This collection is located off-site. You will need to request this material at least three business days in advance to use the collection in the Rare Book and Manuscript Library reading room.
This collection has no restrictions other than the Barzun family correspondence, which is closed until 2047.
Unique time-based media items have been reformatted and are available onsite via links in the container list. Commercial materials are not routinely digitized.
Boxes 514-528 contain Barzun family correspondence and are closed to researchers until 2047.
The professional and personal papers of French-American cultural historian and Columbia University professor emeritus Jacques Barzun (1907-2012).
There is no single series of audiovisual materials. The collection contains both audio reels and cassettes dating from the 1940s-1990s. For audio, see Boxes 196-197 (listed in Series XXVI) and Box 439 (listed in Series XXII). There is also a set of 8mm home movies made during a trip Europe in 1934. For a itemized list of the home movies, see the container list in Series II: Boxes 177, 382, and 455. The home movies have been digitized.
Selected materials cataloged; remainder arranged. Cataloged correspondence: 8 boxes; Cataloged manuscripts & documents: 1 box; 1976 gift: Boxes 1-200; 1978 gift: Boxes 201-221; 1979 gift: Boxes 222-227; 1980 gift: Boxes 228-231; 1981 gift: Boxes 232-241; 1983 gift: Boxes 242-265; 1984 gift: Boxes 266-277; 1986-1987 gift: Boxes 278-342; 1988 gift: Boxes 343-354; 1989 gift: Boxes 355-361; 1990 gift: Boxes 362-367; 1991 gift: Boxes 368-373; 1992 gift: Boxes 374-382; 1993 gift: Boxes 383-388; 1994 gift: Boxes 389-394; 1995 gift: Boxes 395-398; 1996 gift: Boxes 399-439; 2000 gift: Boxes 440-441; & oversize folders.
There is no single series of audiovisual materials. For audio reels and cassettes see Boxes 196-197, and Box 439. For Homes Movies, see Boxes 177, 382, and 455.
You will need to make an appointment in advance to use this collection material in the Rare Book and Manuscript Library reading room. You can schedule an appointment once you've submitted your request through your Special Collections Research Account.
This collection is located off-site. You will need to request this material at least three business days in advance to use the collection in the Rare Book and Manuscript Library reading room.
This collection has no restrictions other than the Barzun family correspondence, which is closed until 2047.
Unique time-based media items have been reformatted and are available onsite via links in the container list. Commercial materials are not routinely digitized.
Boxes 514-528 contain Barzun family correspondence and are closed to researchers until 2047.
Reproductions may be made for research purposes. The RBML maintains ownership of the physical material only. Copyright remains with the creator and his/her heirs. The responsibility to secure copyright permission rests with the patron. Permission to publish must be obtained from the Barzun estate.
Identification of specific item; Date (if known); Jacques Barzun papers; Box and Folder; Rare Book and Manuscript Library, Columbia University Library.
Henri-Martin Barzun papers: Personal and professional papers of Jacques Barzun's father, Henri-Martin Barzun, given to the Rare Book and Manuscript Library by Jacques Barzun.
Hector Berlioz collection: Materials by and related to the composer Hector Berlioz, many of which were assembled by Jacques Barzun and his father, Henri-Martin Berlioz. The collection also includes Berlioz original manuscripts and correspondence donated by friends of the library in memory of Ronald Baughman.
A bibliography of Barzun's work compiled by John Adams is available for download in Microsoft Excel format. The spreadsheet is current as of January 6, 2017.
Reminiscences of Jacques Barzun, 1963: Oral history interview with J. Kenneth Koch, reflecting on Barzun's childhood in France, French artistic movements from 1910 to 1920, and the effects of World War I on French artists.
Oral history interview with Jacques Barzun, 1976: Oral history interview conducted by Diana Trilling, for a book on the literary and political life of New York from the 1930s to the 1960s.
Hector Berlioz Book Collection: A collection of 500 books about Hector Berlioz and his time, given to the library by Jacques Barzun in the 1950s. All books in this collection are cataloged, and should be requested individually in CLIO.
