Rare Book & Manuscript Library
 

Bomb Magazine records, 1978-2017

Series IV: Addition, 1999-2017

Accession number 2017.2018.M073

This significant addition of 27 record cartons and 2 flat boxes containing working/production files for Issues 118 through 141.

This addition also contains artwork donated by Betsy Sussler.

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Miscellaneous folders:



Box 154 1999-2000 TOC Contacts, 1999-2000


Box 154 2001-2002 TOC Contacts, 2001-2002


Box 154 2003-2004 TOC Contacts, 2003-2004


Box 154 Printers, 2001-2004


Box 154 DCP/WPG


Box 154 FedEx


Box 154 Receipts


Box 154 Tax Exempt Form


Box 154 Faxes, 2006/2007


Box 154 Dartmouth Printing Company, 2000


Box 154 Dartmouth Printing Company, 2001


Box 154 People


Box 154 Products/Tech/Telephone


People (mostly interviews):


Box 154 Andrea Ray, 2013


Box 154 Ed Clark by Jack Whitten, 2012, (2 folders)


Box 154 Andy Freeberg by A.M. Homes, 2013


Box 154 Ati Maier and Matthew Day Jackson, 2013


Box 154 Bruno Dumont


Box 154 Ed Clark


Box 154 Charles Simonds


Box 154 Su Friedrich by Claudia Steinberg (with CD)


Box 154 Trisha Donnelly


Box 154 Spencer Finch


Box 154 Kutlug Ataman


Box 154 Isa Genzken


Box 154 Roberto Tejada


Box 154 May a Beiser


Box 154 Fanny


Box 154 Kurt Hollander


Box 154 Mavis Gallant


Box 154 Mary Carlson webx


Box 154 Jeffrey deShell and Rebecca Wolff webx


Box 154 Leonardo Padura by Oscar Hijuelos, winter, 2013


Box 154 Láscló Krasznahorkai


Box 154 Alicia Hall Moran and Jason Moran


Box 154 Devon Dikeou


Box 154 Ben Lerner by Adam Fitzgerald


Box 154 Frances Richard and Anne Waldman (with CD)


Box 154 Sandy Rower oral history, 2008


Box 154 Withdrawals of poetry


Box 154 Vija Celmins by Betsy Sussler, 2011/2012


Issue 118, Winter, 2011



Box 155 Interviews:


Box 155 Jimmie Durham by Manuel Cirauqui

Original transcription (9 pages); Draft with introduction (7 pages); Draft with text edits by Monica de la Torre (6 pages); Draft with handwritten edits by Manuel Cirauqui (8 pages); Draft with handwritten edits by Monica de la Torre (9 pages); Introduction with handwritten edits by Monica de la Torre (2 pages); Draft with handwritten edits by Sabine Russ (12 pages); Final draft (12 pages); Fact check draft; Title list of works by Jimmie Durham; Essay/interview by Jimmie Durham for heyokamagazine; Essay by Manuel Cirauqui; Layout draft with proofreader marks by Georgia Cool; Layout draft with proofreader marks by Peter Moysaenko; Email corresponence between Manuel Cirauqui, Paul Morris, Monica de la Torre, Christine Koenig Galerie (6/5/2011-11/5/2011).


Box 155 John Miller by Liam Gillick

Original transcription (26 pages); Draft with text edits by Sabine Russ (27 pages); Draft with text edits by Sabine Russ and handwritten edits by Betsy Sussler (18 pages); Draft with text edits by John Miller (13 pages); Draft with text edits by Liam Gillick and Sabine Russ and handwritten edits by Betsy Sussler (10 pages); Introduction with handwritten edits by Betsy Sussler (1 page); Draft with introduction and text edits by John Miller (11 pages); Fact check; Photos of John Miller's work from Metro Pictures; Layout draft with proofreader marks by Peter Moysaenko entered by Sabine Russ; Layout draft with proofread by Georgia Cool; Layout draft with proofreader marks by Peter Moysaenko; Layout draft with proofreader marks by Betsy Sussler; Layout draft with proofreader marks by Peter Moysaenko and Monica de la Torre; Email correspondence between Sabine Russ, John Miller, Liam Gillick, Alice Conconi; Betsy Sussler; and Jane Dickson (5/2/11-10/31/11).


Box 155 Suzanne McClelland by Barry Schwabsky

Original transcription (18 pages); Draft with text edits by Sabine Russ (18 pages); Draft with text edits by Sabine Russ (15 pages); Draft with text edits by Suzanne McClelland (14 pages); Draft with text edits by Betsy Sussler and handwritten edits by Monica de la Torre (15 pages); Draft with text edits by Suzanne McClelland and handwritten edits by Monica de la Torre (16 pages); Draft with text edits by Betsyv Sussler (16 pages); Fact check draft; Layout draft; Layout draft with proofreaders marks by Georgia Cool; Layout draft with proofreader marks by Peter Moysaenko; Layout draft with proofreader marks by Monica de la Torre; Email correspondence between Sabine Russ, Monica de la Torre, Sue Scott, Suzanne McClelland, and Barry Schwabsky (9/29/11-11/10/11).


Box 155 Peter Orner and Paul La Farge

Original transcription (9 pages); Draft with text edits by Betsy Sussler and handwritten edits by Monica de la Torre (9 pages); Draft with edits by Monica de laTorre and Peter Orner (9 pages); Draft with text edits by Paul La Farge (9 pages); Book review for Paul La Farge from New York Times Sunday Book Review; Press packet for Peter Orner's Love and Shame and Love; Press packet for Paul La Farge's Luminous Airplanes-, Layout draft with edits by Betsy Sussler; Layout draft with proofreader marks by Georgia Cool; Layout draft with proofreader marks by Peter Moysaenko; Email correspondence between Monica de la Torre, Peter Orner, and Paul La Farge (10/3/11-11/8/11)


Box 155 Mark Polizzotti and Mark Ford

On translating Raymond Roussel Original transcription with handwritten edits by Monica de la Torre(7 pages); Draft with edits by Mark Ford (9 pages); Draft with edits by Mark Polizzotti (9 pages); Introduction by Trevor Winkfield with handwritten edits by Monica de la Torre (2 pages); Draft of into by Trevor Winkfield with handwritten edits by Betsy Sussler (2 pages); Fact check draft; Image request and receipt from the bibliotheque nationale de france; Color layout draft; Layout draft with proofreaders marks; Layout draft with proofreaders marks; Layout draft with handwritten edits by Monica de la Torre; Email correspondence between Monica de la Torre, Trevor Winkfield, Mark Ford, and Mark Polizzotti (10/19/11-11/1/11)


Box 155 Robert Ashley by Alex Waterman

First draft (9 pages); Draft by Robert Ashley with handwritten edits by Monica de la Torre (10 pages); Draft with text edits by Monica de la Torre (10 pages); Draft with handwritten edits by Monica de la Torre (11 pages); Draft with handwritten and text edits by Monica de la Torre (10 pages); Draft with handwritten edits by Betsy Sussler (17 pages); Draft with text edits by Betsy Sussler (17 pages); Draft with handwritten edits by Monica de la Torre (16 pages); Draft with text and handwritten edits by Sabine Russ (15 pages); Post-layout edits by Monica de la Torre (16 pages); Post-layout draft with handwritten edits by Monica de la Torre (16 pages); Fact check draft; Introduction with handwritten edits by Monica de la Torre (3 pages); Layout draft with handwritten edits by Monica de la Torre; Layout draft with proofreaders marks by Georgia Cool; Layout draft proofread by Betsy Sussler; Layout draft proofread by Peter Moysaenko; Email correspondence between Monica de la Torre and Alex Waterman (8/13/11-11/8/11)


Box 155 Radiohole by Barbara Browning

Original transcription with handwritten edits by Monica de la Torre; Draft with edirs by Barbara Browning; Draft with edits by Eric Dyer; Draft with text edits by Maggie Hoffman; Draft with text edits by Monica de la Torre and handwritten edits by Betsy Sussler (15 pages); Draft with handwritten edits by Barbara Browning (15 pages); Fact check draft; List of image captions; Layout draft with proofreader marks by Georgia Cool; Layout draft with proofreader marks by Peter Moysaenko; Layout draft with proofreader marks by Rebecca Kaye; Email correspondence between Monica de la Torre, Maggie Hoffman, Eric Dyer, Barbara Browning, and Paul Chan (9/21/11-11/8/11)


Box 155 Yang Fudong by Li Zhenhua

Transcription with handwritten edits by Betsy Sussler (16 pages); Draft with text edits by Betsy Sussler and Monica de la Torre; Draft with text edits by Betsy Sussler; Fact check draft; Draft with handwritten edits by Li Zhenhua, Monica de la Torre, and Sabine Russ (12 pages); Draft with text edits by Li Zhenhua; Introduction with handwritten edits by Sabine Russ and text edits by Betsy Sussler; Draft with text edits by Sabine Russ and handwritten edits by Rosie Parker; Exhibition photos from ShanghART Gallery; List of image captions; Layout draft; Layout draft with handwritten edits by Betsy Sussler; Layout draft with proofreader marks by Peter Moysaenko; Layout draft with proofreader marks by Georgia Cool; Layout draft with proofreader marks by Peter Moysaenko and Monica de la Torre; Layout draft with proofreader marks by Peter Moysaenko; Email correspondence between Sabine Russ, Georgia Cool, Helen, Li Zhenhua, and Ying Liu (11/6/11-11/10/11)


Box 155 Artists on Artists

Layout draft with proofreader marks by Georgia Cool; Layout draft with copyedits by Monica de la Torre; Layout draft with proofreader marks by Peter Moysaenko; Layout draft with proofreader marks by Monica de la Torre; Layout draft with proofreader marks by Sabine Russ; Email correspondence between Sabine Russ and Deana Lawson (9/21/11-10/2/11)


Box 155 Jennie C. Jones by Stephen Vitiello

First draft; Draft with text edits by Sabine Russ; Draft with text edits by Stephen Vitiello and handwritten edits by Betsy Sussler; Draft with handwritten edits by Monica de la Torre; Email correspondence between Jennie C. Jones, Sabine Russ, and Stephen Vitiello (9/19/11-10/4/11)


Box 155 Terence Gower by Pedro Reyes

Draft with handwritten edits by Sabine Russ; Draft with text edits by Sabine Russ; Draft with edits by Sabine Russ and Monica de la Torre; Final draft; Email correspondence between Terence Gower and Sabine Russ (11/9/11)


Box 155 Tamara Zahaykevich by B. Wurtz

Draft with handwritten edits by Sabine Russ; Draft with edits entered by Sabine Russ; Draft with edits entered by Sabine Russ and handwritten edits by Betsy Sussler; Layout draft; Email correspondence between Sabine Russ and Steven Stewart (9/23/11)


Box 155 BOMB Specific:


Box 155 Peter Fend

Draft with handwritten edits by Sabine Russ; Draft with edits by Peter Fend entered by Sabine Russ; Layout draft with proofreader marks by Peter Moysaenko; Layout draft with edits by Betsy Sussler; Email correspondence between Sabine Russ, Peter Fend, and Juan Puntes (9/21/11-11/16/11).


Box 155 Editor's Choice

Layout draft with proofreader marks by Georgia Cool; Layout draft with proofreader marks by Betsy Sussler; Layout draft with proofreader marks by Peter Moysaenko, Monica de la Torre, and Sabine Russ; Image captions; Fact check.


Box 155 Jeremy Wad e, fountain

Fact check draft; Draft with handwritten edits by Betsy Sussler; Final draft.


Box 155 Christopher Saucedo

Draft with edits by Sabine Russ; Fact check draft; Overview of Chritopher Saucedo's exhibition at the Good Children Gallery; Email correspondence between Nick Stillman, Sabine Russ, and Monica de la Torre (9/20/11-9/21/11)


Box 155 What I Don't Know About Animals. Fact check draft; Draft with edits by Monica de la Torre.


Box 155 The Day He Arrives Draft by Clinton Krute.


Box 155 You Are Now Running on Reserve Battery Power. Draft with edits by Monica de la Torre and Sabine Russ.


Box 155 Rhys Chatham. Fact check draft; Draft with handwritten edits by Monica de la Torre; Draft with handwritten edits by Betsy Sussler.


Box 155 Wolfgang Staehle

Draft with text edits by Sabine Russ; Draft with edits by Betsy Sussler; Email correspondence between Sabine Russ, Lza Bear, and Magdalena Sawon (9/12/11-9/21/11)


Box 155 Landform Building. Factcheck draft; Draft with handwritten edits by Monica de la Torre; Draft with text edits by Monica de la Torre.


Box 155 Octopus. Draft with fact check notes and handwritten edits by Monica de la Torre.


Box 155 Body Sweats. Fact check draft; Draft with edits by Sabine Russ; Draft with edits by Betsy Sussler.


Box 155 The Death Ray. Fact check draft with edits by Monica de la Torre; Draft with edits by Sabine Russ.


Box 155 First Proof. Layout draft; Layout draft with handwritten edits by Monica de la Torre; Layout draft with proofreader marks by Georgia Cool; Layout of Jimmy Raskin portfolio.


Box 155 Ben Marcus. Excerpt with edits by Monica de la Torre; Email correspondence between Ben Marcus, Monica de la Torre, and Denise Shannon (7/29/11-11/8/11).


Box 155 Tim Griffin. Manuscript by Tim Griffin; Email correspondence between Tim Griffin and Monica de la Torre (11/8/11).


Box 155 Kirsten Kaschock. Manuscript with edits by Monica de la Torre.


Box 155 David Buuck and Juliana Spahr. Draft with handwritten edits by Monica de la Torre; Email correspondence between Juliana Spahr and Monica de la Torre (9/6/11-11/6/11).


Box 155 Sean Hoen. Draft with edits by Monica de la Torre; Draft with handwritten edits by Monica de la Torre; Email correspondence between Monica de la Torre and Sean Hoen (11/5/11-11/6/11).


Box 155 Romulus Linney. Handwritten poem with letter from Laura Callanan (wife).


Box 155 Front Matter.

Mailing slip to Oddi; Page grid; List of color proofs; Email correspindence between Monica de la Torre and Jessica Green; Print of cover; Draft of letter to BOMB contributor's by Betsy Sussler; Layout of masthead; Layout draft of TOC with Durham cover; Layout draft of TOC with Miller cover; Coller layout draft of TOC with Durham cover; Layout draft of masthead; TOC with proofreader marks by Georgia Cool; Contrib bios with proofreader marks by Peter Moysaenko; Contrib bios with edits by Monica de la Torre; Email correspondence between Clinton Krute, Legacy Russel, Sabine Russ, Alexis Boehmler, Monica de la Torre and Paul Morris (10/5/11-11/10/11)


Box 155 Proofs: Soft proofs from Oddi; black and white proof of First Proof.


Issue119 / Spring, 2012


Interviews:


Dean Moss by Young Jean Lee:



Box 156 Original transcription (34 pages)


Box 156 Draft with handwritten edits by Mónica de la Torre (14 pages)


Box 156 Draft with text edits by Mónica de la Torre (18)


Box 156 Draft with text edits by Betsy Sussler (17 pages)


Box 156 Draft with text edits by Mónica de la Torre (16)


Box 156 Draft with text edits by Young Jean Lee (15 pages)


Box 156 Factcheck draft with text edits by Dean Moss (16 pages)


Box 156 Final edit with text edits (15 pages)


Box 156 Layout with handwritten edits by Mónica de la Torre (8 pages)


Box 156 Introduction factcheck with handwritten edits by Ashley McNelis (3 pages)


Box 156 Email correspondence between Alan Gilbert and Mónica de la Torre (June 1, 2011)


Box 156 Email correspondence between dean Moss and Mónica de la Torre (November 29-December 6, 2011)


Box 156 Email correspondence between Mónica de la Torre and Alan Gilbert (November 28-29, 2011)


Box 156 Email correpondence between Mónica de la Torre, Kara Walker Studio, and Dean Moss (December 5-22, 2011)


Box 156 Email correspondence between Mónica de la Torre and Young Jean Lee (December 22-29, 2011)


Box 156 Email correspondence between Dean Moss and Mónica de la Torre (January 13, 2012)


Box 156 Email correspondence between Young Jean Lee and Mónica de la Torre (January 28-31, 2012)


Box 156 Email correspondence between Mónica de la Torre, Dean Moss, and Young Jean Lee (January 24-27, 2012)


Box 156 Email correspondence between Dean Moss and Mónica de la Torre (January 29, 2012)


Box 156 Email correspondence between Young Jean Lee and Mónica de la Torre (February1, 2012)


Box 156 Email correspondence between Young Jean Lee and Mónica de la Torre (February5-6, 2012).


Ingo Schulze by Eliot Weinberger:


Box 156 Original interview (11 pages)


Box 156 Draft with text edits by Mónica de la Torre (11 pages)


Box 156 Draft with text edits by Eliot Weinberger (11 pages)


Box 156 Draft with text edits by Sabine Russ (10 pages)


Box 156 Draft with text edits (11 pages)


Box 156 Draft with handwritten edits by Betsy Sussler (14 pages)


Box 156 Draft of introduction with text edits by Mónica de la Torre (1 page)


Box 156 Draft with introduction with handwritten edits by Betsy Sussler (12 pages)


Box 156 Introduction final draft (1 page)


Box 156 Factcheck (3 pages)


Box 156 Email correspondence between Sabine Russ and Ingo Schulze (September 14-29, 2011)


Box 156 Email correspondence between Eliot Weinberger and Mónica de la Torre (January 25, 2012)


Box 156 Email correspondence between Eliot Weinberger, Sabine Russ, and Mónica de la Torre (January 19-January 20, 2012)


Box 156 Email correspondence between Eliot Weinberger and Mónica de la Torre (January 20, 2012)


Box 156 Email correspondence between Eliot Weinberger and Mónica de la Torre (January 20-21, 2012)


Box 156 Email correspondence between Mónica de la Torre and Eliot Weinberger (February9, 2012).


K8 Hardy by Ariana Reines:


Box 156 Original transcript (42 pages)


Box 156 Draft with handwritten edits by Mónica de la Torre (38 pages)


Box 156 Draft with text edits by Ariana Reines (12 pages)


Box 156 Draft with text edits by K8 Hardy (13 pages)


Box 156 Draft with handwritten edits by Mónica de la Torre (11 pages)


Box 156 Factcheck draft (13 pages)


Box 156 Draft with text edits by Betsy Sussler (12 pages)


Box 156 Draft with text edits by Ariana Reines (11 pages)


Box 156 Draft with text edits by K8 Hardy (11 pages)


Box 156 Final draft with text edits (11 pages)


Box 156 Layout with handwritten edits by Betsy Sussler (9 pages)


Box 156 Original introduction with text edits by Betsy Sussler (1 page)


Box 156 Draft of introduction with text edits by Mónica de la Torre (1 page)


Box 156 Draft of introduction with handwritten edits by Betsy Sussler (1 page)


Box 156 Final introduction (1 page)


Box 156 Email correspondence between Jay Sanders and Mónica de la Torre (November 30-December 1, 2011)


Box 156 Email correspondence between Mónica de la Torre and K8 Hardy (December 5-6, 2011)


Box 156 Email correspondence between Mónica de la Torre and K8 Hardy (December 6, 2012)


Box 156 Email correspondence between Wayne Koestenbaum and Mónica de la Torre (December 27-28, 2011)


Box 156 Email correspondence between Mónica de la Torre and K8 Hardy (December 28-30, 2011)


Box 156 Email correspondence between Ariana Reines and Mónica de la Torre (January 10, 2012)


Box 156 Email correspondence between Ariana Reines and Mónica de la Torre (February3-4, 2012)


Box 156 Email correspondence between Ariana Reines and Mónica de la Torre (February9, 2012)


Box 156 Email correspondence between Ariana Reines and Mónica de la Torre (February9, 2012)


Box 156 Email correspondence between Mónica de la Torre and Betsy Sussler (February9-10, 2012)


Box 156 Email correspondence between K8 Hardy and Mónica de la Torre (February9, 2012


Box 156 Email correspondence between Betsy Sussler and Mónica de la Torre (February12, 2012).


Heidi Julavits by Fiona Maazel:


Box 156 Original transcript (24 pages)


Box 156 Draft of transcript with text edits and handwritten edits by Mónica de la Torre (12 pages)


Box 156 Factcheck craft with handwritten edits by Ashley McNelis (15 pages)


Box 156 Draft with text edits by Heidi Julavits (12 pages)


Box 156 Draft with handwritten edits by Mónica de la Torre (11 pages)


Box 156 Draft with text edits by Heidi Julavits (19 pages)


Box 156 Draft with text edits by Betsy Sussler (13 pages)


Box 156 Draft with text edits by Betsy Sussler (12 pages)


Box 156 Draft with text edits by Heidi Julavits (18 pages)


Box 156 Draft with text edits by Heidi Julavits (13 pages)


Box 156 Draft of introduction with handwritten edits by Mónica de la Torre (1 page)


Box 156 Draft of introduction with text edits by Fiona Maazel (1 page)


Box 156 Final introduction (1 page)


Box 156 Email correspondence between Mónica de la Torre and Heidi Julavits (November 22-29, 2011)


Box 156 Email correspondence between Mónica de la Torre, Mary G and Heidi Julavits (November 29-30, 2011)


Box 156 Email correspondence between Mónica de la Torre and Fiona Maazel (November 30, 2011)


Box 156 Email correspondence between Mónica de la Torre and Fiona Maazel (January 13, 2012)


Box 156 Email correspondence between Heidi Julavits and Mónica de la Torre (January 18, 2012).


Mohsen Namjoo by Shirin Neshat:


Box 156 Original interview (14 pages)


Box 156 Draft with handwritten edits by Betsy Sussler and Ashley McNelis (18 pages)


Box 156 Draft with handwritten edits by Betsy Sussler (15 pages)


Box 156 Draft with text edits by Betsy Sussler (14 pages)


Box 156 Draft with text edits by Shirin Neshat and handwritten edits by Betsy Sussler (14 pages)


Box 156 Draft with text edits by Siavash Karimzadegan and handwritten edits by Betsy Sussler (16 pages)


Box 156 Draft with text edits by Betsy Sussler (17 pages)


Box 156 Draft with text edits by Sabine Russ and Siavash Karimzadegan (14 pages)


Box 156 Draft with text edits by Siavash Karimzadegan (15 pages)


Box 156 Layout with handwritten edits by Mónica de la Torre (12 pages)


Box 156 Layout with handwritten edits by Betsy Sussler (6 pages)


Box 156 Shirin's Revised Questions with text edits (14 pages)


Box 156 Factcheck draft with handwritten edits by Betsy Sussler (12 pages)


Box 156 Layout with handwritten edits by Mónica de la Torre (7 pages)


Box 156 Draft with handwritten edits by Betsy Sussler and text edits (14 pages)


Box 156 Email correspondence between Betsy Sussler and Mónica de la Torre (November 15, 2011 January 19-31, 2012), 2011, January 19-31, 2012


Box 156 Email correspondence between Betsy Sussler and Sabine Russ (November 30-December 5, 2012)


Box 156 Email correspondence between Shirin Neshat and Betsy Sussler (December 5, 2012)


Box 156 Email correspondence between Betsy Sussler and Sabine Russ (December 21-January 12, 2012)


Box 156 Email correspondence between Shirin Neshat, Sabine Russ and Siavash Karimzadegan (January 1-12, 2012)


Box 156 Email correspondence between Shirin Neshat and Sabine Russ (January 5-18, 2012)


Box 156 Email correspondence between Siavash Karimzadegan, Shirin Neshat, and Betsy Sussler (January 17-18, 2012)


Box 156 Email correspondence between Sabine Russ and Siavash Karimzadegan (February2-3, 2012)


Box 156 Email correspondence between Shirin Neshat and Sabine Russ (February3-7, 2012)


Box 156 Email correspondence between Shirin Neshat and Sabine Russ (February7, 2012)


Box 156 Email correspondence between Betsy Sussler and Mónica de la Torre (February12, 2012).


Charles Long by Andrew Winer:


Box 156 Original transcript (22 pages)


Box 156 Draft with text edits by Sabine Russ (19 pages)


Box 156 Draft with text edits by Sabine Russ (24 pages)


Box 156 Draft with Sabine Russ and Andrew Winer's text edits (19 pages)


Box 156 Draft with text edits by Andrew Winer (20 pages)


Box 156 Draft with text edits by Andrew Winer (16 pages)


Box 156 Factcheck draft with handwritten edits by Betsy Sussler (16 pages)


Box 156 Draft with handwritten edits by Betsy Sussler and text edits by Sabine Russ (16 pages)


Box 156 Draft with text edits by Betsy Sussler (?) (16 pages)


Box 156 Draft with handwritten and text edits by Betsy Sussler, Sabine Russ, and Charles Long (16 pages)


Box 156 Draft with handwritten and text edits by Betsy Sussler (17 pages)


Box 156 Layout with text edits by Betsy Sussler and Ashley McNelis (10 pages)


Box 156 Email correspondence between Charles Long and Sabine Russ (December 20, 2011)


Box 156 Email correspondence between Charles Long and Sabine Russ (December 20, 2011)


Box 156 Email correspondence between Charles Long and Sabine Russ (December 20, 2011)


Box 156 Email correspondence between Charles Long and Sabine Russ (December 28, 2011)


Box 156 Email correspondence between Sabine Russ and Andrew Winer (January 9, 2012)


Box 156 Email correspondence between Andrew Winer and Sabine Russ (February3-4, 2012)


Box 156 Email correspondence between Andrew Winer and Sabine Russ (February3-4, 2012)


Box 156 Email correspondence between Andrew Winer, Charles Long, and Sabine Russ (February4, 2012)


Box 156 Email correspondence between Charles Long, Sabine Russ and Andrew Winer (February6, 2012)


Box 156 Email correspondence between Charles Long, Sabine Russ, and Andrew Winer (February6, 2012)


Box 156 Email correspondence between Emily Ruotolo, Sabine Russ, and Charles Lng (February8, 2012)


Box 156 Email correspondence between Charles Long, Sabine Russ, and Emily Ruotolo (February8, 2012)


Box 156 Email correspondence between Sabine Russ, Charles Long, and Andrew Winer (February9-10, 2012)


Box 156 Charles Long notes (3 pages)


Box 156 Email correspondence between Sabine Russ and the Tanya Bonakdar Gallery (February6-7, 2012).


Liz Deschenes by Kathleen Peterson:


Box 156 Draft of introduction with text edits (1 page)


Box 156 Draft of introduction with text edits by Sabine Russ and Kathleen Peterson (1 page)


Box 156 Draft of introduction with handwritten edits by Betsy Sussler (1 page)


Box 156 Final introduction (1 page)


Box 156 Draft with text edits by Betsy Sussler (15 pages)


Box 156 Draft with text edits by Sabine Russ and handwritten edits by Betsy Sussler (15 pages)


Box 156 Draft with text edits by Betsy Sussler (15 pages)


Box 156 Draft with text edits by Betsy Sussler (16 pages)


Box 156 Draft with text edits by Sabine Russ (15 pages)


Box 156 Draft with text edits by Sabine Russ and handwritten edits (14 pages)


Box 156 Factcheck draft (18 pages)


Box 156 Draft with text edits by Sabine Russ (15 pages)


Box 156 Final draft (16 pages)


Box 156 Layout with handwritten edits by Mónica de la Torre (8 pages)


Box 156 Email correspondence between Sabine Russ and Liz Deschenes (December 13-January 4, 2012)


Box 156 Email correspondence between Sabine Russ, Katie Peterson, and Liz Deschenes (December 22-January 4, 2012)


Box 156 Email correspondence between Katie Peterson and Liz Deschenes (January 2-25, 2012)


Box 156 Email corresponence between Sabine Russ and Liz Deschenes (January 19-23, 2012)


Box 156 Email correspondence between Liz Deschenes and Sabine Russ (January 25-February6, 2012)


Box 156 Email correspondence between Sabine Russ and Cora Muennich (February8, 2012)


Box 156 Email correspondence between Liz Deschenes and Sabine Russ (February7-8, 2012)


Box 156 Email correspondence between Katie Peterson and Sabine Russ (February7, 2012)


Box 156 Email correspondence between Katie Peterson and Sabine Russ (February11, 2012).


