue 5,585 words


Box 170 Item 5 Final, black font, 5,585 words


Box 170 Item 6 Fact check and Intern's (Dylan) edits, black font, edits in red, blue highlights


Box 170 Item 7 Fact check, black and blue font, yellow highlights


Box 170 Item 8 Poem The Wind, black font


Box 170 Item 9 Email correspondence among Robert Dewhurst, Andrew Bourne, MT, and Alice Notley


Annie Baker and Elianna Kan (Corresponding pages in magazine: 138-143):


Box 170 Item 1 Original transcript, black font, 6,037 words


Box 170 Item 2 SR edit 1, black font, edits in blue, yellow highlights, 3,723 words


Box 170 Item 3 SR edit 2, EK (Elianna kan) edit 3, black font, edits in blue, yellow highlights


Box 170 Item 4 AB (Annie Baker) edit 4, black font, edits in purple, 4,276 words


Box 170 Item 5 SR edit 5, black font, edits in blue, 4,228 words


Box 170 Item 6 BRS edit 6, black font, edits in red ink, 4,228 words


Box 170 Item 7 Final edit, black font, 4,227 words


Box 170 Item 8 EK original Introduction, black font, 378 words


Box 170 Item 9 SR edit 1 on introduction, black font, edits in blue, 367 words


Box 170 Item 10 BRS edit 2 on introduction, black font, edits in blue, 175 words


Box 170 Item 11 Final introduction, black font, additions in blue, 194 words


Box 170 Item 12 Fact check and Intern's edits, black and blue font, yellow highlights


Box 170 Item 13 Copyeditor's edits in layout, black font, changes in red, pencil notes, yellow and orange highlights


Box 170 Item 14 MT edits in layout, black font, changes in blue ink


Box 170 Item 15 Intern's (Dylan), black font edits in red ink


Box 170 Item 16 final edits in layout, black font, notes in red ink, yellow highlights


Box 170 Item 17 Email correspondence among SR, MT, BRS, Elianna Kan, and Annie Baker


Jim O'Rourke by Jay Sanders (Corresponding pages in magazine: 42-47):


Box 170 Item 1 Original transcript, black font, 8,761 words


Box 170 Item 2 MT edit 1, black font, edits in yellow and blue text, 5,556 words


Box 170 Item 3 MT edit 1, black font, clean copy, 5556 words, 5556


Box 170 Item 4 JS and JO edit 2, black font, edits in light blue, 5,061 words


Box 170 Item 5 MT edit 3, black font, edits in black ink, 5,051 words


Box 170 Item 6 MT edit 4, black font, notes in blue, 4,955 words


Box 170 Item 7 BRS edit 5, black font, notes in red, 4,955 words


Box 170 Item 8 Final edit, black font, notes by SR in orange highlighter, 4,892 words


Box 170 Item 9 Fact check, black and blue font


Box 170 Item 10 Copyeditor's edits in layout, black font, changes in red


Box 170 Item 11 SR edits in layout, black font, edits in pencil and orange highlighter


Box 170 Item 12 Intern's edits in layout, black font, changes in blue ink, notes in orange highlighter


Box 170 Item 13 Original introduction, black font, 320 words


Box 170 Item 14 Intern's (Thatcher) introduction edit 2, black font, changes in red ink


Box 170 Item 15 MT introduction edit 3, black font, edits in red, 331 words


Box 170 Item 16 Introduction edit 4, black font, edits in green


Box 170 Item 17 Email correspondence among Kathryn Wilson, MT, Jim O'Rourke, Jay Sanders, Clinton Krute, and Andrew Bourne


Poster:


Pedro Costa by Michael Guarneri (Corresponding pages in magazine: insert):


Box 170 Item 1 Original web piece, black and red font


Box 170 Item 2 MT edit 1, black text, edits in blue ink


Box 170 Item 3 MT edit 2, black font, edits in red, 5,972 words


Box 170 Item 4 MT edit 3, black font, edits in blue, 4,352 words


Box 170 Item 5 BRS Final edit 4, black font, edits in blue, 4,352 words


Box 170 Item 6 Correspondence between SR and MD


Box 170 Item 7 High resolution copy of Costa photograph


Box 170 Item 8 A edits in layout, black font, changes in black ink


Box 170 Item 9 Intern's (Thatcher) edits in layout, black font, changes in blue ink and pencil


Box 170 Item 10 Intern's (Dylan) edits in layout, black font, changes in red


Box 170 Item 11 TD's edits in layout, black font, changes in black ink, yellow highlights, SR orange highlight


Box 170 Item 12 Final copy of poster


Editor's Choice:


Skinscreen: Art and Poetry at the New Museum's Surround Audience Triennial by Alan Gilbert (Corresponding pages in magazine: 12-16):


Box 170 Item 1 Original draft, black font, Intern (Dylan) edit 1, black font, edits in red, yellow highlights, 4,220 words


Box 170 Item 2 SR edit 1, black font, edits in pencil, 4,039 words


Box 170 Item 3 Fact check, black and blue font


Box 170 Item 4 MT AG (Alan Gilbert) email correspondence, black font


Box 170 Item 5 Copyeditor's edits in layout, black font, changes in red, yellow highlights


Box 170 Item 6 BRS edits in layout, black font, changes in red


Box 170 Item 7 Copyeditor's edits in layout, marks in red ink and yellow highlights, editor's receipt in green highlighter and blue pen


Box 170 Item 8 Intern's (Gianni) edits in layout, black font, changes in black ink and pink highlighter


Box 170 Item 9 Intern's (Dylan) edits in layout, black font, changes in red ink, pink highlights


Box 170 Item 10 Final layout copy, black font


Matt Freedman and Tim Spelios's Endless Broken Time by Ander Mikalson (Corresponding pages in magazine: 24):


Box 170 Item 1 Original draft, black font, 497 words


Box 170 Item 2 SR edit 1, black font, edits in blue, 562 words


Box 170 Item 3 Intern (Gianni) edit 2, black font, changes in blue ink, green and blue highlights


Box 170 Item 4 AM (Ander Mikalson) edit 3, black font, edits in blue, 525 words


Box 170 Item 5 Copyeditor's edits in layout, black font, changes in red ink, yellow highlights


Box 170 Item 6 Intern's edits in layout, black font, changes in red ink


Box 170 Item 7 AM edit 4 in layout, black font, edits in pink, Intern changes in blue ink


Samuel Beckett's Happy Davs by Amber Power (Corresponding page in magazine: 22):


Box 170 Item 1 Original draft, black font, 546 words


Box 170 Item 2 Fact check, black and blue font


Box 170 Item 3 Copyeditor's edits in layout, black font, changes in red, yellow highlights


Box 170 Item 4 Intern's edits in layout, black font, changes in red ink


Pierre Huyghe's Rite Passage and Human Mask by Chris Chang (Corresponding pages in magazine: 18-19):


Box 170 Item 1 Original draft, black font, 850 words


Box 170 Item 2 SR edit 1, black font, edits in blue, 868 words


Box 170 Item 3 Fact check, black font Intern's (Thatcher) edits in blue ink, SR changes in light dark blue ink


Box 170 Item 4 Copyeditor's edits in layout, black font, changes in red, yellow highlights


Box 170 Item 5 MT edits in layout, black font, changes in blue ink


Box 170 Item 6 email correspondence between SR and Catherine Belloy to obtain images


The Racial Imaginary: Writers on Race in the Life of the Mind, edited by Claudia Rankine, Beth Loffreda and Max King Cap by Timothy Donnelly (Corresponding page in magazine: 20):


Box 170 Item 1 Original draft, black font, 685 words


Box 170 Item 2 MT edit 1, black font, edits in black ink


Box 170 Item 3 MT edit 2, black font, edits in green highlight, 570 words


Box 170 Item 4 Fact check, black font, red ink and blue highlights


Box 170 Item 5 Final copy, black font, 565 words


Box 170 Item 6 Copyeditor's edits in layout, changes in red, yellow highlights


Box 170 Item 7 Final copy in layout, black font


Guillaume Apollinaire's Zone: Selected Poems translated by Ron Padgett by Dylan Furcall (Corresponding page in magazine: 26):


Box 170 Item 1 Original draft, black ink, 443 words


Box 170 Item 2 MT edit 1, black font, edits in blue, 568 words


Box 170 Item 3 DF (Dylan) edit 2, black font, edits in black ink


Box 170 Item 4 RC (Ryan Chapman) edit 3, black font, edits in red


Box 170 Item 5 DF edit 4, black font, edits in black and blue ink, 520 words


Box 170 Item 6 DF edit 5, black font, edits in blue ink, pink highlighter


Box 170 Item 7 Final copy, black font, 520 words


Box 170 Item 8 Copyeditor's edits in layout, black font, changes in red, yellow highlights


Actor. Playwright, Failure, Father, Fag--Conrad Gerhardt strikes again. Jeff Weiss and Richard C. Martinez's And That's How the Rent Gets Paid by Jim Fletcher (Corresponding pages in magazine: 28):


Box 170 Item 1 Original draft, black font, 914 words


Box 170 Item 2 SR edit 1, black font, edits in blue, yellow highlights, 668 words


Box 170 Item 3 JF edit 2, black font, 635 words


Box 170 Item 4 SR edit 3, black font, edits in blue, 636 words


Box 170 Item 5 SR edit 4, black font, edits in black pen, 636 words


Box 170 Item 5 Final copy, black font, 636 words


Fran Ross's Oreo by Rone Shaver (Corresponding pages in magazine: 30):


Box 170 Item 1 Original draft, black font, 475 words


Box 170 Item 2 MT edit 1, black font, edits in blue, 572 words


Box 170 Item 3 RS (Rone Shaver) edit 2, black font


Box 170 Item 4 BRS comments, black font, comments in black ink


Box 170 Item 5 MT edit 3, black font, 625 words


Box 170 Item 6 Email correspondence between MT and RS


Box 170 Item 7 Copyeditor's edits in layout, black font, changes in red and yellow highlight


Box 170 Item 8 MT edit in layout, black font, change in pencil


Box 170 Item 9 Final draft in layout, black font


Artists on Artists:


Ester Partegas by Eduardo Abaroa (Corresponding pages in magazine: 113-115):


Box 170 Item 1 Original draft, black font


Box 170 Item 2 MT edit 1, black font, edits in blue, 498 words


Box 170 Item 3 Intern's edits, black font, edits in black ink


Box 170 Item 4 Intern's edits, black font, changes in pencil


Box 170 Item 5 Copyeditor's edits in layout, black font, changes in red, yellow highlights


Box 170 Item 6 Intern's (Gianni) edits in layout, black font, changes in blue ink


Box 170 Item 7 Fact check in layout, black font, edits in red ink


Michael Childress by Susan Jennings (Corresponding pages in magazine: 116-118):


Box 170 Item 1 Original draft, black font, 596 words


Box 170 Item 2 BRS edit 1, black font, edits in black ink


Box 170 Item 3 Copyeditor's edits in layout, black font, changes in red, yellow highlights


Box 170 Item 4 Intern's (Gianni) edits in layout, black font, changes in blue ink


Box 170 Item 5 Fact check, black font, changes in red ink


Box 170 Item 6 Email correspondence between MT, SJ (Susan Jennings) and MC (Michael Childress)


Cameron Rowland by Ian Edward Wallace (Corresponding pages in magazine: 119-121):


Box 170 Item 1 Original draft, black font, edit in black ink, 591 words


Box 170 Item 2 SR edit 1, black font, edits in blue, 614 words


Box 170 Item 3 SR edit 2, black font, edits in blue, 594 words


Box 170 Item 4 IW edit 3, black font, edits in green, 627 words


Box 170 Item 5 Final copy, black font, 607 words


Box 170 Item 6 Photographs of Rowland's work


Box 170 Item 7 Fact check in layout, black font, changes made in blue ink


Box 170 Item 8 Copyeditor's edits in layout, black font, changes made in red, yellow highlights


First Proof:


Portfolio by Lori Ellison (Corresponding pages in magazine: 67-69):


Box 170 Item 1 Color scans, 13 pages


Box 170 Item 2 Color scans, 4 pages


"Blind Boone's Pianola Blues" and "100 Times" by Tyehimba Jess (Corresponding pages in magazine: 77-78):


Box 170 Item 1 Original submission, black font, 1,164 words


Box 170 Item 2 BRS edit 1, black font, edits in black ink


Piero by Gabriella De Ferrari (Corresponding page in magazine: 79):


Box 170 Item 1 Original submission, black font, 2064 words, 2064


Box 170 Item 2 BRS edit 2, black font, changes in black ink


Box 170 Item 3 MT and GDF (Gabriella De Ferrari) confirmation agreement


Outline for a Novel I Will One Day Be Struck Dead While Reading by Blake Butler (Corresponding page in magazine: 81-87):


Box 170 Item 1 MT BB (Blake Butler) email correspondence


Box 170 Item 2 Original submission, black font, MT edit 1 in black ink, 5,499 words


Box 170 Item 3 BB edit 2, black font, edits in yellow, 5,318 words


Box 170 Item 4 BRS edit 3, black font, edits in black ink


Box 170 Item 5 MT BB editing email exchange


Four Poems by Albert Mobilio (Corresponding pages in magazine: 88-89):


Box 170 Item 1 Original submission, black font, 543 words


Box 170 Item 2 Second version, black font, 543 words


The Babysitter at Rest by len George (Corresponding pages in magazine: 90-95):


Box 170 Item 1 Original submission, black font, 7,402 words


Box 170 Item 2 Intern's (Dylan) edits, black font, edits in red ink, pink highlights


Box 170 Item 3 MT JG (Jen George) email correspondence


What do we want to know and how far are we willing to go to get it?" An epistolary novella by Julie Carr (Corresponding pages in magazine: 106-107):


Box 170 Item 1 Original Submission, black font, 1802 words, 1802


Box 170 Item 2 BRS edit 1, black font, edits in black ink


Box 170 Item 3 MT JC (Julie Carr) email correspondence


"The Center of the World (The Direction of my Thought)--Direct from my New Home in Eurasia--" and "Apocalypsis, or The Dragon in Her Cave" by Jimmie Durham (Corresponding pages in magazine: 103-105):


Box 170 Item 1 Original submission, black font, 826 words


Box 170 Item 2 Intern's (Dylan) edits, black font, changes made in red


BOMB Specific:


Katherine Hubbard (Corresponding pages in magazine: 134-137):


Box 170 Item 1 Original draft, MT edit 1, black font, edits in black font, 3,292 words


Box 170 Item 2 Intern edits in layout, black font, changes in blue ink, orange highlighter


Box 170 Item 3 MT edits in layout, black font, changes in black ink, pink highlighter


Box 170 Item 4 BRS edits in layout, black font, changes in pencil, yellow highlighter


Box 170 Item 5 KH (Katherine Hubbard) MT email correspondence


Box 170 Item 6 Final copy in layout


Additional Documents:


Box 170 Item 1 BRS Literary Supplement edits in layout


Box 170 Item 2 Copyeditor's First Proof edits in layout


Box 170 Item 3 Table of contents and contributors' bios, black font, edits in blue ink, yellow highlights


Issue 134


Interviews:


Jem Cohen by JP Sniadecki (Corresponding pages in magazine: 26-36):



Box 171 Item 1 Version 8 from JC (Jem Cohen) and JPS (JP Sniadecki), black font, 5,255 words


Box 171 Item 2 SR (Sabine Russ) edit 9, black font, edits in blue and yellow highlights, 5,172 words


Box 171 Item 3 SR edit 10 and fact check by MB (Michael Blair), black font, edits in blue and red and fact check in black ink and yellow highlights, 4,978 words


Box 171 Item 4 JC edit 11, black font, edits in light blue, 5,042 words


Box 171 Item 5 Fact Check


Box 171 Item 6 SR edit 12, black font, edits and fact checks entered in red and blue, 5,069 words


Box 171 Item 7 JPS edit 12A, black font, introduction added and edits in blue, 5,361 words


Box 171 Item 8 SR edit 12B, black font, edits in yellow highlights, 5,353 words


Box 171 Item 9 BRS (Betsy Sussler) edit 13 before JPS intro added, black font, edits and suggestions in red and yellow highlights, 5,096 words


Box 171 Item 10 SR edit 14, black font, edits in blue, 5,037 words


Box 171 Item 11 SR edit 15 for layout, black font, 5,029 words


Box 171 Item 12 JC edit 16, black font, edits in red highlights, green highlights and blue, 5,130 words


Box 171 Item 13 Final edit, black font, JPS intro added and potential pull quote in orange, 5,346 words


Box 171 Item 14 JC email with suggested changes, SR check in orange highlights


Box 171 Item 15 JW (Jeannette Williams) copyeditor's edits in layout in green ink, SR changes in pencil and yellow highlights, MB changes in blue and black ink


Box 171 Item 16 Potential pull quotes for TOC in yellow highlights


Box 171 Item 17 MT (Monica de la Torre) changes in layout in blue ink


Box 171 Item 18 TW (Thea Walsh) changes in layout in black ink


Box 171 Item 19 Changes to introduction entered in layout in blue ink


Box 171 Item 20 Jem Cohen list of films


Box 171 Item 21 Email correspondence between Ryan Krivoshey of Cinema Guild and SR


Box 171 Item 22 JP Sniacdecki bio


Box 171 Item 23 Email correspondence between JC, JPS and SR


Portia Zvavahera by Netsayi (Corresponding pages in magazine: 36-46):


Box 171 Item 1 Original transcript, black font, 4,180 words


Box 171 Item 2 MB edit 1, black font, edits in red, 4,171 words


Box 171 Item 3 SR edit 2 and MB changes, black font SR edits in yellow highlights and blue and green MB fact checks and edits in black and blue ink and light blue highlights, SR comments in pencil, 3,171 words


Box 171 Item 4 BRS edit 3, black font, edits in red and blue and yellow highlights, 3,174 words


Box 171 Item 5 SR edit 4, black font, edits in blue, 3,204 words


Box 171 Item 6 SR edit 5, black font, edits in blue and yellow highlights, 3,214 words


Box 171 Item 7 NC (Netsayi Chigwendere) edit 6, black font, edits in green highlights, 3,233 words


Box 171 Item 8 SR changes in layout in black ink and yellow highlights


Box 171 Item 9 JW copyeditor's edits in layout in black ink, SR changes in black ink and orange highlights, MB changes in blue ink


Box 171 Item 10 MT changes in layout in blue ink


Box 171 Item 11 TW changes in layout in black ink


Box 171 Item 12 Changes to caption in layout in blue ink


Box 171 Item 12 MT edit of SR intro, black font, edits in blue ink


Box 171 Item 11 Selected images


Box 171 Item 12 Email correspondence between SR and Stevenson representatives


Box 171 Item 13 Stevenson press releases


SO-IL by Troy Conrad Therrien (Corresponding pages in magazine: 46-56):


Box 171 Item 1 Original transcript, black font, 8,583 words


Box 171 Item 2 MB edit 1, black font, edits in red and yellow and blue highlights, 8,291 words


Box 171 Item 3 SR edit 2, black font, edits in blue and yellow highlights, 4,443 words


Box 171 Item 4 SR edit 3 and MB fact check, black font, SR edits in blue and yellow highlights, MB fact check in blue ink an SR comments in orange highlights, 4,358 words


Box 171 Item 5 Fact check


Box 171 Item 6 TCT (Troy Conrad Therrien) edit 4, edits and introduction in blue, 4,649 words


Box 171 Item 7 SR edit 5, black font, edits in blue and green and yellow highlights, 4,442 words


Box 171 Item 8 SO-IL edit 6 and MB changes, edits in green, MB changes in black ink, 3,952 words


Box 171 Item 9 SR edit 7 and MB additional fact check on new changes, black font, SR edits in blue and yellow highlights, MB fact check in black ink, 4,047 words


Box 171 Item 10 BRS edit 8, black font, edits in blue ink and SR responses in pencil, 4,010 words


Box 171 Item 11 SR MB edit 9, black font, edits in green, 3,973 words


Box 171 Item 12 JW copyeditor's edits in layout in green ink and MB fact check of image captions


Box 171 Item 13 Email correspondence between SR and SO-IL office


Box 171 Item 14 MB changes in layout


Box 171 Item 15 Potential pull quotes for TOC in yellow highlights


Box 171 Item 16 TW changes in layout, changes in black ink and orange highlights


Box 171 Item 17 MT changes in layout, changes in blue ink


Box 171 Item 18 SR edit of TCT introduction, black font, edits in blue and yellow highlights


Box 171 Item 19 SR edit 2 of TCT introduction, black font, edits in pencil


Tom Burr by Alan Ruiz (Corresponding pages in magazine: 56-64):


Box 171 Item 1 MT edit 1, black font, edits in black ink, 3,718 words


Box 171 Item 2 MT edit 2, black font, edits in blue, 3,714 words


Box 171 Item 3 MT edit 3, black font, edits in pencil, 4,635 words


Box 171 Item 4 MT edit 4 and TW fact check, black font, edits in blue and fact check in green highlights, 5,026 words


Box 171 Item 5 Fact Check


Box 171 Item 6 BRS edit 5, black font, edits in black ink and yellow highlights, 4,937 words


Box 171 Item 7 Final edit, black font, 4,793 words


Box 171 Item 8 JW copyeditor's edits in layout in green ink, MT changes in orange highlights


Box 171 Item 9 TW changes in layout in black ink and MT changes in layout in black ink


Box 171 Item 10 SR and MT changes in layout, SR changes in pencil and MT changes in blue ink


Box 171 Item 11 MB changes in layout


Box 171 Item 12 MB changes in layout


Box 171 Item 13 MT edit of introduction, black font, edits in green


Box 171 Item 14 Final intro


Box 171 Item 15 Tom Burr essay


Box 171 Item 16 Email correspondence among MT, Tom Burr, Alan Ruiz


Sarah Ruden by Eric Banks (Corresponding pages in magazine: 70-76):


Box 171 Item 1 Original transcript, black font, 10,017 words


Box 171 Item 2 EB (Eric Banks) edit 1, black font, edits in bold, 4,828 words


Box 171 Item 3 SRuden (Sarah Ruden) edit 2, black font, edits in green, 4,732 words


Box 171 Item 4 First Fact Check by TW, black font, pink highlights and black ink


Box 171 Item 5 SR edit 3, black font, edits in green and yellow highlights, 4,535 words


Box 171 Item 6 EB edit 4, black font, edits in red and yellow highlights, 4,807 words


Box 171 Item 7 SR edit 5, black font, edits in red and yellow highlights, 4,822 words


Box 171 Item 8 SRuden edit 6, black font, edits in blue, 4,875 words


Box 171 Item 9 SR edit 7, edits in blue and yellow highlights, 5,363 words


Box 171 Item 10 BRS edit 8, edits in red, 5,348 words


Box 171 Item 11 MB edit 9, edits in black ink


Box 171 Item 12 Final edit, 5,350 words


Box 171 Item 13 JW copyeditor's edits in layout in green ink


Box 171 Item 14 SR changes and MB introduction fact check in layout, changes in yellow highlights


Box 171 Item 15 MB changes in layout, changes in black ink and yellow highlights


Box 171 Item 16 SR Introduction edit 1, black font, edits in blue and green and yellow highlights


Box 171 Item 17 MB Introduction fact check, black font, edits in black ink


Box 171 Item 18 Introduction for BRS


Box 171 Item 19 SR Introduction edit 3, black font, edits in blue and red


Box 171 Item 20 Email correspondence between SR, SRuden and EB


May lis de Kerangal by Jessica Moore (Corresponding pages in magazine: 102-107):


Box 171 Item 1 Original transcript, black font, JM (Jessica Moore) translated from French, 9,680 words


Box 171 Item 2 MT edit 1, black font, edits in blue and green highlights, 5,845 words


Box 171 Item 3 JM edit 2, black font, edits in green, 5,102 words


Box 171 Item 4 MT edit 3 and MB fact check, black font, MT edits in blue, MB fact check in blue ink, 5,006 words


Box 171 Item 5 Fact Check


Box 171 Item 6 BRS edit 4, black font, edits in black ink and MT responses in orange highlights, 5,006 words


Box 171 Item 7 Second fact check by TW


Box 171 Item 8 JW copyeditor's edits in layout in green ink and MT responses in black ink


Box 171 Item 9 Potential pull quotes highlighted in yellow


Box 171 Item 10 TW changes in layout in black ink and MT responses in blue ink


Box 171 Item 11 SR changes in layout in black ink and MT responses in blue ink


Box 171 Item 12 JM changes to introduction in layout and email correspondence between JM and MT


Box 171 Item 13 JM introduction


Box 171 Item 14 MT edit 1 of JM introduction


Box 171 Item 15 JM edit 2 of introduction with TW fact check in pink highlights


Box 171 Item 16 Excerpts of JM translations of May lis de Kerangal's fiction, originally for publication in BOMB 133 fall, 2015


Box 171 Item 17 Email correspondence among MT, Jessica Moore, and Pauline Post


May o Thompson by Keith Connolly (Corresponding pages in magazine: 114-123):


Box 171 Item 1 Original transcript, black font, 26,493 words


Box 171 Item 2 KC (Keith Connolly) edit 1, black font, 7,595 words


Box 171 Item 3 MT edit 2, black font, edits in green highlights, 5,756 words


Box 171 Item 4 KC edit 3, black font, MT cover quote suggestions in orange highlights, 6,735 words


Box 171 Item 5 MT edit 4 and MB fact check, black font, edits in green and purple highlights, fact check in black ink


Box 171 Item 6 Fact check


Box 171 Item 7 JW copyeditor's edits in green ink, MT responses in orange highlights, potential pull quotes highlighted in yellow


Box 171 Item 8 BRS changes in layout in black ink and yellow highlights, MT responses in orange highlights


Box 171 Item 9 TW changes in layout in black ink


Box 171 Item 10 SR changes in layout in lighter black ink, MT responses in darker black ink


Box 171 Item 11 MT edit 1 of KC intro


Box 171 Item 12 Email correspondence between MT, KC and May o Thompson on intro


Box 171 Item 13 Email correspondence between MT, KC and May o Thompson on interview


Box 171 Item 14 Greene Naftali May o Thompson checklist


Stephen Collier and Michael St John (Corresponding pages in magazine: 140-151):


Box 171 Item 1 Original transcript, black font, 10,738 words


Box 171 Item 2 MT edit 1, black font, edits in blue, 4,996 words


Box 171 Item 3 MSJ (Michael St John) edit 2, black font, edits in green, 5,029 words


Box 171 Item 4 SC (Stephen Collier) edit 3, black font, edits in gray highlights, 5,472 words


Box 171 Item 5 MT edit 4 with BRS edits, black font, BRS edits in blue ink and MT responses in orange highlights, 4,869 words


Box 171 Item 6 MT edit 4 with TW fact check, black font, fact check in pink highlights


Box 171 Item 7 Fact check


Box 171 Item 8 MT edit 5, black font, 4,869 words


Box 171 Item 9 BRS edit 6, black font, edits in red and gray highlights, 4,914 words


Box 171 Item 10 JW copyeditor's edits in layout in green ink, MT responses in blue ink


Box 171 Item 11 Potential pull quotes for TOC highlighted in yellow


Box 171 Item 12 TW changes in layout in black ink, MT responses in blue ink


Box 171 Item 13 MB changes in layout in green ink, MT responses in black ink and blue ink


Box 171 Item 14 SR changes in layout in pencil, MT responses in blue ink


Box 171 Item 15 Email correspondence between MT, MSJ and SC


Editor's Choice:


Wolf Vostell and Dick Higgins's Fantastic Architecture by Eva Diaz (Corresponding pages in magazine: 12):


Box 171 Item 1 Original draft with MT edits, black font, edits in black font, 581 words


Box 171 Item 2 MT edit 1, black font, edits in blue, 594 words


Box 171 Item 3 ED (Eva Diaz) edit 2, black font, edits in blue, 638 words


Box 171 Item 4 TW fact check of ED edit 2, facts to be checked marked in pink highlights


Box 171 Item 5 Fact check


Box 171 Item 6 JW copyeditor's edits in layout in green ink, MT responses in blue ink


Box 171 Item 7 SR, BRS and MB changes in layout, SR edits in lighter black ink, BRS edits in darker black ink, and MB changes in green ink


Box 171 Item 8 TW changes in layout


Box 171 Item 9 MB changes in layout in blue ink, MT responses in green highlights


Box 171 Item 10 SR changes in layout in pencil, MT responses in blue ink


Harry Bertoia's Complete Sonambient Collection by Steve Roden (Corresponding page in magazine: 13):


Box 171 Item 1 Original draft in email from SRoden (Steve Roden) with MT edits in black ink