Materials may have been added to the collection since this finding aid was prepared. Contact rbml@columbia.edu for more information.
W.H. Auden letters are on: microfilm.
Source of acquisition--Barzun, Jacques. Date of acquisition--04/--/1976. Accession number--M-1976.
Papers: Source of acquisition--Barzun, Jacques. Method of acquisition--Gift; Date of acquisition--12/19/1990. Accession number--M-90-12-19.
Papers: Source of acquisition--Barzun, Jacques. Method of acquisition--Gift; Date of acquisition--12/18/1991. Accession number--M-91-12-18.
Papers: Source of acquisition--Barzun, Jacques. Method of acquisition--Gift; Date of acquisition--12/21/1992. Accession number--M-92-12-21.
Papers: Source of acquisition--Barzun, Jacques. Method of acquisition--Gift; Date of acquisition--12/20/1993. Accession number--M-93-12-20.
Papers: Source of acquisition--Barzun, Jacques. Method of acquisition--Gift; Date of acquisition--12/15/1994. Accession number--M-94-12-15.
Papers & books: Source of acquisition--Barzun, Jacques. Method of acquisition--Gift; Date of acquisition--12/18/1995. Accession number--M-95-12-18.
Correspondence & notes: Source of acquisition--Barzun, Jacques. Method of acquisition--Gift; Date of acquisition--1996. Accession number--M-1996.
Correspondence & notes: Source of acquisition--Barzun, Jacques. Method of acquisition--Gift; Date of acquisition--02/08/2000. Accession number--M-00-02-08.
Gift of Jacques Barzun and others, 1976 to date.
Columbia University Libraries, Rare Book and Manuscript Library
Processed HR 05/30/1990.
Papers Processed ME 05/01/1991.
Papers Processed HR 02/28/1992.
Papers Processed HR 01/12/1993.
Papers Processed HR 01/19/1994.
Papers Processed HR 01/23/1995.
Papers & books Processed HR 01/03/1996.
Correspondence & notes Processed HR 04/06/2000.
Correspondence & notes Processed HR 04/06/2000.
Restricted materials in boxes 514-528 were reviewed, rehoused, and added to the container list in October 2022. These materials are closed to researchers until 2047, in accordance with the collection's deed of gift.
One box of Henri-Martin Barzun's papers were found among the restricted materials in the Jacques Barzun papers in October 2022. These items were likely mislabeled when they were accessioned by the Rare Book and Manuscript Library in 1976. They were removed from the Jacques Barzun papers and processed as Box 71 and 72 (due to three items being oversized) of the Henri-Martin Barzun papers.
2008-12-02 File created.
2009/01/22 xml document instance created by Patrick Lawlor
2019-05-20 EAD was imported spring 2019 as part of the ArchivesSpace Phase II migration.
2020-11-28 Additional AV description added. kws
2020-12-09 Additional AV description added by CCR.
2022-03-17 Restrictions updated. kws
2022-09-26 Related materials notes revised by CLB.
2022-10-18 Restricted family correspondence processed and added to finding aid by CLB
Jacques Barzun was born in Créteil, a suburb of Paris, France, in 1907 and died in San Antonio, Texas, in 2012.
The son of Henri-Martin Barzun, a writer and diplomat, and Anna-Rose Barzun, Barzun grew up in the a family milieu which he described as "nursery of living culture." He met many artists and writers of the modernist era, including Marcel Duchamp, Ezra Pound and Jean Cocteau.
As an undergraduate, Barzun was the Columbia University Spectator's drama critic and editor of Varsity, the literary magazine. He way also president of the Philolexian Society and class valedictorian.
Barzun taught his first class at Columbia, Contemporary Civilization, after graduating from Columbia College. He earned a master's degree in 1928 and a Ph.D. in history from Columbia University in 1932. He was later appointed Seth Low Professor of History and was well known for his humanities courses, teaching for almost 50 years. In the 1930s, Barzun taught the first Colloquium on Important Books class, the precursor to Literature Humanities, with Lionel Trilling, and developed the Core Curriculum's humanities focus. Barzun served as Dean of Graduate Faculties in the 1950s and then Provost from 1958 to 1967. Barzun obtained the rank of University Professor, the highest rank in the University, in 1967. After retiring from Columbia University in 1975, he remained an advocate for Columbia and the Core Curriculum.