Gerardo Naranjo and Nicolás Pereda:


Box 156 Draft of introduction with handwritten edits by Betsy Sussler (1 page)


Box 156 Draft of introduction with text edits by Carlos Gutiérrez (2 pages)


Box 156 Draft of introduction with handwritten edits by Mónica de la Torre (1 page)


Box 156 Original transcript (15 pages)


Box 156 Factcheck draft (18 pages)


Box 156 Draft with text edits by Mónica de la Torre and handwritten edits by Ashley McNelis (14 pages)


Box 156 Draft with text edits by Nicolás Pereda (14 pages)


Box 156 Draft with text edits by Gerardo Naranjo (14 pages)


Box 156 Final draft (14 pages)


Box 156 Email correspondence between Mónica de la Torre, Nicolás Pereda, and Gerardo Naranjo (December 12-January 3, 2012)


Box 156 Email correspondence between Mónica de la Torre, Gerardo Naranjo, and Nicolás Pereda (January 3, 2012)


Box 156 Email correspondence between Mónica de la Torre, Gerardo Naranjo, and Nicolás Pereda (January 31-February1, 2012)


Box 156 Email correspondence between Mónica de la Torre and Nicolás Pereda (February1, 2012)


Box 156 Email correspondence between Mónica de la Torre, Gerardo Naranjo, and Nicolás Pereda (February3, 2012)


Box 156 Email correspondence between Mónica de la Torre and Gerardo Naranjo (February3, 2012)


Box 156 Email correspondence between Mónica de la Torre and Gerardo Naranjo (February3, 2012)


Box 156 Email correspondence between Mónica de la Torre and Nicolás Pereda (February7, 2012).


BOMB Specific: Deana Lawson


Box 156 Final text edits draft (2 pages)


Box 156 Email correspondence between Sabine Russ and Deana Lawson (January 10-17, 2012)


Box 156 Email correspondence between Deana Lawson and Sabine Russ (January 22-24, 2012)


Box 156 Email correspondence between Tom Griffiths and Sabine Russ (February6-7, 2012).


Artists on Artists


Box 156 Daniel Wiener by Alexander Ross:


Box 156 Original draft with handwritten edits by Sabine Russ (2 pages)


Box 156 Original draft with handwritten edits by Betsy Sussler (2 pages)


Box 156 Factcheck draft (3 pages)


Box 156 Draft with one handwritten edit (2 pages)


Box 156 Final draft (2 pages)


Box 156 Layout page of works by Daniel Wiener with handwritten edits by Betsy Sussler (1 page)


Box 156 Email of image files from Daniel Wiener (1 page)


Box 156 Email correspondence between Sabine Russ and Alex Ross (January 10, January 11, January 23, January 24, January 25, January 26, 2012)


Box 156 Email correspondence between Sabine Russ and Daniel Wiener (January 11, 2012).


Sheile Pepe by Ryan Johnson:


Box 156 Three drafts with handwritten edits by Mónica de la Torre (3 pages)


Box 156 Factcheck draft (1 page)


Box 156 Layout draft (2 pages)


Box 156 Email correspondence between Cheyney Thompson and Mónica de la Torre (December 22, 2011-January 2, 2012), December 22, 2011-January 2, 2012


Box 156 Email correspondence between Lynda Benglis and Mónica de la Torre (January 4, 2012)


Box 156 Email correspondence between Mónica de la Torre and Ryan Johnson (January 13/16, 2012)


Box 156 Email correspondence between Robert Gober and Mónica de la Torre (January 13, 2012).


Michelle Segre by Huma Bhabha:


Box 156 Draft with text edits by Sabine Russ (2 pages)


Box 156 Draft with text edits by Mónica de la Torre (2 pages)


Box 156 Draft with handwritten edits by Mónica de la Torre (1 page)


Box 156 Draft with handwritten edits by Betsy Sussler (2 pages)


Box 156 Final draft (2 pages)


Box 156 Layout of images with factcheck and edits by Mónica de la Torre (1 page)


Box 156 Email correspondence between Betsy Sussler and Sabine Russ with edits (2 pages)


Box 156 Email correspondence between Sabine Russ and Huma Bhabha (May 26, 2010-June 7, 2010), May 26, 2010-June 7, 2010


Box 156 Email correspondence between Sabine Russ and Huma Bhabha (December 19, 2011 December 21, 2011 January 10, January 11, January 18, January 20, January 23, and January 24, 2012), 2011, December 21, 2011


Box 156 Email correspondence between Sabine Russ and Huma Bhabha (January 24-26, 2012).


Editor's Choice


Box 156 Layout draft with handwritten edits from Betsy Sussler and Mónica de la Torre.


In the Kingdom of the Sea Monkeys by Campbell McGrath from Peter Moysaenko:


Box 156 Draft with text edits and handwritten edits by Betsy Sussler and Mónica de la Torre (3 pages)


Box 156 Factcheck draft (2 pages)


Box 156 Draft without Peter Moysaenko's byline (1 page)


Box 156 Final draft (1 page).


Gilles Deleuze from A to Z by Rachel Kushner:


Box 156 Draft with Rachel Kushner, Mónica de la Torre, and Betsy Sussler's handwritten edits (1 page)


Box 156 Factcheck draft (3 pages)


Box 156 Draft with trackchanges from Betsy Sussler (2 pages)


Box 156 Final draft (2 pages)


Box 156 Email correspondence between Rachel Kushner and Mónica de la Torre (January 4-24, 2012).


Vicky Swanky Is A Beauty by Diane Williams:


Box 156 Factcheck draft with handwritten edits (4 pages)


Box 156 Draft with handwritten edits (3 pages)


Box 156 Draft with Donald Breckenridge's track change corrections (2 pages)


Box 156 Draft with Mónica de la Torre's text edits (3 pages)


Box 156 Final draft (3 pages)


Box 156 Email correspondence between Donald Breckenridge and Mónica de la Torre (January 17, 2012)


Box 156 Email correspondence between Donald Breckenridge and Mónica de la Torre (January 27, 2012).


El Sicario directed by Gianfranco Rosi by Chris Chang:


Box 156 Factcheck draft with handwritten edits by Betsy Sussler (3 pages)


Box 156 Final draft (2 pages).


The Art-Architecture Complex by Hal Foster from Carlos Brillembourg:


Box 156 Original draft (2 pages)


Box 156 Draft with handwritten edits by Mónica de la Torre (1 page)


Box 156 Draft with text edits by Mónica de la Torre (2 pages)


Box 156 Factcheck draft (3 pages)


Box 156 Draft with text edits from Carlos Brillembourg (2 pages)


Box 156 Draft with text edits by Mónica de la Torre (2 pages)


Box 156 Draft with text edits by Mónica de la Torre (1 page)


Box 156 Draft with handwritten edits by Betsy Sussler (2 pages)


Box 156 Draft with track change (2 pages)


Box 156 Draft with text edits by Betsy Sussler (2 pages)


Box 156 Final draft (2 pages)


Box 156 Email correspondence between Betsy Sussler and Carlos Brillembourg (January 18, 2012).


Far Side Virtual Review by Luke Degnan:


Box 156 Factcheck draft (2 pages)


Box 156 Draft with handwritten edits by Mónica de la Torre and Luke Degnan (1 page)


Box 156 Draft with handwritten edtis by Mónica de la Torre (1 page)


Box 156 Final draft (1 page).


Jennifer Levonian by Nell McClister:


Box 156 Factcheck draft (2 pages)


Box 156 Draft with handwritten edits by Betsy Sussler (1 page)


Box 156 Draft with handwritten edits by Betsy Sussler (1 page)


Box 156 Final draft (2 pages)


Box 156 Email correspondence between Nell McClister and Mónica de la Torre (December 12, 2011-January 17, 2012)., December 12, 2011-January 17, 2012


The Collected Writings of Joe Brainard:


Box 156 Final draft (3 pages).


Blessed Meg Stuart/Damaged Goods & EIRA by Lauren Grace Bakst:


Box 156 Factcheck copy (3 pages)


Box 156 Draft with handwritten edits by Betsy Sussler (2 pages)


Box 156 Draft with text edits from Sabine Russ (2 pages)


Box 156 Draft with text edits from Lauren Bakst (2 pages)


Box 156 Final draft (2 pages).


Habemus Papam directed by Nanni Moretti from Nicholas Elliott:


Box 156 Draft with handwritten edits from Betsy Sussler (1 page)


Box 156 Draft with text edits from Mónica de la Torre (2 pages)


Box 156 Draft with text edits from Mónica de la Torre and handwritten edits from Betsy Sussler (1 page)


Box 156 Factcheck draft with handwritten edits by Ashley McNelis (3 pages)


Box 156 Final draft (2 pages)


Box 156 Email correspondence between Nicholas Elliott and Mónica de la Torre (December 9-12, 2011)


Box 156 Email correspondence between Nicholas Elliott and Mónica de la Torre (January 19-20, 2012).


First Proof:


Box 156 Layout draft with handwritten edits by Mónica de la Torre.


Richard Forster by Colm Toíbín:


Box 156 Draft of introduction with computer text edits and fresh copy


Box 156 Portfolio of Forster's work from Ingleby Gallery's Florence Ingleby to Betsy Sussler.


On the Train by Raphael Rudnik from Robert Hamburger:


Box 156 Draft of On the Train with handwritten edits by Mónica de la Torre


Box 156 Email correspondence between Mónica de la Torre and Robert Hamburger (September 21, 2011/February11, 2012).


Dante's Inferno Canto XXXIV translated by Mary Jo Bang:


Box 156 Email correspondence between Mary Jo Bang and Mónica de la Torre (February10, 2012)


Box 156 Draft of Canto XXX with emailed edits from Mary Jo Bang and handwritten edits by Mónica de la Torre


Box 156 Draft of Canto XXI with emailed edits from Mary Jo Bang and handwritten edits from Mónica de la Torre


Box 156 Post-it note from Mónica de la Torre on draft of Canto XXI


Box 156 Draft of Canto XXIV with emailed edits from Mary Jo Bang and handwritten edits from Mónica de la Torre


Box 156 Draft of Canto XXXIV with emailed edits from Mary Jo Bang and handwritten edits from Mónica de la Torre


Box 156 Email correspondence from Mary Jo Bang to Mónica de la Torre (February10, 20120).


Plankticus #372 by Jeremy Sigler:


Box 156 Email correspondence between Jeremy Sigler and Mónica de la Torre (September 30, 2011).


Some Worlds for Dr. Vogt by Matvei Yankelevich:


Box 156 Draft with handwritten edits by Mónica de la Torre


Box 156 Note from Matvei Yankelevich to Mónica de la Torre: "Monica! Thanks for agreeing to take a look at this LONG poem . . . Hope there's something here you might enjoy. Thanks! --MATVEI"


Box 156 Email correspondence between Matvei Yankelevich and Mónica de la Torre (February11, 2012).


Simyon by Etgar Keret:


Box 156 Email correspondence between Anna Stein and Mónica de la Torre (December 15, 2011).


Meyer Lansky Breaks His Silence by Zachary Lazar:


Box 156 Draft with handwritten edits by Mónica de la Torre


Box 156 Post-it note from Betsy Sussler to Mónica de la Torre


Box 156 Email correspondence between Zachary Lazar and Mónica de la Torre (February13, 2012).


The Carpathian Mountain Woman by Cristina Rivera Garza Translated by Alex Ross:


Box 156 Draft with Mónica de la Torre and Betsy Sussler's handwritten edits


Box 156 Email correspondence beween Alex Ross and Mónica de la Torre (February12, 2012).


Frontmatter and The Wick:


The Wick:


Box 156 Email correspondence between Paul Morris and Mónica de la Torre (February3, 2012).


Frontmatter:


Box 156 Draft of TOC for SPRING 2012 SO FAR with text edits, 2012


Box 156 Draft of TOC for SPRING 2012 SO Far with handwritten edits from Mónica de la Torre, 2012


Box 156 Contributor Bios


Box 156 Email correspondence from Betsy Sussler to Sabine Russ and Mónica de la Torre (December 4, 2011)


Box 156 Email correspondence between Betsy Sussler and Sabine Russ (January 31, 2012)


Box 156 Email correspondence between Paul Morris and Betsy Sussler (January 31, 2012)


Box 156 Email correspondence between Luke Degnan and Betsy Sussler via Shay Wafer and Anna Glass (January 30, 2012)


Box 156 BOMB Patrons List with handwritten corrections and post-it note by Betsy Sussler


Box 156 Four Transaction Detail by Account for New Art Publications with handwritten edits from Betsy Sussler.


Proofs:


Box 156 Layout with Peter Moysaenko's handwritten edits


Box 156 Heidi Julavits with Joshua Bauchner's handwritten edits


Box 156 Heidi Julavits with Peter Moysaenko's handwritten edits


Box 156 Ingo Schulze with Joshua Bauchner's handwritten edits


Box 156 Ingo Schulze with Peter Moysaenko's handwritten edits


Box 156 K8 Hardy with Joshua Bauchner's handwritten edits


Box 156 K8 Hardy with Peter Moysaenko's handwritten edits


Box 156 Charles Long with Joshua Bauchner's handwritten edits


Box 156 Gerardo Naranjo and Nicolás Pereda with Joshua Bauchner's handwritten edits


Box 156 Dean Moss with Joshua Bauchner's handwritten edits


Box 156 Michelle Segre with Joshua Bauchner's handwritten edits


Box 156 Liz Deschenes with Joshua Bauchner's handwritten edits


Box 156 Liz Deschenes with Peter Moysaenko's handwritten edits


Box 156 Mohsen Namjoo with Joshua Bauchner's handwritten edits


Box 156 Mohsen Namjoo with Peter Moysaenko's handwritten edits


Box 156 Editor's Choice with Joshua Bauchner's handwritten edits


Box 156 First Proof with Joshua Bauchner's handwritten edits


Box 156 First Proof with Peter Moysaenko's handwritten edits.


Issue 120/Summer, 2012


Front Matter:



Box 157 Final Draft


Box 157 Images:


Box 157 Danny Lyon, Working Girl, Cartagena, Columbia, 1965 Cibachrome, 11 x 14 inches. Courtesy of the artist, Phaidon Press, and Churner and Churner Gallery, New York City., 1965


Contributor's Page:


Box 157 Contributor's bio draft 1 (2 pages)


Box 157 Contributor's bio draft 2 with text edits (2 pages)


Box 157 Contributor's bio draft 3 (2 pages)


Box 157 Contributor's bio Sabine Russ's final draft (2 pages)


Box 157 Blurbs from Betsy, Credits for Contributor's photos.


Box 157 Blues/Proofs


Images:


Box 157 Photo of Susan Meiselas


Box 157 Photo of Kenneth Goldsmith


Box 157 Photo of James Hannaham


Box 157 Photo of Colm Toibin


Box 157 Photo of Cary Wolfe


Box 157 Photo of Blake Butler


Other:


Box 157 Patrons Page (6 pages)


Box 157 Masthead (5 pages)


Images:


Box 157 Michele Oka Doner, Janis Cecil, Andrea Blum and John Newman


Box 157 Interior Décor by Madeline Weinrib


Box 157 Klaus Biesenbach and Patti Smith


Box 157 Sabine Russ and Clifford Owens


Box 157 Richard Serra


Box 157 Theresa Rebeck, Alan Lafer, Susan Rose, and Marsha Norman


Box 157 Betsy Sussler


Box 157 Marina Abramovic, Anes Gund, and Klaus Biesenbach


Box 157 Tom Otterness and Coleen Fitzgibbon


Box 157 Lisa Schultz and Marsha Norman


Box 157 Michael Stipe, Cindy Sherman, and Mike Starn


Box 157 Tamara Zahaykevich, Marina Adams, Madeline Weinrib and Stanley Whitley


Box 157 Tariq Farouki, Dana Farouki, and Sheva Farouki


Box 157 Klaus Kertess


Box 157 Sharon Coplan Hurowitz, Kathy Goodman, and Dorothy Lichtenstein


Editor's Choice:


Beasts of the Southern Wild by Leon Falk (Corresponding page in magazine: 12):


Box 157 Original Draft


Box 157 Draft with type-written edits


Box 157 Final Draft with typewritten notes by Mónica de la Torre


Correspondence:


Box 157 Email correspondence between Ashley McNelis and Mónica de la Torre (April 19th, 2012)


Box 157 Email correspondence between Ashley McNelis, Omar Gonzales and Lindsay Firestone (April 17th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Sarah Peters and Ashley McNelis (April 19th-May 1st, 2012)


Box 157 Email correspondence between Leon Falk and Mónica de la Torre (May 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Sarah Peters (May 3rd-May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Leon Falk (May 3rd, 2012)


Images:


Box 157 2 film stills, Beasts of the Southern Wild


Box 157 The Femicide Machine by Ben Ehrenreich (Corresponding page in magazine: 14):


Box 157 Draft with handwritten edits by Betsy Sussler


Box 157 Draft with type-written edits


Box 157 Fact check draft


Correspondence:


Box 157 Email correspondence between Ben Ehrenreich and Mónica de la Torre (April 16th-April 18th, 2012)


Images:


Box 157 Photograph of Julia Caldera and her granddaughter Jessica, by Corina Arranz


Poetry Out Loud: Volumes 1-10 by Chris Mann (Corresponding page in magazine: 15):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Chris Mann (April 6th-May 9th, 2012)


Images:


Box 157 Cover of Poetry out Loud, no 8. Courtesy of De Stijl Records


Carmen Beuchat and Interdisciplinary Pollinations in the 1970s by Gabriela Rangel (Corresponding page in magazine: 16):


Box 157 Draft with type-written notes by Betsy Sussler


Box 157 Draft with type-written notes by Sabine Russ


Box 157 Draft with handwritten notes by Betsy Sussler


Box 157 Draft with hand-written notes by Mónica de la Torre


Box 157 Draft with handwritten and type-written notes


Box 157 Draft with handwritten notes by Sabine Russ


Box 157 Fact check draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Gabriela Rangel (April 27th-May 1st, 2012)


The Last Books of Hector Viel Temperley by Lila Zemborain (Corresponding page in magazine: 17):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mary Ann Monforton, Arlo Haskell and Mónica de la Torre (March7th-March14th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Lila Zemborain (May 13th, 2012)


Images:


Box 157 Photograph of Viel Temperley


The Least of All Possible Evils: Humanitarian Violence from Arendt to Gaza by Legacy Russell (Corresponding page in magazine: 18):


Box 157 First draft


Box 157 Fact check draft with handwritten notes


Box 157 Final draft with handwritten notes by Betsy Sussler


Correspondence:


Box 157 Email correspondence between Legacy Russell, Sabine Russ, and Mónica de la Torre (March29th-April 25th, 2012)


Images:


Box 157 A topographical model of the Beit Surik area with different possible walls drawn on it, in the office of Adv. Muhmmad Dahla. Photo by Eyal Weizman.


Miss Fuller by Mimi Thompson (Corresponding page in magazine: 20):


Box 157 Draft with handwritten notes by Sabine Russ


Box 157 Final draft with handwritten notes by Betsy Sussler


Correspondences:


Box 157 Email correspondence between Mónica de la Torre, Mimi Thompson and Betsy Sussler (April 12th, 2012)


Images:


Box 157 Miss Fuller, novel cover


John Newman and B. Wurtz Conversation by John Newman and B. Wurtz (Corresponding page in magazine: 24-32):


Box 157 Original transcription (37 pages)


Box 157 Draft with text edits by Sabine Russ (25 pages)


Box 157 Draft with text edits by B. Wurtz (22 pages)


Box 157 Factcheck draft with text edits by Sabine Russ and Betsy Sussler (21 pages)


Box 157 Final edit with text edits (10 pages)


Box 157 Introduction draft by John Newman


Box 157 Introduction by John Newman and B. Wurtz


Box 157 Fact check with text edits by Sabine Russ (1 page)


Box 157 Layout with handwritten edits by Betsy Sussler (10 pages)


Correspondence:


Box 157 Email correspondence between Sabine Russ, John Newman and B. Wurtz (January 24th-25th, 2012)


Box 157 Email correspondence between Sabine Russ, John Newman, and B. Wurtz (March21st-22nd, 2012)


Box 157 Email correspondence between Sabine Russ and John Newman (March27th-28th, 2012)


Box 157 Email correspondence between Sabine Russ, Clinton Krut, Charles Day, Jerred North, and Betsy Sussler (April 1st-5th, 2012)


Box 157 Email correspondence between John Newman and Sabine Russ (April 5th-9th, 2012)


Box 157 Email correspondence between Sabine Russ, B. Wurtz, and John Newman (April 19th-May 3rd, 2012)


Box 157 Email correspondence between Sabine Russ, Tom Griffiths, Jessica Green, and Monica de la Torre (May 4th , 2012)


Box 157 Email correspondence between Sabine Russ and John Newman (May 5th , 2012)


Box 157 Email correspondence between John Newman, Sabine Russ, and Betsy Sussler (May 6th, 2012)


Box 157 Email correspondence between Sabine Russ and B. Wurtz (May 7th-May 9th, 2012)


Box 157 Email correspondence between B. Wurtz, Sabine Russ, and Manuela (May 7th, 2012)


Box 157 Email correspondence between John Newman and Sabine Russ (May 8th-May 10th, 2012)


Audio:


Box 157 John Newman and B. Wurtz, Recording, April 11th, 2012 1:32:42, 2012


Box 157 Audio disk with original recording


Danny Lyon by Susan Meiselas (Corresponding Page in Magazine:124-133):


Box 157 Original transcription (39 pages)


Box 157 Draft with text edits by Mónica de la Torre (20 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (18)


Box 157 Draft with handwritten edits by Betsy Sussler (17 pages)


Box 157 Draft with text edits by Susan Meiselas (16 pages)


Box 157 Factcheck draft with text edits by Mónica de la Torre (16 pages)


Box 157 Draft with handwritten edits by Danny Lyon (20 pages)


Box 157 Draft with text edits by Danny Lyon (12 pages)


Box 157 Layout with handwritten edits by Mónica de la Torre (10 pages)


Box 157 Layout with handwritten edits by Danny Lyon and Mónica de la Torre (10 pages)


Box 157 Layout with handwritten edits by Betsy Sussler (10 pages)


Box 157 Introduction factcheck with handwritten edits by Ashley McNelis (3 pages)


Box 157 Introduction draft by Susan Meiselas (1 page)


Box 157 Fact check with edits by Mónica de la Torre (1 page)


Correspondence:


Box 157 Email correspondence between Danny Lyon, Susan Meiselas and Mónica de la Torre (March18th-19th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Danny Lyon and Susan Meiselas (April 10th-13th, 2012)


Box 157 Email correspondence between Danny Lyon and Ashley McNelis (April 24th-25th, 2012)


Box 157 Email correspondence between Ashley McNelis, Danny Lyon, and Mónica de la Torre (April 25th)


Box 157 Email correspondence between Mónica de la Torre and Danny Lyon (April 18th-24th, 2012)


Box 157 Email correspondence between Danny Lyon and Mónica de la Torre (May 4th, 2012)


Box 157 Email correspondence between Danny Lyon and Mónica de la Torre (May 9th, 2012)


Audio:


Box 157 Danny Lyon and Susan Meiselas, Recording, March18th, 2012 1:26:04, 2012


Box 157 Audio disk with original recording


Wayne Koestenbaum by Kenneth Goldsmith (Corresponding page in magazine: 93-100):


Box 157 Original transcription (29 pages)


Box 157 Draft with text edits by Mónica de la Torre (17 pages)


Box 157 Draft with text edits by Mónica de la Torre (16)


Box 157 Draft with handwritten edits by Wayne Koestenbaum (19 pages)


Box 157 Factcheck draft with text edits by Mónica de la Torre (16 pages)


Box 157 Draft with handwritten edits by Betsy Sussler (20 pages)


Box 157 Draft with text edits by Wayne Koestenbaum (25 pages)


Box 157 Draft with text edits by Betsy Sussler and Mónica de la Torre (26 pages)


Box 157 Draft with handwritten edits by Wayne Koestenbaum (24 pages)


Box 157 Layout with handwritten edits by Mónica de la Torre (7 pages)


Box 157 Introduction draft with handwritten edits by Mónica de la Torre (2 pages)


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (December 27th-28th, 2011)


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (March1st-14th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum and Mónica de la Torre (March21st-24th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum, Mónica de la Torre, and Kenneth Goldsmith (April 4th-26th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Kenneth Goldsmith, and Wayne Koestenbaum (May 2nd-3rd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (May 5th-6th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Kenneth Goldsmith, and Wayne Koestenbaum (May 7th-8th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum and Mónica de la Torre (May 7th-8th)


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (May 8th-9th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum and Mónica de la Torre (May 10th-14th, 2012)


Audio:


Box 157 Wayne Koestenbaum and Kenneth Goldsmith, Recording, 1:38:17


Media Included:


Box 157 Audio disk with original recording


Ariel Pink and Cass McCombs by Ariel Pink and Cass McCombs (Corresponding page in magazine: 58-63):


Box 157 Original transcription 1 (5 pages)


Box 157 Original transcription 2 (11 pages)


Box 157 Original transcription 3 (14 pages)


Box 157 Draft with text edits by Mónica de la Torre (9 pages)


Box 157 Draft with text edits by Betsy Sussler (15 pages)


Box 157 Draft with handwritten and text edits by Mónica de la Torre (15 pages)


Box 157 Draft with edits by Cass McCombs (14 pages)


Box 157 Draft with edits by Cass McCombs (11 pages)


Box 157 Final draft (15 pages)


Correspondence:


Box 157 Email correspondence between Cass McCombs and Mónica de la Torre (April 28th-May 1st, 2012)


Box 157 Email correspondence between Daniel Gill and Mónica de la Torre (May 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre, Jessica Linker and Daniel Gill (April 17th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Jessica Linker (April 17th-May 2nd, 2012)


Box 157 Email correspondence between Cass McCombs and Mónica de la Torre (May 3rd-May 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Jessica Linker (May 4th, 2012)


Box 157 Email correspondence between Cass McCombs and Mónica de la Torre (May 4th, 2012)


Box 157 Email correspondence between Clinton Krute and Mónica de la Torre (May 7th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Cass McCombs (May 7th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Daniel Gill, and Jessica Linker (May 3rd-May 7th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Cass McCombs (May 7th-May 10th, 2012)


Audio:


Box 157 Ariel Pink, Cass McCombs, Mónica de la Torre, Clinton Krute, April 26th, 2012 57:05, 2012


Media Included:


Box 157 Audio disk with original recording


Ralph Lemon by James Hannaham by Ralph Lemon and James Hannaham (Corresponding page in magazine: 34-43):