Box 171 Item 2 MT edit 1, black font, edits in blue, 506 words


Box 171 Item 3 MT SRoden edit 2, edits in blue, 542 words


Box 171 Item 4 BRS edit 3, black font, 542 words


Box 171 Item 5 TW fact check, facts to be checked marked in pink highlights


Box 171 Item 6 Fact Check


Box 171 Item 7 BRS edits in layout in black ink


Box 171 Item 8 JW copyeditor's edits in layout in green ink, MT responses in blue ink


Box 171 Item 9 TW changes in layout in black ink, MT responses in blue ink


Box 171 Item 10 MB changes in layout in blue ink, MT responses in green highlights


Box 171 Item 10 SR changes in layout in pencil, MT responses in blue ink


John Wieners's Supplication: Selected Poems and Stars Seen in Person: Selected Journals by Patrick James Dunagan (Corresponding page in magazine: 14):


Box 171 Item 1 Original draft, black font, MT edits in black ink


Box 171 Item 2 MT edit 1, black font, edits in blue, 545 words


Box 171 Item 3 PD (Patrick Dunagan) edit 2, black font, edits in gold, 569 words


Box 171 Item 4 MT edit 3, black font, 568 words


Box 171 Item 5 TW fact check, facts to be checked marked in pink highlights


Box 171 Item 6 Fact check


Box 171 Item 7 BRS edit 4, edits in red in email to MT


Box 171 Item 8 JW copyeditor's edits in layout, MT responses in blue ink


Box 171 Item 9 TW changes in layout in black ink


Box 171 Item 10 BRS changes in layout in blue and black ink


Becca Blackwell's They, Themself and Schmerm by Amber Power (Corresponding page in magazine: 16):


Box 171 Item 1 Original draft, black font, 779 words


Box 171 Item 2 SR edit 1, black font, edits in blue, 769 words


Box 171 Item 3 AMP (Amber Power) edit 2, black font, edits in yellow highlights, 778 words


Box 171 Item 4 MB edit 3, black font, edits in red, SR edits in pencil and orange highlights, 796 words


Box 171 Item 5 JW copyeditor's edits in layout in green ink


Box 171 Item 6 TW fact check, facts to be checked in pink highlights


Box 171 Item 7 Fact check


Box 171 Item 8 MT edits in layout in blue ink, AMP edits in pencil


Box 171 Item 9 MB edits in layout in blue ink


Box 171 Item 10 SR edits in layout in pencil, AMP edits in layout in pencil


Box 171 Item 11 Changes entered in layout


Box 171 Item 12 Email correspondence between SR and The Wild Project to confirm image caption


Fred Dewey's The School of Public Life by Ammiel Alcalay (Corresponding page in magazine: 18):


Box 171 Item 1 Original draft, black font, MT edits in black ink, 467 words


Box 171 Item 2 MT edit 1, black font, edits in blue, 504 words


Box 171 Item 3 AA (Ammiel Alcalay) edit 2, edits in gray and yellow highlights, 504 words


Box 171 Item 4 BRS edit 3, black font, edits in black ink and yellow highlights


Box 171 Item 5 BRS edit 4, black font, edits and AA additions from edit 2 added in blue, 530 words


Box 171 Item 6 TW fact check, facts to be checked marked in pink highlights


Box 171 Item 7 Fact check


Box 171 Item 8 JW copyeditor's edits in layout in green ink, MT responses in blue ink


Box 171 Item 9 Change in layout in orange highlight


Box 171 Item 10 MB changes in layout in blue ink, SR responses in pencil


Box 171 Item 11 Additional MB changes in layout in blue ink, SR responses in pencil


Box 171 Item 12 SR changes in layout in pencil, MT responses in blue ink


Box 171 Item 13 MB changes in layout in blue ink, SR responses in pencil


Box 171 Item 14 AA bio


Cesar Alvarez's Futurity and Tim Grabham and Jasper Sharp's The Creeping Garden by Michael Blair (Corresponding page in magazine: 20):


Box 171 Item 1 SR edit 1, black font, edits in red, 650 words


Box 171 Item 2 SR edits in layout, edits in black ink, MB changes in green ink


Box 171 Item 3 MB changes in layout, edits in green ink


Box 171 Item 4 SR and MB changes entered, additional MB changes in green ink


Box 171 Item 5 TW fact check in pink highlights


Box 171 Item 6 Fact check


Box 171 Item 7 JW copyeditor's edits in green ink


Box 171 Item 8 TW edits in layout in black ink and SR changes in green highlights


Box 171 Item 9 MT edits in layout in blue ink


Box 171 Item 10 JW copyeditor's edits in green ink


Box 171 Item 11 SR email ticket order confirmation


Susan E Cahan's Mounting Frustrations: The Art Museum in the Age of Black Power by Terence Trouillot (Corresponding pages in magazine: 22-24):


Box 171 Item 1 Original draft, black font, 1,770 words


Box 171 Item 2 SR edit 1, black font, edits in green, 1,505 words


Box 171 Item 3 TT (Terence Trouillot) edit 2, black font, SR changes on first page in green, TT changes on last page in green, 1,442


Box 171 Item 4 BRS edit 3, black font, edits in red and gray highlights


Box 171 Item 5 SR edit 4, black font, edits in green, red and yellow highlights, 1,325 words


Box 171 Item 6 TT edit 5, black font, edits in red, 1,247 words


Box 171 Item 7 SR edit 6, black font, edits in yellow highlights, 1,191 words


Box 171 Item 8 TT edit 7, black font, edits in green, 1,232 words


Box 171 Item 9 SR edit 8, edits in red and yellow highlights, 1,231 words


Box 171 Item 10 TT edit 9, edits in green, 1,232 words


Box 171 Item 11 FINAL edit 10, black font, 1,244 words


Box 171 Item 12 Fact check


Box 171 Item 13 JW copyeditor's edits in layout in green ink, SR edits in black ink


Box 171 Item 14 BRS edits in layout in black ink


Box 171 Item 15 TW edits in layout in black ink, SR responses in pencil


Box 171 Item 16 MT edits in layout in blue ink, SR responses in pencil


Patricia Spears Jones's A Lucient Fire by Rachel Levitsky (Corresponding page in magazine: 24):


Box 171 Item 1 Original draft, black font, 475 words


Box 171 Item 2 BRS edit 2, black font, edits in blue, MT edits in blue ink, BRS edits in black ink, 496 words


Box 171 Item 3 TW fact check in pink highlights


Box 171 Item 4 Fact check


Box 171 Item 5 JW copyeditor's edits in layout in green ink, MT responses in blue ink


Box 171 Item 6 MT changes in layout in blue ink


Artists on Artists:


Fia Backstrom by Robert Fitterman (Corresponding pages in magazine: 130-131):


Box 171 Item 1 Original draft, black font, 492 words


Box 171 Item 2 MT edit 1, black font, edits in blue, 530 words


Box 171 Item 3 FB (Fia Backstrom) edit 2, black font 519 words


Box 171 Item 4 JW copyeditor's edits in layout black ink, MT responses in blue ink


Box 171 Item 5 SR and MT edits in layout, SR edits in pencil and MT edits in black ink and orange highlights


Box 171 Item 6 BRS changes in layout in black ink and yellow highlights


Box 171 Item 7 Images printed in layout


Box 171 Item 8 Email correspondence and edits between MT, FB and RF (Robert Fitterman)


Mike Goodlett by Ben Durham (Corresponding pages in magazine: 132-135):


Box 171 Item 1 Original draft, black font, 385 words


Box 171 Item 2 SR edit 1, black font, edits in blue and yellow highlights, 565 words


Box 171 Item 3 BD (Ben Durham) edit 2, black font, 538 words


Box 171 Item 4 SR edit 3, black font, edits in red, 541 words


Box 171 Item 5 JW copyeditor's edits in layout in green ink


Box 171 Item 6 MB edits in layout in black ink


Box 171 Item 7 Potential pull quotes highlighted in yellow highlights


Max Galyon by lacqueline Humphries (Corresponding pages in magazine: 136-139):


Box 171 Item 1 Original draft, black font, 157 words


Box 171 Item 2 SR edit 1, black font, 133 words


Box 171 Item 3 JW copyeditor's edits in layout in green ink


Box 171 Item 3 Changes in layout in black ink and pencil


Box 171 Item 4 BRS edits in layout in black ink and yellow highlights, MT responses in blue ink


Box 171 Item 5 Email correspondence between SR, Max Galyon and Jacqueline Humphries


First Proof:


Box 171 Item 1 Full JW copyedits of First Proof in layout, JW edits in red ink, MT and BRS responses and edits in black ink


Box 171 Item 2 Changes in TOC in layout in blue ink


Portfolio Angela Jaeger: from Silver Caution by Angela Jaeger (Corresponding pages in magazine: 67-69):


Box 171 Item 1 Color scans, 13 pages


"Individualism" by Natasha Soobramanien and Luke Williams (Corresponding pages in magazine: 82-90):


Box 171 Item 1 Original draft, black font, MT edits in black ink, potential pull quotes in green highlights


Box 171 Item 2 Email correspondence between MT and Natasha Soobramanien and Luke Williams


"Signor Hoffman" by Eduardo Halfon, translated from the Spanish by Daniel Hahn (Corresponding pages in magazine: 95-99):


Box 171 Item 1 Original draft, black font, edits in black ink


Box 171 Item 2 EH (Eduardo Halfon) edits in layout in gold highlights, MT responses in blue ink See PDF file on computer for full notes from EH


Box 171 Item 3 TW changes in layout


Box 171 Item 4 Email correspondence between MT, EH and Daniel Hahn


"Young Robert" by Patty Yumi Cottrell (Corresponding pages in magazine: 100-101):


Box 171 Item 1 Original draft, black font


Box 171 Item 2 Email correspondence between MT and Patty Yumi Cottrell


"On Dossiers, Permitting Shame, Error and Guilt, Myself the Single Source" by Brian Blanchfield (Corresponding pages in magazine: 78-81):


Box 171 Item 1 Original draft, black font, 4,373 words, edits in black ink


Box 171 Item 2 Edits in layout in yellow highlights and black ink


Box 171 Item 3 Email correspondence between MT and Brian Blanchfield


"George Washington" by Adam Fitzgerald (Corresponding page in magazine: 77):


Box 171 Item 1 Original draft, black font


"From The Autobiography of Jean Foos" by lessica Grim and Melanie Neilson (Corresponding pages in magazine: 92-93):


Box 171 Item 1 Original draft, black font


Box 171 Item 2 JW copyeditor's edits in layout in lighter black ink, MT responses in darker black ink and orange highlights


Box 171 Item 3 Email correspondence and edits between MT, Jessica Grim and Melanie Neilson


"We Believe in Regarding the Nature of Being" by Dawn Lundy Martin (Corresponding page in magazine: 91):


Box 171 Item 1 Original draft with MT edits in black ink


Box 171 Item 2 Email correspondence between MT and Dawn Lundy Martin


BOMB Specific:


Carolina Sandretto (Corresponding pages in magazine: 124-129):


Box 171 Item 1 Email correspondence between MT and SR and MT and CS (Carolina Sandretto)


Box 171 Item 2 Email correspondence between SR and CS with captions for images and description for TOC


Box 171 Item 3 Images in layout with changes and caption check in green ink


Frontmatter:


Box 171 Item 1 Final proofed copy, pages with final changes entered marked in top corner with blue highlights


Box 171 Item 2 TOC changes in layout


Box 171 Item 3 Alternate Cover Options


Box 171 Item 4 Author Bio edits


Box 171 Item 5 TOC changes and pull quote changes


Box 171 Item 6 Early page grid


Box 171 Item 7 Changes in masthead in layout


Box 171 Item 8 Changes in TOC


Box 171 Item 9 Changes in TOC pull quote


Box 171 Item 10 Changes in masthead


Box 171 Item 11 Pull quotes for TOC


Box 171 Item 12 Changes in patrons page


Box 171 Item 13 Changes in TOC


Box 171 Item 14 Changes in TOC


Box 171 Item 15 Changes in masthead


Issue 135


Interviews:


Shezad Dawood by Doug Ashford (Corresponding pages in magazine: 44-55):



Box 172 Item 1 Original transcript, black font, 11,286 words


Box 172 Item 2 SR (Sabine Russ) edit 1, black font, edits in red and yellow highlights, 9,573 words


Box 172 Item 3 SR edit 2, black font, edits in blue and yellow highlights, 15,463 words


Box 172 Item 4 SR edit 3, black font, edits in blue and yellow highlights, 7,665 words


Box 172 Item 5 SD (Shezad Dawood) edit 4, edits in green and blue with yellow and green highlights, 6,749 words


Box 172 Item 6 SD edit 5, black font, edits in green and blue, 5,676 words


Box 172 Item 7 SR edit 6, black font, edits in green with yellow and blue highlights, 5,621 words


Box 172 Item 8 MB (Michael Blair) edit 6, black font, edits in blue ink with yellow highlights for fact check and blue highlights for pull-quotes, 5,621 words


Box 172 Item 9 Fact Check by MB


Box 172 Item 10 SR edit 7, black font, edits in pencil and black ink with yellow and blue highlights, 5,312 words


Box 172 Item 11 MB changes in layout pre SD and DA (Doug Ashford)'s pass and pre copyedit in black ink with orange highlights


Box 172 Item 12 SD edit 8 post-layout, black font, edits in blue, 5,291 words


Box 172 Item 13 SD edit 8 post-layout, black font, edits in green with MB edits in green ink and SB edits in pencil, 5,291 words


Box 172 Item 14 DA edit 9 post-layout, black font, edits in blue, 5,223 words


Box 172 Item 15 DA edit 9 post-layout, black font, edits in green with SB edits in pencil, 5,223 words


Box 172 Item 16 SLF (Sophia Le Fraga) copyeditor changes in layout in red with SB's marks in blue ink


Box 172 Item 17 MB changes in layout in green ink with yellow highlights and SB's marks in pencil


Box 172 Item 18 CM (Chantal McStay) changes in layout in red ink with SB's marks in pencil and green ink


Box 172 Item 19 MT (Monica de la Torre) changes in layout in blue ink with yellow highlights and SB's marks in red ink and pencil


Box 172 Item 20 SB changes in layout in red ink


Box 172 Item 21 BRS (Betsy Sussler) changes in layout in red and black ink with yellow highlights and SB's marks in pencil


Box 172 Item 22 Email correspondence between SR, SD, DA, and GF (Gabriel Florenz)


Box 172 Item 23 "Shezad Dawood's Black Sun" Dazed article


Box 172 Item 24 "Shezad Dawood's Piercing Brightness" MoMA PS1 Blog article


Box 172 Item 25 It was a time that was a time Pioneer Works press release


Box 172 Item 26 It was a time that was a time Pioneer Works exhibition description


Box 172 Item 27 It was a time that was a time Pioneer Works exhibition catalogue


Christopher Sorrentino by Dana Spiotta (Corresponding pages in magazine: 98-103):


Box 172 Item 1 MT edit 1, black font, edits in blue ink, 3,531 words


Box 172 Item 2 MT edit 2, black font, edits in blue, 3,531 words


Box 172 Item 3 CM edit 2, black font, edits in black ink with pink and blue highlights for fact check, 3,531 words


Box 172 Item 4 Fact Check by CM


Box 172 Item 5 CS (Christopher Sorrentino) edit 3, black font, edits in blue, 3,614 words


Box 172 Item 6 DS (Dana Spiotta) edit 4, black font, edits in blue and yellow, 3,627 words


Box 172 Item 7 BRS edit 5, black font, edits in red with MT's marks in blue ink, 3,842 words


Box 172 Item 8 SLF copyeditor changes in layout in red with yellow highlights


Box 172 Item 9 CM changes in layout in black ink with yellow highlights


Box 172 Item 10 MB changes in layout in black and green ink


Box 172 Item 11 Email correspondence between MT and DS


Wendy Ewald by Esther Allen (Corresponding pages in magazine: 113-123):


Box 172 Item 1 Original transcript, black font, 11,692 words


Box 172 Item 2 WE (Wendy Ewald) + EA (Esther Allen) edit 2, black font, MT's marks in blue ink, 6,490 words


Box 172 Item 3 MT edit 3, black font, edits in blue, 5,737 words


Box 172 Item 4 WE edit 4, black font, edits in blue with MT's marks in blue ink, 5,797 words


Box 172 Item 5 Fact check by CM


Box 172 Item 6 CM edit 4, black font, edits in black ink


Box 172 Item 7 MT edit 5, black font, edits in blue and red, 5,178 words


Box 172 Item 8 WE edit 6 and fact check, black font, edits in blue, 5,178 words


Box 172 Item 9 BRS changes in layout in red ink with MT's marks in blue ink


Box 172 Item 10 SLF copyeditor changes in layout in red with MT's marks in blue ink


Box 172 Item 11 MB changes in layout in black ink with MT's marks in blue ink


Box 172 Item 12 SR changes in layout in red ink with MT's marks in blue ink


Box 172 Item 13 Email correspondence among MT, EA, and WE


Trevor Paglen and Jacob Appelbaum (Corresponding pages in magazine: 56-64):


Box 172 Item 1 Original transcript, black font, 7,581 words


Box 172 Item 2 MB edit 1, black font, edits in green with yellow highlights, 7,888 words


Box 172 Item 3 black font, edits in blue and green with yellow highlights, 5,851 words


Box 172 Item 4 SR edit 2, black font, edits in blue and green with yellow highlights, 5,849 words


Box 172 Item 5 SR edit 3, black font, edits in blue with yellow highlights, 4,075 words


Box 172 Item 6 SR edit 4, black font, MB's edits in green ink with yellow highlights, 4,056 words


Box 172 Item 7 Fact check by MB


Box 172 Item 8 CM edit 4, black font, edits in black ink with yellow highlights, 4,056 words


Box 172 Item 9 SR edit 5, black font, edits in blue with yellow highlights, 4,041 words


Box 172 Item 10 SR edit 6 post layout, black font, edits in red with yellow highlights, 4,336 words


Box 172 Item 11 BRS changes in layout in red ink with SR's marks in pencil


Box 172 Item 12 SLF copyeditor changes in layout in red with SR's marks in pencil


Box 172 Item 13 CM and MB changes in layout, CM's edits in red ink and MB's edits in black ink with SR's marks in pencil


Box 172 Item 14 MT's changes in layout in blue ink with SR's marks in red ink


Box 172 Item 15 Email correspondence among SR, WB (Wenzel Bilger), NW (Natalie Wichmann), and TP (Trevor Paglen)


Box 172 Item 16 Goethe-Institut NY Interdisciplinary Symposium on Surveillance press release


Box 172 Item 17 Goethe-Institut NY Images of Surveillance postcard


Box 172 Item 18 Tor factsheet


Box 172 Item 19 Darknet Wikipedia article


Box 172 Item 20 "Autonomy Cube" Edith-Russ-Haus article


Box 172 Item 21 Goethe-Institut NY Images of Surveillance schedule


Box 172 Item 22 Marcus Steinweg original transcript, black font, 2049 words, 2049


Box 172 Item 23 Marcus Steinweg MB edit 1, black font, yellow highlights with SR's marks with pencil, 2,719 words


Sadie Benning by Lia Gangitano (Corresponding pages in magazine: 33-43):


Box 172 Item 1 Original transcript, black font, 8,868 words


Box 172 Item 2 SB (Sadie Benning and LG (Lia Gangitano) edit 1, black font, 5,257 words


Box 172 Item 3 MT edit 2, black font, edits in blue and red, 4,214 words


Box 172 Item 4 SB edit 2, black font, edits in black, 5,288 words


Box 172 Item 5 MT edit 3, black font, edits in blue, 4,055 words


Box 172 Item 6 Fact check by CM


Box 172 Item 7 CM edit 3, black font, edits in black ink with yellow highlights, 4,055 words


Box 172 Item 8 MT edit 4, black font, edits in blue, 4,055 words


Box 172 Item 9 MT edit 5, black font, edits in blue, 4,002 words


Box 172 Item 10 LG edit 5, black font, edits in blue and black ink, 4,068 words


Box 172 Item 11 BRS changes in layout in red and black ink


Box 172 Item 12 SLF copyeditor changes in layout in green ink with MT's marks in black ink


Box 172 Item 13 MB changes in layout in black ink with yellow highlights


Box 172 Item 14 CM changes in layout in black and red ink


Box 172 Item 15 SR changes in layout in pencil with MT's marks in blue ink


Box 172 Item 16 LG introduction edit 1, black font, 233 words


Box 172 Item 17 MT introduction edit 1, black font, edits in black with pink highlights, 233 words


Box 172 Item 18 CM introduction fact check


Box 172 Item 19 CM introduction edit 2, black font, edits in red with yellow highlights, 185 words


Box 172 Item 20 LG introduction edit 2, black font, edits in red and blue with yellow highlights, 188 words


Box 172 Item 21 MT introduction edit 3, black font, edits in blue ink with yellow highlights, 188 words


Box 172 Item 22 MT changes to introduction in layout in green ink


Box 172 Item 23 Email correspondence among MT, SB, and PG (Photios Giovanis)


Alvaro Enrigue by Scott Esposito (Corresponding pages in magazine: 86-91):


Box 172 Item 1 Original transcript, black font, 7,664 words


Box 172 Item 2 MT edit 1, black font, edits in blue ink, 6,262 words


Box 172 Item 3 SE (Scott Esposito) edit 2, black font, edits in red and blue, 5,097 words


Box 172 Item 4 MT edit 3, black font, edits in blue, 5,055 words


Box 172 Item 5 Fact Check by CM


Box 172 Item 6 CM edit 3, black font, edits in black ink with blue and green highlights, 5,055 words


Box 172 Item 7 Final edit, black font, 5,048 words


Box 172 Item 8 MB's changes in layout in green and black ink with MT's marks in blue ink


Box 172 Item 9 CM changes in layout in black ink with MT's marks in blue ink


Box 172 Item 10 BRS changes in layout in red with MT's marks in blue ink


Box 172 Item 11 CM changes in layout in black ink with yellow highlights


Box 172 Item 12 SR changes in layout in green ink with MT's marks in blue ink


Box 172 Item 13 Email correspondence among MT, AE (Alvaro Enrigue), and CM


Box 172 Item 14 MT edit 1 of JM introduction


Box 172 Item 15 JM edit 2 of introduction with TW fact check in pink highlights


Box 172 Item 16 Excerpts of JM translations of May lis de Kerangal's fiction, originally for publication in BOMB 133 fall, 2015


Ryan Trecartin by Sarah Lehrer-Graiwer (Corresponding pages in magazine: 138-149):


Box 172 Item 1 Original transcript, black font, 12,851 words


Box 172 Item 2 MT edit 1, black font, edits in blue, 7,587 words


Box 172 Item 3 SLG (Sarah Lehrer-Graiwer) edit 2, black font, edits in orange, 4,866 words


Box 172 Item 4 Fact check by CM


Box 172 Item 5 CM edit 3, black font, edits in black ink with yellow highlights, 4,866 words


Box 172 Item 6 RT (Ryan Trecartin) edit 3, black font, MT's marks in blue ink, 4,804 words


Box 172 Item 7 MT edit 4, black font, CM's marks in black ink, 4,945 words


Box 172 Item 8 SLG edit 5, black font, edits in blue, 4,965 words


Box 172 Item 9 RT edit 6, black font, edits in red, 4,945 words


Box 172 Item 10 BRS edit 7, black font, edits in red with MT's marks in blue ink, 4,945 words


Box 172 Item 11 MB edit 7, black font, edits in blue ink with MT's marks in black ink, 4,945 words


Box 172 Item 12 Image captions


Box 172 Item 13 SLF copyeditor changes in layout in green ink with MT's marks in blue ink


Box 172 Item 14 MB changes in layout in black ink with yellow highlights and MT's marks in blue ink


Box 172 Item 15 CM changes in layout in black and red ink


Box 172 Item 16 SR changes in layout in pencil with MT's marks in blue ink


Box 172 Item 17 RT studio changes in layout in red with MT's marks in blue ink


Box 172 Item 18 Email correspondence among SR, MT, and Andrea Rosen Gallery


Vijay Iyer by Mendi + Keith Obadike (Corresponding pages in magazine: 124-131):


Box 172 Item 1 Original transcript, black font, 5,902 words


Box 172 Item 2 SR edit 1, black font, edits in blue and green with yellow highlights, 5,060 words


Box 172 Item 3 Fact check by MB


Box 172 Item 4 MKO (Mendi + Keith Obadike) edit 2 and SR edit 3, black font, edits in blue and green with yellow highlights, 5,060 words


Box 172 Item 5 SR edit 4, black font, edits in green with yellow highlights, 5,027 words


Box 172 Item 6 SR edit 5 with TW, black font, yellow highlights, 5,030 words


Box 172 Item 7 VI (Vijay Iyer) edit 6, black font, edits in green


Box 172 Item 8 BRS changes in layout, BRS's edits in black ink, SR's edits in blue ink, and MB's edits in green ink


Box 172 Item 9 SLF copyeditor changes in layout in red with SR's marks in pencil


Box 172 Item 10 MB changes in layout in black ink


Box 172 Item 11 MB changes in layout in black ink


Box 172 Item 12 CM changes in layout in black ink


Box 172 Item 13 MT changes in layout in blue ink with SR's marks in red ink and pencil


Box 172 Item 14 SR introduction edit 1, black font, edits in green


Box 172 Item 15 MKO introduction edit 2, black font, 241 words


Box 172 Item 16 SR introduction edit 3, black font, edits in green with MB's marks in green ink and yellow highlights, 239 words


Box 172 Item 17 Email correspondence among SR, MC (Meryl Cates), and SC (Stephen Cohen)


Box 172 Item 18 Vijay Iyer/Wadada Leo Smith performance description


Box 172 Item 19 Met Vijay Iyer Artist in Residence page


Box 172 Item 20 Met Museum 2015-2016 Season press release, 2015-2016


Ivan Vladislavic by Katie Kitamura (Corresponding pages in magazine: 72-78):


Box 172 Item 1 Original transcript, black font, 4,475 words


Box 172 Item 2 MB edit 1, black font, edits in green with yellow highlights, 4,442 words


Box 172 Item 3 SR edit 2, black font, edits in green and blue, 4,234 words


Box 172 Item 4 SR edit 3, black font, edits in blue with yellow highlights, 4,235 words


Box 172 Item 5 KK (Katie Kitamura) edit 4, black font, edits in blue with yellow highlights, 4,468 words


Box 172 Item 6 SR edit 5, black font, edits in green and blue with yellow highlights, 4,391 words


Box 172 Item 7 SR edit 6, black font, edits in blue and red


Box 172 Item 8 IV (Ivan Vladislavic) edit 7, black font, IV's additions in yellow highlight, 4,500 words


Box 172 Item 9 SR edit 8, black font, edits in blue and green with yellow highlights, 4,500 words


Box 172 Item 10 Fact check by MB


Box 172 Item 11 KK edit 9, black font, edits in blue, 4,500 words


Box 172 Item 12 SR edit 10, black font, 4,655 words


Box 172 Item 13 BRS edit 11, black font, edits in green, 4,655 words


Box 172 Item 14 SR edit 12 pre-final, black font, edits in pencil with MB's marks in blue ink, 4,556 words


Box 172 Item 15 MB changes in layout in green ink


Box 172 Item 16 CM changes in layout in black ink with yellow highlights


Box 172 Item 17 KK changes in layout (email) with SR's marks in pencil


Box 172 Item 18 MB changes in layout in green ink


Box 172 Item 19 Email correspondence between SR and KK


Box 172 Item 20 Community Bookstore event description from Archipelago website


Yorgos Lanthimos by Peter Strickland (Corresponding pages in magazine: 150-159):


Box 172 Item 1 Original transcript, black font, 8,372 words


Box 172 Item 2 MB edit 1, black font, edits in green with yellow highlights, 5,365 words


Box 172 Item 3 SR edit 2, black font, edits in green and blue with yellow highlights, 4,009 words


Box 172 Item 4 SR edit 3, black font, edits in blue with yellow highlights, 4,001 words


Box 172 Item 5 PS (Peter Strickland) edit 4, black font, edits in green and blue with yellow highlights, 4,001 words


Box 172 Item 6 SR edit 5, black font, edits in red ink with MB's marks in blue and green ink and yellow highlights, 4,001 words


Box 172 Item 7 Fact Check by MB


Box 172 Item 8 YL (Yorgos Lanthimos) and PS edit 6, black font, edits in blue with blue highlights, 3,828 words


Box 172 Item 9 SR edit 6, black font, edits in blue and green and pencil with yellow and blue highlights, 3,990 words


Box 172 Item 10 SR edit 7, black font, yellow highlights, 3,990 words


Box 172 Item 11 BRS changes in layout in black ink and pencil with SR's marks in green ink


Box 172 Item 12 MB changes in layout in green and black ink


Box 172 Item 13 SLF copyeditor changes in layout in red with SR's marks in pencil


Box 172 Item 14 CM changes in layout in red ink with SR's marks in blue ink


Box 172 Item 15 MB introduction edit 1, black font, edits in blue, 482 words


Box 172 Item 16 SR introduction edit 2, black font, edits in green and pencil, 667 words