Barzun was an outspoken critic of American universities and objected to the politicization of the academy. He strongly condemned both student protesters and faculty during the 1968 student riots.
Barzun wrote over 30 books. Among the notable titles are Teacher in America (1945) and From dawn to decadence : 500 years of cultural triumph and defeat, 1500 to the present (2000).
A devoted Dodgers fan who knew the team when it still played at Ebbets Field, Barzun once remarked, "Whoever wants to know the heart and soul of America had better learn baseball.'" That quote is now inscribed on the walls of the Baseball Hall of Fame in Cooperstown, New York.
Barzun was awarded the Presidential Medal of Freedom by George W. Bush in 2003, and the National Humanities Medal by Barack Obama in 2010. He was also made a Chevalier of the Legion of Honor, France's highest award. He became a U.S. citizen in 1933.
In October 2007, a month before his 100th birthday, Barzun was presented with the Great Teacher Award from the Society of Columbia Graduates. At the event, Professor Emeritus of History Henry Graff called Barzun 'the Babe Ruth of humanistic study and teaching.'
Jacques Barzun married first Lucretia Mueller, in 1931; they were divorced in 1936. Later that year, he married Mariana Lowell, a violinist from the prominent Lowell family of Boston. They had three children: James, Roger, and Isabel Barzun. Mariana died in 1979. In 1980 Barzun married Marguerite Lee Davenport, an American Studies professor at Trinity University in San Antonio, Texas.
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Includes footage from Klarastrasse, Dresden; Wesser Hirsch; Banks of Elbe. This box contains boxes with transcribed labels only; the original films are now stored in Box 455.
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Includes footage from Pillnitz, Meig's Mühle, and Dresden. This box contains boxes with transcribed labels only; the original films are now stored in Box 455.
Box 382
Includes footage from Allevard, Paris, and Grenoble. This box contains the original labelled boxes only; the films are now stored in Box 455.
1992 Gift
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Includes footage from London, and Queensferry, Dryburgh, and Melrose in Scotland. This box contains boxes with transcribed labels only; the original films are now stored in Box 455.
Box 177
This box contains boxes with transcribed labels only; the original films are now stored in Box 455.
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Appears to be Edinburgh Castle. This box contains boxes with transcribed labels only; the original films are now stored in Box 455.
Box 177
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Box 455
This box contains the original films that were originally stored in Boxes 177 and 382. These items have been digitized.
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A. Books: General files
B. Books: Books by Barzun
C. Books: With contributions by Barzun
D. Edited by Barzun
E. Books: Translations by Barzun.
All files include correspondence, manuscripts. and related materials.
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Mapcase 14-M-7
Mapcase 14-M-7
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Includes two home movies from Allevard (1934). These films have been digitized.
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On Barzun copy ed. Herman Kagan "Writers and Writing"
Box 439
Not published
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Jacques Barzun opening talk at Glimmerglass Opera
Box 439
Part I: Jacques Barzun; Part II: Ellen Rosand
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Incomplete
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Appears to be two copies.
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Folder (Oversize)
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Box 196
Track 1: Su 8.30.42. Mark Van Doren, Tam Lawson, Jacques Barzun
Track 2, Item 1: Su 4.26.42 Bertrand Russell, Jacques Barzun, Mark Van Doren
Track 2, Item 2: Su 12.7.41 Bulletin
Track 2, Item 3: Sa 12-28-40 Pi. Opening by composer Rhodes Dunlap
Box 196
WCBS
Box 196
Interview with Jacques Barzun onBerlioz. Riverside Radio VRVR 106.7 FM. Broadcast Friday March 7, 1969 10pm, rebroadcast Saturday March 8, 1969 7AM.