Box 157 Original transcription (49 pages)


Box 157 Draft with text edits by Sabine Russ (50 pages)


Box 157 Draft with text edits by Ralph Lemon (10 pages)


Box 157 Draft with text edits by Betsy Sussler and Sabine Russ (11 pages)


Box 157 Draft with text edits by James Hannaham (25 pages)


Box 157 Draft with text and handwritten edits by Sabine Russ and Betsy Sussler (15 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (15 pages)


Box 157 Introduction draft (2 pages)


Box 157 Final Layout (5 pages)


Correspondences:


Box 157 Email correspondence between Ralph Lemon and Sabine Russ (March1st, 2012)


Box 157 Email correspondence between Sabine Russ, Monica de la Torre, and Betsy Sussler (March1st, 2012)


Box 157 Email correspondence between Sabine Russ and Ralph Lemon (March5th-29th, 2012)


Box 157 Email correspondence between Sabine Russ and James Hannaham (March30th)


Box 157 Email correspondence between Sabine Russ and Ralph Lemon (April 2nd)


Box 157 Email correspondence between Sabine Russ, Ralph Lemon, and James Hannaham (April 2nd-16th, 2012)


Box 157 Email correspondence between James Hannaham and Sabine Russ (April 16th, 2012)


Box 157 Email correspondence between Emily Harney, Ralph Lemon, and Sabine Russ (April 17th, 2012)


Box 157 Email correspondence between Sabine Russ, James Hannaham and Ralph Lemon (April 28th-May 2nd, 2012)


Box 157 Email correspondence between Ralph Lemon and Sabine Russ (May 2nd, 2012)


Box 157 Email correspondence between James Hannaham and Sabine Russ (May 3rd-4th, 2012)


Box 157 Email correspondence between Sabine Russ, Ralph Lemon, and James Hannaham (May 4th-6th, 2012)


Box 157 Email correspondence between Ralph Lemon and Sabine Russ (May 6th-7th, 2012)


Box 157 Email correspondence between Sabine Russ and Ralph Lemon (May 7th-9th, 2012)


Box 157 Email correspondence between Sabine Russ, Ralph Lemon, and James Hannaham (May 10th, 2012)


Audio:


Box 157 Ralph Lemon and James Hannahm, Recording, 1:44:29


Media Included:


Box 157 Audio disk with original recording


Brian Evenson by Blake Butler by Brian Evenson and Blake Butler (Corresponding page in magazine: 72-77):


Box 157 Original transcription (31 pages)


Box 157 Draft with handwritten edits by Blake Butler (20 pages)


Box 157 Draft with text edits by Mónica de la Torre (20 pages)


Box 157 Draft with text edits incorporated by Mónica de la Torre (13 pages)


Box 157 Draft with text edits by Brian Evenson (10 pages)


Box 157 Draft with text edits by Brian Evenson (9 pages)


Box 157 Draft with text edits by Mónica de la Torre (27 pages)


Box 157 Draft with text edits by Betsy Sussler (27 pages)


Box 157 Draft with highlighting by Betsy Sussler (12 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (13 pages)


Box 157 Draft with text edits by Brian Evenson (13 pages)


Box 157 Final draft (13 pages)


Box 157 Fact check (1 page)


Correspondences:


Box 157 Email correspondence between Tricia O'Reilly, Brian Evenson, and Mónica de la Torre (March8th-12th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Brian Evenson (March12th-29th, 2012)


Box 157 Correspondence between Mónica de la Torre and Guy Maddin (March28th-30th, 2012)


Box 157 Correspondence between Mónica de la Torre and Brian Evenson (March30th, 2012)


Box 157 Correspondence between Mónica de la Torre and Blake Butler (March30th, 2012)


Box 157 Correspondence between Brian Evenson and Mónica de la Torre (March30th-April 2nd, 2012)


Box 157 Correspondence between Blake Butler, Brian Evenson and Mónica de la Torre (April 10th-25th, 2012)


Box 157 Email correspondence between Blake Butler and Mónica de la Torre (April 25th, 2012)


Box 157 Email correspondence between Blake Butler, Brian Evenson and Mónica de la Torre (April 25th-May 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Betsy Sussler (May 9th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Brian Evenson (May 10th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Blake Butler (


Audio:


Box 157 Blake Butler and Brian Evenson, April 18th, 2012 Recording, 1:20:56, 2012


Media included:


Box 157 Audio disk with original recording


Eija-Liisa Ahtila by Cary Wolfe (Corresponding page in magazine: 134-142):


Box 157 Draft with text edits by Sabine Russ (12 pages)


Box 157 Draft with handwritten edits by Cary Wolfe (11 pages)


Box 157 Draft with handwritten edits by Betsy Sussler (11 pages)


Box 157 Final Draft (11 pages)


Box 157 Fact check (2 pages)


Box 157 Text by Cary Wolfe (10 pages)


Correspondence:


Box 157 Email correspondence between Linda Pellegrini and Sabine Russ (December 5th-22nd, 2011)


Box 157 Email correspondence between Sabine Russ and Betsy Sussler (December 22nd, 2011)


Box 157 Email correspondence between Sabine Russ and Linda Pellegrini (January 4th-March5th, 2012)


Box 157 Email correspondence between Cary Wolfe and Sabine Russ (March4th, 2012)


Box 157 Email correspondence between Sabine Russ and Cary Wolfe (March1st-April 16th, 2012)


Box 157 Email correspondence between Linda Pellegrini and Sabine Russ (March5th, 2012)


Box 157 Email correspondence between Sabine Russ and Eija-Liisa Ahtila (March5th-27th, 2012)


Box 157 Email correspondence between Cary Wolfe, and Sabine Russ (April 22nd-May 1st, 2012)


Box 157 Email correspondence between Eija-Liisa Ahtila and Sabine Russ (May 9th-May 11th, 2012)


Tom Murphy by Colm Toibin (Corresponding pages in magazine: 44-51):


Box 157 Original transcription with handwritten edits by Sabine Russ (17 pages)


Box 157 Draft with handwritten and text edits by Sabine Russ (15 pages)


Box 157 Draft with text edits by Sabine Russ (14 pages)


Box 157 Draft with handwritten edits by Betsy Sussler (12 pages)


Box 157 Fact check draft with edits by Sabine Russ (12 pages)


Box 157 Draft with handwritten edits by Sabine Russ (12 pages)


Box 157 Final draft (12 pages)


Box 157 Fact check sheet (4 pages)


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Colm Toibin (February28-March2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Colm Toibin (March15th-March20th, 2012)


Box 157 Email correspondence between Caitlin Kasunich and Sabine Russ (April 24th, 2012)


Box 157 Email correspondence between Caitlin Kasunich and Ashley McNelis (April 17th-April 25th, 2012)


Box 157 Email correspondence between Sabine Russ and Sinead Mcphillips (May 8th-May 10th, 2012)


Box 157 Email correspondence between Sabine Russ, Colm Toibin, Sinead McPhillips and Thomas Conway Druid (May 14th, 2012)


Box 157 Email correspondence between Sabine Russ, Betsy Sussler, and Charles Day (May 14th, 2012)


Box 157 Email correspondence between Sabine Russ and Sinead McPhillips (May 14th, 2012)


Media included:


Box 157 Audio disk with original recording


First Proof:


The Girl With the Matted Hair, Eight Scenes from Childhood by Carole Maso (Corresponding page in magazine: 78):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Betsy Sussler (October 5th, 2011)


Box 157 Email correspondence between Lisa Cocchia, Mónica de la Torre and Betsy Sussler (February14th-April 20th, 2012)


Four Poems by Daniel Shapiro (Corresponding page in magazine: 80):


Box 157 Draft


Correspondence:


Box 157 Email correspondence between Daniel Shapiro and Mónica de la Torre (March30th-May 14th, 2012)


Excerpt from Sent by Joshua Cohen (Corresponding page in magazine: 82):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Joshua Cohen (March14th-May 14th, 2012)


On the Water by Victoria Moon (Corresponding page in magazine: 85):


Box 157 Draft with handwritten notes by Mónica de la Torre and Betsy Sussler


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Victoria Moon (January 25th-May 14th, 2012)


Seven Scenes from the Wreckage by Lynn Melnick (Corresponding page in magazine: 91):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Lynn Melnick (April 19th-May 14th, 2012)


Don Ilario by Gabriella De Ferrari (Corresponding page in magazine: 101):


Box 157 Draft with handwritten notes by Mónica de la Torre and Betsy Sussler


Correspondence:


Box 157 Email correspondence between Betsy Sussler, Mónica de la Torre and Gabriella De Ferrari (January 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Gabriella De Ferrari (January 4th-January 5th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Ashley McNiels (January 12th-13th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Gabriella De Ferrari (January 19th, 2012)


Box 157 Email correspondence between Betsy Sussler and Mónica de la Torre (January 19th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Gabriella De Ferrari (January 24th-June 6th, 2012)


Late and Soon, Getting and Spending Prose Sonnets on Dailiness by Jessica Baran (Corresponding page in magazine: 109):


Box 157 Final draft


Correspondences:


Box 157 Email correspondence between Mónica de la Torre and Jessica Baran (December 19th, 2011-June 22nd-2012)


Portfolio by Tom Fairs (Corresponding page in magazine: 68):


Box 157 Final Draft (Bio)


Correspondences:


Box 157 Email correspondence between Sabine Russ and Kerry Schuss (March28th-May 9th, 2012)


Images:


Box 157 7 Tom Fairs drawings


Portfolio by Margaret Lee (Corresponding page in magazine: 104):


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Margaret Lee (March14th-May 1st, 2012)


Images:


Box 157 14 Photographs by Margaret Lee


Artists on Artists:


Justin Lieberman by Nic Guagnini/ Nic Guagnini by Justin Lieberman (Corresponding page in magazine: 116):


Box 157 Original draft (2 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (2 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Justin Lieberman (2 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Nic Guagnini (2 pages)


Box 157 Draft (2 pages)


Box 157 Draft with text edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Nic Guagnini (2 pages)


Box 157 Draft with text edits by Mónica de la Torre (2 pages)


Box 157 Fact check draft (5 pages)


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (March23rd-March30th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Ni Guagnini (April 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Nicolas Guagnini (April 2nd-April 3rd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 10th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Nicolas Guagnini (April 10th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 11th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Sabine Russ (April 11th, 2012)


Box 157 Email correspondence between Nicolas Guagnini and Mónica de la Torre (April 11th-April 20th, 2012)


Box 157 Email correspondence between Sabine Russ and Mónica de la Torre (April 11th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 11th-May 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Betsy Sussler (May 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (May 4th-May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Nicolas Guagnini (May 7th-May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Sabine Russ and Betsy Sussler (May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (May 10th-May 11th, 2012)


Images:


Box 157 Justin Lieberman/20 paintings, Oil on canvas Valet of the Infinite, 2012


Box 157 Justin Lieberman/Cameras, taxidermied crabs, EX74, stool, hat and scarf Tom, 2012


Box 157 Justin Lieberman/Mixed media, electricity, sound The First Tower, 2012


Box 157 Justin Lieberman/Spraypaint, carpet, welded steel suitcase, Plexiglas room divider, found painting, scarf, ventilator mask, food items, 2012 Ameisenbar's Home Away From Home


Box 157 Justin Lieberman/Oil on Wood Untitled, 2010


Box 157 Justin Lieberman/Oil on Wood with rubber doll Untitled, 2010


Luther Price by Andrew Lampert (Corresponding page in magazine: 114):


Box 157 First Draft


Box 157 Draft with handwritten edits by Mónica de la Torre


Box 157 Draft with text edits by Mónica de la Torre


Box 157 Draft with text edits by Mónica de la Torre


Box 157 Draft with text edits by Betsy Sussler


Box 157 Draft with text edits by Andrew Lampert


Correspondences:


Box 157 Email correspondence between Mónica de la Torre and Andrew Lampert (April 3rd-May 10th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Ed Halter (May 7th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Lia Gang (May 8th-May 9th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Sophie Cavoulacos (May 8th-May 9th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Luther Price (May 8th -- May 11th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Lia Gant (May 9th, 2012)


Images:


Box 157 Luther Price/Handmade slide Family in Kitchen, 2005


Lucy Winton by April Gornik (Corresponding page in magazine: 120):


Box 157 Draft with text edits by Sabine Russ


Box 157 Draft with text edits by Sabine Russ


Box 157 Draft with text edits by Lucy Winton


Box 157 Draft with text edits by Sabine Russ


Box 157 Draft with text edits by Sabine Russ


Box 157 Draft with text edits by Lucy Winton


Box 157 Draft with text edits by Sabine Russ


Box 157 Draft with text edits by April Gornik


Box 157 Final Draft


Correspondences:


Box 157 Email correspondence between Betsey Sussler, Sabine Russ, and Mónica de la Torre (December 12th, 2011)


Box 157 Email correspondence between Betsy Sussler and Sabine Russ (March15th, 2012)


Box 157 Email correspondence between April Gornik and Sabine Russ (March17th-May 3nd, 2012)


Box 157 Email correspondence between Lucy Winton and Sabine Russ (April 11th-June 13th, 2012)


Box 157 Email correspondence between April Gornik and Sabine Russ (May 12th-May 14th, 2012)


Box 157 Email correspondence between Lucy Winton and Sabine Russ (May 3rd-May 4th, 2012)


Images:


Box 157 Lucy Winton/Charcoal After War, Snow, 2011


Box 157 Lucy Winton/acrylic Just Sneak Out, 2009


Box 157 Lucy Winton/Acrylic on duralar Monkey Baby


Box 157 Lucy Winton/oil airbrush on wood Tiger Dream, 2003


Box 157 Lucy Winton/charcoal Untitled, 2011


BOMB Specific:


Theo Rosenblum and Chelsea Seltzer (Corresponding page in magazine:52-57):


Box 157 Images sent on April 12th, 2012 5 pages, 2012


Correspondence:


Box 157 Email correspondence between Chelsea Seltzer and Mónica de la Torre (March12th-April 13th, 2012), Images sent as attachments (April 12th, 2012) from Chelsea Seltzer to Mónica de la Torre


Images:


Box 157 Chelsea Seltzer and Theo Rosenblum, 5 images, photographed paintings, color, sent via YouSendIt.


The Wick


Who are you Going to Be? by Matthew Swanson and Robbi Behr (Corresponding page in magazine: 144):


Box 157 Blues/Proofs


Correspondence:


Box 157 Email correspondence between Paul Morris and Mónica de la Torre (April 20th, 2012)


Box 157 Email correspondence between Robbi Behr, Matthew Swanson and Sabine Russ (April 26th, 2012)


Box 157 Email correspondence between Sabine Russ and Tom Griffiths (April 26th, 2012)


Box 157 Email correspondence between Sabine Russ, Matthew Swanson and Robbi Behr (June 12th-June 18th, 2012)


Images:


Box 157 Matthew Swanson and Robbi Behr, "Who Are You Going to Be?", April 26th, 2012 Colored copy of "Who are you Going to Be?," Print out from email., 2012


Editor's Choice:


Beasts of the Southern Wild by Leon Falk (Corresponding page in magazine: 12):


Box 157 Original Draft


Box 157 Draft with type-written edits


Box 157 Final Draft with typewritten notes by Mónica de la Torre


Correspondence:


Box 157 Email correspondence between Ashley McNelis and Mónica de la Torre (April 19th, 2012)


Box 157 Email correspondence between Ashley McNelis, Omar Gonzales and Lindsay Firestone (April 17th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Sarah Peters and Ashley McNelis (April 19th-May 1st, 2012)


Box 157 Email correspondence between Leon Falk and Mónica de la Torre (May 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Sarah Peters (May 3rd-May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Leon Falk (May 3rd, 2012)


The Femicide Machine by Ben Ehrenreich (Corresponding page in magazine: 14):


Box 157 Draft with handwritten edits by Betsy Sussler


Box 157 Draft with type-written edits


Box 157 Fact check draft


Correspondence:


Box 157 Email correspondence between Ben Ehrenreich and Mónica de la Torre (April 16th-April 18th, 2012)


Poetry Out Loud: Volumes 1-10 by Chris Mann (Corresponding page in magazine: 15):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Chris Mann (April 6th-May 9th, 2012)


Carmen Beuchat and Interdisciplinary Pollinations in the 1970s by Gabriela Rangel (Corresponding page in magazine: 16):, 1970s


Box 157 Draft with type-written notes by Betsy Sussler


Box 157 Draft with type-written notes by Sabine Russ


Box 157 Draft with handwritten notes by Betsy Sussler


Box 157 Draft with hand-written notes by Mónica de la Torre


Box 157 Draft with handwritten and type-written notes


Box 157 Draft with handwritten notes by Sabine Russ


Box 157 Fact check draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Gabriela Rangel (April 27th-May 1st, 2012)


Box 157 The Last Books of Hector Viel Temperley by Lila Zemborain (157Corresponding page in magazine: 17)


The Least of All Possible Evils: Humanitarian Violence from Arendt to Gaza by Legacy Russell (Corresponding page in magazine: 18):


Box 157 First draft


Box 157 Fact check draft with handwritten notes


Box 157 Final draft with handwritten notes by Betsy Sussler


Correspondence:


Box 157 Email correspondence between Legacy Russell, Sabine Russ, and Mónica de la Torre (March29th-April 25th, 2012)


Miss Fuller by Mimi Thompson (Corresponding page in magazine: 20):


Box 157 Draft with handwritten notes by Sabine Russ


Box 157 Final draft with handwritten notes by Betsy Sussler


Correspondence:


Box 157 Email correspondence between Mónica de la Torre, Mimi Thompson and Betsy Sussler (April 12th, 2012)


First Proof:


The Girl With the Matted Hair, Eight Scenes from Childhood by Carole Maso (Corresponding page in magazine: 78):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Betsy Sussler (October 5th, 2011)


Box 157 Email correspondence between Lisa Cocchia, Mónica de la Torre and Betsy Sussler (Febuary 14th-April 20th, 2012)


Box 157 Four Poems by Daniel Shapiro (Corresponding page in magazine: 80):


Box 157 Draft


Correspondence:


Box 157 Email correspondence between Daniel Shapiro and Mónica de la Torre (March30th-May 14th, 2012)


Excerpt from Sent by Joshua Cohen (Corresponding page in magazine: 82):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Joshua Cohen (March14th-May 14th, 2012)


On the Water by Victoria Moon (Corresponding page in magazine: 85):


Box 157 Draft with handwritten notes by Mónica de la Torre and Betsy Sussler


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Victoria Moon (January 25th-May 14th, 2012)


Seven Scenes from the Wreckage by Lynn Melnick (Corresponding page in magazine: 91):


Box 157 Final draft


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Lynn Melnick (April 19th-May 14th, 2012)


Don Ilario by Gabriella De Ferrari (Corresponding page in magazine: 101):


Box 157 Draft with handwritten notes by Mónica de la Torre and Betsy Sussler


Correspondence:


Box 157 Email correspondence between Betsy Sussler, Mónica de la Torre and Gabriella De Ferrari (January 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Gabriella De Ferrari (January 4th-January 5th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Ashley McNiels (January 12th-13th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Gabriella De Ferrari (January 19th, 2012)


Box 157 Email correspondence between Betsy Sussler and Mónica de la Torre (January 19th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Gabriella De Ferrari (January 24th-June 6th, 2012)


Portfolio by Tom Fairs (Corresponding page in magazine: 68):


Box 157 Final Draft (Bio)


Correspondences:


Box 157 Email correspondence between Sabine Russ and Kerry Schuss (March28th-May 9th, 2012)


Images:


Box 157 7 Tom Fairs drawings


Late and Soon, Getting and Spending Prose Sonnets on Dailiness by Jessica Baran (Corresponding page in magazine: 109):


Box 157 Final draft


Correspondences:


Box 157 Email correspondence between Mónica de la Torre and Jessica Baran (December 19th, 2011-June 22nd-2012)


Portfolio by Margaret Lee (Corresponding page in magazine: 104):


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Margaret Lee (March14th-May 1st, 2012)


Images:


Box 157 14 Photographs by Margaret Lee


The Wick:


Who are you Going to Be? by Matthew Swanson and Robbi Behr


Correspondence:


Box 157 Email correspondence between Paul Morris and Mónica de la Torre (April 20th, 2012)


Box 157 Email correspondence between Robbi Behr, Matthew Swanson and Sabine Russ (April 26th, 2012)


Box 157 Email correspondence between Sabine Russ and Tom Griffiths (April 26th, 2012)


Box 157 Email correspondence between Sabine Russ, Matthew Swanson and Robbi Behr (June 12th-June 18th, 2012)


Images:


Box 157 Matthew Swanson and Robbi Behr, "Who Are You Going to Be?", April 26th, 2012 Colored copy of "Who are you Going to Be?", Print out from email., 2012


Artists on Artists:


Nicolas Guagnini and Justin Lieberman (Corresponding page in magazine: 116):


Box 157 Original draft (2 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (2 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Justin Lieberman (2 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Nic Guagnini (2 pages)


Box 157 Draft (2 pages)


Box 157 Draft with text edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Mónica de la Torre (2 pages)


Box 157 Draft with text edits by Nic Guagnini (2 pages)


Box 157 Draft with text edits by Mónica de la Torre (2 pages)


Box 157 Fact check draft (5 pages)


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (March23rd-March30th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Ni Guagnini (April 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Nicolas Guagnini (April 2nd-April 3rd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 10th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Nicolas Guagnini (April 10th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 11th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Sabine Russ (April 11th, 2012)


Box 157 Email correspondence between Nicolas Guagnini and Mónica de la Torre (April 11th-April 20th, 2012)


Box 157 Email correspondence between Sabine Russ and Mónica de la Torre (April 11th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (April 11th-May 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Betsy Sussler (May 4th, 2012)


Box 157 Email correspondence btween Mónica de la Torre and Justin Lieberman (May 4th-May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Nicolas Guagnini (May 7th-May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Sabine Russ and Betsy Sussler (May 8th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Justin Lieberman (May 10th-May 11th, 2012)


Images:


Box 157 Justin Lieberman/20 paintings, Oil on canvas Valet of the Infinite, 2012


Box 157 Justin Lieberman/Cameras, taxidermied crabs, EX74, stool, hat and scarf Tom, 2012


Box 157 Justin Lieberman/Mixed media, electricity, sound The First Tower, 2012


Box 157 Justin Lieberman/Spraypaint, carpet, welded steel suitcase, plexiglass room divider, found painting, scarf, ventilator mask, food iteams, 2012 Ameisenbar's Home Away From Home


Box 157 Justin Lieberman/Oil on Wood Untitled, 2010


Box 157 Justin Liberman/Oil on Wood with rubber doll Untitled, 2010


Interviews:


John Newman and B. Wurtz Conversation (Corresponding page in magazine: 24-32):


Box 157 Original transcription (37 pages)


Box 157 Draft with text edits by Sabine Russ (25 pages)


Box 157 Draft with text edits by B. Wurtz (22 pages)


Box 157 Factcheck draft with text edits by Sabine Russ and Betsy Sussler (21 pages)


Box 157 Final edit with text edits (10 pages)


Box 157 Introduction draft by John Newman


Box 157 Introduction by John Newman and B. Wurtz


Box 157 Fact check with text edits by Sabine Russ (1 page)


Box 157 Layout with handwritten edits by Betsy Sussler (10 pages)


Correspondence:


Box 157 Email correspondence between Sabine Russ, John Newman and B. Wurtz (January 24th-25th, 2012)


Box 157 Email correspondence between Sabine Russ, John Newman, and B. Wurtz (March21st-22nd, 2012)


Box 157 Email correspondence between Sabine Russ and John Newman (March27th-28th, 2012)


Box 157 Email correspondence between Sabine Russ, Clinton Krut, Charles Day, Jerred North, and Betsy Sussler (April 1st-5th, 2012)


Box 157 Email correspondence between John Newman and Sabine Russ (April 5th-9th, 2012)


Box 157 Email correspondence between Sabine Russ, B. Wurtz, and John Newman (April 19th-May 3rd, 2012)


Box 157 Email correspondence between Sabine Russ, Tom Griffiths, Jessica Green, and Monica de la Torre (May 4th , 2012)


Box 157 Email correspondence between Sabine Russ and John Newman (May 5th , 2012)


Box 157 Email correspondence between John Newman, Sabine Russ, and Betsy Sussler (May 6th, 2012)


Box 157 Email correspondence between Sabine Russ and B. Wurtz (May 7th-May 9th, 2012)


Box 157 Email correspondence between B. Wurtz, Sabine Russ, and Manuela (May 7th, 2012)


Box 157 Email correspondence between John Newman and Sabine Russ (May 8th-May 10th, 2012)


Audio:


Box 157 John Newman and B. Wurtz, Recording, April 11th, 2012 1:32:42, 2012


Danny Lyon by Susan Meiselas (Corresponding Page in Magazine:124-133):


Box 157 Original transcription (39 pages)


Box 157 Draft with text edits by Mónica de la Torre (20 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (18)


Box 157 Draft with handwritten edits by Betsy Sussler (17 pages)


Box 157 Draft with text edits by Susan Meiselas (16 pages)


Box 157 Factcheck draft with text edits by Mónica de la Torre (16 pages)


Box 157 Draft with handwritten edits by Danny Lyon (20 pages)


Box 157 Draft with text edits by Danny Lyon (12 pages)


Box 157 Layout with handwritten edits by Mónica de la Torre (10 pages)


Box 157 Layout with handwritten edits by Danny Lyon and Mónica de la Torre (10 pages)


Box 157 Layout with handwritten edits by Betsy Sussler (10 pages)


Box 157 Introduction factcheck with handwritten edits by Ashley McNelis (3 pages)


Box 157 Introduction draft by Susan Meiselas (1 page)


Box 157 Fact check with edits by Mónica de la Torre (1 page)


Correspondence:


Box 157 Email correspondence between Danny Lyon, Susan Meiselas and Mónica de la Torre (March18th-19th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Danny Lyon and Susan Meiselas (April 10th-13th, 2012)


Box 157 Email correspondence between Danny Lyon and Ashley McNelis (April 24th-25th, 2012)


Box 157 Email correspondence between Ashley McNelis, Danny Lyon, and Mónica de la Torre (April 25th)


Box 157 Email correspondence between Mónica de la Torre and Danny Lyon (April 18th-24th, 2012)


Box 157 Email correspondence between Danny Lyon and Mónica de la Torre (May 4th, 2012)


Box 157 Email correspondence between Danny Lyon and Mónica de la Torre (May 9th, 2012)


Audio:


Box 157 Danny Lyon and Susan Meiselas, Recording, March18th, 2012 1:26:04, 2012


Wayne Koestenbaum by Kenneth Goldsmith (Corresponding page in magazine: 93-100):


Box 157 Original transcription (29 pages)


Box 157 Draft with text edits by Mónica de la Torre (17 pages)


Box 157 Draft with text edits by Mónica de la Torre (16)


Box 157 Draft with handwritten edits by Wayne Koestenbaum (19 pages)


Box 157 Factcheck draft with text edits by Mónica de la Torre (16 pages)


Box 157 Draft with handwritten edits by Betsy Sussler (20 pages)


Box 157 Draft with text edits by Wayne Koestenbaum (25 pages)


Box 157 Draft with text edits by Betsy Sussler and Mónica de la Torre (26 pages)


Box 157 Draft with handwritten edits by Wayne Koestenbaum (24 pages)