Box 172 Item 17 SR introduction edit 3, black font, 207 words


Box 172 Item 18 YL introduction edit 4, black font, 230 words


Box 172 Item 19 Alchemy packet for The Lobster


Box 172 Item 20 Email correspondence among MT, SR, Jennifer Lopez, Vincent Scordino, Brooke Ford, Emilie Spiegel, Alaina Selvaggio, and Peter Strickland


Editor's Choice:


Andrew Blauvelt's Hippie Modernism: The Struggle for Utopia by Clinton Krute (Corresponding pages in magazine: 25-27):


Box 172 Item 1 Original draft, black font, 916 words


Box 172 Item 2 MT edit 1, black font, edits in blue, 902 words


Box 172 Item 3 MB edit 2, black font, edits in blue ink with yellow highlights, 902 words


Box 172 Item 4 Fact check by MB


Box 172 Item 5 CM edit 2, black font, edits in red ink, 902 words


Box 172 Item 6 MT edit 3, black font, 875 words


Box 172 Item 7 BRS edit 4, black font, edits in gray, 875 words


Box 172 Item 8 SLF copyeditor changes in layout in red with CM's marks in blue ink


Box 172 Item 9 MB changes in layout in green ink with MT's marks in blue ink


David Means's Hystopia by Chantal McStay (Corresponding pages in magazine: 28):


Box 172 Item 1 MT edit 1, black font, edits in blue ink, 543 words


Box 172 Item 2 CM edit 2, black font, edits in blue and red, 553 words


Box 172 Item 3 MT edit 3, edits in yellow highlight with CM's marks in black ink, 553 words


Box 172 Item 4 BRS edit 4, black font, edits in black ink with CM's marks in red ink and MT's marks in blue ink, 553 words


Box 172 Item 5 Final version, black font, 571 words


Box 172 Item 6 SLF copyeditor changes in layout in red with CM's marks in blue ink


Box 172 Item 7 MB's changes in layout in green ink with CM's marks in blue ink


Kari Cwynar and Kendra Sullivan's Accompaniment by Charity Coleman (Corresponding pages in magazine: 29):


Box 172 Item 1 CM edit 1, black font, edits in black ink, 627 words


Box 172 Item 2 Fact check by CM


Box 172 Item 3 BRS edit 2, black font, edits in black ink, 673 words


Box 172 Item 4 MB edit 3, black font, edits in black ink with MT's marks in blue ink, 673 words


Box 172 Item 5 MB changes in layout in green ink


Box 172 Item 6 SLF copyeditor changes in layout in red with CM's marks in blue ink


Box 172 Item 7 CM changes in layout in blue ink with yellow highlights


Box 172 Item 8 Email correspondence between MT and CC (Charity Coleman]


Mohsen Namjoo by Roja Heydarpour (Corresponding pages in magazine: 30):


Box 172 Item 1 Page placeholder draft, black font


Box 172 Item 2 Page placeholder in layout with SLF copyeditor's marks in red and CM's marks blue ink


Josef Kaplan's Poem Without Suffering by Ted Dodson (Corresponding pages in magazine: 18):


Box 172 Item 1 TD (Ted Dodson) draft, black font, 868 words


Box 172 Item 2 CM edit 2 and MT edit 3, black font, CM's marks in red and MT's marks in blue, 738 words


Box 172 Item 3 TD edit 4, black font, 595 words


Box 172 Item 4 CM edit 5, black font, edits in red ink, 595 words


Box 172 Item 5 MT edit 5, black font, 600 words


Box 172 Item 6 BRS edit 6, black font, edits in gray, 600 words


Box 172 Item 7 MB edit 6, black font, edits in black ink with yellow and blue highlights, 600 words


Box 172 Item 8 CM changes in layout in blue ink


Box 172 Item 9 MB changes in layout in green ink


Box 172 Item 10 Email correspondence between CM and TD


Charles Simonds's Dwellings by Stephanie Weber (Corresponding pages in magazine: 32):


Box 172 Item 1 Original draft, black font, MT's edits in black ink, 538 words


Box 172 Item 2 MT edit 1, black font, edits in blue, 538 words


Box 172 Item 3 SW edit 2, black font, edits in blue and green, 691 words


Box 172 Item 4 MT edit 3, black font, edits in blue, 697 words


Box 172 Item 5 SW edit 4, black font, 656 words


Box 172 Item 6 BRS edit 5, black font, edits in gray, 656 words


Box 172 Item 7 CM edit 6, black font, edits in black ink with MT's marks in blue ink, 656 words


Box 172 Item 8 Fact check by CM


Box 172 Item 9 SLF copyeditors changes in layout in red with CM's marks in blue ink


Artists on Artists:


Naufus Ramirez-Figueroa by Regina Jose Galindo (Corresponding pages in magazine: 132-134):


Box 172 Item 1 MT edit 1, black font, edits in black ink, 504 words


Box 172 Item 2 MT edit 2, black font, edits in blue ink, 579 words


Box 172 Item 3 MT edit 3 with translation by MT, black font, 549 words


Box 172 Item 4 CM edit 3, black font, edits in black ink with yellow highlights, 549 words


Box 172 Item 5 Fact check by CM


Box 172 Item 6 MT edit 4, black font, 566 words


Box 172 Item 7 SR edit 4, black font, edits in black ink with yellow highlights, 566 words


Box 172 Item 8 MT edit 5, black font, 633 words


Box 172 Item 9 SLF copyeditor changes in layout in red


Box 172 Item 10 BRS changes in layout in red ink with MT's marks in blue ink


Box 172 Item 11 CM changes in layout in red ink with SR's marks in blue ink


Anna KE by Ben Durham (Corresponding pages in magazine: 135-137):


Box 172 Item 1 CF (Corrine Fitzpatrick) edit 1, black font, 366 words


Box 172 Item 2 CF edit 2, black font, 515 words


Box 172 Item 3 SR edit 3, black font, 528 words


Box 172 Item 4 Final edit, black font, 534 words


Box 172 Item 5 Fact check by MB


Box 172 Item 6 SLF copyeditor changes in layout in red


Box 172 Item 7 BRS changes in layout in red ink


Box 172 Item 8 CM changes in layout in red ink with SR's marks in blue ink


Box 172 Item 9 MB changes in layout in black ink with yellow highlights


First Proof:


from Dispatches from Moments of Calm by Alexander Kluge and Gerhard Richter (Corresponding pages in magazine: 67-71):


Box 172 Item 1 CM edit 1, black font, edits in black ink, 1,734 words


Box 172 Item 2 MT edit 1, black font, edits in blue, 1,734 words


Box 172 Item 3 SLF copyeditor changes in layout (includes TOC) in red


Box 172 Item 4 MB changes in layout in black ink


Box 172 Item 5 Emai correspondence among CM, MT, BS (Bishan Samaddar), and NK (Naveen Kishore)


Box 172 Item 6 Printout of Dispatches from Moments of Calm with MT and SR's notes in pencil


"Susan Sontag" and "The Fourth Annual Jean Seberg International Film Festival" by Kate Zambreno (Corresponding pages in magazine: 79-81):


Box 172 Item 1 Original draft, black font, MT edits in pencil, 702 words and 1,431 words


Box 172 Item 2 MT edit 1, black font, edits in blue, 713 words and 1,426 words


Box 172 Item 3 KZ (Kate Zambreno) edit 2, black font, edits in blue and red, 693 words and 1,404 words


Box 172 Item 4 CM edit 3, black font, edits in black ink with blue and red highlights, 693 words and 1,404 words


Box 172 Item 5 Fact check by CM


Box 172 Item 6 SLF copyeditor changes in layout in red with MT's marks in blue ink and CM's marks in black ink


Box 172 Item 7 Email correspondence among MT, CM, and KZ


"T R A N S M I G R A T I 0 N" and "By Now" by Joan Retallack (Corresponding pages in magazine: 82-85):


Box 172 Item 1 Original draft, black font, 1,399 words


Box 172 Item 2 Fact check by CM


Box 172 Item 3 Final version, black font, 1,302 words


Box 172 Item 4 SLF copyeditor changes in layout in red


Box 172 Item 5 Email correspondence among MT, CM, and JR (Joan Retallack)


"Marcy" by Domenick Ammirati (Corresponding pages in magazine: 92-95):


Box 172 Item 1 CM edit 1, black font, edits in black ink with yellow highlights, 3,938 words


Box 172 Item 2 MT edit 1, black font, edits in blue, 3,942 words


Box 172 Item 3 DA (Domenick Ammirati) edit 2, black font, edits in blue, 3,995 words


Box 172 Item 4 SLF copyeditor changes in layout in red with CM's marks in red and black ink


Box 172 Item 5 MB changes in layout in black ink with CM's marks in red ink and MT's marks blue ink


Box 172 Item 6 Email correspondence among MT, CM, and DA


"The Gay Philosopher," "Dark Alibi," and "Text Trek" by John Ashbery (Corresponding pages in magazine: 96-97):


Box 172 Item 1 Original draft, black font, 434 words


Box 172 Item 2 SLF copyeditor changes in layout in red


Box 172 Item 3 layout with updated bio


Box 172 Item 4 Email correspondence among MT, CM, ES (Emily Skillings), and DK (David Kermani)


from The Pirate Who Does Not Know the Value of Pi by Eugene Ostashevsky (Corresponding pages in magazine: 104-106):


Box 172 Item 1 Original submission, black font, 3,883 words


Box 172 Item 2 Final version, black font, 1,156 words


Box 172 Item 3 SLF copyeditor changes in layout in red


Box 172 Item 4 Email correspondence among MT, CM, and EO (Eugene Ostashevsky)


"Dancing on My Own," "Fear of Description," and "Land Sport" by Dan Poppick (Corresponding pages in magazine: 107-109):


Box 172 Item 1 Original submission, black font, 1,287 words


Box 172 Item 2 SLF copyeditor changes in layout in red


Box 172 Item 3 MT changes in layout in pink


Box 172 Item 4 Email correspondence among MT, CM, and DP (Dan Poppick)


Frontmatter:


Box 172 Item 1 Masthead changes


Box 172 Item 2 Contributor bios original


Box 172 Item 3 Contributor bios updated


Box 172 Item 4 Contributor bios updated SR edit 1


Box 172 Item 5 Contributor bios for layout


Box 172 Item 6 Contributor bios fact check


Box 172 Item 7 Contributor bios final


Box 172 Item 8 TOC quotes SR edit 1


Box 172 Item 9 TOC quotes staff picks 1


Box 172 Item 10 TOC quotes MT edit 2


Box 172 Item 11 TOC quotes SR edit 3


Box 172 Item 12 TOC quotes BRS edit 3


Box 172 Item 13 BRS frontmatter changes in layout in red ink


Box 172 Item 14 SLF copyeditor frontmatter changes in layout in red


Box 172 Item 15 CM frontmatter changes in layout in red ink with SR's marks in pencil


Box 172 Item 16 MB frontmatter changes in layout in green ink


Issue 136


Interviews:


Lawrence Paul Yuxweluptun by Ammiel Alcalay (Corresponding pages in magazine: 33-45):



Box 173 Item 1 Original transcript with SR (Sabine Russ) comments, black font, SR comments in blue font on page 1,9,486 words


Box 173 Item 2 AA (Ammiel Alcalay) edit 1, black font, 4,847 words


Box 173 Item 3 SR edit 2 and AA edit 3, black font, SR edits in green with yellow highlights, AA edits reflected in pencil, and MB (Michael Blair) edits in black ink, 4,420 words


Box 173 Item 4 SR edit 4, black font, MB's edits in light black ink and SR's edits in dark black ink and red pencil, 4,413 words


Box 173 Item 5 SR edit 5, black font, MB's edits in light black ink and blue highlights for fact check, 4,410 words


Box 173 Item 6 AA edit 6 to LPY (Lawrence Paul Yuxweluptun), black font, 4,410 words


Box 173 Item 7 SR edit 7 and MB fact check, black font, SR's edits in green and pullquote in yellow highlights, MB's fact check in blue highlights, 4,410 words


Box 173 Item 8 Fact Check by MB


Box 173 Item 9 Caption list, email correspondence between SR and SC (Sarah Cruickshank), and updated caption changes


Box 173 Item 10 SR edit 8 with remaining fact check changes entered, black font, edits in green, 4,416 words


Box 173 Item 11 SR edit 9 with additional changes before layout, black font, edits in green, 4,402 words


Box 173 Item 12 SR CE (Sarah Resnick) copyeditor changes in layout in red, SR's (Sabine Russ) marks in black ink, MB's spot check in blue ink and blue highlights


Box 173 Item 13 BRS (Betsy Sussler) changes in layout in black ink


Box 173 Item 14 BRS changes in layout for introduction in yellow highlights, CM (Chantal McStay) changes in red ink, SR's marks in pencil


Box 173 Item 14 MB's spot check in blue ink


Box 173 Item 15 CM's spot check in red ink


Box 173 Item 16 MT changes in layout in black ink, SR's marks in red ink


Box 173 Item 17 Image reproduction contract from National Gallery Canada


Box 173 Item 18 Email correspondence between AA and SR with AA's changes


Box 173 Item 19 Information on LPY's exhibition at the Museum of Anthropology at the University of British Columbia


Wadada Leo Smith by John Corbett (Corresponding pages in magazine: 46-56):


Box 173 Item 1 Original transcript, black font, 7,194 words


Box 173 Item 2 MB edit 1, black font, 7,056 words


Box 173 Item 3 SR edit 2, black font, edits in green and blue, stopped after page 4 to send to JC (John Corbett), 6,966 words


Box 173 Item 4 JC edit 3, black font, edits in green, SR marks in black ink, 5,404 words


Box 173 Item 5 JC edit 4 with introduction, black font, 5,765 words


Box 173 Item 6 SR edit 5 after JC, black font, edits in green, SR and MB's additional changes in black ink


Box 173 Item 7 SR edit 5 to JC, black font, edits in blue, 5,292 words


Box 173 Item 8 Fact check by MB with SR's marks in black ink


Box 173 Item 9 JC 6 (stapled with fact check) with JC's edits in green, and MB's highlights in blue for fact check, 5,237 words


Box 173 Item 10 SR edit 7, black font, edits in green with some edits by SA (Saul Anton) brought over from SA's edit, 4,942 words


Box 173 Item 11 SR CE copyeditor's changes in layout in red ink, SR's marks in pencil


Box 173 Item 12 BRS changes in layout in black ink, SR's marks in pencil


Box 173 Item 13 CM changes in layout in red ink, SR's marks in pencil


Box 173 Item 14 MT changes in layout in blue ink, SR's marks in red ink, and MB's spot check in black ink


Box 173 Item 15 Spot check of introduction in layout


Box 173 Item 16 Email correspondence between JC and SR reflecting changes by JC and WLS (Wadada Leo Smith) and MB's edits and spot check


Box 173 Item 17 Email correspondence between JC and SR reflecting changes to captions in layout


Box 173 Item 18 ECM Records press release for A Cosmic Rhythm With Each Stroke by Vijay Iyer and Wadada Leo Smith


Dmitry Krymov by John Freedman (Corresponding pages in magazine: 57-64):


Box 173 Item 1 Original Russian transcript, black font, 11,024 words


Box 173 Item 2 Russian edit 1, black font, 10,249 words


Box 173 Item 3 JF edit 1, black font, 5,036 words


Box 173 Item 4 CM edit 2, black font, edits in red ink with MT's marks in black ink, 5,036 words


Box 173 Item 5 MT edit 2, black font, edits in blue, 4,941 words


Box 173 Item 6 CM edit 3, black font, edits in red ink with yellow highlights, 4,941 words


Box 173 Item 7 Fact Check by CM


Box 173 Item 8 JF edit 4, black font, edits in blue, 5,263 words


Box 173 Item 9 MT edit 5, black font, edits in blue and green, 4,768 words


Box 173 Item 10 JF edit 6, black font, edits in blue, 4,812 words


Box 173 Item 11 CM captions edit


Box 173 Item 12 SRC copyeditor changes in layout in red ink with MT's marks in blue ink


Box 173 Item 13 BRS changes in layout in black ink


Box 173 Item 14 MB changes in layout in blue ink


Box 173 Item 15 SR changes in layout in black ink with MT's marks in blue ink


Box 173 Item 16 Email correspondence between BRS and Elizabeth Diamond


Box 173 Item 17 Email correspondence among BRS, DK (Dmitry Krymov), Inna Krymova, and Barbara Landers


Box 173 Item 18 Trust for Mutual Understanding 30th Anniversary Conference materials


Patricia Treib by Joe Fyfe (Corresponding pages in magazine: 65-72):


Box 173 Item 1 Original transcript, black font, 15,232 words


Box 173 Item 2 JF (Joe Fyfe) edit 1, black font, edits in gray, 7,274 words


Box 173 Item 3 SR edit 2, black font, edits in blue, 7,095 words


Box 173 Item 4 SR edit 3, black font, edits in blue, 3,905 words


Box 173 Item 5 JF edit 4, black font, edits in gray, 3,884 words


Box 173 Item 6 SR edit 5, black font, edits in blue, 3,886 words


Box 173 Item 7 SR edit 55, black font, edits in blue ink reflecting PT's (Patricia Treib) changes


Box 173 Item 8 PT edit 6, black font, edits in red and blue ink, MB edits in blue ink, 3,789 words


Box 173 Item 9 SR edit 7, black font, edits in blue and green, 4,026 words


Box 173 Item 10 SR edits of JF introduction, black font, edits in green and black ink with fact check by MB in blue highlights and blue ink


Box 173 Item 11 PT edit 8, black font, edits in green with fact check by MB in blue highlights


Box 173 Item 12 Fact check by MB


Box 173 Item 13 SR CE copyeditor's changes in layout in red ink, SR's marks in pencil, MB spot check in blue ink


Box 173 Item 14 CM changes in layout in red ink, SR's marks in black ink


Box 173 Item 15 SR changes in layout in pencil, reflecting changes suggested by PT


Box 173 Item 16 MB changes in layout in blue ink, SR's marks in black and red ink


Box 173 Item 17 Email correspondence between SR and PT reflecting PT's suggested changes in layout


Box 173 Item 18 Email correspondence between SR and SR CE reflecting SR CE's suggested changes in layout


Box 173 Item 19 Email correspondence between SR and BRS reflecting BRS's suggested changes in layout


Box 173 Item 20 MT changes in layout in darker black ink with SR's marks in lighter black ink


Box 173 Item 21 List of images and captions


Box 173 Item 22 Email correspondence between MT and SR


Lee Clay Johnson by Jay Varner (Corresponding pages in magazine: 78-85):


Box 173 Item 1 Original transcript, black font, 6,444 words


Box 173 Item 2 SR edit 1, black font, edits in green, 4,549 words


Box 173 Item 3 JV (Jay Varner) edit 2 with introduction, black font, edits in green, 4,549 words


Box 173 Item 4 LCJ (Lee Clay Johnson) edit 3, black font, edits in green, 4,515 words


Box 173 Item 5 SR edit 4, black font, MB highlights for fact check in blue and edits in black ink, 4,497 words


Box 173 Item 6 Fact check by MB, SR's marks in black ink


Box 173 Item 7 MB changes in layout in blue ink


Box 173 Item 8 SR CE copyeditors changes in layout in red ink, SR's marks in pencil, MB spot check in blue ink


Box 173 Item 9 MB changes and additional spot check in layout in blue ink, SR's marks in red ink


Box 173 Item 10 BRS changes in layout in blue ink, SR's marks in red ink


Box 173 Item 11 CM changes in layout in red ink, SR's marks in black ink


Box 173 Item 12 MT changes in layout in blue and black ink, SR's marks in red ink


Box 173 Item 13 Spot check by MB


Box 173 Item 14 Email correspondence between SR, LCJ, and JV reflecting LCJ's changes


Box 173 Item 15 Email correspondence between SR, LCJ, and JV reflecting queries after layout


Jesse Ball and Catherine Lacey (Corresponding pages in magazine: 102-109):


Box 173 Item 1 Original transcript, black font, 14,062 words


Box 173 Item 2 CL (Catherine Lacey) edit 2, black font, 4,762 words


Box 173 Item 3 CM edit 3, black font, edits in red ink, 4,762 words


Box 173 Item 4 Fact Check by CM


Box 173 Item 5 CL edit 4, black font, yellow highlights, 4,694 words


Box 173 Item 6 SR and MB changes in layout with MB's marks in blue ink and SR's marks in black ink


Box 173 Item 7 Email correspondence among MT, CM, CL, and JB (Jesse Ball)


Jason Simon by Claire Pentecost (Corresponding pages in magazine: 144-152):


Box 173 Item 1 JS (Jason Simon) edit 1, black font with MT's marks in black ink, 4,739 words


Box 173 Item 2 MT edit 2, black font, edits in blue, 4,739 words


Box 173 Item 3 JS edit 3, black font, edits in blue, 5,068 words


Box 173 Item 4 CM edit 4, black font, edits in red ink, 5,068 words


Box 173 Item 5 Fact Check by CM


Box 173 Item 6 MT final edit, black font, 4,904 words


Box 173 Item 7 SRC copyeditor changes in layout in red ink with MT's marks in blue ink


Box 173 Item 8 CM's changes in layout in red and black ink


Box 173 Item 9 MB's changes in layout in blue ink


Box 173 Item 10 BRS changes in layout via email with MT's marks in blue ink


Box 173 Item 11 JS changes in layout via email


Box 173 Item 12 Email correspondence among JS, CM, MT, and CP (Claire Pentecost)


Vince Staples by Simone White (Corresponding pages in magazine: 153-159):


Box 173 Item 1 Original transcript, black font, 11,461 words


Box 173 Item 2 MT edit 1, black font, edits in blue, 5,141 words


Box 173 Item 3 CM edit 2, black font, edits in red ink, 5,253 words


Box 173 Item 4 SW edit 2, black font, edits blue and purple, 5,141 words


Box 173 Item 5 SW edit 3, black font, edits in blue and purple, 5,141 words


Box 173 Item 6 CM edit 4, black font, edits in red ink, 5,625 words


Box 173 Item 7 SW edit 5, black font, edits in blue and purple with yellow highlights, 4,394 words


Box 173 Item 8 CM edit 6, black font, edits in red ink with yellow highlights, 4,394 words


Box 173 Item 9 Fact Check by CM


Box 173 Item 10 Ted Dodson (TD) edit 6, black fonts, edits in pencil, 4,394 words


Box 173 Item 11 Vince Staples (VS) edit 6, black font, edits in blue, 4,394 words


Box 173 Item 12 MT final edit, black font, edits in blue, 4,798 words


Box 173 Item 13 SW intro edit 1, black font, 338 words


Box 173 Item 14 MT intro edit 2, edits in blue ink, 338 words


Box 173 Item 15 SW intro edit 3, black font, edits in blue, 281 words


Box 173 Item 16 CM intro edit 4, black font, edits in red ink, 382 words


Box 173 Item 17 MT final intro edit, black font, 382 words


Box 173 Item 18 SRC copyeditor changes in layout in red ink with MT's marks in blue ink


Box 173 Item 19 MB's changes in layout in blue ink


Box 173 Item 20 BRS changes in layout via email with MT's marks in blue ink


Box 173 Item 21 SR's changes in layout in pencil with MT's marks in blue ink and CM's marks in red ink


Box 173 Item 22 Email correspondence among MT, SW, CM, and Corey Smyth


Editor's Choice:


Institutional Collusion: Merlin Carpenter and Cologne's "non-productive attitude" by David Everitt Howe (Corresponding pages in magazine: 25-27):


Box 173 Item 1 Original draft, black font, MT's marks in blue ink, 1,462 words


Box 173 Item 2 MT edit 1, black font, edits in blue, CM mark's in red ink and yellow highlights for fact check, 1,489 words


Box 173 Item 3 Fact check by CM


Box 173 Item 4 DEH (David Everitt Howe) edit 3, black font, edits in green, 1,462 words


Box 173 Item 5 CM / MT edit 4, black font, edits in green and blue and CM's marks in red ink, 1,532 words


Box 173 Item 6 DEH edit 5, black font, changes entered in layout, edits in purple


Alice Birch's Revolt She Said Revolt Again by Amber Power (Corresponding pages in magazine: 27-28):


Box 173 Item 1 Original draft, black font, 736 words


Box 173 Item 2 Fact check and copyedits by MB in blue ink


Box 173 Item 3 Fact check by MB


Box 173 Item 4 SR edit 1, black font, edits in blue and yellow highlights, 760 words


Javier Tellez's To Have Done with the Judgment of God by Silvia Benedetti (Corresponding pages in magazine: 28-29):


Box 173 Item 1 Original draft, black font, 1,537 words


Box 173 Item 2 CM edits in red and yellow highlights, MT's marks in blue and black ink


Box 173 Item 3 Fact check by CM


Box 173 Item 4 CM edit of SB (Silvia Benedetti) bio


Box 173 Item 5 CM edit 1, black font, edits in blue, 1089 words, 1089


Box 173 Item 6 MT edit 2, black font, edits in light blue and dark blue, 887 words


Box 173 Item 7 CM and MT edit 3, black font, edits in light blue and dark blue, 812 words


Box 173 Item 8 CM edits in red ink


Box 173 Item 9 MT edits in blue ink


Box 173 Item 10 CM edits in black and red ink


Box 173 Item 11 MB edits in blue ink, MT's marks in blue ink


Jackie Siblies Drury's Really by Ratik Asokan (Corresponding pages in magazine: 29-30):


Box 173 Item 1 Original draft, black font, 778 words


Box 173 Item 2 SR edit 1, black font, edits in blue and yellow highlights, 802 words


Box 173 Item 3 RA (Ratik Asokan) edit 2, black font, edits in gray


Box 173 Item 4 SE edit 3, black font, blue highlights for fact check by MB


Box 173 Item 5 Fact check by MB


Ross Lipman's Notfilm by Liza Bear (Corresponding pages in magazine: 30-31):


Box 173 Item 1 Original draft, black font, 505 words


Box 173 Item 2 MT edit 2, black font, 499 words


Box 173 Item 3 MT and CM edit 3, black font, 537 words


Box 173 Item 4 Fact check by CM


Box 173 Item 5 LB (Liza Bear) edit 4, black font, 518 words


CD Wright's The Poet, the Lion, Talking Pictures, El Farolito, a Wedding in St Roch, the Big Box Store, the Warp in the Mirror, Spring, Midnights, Fire & All and ShallCross by Ariana Reines (Corresponding pages in magazine: 31-32):


Box 173 Item 1 Original draft, black font, MT's edits in blue ink, 1,147 words


Box 173 Item 2 CM edits in red ink


Box 173 Item 3 Fact check by CM


Box 173 Item 4 MT and CM edit 3, MT edits in blue ink, 938 words


Additional documents:


Box 173 Item 1 Email correspondence between BRS and SR reflecting BRS changes in layout


Box 173 Item 2 SR CE copyeditor changes in layout in red ink, SR's marks in blue ink


Box 173 Item 3 MB changes in layout in blue ink, SR's marks in red ink


Box 173 Item 3 CM changes in layout in red ink, SR's marks in blue ink, SA's (Saul Anton) marks in black ink


Box 173 Item 4 MB changes in layout in blue ink, MT's marks in blue ink


Box 173 Item 5 MT changes in layout in blue ink, SR's marks in blue ink


Artists on Artists:


Overall Layouts:


Box 173 Item 1 SRC copyeditor's changes in layout in red ink with SR's marks in black ink


Box 173 Item 2 MB changes in layout in blue ink


Box 173 Item 3 CM changes in layout in red ink with SR's marks in black ink


Frederick Terna by Stephen Westfall (Corresponding pages in magazine: 121-123):


Box 173 Item 1 SR edit 1, black font, edits in blue, 872 words


Box 173 Item 2 SW (Stephen Westfall) edit 2, black font, edits in blue and gray, 883 words


Box 173 Item 3 SR edit 3, black font, 829 words


Box 173 Item 4 MB edit 4 with fact check, black font, edits in green, 829 words


Box 173 Item 5 SW edit 5, black font, edits in red, 851 words


Box 173 Item 6 SR edit 6, black font, 879 words


Box 173 Item 7 Email correspondence among SR, SW, and Daniel Terna


Brandan "Bmike" Odums by Zachary Lazar (Corresponding pages in magazine: 124-127):


Box 173 Item 1 MT+CM edit 1, black font with MT's marks in black ink and CM's marks in red ink, 642 words


Box 173 Item 2 Fact Check by CM


Box 173 Item 3 Final edit, black font, 640 words


Box 173 Item 4 Email correspondence among CM, Zachary Lazar, and Brandan Odums


Rebecca Smith by John Newman (Corresponding pages in magazine: 128-130):