Box 196
"The Cubist Decade: Then and Now"
Box 196
2) Begin "A code is an arrangement…" Close: "Thank you very much for coming" Applause - room noise
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Jacques Barzun, James Hester. George Eisenberger - moderator. Broadcast on WKCR-fm.
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By Dr. Geddes MacGregor, Bryn Mawr College. Commerical Recording.
Box 197
Not published
Box 197
McGraw-Hill Sound Seminars
Box 197
McGraw-Hill Sound Seminars
Box 197
Lecture and discussion
Box 197
Box 197
10/24/68 11:10am
Box 197
Place: Higbee Auditorum; Time: Noon; Speaker: Jacques Barzun; Presiding: Mrs. Harley C. Lee. Program is in the box with the reel.
Box 197
MC: Clifton Fadiman
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Radio Forum
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Box 454
Gift of Christopher Faille, 2012
General Mss Box 80 Folder 14
Accession 2023-2024-M042 (Andrew Barnhart, San Francisco Conservatory of Music)
General Mss Box 81 Folder 18
Accession number: 2015.2016.M101
General Mss Box 23
(a.l.s., 2p. Gift of Jacques Barzun, 1963)
General Mss Box 34
(a.l.s., 2p. Gift of Jacques Barzun, 1965)
General Mss Box 35
(t.m., 16p. Gift of Jacques Barzun)
General Mss Box 48
(a.l.s., 1p., Gift of Jacques Barzun)
General Mss Box 48
(t.l.s., 1p., Gift of Jacques Barzun)
Box 513
Box 513
Featuring a photograph of Lionel Trilling, Jacques Barzun, and W. H. Auden.
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Closed until 2047
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Closed until 2047
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Closed until 2047
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Closed until 2047
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Closed until 2047
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Closed until 2047
The Barzun Detective Fiction series includes works of detective fiction and criticism as well as volumes from the series 50 Classics of Crime Fiction, 1900-1950 and 50 Classics of Crime Fiction, 1950-1975, selected and with prefaces by Jacques Barzun and his co-editor Wendell Hertig Taylor. Boxes 456-459: gift undated. Box 460: gift undated - Dec. 18, 1995 gift; Boxes 461 - 471: Dec. 18, 1995 gift; Boxes 472-474: 1992 gift; Box 475:992 gift – 1994 gift; Box 476-479: 1994 gift; Box 480: 1994 gift – 1986 gift; Box 481-482: 1986 gift; Box 483:1986 gift – 1988 gift; Boxes 484-489:1988 gift
Box 456
Box 456
Sidelights (Page 111 - Chapter XXVII The Detective in Fiction) - Rules of a fictional detective
Box 456
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Eden Phillpotts as a detective novelist - Chapter by John Rowland
Box 456
Box 456
Interview with E.X. Ferrars, AJH Review of several books, Martin Lachman Original Sins article about how a myster author has 'made it', Collecting Mystery Fiction one page advice before a catalogue (didn't take pics of catalogue, only contains synopsis), Windy City Detectives by NEal J Ney about creation of characters tied to a city, article on true crime using detective fiction as a plan to kill (unsure if helpful? pictures just in case)
Box 456
Interview with Marcia Muller, AJH Review, Article on Faulkner (attn to 286 talking about synthesised ideas)
Box 456
The Uneasy Chair about a bookclub chairman selections for mystery fiction, Small excerpt from interview with Edward D. Hoch about the perception of 'mystery' as a genre, AJ Reviews, small paragraph on Agatha Christie's switch to plays because they were simpler than the detective novel,
Box 456
Write up on Dwight V. Babcock - re-read, unsure if helpful
Box 456
Article relating to Agatha Christie's writing style, same on Dorothy Sayers, Interview with Richard S Prather (question on 334 about plotting books and gimmicks),
Box 456
Article on Sarah Dunant, quote from her "Plots are very hard, certainly. They take such a lot of brain work. Particularly bcause readers are so sophisticated these days, so you have to create plots which have a classic satisfaction to them, but also give them a contemporary feel. But if you've got only a plot, no matter how great it is, then all you've got is a plot. If my books really work, work like good novels, the must function on various levels and leave you with an emotional aftertaste." Pg. 421, interview with David M. Pierce - note 474 about new spins on the genre.