Box 157 Layout with handwritten edits by Mónica de la Torre (7 pages)


Box 157 Introduction draft with handwritten edits by Mónica de la Torre (2 pages)


Correspondence:


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (December 27th-28th, 2011)


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (March1st-14th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum andn Mónica de la Torre (March21st-24th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum, Mónica de la Torre, and Kenneth Goldsmith (April 4th-26th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Kenneth Goldsmith, and Wayne Koestenbaum (May 2nd-3rd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (May 5th-6th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Kenneth Goldsmith, and Wayne Koestenbaum (May 7th-8th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum and Mónica de la Torre (May 7th-8th)


Box 157 Email correspondence between Mónica de la Torre and Wayne Koestenbaum (May 8th-9th, 2012)


Box 157 Email correspondence between Wayne Koestenbaum and Mónica de la Torre (May 10th-14th, 2012)


Audio:


Box 157 Wayne Koestenbaum and Kenneth Goldsmith, Recording, 1:38:17


Ariel Pink and Cass McCombs (Corresponding page in magazine: 58-63):


Box 157 Original transcription 1 (5 pages)


Box 157 Original transcription 2 (11 pages)


Box 157 Original transcription 3 (14 pages)


Box 157 Draft with text edits by Mónica de la Torre (9 pages)


Box 157 Draft with text edits by Betsy Sussler (15 pages)


Box 157 Draft with handwritten and text edits by Mónica de la Torre (15 pages)


Box 157 Draft with edits by Cass McCombs (14 pages)


Box 157 Draft with edits by Cass McCombs (11 pages)


Box 157 Final draft (15 pages)


Correspondence:


Box 157 Email correspondence between Cass McCombs and Mónica de la Torre (April 28th-May 1st, 2012)


Box 157 Email correspondence between Daniel Gill and Mónica de la Torre (May 2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre, Jessica Linker and Daniel Gill (April 17th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Jessica Linker (April 17th-May 2nd, 2012)


Box 157 Email correspondence between Cass McCombs and Mónica de la Torre (May 3rd-May 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Jessica Linker (May 4th, 2012)


Box 157 Email correspondence between Cass McCombs and Mónica de la Torre (May 4th, 2012)


Box 157 Email correspondence between Clinton Krute and Mónica de la Torre (May 7th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Cass McCombs (May 7th, 2012)


Box 157 Email correspondence between Mónica de la Torre, Daniel Gill, and Jessica Linker (May 3rd-May 7th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Cass McCombs (May 7th-May 10th, 2012)


Audio:


Box 157 Ariel Pink, Cass McCombs, Mónica de la Torre, Clinton Krute, April 26th, 2012 57:05, 2012


Ralph Lemon by James Hannaham (Corresponding page in magazine: 34-43):


Box 157 Original transcription (49 pages)


Box 157 Draft with text edits by Sabine Russ (50 pages)


Box 157 Draft with text edits by Ralph Lemon (10 pages)


Box 157 Draft with text edits by Betsy Sussler and Sabine Russ (11 pages)


Box 157 Draft with text edits by James Hannaham (25 pages)


Box 157 Draft with text and handwritten edits by Sabine Russ and Betsy Sussler (15 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (15 pages)


Box 157 Introduction draft (2 pages)


Box 157 Final Layout (5 pages)


Correspondences:


Box 157 Email correspondence between Ralph Lemon andn Sabine Russ (March1st, 2012)


Box 157 Email correspondence between Sabine Russ, Monica de la Torre, and Betsy Sussler (March1st, 2012)


Box 157 Email correspondence between Sabine Russ and Ralph Lemon (March5th-29th, 2012)


Box 157 Email correspondence between Sabine Russ and James Hannaham (March30th)


Box 157 Email correspondence between Sabine Russ and Ralph Lemon (April 2nd)


Box 157 Email correspondence between Sabine Russ, Ralph Lemon, and James Hannaham (April 2nd-16th, 2012)


Box 157 Email correspondence between James Hannaham and Sabine Russ (April 16th, 2012)


Box 157 Email correspondence between Emily Harney, Ralph Lemon, and Sabine Russ (April 17th, 2012)


Box 157 Email correspondence between Sabine Russ, James Hannaham and Ralph Lemon (April 28th-May 2nd, 2012)


Box 157 Email correspondence between Ralph Lemon and Sabine Russ (May 2nd, 2012)


Box 157 Email correspondence between James Hannaham and Sabine Russ (May 3rd-4th, 2012)


Box 157 Email correspondence between Sabine Russ, Ralph Lemon, and James Hannaham (May 4th-6th, 2012)


Box 157 Email correspondence between Ralph Lemon and Sabine Russ (May 6th-7th, 2012)


Box 157 Email correpondence between Sabine Russ and Ralph Lemon (May 7th-9th, 2012)


Box 157 Email correspondence between Sabine Russ, Ralph Lemon, and James Hannaham (May 10th, 2012)


Audio:


Box 157 Ralph Lemon and James Hannahm, Recording, 1:44:29


Brian Evenson by Blake Butler (Corresponding page in magazine: 72-77):


Box 157 Original transcription (31 pages)


Box 157 Draft with handwritten edits by Blake Butler (20 pages)


Box 157 Draft with text edits by Mónica de la Torre (20 pages)


Box 157 Draft with text edits encorporated by Mónica de la Torre (13 pages)


Box 157 Draft with text edits by Brian Evenson (10 pages)


Box 157 Draft with text edits by Brian Evenson (9 pages)


Box 157 Draft with text edits by Mónica de la Torre (27 pages)


Box 157 Draft with text edits by Betsy Sussler (27 pages)


Box 157 Draft with highlighting by Betsy Sussler (12 pages)


Box 157 Draft with handwritten edits by Mónica de la Torre (13 pages)


Box 157 Draft with text edits by Brian Evenson (13 pages)


Box 157 Final draft (13 pages)


Box 157 Fact check (1 page)


Correspondences:


Box 157 Email correspondence between Tricia O'Reilly, Brian Evenson, and Mónica de la Torre (March8th-12th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Brian Evenson (March12th-29th, 2012)


Box 157 Correspondence between Mónica de la Torre and Guy Maddin (March28th-30th, 2012)


Box 157 Correspondence between Mónica de la Torre and Brian Evenson (March30th, 2012)


Box 157 Correspondence between Mónica de la Torre and Blake Butler (March30th, 2012)


Box 157 Correspondence between Brian Evenson and Mónica de la Torre (March30th-April 2nd, 2012)


Box 157 Correspondence between Blake Butler, Brian Evenson and Mónica de la Torre (April 10th-25th, 2012)


Box 157 Email correspondence between Blake Butler and Mónica de la Torre (April 25th, 2012)


Box 157 Email correspondence between Blake Butler, Brian Evenson and Mónica de la Torre (April 25th-May 4th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Betsy Sussler (May 9th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Brian Evenson (May 10th, 2012)


Box 157 Email correspondence between Mónica de la Torre and Blake Butler (


Audio:


Box 157 Blake Butler and Brian Evenson, April 18th, 2012 Recording, 1:20:56, 2012


Eija-Liisa Ahtila by Cary Wolfe (Corresponding page in magazine: 134-142):


Box 157 Draft with text edits by Sabine Russ (12 pages)


Box 157 Draft with handwritten edits by Cary Wolfe (11 pages)


Box 157 Draft with handwritten edits by Betsy Sussler (11 pages)


Box 157 Final Draft (11 pages)


Box 157 Fact check (2 pages)


Box 157 Text by Cary Wolfe (10 pages)


Correspondences:


Box 157 Email correspondence between Linda Pellegrini and Sabine Russ (December 5th-22nd, 2011)


Box 157 Email correspondence between Sabine Russ and Betsy Sussler (December 22nd, 2011)


Box 157 Email correspondence between Sabine Russ and Linda Pellegrini (January 4th-March5th, 2012)


Box 157 Email correspondence between Cary Wolfe and Sabine Russ (March4th, 2012)


Box 157 Email correspondence between Sabine Russ and Cary Wolfe (March1st-April 16th, 2012)


Box 157 Email correspondence between Linda Pellegrini and Sabine Russ (March5th, 2012)


Box 157 Email correspondence between Sabine Russ and Eija-Liisa Ahtila (March5th-27th, 2012)


Box 157 Email correspondence between Cary Wolfe, and Sabine Russ (April 22nd-May 1st, 2012)


Box 157 Email correspondence between Eija-Liisa Ahtila and Sabine Russ (May 9th-May 11th, 2012)


Tom Murphy by Colm Toibin (Corresponding pages in magazine: 44-51):


Box 157 Original transcription with handwritten edits by Sabine Russ (17 pages)


Box 157 Draft with handwritten and text edits by Sabine Russ (15 pages)


Box 157 Draft with text edits by Sabine Russ (14 pages)


Box 157 Draft with handwritten edits by Betsy Sussler (12 pages)


Box 157 Fact check draft with edits by Sabine Russ (12 pages)


Box 157 Draft with handwritten edits by Sabine Russ (12 pages)


Box 157 Final draft (12 pages)


Box 157 Fact check sheet (4 pages)


Correspondences:


Box 157 Email correspondence between Mónica de la Torre and Colm Toibin (Febuary 28-March2nd, 2012)


Box 157 Email correspondence between Mónica de la Torre and Colm Toibin (March15th-March20th, 2012)


Box 157 Email correspondence between Caitlin Kasunich and Sabine Russ (April 24th, 2012)


Box 157 Email correspondence between Caitlin Kasunich and Ashley McNelis (April 17th-April 25th, 2012)


Box 157 Email correspondence between Sabine Russ and Sinead Mcphillips (May 8th-May 10th, 2012)


Box 157 Email correspondence between Sabine Russ, Colm Toibin, Sinead McPhillips and Thomas Conway Druid (May 14th, 2012)


Box 157 Email correspondence between Sabine Russ, Betsy Sussler, and Charles Day (May 14th, 2012)


Box 157 Email correspondence between Sabine Russ and Sinead McPhillips (May 14th, 2012)


Box 157 Audio media included


Issue 121/Fall, 2012


Front Matter:


Contributor's Page:



Box 158 Contributor's bio draft with highlighting and handwritten edits by Mónica de la Torre


Other:


Box 158 2012 patrons page draft with handwritten edits by Mónica de la Torre (1 page), 2012


Box 158 Masthead (1 page)


Box 158 Fact check by Katy Schneider


Editor's Choice:


Sung Hwan Kim The Tanks at Tate Modern by Jessica Kate Weatherup (Corresponding page in magazine 22):


Box 158 Draft with typewritten notes by Sabine Russ


Burning City: Poems of Metropolitan Modernity Edited by Jed Rasula and Tim Conley by Alan Gilbert (Corresponding page in magazine 18):


Box 158 Draft with handwritten edits by Mónica de la Torre


Box 158 Draft with text edits by Betsy Sussler


Box 158 Draft with text edits by Alan Gilbert


Box 158 Correspondence:


Box 158 Email correspondence between Mónica de la Torre and Joyelle McSweeney (July 26th-August 6th)


Infinite Jest HAU Theater by Michael Schmelling (Corresponding page in magazine 12):


Box 158 Draft with handwritten edits and highlighting by Betsy Sussler


Box 158 Draft with handwritten edits by Mónica de la Torre


Media Included:


Box 158 Slate.com article "DFW's 1,000-Page Novel Becomes a 24-Hour Play" by Aaron Wiener, June 18, 2012


The Cruise: A floating audio film eteam by Sabine Russ (Corresponding page in magazine 24):


Box 158 Draft with handwritten notes by Mónica de la Torre and Katy Schneider


Box 158 Draft with handwritten notes by Mónica de la Torre


Box 158 Draft with handwritten notes by Betsy Sussler


Box 158 Final Draft


Correspondence:


Box 158 Email correspondence between Mónica de la Torre and Gabriela Rangel (April 27th-May 1st, 2012)


Faking It: Manipulated Photography before Photoshop Mia Fineman by Tim Davis (Corresponding page in magazine 14):


Box 158 Draft with handwritten edits by Sabine Russ


Box 158 Draft with handwritten edits by Mónica de la Torre


Box 158 Final draft


Media Included:


Box 158 Faking It: Manipulated Photography Before Photoshop brochure for the catalog published by The Metropolitan Museum of Art, distributed by Yale University Press


Seeing Sound: Sound Art, Performance, and Music, 1978--2011 Gordon Monahan by Nicolas Collins (Corresponding page in magazine 15):


Box 158 Draft with handwritten notes by Mónica de la Torre


Box 158 Final draft with highlighting


Correspondence:


Box 158 Email correspondence between Legacy Russell, Sabine Russ, and Mónica de la Torre (March29th-April 25th, 2012)


800 Views of Airports Peter Fischli and David Weiss by Alain de Botton (Corresponding page in magazine 17):


Box 158 Correspondence


Box 158 Review copy request form submitted by Mónica de la Torre to Art Book | D. A. P.


Box 158 First Proof


Five Poems by Pedro Serrano (Corresponding pages in magazine 78-79):


Box 158 Draft in Spanish with comments on translation by Mónica de la Torre


Box 158 Translated draft with handwritten edits by Mónica de la Torre


Box 158 Layout with handwritten edits by Mónica de la Torre and Sabine Russ


Box 158 Final draft


Boys by Ben Ehrenreich (Corresponding pages in magazine 104-109):


Box 158 Draft with handwritten edits by Betsy Sussler


Kixote Becomes Kixote by Charlie Smith :


Box 158 Draft with handwritten edits by Betsy Sussler


Correspondence:


Box 158 Email correspondence between Charlie Smith and Mónica de la Torre (August 2nd--August 4th)


Box 158 Email correspondence between Charlie Smith and Mónica de la Torre (June 6th--June 14th)


Box 158 Email correspondence between Charlie Smith and Mónica de la Torre (May 5th)


All That You Aren't but Might Possible Be from Promising Young Women by Suzanne Scanlon


Box 158 Draft with handwritten edits by Mónica de la Torre and Betsy Sussler


Correspondence:


Box 158 Email correspondence between Suzanne Scanlon and Mónica de la Torre (June 18th)


Box 158 Email correspondence between Suzanne Scanlon and Mónica de la Torre (August 2nd--August 6th)


The Giant Baby by Laurie Foos


Box 158 Final draft


Correspondence:


Box 158 Email correspondence between Laurie Foos and Mónica de la Torre (August 2nd--August 6th)


Two Poems by Calvin Bedient (Corresponding pages in magazine 102):


Box 158 Draft with handwritten edits by Mónica de la Torre


Box 158 Final draft


Correspondence:


Box 158 Email correspondence between Mónica de la Torre and Calvin Bedient (August 2nd--August 3rd)


Winner of BOMB's 2012 Poetry Contest by Daniel Poppick (Corresponding pages in magazine 90-91):


Box 158 Final draft


Correspondence:


Box 158 Email correspondence between Mónica de la Torre and Daniel Poppick (August 2nd--August 4th)


Portfolio by Anne Gilman (Corresponding page in magazine 68):


Box 158 Final Draft (Bio)


Correspondence:


Box 158 Email correspondence between Sabine Russ and Anne Gilman (April 1st--April 2nd)


Box 158 Email correspondence between Sabine Russ and Anne Gilman (June 9th, 2012)


Media Included:


Box 158 Invitation/brochure for "Anne Gilman


Box 158 A Jolly Balance" at The Center for Book Arts


Images:


Box 158 Black Ice, 2012


Box 158 Black Ice, 2012 (detail), 2012


Box 158 Tree Skin, 2012


Box 158 Desabotonar/Deshacer, 2011


Box 158 Sticks and Stones, 2012


Box 158 Black Ice, 2012 (text detail), 2012


Box 158 Desabotonar/Deshacer (detail dots)


Box 158 Desabotonar/Deshacer (text detail)


Portfolio by Barney Kulok


Correspondence:


Box 158 Email correspondence between Barney Kulok and Sabine Tuss (June 20th--October 9th)


Interviews:


Lucy Raven by Jason Simon by Lucy Raven and Jason Simon (Corresponding pages in magazine 124-133):


Box 158 Original transcription (35 pages)


Box 158 Draft with text edits by Jason Simon (11 pages)


Box 158 Draft with handwritten edits by Mónica de la Torre (11 pages)


Box 158 Draft with text edits incorporated by Mónica de la Torre (12 pages)


Box 158 Draft with text edits by Lucy Raven (10 pages)


Box 158 Draft with handwritten edits by Mónica de la Torre (10 pages)


Box 158 Draft with text edits incorporated by Mónica de la Torre (9 pages)


Box 158 Draft with text edits by Betsy Sussler (9 pages)


Box 158 Draft with highlighting by Mónica de la Torre


Box 158 Draft with text edits by Lucy Raven (pages)


Box 158 Draft with text edits by Jason Simon and handwritten edits by Mónica de la Torre


Box 158 Introduction draft by Jason Simon (1 page)


Box 158 Introduction draft with handwritten edits by Mónica de la Torre (1 page)


Box 158 Introduction draft with handwritten edits by Sabine Russ (1 page)


Box 158 Introduction draft with handritten edits by Betsy Sussler (1 page)


Box 158 Introduction draft with text edits by Mónica de la Torre (1 page)


Box 158 Fact check with text edits by Katy Schneider (3 pages)


Box 158 Layout draft with handwritten edits and highlighting by Katy Schneider (10 pages)


Box 158 Layout draft with handwritten edits and highlighting by Betsy Sussler and Katy Schneider (10 pages)


Correspondences:


Box 158 Email correspondence between Sabine Russ and Morgan Kroll (May 30th, 2012)


Box 158 Email correspondence between Jason Simon, Mónica de la Torre, and Lucy Raven (July 30th, 2012)


Box 158 Email correspondence between Lucy Raven, Mónica de la Torre, and Jason Simon (July 30th, 2012)


Box 158 Email correspondence between Lucy Raven, Mónica de la Torre, and Jason Simon (August 2, 2012)


Box 158 Email correspondence between Jason Simon and Mónica de la Torre (August 5, 2012)


Audio:


Box 158 Lucy Raven and Jason Simon recording, June 20th, 2012 June 26th, 2012 (1:13:37, 1:25:15), 2012, 2012


Media Included:


Box 158 Audio disk with original recording


Six Organs of Admittance by Sir Richard Bishop by Ben Chasny and Richard Bishop (Corresponding Pages in Magazine 58 -- 63):


Box 158 Original transcription (7 pages)


Box 158 Draft with handwritten edits by Mónica de la Torre (7 pages)


Box 158 Draft with text edits incorporated by Mónica de la Torre (8 pages)


Box 158 Draft with handwritten edits by Betsy Sussler (8 pages)


Box 158 Draft with text edits incorporated by Betsy Sussler (8 pages)


Box 158 Draft with text edits by Richard Bishop (8 pages)


Box 158 Draft with text edits by Ben Chasny (9 pages)


Box 158 Introduction draft with handwritten edits by Mónica de la Torre and Betsy Sussler (1 page)


Box 158 Layout with handwritten edits by Katy Schneider and Mónica de la Torre (5 pages)


Box 158 Layout with highlighting by Katy Schneider (5 pages)


Box 158 Fact check with edits by Katy Schneider (4 pages)


Haim Steinbach by Haim Steinbach and Peter Schwenger (Corresponding pages in magazine 34 -- 43):


Box 158 Original transcription (24 pages)


Box 158 Draft with text edits by Peter Schwenger (12 pages)


Box 158 Draft with text edits by Peter Schwenger (9)


Box 158 Draft with text edits by Haim Steinbach (9 pages)


Box 158 Draft with handwritten edits and highlighting by Mónica de la Torre (9 pages)


Box 158 Draft with text edits by Betsy Sussler (9 pages)


Box 158 Draft with text edits by Mónica de la Torre (9 pages)


Box 158 Draft with text edits by Haim Steinbach (9 pages)


Box 158 Draft with text edits by Joshua Bachner (10 pages)


Box 158 Final draft (10 pages)


Box 158 Introduction draft with handwritten edits by Betsy Sussler (1 page)


Box 158 Introduction draft with handwritten edits by Betsy Sussler (1 page)


Box 158 Introduction with handwritten edits by Mónica de la Torre (1 page)


Box 158 Final introduction with text edits incorporated by Mónica de la Torre


Box 158 Layout with handwritten edits and highlighting by Katy Schneider (10 pages)


Box 158 Layout with text edits and handwritten edits by Betsy Sussler (10 pages)


Box 158 Factcheck draft with edits by Betsy Sussler (2 pages)


Correspondence:


Box 158 Email correspondence between Mónica de la Torre and Peter Schwenger (July 27th--July 28th, 2012)


Box 158 Mail correspondence between Mónica de la Torre and Emily Ruotolo (July 30th, 2012)


Box 158 Email correspondence between Mónica de la Torre and Haim Steinbach (July 30th--July 31st, 2012)


Box 158 Email correspondence between Haim Steinbach and Mónica de la Torre (July 31st, 2012)


Box 158 Undated email from Haim Steinbach to Mónica de la Torre, Undated


Audio:


Box 158 Haim Steinbach and Peter Schwenger recording July 17th, 2012 (49:47, 9:57, and 12:02), 2012


Media Included:


Box 158 Audio file on CD


Josiah McElheny and Gregg Bordowitz (Corresponding pages in magazine 134 -- 143):


Box 158 Original transcription (18 pages)


Box 158 Draft with text edits by Sabine Russ (27 pages)


Box 158 Draft with text edits by Gregg Bordowitz (13 pages)Draft with text edits by Sabine Russ and handwritten edits by Betsy Sussler (12 pages)


Box 158 Draft with text edits by Greg Bordowitz (12 pages)


Box 158 Draft with text edits by Joshua Bauchner (12 pages)


Box 158 Draft with text edits by Josiah McElheny (13 pages)


Box 158 Draft with text edits by Gregg Bordowitz (13 pages)


Box 158 Final draft (pages)


Box 158 Layout with handwritten edits by Mónica de la Torre (10 pages)


Box 158 Layout with handwritten edits with handwritten edits by Josiah McElheny, Mónica de la Torre, and Katy Schneider (10 pages)


Box 158 Layout with handwritten edits by Betsy Sussler and Katy Schneider (10 pages)


Box 158 Fact sheet by Katy Schneider (4 pages)


Correspondence:


Box 158 Email correspondence between Josiah McElheny and Mónica de la Torre (May 12th, 2012)


Box 158 Email correspondence between Josiah McElheny (artist), Gregg Bordowitz (interviewer), Sabine Russ (editor), John Jordan (transcriber), Jessica Eckert (of the Andrea Rosen gallery), Joshua Bauchner (copy editor), Tom Griffith (designer), Melanie Rihm (Sternberg Press), Colette Randall (ICA Boston) (May 12th--August 6th)


Audio:


Box 158 Josia McElheny and Gregg Bordowitz, Recording, 2:03:28


Media Included:


Box 158 Audio file on CD


Jaime Manrique by Edith Grossman Corresponding pages in magazine (92 -- 97):


Box 158 Original Transcript (11 pages)


Box 158 Draft with handwritten edits by Mónica de la Torre (11 pages)


Box 158 Draft with text edits by Mónica de la Torre (8 pages)


Box 158 Draft with text edits by Jaime Manrique and handwritten edits by Mónica de la Torre (14 pages)


Box 158 Draft with text edits by Mónica de la Torre and handwritten edits by Betsy Sussler (14 pages)


Box 158 Draft with text edits by Jaime Manrique


Box 158 Final draft with tracked changes by Mónica de la Torre (15 pages)


Box 158 Introduction draft with handwritten edits by Mónica de la Torre (1 page)


Box 158 Draft for fact check with highlighting by Mónica de la Torre


Box 158 Fact check sheet by Katy Schneider (3 pages)


Susanna Moore by Kurt Andersen (Corresponding pages in magazine 72 -- 77):


Box 158 Original transcript (pages)


Box 158 Draft with text edits by Sabine Russ (13 pages)


Box 158 Draft with text edits by Susanna Moore (13 pages)


Box 158 Draft with text edits by Kurt Andersen (14 pages)


Box 158 Draft with handwritten edits by Katy Schneider, Sabine Russ, and Betsy Sussler


Box 158 Final draft with highlighting by Katy Schneider (12 pages)


Box 158 German language edits by Sabine Russ (8 pages)


Box 158 Fact sheet by Katy Schneider (4 pages)


Correspondence:


Box 158 Email correspondence between Betsy Sussler, Susanna Moore, Mónica de la Torre, and Sabine Russ (May 24th, 2012)


Box 158 Email correspondence between Kurt Andersen, Betsy Sussler, and Sabine Russ (May 29th, 2012)


Box 158 Email correspondence between Sabine Russ and Jessica Purcell (May 29th, 2012)Email correspondence between Brittany Morrongiello and Sabine Russ (May 30th, 2012--June 1st, 2012)


Box 158 Email correspondence between Susanna Moore, Sabine Russ, and Brittany Morrongiello (May 30th, 2012--June 4th, 2012)


Box 158 Email correspondence between Sabine Russ and Susanna Moore (June 11th, 2012--June 16th, 2012)


Box 158 Email correspondence between Sabine Russ, Kurt Andersen and Susanna Moore (July 5th, 20120)


Box 158 Email correspondence between Sabine Russ and Susanna Moore (July 16th, 2012--July 18th, 2012)


Box 158 Email correspondence between Susanna Moore, Sabine Russ and Kurt Andersen (July 18th, 2012)


Box 158 Email correspondence between Sabine Russ and Brittany Morrongiello (July 18th, 2012)


Box 158 Email correspondence between Brittany Morrongiello and Sabine Russ (July 18th--July 30th, 2012)


Box 158 Email correspondence between Sabine Russ, Susanna Moore and Kurt Andersen (August 1st, 2012--August 3rd, 2012)


Box 158 Email correspondence between Brittany Morrongiello and Sabine Russ (July 18th--August 31st, 2012)


Amy Herzog and Carolyn Cantor (Corresponding pages in magazine 44 -- 50):


Box 158 Original transcript (21 pages)


Box 158 Draft with handwritten edits by Sabine Russ (20 pages)


Box 158 Draft with text edits by Carolyn Cantor (23 pages)


Box 158 Draft with text edits by Sabine Russ (15 pages)


Box 158 Draft with handwritten edits by Betsy Sussler (13 pages)


Box 158 Draft with text edits incorporated by Betsy Sussler and text edits by Sabine Russ (13 pages)


Box 158 Introduction with handwritten edits by Mónica de la Torre


Box 158 Caption edits with highlighting by Mónica de la Torre


Correspondence:


Box 158 Email correspondence between Sabine Russ, Michael Borowski, Paul Cantor, Barbara Carroll, and Betsy Sussler (July 16th--July 18th)


Box 158 Email correspondence between Carolyn Cantor and Sabine Russ (July 16th--July 24th)


Media Included:


Box 158 Manuscript of The Great God Pan by Amy Herzog


Miguel Gutierrez and Ishmael Houston Jones (Corresponding pages in magazine 26 -- 33):


Box 158 Original transcription (11 pages)


Box 158 Draft with text edits by Mónica de la Torre (11 pages)


Box 158 Draft with text edits by Miguel Gutierrez (8 pages)


Box 158 Draft with text edits by Ishmael Houston Jones (9 pages)


Box 158 Draft with handwritten edits by Mónica de la Torre and Sabine Russ (9 pages)


Box 158 Draft with handwritten edits by Sabine Russ (9 pages)