Box 173 Item 1 JN (John Newman) edit 1, black font, 566 words


Box 173 Item 2 SR edit 2, black font, edits in blue and green, 1,150 words


Box 173 Item 3 JN edit 3, black font, 568 words


Box 173 Item 4 SR edit 4, black font, edits in blue, 618 words


Box 173 Item 5 SR edit 5, edits in green with MB's marks in black ink, 644 words


Box 173 Item 6 Fact check by MB


Box 173 Item 7 MB edit 6, black font, edits in black ink, 644 words


Box 173 Item 8 Final edit, black font, 640 words


Box 173 Item 9 Email correspondence among SR, MB, JN, and Rebecca Smith


David Brody by Eliot Green (Corresponding pages in magazine: 131-133):


Box 173 Item 1 MB edit 1, black font, edits in black ink, 699 words


Box 173 Item 2 MT edit 2, black font, edits in blue, 699 words


Box 173 Item 3 CM edit 3, black font, edits in red ink, 699 words


Box 173 Item 4 Fact check by CM


Box 173 Item 5 EG (Eliot Green) edit 3, black font, 670 words


Box 173 Item 6 MT edit 4, black font, 670 words


Box 173 Item 7 Email correspondence among MT, CM, and EG


First Proof:


Overall Layouts:


Box 173 Item 1 SRC copyeditor's changes in layout in red ink with MT's marks in blue ink


Box 173 Item 2 MB's changes in layout in blue ink


Box 173 Item 3 BRS's changes in layout in red and black ink with MT's marks in blue ink


"I Heard A Man Say" and ''Other Local Delights" by John Yau (Corresponding pages in magazine: 86-87):


Box 173 Item 1 MT edit 1, black font, edits in blue ink


Box 173 Item 2 Final edit, black font, 459 words


Box 173 Item 3 Email correspondence between CM and JY (John Yau)


"A Garden in the Air," "Strangeness Becomes You," and "When Orbital Proximity Feels Creepy" by Peter Gizzi Corresponding pages in magazine: 93-94):


Box 173 Item 1 MT edit 1, black font, edits in blue ink


Box 173 Item 2 Final edit, black font, 607 words


Box 173 Item 3 Email correspondence between CM and PG (Peter Gizzi)


"The Game of Roles,"" A Ballet Based on the Number Three," The Expression of Emotions," and "The Missing Negatives" by Mary Jo Bang (Corresponding page in magazine: 109):


Box 173 Item 1 MT edit 1, black font, edits in black ink


Box 173 Item 2 Final edit, black font, 660 words


Box 173 Item 3 Email correspondence between CM and MJB (Mary Jo Bang)


"Malcolm Lowry in the Supermarket" by Daniel Saldana Paris (Corresponding pages in magazine: 98-101):


Box 173 Item 1 Spanish version, black font, 3,555 words


Box 173 Item 2 MT+CM edit 1, black font with MT's marks in blue ink and CM's marks in red ink, 3,812 words


Box 173 Item 3 Final edit, black font, 3,271 words


Box 173 Item 4 Email correspondence among MT, CM, DSP (Daniel Saldana Paris), and CMS (Christina MacSweeney)


"The Imagination of Disaster" by Andrew Durbin (Corresponding pages in magazine: 88-93):


Box 173 Item 1 MT edit 1, black font, edits in black ink, 5,966 words


Box 173 Item 2 MT+CM edit 2, black font with MT's marks in black ink and CM's marks in red ink, 6,026 words


Box 173 Item 3 AD (Andrew Durbin) edit 3, black font, edits in red and blue, 5,708 words


Box 173 Item 4 CM edit 4, black font, edits in red ink, 5,708 words


Box 173 Item 5 Final edit, black font, 5,708 words


Box 173 Item 6 Email correspondence among MT, CM, and AD


Box 173 Item 7 MT changes in layout in blue ink


"Carver & Cobain" by David Means (Corresponding pages in magazine: 95-97):


Box 173 Item 1 MT+CM edit 1, black font with MT's marks in black ink and CM's marks in red ink, 3,465 words


Box 173 Item 2 DM (David Means) edit 2, black font, edits in red, blue, and green, 3,538 words


Box 173 Item 3 CM edit 4, black font, edits in red ink, 3,479 words


Box 173 Item 4 Final edit, black font, 3,469 words


Box 173 Item 5 Email correspondence between CM and DM


Box 173 Item 6 MB changes in layout in blue ink with CM's marks in red ink


Box 173 Item 7 CM changes in layout in red ink


"Hog for Sorrow" by Leopoldine Core (Corresponding pages in magazine: 102-108):


Box 173 Item 1 CM edit 1, black font, edits in red ink, 8,676 words


Box 173 Item 2 LC edit 2, black font, edits in yellow, 7,457 words


Box 173 Item 3 LC's changes in layout


Box 173 Item 4 Email correspondence among MT, CM, Christopher Smith, and Kelly Malloy BOMB SPECIFIC


Jungle Fever by Pascale Marthine Tavou (Corresponding pages in magazine:):


Box 173 Item 1 Print layout


Box 173 Item 2 Flyer for Pascale's open studio


Frontmatter:


Box 173 Item 1 Page grid


Box 173 Item 2 Email reflecting final changes in layout


Box 173 Item 3 Edits in layout


Issue 137 (IM flonah Maxi final proofread in layout in red ink)


Interviews:


Sarah Oppenheimer by Alexander Galloway (Corresponding pages in magazine: 33-43):



Box 174 Item 1 Original transcript, black font, 10,887 words


Box 174 Item 2 MB edit 1, black font, edits in blue, 9660 words, 9660


Box 174 Item 3 SA edit 2, black font, edits in blue, 9660 words, 9660


Box 174 Item 4 AG (Alex Galloway) edit 3, black font, edits in green, 7587 words, 7587


Box 174 Item 5 AG edit 4, black font, 7233 words, 7233


Box 174 Item 6 SA edit 5, black font, edits in blue, 5613 words, 5613


Box 174 Item 7 SOP (Sarah Oppenheimer) edit 6, black font, edits in blue, 4072 words, 4072


Box 174 Item 9 BRS edit 7, black font, edits in blue ink, 4072 words, 4072


Box 174 Item 10 SA edit 8, black font, edits in blue, 4686 words, 4686


Box 174 Item 11 CM edit 9, black font, edits in red ink, 4686 words, 4686


Box 174 Item 12 Fact Check by CM


Box 174 Item 13 SA edit 10, black font, edits in blue, 4232 words, 4232


Box 174 Item 14 SOP's changes in layout in green


Box 174 Item 15 SRC's changes in layout in red ink


Box 174 Item 16 MB's changes in layout in blue ink


Box 174 Item 17 SR's changes in layout in pencil


Box 174 Item 18 Email correspondence between SR and SO


Box 174 Item 19 Flusseriana article


Box 174 Item 20 Email correspondence among SR, SA, Sarah Oppenheimer, and Alex Galloway


Nijdeka Akunyili Crosby by Erica Ando (Corresponding pages in magazine: 44-54):


Box 174 Item 1 Original transcript, black font, 12,325 words


Box 174 Item 2 SR (Sabine Russ) edit 1, black font, edits in red and purple, 7,370 words


Box 174 Item 3 SR edit 2, black font, edits in red and purple, 5,879 words


Box 174 Item 4 SR edit 3, black font, edits in red, 5,444 words


Box 174 Item 5 SR edit 4, black font, edits in blue, 4,160 words


Box 174 Item 6 EA edit 5, black font, edits in blue, 4,470 words


Box 174 Item 7 SR edit 6, black font, edits in red and blue, 4,746 words


Box 174 Item 8 Fact Check by MB


Box 174 Item 9 SR edit 7 for BRS, black font, BRS edits in blue ink, SR's marks in pencil


Box 174 Item 10 BRS edit 8, black font, edits in red, 4,722 words


Box 174 Item 11 SR CE copyeditor's changes in layout in red ink, SR's marks in green ink


Box 174 Item 12 MB changes in layout in blue ink, SR's marks in green ink


Box 174 Item 13 CM changes in layout in red ink, SR's marks in green ink


Box 174 Item 14 Email correspondence between NAC (Nijdeka Akunyili Crosby) and SR reflecting NAC's changes in layout


Box 174 Item 15 BRS email reflecting changes in layout


Box 174 Item 16 SA changes in layout in pencil, SR's marks in red ink, MB's highlights in blue


Box 174 Item 17 SR edit 1 of introduction, black font, edits in pencil


Box 174 Item 18 Email correspondence between SR and Kathy Stephenson of Victoria Miro Gallery


Box 174 Item 19 Printout on NAC's mural for the Whitney Museum


Box 174 Item 20 Email correspondence among MT, SR, David Everitt Howe, Erica Ando, Kathy Stephenson, and Nijdeka Akunyili Crosby)


Jen Bervin and Dianna Frid (Corresponding pages in magazine: 55-65):


Box 174 Item 1 JB (Jen Bervin) and DF (Diana Frid) edit 1, black font, 9,374 words


Box 174 Item 2 CM edit 2, black font, edits in red ink, 6,778 words


Box 174 Item 3 MT (Monica de la Torre) edit 3, black font, edits in red, 5,464 words


Box 174 Item 4 DF edit 4, black font, DF edits in gold responding to MT edits in blue, 6,101 words


Box 174 Item 5 SA edit 5, black font, SA edits in red and gray, former DF edits in gold and MT edits in blue, 4,663 words


Box 174 Item 6 JB and DF edit 6, black font, 5,399 words


Box 174 Item 7 SR edit 7, black font, edits in red and blue, 4,458 words


Box 174 Item 8 SR edit 8, black font, edits in red and blue, 4,306 words


Box 174 Item 9 SR edit 9, black font, 4,204 words


Box 174 Item 10 SR edit 10, black font, 4,223 words


Box 174 Item 11 BRS changes in layout in blue ink, Fact Check by MB in green ink


Box 174 Item 12 Fact Check by MB


Box 174 Item 13 CM changes in layout in red ink, SR's marks in black ink and green ink


Box 174 Item 14 SR CE copyeditor's changes in layout in red, SR's marks in green ink, MB's spot check in blue ink


Box 174 Item 15 MB spot check in layout in blue ink


Box 174 Item 16 SA changes in layout in pencil, SR's marks in red ink


Box 174 Item 17 Introduction edits


Box 174 Item 18 DF caption list


Box 174 Item 19 Email correspondence among MT, SA, SR, Jen Bervin, and Dianna Frid


Mel Chin by Saul Ostrow (Corresponding pages in magazine: 70-80):


Box 174 Item 1 Original transcript, black font, 11,899 words


Box 174 Item 2 SO (Saul Ostrow) edit 1, edits in green and suggested cuts in yellow highlights, MB highlights in blue ink suggesting sections to bring back, SR's marks in black ink, 9,383 words


Box 174 Item 3 SO edit 2, black font, 4,962 words


Box 174 Item 4 SR edit 3, black font, edits in red, blue highlights, and purple, 4,787 words


Box 174 Item 5 SR edit 4, black font, edits in red, yellow highlights, and purple, 5,278 words


Box 174 Item 6 SR edit 5, black font, edits in red, blue, and purple, 5,323 words


Box 174 Item 7 MC (Mel Chin) edit 6, black font, edits in red, 5,100 words


Box 174 Item 8 SR edit 7, black font, edits in green, 5,072 words


Box 174 Item 9 SR edit 8, black font, blue highlights and edits in blue ink by MB for FC, 5,075 words


Box 174 Item 10 Fact Check


Box 174 Item 11 SR edit 9, black font, 4,962 words


Box 174 Item 12 SR edit 10, black font, 4,962 words


Box 174 Item 13 BRS edit 11, black font, edits in blue highlights, CM edits in red ink and MB spot check in blue ink, 4,964 words


Box 174 Item 14 SR CE copyeditor's changes in layout in yellow highlights and red, SR's marks in black ink


Box 174 Item 15 MB changes in layout in blue ink, SR's marks in red ink and yellow highlights


Box 174 Item 16 MC email reflecting changes in layout and email correspondence between SR and TG (Tom Griffiths) reflecting potential images and captions


Box 174 Item 17 Image caption list


Box 174 Item 18 Essay by MC on The Potential Project


Box 174 Item 19 Email correspondence among BRS, David Everitt Howe, SR, MT, Saul Ostrow, and Mel Chin


Marina Rosenfeld by Tristan Shepherd (Corresponding pages in magazine: 81-88):


Box 174 Item 1 TS (Tristan Shepherd) edit 1, black font, 4180 words, 4180


Box 174 Item 2 SA edit 2, black font, edits in blue, 4061 words, 4061


Box 174 Item 3 MR (Marina Rosenfeld) edit 3, black font, 3500 words, 3500


Box 174 Item 4 SA edit 4, black font, 3675 words, 3675


Box 174 Item 5 BRS edit 5, black font, edits in black ink, 3675 words, 3675


Box 174 Item 6 Fact Check by CM


Box 174 Item 7 SA edit 6, black font, edits in blue, 3925 words, 3925


Box 174 Item 9 CM edit 7, black font, edits in red ink, 3925 words, 3925


Box 174 Item 10 SRC's changes in layout in red ink


Box 174 Item 11 CM's changes in layout in red ink


Box 174 Item 12 MB's changes in layout in blue ink


Box 174 Item 13 Email correspondence among MT, SA, Marina Rosenfeld, and Tristan Shepherd


Okwui Okpokwasili by Jenn Joy (Corresponding pages in magazine: 89-96):


Box 174 Item 1 JJ (Jenn Joy) edit 1, black font, 5,666 words


Box 174 Item 2 SR edit 2, black font, edits in blue and red, 4,559 words


Box 174 Item 3 SR edit 3, black font, edits in blue and green, 4,827 words


Box 174 Item 4 JJ edit 4, black font, edits in green and blue, 4,667 words


Box 174 Item 5 SR edit 5, black font, edits in red, 4,579 words


Box 174 Item 6 JJ edit 6, black font, edits in blue, 4,538 words


Box 174 Item 7 OO (Okwui Okpokwasili) edit 7, black font, edits in green, 4,808 words


Box 174 Item 8 SR edit 8, black font, edits in blue, CM copyedit and fact check in red ink, 789 words


Box 174 Item 9 Fact Check 1 by CM


Box 174 Item 10 BRS edit 9, black font, edits in gray highlights and bold text, 4,872 words


Box 174 Item 11 SR edit 10, black font, edits in red reflecting CM copyedit and FC and BRS edit, 4,688 words


Box 174 Item 12 SR edit 11, black font, MB blue highlights for Fact Check 2, pink underlines reflecting facts that have already been checked


Box 174 Item 13 Fact Check 2


Box 174 Item 14 MB changes in layout in blue ink


Box 174 Item 15 SR CE copyeditor's changes in layout in red, SR's marks in pencil and green ink


Box 174 Item 16 CM spot check in layout in red ink, MB proof in blue ink


Box 174 Item 17 MB spot check in layout in blue ink, SR's marks in green ink


Box 174 Item 18 Email correspondence between SR, JJ, and 00 reflecting JJ and 00 changes in layout, SR's marks in green ink and yellow highlights


Box 174 Item 19 SA changes in layout in pencil, MB's marks in blue ink and SR's marks in red ink


Box 174 Item 20 Email correspondence among SR, JJ, and 00


Nell Zink by Keith Gessen (Corresponding pages in magazine: 103-109):


Box 174 Item 1 Original transcript, black font with CM's highlights and marks in black ink, 8228 words, 8228


Box 174 Item 2 CM edit 1, black font, edits in red, 6032 words, 6032


Box 174 Item 3 SA edit 2, black font, edits in green, 5334 words, 5334


Box 174 Item 4 Keith Gessen (KG)+Nell Zink (NZ) edit 3, black font, edits in blue, 4880 words, 4880


Box 174 Item 5 SA edit 1 of KG's intro, black font, 221 words


Box 174 Item 6 SA edit 2 of KG's intro, black font 221 words


Box 174 Item 7 SA edit 4, black font, edits in periwinkle, 5072 words, 5072


Box 174 Item 8 BRS edit 5, black font, edits in blue ink, 5072 words, 5072


Box 174 Item 9 Fact Check by CM


Box 174 Item 10 CM edit 5, black font, edits in red ink with SA's marks in pencil, 5072 words, 5072


Box 174 Item 11 SA edit 6, black font, 4,783 words


Box 174 Item 12 SRC's changes in layout


Box 174 Item 13 SR's changes in layout in pencil


Box 174 Item 14 Email correspondence among MT, SA, Nell Zink, and Keith Gessen


Laia Jufresa by Valeria Luiselli (Corresponding pages in magazine: 132-141):


Box 174 Item 1 Original transcript, black font, 10,669 words


Box 174 Item 2 SA edit 2, black font, edits in blue, 5282 words, 5282


Box 174 Item 3 VL (Valeria Luiselli) edit 3, black font, edits in gray, 5152 words, 5152


Box 174 Item 4 LJ (Laia Jufresa) edit 4, black font, edits in blue, 5175 words, 5175


Box 174 Item 5 Fact Check by CM


Box 174 Item 6 CM edit 5, black font, edits in red ink, 5152 words, 5152


Box 174 Item 7 SA edit 6, black font, edits in blue, 4965 words, 4965


Box 174 Item 9 BRS edit 7, black font, edits in red ink, 4965 words, 4965


Box 174 Item 10 VL intro draft, black font, 1161 words, 1161


Box 174 Item 11 SA edit of VL intro, black font, 1,151 words


Box 174 Item 12 SRC's changes in layout in red


Box 174 Item 13 SR's changes in layout in pencil


Box 174 Item 14 Email correspondence among SA, LJ, and VL


First Proof:


Overall Layouts:


Box 174 Item 1 TOC draft with SA's marks in pencil


Box 174 Item 2 SA's changes in layout in pencil


Box 174 Item 3 BRS's changes in layout in email


Box 174 Item 4 CM's changes in layout in red ink with SR's marks in pencil


Box 174 Item 5 SRC's changes in layout in red


Box 174 Item 6 MC's changes in layout in blue ink


Portfolio:


Olga Chernysheva (Corresponding pages in magazine: 97-101):


Box 174 Item 1 SR's changes in layout in pencil


Box 174 Item 2 Nova Benway intro


Box 174 Item 3 SA intro with SR's changes in pencil


Box 174 Item 4 SA intro 2


"Assisted Living" by Gary Lutz (Corresponding page in magazine: 102):


Box 174 Item 1 MT+CM edit 1, black font, MT's edits in blue ink and CM's edits in red ink, 834 words


Box 174 Item 2 SA edit 2, black font, edits in black ink, 834 words


Box 174 Item 3 Email correspondence between CM and GL (Gary Lutz)


"Hit or Miss" by Lindsay Hunter (Corresponding pages in magazine: 116-118):


Box 174 Item 1 SA+CM edit 1, black font, SA's edits in black ink and CM's edits in red ink, 2464 words, 2464


Box 174 Item 2 LH (Lindsay Hunter) edit 2, black font, edits in green, 2418 words, 2418


Box 174 Item 3 CM edit 3, black font, 2418 words, 2418


Box 174 Item 4 Email correspondence between CM and LH


"Job," "The Jerkoff," and "My Homely Friend" by Maria Rapoport (Corresponding pages in magazine: 130-131):


Box 174 Item 1 MR (Maria Rapoport) submission with MT's marks in blue ink


Box 174 Item 2 MT+CM edit 1, black font, MT's edits in blue ink and CM's edits in red and black ink, 1816 words, 1816


Box 174 Item 3 MR edit 2, black font, edits in blue, 1786 words, 1786


Box 174 Item 4 CM edit 3, black font, edits in red, 1818 words, 1818


Box 174 Item 5 MR edit 4, black font, 1818 words, 1818


Box 174 Item 6 SA edit 5, black font, edits in black ink and red pencil, 1819 words, 1819


Box 174 Item 7 MR edit 6, black font, 1819 words, 1819


Box 174 Item 8 Email correspondence between CM and MR


"Spoleto '65" by Bill Berkson (Corresponding pages in magazine: 112-115):


Box 174 Item 1 SA+CM edit 1, black font, CM's edits in red ink and SA's edits in red pencil, 1558 words, 1558


Box 174 Item 2 Fact Check by CM


Box 174 Item 3 BB (Bill Berkson) edit 2, black font, edits in blue, 1559 words, 1559


Box 174 Item 4 SR's changes in layout in pencil


Box 174 Item 5 CM's changes in layout in red ink


"Champion Flowers" and "Fort Something" by Emily Skillings (Corresponding pages in magazine: 110-111):


Box 174 Item 1 ES (Emily Skillings) submission with MT's marks in blue ink and CM's marks in red ink


Box 174 Item 2 ES final, black font, 838 words


Box 174 Item 3 Email correspondence between CM and ES


Five Poems by Marwa Helal (Corresponding pages in magazine: 119-120):


Box 174 Item 1 BK (Bhanu Kapil) intro, 321 words


Box 174 Item 2 SA edit 1 of BK intro, black font, SA and SR's marks in pencil and CM's marks in red ink, 321 words


Box 174 Item 3 CM edit 1 of BK intro, black font, 263 words


Box 174 Item 4 SA edit 2 of BK intro, black font, edits in red, 344 words


Box 174 Item 5 BRS edit 2 of BK intro, black font, edits in green, 266 words


Box 174 Item 6 SA edit 3 of BK intro, black font, edits in red with SR's marks in pencil, 183 words


Box 174 Item 7 SA edit 4 of BK intro, black font, edits in green and blue, 135 words


Box 174 Item 8 Marwa Helal submission


Box 174 Item 9 CM's changes in layout in red ink


from Everything by Charles North (Corresponding pages in magazine: 122-129):


Box 174 Item 1 Email correspondence between CN (Charles North) and MT


Box 174 Item 2 CN final, black font, 1882 words, 1882


Box 174 Item 3 CN's changes in layout via email 4 CM's changes in layout in red ink


Artists on Artists:


Audra Wolowiec by Emmalea Russo (Corresponding pages in magazine: 154-155):


Box 174 Item 1 ER (Emmalea Russo) edit 2, black font, 615 words


Box 174 Item 2 SR edit 1, black font, edits in blue, 1295 words, 1295


Box 174 Item 3 ER edit 4, black font, edits in yellow, 1184 words, 1184


Box 174 Item 4 SR edit 5, black font, 542 words


Box 174 Item 5 CM edit 6, black font, edits in blue, 542 words


Box 174 Item 6 Fact Check by CM


Box 174 Item 7 FINAL edit, black font, 542 words


Box 174 Item 8 SRC's changes in layout in red ink


Box 174 Item 9 SR's changes in layout in pencil


Box 174 Item 10 CM's changes in layout in red ink


Box 174 Item 11 MB's changes in layout in blue ink


Box 174 Item 12 Email correspondence between SR and ER


Laura Owens by Claudia LaRocca (Corresponding pages in magazine: 158-159):


Box 174 Item 1 SA edit 1, black font, edits in blue 599 words


Box 174 Item 2 SR edit 2, black font, edits in blue, 630 words


Box 174 Item 3 SR edit 3, black font, edits in blue, 1267 words, 1267


Box 174 Item 4 CLR (Claudia LaRocca) edit 4, black font, edits in gray, 1243 words, 1243


Box 174 Item 5 SR edit 5, black font, 589 words


Box 174 Item 6 SR edit 6, black font, edits in blue, 587 words


Box 174 Item 7 MB edit 7, black font, edits in blue, 620 words


Box 174 Item 8 Fact Check by MB and CM


Box 174 Item 9 SR's changes in layout in pencil


Box 174 Item 10 SRC's changes in layout in red ink


Box 174 Item 11 CM's changes in layout in red ink


Box 174 Item 12 Ten Paintings handout


James Esber by David Geers (Corresponding pages in magazine: 156-157):


Box 174 Item 1 DG (David Geers) original draft, black font, 717 words


Box 174 Item 2 SA edit 1, black font, edits in blue, 868 words


Box 174 Item 3 CM edit 2, black font, edits in red ink with SA's marks in pencil, 868 words


Box 174 Item 4 Fact Check by CM


Box 174 Item 5 SA edit 3, black font, 772 words


Box 174 Item 6 SA edit 4, black font, 986 words


Box 174 Item 7 SA edit 5, black font, 766 words


Box 174 Item 8 FINAL edit, black font, 802 words


Box 174 Item 9 SR's changes in layout in pencil


Box 174 Item 10 SRC's changes in layout in red ink


Box 174 Item 11 MB's changes in layout in blue ink


Project:


Leanne Shapton (Corresponding pages in magazine: 145-152):


Box 174 Item 1 Draft layout by LS (Leanne Shapton)


Box 174 Item 2 Final text by LS


Architecture Feature: Pierre Alexandre de Looz (Corresponding pages in magazine: 66-69


Box 174 Item 1 Original draft by PL (Pierre Alexandre de Looz), black font, 1350 words, 1350


Box 174 Item 2 SA edit 1, black font, edits in blue, 930 words


Box 174 Item 3 CM edit 2, black font, edits in red ink, 1225 words, 1225


Box 174 Item 4 Fact check by CM


Box 174 Item 5 CM edit 3, black font, edits in red ink, 990 words


Box 174 Item 6 PL edit 4, black font, edits in dark blue, 1144 words, 1144


Box 174 Item 7 CM edit 5, black font, edits in red, 948 words


Box 174 Item 8 CM edit 6, black font, edits in red ink, 948 words


Box 174 Item 9 FINAL edit, black font, 994 words


Box 174 Item 10 SRC changes in layout in red ink with SA's marks in pencil


Box 174 Item 11 MB's changes in layout in blue ink


Box 174 Item 12 CM's changes in layout in red ink


Selections:


Overall Layouts:


Box 174 Item 1 SRC's changes in layout in red ink


Box 174 Item 2 CM's changes in layout in red ink with MB's marks in blue ink and SA's marks in pencil


Box 174 Item 3 MB's changes in layout in blue ink with SA's marks in pencil


Box 174 Item 4 CM's changes in layout in red ink


Obrist's Conversations in Mexico by Monica de la Torre (Corresponding pages in magazine: 25-26):


Box 174 Item 1 MT edit 1, black font, 1070 words, 1070


Box 174 Item 2 MT edit 2, black font, 1104 words, 1104


Box 174 Item 3 CM edit 3, black font, edits in red ink, 1104 words, 1104


Box 174 Item 4 Fact Check by CM


Box 174 Item 5 SR edit 3, black font, edits in blue, 1074 words, 1074


Box 174 Item 6 SA's changes in layout in email


Box 174 Item 7 SA's changes in layout in pink


Box 174 Item 8 Email correspondence among SA, SR, and MT


Box 174 Item 9 page 203 of Conversations in Mexico


Box 174 Item 10 SRC's changes in layout in red ink


Box 174 Item 11 MB's changes in layout in blue ink


Alexander's Jazz of Physics and Clayton's Uproot by Paul D Miller (Corresponding pages in magazine: 27-28):


Box 174 Item 1 SA edit 1, black font, edits in blue, 1240 words, 1240


Box 174 Item 2 SA edit 2, black font, edits in blue, 1240 words, 1240


Box 174 Item 3 SA edit 3, black font, edits in blue, 879 words


Box 174 Item 4 CM edit 4, black font, edits in red ink, 879 words


Box 174 Item 5 Fact Check by CM


Box 174 Item 6 SA edit 5, black font, 921 words


eteam's OS Grabeland by Micaela Morrissette (Corresponding pages in magazine: 28-30):


Box 174 Item 1 SA edit 1, black font, 837 words


Box 174 Item 2 CM edit 2, black font, edits in red ink, 811 words


Box 174 Item 3 Fact Check by CM


Box 174 Item 4 SA edit 3, black font, edits in blue, 814 words


Box 174 Item 5 MM (Micaela Morrissette) edit 4, black font, edits in blue, 807 words


Box 174 Item 6 SA edit 5, black font, edits in blue, 760 words


Box 174 Item 7 BRS edit 6, black font, edits in black ink, 760 words


Box 174 Item 8 SR edit 7, black font, edits in blue, 837 words


Box 174 Item 9 MM edit 8, black font, edits in blue, 805 words


Box 174 Item 10 SR edit 9, black font, 797 words


Box 174 Item 11 Email correspondence between SR and Franziska Lamprecht


Hadzihalilovic's Evolution by Sabine Russ (Corresponding pages in magazine: 30-31):


Box 174 Item 1 CM edit 1, black font, edits in red ink with SR's marks in green


Box 174 Item 2 Fact Check by CM


Box 174 Item 3 MB's changes in layout in blue ink


Box 174 Item 4 SA's changes in layout in pencil


Box 174 Item 5 SR's changes in layout in pencil


Box 174 Item 6 Evolution press packet


Boullosa's Before by Will Heinrich (Corresponding page in magazine: 32):


