Series I: Correspondence
Subseries I.1: Correspondence to Daniel Gregory Mason
Subseries I.2: Correspondence from Daniel Gregory Mason, 1923-1953
Series II: Journals, 1894-1950
Box 17
Nos. 1-3, 11-14, 1894-1899, 1905-1907
Box 18
Nos. 4-10 and miscellaneous, 1899-1905, 1918-1919, 1930-1931, 1934-1935
Box 19
Journals, 1937, first half of 1939, 1940
Box 20
Journals, 1941-1943
Box 21
Journals, 1944-first half of 1947
Box 22
Journals, First half of 1950
Box 23
Unlabeled (Sealed)
Box 24
Journal Indices and Miscellaneous
Series III: Manuscripts and printed versions of Mason's musical compositions
Arranged by type of composition
Box 25
Vocal Compositions
20 compositions, including "Russians", "Three Children's Songs", etc.
Box 26
Vocal Compositions
15 compositions, including "O Daughters of Jerusalem" "The Quest", etc.
Box 27
Organ Compositions
Box 27
Piano Compositions
Box 28
Piano Compositions
7 compositions, e.g., Symphony 2 in A major, Opus 30
Box 28
Piano Transcriptions of Orchestral Works by Daniel Gregory Mason
Box 29
Chamber Music
Box 30
Orchestral Compositions
"Quartet for Strings and Piano", etc.
Box 31
Orchestral Compositions
Box 32
Orchestral Compositions
"A Lincoln Symphony, Opus 35, Julliard", etc.
Box 33
Orchestral Compositions
"Suite after English Folksongs," etc.
Box 34
Orchestral Compositions
4 compositions; "Scherzo", etc. See Also: Flatbox 320.
Flatbox 320
Orchestral Compositions
Box 35
Orchestral Compositions
4 compositions, "Love Songs", etc.
Box 36
Orchestral Compositions
Box 36
Transcriptions of Other Composers' Works
8 transcriptions: "Music Lovers", etc.
Series IV: Sketchbooks, Compositions, Typescripts, Pamphlets, Periodical Articles by Mason, and Clippings
Series V: Mason's Published Works
Some are heavily annotated.
Box 41
The Appreciation of Music
, 5 Volumes
Box 41
Artistic Ideals
Box 41
The Chamber Music of Brahms
, 1933 and 1950
Box 42
Comtemporary Composers
Box 42
The Orchestral Instruments and What They Do
Box 42
From Song to Symphony
Box 42
Music in My Time
Box 42
The Quartets of Beethoven
Box 42
The Romantic Composers
Box 42
Tune In, America
Box 42
Ears to Hear
Box 43
Beethoven and His Forerunners
, 1904 and 1933
Box 43
The Dilemma of American Music
Box 43
From Grieg to Brahms
Box 43
A Neglected Sense in Piano Playing
Series VI: Business Papers
Series VII: Phonograph Records
Series VIII: Photographs
Series IX: Scrapbooks, 1898-1952, undated
Scrapbooks contain press reviews of compositions, programs, etc. Box 49 also includes an index to scrapbooks and one folder of miscellaneous clippings.
Box 49
Index to scrapbooks
Box 49
Miscellaneous Clippings, 1 folders
Box 49
Volume 1, 1898 March-1918 June
Box 49
Volume 2, 1918 November-1922 December
Box 50
Volume 3, 1923 January-1928 January
Box 50
Volume 4, 1928 January-1930 December
Box 51
Volume 5, 1931 November-1934 December
Box 51
Volume 6, 1934 December-1937 November
Box 52
Volume 7, 1937 November-1939 February
Box 52
Volume 8, 1940 November-1947 December
Box 53
Volume 9, 1948 January-1952 April
Box 54
Scrapbook of Reviews of From Grieg to Brahms
Box 54
Scrapbook of Reviews of Beethoven and His Forerunners
Box 54
Scrapbook of Reviews of Artistic Ideals, The Dilemma of American Music, and The Quartets of Beethoven
Box 54
Scrapbook of Humanism and Music Notes
Box 55
Book Reviews of Tune In, America, The Chamber Music of Brahms, Music in My Time, etc.
Box 55
Alphabetical Index--Record of Other Composers, etc.
Box 55
The Chamber Music of Brahms
Box 55
From Song to Symphony
Box 55
From Grieg to Brahms
Series X: Books from the Library of Daniel Gregory Mason
Series XI: Manuscript Scores of Other Composers
Series XII: Additions to the Collection
2020 Addition:
Box 36 Folder 1
Score: "Three Pieces for Flute, Harp, (or piano). String Quartet. I. Saraband II. Elegy III. Caprice" Opus 13
Written of the flute part is the following: "Note, April 1922, this set of parts (but not the score) is the property of the Boston Flute- Players Club. D.S.M."
The work was published in 1923 by G. Schirmer for the Society for the Publication of American Music.
Embossed on the cover and the first page of the score is "120 East Eighty Second Street" (Mason's address)