Box 158 Draft with text edits incorporated by Mónica de la Torre and Sabine Russ (9 pages)


Box 158 Draft with text edits by Betsy Sussler and handwritten edits by Mónica de la Torre (9 pages)


Box 158 Itemized edits by Joshua Bauchner (1 page)


Box 158 Introduction draft with handwritten edits by Sabine Russ and Mónica de la Torre (2 pages)


Box 158 Final introduction (1 page)


Box 158 Layout with handwritten edits by Mónica de la Torre and Katy Schneider (8 pages)


Box 158 Layout with handwritten edits and highlighting by Katy Schneider (8 pages)


Box 158 Layout with handwritten edits by Mónica de la Torre (8 pages)


Box 158 Final layout (8 pages)


Box 158 Factsheet by Katy Schneider


Correspondence:


Box 158 Email correspondence between Mónica de la Torre, Thomas Benjamin Snapp Pryor, and Miguel Gutierrez (July 31st, 2012)


Box 158 Email correspondence between Mónica de la Torre, Thomas Benjamin Snapp Pryor, and Miguel Gutierrez (July 31st--August 4th, 2012)


Audio:


Box 158 Miguel Gutierrez and Ishmael Houston Jones recording, date unknown (33:35)


Media Included:


Box 158 Audio file on CD


Artists on Artists:


Katie Bell by John O'Connor


Box 158 Draft with commentary by Mónica de la Torre


Box 158 Final draft


Correspondence:


Box 158 Email correspondence between Katie Bell and Sabine Russ (July 17th, 2012)


Box 158 Email correspondence between John O'Connor and Sabine Russ (July 19th, 2012)


Images:


Box 158 Thumbnails from artist's website (2 pages)


Wendy White by EJ Hauser


Box 158 First Draft


Box 158 Draft with handwritten edits by Betsy Sussler


Box 158 Draft with handwritten edits by Mónica de la Torre


Box 158 Draft with text edits by Sabine Russ


Box 158 Draft with text edits by Mónica de la Torre


Box 158 Draft with text edits by EJ Hauser


Catherine Howe by Madeline Weinrib


Box 158 Draft with text edits by Sabine Russ


Box 158 Draft with text edits by Sabine Russ


Box 158 Draft with text edits by Catherine Howe;


Correspondences:


Box 158 Email correspondence between Betsy Sussler, Sabine Russ, and Madeline Weinrib (July 12, 2012)


Box 158 Email correspondence between Sabine Russ and Dana Greenridge (July 18--July 19 )


BOMB Specific


BOMB Specific by EJ Hauser (Corresponding page in magazine 52-57):


Box 158 Final draft (5 pages)


Correspondence:


Box 158 Email correspondence between Mónica de la Torre and EJ Hauser (July 31st, 2012)


Issue 122/Winter, 2013


Front Matter:



Box 159 Folder 1 Page layout with notes from SR, black font, yellow, purple, and green highlighting, 4 pages


Box 159 Folder 2 Masthead with note "Ok BRS," black font, 1 page


Box 159 Folder 3 Draft of TOC blurbs, black font, 1 page


Box 159 Folder 4 TOC with notes from BRS, black font, blue pen, 3 pages


Box 159 Folder 5 Correspondence from Joshua Bauchner to Monica de la Torre attached to copy of TOC with Josh's corrections, black font, blue and black pen, yellow highlighting, 8 pages


Box 159 Folder 6 Patrons Page 122, marked in blue pen "Final copy," black font, 6 pages


Box 159 Folder 7 Contributor's bios, black and blue font, yellow highlighting, 2 pages


Other:


Box 159 Copy of 121 with sticky notes from BRS to check patron pages


Editor's Choice:


The Arcadia Project edited by Joshua Corey and G.C. Waldrep by Jeff Nagy (Corresponding page in magazine: 14):


Box 159 Folder 1 Final copy, black font, 3 pages


Box 159 Folder 2 MT3+handwritten comments from SR in pencil and black pen, black font, 3 pages


Box 159 Folder 3 MT3 highlighted for factchecking, black font, 3 pages


Box 159 Folder 4 MT3, black and blue font, 3 pages


Box 159 Folder 5 JN2, black font, green highlighting, 3 pages


Box 159 Folder 6 MT1, black and red font, green highlighting, 3 pages


Box 159 Folder 7 Copy of original with handwritten notes in red pencil and blue pen, black font, 2 pages


Box 159 Folder 8 Fact check, black and grey font, 1 page


Box 159 Folder 9 Press release flyer for The Arcadia Project


Box 159 Email correspondence between Monica de la Torre and Jeff Nagy


A Response from The Arcadia Project's Coeditor by Joshua Corey (Corresponding page in magazine: 15):


Box 159 Folder 1 Response final, black font, 2 pages


Box 159 Folder 2 MT3 clean copy, black font, marks in red pencil and blue pen, 2 pages


Box 159 Folder 3 MT3, black and grey font, 2 pages


Box 159 Folder 4 Arcadia response 2, black font, marks in red pencil, 2 pages


Box 159 Folder 5 Original draft, black font, marks in blue pen, 1 page


Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art edited by Catherine Morris and Vincent Bonin by Frances Richard (Corresponding page in magazine: 12-13):


Box 159 Folder 1 Copy of original draft with comments from SR and MT, black font, pencil, black and blue pen, 2 pages


Box 159 Folder 2 Copy of original draft highlighted for fact check, black font, yellow highlighting, 2 pages


Box 159 Folder 3 Fact check for Lucy R. Lippard, black, blue, and red font, 3 pages


Box 159 Folder 4 Brooklyn Museum image catalogue for Materializing "Six Years": Lucy R. Lippard and the Emergence of Conceptual Art, black font, color images, marks in blue pencil, 28 pages


Box 159 Folder 5 Brooklyn Museum Press image gallery for "Six Years", black and grey, marks in pencil, 2 pages


The Poet's Tongue by Ulises Carrión by Alga Marghen (Corresponding page in magazine: 18):


Box 159 Folder 1 Final copy, black font, 2 pages


Box 159 Folder 2 Correspondence from Tom Griffiths to Monica de la Torre, text in layout, black font, 1 page


Box 159 Folder 3 Fact check, black font, 1 page


Box 159 Folder 4 SR/BRS2 with comments from MT, black font, blue pencil, 2 pages


Box 159 Folder 5 MT1 with comments from BRS, black font, black pen, 2 pages


Box 159 Folder 6 Original copy with comments from SR, black font, red pen, 3 pages


Pataphysics: A Useless Guide by Andrew Hugill by Daniel Levin Becker (Corresponding page in magazine: 20):


Box 159 Folder 1 Original draft marked "SR to read," black font, blue pen, 1 page


The Myopia and Other Plays by David Greenspan by Anne Washburn (Corresponding page in magazine: 17):


Box 159 Folder 1 Final copy, black font, 1 page


Box 159 Folder 2 AW2 highlighted for fact check, black font, yellow highlighting, red pencil, 1 page


Box 159 Folder 3 AW2, black font, blue pen, 1 page


Box 159 Folder 4 MT1 with comments from unknow, black font, black and blue pen, 1 page


Box 159 Folder 5 MT1, black and red font, 1 page


Box 159 Folder 6 Original copy, black font, yellow highlighting, black pen, 1 page


Box 159 Folder 7 Fact check sheet, black and blue font, 1 page


Bish Bosch by Scott Walker by Bill Callahan (Corresponding page in magazine: 22):


Box 159 Folder 1 Final copy, black font, 2 pages


Box 159 Folder 2 MT1 with handwritten notes from BRS, black and grey font, black pen, 2 pages


Box 159 Folder 3 Original copy with handwritten notes from MT, black font, red pencil, 1 page


Night Across the Street directed by Raúl Ruiz by Chris Chang (Corresponding page in magazine: 24):


Box 159 Folder 1 Final copy, black font, 2 pages


Box 159 Folder 2 SR3, black and blue font, 2 pages


Box 159 Folder 3 CC2, black and blue font, 3 pages


Box 159 Folder 4 SR1 highlighted for fact check


Box 159 Folder 5 SR1 stapled to original, with comments from BRS, black and grey font, black pen, 6 pages


Box 159 Folder 6 Fact check, black, blue, red, and purple font, orange highlighting, 3 pages


Box 159 Folder 7 Article on Raul from The Guardian


Horst Ademeit


Box 159 Folder 1 Copy of bio/captions addressed to "Tom," black font, 3 pages


Box 159 Folder 2 Portfolio of images and write-ups from Galerie Susanne Zander, black font, color images, 23 pages


Box 159 Collected correspondences from Monica de la Torre, Sabine Russ, Susanne Zander, Monika Koencke.


First Proof:


Box 159 Copy of all First Proof in layout, black font, marks in blue and black pen, red and yellow sticky notes, 16 pages


Mrs. Job in Connecticut by George Minkoff (Corresponding pages in magazine: 84-86):


Box 159 Folder 1 Original draft of "Mrs. Job in Connecticut," black font, pencil, 11 pages


Box 159 Folder 1 From "Minkoff Books" to Monica, November 1 2012 Subject: Re: Mrs. Job in Connecticut, 2012


Dark Side of Time; Dear Communard; We Live; The Milk Was Sour by Lewis Warsh (Corresponding pages in magazine: 88-89):


Box 159 Folder 1 Stapled copies of "Dear Communard," "The Milk Was Sour," "We Live," "The Survey," "Dark Side of Time," "Once," "Written in Stone," "Watch on the Rind," black font, marks in black pen and red pencil, 8 pages


Box 159 Folder 1 From Lewis Warsh to Monica de la Torre, November 4 2012 Subject: Re: BOMB proofs, black font, 2 pages, 2012


The Father by Trey Sager (Corresponding pages in magazine: 90-95):


Box 159 Folder 1 Cover letter, handwritten in black pen, comments in blue pen, 1 page


Box 159 Folder 2 Copy of "The Father," black font, marks in pencil, 17 pages


Box 159 Folder 3 Unsent return envelope addressed to Trey Sager in his own handwriting, black pen


Box 159 Folder 1 From Trey Sager to Monica de la Torre, November 1 2012 Subject: Re: BOMB proofs, 2012


Pilgrimage Past the Written; The Snowman Recast by Suzanne Wise (Corresponding pages in magazine: 96-97):


Box 159 Folder 1 Stapled copies of "The Post," "Pilgrimage Past the Written," "The Snowman Recast," "Lullaby," black font, marks in black and blue pen, red pencil, 8 pages


Box 159 Folder 2 Copy of "Pilgrimage Past the Written," black font, marks in blue pen, 2 pages


Box 159 Folder 3 Copy of "Blues Overflow," black font, marks in blue pen, 3 pages


from Bough Down by Karen Green (Corresponding pages in magazine: 98-101):


Box 159 Folder 1 Copy of "Bough Down," black font, color images, 19 pages


Box 159 Folder 1 From Lisa Pearson to Monica de la Torre, July 9, 2012


Data Harbor by Daniel Borzutzky (Corresponding pages in magazine: 102-103):


Box 159 Folder 1 Copy of piece with pink sticky note from Monica to BRS, black font, 4 pages


Correspondence:


Box 159 Folder 1 From Daniel to Monica on November 1, 2012 Subject: Re: BOMB proofs, black font, 1 page, November 1, 2012


Q23 by James Hannaham (Corresponding pages in magazine: 104-109):


Box 159 Folder 1 Original draft of "Q23," black font, marks in black pen and red pencil, orange sticky note, 19 pages


Box 159 Folder 2 Later draft of "Q23," black font, 18 pages


Box 159 Folder 1 From James Hannaham to Monica de la Torre, November 2 2012 Subject: Re: BOMB proofs, black font, 1 page, 2012


Interviews:


Oscar Murillo by Legacy Russell by Oscar Murillo and Legacy Russell (Corresponding pages in magazine: 34-41):


Box 159 Folder 1 original transcript


Box 159 Folder 2 Transcript cleaned up by Wendy;


Box 159 Folder 3 printed interview with highlights and edits SR2;


Box 159 Folder 4 edit by Legacy Russell LR3


Box 159 Folder 5 printed interview with blue and black font SR4;


Box 159 Folder 6 printed interview with blue and black font SR 5 to Oscar;


Box 159 Folder 7 edit by Oscar Murillo OM 6


Box 159 Folder 8 edit 7 by SR with comments by BRS


Box 159 Folder 9 Interview copy in Word for Fact Check with yellow highlights


Box 159 Folder 10 fact check sheet with links and pink highlights;


Box 159 Folder 11 edit by Betsy Sussler (BRS after layout)


Box 159 Folder 12 copyeditor's changes (Joshua Bauchner)


Box 159 Folder 13 Betsy Sussler's edits in layout


Box 159 Folder 14 introduction by Legacy Russel;


Box 159 Folder 15 introduction by Legacy with edits from BRS


Box 159 Folder 16 introduction by Legacy with edits from SR with BRS edits


Box 159 Folder 17 introduction by Legacy FINAL


Box 159 Folder 18 Oscar Murillo copy edits with handwritten notes from Sabine


Correspondence:


Box 159 Collected emails from Sabine Russ, Betsy Sussler, Monica de la Torre, Oscar Murillo, Rashid Johnson, Legacy Russel; Taylor Trabulus (Nicole Klagsbrun Gallery); Stella Bottai (Serpentine Gallery); Stuart Shave and Aaron Hazan (Modern Art).


Audio:


Box 159 DM450015.MP3, Oscar Murillo and Legacy Russell, 10.22.12, 52:49


Tony Feher by Saul Ostrow (Corresponding pages in magazine: 134-143):


Box 159 Folder 1 Feher TRN, original transcript


Box 159 Folder 2 SR1-edit9-13-12 printed blue and black font


Box 159 Folder 3 SR4a/SR4b blue and black font


Box 159 Folder 4 SR5 begins with "Consult the files SR4A and SR4B…"


Box 159 Folder 5 SR5forTonynotused "Dear Tony, please only look at your parts"


Box 159 Folder 6 SO6 black and grey font


Box 159 Folder 7 SR7forTony, only black font


Box 159 Folder 8 SR6 with handwritten notes from Betsy


Box 159 Folder 9 BRS8 forTony


Box 159 Folder 10 TF9Sunday, blue and black font


Box 159 Folder 11 SR10 withintrotojoshua_jhb, blue and black font


Box 159 Folder 12 FeherFINALafterFC, just black font


Box 159 Folder 13 FeherFINALfinal, just black font


Box 159 Folder 14 MT's corrections, text in layout


Box 159 Folder 15 TonyFeher_factcheckCF red, blue, and black font


Box 159 Folder 16 TonyFeherFC, blue and black font with pink highlights


Box 159 Folder 17 TonyFeherintroduction


Box 159 Folder 18 TonyFeherintroduction SO [to] BRS [to] MT=SR1


Box 159 Folder 19 SR1 to Saul, blue, black, and yellow font


Box 159 Folder 20 TonyFeher_intro_SO2, blue, black, and yellow font


Box 159 Folder 21 TonyFeher_intro_SR3, blue, black, and yellow font


Box 159 Folder 22 TonyFeher_intro_SO4, black, purple, and yellow font


Box 159 Folder 23 TonyFeher_intro_FINAL just black font


Box 159 Folder 24 FeherintroJBtoSaul, black and blue font


Box 159 Folder 25 Bomb Magazine captions for Tony Feher


Box 159 Folder 26 After layout with handwritten notes in red ink and pink highlighter


Correspondences:


Box 159 Collected correspondences from Damelio Gallery, Sabine Russ, Sarah Sieradzki, Saul Ostrow, Tony Feher, Monica de la Torre


Audio:


Box 159 Tony Feher_audio.mp3, Tony Feher and Saul Ostrow, MP3 file, 1:22:23


Media Included:


Box 159 Print-out of Feher's exhibition history from the D'Amelio website


Rude Mechanicals by Eric Dryer by Eric Dryer, Shawn Sides, Lana Lesley, and Madge Darlington (Corresponding pages in magazine: 42-49):


Box 159 Folder 1 Original Transcript


Box 159 Folder 2 RudeMechs_ED1, ED edit 1, notes in red ink


Box 159 Folder 3 RudeMechs_MT2, blue and black ink


Box 159 Folder 4 RudeMechs_KLedit3, black and grey ink changes unmarked


Box 159 Folder 5 RudeMechs_LL4, black, blue, and green ink


Box 159 Folder 6 RudeMechs_SS5, black, blue, red, and green ink


Box 159 Folder 7 RudeMechs_MD6, black, blue, green, red, and purple ink


Box 159 Folder 8 RudeMechs_ED7, blue, black, green, red, purple, and brown ink, also handwritten notes in blue ink from MT


Box 159 Folder 9 Marked for fact check


Box 159 Folder 10 RudeMechs_MT8 with notes from BRS in black ink


Box 159 Folder 11 RudeMechs_BRS9, black and blue ink


Box 159 Folder 12 RudeMechs_ED10, black, blue, and red font with yellow highlighting


Box 159 Folder 13 RudeMechs_final just black ink


Box 159 Folder 14 Rude Mechs Queries sheet with list of captions and handwritten notes from Sabine in pencil


Box 159 Folder 15 First layout draft


Box 159 Folder 16 Layout with Josh's corrections, 10/31/12


Box 159 Folder 17 Layout with Sabine's corrections, 11/1/12


Box 159 Folder 18 Rude Mechanicals Fact Check sheet


Correspondence:


Box 159 Collected correspondences from Eric Dyer, Monica de la Torre, Kirk Lynn, Lala Lesley, Madge Darlington, Shawn Sides, Thomas Graves


Alix Perlstein by John Pilson (Corresponding pages in magazine: 124-133):


Box 159 Folder 1 Perlstein_TRN, black and grey ink with red pencil marks


Box 159 Folder 2 Pearlstein_JP1, black ink, edits not marked, red pencil "Use this one for my edits"


Box 159 Folder 3 Pearlstein_MT2, black and blue ink


Box 159 Folder 4 Pearlstein_AP3, black font and marks in blue pen


Box 159 Folder 5 Pearlstein_final, red flag tags marking quotes to pull


Box 159 Folder 6 Copy of final with marks in blue pen from BRS, "Alix's changes to enter InDesign"


Box 159 Folder 7 Alix Intro, black font, no marks


Box 159 Folder 8 Bomb_2moreQuestions, black font


Box 159 Folder 9 AlixPearlstein_FactCheck_CF, black and grey font, marks in blue pen


Box 159 Folder 10 Pearlstein Queries, marks in blue pen


Box 159 Folder 11 Copy Edit Pearlstein -- Cristy Fernandex, black font with marks in blue pen


Box 159 Folder 12 Layout with Josh's first corrections, marks in blue pen


Box 159 Folder 13 Layout, Josh's corrections entered, AP's corrections entered, blue pen marks and green flag tag, marked "BRS checked AP/JOSH/CAPS/FACTCHECK


Correspondences:


Box 159 Collected correspondences from Lara Tobin, Monica de la Torre, Alix Pearlstein, Betsy Sussler; Tom Griffiths and Jessica Green (Everything Studio).


David Lang by Nico Muhly (Corresponding pages in magazine: 26-32):


Box 159 Folder 1 DavidLang_TRN, black font


Box 159 Folder 2 DavidLang_MT1, black and grey font


Box 159 Folder 3 DavidLang_DL2, black and blue font, yellow highlighting


Box 159 Folder 4 DavidLang_BRS4, black and blue font


Box 159 Folder 5 Copy of "Final" with further edits in blue pen from BRS, red flag tags


Box 159 Folder 6 DavidLang_Final, black font


Box 159 Folder 7 Davidlang_factcheck_CF, black, blue, and red font, with red pencil, yellow highlighting


Box 159 Folder 8 Lang Queries, black font with blue pen marks


Box 159 Folder 9 In layout, Josh's first corrections with marks in blue pen


Box 159 Folder 10 In layout, Josh's corrections entered, further corrections from BRS, green flag tags, marks in blue pen, yellow highlighting


Correspondence:


Box 159 Collected correspondences from Monica de la Torre, Nico Muhly, David Lang, Betsy Sussler.


Fanny Howe by Kim Jensen (Corresponding pages in magazine: 76-83):


Box 159 Folder 1 FannyHoweTRN, black font


Box 159 Folder 2 FannyHoweSR1, black and blue font with marks in pencil and yellow highlighting


Box 159 Folder 3 FannyHowe2, black and grey font


Box 159 Folder 4 Copy of FannyHowe2 with marks in red pencil, grey pencil, yellow highlighter, orange highlighter from MT


Box 159 Folder 5 MT3, black and grey font notes in orange highlighter and on yellow post-it note


Box 159 Folder 6 Fanny Howe excerpt from Radical Love


Box 159 Folder 7 Fanny Howe fact check, black and grey font


Box 159 Folder 8 After layout, two copies of Josh's corrections with note on queries and correspondence with Kim Jensen


Box 159 Folder 9 Selection of Kim Jensen's poems from The Only Thing that Matters


Correspondence:


Box 159 Collected correspondences between Sabine Russ, Fanny Howe, Kim Jensen


Mark Z. Danielewski by Christopher O'Riley (Corresponding pages in magazine: 70-75):


Box 159 Folder 1 Original transcript with notes in blue pen from MT -- MT's edits Round 1, 7 pages


Box 159 Folder 2 Copy of MTedit1 with notes in blue pen and yellow highlighter from CO, 9 pages


Box 159 Folder 3 MD edit 2, notes in black pen, 8 pages


Box 159 Folder 4 MD edit 2, highlighted for fact checking, 8 pages


Box 159 Folder 5 MT3, black font, changes unmarked, 7 pages


Box 159 Folder 6 CO edit 4, black font, changes unmarked, 8 pages


Box 159 Folder 7 First draft of CO's introduction, 1 page


Box 159 Folder 8 Second draft of CO's introduction, highlighted for factchecking, 1 page


Box 159 Folder 9 Copy of Danielewski FINAL with marks in blue pen from MT and in pencil from BRS, 12 pages


Box 159 Folder 10 In layout with Josh's corrections marked, notes in pencil and red pencil from BRS, 13 pages


Box 159 Folder 11 Fact check sheet, black and grey font, marks in blue pen, 6 pages


Box 159 Folder 12 Description of ebook version of The Fifty Year Sword, 1 page


Correspondence:


Box 159 Collected correspondences from Monica de la Torre, Anne Carson, Michele Reverte, Christopher O'Riley


Cristian Mungiu by Liza Béar (Corresponding pages in magazine: 50-57):


Box 159 Folder 1 Original transcript, black font, 11 pages


Box 159 Folder 2 SR1 and comments from BRS and MT, black and blue font, marks in red and grey pencil, black pen, 14 pages


Box 159 Folder 3 MT2, blue and black font, 14 pages


Box 159 Folder 4 LB3 PDF copy, black, grey, red, and green font, shows tracked changes, 14 pages


Box 159 Folder 5 LB3 Word document, black and grey font, 14 pages


Box 159 Folder 6 SR3 highlighted for fact check, black font, marks in pencil, yellow highlighting, 14 pages


Box 159 Folder 7 Fact check, bkue and black font, yellow highlighting, 2 pages


Box 159 Folder 8 In first layout, notes in pencil from SR, 7 pages


Box 159 Folder 9 In layout, BRS+MT comments 11/3, yellow highlighting, green flag tags, 8 pages


Box 159 Folder 10 In layout with Josh's corrections in red pen, 8 pages


Box 159 Folder 11 In layout with Josh's corrections in red pen + notes from Liza in pen, 9 pages


Box 159 Folder 12 Mungiu Queries with Liza's replies, black font, 3 pages


Box 159 Folder 13 "Beyond the Hills" Photos on set PHOTO CAPTIONS, 9 pages


Correspondence:


Box 159 Collected correspondences from Clinton Krute, Sabine Russ, Liza Bear, Betsy Sussler.


Media Included:


Box 159 Item 1 Review of "Beyond the Hills" from The Guardian


Box 159 Item 2 Press packet for "Beyond the Hills"


Artists On Artists:


Dasha Shishkin by Ellen Berkenblit (Corresponding pages in magazine: 114-116):


Box 159 Folder 1 Final copy, black font, 2 pages


Box 159 Folder 2 BRS4, black font with marks in black pen and pencil, 2 pages


Box 159 Folder 3 SR3+handwritten notes in pencil, black font, 2 pages


Box 159 Folder 4 EB2/SR3, black and blue font, 1 page


Box 159 Folder 5 Color image copy, uncaptioned, 1 page


Box 159 Folder 7 SR1, black and blue font, 2 pages


Box 159 Folder 9 Original draft from EB, black font, 1 page


Correspondence:


Box 159 Collected correspondences from Sabine Russ, Eleen Berkenblit, Grace Evans (Zach Feuer Gallery).