Box 174 Item 1 WH (Will Heinrich) original draft, black font, 529 words


Box 174 Item 2 SA edit 1, black font, edits in blue, 540 words


Box 174 Item 3 WH edit 2, black font, edits in green, 633 words


Box 174 Item 4 SA edit 3, black font, edits in blue, 607 words


Box 174 Item 5 Fact Check by CM


Box 174 Item 6 CM edit 4, black font, edits in red ink, 607 words


Box 174 Item 7 BRS edit 5, black font, edits in blue ink, 607 words


Box 174 Item 8 SA edit 7, black font, 627 words


Frontmatter:


Box 174 Item 1 Page grid


Box 174 Item 2 Email correspondence between SR and ODDI


Box 174 Item 3 SA, CM, and MB edits of contributors bios


Box 174 Item 4 Email correspondence between BRS and SA reflecting BRS changes to contributors bios


Box 174 Item 5 SA, CM, MB, and BRS edits of TOC and frontmatter


Issue 138, Winter, 2016-2017


Interviews:


Michael Palmer and Rosmarie Waldrop (pages in magazine: 102-108):



Box 175 Item 1 Original email transcript, black font, 9463 words, 9463


Box 175 Item 2 SA edit 1, black font, edits in pencil, 9463 words, 9463


Box 175 Item 3 SA edit 2, black font, edits in blue, 8437 words, 8437


Box 175 Item 4 RW&MP (Michael Palmer and Rosmarie Wald rop) edit 3, black font, edits in blue and red, 8446 words, 8446


Box 175 Item 5 SA edit 4, black font, edits in green, 8445words


Box 175 Item 6 SA edit 5, black font, 8469 words, 8469


Box 175 Item 7 CM edit 6, black font, edits in red ink, 8469 words, 8469


Box 175 Item 9 Fact Check by CM


Box 175 Item 10 BRS edit 7, black font, edits in blue and black ink, 8469 words, 8469


Box 175 Item 11 Part I final, black font, 4138 words, 4138


Box 175 Item 12 Email correspondence between SA and RW


Box 175 Item 13 Part II fact check by CM


Box 175 Item 14 Part II copy edit by CM


Box 175 Item 15 Email correspondence among SA, RW, and MP


China Mieville by Paul La Farge (pages in magazine: 139-142 ):


Box 175 Item 1 Original email transcript, black font, 2348 words, 2348


Box 175 Item 2 CM edit 1, black font, edits in green, 1889 words, 1889


Box 175 Item 3 SA edit 2, black font, edits in red, 1942 words, 1942


Box 175 Item 4 CV (China Mieville) edit 3, black font, edits in purple, 2023 words, 2023


Box 175 Item 5 SA edit 4, black font, 2224 words, 2224


Box 175 Item 6 Fact Check by CM


Box 175 Item 7 Final edit, black font, 2212 words, 2212


Box 175 Item 9 Email correspondence among SA, PLF, and CM


Laura Kurgan by Noah Chasin (corresponding pages in magazine: 87-96):


Box 175 Item 1 Original transcript, black font, CM's marks in red ink and SA's marks in pencil and blue ink, 10,152 words


Box 175 Item 2 CM edit 2, black font, edits in green, 8063 words, 8063


Box 175 Item 3 CM edit 3, black font, edits in green, 5721 words, 5721


Box 175 Item 4 SA edit 4, black font, edits in red, 5721 words, 5721


Box 175 Item 5 LK&NC (Laura Kurgan & Noah Chasin) edit 5, black font, edits in red, 3213 words, 3213


Box 175 Item 6 SA edit 6, black font, edits in red, 4270 words, 4270


Box 175 Item 7 LK edit 7, black font, edits in red, 4359 words, 4359


Box 175 Item 9 SA edit 8, black font, edits in blue, 4361 words, 4361


Box 175 Item 10 BRS edit 9, black font, edits in red ink, 4361 words, 4361


Box 175 Item 11 CM edit 10, black font, edits in red ink, 4270 words, 4270


Box 175 Item 12 Fact check by CM


Box 175 Item 13 BRS changes in layout in red ink


Box 175 Item 14 CM changes in layout in red ink


Box 175 Item 15 LK changes in layout via email


Box 175 Item 16 SRC changes in layout in gray


Box 175 Item 17 MB changes in layout in blue ink


Box 175 Item 18 SR changes in layout in pencil


Box 175 Item 19 Email correspondence among NC, LK, and SA


Angie Keefer and Liz Magic Laser (corresponding pages in magazine: 76-86):


Box 175 Item 1 Original transcri pt, black font, 10,408 words


Box 175 Item 2 SA edit 1, black font, edits in red, 8203 words, 8203


Box 175 Item 3 AK&LML edit 2, black font, 6250 words, 6250


Box 175 Item 4 CM edit 3, black font, edits in green, 5066 words, 5066


Box 175 Item 5 AK&LML edit 4, black font, 5050 words, 5050


Box 175 Item 6 SA edit 5, black font, edits in blue, 5050 words, 5050


Box 175 Item 7 BRS edit 6, black font, edits in gray, 4783 words, 4783


Box 175 Item 9 Fact check by CM


Box 175 Item 10 AK&LML edit 7, black font, edits in blue and yellow, 4747 words, 4747


Box 175 Item 11 BRS changes in layout in red pencil


Box 175 Item 12 SRC changes in layout in red ink


Box 175 Item 13 CM changes in layout in red ink


Box 175 Item 14 AK changes in layout in yellow


Box 175 Item 15 SR changes in layout in pencil


Box 175 Item 16 Email correspondence among AK, LML, and SA


Roe Ethridge by Tim Griffin (corresponding pages in magazine: 40-48):


Box 175 Item 1 Original transcript, black font, 8,885 words


Box 175 Item 2 SA edit 1, black font, edits in blue, 6996 words, 6996


Box 175 Item 3 RE (Roe Ethridge) edit 2, black font, edits in green, 5098 words, 5098


Box 175 Item 4 CM edit 3, black font, edits in red ink, 3954 words, 3954


Box 175 Item 5 Fact Check by CM


Box 175 Item 6 BRS edit 4, black font, edits in black ink, 3954 words, 3954


Box 175 Item 7 SA edit 5, black font, 3954 words, 3954


Box 175 Item 9 SRC changes in layout in gray


Box 175 Item 10 MB changes in layout in blue ink


Box 175 Item 11 CM changes in layout in red ink


Box 175 Item 12 Email correspondence between SA and TG (Tim Griffin)


(double film interview: Campos/Greene) (corresponding pages in magazine: 65-71):


Box 175 Item 1 SA intro edit 1, black font, 215 words


Box 175 Item 2 SA intro edit 2, black font, 289 words


Box 175 Item 3 SR intro edit 3, black font, edits in blue, 205 words


Box 175 Item 4 Fact Check intro by CM


Box 175 Item 5 CM intro edit 4, black font, edits in green, 268 words


Box 175 Item 6 SA intro edit 5, black font, edits in red, 286 words


Box 175 Item 7 SR intro edit 6, black font, edits in gray, 286 words


Box 175 Item 9 SR's changes in layout in blue ink


Box 175 Item 10 BRS's changes in layout in red ink


Box 175 Item 11 M B's changes in layout in black ink


Box 175 Item 12 SRC's changes in layout in red ink


Box 175 Item 13 CM's changes in layout in red ink


Box 175 Item 14 SA's changes in layout in green ink


Box 175 Item 15 Email correspondence among SR, N E, and RG (Robert Greene)


Antonio Campos by Nicholas Elliott (corresponding pages in magazine: 65-71):


Box 175 Item 1 Original transcript, black font, 3235 words, 3235


Box 175 Item 2 MB edit 1, black font, edits in blue, 2500 words, 2500


Box 175 Item 3 SR edit 2, black font, edits in blue, 1642 words, 1642


Box 175 Item 4 SR edit 3, black font, edits in blue, 1626 words, 1626


Box 175 Item 5 NE (Nicholas Elliott) edit 4, black font, edits in green, 1630 words, 1630


Box 175 Item 6 SR edit 5, black font, MB's marks in blue ink, 1638 words, 1638


Box 175 Item 7 Fact Check by M B


Box 175 Item 9 SR edit 7, black font, 1638 words, 1638


Box 175 Item 10 BRS's changes in layout in red


Robert Greene by Nicholas Elliott (corresponding pages in magazine: 65-71):


Box 175 Item 1 Original transcript, black font, 3747 words, 3747


Box 175 Item 2 MB edit 1, black font, edits in blue, 2067 words, 2067


Box 175 Item 3 SR edit 2, black font, edits in green, 2015 words, 2015


Box 175 Item 4 SR edit 3, black font, edits in bl ue, 1968 words, 1968


Box 175 Item 5 N E edit 4, black font, edits in blue, 1812 words, 1812


Box 175 Item 6 SR edit 5, black font, MB's marks in blue ink, 1812 words, 1812


Box 175 Item 7 Fact Check by MB


Box 175 Item 9 SR edit 6, black font, 1815 words, 1815


Box 175 Item 10 BRS edit 7, black font, edits in gray, 1815 words, 1815


Lynda Benglis by Federica Bueti (corresponding pages in magazine: 33-39):


Box 175 Item 1 Original transcript, black font, 7,736 words


Box 175 Item 2 SR (Sabine Russ) edit 2, black font, edits in green and yellow highlights, 3,744 words


Box 175 Item 3 SR edit 3, black font, edits in green, 2,231 words


Box 175 Item 4 SR edit 4, black font, edits in blue, 2,120 words


Box 175 Item 5 FB (Federica Bueti) edit 5, black font, edits in green, 2,311words


Box 175 Item 6 LB (Lynda Benglis) edit 6A, black font, edits in green, 2,119 words


Box 175 Item 7 SR edit 6, black font, edits in green and blue ink, 2,257 words


Box 175 Item 8 Fact Check by M B (Michael Blair) and SR edit 7, black font, M B fact check in blue highlights, SR's marks in purple pen, 2,248 words


Box 175 Item 9 FB edit 8, edits in red and blue, 2,250 words


Box 175 Item 10 SR edit 9, black font, 2,263 words


Box 175 Item 11 BRS edit 10, black font, 2,263 words


Box 175 Item 12 SR edit 11, black font, edits in red and additional question in yellow highlights, 2,216 words


Box 175 Item 13 M B Fact Check of additional question


Box 175 Item 14 SR and BRS edits of additional question


Box 175 Item 15 SR changes in layout reflecting edits to additional question


Box 175 Item 16 SR (Sarah Resnick) CE copyeditor's changes in layout in red, SR's marks in pencil, M B's proof check in black ink and blue highlights


Box 175 Item 17 BRS changes in layout in red ink


Box 175 Item 18 MB proof check in layout in black ink, SR's marks in blue ink


Box 175 Item 19 CM (Chantal McStay) changes in layout in red ink, SR's marks in black ink


Box 175 Item 20 SA (Saul Anton) changes in layout in pencil, SR's marks in black ink


Box 175 Item 21 LB Cheim and Read exhibition checklist


Box 175 Item 22 Email correspondence among BRS, SR, MT, and FB


Becca Blackwell by Jim Fletcher (corresponding pages in magazine: 57-64):


Box 175 Item 1 Original transcript, black font, 18,872 words


Box 175 Item 2 SR edit 2, black font, edits in red, 16,103 words


Box 175 Item 3 SR and JF (Jim Fletcher) edits 2 and 3


Box 175 Item 4 SR edit 4, black font, edits in blue, red, and gray highlights, 10,879 words


Box 175 Item 5 SR edit 5, black font, edits in blue and gray highlights, 4,663 words


Box 175 Item 6 SR edit 6, black font, edits in blue, 4,552 words


Box 175 Item 7 SR edit 7, black font, 4,486 words


Box 175 Item 8 BRS edit 8, black font, edits in red and gray highlights, 4,479 words


Box 175 Item 9 SR edit 9 to BB (Becca Blackwell), black font, 4,428 words


Box 175 Item 10 SR edit 9 to J F, black font, 4,496 words


Box 175 Item 11 SR edit 10, black font, MB fact check in blue ink and blue highlights, SR's marks in purple ink, pencil, and red ink, 4,496 words


Box 175 Item 12 Fact Check by MB


Box 175 Item 13 BB edit 11, black font, edits in green, 4,428 words


Box 175 Item 14 SR edit 12, black font, edits in blue and red, 4,490 words


Box 175 Item 15 SR edit 13, black font, 4,495 words


Box 175 Item 16 SR CE copyeditor's changes in layout in red ink with SR's marks in red ink and M B's proof check in blue ink and blue highlights


Box 175 Item 17 J F changes after layout on printout of SR 13, edits in red ink, M B's marks in blue ink


Box 175 Item 18 M B changes in layout in blue ink, SR's marks in black ink and yellow highlights


Box 175 Item 19 BB changes in layout in black, MB's marks in blue ink


Box 175 Item 20 BRS changes in layout in red ink, SR's marks in pencil


Box 175 Item 21 CM changes in layout in red ink, SR's marks in pencil


Box 175 Item 22 SA changes in layout in pencil, SR's marks in black ink


Box 175 Item 23 J F changes after layout on printout, SR's marks in red ink and M B's proof check in blue ink


Box 175 Item 24 JF changes after layout on printout, edits in red, SR's marks in pencil and M B's proof check in blue ink


Box 175 Item 25 M B fact check of intro, edits in blue ink and blue highlights


Box 175 Item 26 CM copyed it and proof check of intro, edits in red ink, SR's marks in black ink, MB's marks in blue ink


Box 175 Item 27 JF changes in layout in red ink


Box 175 Item 28 Email correspondence among SR, J F, and BB


Features:


A Familienaufstellung Performance by Chloe Piene (corresponding pages in magazine: 49-56)


Drafts:


Box 175 Item 1 SA edit 1, black font, 4030 words, 4030


Box 175 Item 2 BRS edit 2, black font, edits in blue ink, 4030 words, 4030


Box 175 Item 3 CM edit 2, black font, edits in red ink, 4030 words, 4030


Box 175 Item 4 CP (Chloe Piene) edit 3, black font, edits in red, 3405 words, 3405


Box 175 Item 5 SA edit 4, black font, 3354 words, 3354


Box 175 Item 6 CM intro edit 1, black font, 121 words


Box 175 Item 7 SRC changes in layout in red ink


Box 175 Item 9 CM changes in layout in red ink


Box 175 Item 10 BRS changes in layout in red ink


Box 175 Item 11 CM changes in layout in red ink


Box 175 Item 12 M B changes in layout in blue ink


Box 175 Item 13 SR changes in layout in pencil


Box 175 Item 14 Email correspondence between SA and CP


Box 175 Item 15 Caption sheet


Graphic Recollections by Chantal McStay (corresponding pages in magazine: 72-75)


Drafts:


Box 175 Item 1 Original draft, black font, 1300 words, 1300


Box 175 Item 2 BRS edit 2, black font, edits in red, 1303 words, 1303


Box 175 Item 3 SR edit 3, black font, edits in blue, 1418 words, 1418


Box 175 Item 4 CM edit 4, black font, edits in green, 1349 words, 1349


Box 175 Item 5 SR edit 5, black font, 1296 words, 1296


Box 175 Item 6 Fact Check by MB


Box 175 Item 7 SRC changes in layout in red ink


Box 175 Item 9 SA changes in layout in pencil


Box 175 Item 10 BRS changes in layout in red ink


Box 175 Item 11 CM changes in layout in red ink


Box 175 Item 12 M B changes in layout in blue ink


Box 175 Item 13 SR changes in layout in pencil


Box 175 Item 14 Email correspondence between SA and CP


Box 175 Item 15 Caption sheet


First Proof:


Overall Layouts:


Box 175 Item 1 CM's changes in layout in red ink


Box 175 Item 2 BRS's changes in layout in red ink


Box 175 Item 3 SRC's changes in layout in red with CM's marks in black ink


Box 175 Item 4 MB's changes in layout in black ink


Box 175 Item 5 MB's changes in layout in blue ink


Box 175 Item 6 AP's changes in layout in black ink


Portfolio:


Jungjin Lee (corresponding pages in magazine: 97, 99)


Drafts:


Box 175 Item 1 Intro, black font, unpublished


Suha Traboulsi (corresponding pages in magazine: 112-113)


Drafts:


Box 175 Item 1 Intro, black font


Box 175 Item 2 Email correspondence among SA, CM, WR (Walid Raad), and JG (Jessica Green)


Fiction:


Legend of All Saints Day, 1755" "Legend of the Grid System," and "Legend of Girth" Maria Fusco (corresponding pages in magazine: 100-101):


Drafts:


Box 175 Item 1 Original draft, black font, BRS's marks in black ink, 2808 words, 2808


Box 175 Item 2 CM edit 1, black font, edits in red ink, 1418 words, 1418


Box 175 Item 3 SA edit 2, black font, edits in red, 1418 words, 1418


Box 175 Item 4 MF edit 3, black font, edits in blue, 1415 words, 1415


Box 175 Item 5 SA edit 4, black font, 1388 words, 1388


Box 175 Item 6 CM edit 5, black font, edits in red ink, 1390 words, 1390


"The Swede" Ernesto Cardenal, translated by David Unger (corresponding pages in magazine: 114-116):


Drafts:


Box 175 Item 1 Original draft, black font, 2442 words, 2442


Box 175 Item 2 CM edit 1, black font, edits in red ink, 2442 words, 2442


Box 175 Item 3 SA edit 2, black font, edits in red, 2491 words, 2491


Box 175 Item 4 DU (David Unger) edit 3, black font, edits in blue, 2509


Box 175 Item 5 CM edit 4, black font, edits in red ink, 2509 words, 2509


Box 175 Item 6 SA edit 5, black font, 2588 words, 2588


From The Selected Works of Abdullah (the Cossack) H. M. Naqvi (corresponding pages in magazine: 117-121)


Drafts:


Box 175 Item 1 Original draft, black font with SA's marks in pencil, 3699 words, 3699


Box 175 Item 2 BRS edit 1, black font, edits in black ink, 3699 words, 3699


Box 175 Item 3 SA edit 1, black font, edits in red, 3738 words, 3738


Box 175 Item 4 HMN (H. M. Naqvi) edit 2, black font, edits in yellow, 3751 words, 3751


Box 175 Item 5 SA edit 3, black font, edits in red, 3749 words, 3749


Box 175 Item 6 CM edit 4, black font, edits in red ink, 3749 words, 3749


Box 175 Item 7 Email correspondence between SA and Suzanna Tamminen at Weleyan University Press (permission request)


Box 175 Item 8 Email correspondence among SA, CM, and JG


Box 175 Item 9 "Ghazal of the Better-Unbegun"


"Fanny's Lament" Thalia Field (corresponding pages in magazine: 124-129):


Drafts:


Box 175 Item 1 Original draft, black font, 3443 words, 3443


Box 175 Item 2 SA edit 1, black font, edits in red, 3465 words, 3465


Box 175 Item 3 TF (Thalia Field) edit 2, black font, edits in red, 3275 words, 3275


Box 175 Item 4 SA edit 2, black font, edits in red, 3277 words, 3277


Box 175 Item 5 CM edit 3, black font, edits in red ink, 3277 words, 3277


Box 175 Item 6 Fact check by CM


Box 175 Item 7 SA edit 4, black font, edits in red, 3290 words, 3290


Box 175 Item 8 CM intro edit 1, black font, edits in red ink, 239 words


Box 175 Item 9 SRC intro edit 2, black font, edits in blue with SA's marks in black ink, 242 words


Box 175 Item 10 Email correspondence between CM and TF


"Updates, or C'est la vie and those who say it' and "Gene and jean, or Goofs" Maxwell Paparella (corresponding pages in magazine: 130-131):


Drafts:


Box 175 Item 1 Original submission, black font


Box 175 Item 2 SA edit 1, black font, edits in blue, 756 words


Box 175 Item 3 CM edit 2, black font, yellow highlights, 955 words


Box 175 Item 4 MP (Maxwell Paparella) edit 3, black font, 945 words


"Con Auto Gens" Laura Elrick (corresponding pages in magazine: 132-134):


Drafts:


Box 175 Item 1 SA edit 1, black font, edits in pencil, 1751 words, 1751


Box 175 Item 2 CM edit 1, black font, edits in red ink, 1751 words, 1751


Box 175 Item 3 SA edit 2, black font, edits in red, 1933 words, 1933


Box 175 Item 4 LE (Laura Elrick) edit 3, black font, edits in blue, 2053 words, 2053


Box 175 Item 5 SA edit 4, black font, 2055 words, 2055


Box 175 Item 6 CM edit 5, black font, edits in red ink, 2057 words, 2057


Box 175 Item 7 SA edit 6, black font, 2054 words, 2054


Box 175 Item 8 LE edit 7, black font, 2507 words, 2507


Box 175 Item 9 CM edit 8, black font, edits in red ink, 2059 words, 2059


Box 175 Item 10 BRS edit 9, black font, edits in blue ink, 2059 words, 2059


Box 175 Item 11 LE edits in layout in blue


Box 175 Item 12 CM edits in layout in red ink


Poetry:


"Erased Referent," "Excess of Air," and "Conjunctions and Constituents" Rosmarie Waldrop (corresponding pages in magazine: 109):


Box 175 Item 1 SA edit 1, black font, edits in green ink, 186 words


"First Elegy" and "Eleventh Elegy" Michael Palmer (corresponding pages in magazine: 110-111):


Box 175 Item 1 SA edit 1, black font, edits in pencil, 499 words


Castaways in Paradise "Passing Through: None" Sun Yung Shin (corresponding pages in magazine: 122-123):


Box 175 Item 1 SR edit 1, black font, edits in blue ink, 360 words


Box 175 Item 2 SA edit 1, black font, edits in red, 361 words


Box 175 Item 3 SY (Sun Yu ng Shin) edit 2, black font, edits in green, 293 words


Box 175 Item 4 CM edit 3, black font, edits in red ink, 293 words


Box 175 Item 5 SA edit 4, black font, 379 words


Box 175 Item 6 Email correspondence among SY, SA, and CM


"I Was Afraid" and "The Whole" Frances Richard (corresponding pages in maeazine: 135-138):


Box 175 Item 1 Original submission, black font


Box 175 Item 2 Original submission with BRS's marks in black ink and CM's marks in red ink


Box 175 Item 3 SA edit 1, black font, edits in red, 821 words


Box 175 Item 4 FR edit 2, black font, edits in blue, 820 words


Box 175 Item 5 CM edit 3, black font, edits in red ink, 820 words


Box 175 Item 6 Final edit, black font, 820 words


Box 175 ("Sartorial and Anecdotal," unpublished story by Liza Bear)


Selections:


Overall Layouts:


Box 175 Item 1 SRC's changes in layout in red ink


Box 175 Item 2 M B's changes in layout in black ink


Box 175 Item 3 BRS's changes in layout in black ink


Box 175 Item 4 SR's changes in layout in pencil


Box 175 Item 5 BRS's changes in layout in blue ink with CM's marks in red ink


Box 175 Item 6 CM's changes in layout in red ink


Box 175 Item 7 MB's changes in layout in blue ink


Donald Judd Writings Maika Pollack (corresponding pages in magazine: 25-26):


Box 175 Item 1 Original draft, black font, 759 words


Box 175 Item 2 SA edit 1, black font, edits in red, 603 words


Box 175 Item 3 CM edit 2, black font, edits in red ink, 603 words


Box 175 Item 4 Fact Check by CM


Box 175 Item 5 SA edit 3, black font, edits in red, 594 words


Box 175 Item 6 BRS edit 4, black font, edits in blue ink, 594 words


Box 175 Item 7 Final edit, black font, 598 words


Larissa Pham's Fantasian Ben Fama (corresponding pages in magazine: 26-27):


Box 175 Item 1 Original draft, black font, 582 words


Box 175 Item 2 SA edit 1, black font, edits in red, 628 words


Box 175 Item 3 BF (Ben Fama)edit 2, black font, edits in blue, 635 words


Box 175 Item 4 CM edit 3, black font, edits in red ink, 635 words


Box 175 Item 5 Fact Check by CM


Box 175 Item 6 SA edit 4, black font, edits in red, 652 words


Box 175 Item 7 Final edit, black font, 623 words


Big Star's Complete Third Andrew Hultkrans (corresponding pages in magazine: 27-28):


Box 175 Item 1 Original draft, black font, 788 words


Box 175 Item 2 MB edit 1, black font, edits in blue, 700 words


Box 175 Item 3 SA edit 2, black font, edits in red, 713 words


Box 175 Item 4 AH (Andrew Hultkrans) edit 3, black font, edits in blue, 686 words


Box 175 Item 5 SA edit 4, black font, 689 words


Box 175 Item 6 Fact Check by MB


Box 175 Item 7 BRS edit 5, black font, edits in black ink, 686 words


Box 175 Item 8 Final edit, black font, 692 words


Alan Reid's Warm Equations Ted Dodson (corresponding pages in magazine: 28-30):


Box 175 Item 1 TD edit 1, black font, 457 words


Box 175 Item 2 TD edit 2, black font, 501 words


Box 175 Item 3 CM edit 3, black font, changes in green, 585 words


Box 175 Item 4 Fact Check by CM


Box 175 Item 5 TD edit 4, black font, 519 words


Box 175 Item 6 TD edit 5, black font, 515 words


Box 175 Item 7 SR edits in layout in red ink


Terence Davies's A Quiet Passion Tan Lin (corresponding pages in magazine: 30-31):


Box 175 Item 1 TL (Tan Lin) edit 1, black font, 831 words


Box 175 Item 2 SR edit 2, black font, edits in green, 857 words


Box 175 Item 3 TL edit 3, black font, edits in green, 868 words


Box 175 Item 4 SR edit 4, black font, edits in blue, 818 words


Box 175 Item 5 Fact Check by MB


Box 175 Item 6 SR edit 5, black font, edits in green, 825 words


Box 175 Item 7 MB edit 6, black font, edits in green, 825 words


Box 175 Item 8 SR edit 7, black font, 839 words


Box 175 Item 9 SR changes in layout in yellow


Edmundo Paz Soldan's Norte Jacqueline Loss (corresponding pages in magazine: 31-32):


Box 175 Item 1 Original draft, black font, CM's marks in red ink and SA's marks in pencil, 709 words


Box 175 Item 2 CM edit 1, black font, edits in green, 620 words


Box 175 Item 3 SA edit 2, black font, edits in red, 650 words


Box 175 Item 4 SA edit 3, black font, edits in blue, 714 words


Box 175 Item 5 SA edit 4, black font, 628 words


Box 175 Item 6 CM edit 5, black font, edits in red ink, 628 words


Box 175 Item 7 Fact Check by CM


Box 175 Item 8 SA edit 6, black font, 581 words


Box 175 Item 9 BRS edit 7, black font, edits in black ink, 581 words


Box 175 Item 10 SA changes in layout in yellow


Roger Lewinter's Story of a Love in Solitude and The Attraction of Things K. Thomas Kahn (corresponding pages in magazine: 32):


Box 175 Item 1 Original draft, black font, 749 words


Box 175 Item 2 SA edit 1, black font, 781 words


Box 175 Item 3 KTK (K. Thomas Kah n) edit 2, black font, edits in green, 770 words


Box 175 Item 4 CM edit 3, black font, edits in red ink, 770 words


Box 175 Item 5 Fact Check by CM


Box 175 Item 6 SA edit 4, black font, edits in red, 622 words


Box 175 Item 7 CM edit 5, black font, edits in red ink, 622 words


Box 175 Item 8 Final edit, black font, 582 words


Project:


How to Tell a Story John Menick (corresponding pages in magazine: 145-151):


Box 175 Item 1 Orginal text draft, black font, 1035 words, 1035


Box 175 Item 2 SRC's changes in layout in red ink


Box 175 Item 3 SA's changes in layout in pencil


Box 175 Item 4 BRS's changes in layout in red ink


Box 175 Item 5 CM's changes in layout in red ink


Box 175 Item 6 MB's changes in layout in black ink


Box 175 Item 7 SR's changes in layout in pencil


Box 175 Item 8 Email correspondence between SA and JM (John Menick)


Artists on Artists:


Overall Layouts:


Box 175 Item 1 SRC's changes in layout in red ink


Box 175 Item 2 CM's changes in layout in red ink


Box 175 Item 3 SR's changes in layout in blue ink


Aki Sasamoto's Delicate Cycle David Everitt Howe (corresponding pages in magazine: 152-153):


Box 175 Item 1 SR & MB edit 1, black font, SR's edits in black ink and MB's in blue ink, 715 words


Box 175 Item 2 BRS edit 2, black font, edits in black ink, 715 words


Box 175 Item 3 SR edit 1and BRS edit 2, black font, edits in green, 760 words


Box 175 Item 4 DEH edit 3, black font, edits in red green, 704 words


Box 175 Item 5 SR edit 4, black font, 707 words


Box 175 Item 6 Fact Check by MB


Box 175 Item 7 SR edit 5, black font, 708 words


Box 175 Item 8 SR edit 6, black font, 716 words


Box 175 Item 9 DEH edit 7, black font, 716 words


Jibade-Khalil Huffman's STANZA Thom Donovan (corresponding pages in magazine: 154-155):