Box 456
nothing new or of note
Box 456
Excerpt from interview with Minette Walter - difference between detective fiction and normal fiction (former editor turned mystery writer)
Box 456
nothing new or of note
Box 456
nothing new or of note
Box 456
nothing new or of note
Box 456
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Box 457
Series Intro and Story Intro - Series Intro is the same for each book in this series. Introduction of what a detective novel is and the perception of the mystery genre.
Box 457
Series Intro and Story Intro
Box 457
Series Intro and Story Intro
Box 457
Series Intro and Story Intro
Box 457
Series Intro and Story Intro
Box 457
Intro
Box 457
Intro
Box 457
Series Intro and Story Intro
Box 457
Series Intro and Story Intro
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Series Intro and Story Intro
Box 457
Series Intro and Story Intro
Box 457
Series Intro and Story Intro
Box 457
Box 457
Box 458
Introduction to the works
Box 458
Series Intro and Story Intro
Box 458
Series Intro and Story Intro
Box 458
Series Intro and Story Intro
Box 458
Series Intro and Story Intro
Box 458
Series Intro and Story Intro
Box 458
Series Intro and Story Intro
Box 458
Introduction to the works
Box 458
Series Intro and Story Intro
Box 458
Introduction to the works
Box 458
Series Intro and Story Intro
Box 458
Introduction to the works
Box 458
Series Intro and Story Intro
Box 458
Series Intro and Story Intro
Box 458
Series Intro and Story Intro
Box 458
Series Intro and Story Intro
Box 459
Series Intro and Story Intro
Box 459
Series Intro and Story Intro
Box 459
Series Intro and Story Intro
Box 459
Series Intro and Story Intro
Box 459
Series Intro and Story Intro
Box 459
Series Intro and Story Intro
Box 459
Series Intro and Story Intro
Box 459
Introduction to the works
Box 459
Introduction to the works
Box 459
Introduction to the works
Box 459
Series Intro and Story Intro
Box 459
Series Intro and Story Intro
Box 459
Series Intro and Story Intro
Box 459
Series Intro and Story Intro
Box 459
Series Intro and Story Intro
Box 459
Introduction to the works
Box 460
Series Intro and Story Intro
Box 460
Series Intro and Story Intro
Box 460
Series Intro and Story Intro
Box 460
Series Intro and Story Intro
Box 460
Series Intro and Story Intro
Box 460
Introduction to the works
Box 460
Introduction to the works
Box 460
Box 460
Interview with Joan Hess, Analysis of American characters in Agatha Christie
Box 460
excerpt of Interview with John Dunning
Box 460
Interview with author - comment on his mother's murder potentially inspiring his work
Box 460
Comment on the four elements of a detective novel
Box 460
Box 460
Box 460
Box 460
Box 460
Box 461
Box 461
Introduction about the "Inverted Detective" story
Box 461
Introduction and Pictures of crime - visually supports the obsession with true crime
Box 461
Box 461
Box 461
Box 461
Box 461
Illustration
Box 461
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Box 461
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Box 461
foreword
Box 462
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Front Cover - Page from Sherlock Holmes
Box 463
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Includes Illustrations
Box 463
Include Illustrations
Box 463
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Picture of ACD notes for A study in Scarlet, picture of cover
Box 464
Lots of pictures in both volumes if needed to accompany anything about Sherlock Holmes or Conan Doyle
Box 464
Box 464
Article on Detective Novels by A.E.W. Mason
Box 464
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Box 464
Interview with Ruth Rendell - comments on gnre limitations
Box 464
Agatha Christie's other detectives - info on the characteristics they have to share?