Gunther Uecker by Ahmed Alsoudani (Corresponding pages in magazine: 120-122):


Box 159 Folder 1 Final copy, black font, 2 pages


Box 159 Folder 2 Placeholder to design, black and grey font, 2 pages


Box 159 Folder 3 BRS4, black and blue font, orange highlighter, 2 pages


Box 159 Folder 4 SR3, black and blue font, 2 pages


Box 159 Folder 5 AA2, black font, changes unmarked, 1 page


Box 159 Folder 6 SR1, black and blue font, yellow highlighting, 3 pages


Box 159 Folder 7 Original draft from AA, printed on page with letterhead from Haunch of Venison New York, 1 page


Correspondence:


Box 159 Collected correspondences from Sabine Russ, Monica de la Torre, Sara Wyer (Prentice Art Communications)


Erica Baum by Kim Rosenfield (Corresponding pages in magazine: 117-119):


Box 159 Folder 1 Final copy, black font, 3 pages


Box 159 Folder 2 EB1+notes from MT in red pencil, black font, 2 pages


Box 159 Folder 3 EB1+notes from unknown in black pen, black font, 3 pages


Issue 123/Spring, 2013



Box 160 Item 1 Masthead


Box 160 Item 2 Patrons Page


Box 160 Item 3 TOC Blurbs SR1


Box 160 Item 4 TOC Blurbs MT_SR


Box 160 Item 5 TOC Blurbs Final


Box 160 Item 6 TOC Edits in Layout, with marks in blue ink and pencil


Box 160 Item 7 Contributor's Bio's


Editor's Choice:


Routine Spectacle of Andy Kaufman and Stuart Sherman by Michael Smith (Corresponding pages in magazine: 12-14):


Box 160 Item 1 MT1 (Version 1 and 2), black font with marks in red pencil, 5 pages (each)


Box 160 Item 2 BRS2, black font with marks in black ink, 5 pages


Box 160 Item 3 MT3, black font with red pencil, 5 pages


Box 160 Item 4 Final, black font, 5 pages


Box 160 Item 5 Fact-check, black and red font


Box 160 Item 6 Copyeditor's notes (Joshua Bauchner in layout, black font, marks in red, 4 pages


Box 160 Item 7 Final proofread in layout, black font, marks in red pencil and blue ink, 4 pages


Box 160 Collected correspondence from Mónica de la Torre, Michael Smith, and Marcine Miller


Gut Renovation Su Friedrich by Claudia Steinberg (Corresponding pages in magazine: 16):


Box 160 Item 1 Original, black font, 2 pages


Box 160 Item 2 SR1, black font with track changes, 3 pages


Box 160 Item 3 BRS2, black font with marks in black ink and yellow highlighter


Box 160 Item 4 CS3, black font with track changes, 3 pages


Box 160 Item 5 SR4, black font with track changes, 3 pages


Box 160 Item 6 Copyeditor's (Joshua Bauchner changes in layout, marks in red and blue, 1 page


Box 160 Item 7 Final Proofread in layout, marks in blue ink, 1 page


Box 160 Item 8 Fact-check, blue and black font, 1 page


Box 160 Collected correspondence from Sabine Russ and Claudia Steinberg


Alina Szapocznikow by Joanna Malinowska (Corresponding pages in magazine: 18):


Box 160 Item 1 Original, black font, 1 page


Box 160 Item 2 MT1, black font with notes in blue font, 1 page


Box 160 Item 3 JM2, black font, 2 pages


Box 160 Item 4 BRS3, black font with marks in blue ink, 2 pages


Box 160 Item 5 Final, black font, 2 pages


Box 160 Item 6 Fact-check, black font


Box 160 Item 7 Copyeditor's changes (Joshua Bauchner in layout, black font with marks in red and blue, 1 page


Box 160 Item 8 Final proofread in layout, black font with blue marks, 1 page


Box 160 Collected correspondence from Mónica de la Torre, Carrie Adams, and Joanna Malinowska


A Book Beginning What and Ending Away Clark Coolidge by Wendy Lotterman (Corresponding pages in magazine: 22):


Box 160 Item 1 WL, black font with marks in black ink, 2 pages


Box 160 Item 2 WL, black font with marks in black ink, 2 pages


Box 160 Item 3 MT, black and blue font, 1 page


Box 160 Item 4 WL, black font, 1 page


Box 160 Item 5 MT, black and blue font, 1 page


Box 160 Item 6 WL, black and blue font, 1 page


Box 160 Item 7 WL, black font, 1 page


Box 160 Item 8 BRS, black font with marks in blue ink, 1 page


Box 160 Item 9 Copyeditor's changes (Joshua Bauchner) in layout, black font with marks in red and blue


Box 160 Item 10 Final proofread in layout, black font with blue marks


Box 160 Item 11 Fact-check


Box 160 Collected correspondence from Monica de la Torre and Wendy Lotterman


Too Freedom... Adrienne Truscott by Lauren Bakst (Corresponding pages in magazine: 20):


Box 160 Item 1 Original, black font, 1 page


Box 160 Item 2 SR1, black font with track changes, 2 pages


Box 160 Item 3 LB2, black font, 2 pages


Box 160 Item 4 Final, black font, 2 pages


Box 160 Item 5 Fact-check


Box 160 Item 6 Copyeditor's changes (Joshua Bauchner) in layout, black font with red marks, 1 page


Box 160 Item 7 Final proofread in layout, black font with marks in blue, 1 page


Box 160 Collected correspondence from Sabine Russ and Lauren Bakst


First Proof:


from Drawing Water by Eva Heisler (Corresponding pages in magazine: 80-81):


Box 160 Item 1 Excerpt of Drawing Water, 11 pages


Box 160 Item 2 Selected excerpt from excerpt of Drawing Water, highlighting and marks in pink pencil, 1 page


Box 160 Item 3 Final selection of excerpt to be ready for layout, black font, 5 pages


Box 160 Item 4 Edits in layout, marks in blue and highlighter


Box 160 Collected correspondence from Eva Heisler, Sabine Russ, and Mónica de la Torre


Minding the Elephants (03/20/2003-12/18/2011); J. Depp, The Sparrow; The Goat by Elena Alexander (Corresponding pages in magazine: 99-101):


Box 160 Item 1 Stapled copies of "W.W.A.D.?," "The Goat," "Early Riser," "Late Riser," "J. Depp, the Sparrow," "Minding the Elephants," and "May the World"


Box 160 Item 2 Edits in layout, marks in blue ink and highlighter


Box 160 Collected correspondence between Mónica de la Torre and Elena Alexander


Universe by Diana Hamilton


Box 160 Item 1 Copy of "Universe"


Box 160 Item 2 Edits in layout, marks in blue and highlighter


Box 160 Collected correspondence from Mónica de la Torre, Diana Hamilton, and Editorial Intern


From Tejas by Carmen Boullosa (translated by Samantha Schneee) (Corresponding pages in magazine: 82-87):


Box 160 Item 1 MT1, black font with marks in pencil, black ink and yellow highlighter, 45 pages


Box 160 Item 2 Changes entered (Montana Ray), black font with track changes, 16 pages


Box 160 Item 3 CB2, black font with track changes, 12 pages


Box 160 Item 4 Final, black font with track changes, 12 pages


Box 160 Item 5 Edits in layout, black font with marks in blue ink and yellow highlighter, 6 pages


Box 160 Collected correspondence from Mónica de la Torre and Carmen Boullosa


Details Inside by T Cooper (Corresponding pages in magazine: 91-98):


Box 160 Item 1 Copy of Details Inside


Box 160 Item 2 BRS + Intern Edit, black font with marks in blue and black ink, 30 pages


Box 160 Item 3 Edit in layout, black font with marks in blue ink and yellow highlighter


Box 160 Collected correspondence from Betsy Sussler, T Cooper, and Mónica de la Torre


Clandestine Happiness by Clarice Lispector (translated from the Portuguese by Rachel Klein (Corresponding pages in magazine: 102-103):


Box 160 Item 1 Copy of Clandestine Happiness, First Kiss, The Waters of the World, The Remains of the Carnival, A Hope, with marks in red pencil


Box 160 Item 2 Edit of Clandestine Happiness, black font with marks in blue and black ink, 4 pages


Box 160 Item 3 Edits in layout, black font with marks in blue ink and yellow highlighter


Box 160 Collected correspondence from Mónica de la Torre, Rachel Klein, and Barbara Epler


"Quiet Hands" and "Turning Into Her" by Tom Healy (Corresponding pages in magazine: 110):


Box 160 Item 1 Copy of "Quiet Hands" and "Turning Into Her", black font, 2 pages


Box 160 Item 2 Edits in layout, black font, 1 page


Box 160 Collected correspondence from Mónica de la Torre, Betsy Sussler, and Tom Healy


Seton Smith: Portfolio by Catherine Grout (translated by Wendy Lotterman)


Box 160 Item 1 Original (in French), black font, 2 pages


Box 160 Item 2 Translated Version, black font, 1 page


Box 160 Item 3 MT2, black font wth marks in black ink and red pencil, 1 page


Box 160 Item 4 BRS3, black font with marks in blue ink, 1 page


Box 160 Item 5 Final, black font, 1 page


Box 160 Item 6 Edits in layout (1), black font with marks in black ink, 1 page


Box 160 Item 7 Edits in layout (2), black font with marks in blue ink and yellow highlighter


Box 160 Collected correspondence from Mónica de la Torre, Wendy Lotterman, Seton Smith, and Catherine Grout


BOMB Specific (Archive Issue 123):


The Feminist Responsibility Project 2013 by Beverly Semmes (Corresponding pages in magazine: 114-119 + Front Cover):, 2013


Box 160 Item 1 Image files from The Feminist Responsibility Project, 2013


Box 160 Correspondence: Collected correspondence between Mónica de la Torre, Sabine Russ, and Beverly Semmes


Artists On Artists:


Archive:


Halsey Rodman by Ulrike Müller (Corresponding pages in magazine: 131-133):


Box 160 Item 1 HR+handwritten notes in black and blue ink, black font, 2 pages


Box 160 Item 2 SR, black font with blue track changes, 2 pages


Box 160 Item 3 UM, black font with track changes, 2 pages


Box 160 Item 4 BRS5, black font with blue marks, 2 pages


Box 160 Item 5 Final Copy, black font, 2 pages


Box 160 Item 6 Fact Check, black and blue font with marks in black ink and yellow highlighter, 3 pages


Box 160 Item 7 Copy ediotr's (Joshua Bauchner) changes, marks in red


Box 160 Item 8 Final copy edit in layout with MT's comments, marks in blue ink and red pencil


Box 160 Collected correspondences from Sabine Russ, Ulrike Müller, and Halsey Rodman


Aki Onda by Michael Snow (Corresponding pages in magazine: 128-130):


Box 160 Item 1 Original draft from MS+notes from MT in black ink, black font, 2 pages


Box 160 Item 2 MT1, black font with black marks, 2 pages


Box 160 Item 3 BR2, black font with blue marks, 2 pages


Box 160 Item 4 Final, black font, 1 page


Box 160 Item 5 Fact Check, black and blue font with marks in blue and black ink, and yellow highlighter


Box 160 Item 6 Copy editor's changes (Joshua Bauchner), marks in red


Box 160 Item 7 Final copy edit in layout, marks in red pencil


Box 160 Collected correspondences from Monica de la Torre, Sabine Russ, Michael Snow, and Aki Onda


Christopher Deeton by Raphael Rubenstein (Corresponding pages in magazine: 123-124):


Box 160 Item 1 Original draft from RR+ notes from MT in black ink, black font, 2 pages


Box 160 Item 2 Final, black font, 2 pages


Box 160 Item 3 Fact Check, black, blue, and red font with marks in blue ink and pink highlighting, 3 pages


Box 160 Item 4 Copy editor's changes (Joshua Bauchner), marks in red


Box 160 Item 5 Final copy edit in layout, marks in blue ink and red pencil


Collected correspondences from Raphael Rubinestein and Monica de la Torre


Interviews:


Coleen Fitzgibbon by P. Adams Sitney (Corresponding pages in magazine: 120-127):


Box 160 Item 1 Original transcript, black font, 41 pages


Box 160 Item 2 KS1 (Katy Scneider Revision), black font with yellow on-sceen highlighting, 32 pages


Box 160 Item 3 SR2, black font with blue track changes, grey on-screen highlighting, 33 pages


Box 160 Item 4 CF3, black font with grey and yellow on-screen highlighting, 24 pages


Box 160 Item 5 BRS 4, black and red font with grey and yellow on-screen highlighting, 14 pages


Box 160 Item 6 PAS 5, black font with yellow and grey on-screen highlighting, 22 pages


Box 160 Item 7 SR8 & Fact Check, black, blue, and red font with grey and yellow on-screen highlighting, 21 pages


Box 160 Item 8 Fact Check2, black font, pink highlighting, 21 pages


Box 160 Item 9 Fact Check3, black font with link in blue, 8 pages


Box 160 Item 10 Introduction P. Adams's edit1, black, red, and grey font, 1 page


Box 160 Item 11 Introduction, black font, 1 page


Box 160 Item 12 Introduction Final, black font, 1 page


Box 160 Item 13 Copyeditor's changes in layout (Joshua Bauchner), marks in black


Box 160 Item 14 Proofread of copyeditor's changes, marks in grey and pink pencil, and highlighter


Box 160 Item 15 BRS 's last changes in layout, marks in blue ink and highlighter


Box 160 Item 16 Final, marks in blue ink and highlighter


Box 160 Collected correspondences from Sabine Russ, Coleen Fitzgibbon, P. Adam's Sitney, and Besty Sussler


Audio:


Box 160 Colleen Fitzgibbon.mp3; Colleen. Fitzgibbon and P. Adams Sitney; MP3 file; 2:08:33


Federico León by Richard Maxwell by Federico León and Richard Maxwell (Translated from Spanish by Mónica de la Torre (Corresponding pages in magazine: 48-55):


Box 160 Item 1 Original transcript, black font, 17 pages


Box 160 Item 2 FL's edits (Spanish version, entered into English version by MT), black, red, green, and blue font with marks in black ink by MT, 11 pages


Box 160 Item 2 RM1, black font with blue track changes and yellow on-screen highlighting, 15 pages


Box 160 Item 3 MT2, black font, 10 pages


Box 160 Item 4 RM3, black font with blue track changes, 16 pages


Box 160 Item 5 BRS4, black font with marks in black ink and pencil, 14 pages


Box 160 Item 6 MT5, black font with marks in black ink, 14 pages


Box 160 Item 7 FL6, black font with marks in black ink, 14 pages


Box 160 Item 8 Copyeditor's Corrections (Joshua Bauchner), black font with marks in red and grey pencil


Box 160 Item 9 Proofread of copyeditor's changes, black font with marks in pencil and highlighter


Box 160 Item 11 MT Final changes in layout, marks in red and grey pencil, black and blue ink, and highlighter


Box 160 Item 12 SR entered changes and checked


Box 160 Item 13 Fact Check, black font with blue links and discrepancies in red, 2 pages.


Box 160 Item 14 Fact Check, black font with pik highlighter, 14 pages


Box 160 Collected correspondence from Federico León, Richard Maxwell, and Mónica de la Torre


Audio:


Box 160 12/12/12_Leon part 1.mp3,12/13/12_Leon part 2.mp3; Federico León, Richard Maxwell, and Mónica de la Torre; 12.12-13.12; 1:01:56 (Part 1), 1:04:15 (Part 2)


Enrique Vila-Matas by Lina Meruane (Translated from Spanish by Valerie Miles (Corresponding pages in magazine: 72-78):


In Spanish:


Box 160 Item 1 Original Transcript, black font, 28 pages


Box 160 Item 2 VM2, black font with marks in red pencil, 20 pages


Box 160 Item 3 MT3, black font with track changes, 14 pages


Box 160 Item 4 LM4, black font, 14 pages


In English:


Box 160 Item 5 MT1, black font with blue track changes, 13 pages


Box 160 Item 6 BRS2, (with track changes purple, green, blue and black font, with track changes, on-screen highlighting, and marks in blue ink, 26 pages


Box 160 Item 7 BRS2 (without track changes), black font, 14 pages


Box 160 Item 8 MT3, black font with marks in blue ink and yellow highlighter, 14 pages


Box 160 Item 9 Comments by translator: Valerie Miles, black font with red on-screen highlighting, 17 pages


Box 160 Item 10 Copyeditor's corrections (Joshua Bauchner), black font with marks in red and regular pencil, 7 pages


Box 160 Item 11 Corrections entered by MT, black font with marks in pencil and yellow highlighter, 7 pages


Box 160 Item 12 BRS changes, black font with marks in black ink and red pencil, 7 pages


Box 160 Item 13 Lina Meruane's Comments, black font with marks in blue ink, 7 pages


Box 160 Item 14 Corrections to enter, black font with marks in blue ink, pencil, and yellow highlighter, 7 pages


Box 160 Item 15 Introduction (in Spanish), black font, 1 page


Box 160 Item 16 Introduction (in English), black font with marks in red pencil, blue ink, and yellow highlighter, 1 page


Box 160 Item 17 Introduction, black font with marks in black ink, 1 page


Box 160 Collected correspondences from Lina Meruane, Mónica de la Torre, and Valerie Miles


Audio:


Box 160 Enrique Vila Matasz_2.mp3, Enrique Vila Matas_3.mp3; Enrique Vila Matas and Lina Meruane; MP3 Audio file; 1:12:18 (_2), 6:55 (_3)


Verne Dawson and Genesis BREYER P-ORRIDGE by Verne Dawson and Genesis BREYER P-ORRIDGE (Corresponding pages in magazine: 26-37):


Box 160 Item 1 Original Transcript, black font, 50 pages


Box 160 Item 2 MT1-1(Very Rough edit), black font with marks in black ink and red pencil, 50 pages


Box 160 Item 3 MT1-2 (Not Final First Edit), black font with marks in black ink, 14 pages


Box 160 Item 4 MT1-3 (2nd Round of MT's First Edit), black font with marks in blue ink


Box 160 Item 5 VD2, black font, 18 pages


Box 160 Item 6 MT3, black font, 20 pages


Box 160 Item 7 BRS4, black font, yellow highlighting (for fact check), 18 pages


Box 160 Item 8 Genesis's Changes, black font with marks in red pencil, 20 pages


Box 160 Item 9 Layout with Copyeditor's Corrections (Joshua Bauchner), black font with marks in red, black, and blue, 12 pages


Box 160 Item 10 Layout with Ali's corrections, black font, marks in pencil, black ink, and yellow highlighter, 12 pages


Box 160 Item 11 Layout with corrections in pink pencil and yellow highlighter, 12 pages


Box 160 Item 12 Final Layout, black font, 12 pages


Box 160 Item 13 Fact Check, black, blue and red font with red pencil marks, 4 pages


Box 160 Correspondences collected from Genesis BREYER P-ORRIDGE, Verne Dawson, Mónica de la Torre, Risa Needleman, and Benjamin Tischer


Audio:


Box 160 Dawson_P-Orridge_2.mp3, Dawson_P-Orridge_3.mp3; Verne Dawson and Genesis BREYER P-ORRIDGE; MP3 file; 12/4/12; 2:10:32(_2), 32:29(_3)


Media:


Box 160 Verne Dawson Photographic Reproduction Permission Form via Gavin Brown's enterprise; Promotion Post Card and Press Release of Genesis


Box 160 BREYER P-ORRIDGE: 30 Years of Being Cut Up, September 9 -- October 18, 2009 Invisible-Exports 14A Orchard St. NYC., October 18, 2009


Stan Allen by Nader Tehrani by Stan Allen and Nader Tehrani (Corresponding pages in magazine: 56-64):


Box 160 Item 1 Original Transcript, back font, 11 pages


Box 160 Item 2 KS2, black font with track changes, 11 pages


Box 160 Item 3 SR3, black font with track changes, 11 pages


Box 160 Item 4 NT4, black font with track changes, 23 pages


Box 160 Item 5 SA5, black font with track changes, 23 pages


Box 160 Item 6 SA6, black font with pink and yellow highlighting, 12 pages


Box 160 Item 7 SR7, black font, 12 pages


Box 160 Item 8 BRS8, black font with marks in black ink, 12 pages


Box 160 Item 9 SA9, black font with track changes, 13 pages


Box 160 Item 10 SR10, black font with track changes, 13 pages


Box 160 Item 11 SR11, Katie's Proofread, black font with track changes, marks in black and blue ink, 13 pages


Box 160 Item 12 Final to design (before MT), black font, 13 pages


Box 160 Item 13 Copyeditor's changes (Joshua Bauchner), black font with marks in red, black, and blue, 11 pages


Box 160 Item 14 Proofread of copyeditor's entered changes, black font, marks in pencil and yellow highlighter


Box 160 Item 15 Final proofread, black font, marks in grey and pink pencil and highlighter


Box 160 Item 16 MT Final, marks in blue and black ink, pink and red pencil


Box 160 Item 17 Fact check, black and red font with links in blue, 3 pages


Box 160 Item 18 Images, captions, and file names


Box 160 Item 19 Introduction (edited by Stan Allen), black font, 1 page


Box 160 Collected correspondence from Stan Allen, Nader Tehrani, Sabine Russ, and Mónica de la Torre


Audio:


Box 160 2013-01-08 time 10_17_05 Outgoing Peer-to-peer Call nadertehrani47.mp3; Stan Allen and Nader


Box 160 Tehrani; MP3 file; 01/08/2013 1:03:52, 01/08/2013


Stanley Whitney by David Reed by Stanley Whitney and David Reed (Corresponding pages in magazine: 38-46):


Box 160 Item 1 Transcript, black font, 19 pages


Box 160 Item 2 SR2, black font with track changes, 21 pages


Box 160 Item 3 SR3, black font with track changes, 12 pages


Box 160 Item 4 DR4, black font with track changes, 15 pages


Box 160 Item 5 SR5, black font with track changes and marks in blue ink, 17 pages


Box 160 Item 6 BRS6, black font with track changes, 13 pages


Box 160 Item 7 SW7, black font with track changes, 14 pages


Box 160 Item 8 Draft8, black font with track changes, 13 pages


Box 160 Item 9 Draft9, black font with track changes, 14 pages


Box 160 Item 10 SR10 (Includes fact check), black font with track changes, 15 pages


Box 160 Item 11 MT11, black font with marks in black and blue ink, 13 pages


Box 160 Item 12 SRMT12 (combined lastest edits by Sabine, Betsy, and Mónica plus factcheck), black font with track changes, 15 pages


Box 160 Item 13 Draft 13 (after SW Final Edit), black font with track changes, 15 pages


Box 160 Item 14 Final14, black font, 12 pages


Box 160 Item 15 Fact Check, black and red ink, links in blue, yellow highlighting


Box 160 Item 16 Introduction, black font, 3 pages


Box 160 Item 17 Intro: BRS's Edit, black font with track changes, 2 pages


Box 160 Item 18 Alexandra's proofread (before Joshua), marks in pencil and yellow highlighter


Box 160 Item 19 Copyeditor's (Joshua Bauchner corrections, marks in red


Box 160 Item 20 Proofread of editor's changes, marks in grey and pink pencil


Box 160 Item 21 Final Proofread/Last MT, marks in pencil


Box 160 Collected correspondence from Sabine Russ, Stanley Whitney, David Reed, and Betsy Sussler


Audio:


Box 160 StanleyWhitney_part01.mp3 and StanleyWhitney_part02.mp3; Stanley Whitney and David Reed; MP3 file; 13:41 (part_01), 59:38 (part_02)


Rachel Kushner by Hari Kunzru:


Box 160 Item 1 Original Transcript, black font, 16 pages


Box 160 Item 2 HK1, black font, 16 pages


Box 160 Item 3 RK2, black font, 19 pages


Box 160 Item 4 MT3, black font, 18 pages


Box 160 Item 5 BRS4, black font with track changes, 14 pages


Box 160 Item 6 MT5, black font with track changes, 14 pages


Box 160 Item 7 RK6, black font with red pencil marks, 14 pages


Box 160 Item 8 HK7, black font, changes in bold, 14 pages


Box 160 Item 9 MT8, black font with yellow highlighting, 13 pages


Box 160 Item 10 Final, black font, 13 pages


Box 160 Item 11 Factcheck, black and red font, yellow highlighting


Box 160 Item 12 Copyeditor's changes, marks in red and black


Box 160 Item 13 Final proofread, marks in blue


Box 160 Item 14 Introduction, black font, 1 page


Box 160 Correspondences collected from Mónica de la Torre, Hari Kunzru, and Rachel Kushner


Audio:


Box 160 Rachel Kushner interview.mp3;Rachel Kushner and Hari Kunzru; MP3 file.; 1/22/13; 1:04:13


Katrín Sigurdardóttir by Eva Heisler (Corresponding pages in magazine: 136-143):


Box 160 Item 1 Original (EH1), black and red font, 14 pages


Box 160 Item 2 SR2, black font with track changes, 17 pages


Box 160 Item 3 EH3/SR4, black font with track changes, 16 pages


Box 160 Item 4 KS5, black font, 10 pages


Box 160 Item 5 SR6, black font with track changes, 10 pages


Box 160 Item 6 SR7 (Includes Factcheck), black, blue, and red font, with yellow highlighting and marks in black ink


Box 160 Item 7 BRS8, black font with marks in blue ink, 13 pages


Box 160 Item 8 KS9 post-layout changes, black font with track changes, 11 pages


Box 160 Item 9 Images and captions, black font


Box 160 Item 10 Copyeditor's changes in layout (Joshua Bauchner), black font, marks in red and purple


Box 160 Item 11 2nd proofread in layout, black font, marks in purple and blue.


Box 160 Item 12 MT's correction's in layout, marks in red


Box 160 Item 13 Final Proofread in layout, black font, marks in black ink


Correspondences collected from Sabine Russ, Eva Heisler, Katrín Sigurdardottir, Nick Naber, and Mónica de la Torre


Media Included:


Box 160 Eva Heisler featured in Otoliths


Box 160 Award announcement and excerpt on Poetry Society of America site


Box 160 Book listing on amazon.com


Box 160 Three poems: "Letter to the house," "Yellow Flag," and "The End of Part One"


Issue 124/Summer, 2013


Ed's Choice:


Violeta Went to Heaven Directed by Andres Wood (Corresponding pages in magazine: 12):



Box 161 Item 1 Draft 1, black font, 4 pgs


Box 161 Item 2 translation, black font w black pen, 1 pg


Box 161 Item 3 CV2, black and blue font, 1 pg


Box 161 Item 4 MT3, black font w black pen, 1 pg


Box 161 Item 5 Proof 1, black and white w pencil, 1 pg


Box 161 Item 6 Proof 2, black and white w pink and black pencil, 1pg


Box 161 Item 7 Proof 3, color picture, 1pg


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Carlos A Gutierrez, Cecilia Vicuna


First Proof:


Tomaz Salamun (Corresponding pages in magazine: 80-81):


Box 161 Item 1 Draft 1, black font w blue pen, 9 pgs


Box 161 Item 2 Selection, black font, 3 pgs


Box 161 Item 3 Color Proof, 2 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Tomaz Slalmun


Artists On Artists:


Lucy Skaer by William Corvin by William Corvin (Corresponding pages in magazine: 141-143):


Box 161 Item 8 Draft 1, black font, 1 pg


Box 161 Item 9 SR2, black and blue font, 2 pg


Box 161 Item 10 WC 3, black font blue pen, 3 pg


Box 161 Item 11 SR4, black and blue font, 3 pg


Box 161 Item 12 SR5, black font blue pen, 2 pg


Box 161 Item 13 Final, black font, 2 pg


Box 161 Item 14 Fact check, 3 pg


Box 161 Item 15 Proof 1 black and white images, 3 pg


Box 161 Item 16 Proof 2 color images, 3 pg


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, William Corvin, Aurime Aleksandraviciute


Nadja Bournonville by Zoe Beloff (Corresponding pages in magazine: 138-140):


Box 161 Item 1 Draft 1, black font, 2 pg


Box 161 Item 2 SR1, black font w edits, 2 pg


Box 161 Item 3 SR2, black font w edits, 2pg


Box 161 Item 4 BRS4, black font w edits, 2pg


Box 161 Item 5 NAL5, black font, 2 pg


Box 161 Item 6 Fact check 4 pg


Box 161 Item 7 Proof 1, black and white images w pink pencil, 3 pg


Box 161 Item 8 Proof 2, black and white images w pink pencil, 3 pg


Box 161 Item 9 Proof 3, black and white images w pen, 3 pg


Box 161 Item 10 Proof 4, color images w highlighting, 3 pg


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Nadja Bournonville, and Zoe Beloff


Iris Has Free Time by Iris Smyles by Frederic Tuten (Corresponding pages in magazine: 14):


Box 161 Item 1 Draft 1, Black font w blue pen, 2 pgs


Box 161 Item 2 MT1, black and blue font w highlighting, 2 pgs


Box 161 Item 3 FT3, black font w blue pen, 2 pgs


Box 161 Item 4 Fact check, 1 pg


Box 161 Item 5 Proof 1, black and white w black pen


Box 161 Item 6 Proof 2, color image w black pen


Box 161 Collected correspondences from Monica Del La Torre, Betsy Sussler, Frederic Tuten


BOMB Specific:


Welcome, Foreign Brother: Graham Greene…Photographer? by Fredi Casco (Corresponding pages in magazine: 124-129):


Box 161 Item 1 Draft 1, black and white images, 4 pgs


Box 161 Item 2 Proof 1, pen and punk highlighter, 3 pgs


Box 161 Item 3 Proof 2, Pen and pink highlighter, 3 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Mary-Ann Monforton, Fredi Casco


Additional Materials:


Box 161 Fredi Casco, Visual Works 2007-2012 CD-R, 2007-2012


Interviews:


Hope Gangloff by Yuri Masnyj (Corresponding pages in magazine: 24-33):


Box 161 Item 1 Original Transcript, black font, 31 pgs


Box 161 Item 2 List of deletions from track changes, black text


Box 161 Item 3 SR1, black font with track changes on right, 18 pgs


Box 161 Item 4 SR2, black font w track changes on right, followed by track changes list of deletions, 21 pgs