Box 175 Item 1 Original draft, black font, 798 words


Box 175 Item 2 SR edit 1, black font, edits in blue, 815 words


Box 175 Item 3 TDV (Thom Donovan) edit 2, black font, edits in green, 833 words


Box 175 Item 4 TDV edit 3, black font, 806 words


Box 175 Item 5 SR edit 4, black font, edits in green, 910 words


Box 175 Item 6 TDV edit 5, black font, edits in blue, 710 words


Box 175 Item 7 SR edit 6, black font, edits in green with M B's marks in blue ink, 706 words


Box 175 Item 8 Fact Check by MB


Box 175 Item 9 BRS edit 6, black font, edits in black ink, 706 words


Box 175 Item 10 SR edit 7, black font, edits in blue, 698 words


Box 175 Item 11 SR edit 8, black font, edits in blue ink, 697 words


Box 175 Item 12 SR edit 9, black font, 698 words


Box 175 Item 13 SR edit 10, black font, 698 words


Box 175 Item 14 SR edit 11, black font, 698 words


Box 175 Item 15 M B's changes in layout in blue ink


Ellen Cantor's Magical Thinking Nicola Tyson (corresponding pages in magazine: 156-159)


Box 175 Item 1 NT (Nicola Tyson) edit 1, black font, 799 words


Box 175 Item 2 SR edit 2, black font, 799 words


Box 175 Item 3 SR edit 3, black font, edits in blue, 837 words


Box 175 Item 4 SR edit 4, black font, edits in blue with MB's marks in blue ink, 868 words


Box 175 Item 5 MB edit 5, black font, edits in blue, 866 words


Box 175 Item 6 SR edit 6, black font, edits in blue, 890 words


Box 175 Item 7 NT edit 7, black font, edits in bl ue, 895 words


Box 175 Item 8 SR edit 9, black font, edits in yellow, 888 words


Box 175 Item 9 SR edit 10, black font, M B's marks in black ink and BRS's in red ink, 888 words


Box 175 Item 10 Fact Check by MB


Box 175 Item 11 Final edit, black font, 879 words


Box 175 Item 12 Are You Ready for Love? info packet


Front Matter:


Box 175 Item 1 BOMB 138 TOC


Box 175 Item 2 Page grid


Box 175 Item 3 Summary of design meeting


Box 175 Item 4 Changes in layout to cover by BRS


Box 175 Item 5 Changes in layout in Klaus Kertess in memoriam by BRS, M B, CM, and SR


Box 175 Item 6 Changes in layout to TOC by SA, CM, SR, M B, and BRS


Box 175 Item 7 Changes in layout to bias by CM


Box 175 Item 8 Masthead changes correspondence between SR and NS (Nikita Singh)


Box 175 Item 9 Changes in layout to Patron's Page by RC, BRS, and CM


Box 175 Item 10 NYSCA Logo


Box 175 Item 11 Ad correspondence between SR and MAM


Box 175 Item 12 Changes to specs from 137


Issue 139:


Interviews:


Steffani Jemison by Ben Lerner (Corresponding pages in magazine: 33-41):



Box 176 Item 1 Original transcript, black font, 12,514 words


Box 176 Item 2 SA edit 1, black font, ed its in red, 6412 words, 6412


Box 176 Item 3 SA edit 2, black font, edits in blue, 5631 words, 5631


Box 176 Item 4 SA edit 3, black font, edits in blue, 5602 words, 5602


Box 176 Item 5 SA edit 4, black font, edits in pu rple, 5505 words, 5505


Box 176 Item 6 SA edit 5, black font, edits i n purple, 5209 words, 5209


Box 176 Item 7 SA edit 6, black font, edits in gray, 5249 words, 5249


Box 176 Item 9 SA edit 7, black font, 4886 words, 4886


Box 176 Item 10 CM edit 8, black font, edits in red ink, 4886 words, 4886


Box 176 Item 11 Fact Check by CM


Box 176 Item 12 BRS edit 9, black font, edits in black ink, 4873 words, 4873


Box 176 Item 13 SRC changes in layout in gray


Box 176 Item 14 M B changes in layout in blue ink


Box 176 Item 15 Email correspondence among SA, SJ (Steffani Jemison) and BL (Ben Lerner)


Amitav Ghosh and Curt Stager (Corresponding pages in magazine: 42-48):


Box 176 Item 1 Original email questions and answers from CS (Curt Stager) to AG (Amitav Ghosh), black font, 1,734 words


Box 176 Item 2 Amitav's questions for Curt


Box 176 Item 3 SR (Sabine Russ) edit 2, black font, edits in green, 3,628 words


Box 176 Item 4 SR edit 3, black font, MB (Michael Blair) edits in black ink and blue highlights, 3, 617 words


Box 176 Item 5 Fact Check by M B


Box 176 Item 6 SR edit 4, black font, edits in green, 3,609 words


Box 176 Item 7 SR edit 5 for CM, black font, CM edits in red ink, 3,609 words


Box 176 Item 8 CM edit 6, black font, edits in green, 3,581 words


Box 176 Item 9 SR edit 7, black font, BRS edits in red ink and yellow highlights, SR's marks in blue ink and black ink, 3,597 words


Box 176 Item 10 SRC changes in layout in red ink, SR's marks in black ink and M B's marks in blue ink


Box 176 Item 11 CM changes in layout in red ink


Box 176 Item 12 SA changes in layout in green ink, SR's marks i n red ink


Box 176 Item 13 SR introduction, SA edits in blue, BRS edits in light blue


Box 176 Item 14 Revised caption for page


Box 176 Item 15 Email correspondence between Rebecca Smith and CS, and BRS, SR, AG, and CS


Box 176 Item 16 Images from NASA's Earth Observatory


Box 176 Item 17 New York Times Editorial by Amitav Ghosh


Ron Athey by Zackary Drucker (Corresponding pages in magazine: 49-56):


Box 176 Item 1 Original transcript, black font, 11, 052 words


Box 176 Item 2 CM edit 1, black font, edits in yellow highlights and grey highlights, 5,378 words


Box 176 Item 3 SR edit 2 and 3, black font, edits in blue and green, 8,345 words


Box 176 Item 4 MB edit 4, black font, edits in bl ue, green, and orange, 5,951 words


Box 176 Item 5 MB edit 5, black font, edits in blue and green, SR's marks in black ink, 4,589 words


Box 176 Item 6 SR edit 6, black font, edits in gray and bl ue, 4,769 words


Box 176 Item 7 SR edit 7, black font, edits in blue and gray highlights, 4,750 words


Box 176 Item 8 BRS edit 8, black font, edits in red, gray highlights, and yellow highlights,4, 716 words


Box 176 Item 9 SR edit 9, black font, edits in bl ue, 3,370 words


Box 176 Item 10 Fact Check by MB


Box 176 Item 11 RA (Ron Athey) edit 10, black font, edits in bl ue, 3,752 words


Box 176 Item 12 SR edit 11, black font, edits in blue and green, 3,727 words


Box 176 Item 13 SR edit 12, black font, edits in blue, 3,772 words


Box 176 Item 14 ZD (Zackary Drucker) edit 13, black font, edits in blue, 4,095 words


Box 176 Item 15 SR edit 15, black font, edits in blue, green, yellow highlights, red ink, 4,014 words


Box 176 Item 16 SRC changes in layout in red ink, M B's marks in blue ink


Box 176 Item 17 CM changes in layout in red ink, SR's marks in black ink


Box 176 Item 18 SA changes in layout in green ink, SR's marks in black ink and red ink, MB's marks in blue ink


Box 176 Item 19 Email correspondence between SR, ZD, and RA


Box 176 Item 20 Email correspondence between Miyoshi Barash, BRS, SR, ZD, and RA


Stephin Merritt by Franklin Bruno (Corresponding pages in magazine: 57-64):


Box 176 Item 1 Original transcript, black font, 10,736 words


Box 176 Item 2 SR edit 1, black font, edits in purple, 7161 words, 7161


Box 176 Item 3 SR edit 2, black font, edits in bl ue, 6200 words, 6200


Box 176 Item 4 SA edit 3, black font, edits in black ink, 6200 words, 6200


Box 176 Item 5 FB (Franklin Bruno) edit 4, black font, edits in blue, 11,822 words


Box 176 Item 6 SA edit 5, black font, edits in red, 4365 words, 4365


Box 176 Item 7 SM (Stephin Merritt) edit 6, black font, edits in gray, 4305 words, 4305


Box 176 Item 9 Fact Check by M B


Box 176 Item 10 BRS edit 6, black font, edits in black ink, 4305 words, 4305


Box 176 Item 11 SA edit 7, black font, 4290 words, 4290


Box 176 Item 12 M B edit 8, black font, edits in blue ink, 4290 words, 4290


Box 176 Item 13 FB intro, black font, 155 words


Box 176 Item 14 FB intro SA edit 1, black font, 160 words


Box 176 Item 15 SRC changes in layout in red ink


Box 176 Item 16 CM changes in layout in black ink


Box 176 Item 17 CM changes in layout in red ink


Box 176 Item 18 SR changes in layout in red ink


Box 176 Item 19 Email correspondence among FB, SM, SA, and CM


Box 176 Item 20 50 Song Memoir press release


Rita Ackermann by Josh Smith (Corresponding pages in magazine: 65-71):


Box 176 Item 1 Original transcript, black font, 6,737 words


Box 176 Item 2 SR edit 1, black font, edits in green, 3,734 words


Box 176 Item 3 SR edit 2, black font, edits in blue, gray highlights, and green, 3,768 words


Box 176 Item 4 RA (Rita Ackermann) edit 3, black font, edits in blue and red, 3,845 words


Box 176 Item 5 SR edit 4, black font, edits in green, 3,495 words


Box 176 Item 6 SR edit 5, black font, edits in blue, 3,500 words


Box 176 Item 7 BRS/SR edit 6, black font, BRS edits in black ink, SR's marks in red ink on first document and in green on second, 3,449 words


Box 176 Item 8 CM proof with edits in red ink, SR's marks in black ink and blue ink


Box 176 Item 9 Fact Check by CM


Box 176 Item 10 CM changes in layout in red ink


Box 176 Item 11 SRC changes in layout in red ink, SR's marks in red ink and black ink


Box 176 Item 12 SR changes in layout in black ink and red ink


Box 176 Item 13 CM changes in layout in red ink, MB's marks in blue ink


Box 176 Item 14 SA changes in layout in green ink, SR's marks in red ink


Box 176 Item 15 Email correspondence between SR, JS (Josh Smith), and RA


Bryan Hunt by Jack Stephens (Corresponding pages in magazine: 78-87):


Box 176 Item 1 Original transcript, black font, 6,621 words


Box 176 Item 2 JS (Jack Stephens) edit 6, black font, 4,220 words


Box 176 Item 3 BRS edit 7, black font, edits in gray, red, and yellow highlights, 4,297 words


Box 176 Item 4 SR edit 8, black font, edits in gray, red, and yellow highlights, 4,357 words


Box 176 Item 5 JS edit 9, black font, edits in green, 4,411words


Box 176 Item 6 SR edit 10, black font, edits in gray, red, and yellow highlights, 4,276 words


Box 176 Item 7 SR edit 11, black font, SR marks BH (Bryan Hunt) changes in black ink, 4,192 words


Box 176 Item 8 BH edit 12, black font, 4,169 words


Box 176 Item 9 SR edit 13, black font, 4,119 words


Box 176 Item 10 Fact Check by MB


Box 176 Item 11 SR edit 14, black font, edits in green, 4,169 words


Box 176 Item 12 SR edit for layout, black font, edits in blue highlights and yellow highlights, 4,204 words


Box 176 Item 13 CM changes in layout in red ink


Box 176 Item 14 SRC changes in layout in red ink, SR's marks in black ink


Box 176 Item 15 Email correspondence between JS and SR for JS changes in layout


Box 176 Item 16 Email correspondence between BRS and SR for BRS changes in layout


Box 176 Item 17 CM changes in layout in red ink and black ink


Box 176 Item 18 SA changes in layout in green ink, SR's marks in black ink


Box 176 Item 19 Image caption list


Box 176 Item 20 Email correspondence between BRS, JS, BH, and SR


David Levine by James N. Kienitz Wilkins Corresponding pages in magazine: 88-96):


Box 176 Item 1 Original transcript, black font, 19,929 words


Box 176 Item 2 CM edit 1, black font, edits in green, 11,624 words


Box 176 Item 3 CM edit 2, black font, edits in green, 8734 words, 8734


Box 176 Item 4 CM edit 3, black font, edits in green, 6370 words, 6370


Box 176 Item 5 JN KW (James N. Kienitz Wilkins) edit 4, black font, edits in blue, 4575 words, 4575


Box 176 Item 6 CM edit 5, black font, edits in blue, 4593 words, 4593


Box 176 Item 7 CM edit 6, black font, edits in blue, 4589 words, 4589


Box 176 Item 9 Fact Check by CM


Box 176 Item 10 DL (David Levine) edit 7, black font, edits in green, 4810 words, 4810


Box 176 Item 11 CM edit 8, black font, edits in blue, 4602 words, 4602


Box 176 Item 12 SA edit 9, black font, edits in pencil, 4602 words, 4602


Box 176 Item 13 CM edit 9, black font, edits in blue, 4588 words, 4588


Box 176 Item 14 DL edit 10, black font, edits in green, 462 2 words


Box 176 Item 15 JNKW edit 10, black font, edits in red, 4578 words, 4578


Box 176 Item 16 CM edit 11, black font, 4619 words, 4619


Box 176 Item 17 BRS edit 12, black font, edits in black ink with SA's marks in green ink, 4620 words, 4620


Box 176 Item 18 SA edit 12, black font, edits in purple, 4646 words, 4646


Box 176 Item 19 DL edit 13, black font, edits in green, 4534 words, 4534


Box 176 Item 20 SA edit 14, black font, edits in red, 4650 words, 4650


Box 176 Item 21 DL edit 15, black font, edits in blue, 4633 words, 4633


Box 176 Item 22 SA edit 16, black font, edits in green, 4608 words, 4608


Box 176 Item 23 M B changes in layout in blue ink


Box 176 Item 24 SRC changes in layout in red ink


Box 176 Item 25 MB changes in layout in blue ink


Box 176 Item 26 SR changes in layout in pencil


Box 176 Item 27 SA changes in layout in green ink


Box 176 Item 28 Caption list


Box 176 Item 29 Email correspondence among CM, DL, JN KW, and SA


Hari Kunzru and Sjon (Corresponding pages in magazine: 106-112):


Box 176 Item 1 Original transcript, black font, 8,976 words


Box 176 Item 2 SR edit 1, black font, edits in green, 8,492 words


Box 176 Item 3 SR edit 2, black font, edits in green, 6,992 words


Box 176 Item 4 SR edit 3, black font, edits in blue and gray highlights, 6,985 words


Box 176 Item 5 HK (Hari Kunzru) edit 4, black font, edits in green, 5,505 words


Box 176 Item 6 SJ (Sjon) edit 5, black font, edits in green, 4,604 words


Box 176 Item 7 HK and SJ edit 6, black font, 5,173 words


Box 176 Item 8 SR edit 7, black font, 5,177 words


Box 176 Item 9 CM edit 8, black font, edits in blue, 4,424 words


Box 176 Item 10 SR edit 9, black font, edits in blue and red, 4,585 words


Box 176 Item 11 Fact Check by CM


Box 176 Item 12 SR edit 10, black fonts, edits in blue and red, 4,585 words


Box 176 Item 13 SR edit 11, black font, BRS edits in red ink, SR's marks in blue ink, 4,583 words


Box 176 Item 14 SRC changes in layout in red ink, MB's marks in blue ink, SR's marks in red ink


Box 176 Item 15 M B changes in layout in blue ink, SR's marks in red ink


Box 176 Item 16 Email correspondence between SR, SJ, and HK


Box 176 Item 17 Changes of introduction in layout


Box 176 Item 18 CM changes in layout in red ink, SR's marks in black ink


Box 176 Item 19 SA changes in layout in black ink, SR's marks in red ink


Box 176 Item 20 Email correspondence between SR, SJ, and HK


George Saunders by Sam Lipsyte Corresponding pages in magazine: 132-142):


Box 176 Item 1 Original transcript, black font, 26,515 words


Box 176 Item 2 SA edit 1, black font, edits in blue, 10,538 words


Box 176 Item 3 SL (Sam Lipsyte) edit 2, black font, edits in blue, 10,538 words


Box 176 Item 4 SA edit 3, black font, edits in blue, 7896 words, 7896


Box 176 Item 5 GS (George Saunders) edit 4, black font, edits in blue, 11,822 words


Box 176 Item 6 SA edit 5, black font, 8002 words, 8002


Box 176 Item 7 CM edit 6, black font, edits in red ink, 8002 words, 8002


Box 176 Item 9 Fact Check by CM


Box 176 Item 10 SA edit 6, black font, edits in blue, 7923 words, 7923


Box 176 Item 11 BRS edit 7, black font, edits in gray, 7922 words, 7922


Box 176 Item 12 CM changes in layout in red ink


Box 176 Item 13 CM changes in layout in black ink


Box 176 Item 14 SRC changes in layout in gray


Box 176 Item 15 MB changes in layout in blue ink


Box 176 Item 15 Email correspondence among SRC, SA, SL, and GS


Journal:


From The Manhattan Project by Laszlo Krasznahorkai (Corresponding pages in magazine: 72-77):


Box 176 Item 1 BRS changes in layout in black ink


Box 176 Item 2 SRC changes in layout in gray


Box 176 Item 3 CM changes in layout in red ink


Box 176 Item 4 CM changes in layout in black and red ink


Box 176 Item 5 MB changes in layout in green ink


Box 176 Item 6 Email correspondence among Num Stibbe, Carrie Adams, and SA


Box 176 Item 7 The Manhattan Project press release


First Proof:


Overall Layouts:


Box 176 Item 1 CM production checklists


Box 176 Item 2 pull-quote list


Box 176 Item 3 SRC changes in layout in red ink


Box 176 Item 4 CM changes in layout in red ink


Portfolio:


Su Hui's Xuanjitu (Corresponding pages in magazine: 97, 99-101):


Box 176 Item 1 Wild Geese Returning 28-41


Box 176 Item 2 Draft 1, black font, with CM's marks in red ink, 869 words


Box 176 Item 3 CM intro draft 1, black font, 179 words


Box 176 Item 4 SA edit 2, black font, CM's marks in red ink, 874 words


Box 176 Item 5 Ye Minlei (YM) changes in layout in red


Box 176 Item 6 Email correspondence between YM and CM


Comic:


"Half-Hearted Slogan Dance" by Austin English (Corresponding pages in magazine: 118-121):


Box 176 Item 1 Images draft


Fiction:


From Compass by Mathias Enard (Corresponding pages in magazine: 102-105):


Box 176 Item 1 Excerpt text, black font, 3364 words, 3364


Box 176 Item 2 BRS changes in layout in black ink


From Atlantic Hotel by Joao Gilberto Noll, translated by Adam Morris (Corresponding pages in magazine: 113-115):


Box 176 Item 1 CM edit 1, black font, 2623 words, 2623


Box 176 Item 3 BRS edit 1, black font, edits in blue ink, 2623 words, 2623


Box 176 Item 4 CM/SA edit 2, black font, CM's edits in red ink and SA's edits in green ink, 2623 words, 2623


Box 176 Item 5 AM (Adam Morris) edit 4, black font, edits in blue, 2702 words, 2702


Box 176 Item 6 CM edit 5, black font, edits in blue, 2700 words, 2700


Screenstars from The Sovereign by Andrew E. Colarusso (Corresponding pages in magazine: 124-129):


Box 176 Item 1 Original draft, black font, 5190 words, 5190


Box 176 Item 2 BRS edit 1, black font, edits in blue ink with SA's marks in pencil, 5190 words, 5190


Box 176 Item 3 AC (Andrew Colarusso) edit 1, black font, edits in yellow, 5283 words, 5283


Box 176 Item 4 SA edit 3, black font, edits in blue, 5244 words, 5244


Box 176 Item 5 CM edit 4, black font, edits in red ink, 5244 words, 5244


Box 176 Item 6 SA edit 4, black font, edits in blue, 5196 words, 5196


Box 176 Item 7 AC edit 5, black font, edits in yellow, 5097


Box 176 Item 8 SA edit 6, black font, 5149 words, 5149


Box 176 Item 9 CM changes in layout in black ink


Box 176 Item 10 Email correspondence among SA, AC, and CM


Poetry:


from Whereas by Author: Layli Long Soldier (Corresponding pages in magazine: 116-117):


Box 176 Item 1 Original submission, black font, 979 words


Box 176 Item 2 Excerpt, black font, 717 words


Four Film-Poems for May a Deren by Karla Kelsey (Corresponding pages in magazine: 122-123):


Box 176 Item 1 Original submission, black font


Box 176 Item 2 SA edit 1, black font, edits in blue, 490 words


Box 176 Item 3 CM edit 1, black font, edits in red ink, 490 words


Two Poems by Miranda Mellis (Corresponding pages in magazine: 130-131):


Box 176 Item 1 Original submission, black font


Box 176 Item 2 Excerpt, black font, 359 words


Selections:


Overall Layouts:


Box 176 Item 1 SRC's changes in layout in red ink


Box 176 Item 2 CM's changes in layout in red ink


Box 176 Item 3 MB's changes in layout in blue ink


Box 176 Item 4 SR's changes in layout in red ink


Karl Ove Knausgaard and Fredrik Ekelund's Home and Away by Adam Lehner (Corresponding pages in magazine: 25-26):


Box 176 Item 1 SA edit 1, black font, edits in blue, 810 words


Box 176 Item 2 AL edit 2, black font, 811words


Box 176 Item 3 SA edit 3, black font, 773 words


Box 176 Item 4 CM edit 4, black font, edits in red ink, 773 words


Box 176 Item 5 Fact Check by CM


Sarah Gerard's Sunshine State by Laura van den Berg (Corresponding pages in magazine: 26-27):


Box 176 Item 1 SR edit 1, black font, edits in blue ink, 800 words


Box 176 Item 2 SR edit 2, black font, edits in bl ue, 810 words


Box 176 Item 3 LVB (Laura van den Berg) edit 3, black font, edits in blue, 831 words


Box 176 Item 4 SR edit 4, black font, 831 words


Box 176 Item 5 Fact Check by M B


Box 176 Item 6 BRS edit 5, black font, edits in black ink, 831 words


Monica de la Torre's The Happy End / All Welcome by Michael Valinsky (Corresponding pages in magazine: 27-28):


Box 176 Item 1 SA edit 1, black font, edits in blue, 669 words


Box 176 Item 2 MV (Michael Valinsky) edit 2, black font, 629 words


Box 176 Item 3 SA edit 3, black font, edits in blue, 582 words


Box 176 Item 4 MV edit 4, black font, edits in blue, 582 words


Box 176 Item 5 CM edit 5, black font, edits in red ink, 582 words


Box 176 Item 6 Fact Check by CM


Box 176 Item 7 BRS edit 5, black font, edits in black ink, 582 words


Sophie Calle's Rachel Monique by Jennifer Krasinski (Corresponding pages in magazine: 28-29):


Box 176 Item 1 SA edit 1, black font, edits in bl ue, 637 words


Box 176 Item 2 J K (Jennifer Krasinski) edit 2, black font, edits in blue, 667 words


Box 176 Item 3 SA edit 3, black font, edits in blue, 668 words


Box 176 Item 4 BRS edit 4, black font, edits in black ink, 668 words


Box 176 Item 5 Fact Check by MB


Box 176 Item 6 SA edit 4, black font, 667 words


Box 176 Item 7 CM edit 5, black font, edits in red ink, 667 words


Michael E. Veal and E. Tammy Kim's Punk Ethnography by Tan Lin (Corresponding pages in magazine: 30-31):


Box 176 Item 1 MB edit 1, black font, 939 words


Box 176 Item 2 SR edit 2, black font, edits in pencil, 966 words


Box 176 Item 3 MB edit 3, black font, edits in green, 1013 words, 1013


Box 176 Item 4 SR edit 4, black font, edits in blue, 818 words


Box 176 Item 5 SR edit 4, black font, 922 words


Box 176 Item 6 CM edit 5, black font, edits in red ink, 922 words


Box 176 Item 7 Fact Check by CM


Box 176 Item 8 BRS edit 5, black font, edits in black ink, 922 words


Box 176 Item 9 Final edit, black font, 911words


Guillermo Calderon's VILLA by Tom Sellar (Corresponding pages in magazine: 31-32):


Box 176 Item 1 Original draft, black font, 625 words


Box 176 Item 2 MB edit 1, black font, edits in green, 750 words


Box 176 Item 3 SR edit 2, black font, edits in green, 743 words


Box 176 Item 4 TS (Tom Sellar) edit 3, black font, edits in blue, 755 words


Box 176 Item 5 SR edit 4, black font, 747 words


Box 176 Item 6 Fact Check by M B


Artists On Artists:


Sheree Hovsepian by Haley Mellin (Corresponding pages in magazine: 152-153):


Box 176 Item 1 SR edit 1, black font, edits in orange, 704 words


Box 176 Item 2 SR edit 2, black font, edits in orange and green, 681 words


Box 176 Item 3 SR edit 3 and 4, black font, edits in green and blue, 540 words


Box 176 Item 4 HM (Haley Mellin) edit 5, black font, 587 words


Box 176 Item 5 SR edit 6, black font, edits in green, blue, and green highlights, 542 words


Box 176 Item 6 SR edit 7, black font, 499 words


Box 176 Item 7 BRS edit 8, black font, edits in red and gray highlights, 517 words


Box 176 Item 8 Fact Check by M B


Box 176 Item 9 SRC changes in layout in red ink


Box 176 Item 10 CM changes in layout in red ink, SR's marks in black ink


Box 176 Item 11 SA changes in layout in blue ink, SR's marks in red ink, pencil, and yellow highlights


Beatriz Santiago Mufioz by Jeanine Oleson (Corresponding pages in magazine: 154-155):


Box 176 Item 1 JO (Jeanine Oleson) edit 1, black font, 627 words


Box 176 Item 2 SA edit 2, black font, edits in purple, 644 words


Box 176 Item 3 JO edit 3, black font, 633 words


Box 176 Item 4 BRS edit 4, black font, edits in black ink, 622 words


Box 176 Item 5 Fact Check by CM


Box 176 Item 6 SRC changes in layout in red ink, SA's marks in green ink


Box 176 Item 7 BRS changes in layout in black ink


Box 176 Item 8 Changes in layout in red and yellow highlights, SA's marks in green ink


Box 176 Item 9 Exhibition checklist


End Page by David Scher (Corresponding pages in magazine: 160):


Box 176 Item 1 SRC changes in layout in red


Artists Writing:


A Punch in 4/4 Time by Angel Nevarez and Valerie Tevere (Corresponding pages in magazine: 157-159):


Box 176 Item 1 SA edit 1, black font, edits in purple, 529 words


Box 176 Item 2 ANVT (Angel Neva rez and Valerie Tevere), black font, edits in purple, 772 words


Box 176 Item 3 SA edit 3, black font, edits in purple, 773 words


Box 176 Item 4 VT edit 4, black font, edits in purple, 545 words


Box 176 Item 5 SA edit 5, black font, 522 words


Box 176 Item 6 Fact Check by CM


Box 176 Item 7 SRC copyedits in red ink, SA's marks in green


Box 176 Item 8 Email correspondence between AN, VT, and SA


Project:


Project by An-My Le (Corresponding pages in magazine: 145-151):


Box 176 Item 1 SRC changes in layout in red ink. SA's changes in green ink


Box 176 Item 2 SRC changes in layout in red, SA's marks in green ink


Box 176 Item 3 CM changes in layout in red ink, SA's marks in green ink


Box 176 Item 4 SA changes in layout in green ink, BRS changes in layout in black ink


Box 176 Item 5 CM changes in layout in red ink


Box 176 Item 6 MB changes in layout in blue ink


Box 176 Item 7 Email correspondence between AML (An-My Le) and SA


Frontmatter:


Box 176 Item 1 TOC


Box 176 Item 2 Contributors Bias


Box 176 Item 3 Changes in layout to TOC


Box 176 Item 4 Cover


Box 176 Item 5 Replacement pages


Box 176 Item 6 Shipping invoice


Box 176 Item 7 Email correspondence


Issue 140:


Frontmatter:



Box 177 Item 1 SR TOC notes


Box 177 Item 2 Glenn O'Brien TV PARTY quotes


Box 177 Item 3 140 TOC for layout


Box 177 Item 4 Blurbs draft


Box 177 Item 5 Blurbs SR edit 1


Box 177 Item 6 Blurbs CM edit 2


Box 177 Item 7 Blurbs SA edit 3


Box 177 Item 8 CM changes in layout in red


Box 177 Item 9 RC changes in layout in black ink


Box 177 Item 10 SR frontmatter checklist


Box 177 Item 11 CM changes in layout in red ink


Box 177 Item 12 BRS changes in layout in black ink


Box 177 Item 13 CM changes in layout in red ink


Box 177 Item 14 SR checklist


Box 177 Item 15 SA changes in layout in green ink


Box 177 Item 16 SR final upload email


Interviews:


Lidia Yuknavitch by Porochista Khakpour (Corresponding pages in magazine: 136-141):


Box 177 Item 1 Original transcript, black font, 11,850 words


Box 177 Item 2 CM edit 1, black font, edits in red, 7710 words, 7710


Box 177 Item 3 CM edit 2, black font, edits in red, 46 79 words


Box 177 Item 4 PK (Porochista Khakpour) edit 3, black font, edits in blue, 4117 words, 4117


Box 177 Item 5 CM edit 4, black font, edits in red, 4126 words, 4126


Box 177 Item 6 LY (Lidia Yuknavitch) edit 5, black font, edits in green, 4550 words, 4550


Box 177 Item 7 Fact Check by CM


Box 177 Item 9 CM edit 6, black font, edits in blue, 4086 words, 4086


Box 177 Item 10 BRS edit 7, black font, edits in black ink, 4067 words, 4067


Box 177 Item 11 CM edit 7, black font, edits in red, 3821 words, 3821


Box 177 Item 2 PK edit 8, black font, edits in blue, 4089 words, 4089


Box 177 Item 13 CM edit 9, black font, edits in blue, 4045 words, 4045


Box 177 Item 14 SR edit 10, black font, edits in black ink, 4045 words, 4045


Box 177 Item 15 CM edit 10, black font, edits in red, 3993 words, 3993


Box 177 Item 16 SRC edit 11, black font, edits in purple, 3993 words, 3993


Box 177 Item 17 MB changes in layout in blue ink


Box 177 Item 18 SA changes in layout in green ink


Box 177 Item 19 MB changes in layout in blue ink


Box 177 Item 20 Email correspondence among CM, PK, and LY


Daniel Borzutzky by Joyelle Mcsweeney (Corresponding pages in magazine: 100-105):


Box 177 Item 1 Original transcript, black font, 3461 words, 3461


Box 177 Item 2 SA edit 1, black font, edits in gray, 3837 words, 3837


Box 177 Item 3 JM (Joyelle Mcsweeney) edit 2, black font, edits in gray, 3900 words, 3900


Box 177 Item 4 SA edit 3, black font, edits in gray, 3912 words, 3912


Box 177 Item 5 DB (Daniel Borzutzky) edit 4, black font, edits in gray, 5231 words, 5231


Box 177 Item 6 SA edit 5, black font, edits in gray, 4300 words, 4300


Box 177 Item 7 DB edit 6, black font, 4175 words, 4175


Box 177 Item 9 SA edit 7, black font, edits in gray, 4100 words, 4100


Box 177 Item 10 SA edit 8, black font, edits in blue, 4100 words, 4100


Box 177 Item 11 BRS edit 9, black font, edits in gray, 4100 words, 4100


Box 177 Item 12 SA edit 10, black font, edits in blue, 4008 words, 4008


Box 177 Item 13 CM edit 11, black font, edits in red ink, 4119 words, 4119


Box 177 Item 14 Fact Check by CM


Box 177 Item 15 BRS changes in layout in black ink


Box 177 Item 16 SRC changes in layout in gray


Box 177 Item 17 CM changes in layout in red ink


Box 177 Item 18 MB changes in layout in blue ink


Box 177 Item 19 Email correspondence among SA, JM, and DB


Eric Baudelaire by Benoit Rossel (Corresponding pages in magazine: 44-54):


Box 177 Item 1 Original transcript, black font, 8027 words, 8027


Box 177 Item 2 SA edit 1, black font, edits in gray, 5056 words, 5056


Box 177 Item 3 BR (Benoit Rossel) edit 2, black font, 4935 words, 4935


Box 177 Item 4 SA edit 3, black font, edits in gray, 4238 words, 4238


Box 177 Item 5 EB (Eric Baudelaire) edit 4, black font, edits in blue, 4617 words, 4617


Box 177 Item 6 SA edit 5, black font, edits in green, 4638 words, 4638


Box 177 Item 7 EB edit 6, black font, edits in blue, 4726 words, 4726


Box 177 Item 9 SA edit 7, black font, edits in green, 4716 words, 4716


Box 177 Item 10 SA edit 8, black font, 4716 words, 4716


Box 177 Item 11 BRS edit 9, black font, edits in blue, 4731 words, 4731


Box 177 Item 12 SA edit 10, black font, edits in gray, 4716 words, 4716


Box 177 Item 13 CM edit 11, black font, edits in red ink, 4716 words, 4716


Box 177 Item 14 Fact Check by CM


Box 177 Item 15 CM changes in layout in red ink


Box 177 Item 16 SRC changes in layout in red ink


Box 177 Item 17 MB changes in layout in blue ink


Box 177 Item 18 SR changes in layout in pencil


Box 177 Item 19 MB changes in layout in blue ink


Box 177 Item 20 Email correspondence among SA, EB, and BR


Sharon Johnston and Mark Lee by Frank Gesualdi (Corresponding pages in magazine: 55-64):


Box 177 Item 1 Original transcript, black font, 5939 words, 5939


Box 177 Item 2 SA edit 1, black font, edits in gray, 5337 words, 5337


Box 177 Item 3 FG (Frank Gesualdi) edit 2, black font, edits in gray, 4 718 words


Box 177 Item 4 SA edit 3, black font, edits in gray, 4601 words, 4601


Box 177 Item 5 SJML (Sharon Johnston and Mark Lee) edit 4, black font, edits in gray, 5399 words, 5399


Box 177 Item 6 SA edit 5, black font, edits in gray, 4819 words, 4819


Box 177 Item 7 SA edit 6, black font, 4819 words, 4819


Box 177 Item 9 SA edit 7, black font, edits in gray, 4819 words, 4819


Box 177 Item 10 MB edit 8, black font, edits in blue ink, 4819 words, 4819


Box 177 Item 11 Fact Check by MB


Box 177 Item 12 Intro draft, black font, 216 words


Box 177 Item 13 Intro SA edit 1, black font, edits in green, 203 words


Box 177 Item 14 Intro SA edit 2, 202 words


Box 177 Item 15 SA changes in layout in green ink


Box 177 Item 16 SRC changes in layout in red ink


Box 177 Item 17 CM changes in layout in red ink


Box 177 Item 18 MB changes in layout in blue ink


Box 177 Item 19 SR changes in layout in pencil


Box 177 Item 20 MB changes in layout in blue ink


Box 177 Item 21 Email correspondence among SA, FG, and SJML


John Giorno by Verne Dawson (Corresponding pages in magazine: 83-95):


Box 177 Item 1 Original transcript, black font, 18,140 words


Box 177 Item 2 SR edit 1, black font, edits in green, 15,883 words


Box 177 Item 3 SR edit 2, black font, edits in blue, 13,202 words


Box 177 Item 4 SA edit 3, black font, edits in green, 11,730 words


Box 177 Item 5 SR edit 4, black font, edits in green, 7093 words, 7093


Box 177 Item 6 SR edit 5, black font, edits in green, 5709 words, 5709


Box 177 Item 7 SR edit 6, black font, 5700 words, 5700


Box 177 Item 9 VD (Verne Dawson) edit 7, black font, edits in blue, 5688 words, 5688


Box 177 Item 10 JG (John Giorno) edit 8, black font, edits in green, 5560 words, 5560


Box 177 Item 11 SR edit 9, black font, 5560 words, 5560


Box 177 Item 12 BRS edit 10, black font, edits in blue, 5597 words, 5597


Box 177 Item 13 SR edit 11, black font, edits in yellow, 5560 words, 5560


Box 177 Item 14 SR edit 12, black font, 5502 words, 5502


Box 177 Item 15 Fact Check by MB


Box 177 Item 16 SR changes in layout in black ink


Box 177 Item 17 CM changes in layout in red ink


Box 177 Item 18 SRC changes in layout in red ink


Box 177 Item 19 CM changes in layout in red ink


Box 177 Item 20 SA changes in layout in green ink


Box 177 Item 21 Email correspondence among SA, SR, VD, JG, Alexandra Aguair (JG's assistant), and Mattias Herold (Ugo Rondinone's assistant)


Iman Issa by Andrew Weiner (Corresponding pages in magazine: 33-43):


Box 177 Item 1 SR edit 1, black font, edits in green, 4850 words, 4850


Box 177 Item 3 SR edit 2, black font, edits in blue, 1524 words, 1524


Box 177 Item 4 SR edit 3-4, black font, edits in blue, 4300 words, 4300


Box 177 Item 5 II (Iman Issa) edit 5, black font, edits in blue, 4483 words, 4483


Box 177 Item 6 AW (Andrew Weiner) edit 6, black font, edits in green, 4673 words, 4673


Box 177 Item 7 SR edit 7, black font, edits in blue, 4666 words, 4666


Box 177 Item 9 Fact Check by MB


Box 177 Item 10 II edit 8, black font, edits in gray, 4671 words, 4671


Box 177 Item 11 SR edit 9, black font, edits in green, 4674 words, 4674


Box 177 Item 12 AW edit 10, black font, edits in gray, 4516 words, 4516


Box 177 Item 13 SR edit 11, black font, edits in blue, 4443 words, 4443


Box 177 Item 14 Original intro draft, black font, 188 words


Box 177 Item 15 SR intro edit 1, black font, edits in green, 188 words


Box 177 Item 16 Final intro edit 1, black font, 188 words


Box 177 Item 17 BRS changes in layout in black ink


Box 177 Item 18 SRC changes in layout in red ink


Box 177 Item 19 CM changes in layout in red ink


Box 177 Item 20 CM changes in layout in red ink


Box 177 Item 21 SA changes in layout in green ink


Box 177 Item 22 Email correspondence among SA, SR, AW, and II


Ieva Miseviciiite by Melanie Bonajo (Corresponding pages in magazine: 65-72):


Box 177 Item 1 Original transcript, black font, 6450 words, 6450


Box 177 Item 3 SR edit 1, black font, edits in green, 5223 words, 5223


Box 177 Item 4 SR edit 2, black font, edits in green, 4624 words, 4624


Box 177 Item 5 SR edit 3, black font, edits in blue, 4530 words, 4530


Box 177 Item 6 IM (Ieva Miseviciiite) edit 4, black font, 2558 words, 2558


Box 177 Item 7 MO (Melanie Bonajo) edit 5, black font, edits in blue, 7231 words, 7231


Box 177 Item 9 SR edit 6, black font, edits in green, 7231 words, 7231


Box 177 Item 10 SR edit 7, black font, MB's marks in blue ink, 2786 words, 2786


Box 177 Item 11 Fact Check by MB


Box 177 Item 12 BRS edit 8, black font, edits in red ink, 2786 words, 2786


Box 177 Item 13 SR intro edit 1, black font, edits in green


Box 177 Item 14 SRC changes in layout in red ink


Box 177 Item 15 CM changes in layout in red ink


Box 177 Item 16 SR changes in layout in yellow


Box 177 Item 17 CM changes in layout in red ink


Box 177 Item 18 SA changes in layout in green ink


Box 177 Item 19 Email correspondence among SR, IM, and MO


Okkyung Lee and Ikue Mori (Corresponding pages in magazine: 73-80):


Box 177 Item 1 OL (Okkyung Lee) edit 1, black font, 3960 words, 3960


Box 177 Item 4 MB edit 2, black font, edits in red, 3663 words, 3663


Box 177 Item 5 MB edit 3, black font, 3663 words, 3663


Box 177 Item 6 SR edit 4, black font, edits in green, 3226 words, 3226


Box 177 Item 7 MB edit 5, black font, edits in blue, 3226 words, 3226


Box 177 Item 9 OL edit 6, black font, edits in blue, 3915 words, 3915


Box 177 Item 10 MB edit 7, black font, edits in blue, 3588 words, 3588


Box 177 Item 11 MB edit 8, black font, 3590 words, 3590


Box 177 Item 12 CM edit 9, black font, edits in blue, 3590 words, 3590


Box 177 Item 13 SR edit 10, black font, edits in pencil, 3590 words, 3590


Box 177 Item 14 Fact Check by MB


Box 177 Item 15 Original intro draft, black font, 380 words


Box 177 Item 16 SR intro edit 1, edits in blue and green, 409 words


Box 177 Item 17 MB intro edit 2, black font, 374 words


Box 177 Item 18 SRC intro edit 3, black font, edits in blue, 374 words


Box 177 Item 19 CM intro edit 4, black font, edits in red ink, 377 words


Box 177 Item 20 SRC changes in layout in red


Box 177 Item 21 CM changes in layout in red ink


Box 177 Item 22 BRS changes in layout in red ink


Box 177 Item 23 SA changes in layout in green ink


Box 177 Item 24 lkue Mori in conversation with Frank J. Oteri.


Box 177 Item 25 Email correspondence among MB, OL, and Ikue Mori


Feature:


John Giorno, Poet by Chris Kraus and Rebecca Waldron (Corresponding pages in magazine: 81-83):


Box 177 Item 1 Original transcript, black font, 1067 words, 1067


Box 177 Item 2 SR edit 1, black font, edits in green, 1082 words, 1082


Box 177 Item 3 MB edit 2, black font, edits in green, 1125 words, 1125


Box 177 Item 4 SR edit 3, black font, edits in blue, 1073 words, 1073


Box 177 Item 5 CKRW (Chris Kraus and Rebecca Waldron) edit 4, black font, edits in blue, 1116 words, 1116


Box 177 Item 6 SR edit 5, black font, edits in blue, 984 words


Box 177 Item 7 Fact Check by MB


Box 177 Item 8 SA changes in layout in green ink


Box 177 Item 9 CM changes in layout in red ink


Box 177 Item 10 SRC changes in layout in red


Box 177 Item 11 SR changes in layout in black ink


Box 177 Item 12 Email correspondence among SR, CK, and RW


First Proof:


Overall Layouts:


Box 177 Item 1 BRS changes in layout in black ink


Box 177 Item 2 CM changes in layout in red ink


Box 177 Item 3 SRC changes in layout in red


Box 177 Item 4 CM changes in layout in red ink


Box 177 Item 5 CM changes in layout in red ink


Box 177 Item 6 SR changes in layout in black ink


Box 177 Item 7 MB changes in layout in blue ink


Portfolio:


Sam Contis (Corresponding pages in magazine: 97, 99-101):


Box 177 Item 1 Caption


Box 177 Item 2 Sam Contis BAMPFA promo email


Comic:


Three Poetry Comics by Bianca Stone (Corresponding pages in magazine: 132-135):


Box 177 Item 1 Images draft with CM's marks in red ink


Box 177 Item 2 Email correspondence between CM and Bianca Stone


Poetry:


"Lake Michigan, Scene 10" by Daniel Borzutzky (Corresponding pages in magazine: 106-107


Box 177 Item 1 Original submission, black font, 2368 words, 2368


Box 177 Item 2 SA edit 1, black font, 658 words


Box 177 Item 3 CM edit 2, black font, edits in red ink, 658 words


Box 177 Item 4 Final edit, black font, 658 words


"The Snows of Venice by Ben Lerner (Corresponding pages in magazine: 108-119):


Box 177 Item 1 SA edit 1, black font, edits in green ink, 24 7 6 words


Box 177 Item 2 CM edit 2, black font, edits in red ink, 2476 words, 2476


Wish-fulfilling Jewels & the Poet by John Giorno (Corresponding pages in magazine: 121-125):


Box 177 Item 1 SA edit 1, black font, edits in gray, 2774 words, 2774


Box 177 Item 2 JG edit 2, black font, 2774 words, 2774


Box 177 Item 3 CM edit 3, black font, edits in red ink, 2774 words, 2774


Box 177 Item 4 SA edit 3, black font, 2774 words, 2774


Box 177 Item 5 Final edit, black font, 2776 words, 2776


"Lost Sleep" and "This Is a Test" by Todd Colby (Corresponding pages in magazine: 126-127):


Box 177 Item 1 SA edit 1, black font, edits in green ink, 465 words


Box 177 Item 2 CM edit 2, black font, edits in red ink, 465 words


Box 177 Item 3 Final edit, black font, 465 words


SKULL&BONES by Ariana Reines (Corresponding pages in magazine: 128-129):


Box 177 Item 1 SA edit 1, black font, edits in gray, 331 words


Box 177 Item 2 SA edit 2, black font, 331 words


"Untitled (Saturn parallel Pluto)" and "Untitled (in view)" by Andrew Durbin (Corresponding pages in magazine: 130-131):


Box 177 Item 1 Original submission, black font, 399 words


Box 177 Item 2 CM edit 1, black font, edits in red ink, 397 words


Box 177 Item 3 SA edit 2, black font, 397 words


Box 177 Item 4 Final edit, black font, 397 words


Selections:


Overall Layouts:


Box 177 Item 1 SA's changes in layout in blue ink


Box 177 Item 2 CM's changes in layout in red ink


Box 177 Item 3 SR's changes in layout in green ink


Box 177 Item 4 MB's changes in layout in blue ink


The Complete Stories of Leonora Carrington by Sarah Resnick (Corresponding pages in magazine: 25):


Box 177 Item 1 SA edit 1, black font, edits in green, 354 words


Box 177 Item 2 SRC edit 2, black font, edits in gray, 353 words


Box 177 Item 3 SA edit 3, black font, 358 words


Box 177 Item 4 SRC edit 4, black font, edits in blue, 360 words


Box 177 Item 5 SA edit 5, black font, edits in green, 364 words


Box 177 Item 6 SA edit 6, black font, 367 words


Box 177 Item 7 SA edit 7, black font, 361 words


Box 177 Item 8 BRS edit 8, black font, edits in black ink, 361 words


Box 177 Item 9 Fact Check by CM


Box 177 Item 10 CM edit 9, black font, edits in red ink, 361 words


Box 177 Item 11 SRC edit 10, black font, edits in gray, 361 words


Albert Serra's The Death of Louis XIV by Clinton Krute (Corresponding pages in magazine: 26):


Box 177 Item 1 Original draft, black font, 407 words


Box 177 Item 2 SR edit 1, black font, edits in green, 4 77 words


Box 177 Item 3 SR edit 3, black font, edits in yellow, 510 words


Box 177 Item 4 SR edit 4, black font, edits in blue, 408 words


Box 177 Item 5 CM changes in layout in red ink


Box 177 Item 6 Fact Check by CM


Zinzi Clemmons's What We Lose by Yasmin Roshanian (Corresponding pages in magazine: 27):


Box 177 Item 1 Original draft, black font, 371 words


Box 177 Item 2 CM edit 1, black font, edits in blue, 370 words


Box 177 Item 3 YR (Yasmin Roshanian) edit 2, black font, edits in red, 500 words


Box 177 Item 4 CM edit 3, black font, 486 words


Box 177 Item 5 Fact Check by CM


Box 177 Item 6 SRC edit 4, black font, edits in blue, 486 words


Box 177 Item 7 BRS edit 5, black font, edits in black ink, 486 words


Anne Garreta's Not One Day by Youmna Chlala (Corresponding pages in magazine: 28):


Box 177 Item 1 Original draft, black font, 618 words


Box 177 Item 2 SA edit 1, black font, edits in green, 377 words


Box 177 Item 3 YC (Youmna Chlala) edit 2, black font, edits in red, 427 words


Box 177 Item 4 SA edit 3, black font, edits in green, 363 words


Box 177 Item 5 SA edit 4, black font, 363 words


Box 177 Item 6 Fact Check by CM


Box 177 Item 7 CM edit 5, black font, edits in red ink, 363 words


Box 177 Item 8 SA edit 5, black font, edits in green, 365 words


Box 177 Item 9 SRC edit 6, black font, edits in red, 365 words


Cecilia Vicuna: About to Happen by Michael Wilson (Corresponding pages in magazine: 28-29):


Box 177 Item 1 Original draft, black font, 447 words


Box 177 Item 2 SA edit 1, black font, edits in green, 386 words


Box 177 Item 3 MW (Michael Wilson) edit 2, black font, edits in blue, 385 words


Box 177 Item 4 BRS edit 3, black font, edits in black ink, 385 words


Box 177 Item 5 CM edit 3, black font, edits in red ink, 385 words


Box 177 Item 6 Fact Check by CM


Box 177 Item 7 SRC edit 4, black font, edits in gray, 385 words


Box 177 Item 8 BRS edit 5, black font, edits in black ink, 922 words


Box 177 Item 9 Final edit, black font, 911 words


Christos Chrissopoulos's The Parthenon Bomber by Saul Anton (Corresponding pages in magazine: 30):


Box 177 Item 1 SRC edit 1, black font, edits in green, 451 words


Box 177 Item 2 Fact Check by CM


Box 177 Item 3 Parthenon research


Laura Poitras's Risk by Anya Jaremka-Greenwald (Corresponding pages in magazine: 31-32):


Box 177 Item 1 Fact Check by CM


Project:


John Giorno's Archives by Marcia Bassett (Corresponding pages in magazine: 145-153):


Box 177 Item 1 Original captions draft, black font, 2018 words, 2018


Box 177 Item 2 MB captions edit 1, black font, 1789 words, 1789


Box 177 Item 3 SR captions edit 2, black font, edits in blue, 800 words


Box 177 Item 4 SR captions edit 3, black font, 764 words


Box 177 Item 5 CM captions edit 4, black font, edits in red, 757 words


Box 177 Item 6 MB changes to captions in blue ink


Box 177 Item 7 SR changes to captions in black ink


Box 177 Item 8 Original intro draft, black font, 195 words


Box 177 Item 9 SR intro edit 2, black font, 218 words


Box 177 Item 10 SR intro edit 3, black font, 251 words


Box 177 Item 11 Giorno poster


Box 177 Item 12 SR changes in layout in pencil


Box 177 Item 13 SRC changes in layout in red


Box 177 Item 14 MB changes in layout in blue ink


Box 177 Item 15 CM changes in layout in red ink


Box 177 Item 16 SA changes in layout in green ink


Box 177 Item 17 Email correspondence between SR and Marcia Bassett


Artists On Artists:


Overall Layouts:


Box 177 Item 1 SRC's changes in layout in red ink


Box 177 Item 2 CM's changes in layout in red ink


Box 177 Item 3 MB's changes in layout in blue ink


Box 177 Item 4 SR's changes in layout in pencil


Box 177 Item 5 BRS's changes in layout via email


Box 177 Item 6 SA's changes in layout in green ink


Pradeep Dalal by Nancy Davenport (Corresponding pages in magazine: 154-155):


Box 177 Item 1 Original draft, black font, 528 words


Box 177 Item 2 SA edit 1, black font, edits in green, 522 words


Box 177 Item 3 SA edit 2, black font, 554 words


Box 177 Item 4 Fact Check by CM


Box 177 Item 5 CM edit 3, black font, edits in red ink, 554 words


Box 177 Item 6 SA edit 3, black font, edits in green, 546 words


Box 177 Item 7 Email correspondence among SA, Nancy Davenport, and Pradeep Dalal


Jordan Kantor by Dean Rader (Corresponding pages in magazine: 156-157):


Box 177 Item 1 Original draft, 891 words


Box 177 Item 2 SA edit 1, black font, edits in green, 737 words


Box 177 Item 3 DR (Dean Rader) edit 2, black font, 924 words


Box 177 Item 4 SA edit 3, black font, edits in green, 739 words


Box 177 Item 5 DR edit 4, black font, 740 words


Box 177 Item 6 SA edit 5, black font, edits in green, 771 words


Box 177 Item 7 SA edit 6, black font, edits in green, 735 words


Box 177 Item 8 DR edit 7, black font, 738 words


Box 177 Item 9 BRS edit 8, black font, edits in black ink, 738 words


Box 177 Item 10 Fact Check by CM


Box 177 Item 11 CM edit 8, black font, edits in red ink, 738 words


Box 177 Item 12 SA edit 8, black font, 773 words


Box 177 Item 13 Email correspondence between SA and DR


Ed Atkins by Terence Trouillot (Corresponding pages in magazine: 158-159)


Box 177 Item 1 Original draft, 654 words


Box 177 Item 2 SA edit 1, black font, edits in green, 589 words


Box 177 Item 3 TT edit 2, black font, edits in blue, 616 words


Box 177 Item 4 SA edit 3, black font, edits in green, 562 words


Box 177 Item 5 TT edit 4, black font, 562 words


Box 177 Item 6 SA edit 5, black font, edits in green, 591 words


Box 177 Item 7 TT edit 6, black font, 591 words


Box 177 Item 8 SA edit 7, black font, edits in green, 590 words


Box 177 Item 9 SA edit 8, black font, 585 words


Box 177 Item 10 Fact Check by CM


Box 177 Item 11 CM edit 9, black font, edits in red ink, 585 words


Box 177 Item 12 SA edit 8, black font, 773 words


Box 177 Item 13 Email correspondence between SA and DR


End Page


Box 177 End Page by Kamrooz Aram (Corresponding pages in magazine: 160)


Issue 141


Frontmatter:



Box 178 Item 1 MB changes in layout in blue ink


Box 178 Item 2 SR changes in layout in pencil


Box 178 Item 3 CM changes in layout in pink ink


Editor's Choice:


Overall Layouts:


Box 178 Item 1 KY (Kenji Yamada) changes in layout in blue ink


Box 178 Item 2 CM changes in layout in pink ink


Box 178 Item 3 AB changes in layout in red pencil


Box 178 Item 4 MB changes in layout in black ink with CM's notes on Post-its


Warmer: A Collection of Comics about Climate Change for the Fearful & Hopeful by Matthew Thurber (Corresponding pages in magazine: 25-26):


Box 178 Item 1 Original draft, black font, 1193 words, 1193


Box 178 Item 2 CM edit 1, black font, edits in blue, 1099 words, 1099


Box 178 Item 3 CM edit 2, black font, edits in green, 902 words


Box 178 Item 4 SR edit 3, black font, edits in gray, 902 words


Box 178 Item 5 MH (Matthew Thurber) edit 4, black font, edits in gray, 785 words


Box 178 Item 6 CM edit 5, black font, edits in pink, 794 words


Box 178 Item 7 Fact Check by CM


Box 178 Item 8 CE changes in layout in red


Box 178 Item 9 Email correspondence between CM and MH


Teju Cole's Blind Spot by Claire Lehmann (Corresponding pages in magazine: 27-28):


Box 178 Item 1 CL (Claire Lehmann) edit 1, black font, 605 words


Box 178 Item 2 CL edit 2, black font, 588 words


Box 178 Item 3 SR edit 3, black font, 602 words


Box 178 Item 4 CE edit 4, black font, edits in green, 601 words


Box 178 Item 5 SR edit 5, black font, edits in blue, 602 words


Box 178 Item 6 BRS edit 5, black font, edits in red ink, 593 words


Box 178 Item 7 MB edit 6, black font, edits in blue, 621 words


Box 178 Item 8 Fact Check by MB


Box 178 Item 9 CM changes in layout in pink ink


Box 178 Item 10 Email correspondence between SR, CL, CM, and MB


Mark Fosson's Solo Guitar by Daniel Bachman (Corresponding pages in magazine: 28-29):


Box 178 Item 1 Original draft, black font, 524 words


Box 178 Item 2 MB edit 1, black font, edits in blue, 539 words


Box 178 Item 3 MB edit 2, black font, edits in blue, 542 words


Box 178 Item 4 MB edit 3, black font, edits in blue, 557 words


Box 178 Item 5 DB (Daniel Bachman) edit 4, black font, 530 words


Box 178 Item 6 MB edit 5, black font, 528 words


Box 178 Item 7 CE edit 6, black font, edits in blue, 521 words


Box 178 Item 8 MB edit 7, black font, edits in blue, 521 words


Box 178 Item 9 AB edit 8, black font, edits in yellow, 522 words


Box 178 Item 10 MB edit 9, black font, edits in blue, 515 words


Box 178 Item 11 DB edit 10, black font, 517 words


Box 178 Item 12 BRS edit 10, black font, edits in red ink, 517 words


Box 178 Item 13 Fact Check by MB


Paul Kingsnorth's Beast by Tyler Curtis (Corresponding pages in magazine: 29):


Box 178 Item 1 TC (Tyler Curtis) edit 1, black font, 578 words


Box 178 Item 2 AB edit 2, black font, edits in yellow, 550 words


Box 178 Item 3 TC edit 3, black font, edits in gray, 595 words


Box 178 Item 4 AB edit 4, black font, edits in yellow, 567 words


Box 178 Item 5 TC edit 5, black font, edits in yellow, 567 words


Box 178 Item 6 CE changes in layout in red


Box 178 Item 7 BRS edit 6, black font, edits in red ink, 567 words


Eduardo Coutinho's Man Marked For Death/20 Years Later by Will Noah (Corresponding pages in magazine: 30):