Box 464
Write up on Jack the Ripper - true crime obsession not new
Box 464
Box 464
Box 464
Box 464
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Box 465
Box 465
Box 465
Box 465
Article on Edgar Allen Poe's 'original' murder mysteries
Box 465
Box 465
Box 465
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Box 465
Article on the best cities to set a murder mystery
Box 465
Box 465
Excerpt of Interview with PD James
Box 465
Box 465
Box 465
Pictures of various SH covers and portrayals
Box 465
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Box 467
Two introductions on the movements of Detective Fiction
Box 467
Box 467
Box 467
Box 467
A Few pulled comments about what makes an American Detective
Box 467
Note - true crime inspiring fiction eg Dickens's Bleak House - can be connected with author who's mother's murder was never solved, interview in Armchair Detective
Box 467
Chapter on the forumula of detective fiction
Box 467
Box 467
Box 467
Intro - What is a Detective Story
Box 467
Box 467
Box 467
Box 467
Box 467
Box 467
Box 467
Box 467
Box 468
Introduction
Box 468
Includes Illustrations
Box 468
Box 468
Box 468
Summary of every detective character - helpful as companion AFTER we know what's being putting in the exhibition
Box 468
Box 468
Box 468
Box 468
Chapter 1 - What are they and Why We Read Them
Box 468
Box 468
Box 468
Encyclopedia entries on Crime Fiction and Crime Literature
Box 469
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handwritten notes
handwritten notes
handwritten notes
handwritten notes
handwritten notes
Box 469
handwritten note
handwritten note
handwritten note
handwritten note
handwritten note
Box 469
handwritten notes
handwritten notes
handwritten notes
handwritten notes
handwritten notes
Box 470
handwritten notes
handwritten notes
handwritten notes
handwritten notes
handwritten notes
Box 470
handwritten notes
handwritten notes
handwritten notes
handwritten notes
handwritten notes
Box 470
handwritten note, review copy
handwritten note, review copy
handwritten note, review copy
handwritten note, review copy
handwritten note, review copy
Box 470
handwritten note, letter
handwritten note, letter
handwritten note, letter
handwritten note, letter
handwritten note, letter
Box 470
handwritten notes, book pages
handwritten notes, book pages
handwritten notes, book pages
handwritten notes, book pages
handwritten notes, book pages
Box 470
letters, MET programs
letters, MET programs
letters, MET programs
letters, MET programs
letters, MET programs
Box 470
letter
letter
letter
letter
letter
Box 470
handwritten notes, photocopy text
handwritten notes, photocopy text
handwritten notes, photocopy text
handwritten notes, photocopy text
handwritten notes, photocopy text
Box 470
handwritten notes
handwritten notes
handwritten notes
handwritten notes
handwritten notes
Box 470
Box 470
Box 470
Box 470
Box 470
Box 470
Box 470
Box 470
Box 471
Box 471
Box 471
Box 471
Box 471
Box 471
Some excerpts helpful, tables on slang
Box 471
Box 471
Box 471
Photos of intro for explanation but come back to this one
Box 471
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Maps and Pictures of things relating to Sherlock
Box 473
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Box 474
Box 474
Some maps and descriptions of country houses where some novels have been set but n othing discernible - could be used as support of something else
Box 474
Box 474
Box 474
Box 474
Box 475
Box 475
Box 475
Box 475
Box 475
Box 475
Comments from Barzun, the contents page lists the order of a detective novel
Box 475
Box 475
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Pages deteriorating
Box 477
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a catalogue of first edition detective novels
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Introduction of the author about the process of writing mystery and the
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Short/1 paragraph analysis of thousands of crime stories - Novels, Short Stories, True Crime.
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Analysis of detective fiction and detective characters. Chapters of Note: XXI Persons in the Story, XXV Structure, XXVI Plots - which contains a diagram pg395
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Quote in preface: "I believe that those who know a good story best are usually the ones most ready to hear it again, and, secondly, that as ideas and tastes are always changing, however often a contemporary source of material has been used, those who go back to ist can almost always find something,previously ignored or discarded, to offer their own generation." pg vi
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Entire book helpful. Chapter 2 How it all began and Chapter 10 - Modern Detective Writers and their Books
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Series Intro and Story Intro
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Foreword and intro - importance of mystery fiction in theatre - from detective story to whodunnit to psychological thrillers.