Box 161 Item 5 SR3, black font with track changes on right and gray onscreen highlighting, 13 pgs


Box 161 Item 6 YM4 (Yuri Masnyj edits), black font with track changes, gray onscreen highlighting, onscreen strikethroughs, 14 pgs


Box 161 Item 7 SR6, black font with blue text, gray highlighting, 13 pgs


Box 161 Item 8 BRS edits, black font with blue text, gray onscreen highlighting, blue pen marks throughout, 13 pgs


Box 161 Item 9 BRS 7, black font with blue text (gray on the paper), page numbers on bottom right, 12 pgs


Box 161 Item 10 Hope's changes, photocopied pages, black font with blue text, red pen notes throughout, 11 pgs


Box 161 Item 11 HG8 (Hope Gangloff edits), black text, page numbers on bottom right, 12 pgs


Box 161 Item 12 Fact Check, black font with blue text, yellow onscreen highlighting, yellow highlighter, 10 pgs


Box 161 Item 13 Fact Check list, black blue and red font, 2 pgs


Box 161 Item 14 Introduction, black font, 1pg


Box 161 Item 15 "Final" (prelayout), black font with gray (red onscreen) text in intro, 12 pgs


Box 161 Item 16 Monica's first changes in inDesign, full color images, changes in blue and black ink, pink highlighter


Box 161 Item 17 Monica's 2nd changes in inDesign, full color images, changes in blue and black ink


Box 161 Item 18 Monica's 3rd changes in inDesign, grayscale images, pink pencil and black ink


Box 161 Item 19 Betsy's changes in inDesign, grayscale images, changes in gray pencil


Box 161 Item 20 Ali's proof, grayscale images, changes in pencil, black ink, yellow and pink highlighter


Box 161 Item 21 InDesign pre-Joshua, grayscale images, no marks


Box 161 Item 22 Joshua's changes in inDesign, changes in ink (photocopied) and pink highlighter


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Yuri Masnyj, Hope Gangloff, Susan Inglett


Audio:


Box 161 080513-000.mp3; Hope Gangloff and Yuri Masnyj; MP3 file; 1:25:45


Additional Materials:


Box 161 Press packet on Hope Gangloff from Susan Inglett


Joanne Greenbaum by Jeremy Sigler (Corresponding pages in magazine: 50-57):


Box 161 Item 1 Original Transcript, black font, 18 pgs (also SR1 and SR2, both unchanged from TRN)


Box 161 Item 2 SR3, red track changes on right, 25 pgs


Box 161 Item 3 Before Jeremy, deletions in blue, blue and black ink, 19 pgs


Box 161 Item 4 SR5, purple and red track changes, 19 pgs


Box 161 Item 5 JS4, black font w red track changes, 11 pgs


Box 161 Item 6 SR6 to JG, purple and red text and track changes, 16 pgs


Box 161 Item 7 JG7, purple, red, and light blue track changes, 21 pgs


Box 161 Item 8 JG 7 (2) blue and red text, 15 pgs


Box 161 Item 9 SR7, black text w track changes, 15 pgs


Box 161 Item 10 SR8 (with FC), red font, gray highlighting onscreen, yellow highlighting on page, fact check attached,11 pgs


Box 161 Item 11 BRS, black text with black and blue pen, 10 pgs


Box 161 Item 12 BRS9, dark blue track changes, yellow onscreen highlighting, 12 pgs


Box 161 Item 13 BRS10, dark and light blue track changes, yellow onscreen highlighting, 12 pgs


Box 161 Item 14 SR11, track changes, colored text, 11 pgs


Box 161 Item 15 "To layout," black text with JS intro, 11 pgs


Box 161 Item 16 MT edits in inDesign, edits in pink pencil, grayscale images, 8 pgs


Box 161 Item 17 Ali (1), edits in inDesign, edits in pencil, black pen, yellow highlighter


Box 161 Item 18 Joshua's edits in inDesign, maroon pen, pink highlighter, blue and black pen


Box 161 Item 19 BRS proof, edits in pink pencil and black pen


Box 161 Item 20 Ali's proof, edits in black pen and yellow highlighter


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Joanne Greenbaum, Jeremy Sigler, Joshua Bauchner


Audio:


Box 161 Joanne Greenbaum and Jeremy Sigler; MP3 file; 58:11


Philip Lopate by Shifra Sharlin (Corresponding pages in magazine: 105-110):


Box 161 Item 1 TRN, black font, 26 pgs


Box 161 Item 2 SS1, black font, 10 pgs


Box 161 Item 3 PL2, black font, 10 pgs


Box 161 Item 4 MT3, red and black ink edits, 10 pgs


Box 161 Item 5 MT3, black font, 10 pgs


Box 161 Item 6 Final edit (pre intro), black font, 10 pgs


Box 161 Item 7 Intro SS1, black font, 1 pg


Box 161 Item 8 Intro MT2, black font w yellow onscreen highlighting, 1pg


Box 161 Item 9 "Betsy's edits entered", black and blue ink marks, 1 pg


Box 161 Item 10 Intro SS3/Final, black font, 1 pg


Box 161 Item 11 "intro fact check" black font w yellow on page highlighting, 11 pgs


Box 161 Item 12 Fact check, black and blue underlined font, 2 pgs


Box 161 Item 13 First proof, black and red ink edits, 6 pgs


Box 161 Item 14 inDesign edit, brown first page w black ink marks, 6 pgs


Box 161 Item 15 Lopate edit, list of questions, black font, 1 pg


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Leah Johanson, Philip Lopate and Shifra Sharlin


Audio:


Box 161 Philip Lopate and Shifra Sharlin; MP3 file; 1:42:24


Richard Thompson by Keith Connolly (Corresponding pages in magazine: 34-38):


Box 161 Item 1 TRN, black font, 14 pgs


Box 161 Item 2 MT's edits--first pass, black font w red pen, 14pgs


Box 161 Item 3 MT1, black and blue font, red pen, 10 pgs


Box 161 Item 4 KC2, red blue black font, 12 pgs


Box 161 Item 5 MT3, black font w track changes, 9 pgs


Box 161 Item 6 RT4, black font, 9 pgs


Box 161 Item 7 MT5, black font, 9 pgs


Box 161 Item 8 KC6, black font w track changes, 9 pgs


Box 161 Item 9 KC6 (2), black font w blue & black pen, 9 pgs


Box 161 Item 10 MT7, black font w track changes, 9 pgs


Box 161 Item 11 BRS8/final, black font, 9 pgs


Box 161 Item 12 FC Interview, black font w links and highlighting, 12 pgs


Box 161 Item 13 KC Intro, black font, 1 pg


Box 161 Item 14 FC Intro, black font w links and highlighting, 2 pgs


Box 161 Item 15 Intro final, black font, 1 pg


Box 161 Item 16 Proof 1, pencil and black pen marks, 5 pgs


Box 161 Item 17 Proof 2, pencil pen highlighting marks, 5 pgs


Box 161 Item 18 Proof 3, pink pencil and highlighting, 5 pgs


Box 161 Item 19 Proof 4, maroon and black pen, 5 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Richard Thompson, and Keith Connolly


Audio:


Box 161 Richard Thompson interview.mp3; Richard Thompson and Keith Connolly; MP3 file; 51:16


Matías Piñeiro by Clinton Krute (Corresponding pages in magazine: 40-47):


Box 161 Item 1 TRN, black font, 23 pgs


Box 161 Item 2 CK1, black font, 23 pgs


Box 161 Item 3 MT2, black font w pencil edits, 23 pgs


Box 161 Item 4 CK3, black font w yellow and blue track changes, 11pgs


Box 161 Item 5 BRS4, black font w yellow and blue track changes, 11pgs


Box 161 Item 6 MT5, black font w edits, 10pgs


Box 161 Item 7 MP, black font w grey edits, 11pgs


Box 161 Item 8 Intro 1, black font, 1 pg


Box 161 Item 9 Intro MT2, black font, 1 pg


Box 161 Item 10 Intro 3, black font w black ink edits, 1 pg


Box 161 Item 11 Fact Check, red black blue fonts w highlighter, 12 pgs


Box 161 Item 12 Final, black font, 11pgs


Box 161 Item 13 Proof 1, black and maroon edits, 8pgs


Box 161 Item 14 Proof 2, highlighter, pink and grey pencil, sticky notes, 8 pgs


Box 161 Item 15 Proof 3, pen and highlighter edits, 8 pgs


Box 161 Item 16 Proof 4, pen and highlighter edits, 8pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Matías Piñeiro, Miriam Bale, Carlos Gutierrez, and Clinton Krute


Audio:


Box 161 Piñeiro audio.mp3, Matías Piñeiro and Clinton Krute, 1:06:55


David Grubbs by C. Spencer Yeh (Corresponding pages in magazine: 130-134):


Box 161 Item 1 TRN, black font, 28 pgs


Box 161 Item 2 CK2, black font, 8 pgs


Box 161 Item 3 BRS3, black font, 8 pgs


Box 161 Item 4 SR4, black font w track changes, 12 pgs


Box 161 Item 5 SR5, black font w track changes, 10 pgs


Box 161 Item 6 SY6, black font w track changes, 11pgs


Box 161 Item 7 SR7, black font, 8 pgs


Box 161 Item 8 Fact check, black red blue fonts w highlighter, 15 pgs


Box 161 Item 9 Joshua's Proof, maroon, blue, green pen, 6pgs


Box 161 Item 10 Ali's proof, color imagew pencil and highlighter, 5 pgs


Box 161 Item 11 Monica's proof, black and white image with pink pencil and green highlighter, 5 pgs


Box 161 Item 12 Last Proof, pen and pink highlighter, 5 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Clinton Krute, David Grubbs, Kellie Morgan, and C. Spencer Yeh


Gyula Kosice by Lyle Rexer by Gyula Kosice, Lyle Rexer, and Gabriel Pérez-Barreiro (Corresponding pages in magazine: 58-64):


Box 161 Item 1 TRN, black font with some pen comments, 11 pgs


Box 161 Item 2 MR1, black font with pen on first page, 4 pgs


Box 161 Item 3 MT2, black font with some colored edits, 6 pgs


Box 161 Item 4 LR3, black font with colored edits, 6 pgs


Box 161 Item 5 MT4, black font with colored edits, 6 pgs


Box 161 Item 6 GPB5, track changes on right, 6 pgs


Box 161 Item 7 MT6, track changes on right, 7pgs


Box 161 Item 8 GPB7, track changes on right, 8pgs


Box 161 Item 9 MT8, red and blue font w highlighter and pen marks, 8pgs


Box 161 Item 10 MT8 (2), black font, 8 pgs


Box 161 Item 11 LR9, black and blue fonts, 8 pgs


Box 161 Item 12 GPB10, black and blue fonts, 8 pgs


Box 161 Item 13 MT11, highlighter and pen marks, 8pgs


Box 161 Item 14 BRS proof edits, pen and sticky notes, 7 pgs


Box 161 Item 15 MT proof edits 1, blue pen, pink pencil, highlighter, 7 pgs


Box 161 Item 16 MT proof edits 2, blue and maroon pen, pink pencil, highlighter, 8pgs


Box 161 Item 17 Last proof edits, pink and grey pencil, black pen, highlighter, 8 pgs


Box 161 Item 18 Fact Check, blue and red fonts, 4 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Clinton Krute, Meg Blackburn, Mariana Barrera Pieck, Gyula Kosice, Lyle Rexer, and Gabriel Pérez-Barreiro


Audio:


Box 161 Gyula Kosi.mp3; Gyula Kosice, Lyle Rexer, and Gabriel Pérez-Barreiro; MP3; 39:36


Fiona Maazel by Justin Taylor (Corresponding pages in magazine: 74-79):


Box 161 Item 1 Draft 1, black type w track changes and underlined additions, 8pgs


Box 161 Item 2 Draft 2, black type with pencil edits, 11pgs


Box 161 Item 3 SR2, black type with trach changes, 11pgs


Box 161 Item 4 FM3, black type with onscreen edits, 11pgs


Box 161 Item 5 JT4, black type with onscreen edits, 12 pgs


Box 161 Item 6 SR5, black type, 11 pgs


Box 161 Item 7 MT/BRS 6, black type with red blue black pen, 11 pgs


Box 161 Item 8 Final, black type, 11 pgs


Box 161 Item 9 Fact Check, black and blue type, highlighting, 13 pgs


Box 161 Item 10 Ali's proof, colored proof with highlighting, 6 pgs


Box 161 Item 11 Joshua's proof, colored proof w maroon pen, 7 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Fiona Maazel, and Justin Taylor


Abraham Cruzvillegas by Haegue Yang (Corresponding pages in magazine: 114-123):


Box 161 Item 17 Draft 1, black type w blue pen marks, 7 pgs


Box 161 Item 18 Draft 2, black type w blue and yellow track changes, 7 pgs


Box 161 Item 19 MT2, black and blue type, 6 pgs


Box 161 Item 20 BRS3, black type w yellow and blue track changes, 6 pgs


Box 161 Item 21 HY4, black type w yellow and blue track changes, 6 pgs


Box 161 Item 22 Final, black type, 9 pgs


Box 161 Item 23 Intro v 1, black type, 1 pg


Box 161 Item 24 Intro v 2, black and blue type, 1 pg


Box 161 Item 25 Intro v 3, black blue green type, 1 pg


Box 161 Item 26 Intro 4, black type, 1 pg


Box 161 Item 27 Fact check, black red blue type, highlighting, 11 pgs


Box 161 Item 28 Proof 1, black and white images w pencil marks, 11 pgs


Box 161 Item 29 Proof 2, black and white images, pencil marks, 10 pgs


Box 161 Item 30 Joshua's proof, maroon and black pen marks, 10 pgs


Box 161 Item 31 Proof 4, color images, highlighting, 10 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Abraham Cruzvillegas and Hague Yang


TABBOO! The Art of Stephen Tashjian by Sean Mellyn (Corresponding pages in magazine: 16):


Box 161 Item 1 Draft 1, black font, 2 pgs


Box 161 Item 2 SR1, black and blue font w highlighting, 5 pgs


Box 161 Item 3 SR2, black font w black and blue pen, 3 pgs


Box 161 Item 4 BRS3, black font, 4 pgs


Box 161 Item 5 Draft 4, black font w highlighting, 3 pgs


Box 161 Item 6 Final, black font, 3 pgs


Box 161 Item 7 Fact check, 2 pgs


Box 161 Item 8 Proof 1, black and white w pink highlighter and pen, 1 pg


Box 161 Item 9 Proof 2, black and white w yellow highlighter and pen, 1 pg


Box 161 Item 10 Proof 3, black and white w pencil, 1 pg


Box 161 Collected correspondences from Monica Del La Torre, Sabine Russ, Sean Mellyn


Fill the Void Directed by Rama Burshtein by Liza Bear (Corresponding pages in magazine: 18):


Box 161 Item 1 Draft 1, black font w pen, 2 pgs


Box 161 Item 2 MT2, black font, track changes, 2 pgs


Box 161 Item 3 LB/SR 3, black font w blue pen, 2 pgs


Box 161 Item 4 Final, black font, 2 pgs


Box 161 Item 5 Fact check, 2 pgs


Box 161 Item 6 Proof 1, black and white, pen marks, 1 pg


Box 161 Item 7 Proof 2, black and white, pencil marks, 1 pg


Box 161 Item 8 Proof 3, color picture, highlighter, 1 pg


Box 161 Collected correspondences from Monica Del La Torre, Sabine Russ, Betsy Sussler, Liza Bear


Above and Below: Gordon Matta-Clark by Lytle Shaw (Corresponding pages in magazine: 20):


Box 161 Item 1 Draft 1, black font, 1 pg


Box 161 Item 2 MT2, black font, 1 pg


Box 161 Item 3 Proof 1, pink pencil and pen, 1 pg


Box 161 Item 4 Proof 2, color images, highlighter, 1 pg


Box 161 Collected correspondences from Monica Del La Torre, Sabine Russ, Betsy Sussler, Lytle Shaw


City of Angels: or, The Overcoat of Dr. Freud by Christa Wolf by Larissa Zimberoff (Corresponding pages in magazine: 22):


Box 161 Item 1 Draft 1, black font, 2 pg


Box 161 Item 2 SR2, black blue font, 2pg


Box 161 Item 3 SR3 black blue font, 2 pg


Box 161 Item 4 LZ4, black blue font, 2 pgs


Box 161 Item 5 SR5, black blue red font, 2 pg


Box 161 Item 6 Fact check 2 pg


Box 161 Item 7 LZ6, black blue red font, 2 pg


Box 161 Item 8 SR7, black font, 2 pg


Box 161 Item 9 BRS 8, black red font 2 pg


Box 161 Item 10 Final black font pen 2 pgs


Box 161 Item 11 Proof 1, black and white pencil, 1 pg


Box 161 Item 12 Proof 2, black and white pen, 1 pg


Box 161 Collected correspondences from Monica Del La Torre, Sabine Russ, Betsy Sussler, Clinton Krute, Luke Degnan, Larissa Zimberoff


Portfolio:


Paola Ferrario Artist: Paola Ferrario (Corresponding pages in magazine: 135-137):


Box 161 Item 1 Draft 1, black font, 1 pg


Box 161 Item 2 Draft 2, black font, 1 pg


Box 161 Item 3 SR1, black font, 1 pg


Box 161 Item 4 Ferrario captions, 1 pg


Box 161 Item 5 Proof, color images w highlighter, 3 pgs


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Paola Ferrario


Additional Materials:


Collection of images, available on BOMB server


Wick:


This Is The Last Time I Do a Charity Event Artist: Jim Torok (Corresponding pages in magazine: 144):


Box 161 Item 1 12 cartoons of Jesus on the cross, color, 1 pg each


Box 161 Item 2 Proof, color image, pencil, 1 pg


Box 161 Collected correspondences from Sabine Russ, Monica Del La Torre, Betsy Sussler, Jim Torok


Issue 125/Fall, 2013


Editor's Choice:


Picturing the Unsayable: Carl E. Hazlewood by Patricia Spears Jones (Corresponding pages in magazine: 14-15):



Box 162 Folder 1 Original, black font, pencil, 3 pages


Box 162 Folder 2 SR1, black font, 3 pages


Box 162 Folder 3 BRS2, black font, black ink, 2 pages


Box 162 Folder 4 SR3, black font, includes original in gray font, 4 pages


Box 162 Folder 5 BRS4, black, red & blue font with track changes, includes original, 4 pages


Box 162 Folder 6 Proof 1, black font, black ink, pink highlighter, pencil, b&w photos, 1 page


Box 162 Folder 7 Proof 2, black font, pencil, b&w photos, 1 page


Box 162 Folder 8 Proof 3, black font, black ink, red pencil, black & blue ink, yellow post-it, 1 page


Box 162 Folder 9 Proof 4, black font, blue ink, yellow highlighter, b&w photos, blue sticky


Box 162 Folder 10 Final Edit, black font, 2 pages


Box 162 Folder 11 Fact Check, black, red & blue font, blue ink, green highlighter


Operation Massacre By Rodolfo Walsh by Ellie Robins (Corresponding pages in magazine: 16):


Box 162 Folder 1 SR1, BRS, black & blue font with track changes, black ink, yellow onscreen highlighting, 2 pages


Box 162 Folder 2 SR2, black and gray font with track changes, 2 pages


Box 162 Folder 3 ER3, black & gray font with track changes, 2 pages


Box 162 Folder 4 SR4, black font, 2 pages


Box 162 Folder 5 Final Edit, black font, 2 pages


Box 162 Folder 6 Proof 1, black font, black ink, b&w photos, 1 page


Box 162 Folder 7 Proof 2, black font, black ink, pencil, yellow highlighter, b&w photos, 1 page


Box 162 Folder 8 Proof 3, black font, black ink, red pencil, b&w photos, 1 page


Box 162 Folder 9 Proof 4, black font, blue ink, yellow highlighter, b&w photos, 1 page


Box 162 Folder 10 Fact Check, black & gray font, 1 page


Between Artists: Thom Andersen/William E. Jones by Andrew Lampert (Corresponding pages in magazine: 17):


Box 162 Folder 1 Original, black font, 1 page


Box 162 Folder 2 SR1, black font, 2 page


Box 162 Folder 3 BRS2, black & gray font with track changes, gray onscreen highlighting, 2 pages


Box 162 Folder 4 SR3, black & gray font with track changes, 2 pages


Box 162 Folder 5 AL4, black & gray font with track changes, 2 pages


Box 162 Folder 6 Proof 1, black font, black ink, b&w photos 1 page


Box 162 Folder 7 Proof 2, black font, blue ink, pencil, yellow highlighter, b&w photos, 1 page


Box 162 Folder 8 Proof 4, black font, blue ink, yellow highlighter, blue sticky, 1 page


Box 162 Folder 9 Final Edit, black font, 2 pages


Box 162 Folder 10 Fact Check, black, red, blue font, pencil, black ink, green highlighter, onscreen yellow highlighting


Box 162 Collected correspondences from Mónica de la Torre, Sabine Russ, Adam Lampert


Lynda Benglis: Beyond Process by Susan Richmond by Stuart Horodner (Corresponding pages in magazine: 18):


Box 162 Folder 1 MT1, black & gray font with track changes, 2 pages


Box 162 Folder 2 BRS2, black & gray font with track changes, 2 pages


Box 162 Folder 3 BRS3, black & gray font with track changes, black ink, yellow highlighter, 2 pages


Box 162 Folder 4 MT4, black & gray font with track changes, blue ink, 2 pages


Box 162 Folder 5 SR5, black font, yellow highlighter, pencil, 2 pages


Box 162 Folder 6 Proof 1, black font, black ink, red pencil, b&w photo, 1 page


Box 162 Folder 7 Proof 2, black font, black ink, red pencil, b&w photo, 1 page


Box 162 Folder 8 Proof 3, black font, blue ink, yellow highlighter, blue sticky, b&w photo, 1 page


Box 162 Folder 9 Final Edit, black font, 2 pages


Box 162 Folder 10 Fact Check, black, blue & red ink, 1 page


Beyond This Point Are Monsters by Susan Roxanne Carter by Alexandra Gauss (Corresponding pages in magazine: 20):


Box 162 Folder 1 Original, black font, 1 page


Box 162 Folder 2 DK1, black and gray font with track changes, 1 page


Box 162 Folder 3 SR2, black and gray font with track changes, 2 pages


Box 162 Folder 4 Proof 1, black font, black ink, red pencil, b&w photo, 1 page


Box 162 Folder 5 Proof 2, black font, 1 page


Box 162 Folder 6 Final Edit, black font, 2 pages


Savage Coast by Muriel Rukeyser by Stefanie Sobelle (Corresponding pages in magazine: 22):


Box 162 Folder 1 Original, black font, 1 page


Box 162 Folder 2 SR2, black font, 1 page


Box 162 Folder 3 MT3, black font, 1 page


Box 162 Folder 4 Proof 1, black font, pencil, b&w photo, 1 page


Box 162 Folder 5 Proof 2, black font, pencil, pink highlighter, b&w photo


Box 162 Folder 6 Proof 3, black font, black ink, b&w photo, 1 page


Box 162 Folder 7 Proof 4, black font, black ink, red pencil, b&w photo, 1 page


Box 162 Folder 8 Proof 5, black font, b&w photo, 1 page


Box 162 Folder 9 Fact Check, black & gray font, 1 page


Box 162 Collected correspondences from Mónica de la Torre, Stefanie Sobelle


Anfang Gut. Alles Gut. Actualization of the Futurist Opera Victory over the Sun 1913 by V. Vogler (Corresponding pages in magazine: 24):, 1913


Box 162 Folder 1 MT1, black font, blue pen, 2 pages


Box 162 Folder 2 MT2, black & gray font with track changes, 2 pages


Box 162 Folder 3 VV3, black font, 2 page


Box 162 Folder 4 DK3, black font, black ink, 2 pages


Box 162 Folder 5 MT4, black font, 2 pages


Box 162 Folder 6 BRS5, black font, 2 pages


Box 162 Folder 7 Proof 1, black font, black ink, red pencil, b&w photo, 1 page


Box 162 Folder 8 Proof 2, black font, blue ink, yellow highlighter, b&w photo, blue sticky, 1 page


Sarah Charlesworth 1947-2013 by Betsy Sussler (Corresponding pages in magazine: 26-27):, 1947-2013


Box 162 Folder 1 MT1, black & gray font with track changes, 2 pages


Box 162 Folder 2 SR4, black & gray font with track changes, 2 pages


Box 162 Folder 3 BRS5, black font, 2 pages


Box 162 Folder 4 MT6, black & gray font with track changes, 2 pages


Box 162 Folder 5 BRS7, black font, 2 pages


Box 162 Folder 6 Proof 1, black font, black ink, red pencil, 1 page


Box 162 Folder 7 Proof 2, black font, blue ink, yellow & pink highlighter, blue sticky, b&w photo, 2 pages


Box 162 Folder 8 FC, black & gray font, 1 page


Interviews:


Ben Rivers by Coleen Fitzgibbon by Ben Rivers and Coleen Fitzgibbon (Corresponding pages in magazine: 54-63):


Box 162 Folder 1 Original Transcript, black font, 28 pages


Box 162 Folder 2 SR1, black font with track changes, page numbers on bottom right, 28 pages


Box 162 Folder 3 CF2, black font with track changes, 12 pages


Box 162 Folder 4 BRS3, black font with track changes, black text, 11 page


Box 162 Folder 5 CF4, black font with track changes, 11 pages


Box 162 Folder 6 BRS5, black font with track changes, black text, 11 pages


Box 162 Folder 7 SR6, black font with track changes, 11 pages


Box 162 Folder 8 SR7, black font


Box 162 Folder 9 SR8, black font with track changes, gray onscreen highlighting, 12 pages


Box 162 Folder 10 CF9, black font with track changes, gray onscreen highlighting, 11 pages


Box 162 Folder 11 SR10, black font with track changes, gray onscreen highlighting, 11 pages


Box 162 Folder 12 Proof 1, black font, blue ink, yellow and pink highlighter, b&w photos 10 pages


Box 162 Folder 13 Proof 2, black font, pencil, yellow highlighter and purple tags, b&w photos, 10 pages


Box 162 Folder 14 Proof 3, black font, pencil, pink and green highlighter, b&w photos, 10 pages


Box 162 Folder 15 Proof 4, black font, yellow post-its, pink tags, b&w photos, 10 pages


Box 162 Folder 16 Proof 5, entered captions, pencil, blue highlighter b&w photos, 10 pages


Box 162 Folder 17 Proof 6, black font, yellow post-its, pink highlighter, colored photos, 10 pages


Box 162 Folder 18 Proof 7, black font, black ink, yellow highlighter, colored photos.


Box 162 Folder 19 Final, black font, 11 pages


Box 162 Folder 20 Fact Check, black font, onscreen highlighting, 11 pages


Box 162 Folder 21 BRS Film Names/Spelling & Dates, black & blue font, red & yellow onscreen highlighting, pink highlighter, 3 pages


Box 162 Folder 22 Coleen's edits, black font, yellow post-it, pink and yellow highlighter, 3 pages


Box 162 Collected correspondences from Sabine Russ, Mónica de la Torre, Betsy Sussler, Ben Rivers, Coleen Fitzgibbons.