Box 178 Item 1 Original draft, black font, 681 words


Box 178 Item 2 SR edit 1, black font, edits in blue, 770 words


Box 178 Item 3 MB edit 2, black font, edits in blue, 803 words


Box 178 Item 4 WN (Will Noah) edit 3, black font, edits in red, 837 words


Box 178 Item 5 MB edit 4, black font, 837 words


Box 178 Item 6 SR edit 5, black font, edits in gray, 865 words


Box 178 Item 7 MB edit 6, black font, 749 words


Box 178 Item 8 WN edit 7, black font, edits in red, 738 words


Box 178 Item 9 MB edit 8, black font, 740 words


Box 178 Item 10 Fact Check by MB


Box 178 Item 11 CE edit 9, black font, edits in blue, 738 words


Box 178 Item 12 BRS edit 10, black font, edits in red ink, 738 words


Box 178 Item 13 Email correspondence between MB and WN


Stephen Sondheim and John Weidman's Assassins by Hilary Leichter (Corresponding pages in magazine: 31):


Box 178 Item 1 Original draft, black font, 649 words


Box 178 Item 2 SR edit 1, black font, edits in green, 678 words


Box 178 Item 3 HL (Hilary Leichter) edit 2, black font, edits in blue, 679 words


Box 178 Item 4 SR edit 3, black font, 681 words


Box 178 Item 5 CE edit 4, black font, edits in blue, 692 words


Box 178 Item 6 SR edit 5, black font, edits in blue, 692 words


Box 178 Item 7 HL edit 6, black font, edits in blue, 692 words


Box 178 Item 8 SR edit 7, black font, 713 words


Mathieu Lindon's Leaming What Love Means by Andrew Durbin (Corresponding pages in magazine: 32):


Box 178 Item 1 Original draft, black font, CM's marks in red ink, 672 words


Box 178 Item 2 CM edit 1, black font, edits in pink, 577 words


Box 178 Item 3 AD (Andrew Durbin) edit 2, black font, edits in pink, 697 words


Box 178 Item 4 CM edit 2, black font, edits in pink, 620 words


Box 178 Item 5 CE edit 4, black font, edits in blue, 620 words


Box 178 Item 6 CM edit 5, black font, edits in blue, 596 words


Box 178 Item 7 AD edit 6, black font, edits in purple, 596 words


Box 178 Item 8 CM edit 7, black font, edits in blue, 596 words


Box 178 Item 9 BRS edit 8, black font, edits in blue ink, 596 words


Box 178 Item 10 Fact Check by CM


Box 178 Item 11 Email correspondence between AD, CM, and SR


Interviews:


Amit Dutta by Shambhavi Kaul (Corresponding pages i n magazine: 33-41):


Box 178 Item 1 Original transcript, black font, 7,876 words


Box 178 Item 2 MB edit 1, black font, edits in blue, 6,318 words


Box 178 Item 3 MB edit 2, black font, edits in blue, 6,020 words


Box 178 Item 4 CM edit 3, black font, edits in blue and purple, 5,219 words


Box 178 Item 5 MB edits 4 and 5, black font, edits in blue, 5,529 words


Box 178 Item 6 SR edit 6, black font, edits in blue ink, 5,066 words


Box 178 Item 7 MB edit 7 for fact check, black font, 5,066 words


Box 178 Item 8 Fact Check by AB


Box 178 Item 9 MB edit 8 to send to authors, black font, 5,091 words


Box 178 Item 10 AB edit 9, black font, edits in blue, 5.056 words


Box 178 Item 11 MB edit 10, incorporating fact check, black font, edits in blue, 5,054 words


Box 178 Item 12 AD (Amit Dutta) edit 11, black font, edits in red, 5, 151 words


Box 178 Item 13 MB edits 12 and 13 incorporating AD's edits with fact check, black font, 5,036 words


Box 178 Item 14 SK (Shambhavi Kaul) edit 14, black font, edits in green, 5,169 words


Box 178 Item 15 MB edits 15 and 16 incorporating SK's edits with AD's edits and fact check, black font, 5,036 words


Box 178 Item 16 MB edit 17, black font, 5,038 words


Box 178 Item 17 AB edit 18, black font, edits in blue, 4,672 words


Box 178 Item 18 BRS edit 19, black font, edits in yellow highlights, gray highlights, and red, 5,033 words


Box 178 Item 19 MB edit 20, black font, 4,867 words


Box 178 Item 20 CE changes in layout in black, MB's marks in blue ink


Box 178 Item 21 CM changes in layout in red ink, MB's marks in blue ink


Box 178 Item 22 MB and CM edits of introduction


Box 178 Item 23 Email correspondence between AD, SK, and MB


Lisa Sanditz by Kanishka Raja (Corresponding pages in magazine: 42-51):


Box 178 Item 1 Original transcript, black font, 8940 words, 8940


Box 178 Item 2 SR edit 1, black font, edits in grey, 8940 words, 8940


Box 178 Item 3 LS edit 2, black font, edits in blue, 8940 words, 8940


Box 178 Item 4 SR edit 3, black font, edits in green, 5709 words, 5709


Box 178 Item 5 SR edit 4, black font, edits in blue, 3700 words, 3700


Box 178 Item 6 LS edit 5, black font, edits in green, 3800 words, 3800


Box 178 Item 7 SR edit 6, black font, edits in blue, 4269 words, 4269


Box 178 Item 8 SR edit 7, black font, edits in green, 4269 words, 4269


Box 178 Item 9 SR edit 8, black font, edits in green, 4250 words, 4250


Box 178 Item 10 CM edit 9, including fact checks, edits in grey, 4289 words, 4289


Box 178 Item 11 SR edit 10, black font, edits in grey, 4236 words, 4236


Box 178 Item 12 CE edit 11, black font, edits in grey, 4240 words, 4240


Box 178 Item 13 SR edit 12, black font, edits in grey, 4240 words, 4240


Box 178 Item 14 CM edit 13, black font, edits in grey, 4246 words, 4246


Box 178 Item 15 Fact Check by CM


Box 178 Item 16 Introduction, black font, edits in green and red ink


Box 178 Item 17 CM changes in layout, edits in pink ink


Box 178 Item 18 AB and MA changes in layout, edits in red pencil and blue ink


Box 178 Item 19 BRS changes in layout, edits in red ink


Box 178 Item 20 Email correspondence between SR, LS (Lisa Sanditz), and KR (Kanishka Raja)


Nina Katchadourian by Monica de la Torre (Corresponding pages in magazine: 52-61):


Box 178 Item 1 Original transcript, black font, 22300 words


Box 178 Item 2 MT1, black font, edits in grey, 10590 words


Box 178 Item 3 SR edit 2, black font, edits in grey, 10590 words


Box 178 Item 4 SR edit 3, black font, edits in grey, 5169 words, 5169


Box 178 Item 5 SR edit 4, black font, edits in grey, 5280 words, 5280


Box 178 Item 6 NK edit 5, black font, edits in grey, 5416 words, 5416


Box 178 Item 7 MT edit 6, black font, edits in grey, 5778 words, 5778


Box 178 Item 8 SR edit 7, black font, edits in grey, 5365 words, 5365


Box 178 Item 9 MB edit, black font, edits in black ink, NIA


Box 178 Item 10 NK edit 8, black font, edits in red, 5745 words, 5745


Box 178 Item 11 SR edit 9, black font, edits in grey, 5681 words, 5681


Box 178 Item 12 CE edit 10, black font, edits in grey, 5709 words, 5709


Box 178 Item 13 SR edit 11, black font, edits in grey, 5653 words, 5653


Box 178 Item 14 AB edit 12, black font, edits in green, 5397 words, 5397


Box 178 Item 15 Fact Check by CM


Box 178 Item 16 CM changes in layout in pink ink


Box 178 Item 17 Email correspondence between SR, TG, JG, MT (Monica de la Torre), and NK (Nina Katchadourian)


Anoka Faruqee and Michelle Grabner (Corresponding pages in magazine: 62-72):


Box 178 Item 1 SA edit 1, black font, edits in green, 5088 words, 5088


Box 178 Item 2 MG 2, black font, edits in grey, 5088 words, 5088


Box 178 Item 3 AB edit 3, black font, edits in green, 4046 words, 4046


Box 178 Item 4 AF edit 4, black font, edits in grey, 3873 words, 3873


Box 178 Item 5 AB edit 5, black font, edits in grey, 3902 words, 3902


Box 178 Item 6 MG edit 6, black font, edits in grey, 3897 words, 3897


Box 178 Item 7 AB 7, black font, edits in green, 3896 words, 3896


Box 178 Item 8 AF edit 8, black font, edits in red, 3913 words, 3913


Box 178 Item 9 AB9, black font, edits in grey, 3932 words, 3932


Box 178 Item 10 Fact Check by CM


Box 178 Item 11 CM edit of Introduction


Box 178 Item 12 AB and CM changes in layout in black and grey


Box 178 Item 13 Email correspondence between SA, SR, AB, MG (Michelle Grabner), and AF (Anoka Faruqee)


Suzanne Bocanegra by John Haskell (Corresponding pages in magazine: 73-80):


Box 178 Item 1 Original transcript, black font, 2667 words, 2667


Box 178 Item 2 SR edit 1, black font, edits in green, 2943 words, 2943


Box 178 Item 3 JH (John Haskell) edit 2, black font, edits in yellow, 3145 words, 3145


Box 178 Item 4 SR edit 3, black font, edits in blue, 3007 words, 3007


Box 178 Item 5 BRS edit 4, black font, edits in red, 3024 words, 3024


Box 178 Item 6 SR edit 5, black font, edits in red, 2998 words, 2998


Box 178 Item 7 SB (Suzanne Bocanegra) edit 6, black font, edits in blue, 3081 words, 3081


Box 178 Item 8 JH edit 7, black font, edits in brown, 3075 words, 3075


Box 178 Item 9 SR edit 8, black font, edits in red, 3076


Box 178 Item 10 CM edit 9, black font, edits in pink ink


Box 178 Item 11 Fact Check by CM


Box 178 Item 12 CE changes in layout in red


Box 178 Item 13 CM changes in layout in pink ink


Box 178 Item 14 AB/MB changes in layout in blue ink


Box 178 Item 15 Email correspondence between JH, SR, and SB


Box 178 Item 16 Farmhouse/Whorehouse info


Adrienne Truscott by Erin Markey (Corresponding pages in magazine: 81-88):


Box 178 Item 1 Original transcript, black font, 9421 words, 9421


Box 178 Item 2 SR edit 1, black font, edits in green, 8876 words, 8876


Box 178 Item 3 MB edit 2, black font, edits in green, 8515 words, 8515


Box 178 Item 4 AMP (Amber Power) edit 3, black font, edits in blue, 4700 words, 4700


Box 178 Item 5 AT (Adrienne Truscott) edit 4, black font, edits in red, 5153 words, 5153


Box 178 Item 6 AMP edit 5, black font, edits in blue, 5163 words, 5163


Box 178 Item 7 EM (Erin Markey) edit 6, black font, edits in pink, 5708 words, 5708


Box 178 Item 8 AMP edit 7, black font, edits in gray, 4947 words, 4947


Box 178 Item 9 AMP edit 8, black font, 4852 words, 4852


Box 178 Item 10 Fact Check by MB


Box 178 Item 11 AMP edit 9, black font, 4790 words, 4790


Box 178 Item 12 SR edit 10, black font, edits in green, 4268 words, 4268


Box 178 Item 13 AMP edit 11, black font, edits in green, 4358 words, 4358


Box 178 Item 14 SR edit 12, black font, edits in blue, 4076 words, 4076


Box 178 Item 15 AMP edit 13, black font, edits in blue, 3949 words, 3949


Box 178 Item 16 SR edit 14, black font, 3948 words, 3948


Box 178 Item 17 CE edit 15, black font, edits in green, 3948 words, 3948


Box 178 Item 18 CM edit 15, black font, edits in pink ink, 3948 words, 3948


Box 178 Item 19 SR edit 16, black font, edits in blue, 3831 words, 3831


Box 178 Item 20 AMP edit 17, black font, edits in blue, 4020 words, 4020


Box 178 Item 21 SR edit 18, black font, 3991 words, 3991


Box 178 Item 22 SR edit 19, black font, 3996 words, 3996


Box 178 Item 23 CM edit 20, black font, edits in blue and pink, 4021 words, 4021


Box 178 Item 24 BRS changes in layout in red ink


Box 178 Item 25 EM changes in layout in blue ink


Box 178 Item 26 AB changes in layout in red pencil


Box 178 Item 27 Email correspondence between SR, AMP, EM, and AT


Marcus Steinweg by Yasmil Raymond (Corresponding pages in magazine: 89-96):


Box 178 Item 1 YR (Yasmil Raymond) interview questions


Box 178 Item 2 YR edit 1, black font, edits in red, 3325 words, 3325


Box 178 Item 3 SR edit 2, black font, edits in blue, 3330 words, 3330


Box 178 Item 4 AB edit 3, black font, edits in purple, 3330 words, 3330


Box 178 Item 5 SR edit 4, black font, edits in blue, 3330 words, 3330


Box 178 Item 6 YR edit 5, black font, edits in green with SR's marks in black ink, 3330 words, 3330


Box 178 Item 7 SR edit 6, black font, edits in green, 4000 words, 4000


Box 178 Item 8 YR/MS (Marcus Steinweg) edit 7, edits in green, 4000 words, 4000


Box 178 Item 9 SR edit 8, black font, edits in green, 4000 words, 4000


Box 178 Item 10 Fact Check by KY


Box 178 Item 11 MB edit 8, black font, edits in black ink, 4000 words, 4000


Box 178 Item 12 SR edit 9, black font, edits in gray, 3838 words, 3838


Box 178 Item 13 BRS edit 10, black font, edits in red, 3838 words, 3838


Box 178 Item 14 SR edit 11, black font, edits in gray, 3878 words, 3878


Box 178 Item 15 CE edit 12, black font, edits in turquoise, 3879 words, 3879


Box 178 Item 16 SR edit 13, black font, edits in gray with CM's marks in red ink, 3884 words, 3884


Box 178 Item 17 CM edit 14, black font, edits in blue, 3878 words, 3878


Box 178 Item 18 SR edit 15, black font, edits in gray, 3877 words, 3877


Box 178 Item 19 YR edit 16, black font, edits in red, 3834 words, 3834


Box 178 Item 20 SR edit 17, black font, edits in 3831 words, 3831


Box 178 Item 21 CM changes in layout in pink ink


Box 178 Item 22 Email correspondence between SR, YR, and MS


Box 178 Item 23 MS photo


Box 178 Item 24 MIT Press press release for The Terror of Evidence


Box 178 Item 25 70th Lecture at the Gramsci Monument


Mike Wallace by Phillip Lopate (Corresponding pages in magazine: 104-109):


Box 178 Item 1 Original email transcript, black font, 4311 words, 4311


Box 178 Item 2 SR edit 1, black font, edits in red, 4300 words, 4300


Box 178 Item 3 BRS edit 2, black font, edits in green, 4324 words, 4324


Box 178 Item 4 CM edit 3, black font, edits in red ink, 4338 words, 4338


Box 178 Item 5 Fact Check by CM


Box 178 Item 6 AB changes in layout in red ink


Box 178 Item 7 CM changes in layout in black ink


Box 178 Item 8 Email correspondence between CM, MW (Mike Wallace), and PL (Phillip Lopate)


Lucy Ives by Tan Lin (Corresponding pages in magazine: 137-142):


Box 178 Item 1 SA edit 1, black font, edits in grey, 10723 words


Box 178 Item 2 LI edit 2, black font, edits in grey, 3552 words, 3552


Box 178 Item 3 SA edit 3, black font, edits in grey, 3548 words, 3548


Box 178 Item 4 TL edit 4, black font, edits in blue, 3646 words, 3646


Box 178 Item 5 LI edit 5, black font, edits in blue, 4177 words, 4177


Box 178 Item 6 SA edit 6, black font, edits in grey, 4178 words, 4178


Box 178 Item 7 SA? edit 7, black font, edits in grey, 4139 words, 4139


Box 178 Item 8 BRS edit 8, black font, edits in yellow, 4153 words, 4153


Box 178 Item 9 AB edit 9, black font, edits in green, 4064 words, 4064


Box 178 Item 10 TL edit 10, black font, edits in blue, 4070 words, 4070


Box 178 Item 11 AB edit 11, black font, edits in green, 4266 words, 4266


Box 178 Item 12 LI edit 12, black font, edits in grey, 4183 words, 4183


Box 178 Item 13 AB 13, black font, edits in green, 4126 words, 4126


Box 178 Item 14 LI edit 14, black font, edits in blue, 4041 words, 4041


Box 178 Item 15 TL edit 15, black font, edits in blue, 3990 words, 3990


Box 178 Item 16 LI edit 16, black font, edits in grey, 3978 words, 3978


Box 178 Item 17 Fact Check by CM


Box 178 Item 18 CM changes in layout in black ink


Box 178 Item 19 Email correspondence between CM, SA, SR, AB, TL (Tan Lin), and LI (Lucy Ives)


First Proof:


Overall Layouts:


Box 178 Item 1 CM changes in layout in pink ink


Box 178 Item 2 CE changes in layout in red


Box 178 Item 3 MB changes in layout in black ink


Box 178 Item 4 MB changes in layout in black ink with CM's notes on Post-its


Portfolio:


Renee Gladman (Corresponding pages in magazine: 97, 99-103):


Box 178 Item 1 Caption


Box 178 Item 2 Prose Architectures promo sheet


Comic:


Super-Vault by Lee Lai (Corresponding pages in magazine: 128-131):


Box 178 Item 1 Layout


Poetry:


Two Poems by Sarah V. Schweig (Corresponding pages in magazine: 114-115):


Box 178 Item 1 SA edit 1, black font, 312 words


Box 178 Item 2 CM edit 2, black font, 312 words


Box 178 Item 3 Email correspondence between SA, SS (Sarah V. Schweig), SR, and CM


Three Poems by Alan Gilbert (Corresponding pages in magazine: 134-136):


Box 178 Item 4 SA edit 1, black font, edits in green, 776 words


Box 178 Item 5 CM edit 2, black font, edits in black ink, 777 words


Box 178 Item 6 Email correspondence between SA, AG (Alan Gilbert), SR, and CM


Fiction:


Mumbai by Kristen Gleason, Winner of BOMB's 2017 Fiction Contest (selected by Paul La Farge) (Corresponding pages in magazine: 110-113):, 2017


Box 178 Item 1 CM edit 1, black font, edits in red ink, 2625 words, 2625


Box 178 Item 2 PLF (Paul La Farge) judge's statement, black font, 144 words


Superman by Achy Obejas (Corresponding pages in magazine: 116-121):


Box 178 Item 1 BRS edit 1, black font, edits in black ink, 5925 words, 5925


Box 178 Item 2 SA edit 1, black font, edits in purple, 5932 words, 5932


Box 178 Item 3 AO (Achy Obejas) edit 2, black font, changes in purple, 5932 words, 5932


Box 178 Item 4 SA edit 3, black font, with CM's changes in black and red ink and AB's changes in blue ink, 5937 words, 5937


Box 178 Item 5 SR edit 4, black font, edits in green, 5937 words, 5937


Box 178 Item 6 AO intro, black font, 125 words


Box 178 Item 7 CM/AB intro edit 1, black font, changes in pink, 126 words


From Adjunct Island by Joanna Howard (Corresponding pages in magazine: 122-127):


Box 178 Item 1 Original draft, black font, 2755 words, 2755


Box 178 Item 2 AB edit 1, black font, 2756 words, 2756


Box 178 Item 3 CM edit 2, black font, 2802 words, 2802


The Mattress [formerly "My Travels "] by Viken Berberian (Corresponding pages in magazine: 132-133):


Box 178 Item 1 Original draft, black font, 2318 words, 2318


Box 178 Item 2 BRS edit 1, black font, edits in black ink, 2318 words, 2318


Box 178 Item 3 SA edit 1, black font, edits in purple, 2319 words, 2319


Box 178 Item 4 VB (Viken Berberian) edit 2, black font, edits in green, 2261 words, 2261


Box 178 Item 5 SA edit 3, black font, 2262 words, 2262


Box 178 Item 6 CM edit 4, black font, edits in red ink, 2262 words, 2262


Box 178 Item 7 Email correspondence between SA, SR, VB, and CM


Back Section:


Overall Layouts:


Box 178 Item 1 CM changes in layout in pink ink


Box 178 Item 2 BRS changes in layout via email


Box 178 Item 3 AB changes in layout in red pencil with MB's marks in blue ink


New York Diary by Edouard Louis, translated by Linda Coverdale (Corresponding pages in magazine: 145-151):


Box 178 Item 1 Original translation draft, black font, CM's marks in red ink, 2938 words, 2938


Box 178 Item 2 SR/KY edit 1, black font, SR's marks in black ink and KY's marks in red ink, 2938 words, 2938


Box 178 Item 3 CM edit 2, black font, 2777 words, 2777


Box 178 Item 4 CE edit 3, black font, 2939 words, 2939


Box 178 Item 5 CM edit 4, black font, edits in pink, 2943 words, 2943


Box 178 Item 6 LC (Linda Coverdale) edit 5, black font, edits in pink, 2934 words, 2934


Box 178 Item 7 EL (Edouard Louis) edit 6, black font, edits in blue, 2934 words, 2934


Box 178 Item 8 CM edit 7, black font, 2925 words, 2925


Box 178 Item 9 Fact Check by CM


Box 178 Item 10 Email correspondence between CM, LC, and EL


Box 178 Item 11 Wylie amended agreement with EL


Box 178 Item 12 Wylie signed agreement with EL


Rain Like Cotton by Jennifer Kabat (Corresponding pages in magazine: 152-159):


Box 178 Item 1 JK (Jennifer Kabat) edit 1, black font, 5553 words, 5553


Box 178 Item 2 JK edit 2, black font, edits in red, 4979 words, 4979


Box 178 Item 3 SA edit 3, black font, edits in green, 4967 words, 4967


Box 178 Item 4 JK edit 4, black font, edits in green, 4980 words, 4980


Box 178 Item 5 SA edit 5, black font, CM's marks in red ink, 4993 words, 4993


Box 178 Item 6 Fact Check by CM


Box 178 Item 7 SR edit 6, black font, edits in green, 5246 words, 5246


Box 178 Item 8 JK edit 7, black font, edits in green, 5286 words, 5286


Box 178 Item 9 SR edit 8, black font, 5003 words, 5003


Box 178 Item 10 CE edit 9, black font, edits in blue, 5005 words, 5005


Box 178 Item 11 SR edit 10, black font, 5004 words, 5004


Box 178 Item 12 JK changes in layout in red ink


Box 178 Item 13 Email correspondence between JK, SR, and SA


End Page by Vincent Zompa (Corresponding pages in magazine: 160):


Box 178 Item 1 Original image


Catalogs 2013-2015:



Box 179 The Literary Review: The Glutton's Kitchen


Box 179 Selections from the Journals of Myron Stout


Box 179 Foxes on the Trampoline poems by Charlotte Boulay


Box 179 Richard Prince Its's a Free Concert


Box 179 Maria Eichorn. KUB 2014 02


Box 179 Damage Control: Art and Destruction since 1950


Box 179 Aspects of Russian Art, 1915-1935


Box 179 Notebook: New Dirctions


Box 179 Lee Breuer's La Divina Caricatura


Box 179 Gagosian, September-October 2012


Box 179 Bowery Artist Tribute Volume 3


Box 179 The International Review Art in America


Box 179 Karmic Abstraction


Box 179 Gagosian Gallery: Damien Hirst. 1986-2011


Box 179 Esopus 21


Box 179 The Literary Review, Volume 56. Number 03


Box 179 Tin House, Volume 14, Number 3


Box 179 Gagosian Gallery, November 2013-January 2014


Box 179 Gagosian Gallery, Summer 2012


Box 179 Milton Resnick (1917-2004)


Box 179 Nelson Byrd Woltz Landscape Architects


Box 179 Adrienne Rich Poetry and Commitment


Box 179 James Castle


Box 179 Kunsthaus Bregenz, KUB 2013.04


Box 179 Kunsthaus Bregenz, KUB 2013.03


Box 179 Kunsthaus Bregenz, KUB 2013.02


Box 179 BOMB Magazine Portrait Project (35 cards)


Box 179 Comedy of Manners Jackie Gendel


Box 179 Rosenfield Porcini


Box 179 Roy Dowell


Box 179 Veneklasen/Werner. Shakers & Movers


Box 179 Jane Fulton Sun + IDEO thoughtless


Box 179 The Henry Brant Collection, Volume 3. (CD)


Box 179 Duplicitous Iconography John Michael Rusnak (In a metal tin)



Box 180 Invible City Archie Rand and Bob Holman (usb drive)


Box 180 Ruby Sterling. Phaidon


Box 180 Ellen Harvey Museum of Failure


Box 180 Keith Sonnier Ebo River and Early Works


Box 180 Michael Goldberg Making His Mark


Box 180 Dannielle Tegeder Painting in the Extended Field


Box 180 Grey Art Gallery NYU


Box 180 The Left Front Grey Art Gallery NYU


Box 180 Patricia Cronin Shrine for Girls, Venice


Box 180 Robert Kushner Portraits & Perenniald. DC Moore Gallery


Box 180 Tom Otterness Creation Myth


Box 180 Jan Zwicky The Long Walk


Box 180 Kikuo Saito Color and Drawing, 2017


Box 180 Monster Roster Existentialist Art in Postwar Chicago


Box 180 Archie Rand/Eugenio Montale men Who Turn Back


Box 180 Archie Rand Sixty Paintings from the Bible


Box 180 Philip Cushway and Michael Warr Of Poetry & Protest


Box 180 James Hyde Ground


Box 180 Frank magazine


Box 180 The 9th Annual Benefit for the Drawing Center, 1 October 2012


Box 180 Circulation Edited by François Brunet


Box 180 Michelle Stuart: Theater of Memory: Photographic Works


Box 180 John Baldessari: Paintings 1966-68


Box 180 X-TRA Contemporary Art Quarterly


Box 180 Word Play


Box 180 Eleanore Mikus Tablets and Related Works, 1960-69


Box 180 Daniel Guzmán Death Never Takes a Vacation


Box 180 Chuck Close Fingerpriont Paintings and Drawings, 1978-86


Box 180 Life Wants To Live


Box 180 Al Held: Particular Paradox


Box 180 Suzanne Joelson Paintings/Mónica de la Torre Words


Box 180 Remnants Louise Nevelson & Aaron Siskind


Box 180 Checklist of Paintings and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts


Box 180 Folder of miscellaneous brochures, invitations, advertisements, etc.


Art:

(Personal donation of Betsy Sussler)



Box 181 Louisa Chase #3 BOMB, 1983: Drawing on paper (15.25 x 11.25 inches); Framed 18.25 x 14.5 inches (Framed by Minagawa, Glass)


Box 181 Louisa Chase #4 BOMB, 1983: Drawing on paper (15 x 11 inches); Framed 18.25 x 14.5 inches (Framed by Minagawa, Glass)



Box 182 Louisa Chase. #4 BOMB, 1983: Drawing on paper (14.5 x 11.5 inches); Framed 17.75 x 14.5 inches (Framed by Minagawa, Glass)


Box 182 Harry Konoleon. The Côte D'Azur Triangle, 1985. Etchings and Lithographs by Mark Beard (on Rives BFK paper). Edition 48 of 119. 14.5 x 12.5 inches, closed.



Box 183 BOMB Archives Inventories 2005-2011 (3 ringed binder with CD inside front cover). BOMB: The Author Interviews. Edited by Betsy Sussler. BOMB Issues: Number 123/Spring 2013; Number 124/Summer 2013; Number 125/Fall 2013; Number 126/Winter 2013-2014; ; Number 133/Fall 2015; Number 135/Spring 2016; Number 136/Summer 2016; Number 137/Fall 2016; Number 138/Winter 2016-2017; Number 139/Spring 2017; Number 142/Winter 2018-2018; Number 143/Spring 2018

This box contains a small accession received in June of 2018. Accession number 2018.2019.M001.

Series V: Archived Web Sites, 2012-present


Bomb Magazine Web Site, 2012-2015

Archived web site captures of the web site of the interview-based arts journal, BOMB Magazine, at http://bombsite.com/. Captured semi-annually, 2012-2015.

Link to Archived Website


Bomb Magazine Web Site, 2014-present

Archived web site captures of the web site of the interview-based arts journal, BOMB Magazine, at http://bombmagazine.org/. Captured semi-annually, 2014-present.

Link to Archived Website