Box 162 Ben Rivers and Coleen Fitzgibbons; mov file; 1:27:54


Additional Materials:


Box 162 NYT article


Amy Sillman by R.H. Quaytman (Corresponding pages in magazine: 114-121):


Box 162 Folder 1 Original Transcript, black font, 38 pages


Box 162 Folder 2 SR1, black font, blue track changes, 38 pages


Box 162 Folder 3 AS3, black font, 14 pages


Box 162 Folder 4 SR4, black font, blue track changes, 14 pages


Box 162 Folder 5 SR5, black font, 24 pages


Box 162 Folder 6 BRS6, black font, red track changes, gray onscreen highlighting, pencil


Box 162 Folder 7 BRS6 #2, black font, black ink, yellow post-it notes, pages numbered on lower right, 14 pages


Box 162 Folder 8 SR7, black font, gray track changes, 14 pages


Box 162 Folder 9 AS8, black font, blue track changes, yellow & pink highlighter, 15 pages


Box 162 Folder 10 SR9, black font, gray track changes, 14 pages


Box 162 Folder 11 Final, black font, black ink, yellow post-its14 pages


Box 162 Folder 12 Fact Check, black font, gray track changes, pencil, black ink, yellow highlighter track changes in blue font, 15 pages


Box 162 Folder 13 Proof 1, black font, pink & yellow highlighter, pencil & black ink, b&w photos, 8 pages


Box 162 Folder 14 Proof 2, black font, red pencil, 8 pages


Box 162 Folder 15 Proof 3,black font, pencil, green highlighter, 8 pages


Box 162 Folder 16 Proof 4, black font, black ink, pencil, yellow highlighter, 8 pages


Box 162 Collected correspondences from Sabine Russ, Amy Sillman


Audio:


Box 162 Amy Sillman Interview; Amy Sillman and R.H. Quaytman; MPEG; 01:21:12


Paulo Bruscky by Sergio Antonio Bessa (Corresponding pages in magazine: 122-129):


Box 162 Folder 1 Original Transcript, in Portuguese, black font, 12 pages


Box 162 Folder 2 Original transcript, excerpt, in Portuguese, block font, 7 pages


Box 162 Folder 3 Original Transcript, in English, black font, 10 pages


Box 162 Folder 4 MT1, black font, red pencil, 10 pages


Box 162 Folder 5 BRS2, black & gray font with track changes, blue ink, green sticky, 13 pages


Box 162 Folder 6 PB3, black font & gray font with track changes, 13 pages


Box 162 Folder 7 MT4, black font, 13 pages


Box 162 Folder 8 Original PB Intro, black font, 1 pages


Box 162 Folder 9 SB2, PB Intro, black font with gray onscreen highlighting, 1 page


Box 162 Folder 10 MT3, PB Intro, black font


Box 162 Folder 11 Final Edit, in Portuguese, 12 pages


Box 162 Folder 12 Fact Check, black & gray ink, black marker, yellow highlighter, 16 pages


Box 162 Folder 13 Proof 1, black font, black ink, red pencil, yellow post-it, b&w photos, 8 pages


Box 162 Folder 14 Proof 2, black font, black & blue ink, b&w photos, 8 pages


Box 162 Folder 15 Proof 3, black font, black ink, b&w photos, 8 pages


Box 162 Collected correspondences from Sergio Bessa, Mónica de la Torre


First Proof:


Pain Quotient by Charles North (Corresponding pages in magazine: 82-83):


Box 162 Folder 1 MT1, black font, black ink, red & lead pencil, 2 pages


Box 162 Folder 2 Proof 1, black font, black ink, yellow highlighter, 2 pages


Box 162 Collected correspondences from Mónica de la Torre, Alexandra Gauss


A Tour of the Horizon; Charm Offensive; Neither/Noir by Barry Schwabsky (Corresponding pages in magazine: 94-95):


Box 162 Folder 1 Original Submission, black font, 10 pages


Box 162 Folder 2 Proof 1, black font, pencil. 1 page


Box 162 Folder 3 Proof 2, black font, 2 pages


Box 162 Collected correspondences from Barry Schwabsky, Alexandra Gauss


Ten Ways To Mourn A Dead Language; Loan Words; Neologism by Jennifer Kronovet (Corresponding pages in magazine: 102-103):


Box 162 Folder 1 Original Submission, black font, black & blue ink, 10 pages


Box 162 Folder 2 Final Edit, black font, pencil, green highlighter


From As Flies to Whatless Boys; Disembarkation; Cumbruxions by Robert Antoni (Corresponding pages in magazine: 96-100):


Box 162 Folder 1 Original Submission, As Flies to Whatless Boys, black font, yellow post-it


Box 162 Folder 2 Second Submission, black font, blue & black ink, pencil, yellow highlighter, yellow sticky.


Box 162 Collected correspondences from Mónica de la Torre, Sabine Russ, Betsy Sussler, Robert Antoni


Additional Materials:


Box 162 Map drawing


Furniture, Table, Chair, Shelves by Amina Cain (Corresponding pages in magazine: 92-93):


Box 162 Folder 1 Original Submission, black font, red & lead pencil 8 pages


Box 162 Folder 2 Proof 1, black font, pencil, green highlighter, 2 pages


Box 162 Folder 3 Proof 2, black font, red & lead pencil, 2 pages


May an Dusk by Juan Villoro (Corresponding pages in magazine: 77-81):


Box 162 Folder 1 Original Submission, black font, red pencil, magenta onscreen highlighting, 2 pages


Box 162 Folder 2 Proof 1, black font, black ink, red pencil, 4 pages


Box 162 Folder 3 Proof 2, black font, black ink, yellow highlighter, 5 pages


The Music Lovers by Susan Friedland (Corresponding pages in magazine: 84-90):


Box 162 Folder 1 BRS1, black & gray font with track changes, 24 pages


Box 162 Folder 2 BRS2, black font, black & blue ink, 24 pages


Box 162 Folder 3 BRS3, black & gray font with track changes, 24 pages


Box 162 Folder 4 SF4, black & gray font with track changes, 24 pages


Box 162 Folder 5 MT4, black & gray font with track changes, blue ink, pencil, green sticky, 24 pages


Box 162 Folder 6 MT/SF 5, black & gray font with track changes, gray onscreen highlighting, 25 pages


Box 162 Folder 7 Proof 1, black font, black ink, 8 pages


Box 162 Folder 8 Proof 2, black font, black ink, red pencil, 7 pages


Box 162 Folder 9 Proof 3, black font, black & blue ink, yellow post-it, 8 pages


Box 162 Collected correspondences from Betsy Sussler, Mónica de la Torre, Susan Friedlander


First Proof Final Edit:


Box 162 BRS/MT, black font, black ink, red & lead pencil, yellow & purple post-its, colored photos, yellow & green highlighter, 41 pages


Artists on Artists:


Florian Hecker by Ben Vida (Corresponding pages in magazine: 130-132):


Box 162 Folder 1 Original, black font, 2 pages


Box 162 Folder 2 SR1, 3 copies, black & blue font with track changes, black ink, pencil, yellow & red onscreen highlighting, 7 pages


Box 162 Folder 3 SR2, black & blue font with track changes, black ink, yellow onscreen highlighting, 3 pages


Box 162 Folder 4 BV2, black font, 2 pages


Box 162 Folder 5 SR3, black font, pencil, 2 pages


Box 162 Folder 6 BRS4, black font, black ink pencil, 2 pages


Box 162 Folder 7 Final Edit, black font, 2 pages


Box 162 Folder 8 Fact Check, black font, black ink, green & pink highlighter, pink post-it, 2 pages


Box 162 Folder 9 Proof 1, black font, black ink, b&w photos, 2 pages


Box 162 Folder 10 Proof 2, black font, black ink, b&w photos, 3 pages


Box 162 Collected correspondences from Sabine Russ, Ben Vida


Additional Materials:


Box 162 Primary Information Press Release for Florian Hecker


Ben Durham by Christopher Stackhouse (Corresponding pages in magazine: 133-135):


Box 162 Folder 1 CS1, black font, 2 pages


Box 162 Folder 2 SR2, black font, 2 pages


Box 162 Folder 3 Proof 1, black font, b&w photos, 3 pages


Additional Materials:


Box 162 Artist Statement; poem


Miyoshi Barosh by Annetta Kapon (Corresponding pages in magazine: 136-137):


Box 162 Folder 1 Original, black font, 2 pages


Box 162 Folder 2 Proof 1, black font, b&w photos, 2 pages


Box 162 Folder 3 Proof 2, black font, black ink, 1 page


Issue 126/Winter, 2014


Interviews:



Box 163 Dodie Bellamy by David Buuck (Corresponding pages in magazine: 72-78):


Box 163 Item 1 Original Transcript, black font, 60 pages


Box 163 Item 2 MT edit 1 (Monica de la Torre edit), black font, 28 pages


Box 163 Item 3 DJB2 (David Buuck edit 2), black font, 15 pages


Box 163 Item 4 David Buuck edit 3, black font, 15 pages


Box 163 Item 5 MT edit 5 (Dodie Bellamy edit 4), black font with black pen, 16 pages


Box 163 Item 6 MT edit 5, black font, 16 pages, 5119 words, 5119


Box 163 Item 7 Dodie Bellamy edit 8, black font, 15 pages, 5149 words, 5149


Box 163 Item 8 BRS edit 6, black font with red, 15 pages


Box 163 Item 9 Fact Check, black font with yellow highlighting, 15 pages


Box 163 Item 10 Introduction, black font, 1 page


Box 163 Item 11 MT 1 edit Introduction, black font with blue pen, 1 page


Box 163 Item 12 Introduction fact check, black font with yellow highlighting, 1 page


Box 163 Item 13 Copyeditor's changes in layout, marks in red


Box 163 Item 14 Editor's receipt and acceptance of changes, marks in blue ink


Box 163 Item 15 Proofread of copyeditor's changes, marks in navy ink


Box 163 Item 16 BRS's last changes in layout, black ink and pencil


Box 163 Email from Dodie Bellamy to David Buuck


Audio:


Box 163 Dodie Bellamy and David Buuck, two mp3 files, 1:03:25 and 40:43


Edwidge Danticat by Garnette Cadogan (Corresponding pages in the magazine: 104-110):


Box 163 Item 1 Original transcription, black font, 3512 words, 6 pages, 3512


Box 163 Item 2 MT2 (Monica de la Torre edit 2) black font with blue highlight and black pen, 3451 words, 3451


Box 163 Item 3 BRS edit 3, black font with crossed out words, 3451 words, 9 pages, 3451


Box 163 Item 4 MT4, black font with words crossed out, 9 pages


Box 163 Item 5 MT5, black font with edits, 10 pages


Box 163 Item 6 ED6 (Edwidge Danticat edit 6), black font with edits, 5180 words, 14 pages, 5180


Box 163 Item 7 GC7 (Garnette Cadogan edit 7), blue, black and red font, 15 pages


Box 163 Item 8 GC7 (Monica de la Torre edit 8). Black font with black pen edits, 13 pages


Box 163 Item 9 Final, BRS edit 9, black font with black pen edits, 12 pages


Box 163 Item 10 Fact Check, black font with red and blue pen, highlights, 12 pages


Box 163 Item 11 Fact Check links, blue links with black font, 4 pages


Box 163 Item 12 Copyeditor's changes in layout, black pen marks


Box 163 Item 13 Editor's reception of changes, black pen and blue pen


Box 163 Item 14 Proofread copyeditor's changes in layout, black pen comments, blue paper


Box 163 Item 15 BRS final review of interview in layout, pencil marks


Box 163 Correspondence: Collected from Sabine Russ between Betsy Sussler, Garnette Cadogan and Edwidge Danticat


Box 163 Audio: mp3 files


Phyllida Barlow and Vincent Fecteau (Corresponding pages in magazine: 48-57):


Box 163 Item 1 Full Transcription, black font with blue highlights, 3584 words, 3584


Box 163 Item 2 VF edit 2, black font with red and blue highlights, 5297 words, 9 pages, 5297


Box 163 Item 3 MT edit 3, black font with blue highlights and black ink changes, 4288 words, 4288


Box 163 Item 4 BRS4, black font with black ink, 4288 words, 4288


Box 163 Item 5 Final, black font, 4219 words, 4219


Box 163 Item 6 Cut from Fecteau, black, blue and red font, 1 page


Box 163 Item 7 Fact Check, black font with red and blue pen marks, 11 pages


Box 163 Item 8 Fact Check links, black font with blue links, 2 pages


Box 163 Item 9 Introduction by MT, black font, 1 page


Box 163 Item 10 Introduction edit by MT, black font with blue ink edits, 1 page


Box 163 Item 11 List of high-resolution images available, black font with images, 17 pages


Box 163 Item 12 Copyeditor's changes in layout with Editor's remarks, black font, gray changes, blue ink, 10 pages


Box 163 Item 13 Proofread changes, black font with yellow highlights, 10 pages


Box 163 Item 14 BRS final read, black font, black ink, yellow highlights and red tabs, 10 pages


Box 163 Correspondence: Collected from Monica de la Torre between Vincent Fecteau


Box 163 Audio: mp3


Leonardo Padura by Oscar Hijuelos (Corresponding pages in the magazine: 32-37):


Box 163 Item 1 Transcription in Spanish, black font, 21 pages


Box 163 Item 2 Translation by Ellie Robins, black font, 12 pages


Box 163 Item 3 OH edit 1 (MT edit 2), black font with blue ink edits, 14 pages


Box 163 Item 4 MT edit 2 (BRS 3 edit), black and blue font with pencil edits, 13 pages


Box 163 Item 5 BRS edit 3, black font with blue pen, 13 pages


Box 163 Item 6 Final, black font, 14 pages


Box 163 Item 7 Fact Check, black font with blue, red and yellow marks, 13 pages


Box 163 Item 8 Photocopies of fact-check sources, black font with yellow highlights, 9 pages


Box 163 Item 9 List of fact check sources, blue links and red corrections, 7 pages


Box 163 Item 10 Copyeditor's (Marianne) changes in layout, black font with blue and black ink marks, 6 pages


Box 163 Item 11 Proofread (Kendall) of copyeditor's changes, black font with yellow highlights, 6 pages


Box 163 Item 12 BRS final corrections, black font with black ink, 6 pages


Box 163 Item 13 BRS final corrections, black font with pencil and blue ink marks, 6 pages


Box 163 Item 14 Oscar Hijuelos contributor's bio, black font, 1 page


Box 163 Item 15 Padura excerpt, black font with black sharpie marks, five pages


Box 163 Item 16 Final Padura excerpt, white font on black page, 1 page


Box 163 Correspondence: Collected from Monica de la Torre between Oscar Hijuelos, Betsy Sussler and Sabine Russ


Mary Halvorson by Steve DiBenedetto (Corresponding pages in the magazine: 136-142):


Box 163 Item 1 Transcription, black font, 44 pages


Box 163 Item 2 Edit 1, black font with red deletions, 44 pages


Box 163 Item 3 SR3 (Sabine Russ edit 3), black font with yellow and gray highlights, 23 pages


Box 163 Item 4 SD4 (Steve DiBenedetto edit 4), black font, 27 pages


Box 163 Item 5 SR6 (Sabine Russ edit 6), black font with red and yellow highlights, 11 pages


Box 163 Item 6 Intro SR2, black font with blue edits, 1 page


Box 163 Item 7 Intro SR3, black font with yellow highlights and black pen, 1 page


Box 163 Item 8 Final Intro, black font, 1 page


Box 163 Item 9 Fact Check, black font with blue, red and yellow notations, 11 pages


Box 163 Item 10 List of references Fact Check, blue links with red corrections, 3 pages


Box 163 Item 11 Copyeditor's changes in layout, black font with red changes and pencil editor marks, 3 pages


Box 163 Item 12 Proofread of copyeditor's changes, black font with yellow highlight, 5 pages


Box 163 Item 13 BRS final corrections, black font with pencil and black ink corrections, 7 pages


Box 163 Correspondence: Collected from Sabine Russ


Box 163 Audio: Five parts of STE--000. Wav


Hans Witschi by Zipora Fried (Corresponding pages in the magazine: 114-121):


Box 163 Item 1 Transcription, black font with orange crayon corrections, 12 pages


Box 163 Item 2 SR3 (Sabine Russ edit 3), black font with red corrections, 19 pages


Box 163 Item 3 SR3, black font with blue and red corrections, 20 pages


Box 163 Item 4 SR4, black font with blue corrections, 19 pages


Box 163 Item 5 SR6 (corrected over the phone), black font with blue corrections, 19 pages


Box 163 Item 6 SR7 (after fact check), black font with blue corrections, 19 pages


Box 163 Item 7 Final, black font, 19 pages


Box 163 Item 8 Fact Check, black font with red, blue and yellow ink, 17 pages


Box 163 Item 9 Lists of fact check sources, black font, blue sources and red corrections, 5 pages


Box 163 Item 10 Copyeditor's changes in layout, black font with red changes and orange highlights, 8 pages


Box 163 Item 11 Proofread of copyeditor's changes, black font with yellow changes, 8 pages


Box 163 Item 12 BRS final corrections, black font with black ink and red tabs, 8 pages


Box 163 Correspondence: Collected from Sabine Russ between Hans Witschi, 8 pages


Kai Althoff by David Grubbs by Kai Althoff and David Grubbs (Corresponding pages in the magazine: 58-64):


Box 163 Item 1 DG workshop essay, black font, 9 pages


Box 163 Item 2 Transcription, black font with questions in bold, 7 pages


Box 163 Item 3 SRl, black font with blue corrections, 13 pages


Box 163 Item 4 SR2, black font with blue corrections, 13 pages


Box 163 Item 5 DGKA3, black font with track changes boxes, 13 pages


Box 163 Item 6 SR4, email attached: black font with black and blue ink changes, 15 pages


Box 163 Item 7 Final, black font, 13 pages


Box 163 Item 8 Fact Check, black font with yellow highlighting, 13 pages


Box 163 Item 9 List of fact-check sources, black font with blue links, 2 pages


Box 163 Item 10 KA music links, black font, 1 page


Box 163 Item 11 Copy editor's changes in layout, black font with red corrections, 13 pages


Box 163 Item 12 Final in layout, black font with images, 7 pages


Box 163 Item 13 Side by side layout, black font with images, 4 pages 14)Article on Kai Althoff, black font (German), 4 pages


Box 163 Item 15 Amazon listing of Kai Althoff, blue font plus image, 1 page


Box 163 Correspondence: Initial solicitation from Monica de la Torre and subsequent correspondence from Sabine Russ


Amie Siegel by Lynn Hershman Leeson (Corresponding pages in the magazine: 38-47):


Box 163 Item 1 1st Transcription, black font, 18 pages


Box 163 Item 2 ASLH edit 1, black font with pu rple and blue changes, 19 pages


Box 163 Item 3 SR2 (Sabine Russ edit 2), black font, 14 pages


Box 163 Item 4 ASLH edit 2, black font with blue and yellow changes, 15 pages


Box 163 Item 5 ASLH edit 2 w/Intro, black font, 15 pages


Box 163 Item 6 SR3, black font with red changes, 9 pages


Box 163 Item 7 SR3, black font, 9 pages


Box 163 Item 8 BRS4, black font with Track Changes, 9 pages


Box 163 Item 9 AS6, black font with red and purple changes, 9 pages


Box 163 Item 10 SR7, black font with red changes, 10 pages


Box 163 Item 11 LH8, black font with red changes, 10 pages 12) Final, black font, 10 pages


Box 163 Item 13 Introduction SR3, black font, 2 pages


Box 163 Item 14 Fact Check, black font with yellow highlighting, 10 pages


Box 163 Item 15 List of sources, black font with red corrections, 3 pages


Box 163 Item 16 List of high-resolution images, black font with images, 8 pages


Box 163 Item 17 Copy editor's changes in layout, black font with blue and red ink changes, 10 pages


Box 163 Item 18 Copyeditor's changes, black font with red and pink changes, 10 pages Correspondence: Collected from Sabine Russ and Monica de la Torre between two artists/authors


Box 163 Audio: 2 lynnhersh.mov files


Artists On Artists:


Elana Herzog by Brenda Coultas (Corresponding pages in the magazine: 134-135):


Box 163 Item 1 MT edit 1, Black font with blue pen, 2 pages


Box 163 Item 2 MT2, Black font with red corrections, 2 pages


Box 163 Item 3 SR2, Black font with blue pen and yellow highlighting, 2 pages


Box 163 Item 4 Final, Black font, 2 pages


Jon Pestoni by Joanne Greenbaum (Corresponding pages in the magazine: 131-133):


Box 163 Item 1 Original, black font, 1page


Box 163 Item 2 MT edit 1, black font, 1page


Box 163 Item 3 JG edit 3, black font, 1page


Box 163 Item 4 BRS edit 4, black font with pink pen, 1page


Box 163 Item 5 Final, black font, 2 pages


Raha Raissnia by Jeanne Liotta (Corresponding pages in the magazine: 128-130):


Box 163 Item 1 Original (MT edit 1), black font with blue ink, 2 pages


Box 163 Item 2 MT2, black font with blue font, 2 pages


Box 163 Item 3 BRS3, black font with black pen corrections, 2 pages


Box 163 Item 4 Final, black font, one page


Box 163 Item 5 Fact check, black font with yellow highlighting, 2 pages


Box 163 Item 6 List of sources, black font, 1 page


Box 163 Item 7 Cut words, black font, 1 page


Box 163 Item 8 SR edit in layout, black with pencil marks, 8 pages


Box 163 Item 9 Copyeditor's changes in layout, black font with gray Track changes, 8 pages


Box 163 Item 10 BRS changes in layout, 8 pages


Box 163 Item 11 Proofread changes, yellow highlighting, 4 pages


Box 163 Item 12 List of captions, black font, 1 page


Dear David: An Exchange by David Geers and Peter Rostovsky (Corresponding pages in magazine: 122-127):


Box 163 Item 1 MTl, black font, 5 pages


Box 163 Item 2 Edit 1&2, black font, 5 pages


Box 163 Item 3 R4, Black font with red and green changes, 5 pages


Box 163 Item 4 MT4, black font with blue and black pen changes, 5 pages


Box 163 Item 5 Copyeditor's changes in layout, black font with black and red changes, 3 pages


Box 163 Item 6 Proofread copyeditor's changes, black font with yellow highlighting, 6 pages


Box 163 Item 7 Proofread #2, black font with yellow highlighting, 6 pages


Box 163 Item 8 BRS changes in layout, black font with yellow tab, 6 pages


Box 163 Item 9 Two articles by Peter Rostovsky, black font, 9 pages


Box 163 Correspondence: Collected from MT to Peter Rostovsky


Editor's Choice:


I Am The Center: Private Issue New Age by Dustin Wong (Corresponding pages in magazine: 22):


Box 163 Item 1 CD Cover Image, color image, 1 page


Box 163 Item 2 Original I Am The Center, black font, 2800 words, 2800


Box 163 Item 3 MT1, black font with blue and pencil comments, 11pages


Box 163 Item 4 Final passage selection (Kendall), black font, 2 pages


Landscape Futures: Instruments, Devices and Architectural Invention by Emily Gordon, edited by Geoff Manaugh (Corresponding pages in magazine: 18):


Box 163 Item 1 MT edit 1, black font with blue corrections, 2 pages


Box 163 Item 2 Original edited by Monica, black font pencil corrections, 2 pages


Box 163 Item 3 MT2, black font with black ink changes, 2 pages


Box 163 Item 4 BRS final, black font with blue ink changes, 2 pages


Box 163 Item 5 Final, black font, 2 pages


Box 163 Item 6 Fact Check, black font with yellow highlighting, 2 pages


Box 163 Item 7 List of sources, one page


Box 163 Correspondence: Collected from Monica de la Torre to Emily Gordon


Casa de Lava: Scrapbook by Pedro Costa. Author Tania Cypriano (Corresponding pages in the magazine: 16-17):


Box 163 Item 1 MT edit 1, black font with black pen, 2 pages


Box 163 Item 2 MT edit 1, black font with inserted changes, 2 pages


Box 163 Item 3 MT3, black font with blue pen, 2 pages (466 words)


Box 163 Item 4 MT3, black font with blue inserted changes, 2 pages (495 words)


Box 163 Item 5 TC 4&5, black font with red changes, 2 pages


Box 163 Item 6 SR6, black font with red changes, 2 pages


Box 163 Correspondence: Collected from Sabine


Damnation by Janice Lee. Author: Christine Wertheim (Corresponding pages in the magazine: 28):


Box 163 Item 1 MT edit 1, black font with red ink corrections, 2 pages


Box 163 Item 2 BRS edit, black font with black ink, 1 page


Box 163 Item 3 Fact check, black font with red, yellow and blue pen, 1 page


Box 163 Item 4 Final, black font, 1 page


Norte, The End of History by Lav Diaz. Author: Alan Felsenthal (Corresponding page in the magazine: 20):


Box 163 Item 1 MT edit 2, black font with yellow highlighting, 2 pages


Box 163 Item 2 BRS3, black font with pink pen corrections and some blue, 2 pages


Box 163 Item 3 SR4, black font with blue pen, 2 pages


Box 163 Item 4 Final, black font with one highlight, 2 pages


Box 163 Item 5 Fact check with list of sources, black font and red corrections, 4 pages


En Atendant and Cesena by Anne Teresa de Keersmaeker by Lauren Grace Bakst (Corresponding pages in the magazine: 26):


Box 163 Item 1 SR2, Black font with red Track Changes, 2 pages


Box 163 Item 2 LB3, Black font with blue Track Changes, 2 pages


Box 163 Item 3 SR4, Black with red words, 2 pages


Box 163 Item 4 LBS, black font, 2 pages


Box 163 Item 5 Fact Check, black font with yellow highlighting, 3 pages


William Kentridge: Fortuna, Edited by Lilian Tone by Nell McLister (Corresponding pages in the magazine: 12-13):


Box 163 Item 1 Fact Check, black font with yellow highlighting, 2 pages


Box 163 Item 2 List of sources, black with yellow highlighting and red, 2 pages


Jane Antoni, Within by Scott Turri (Corresponding pages in the magazine: 14-15):


Box 163 Item 1 SR2, black font with red edits, 2 pages


Box 163 Item 2 SR3, black font with tracked changes, 2 pages


Box 163 Item 3 Fact Check with list of sources, black font, 3 pages


Bruce Dessner Aheym Featuring the Kronos Quartet by Elliott Sharp (Corresponding page in the magazine: 24):


Box 163 Item 1 Edit 1, black font with pink and yellow corrections, 2 pages


Box 163 Item 2 Fact check with list of sources, black font with yellow highlighting, 4 pages


First Proof:


Box 163 Item 1 Two tables of contents, black font with pencil, 6 pages


Box 163 Item 2 Mirtha Dermisache images, images with black font, 11 pages


Box 163 Item 3 Captions of Mirtha Dermisache images, black font, 1 page


Eduard Marquez by Translated from Catalan by Lawrence Venuti (Corresponding pages in the magazine: 71):


Box 163 Item 1 Original (MT edit), black font with blue pen, 7 pages


Box 163 Item 2 Copyeditor's changes in layout, black font with red corrections, 1 page


Box 163 Item 3 Editor's changes in layout, black font with blue pen, 1 page


Box 163 Item 4 Final, black font, 1 page


The Princesses of Japantown by Aja Gabel (Corresponding pages in the magazine: 86-91):


Box 163 Item 1 Original, black font with gold tabs, 20 pages