Max Rabinoff papers, 1908-1961

Max Rabinoff papers, 1908-1961

Summary Information

At a Glance

Call No.:
MS#1039
Bib ID:
4079244 View CLIO record
Creator(s):
Rabinoff, Max
Repository:
Rare Book and Manuscript Library
Physical Description:
2.25 linear feet (4 boxes)
Language(s):
English .
Access:
You will need to make an appointment in advance to use this collection material in the Rare Book and Manuscript Library reading room. You can schedule an appointment once you've submitted your request through your Special Collections Research Account.

This collection is located on-site.

This collection has no restrictions.

Description

Summary

Papers and correspondence of Rabinoff. Part of the collection relates to Rabinoff's endeavors in opera in Chicago, New York, and Boston and to his founding the American Institute of Operatic Art. The second part of the collection concerns his career as an economic advisor to the republics of Estonia, Georgia, and Azerbaijan, his work on the development of the Export Import Bank, and his interest in trade with Russia. Included in the collection are many photographs, clippings, and programs. Many of these pertain to the Russian ballerina Anna Pavlova who was introduced to American audiences by Rabinoff.

Arrangement

Cataloged and arranged.

Using the Collection

Restrictions on Access

You will need to make an appointment in advance to use this collection material in the Rare Book and Manuscript Library reading room. You can schedule an appointment once you've submitted your request through your Special Collections Research Account.

This collection is located on-site.

This collection has no restrictions.

Terms Governing Use and Reproduction

Single photocopies may be made for research purposes. The RBML maintains ownership of the physical material only. Copyright remains with the creator and his/her heirs. The responsibility to secure copyright permission rests with the patron.

Preferred Citation

Identification of specific item; Date (if known); Max Rabinoff papers; Box and Folder; Rare Book and Manuscript Library, Columbia University Library.

Related Materials

See also the Joseph Urban Collection for Boston Opera Company set designs

Accruals

Materials may have been added to the collection since this finding aid was prepared. Contact rbml@columbia.edu for more information.

Immediate Source of Acquisition

Source of acquisition--Vera (Mrs. Michael) Kraus. Method of acquisition--Gift; Date of acquisition--1967. Accession number--M-67.

About the Finding Aid / Processing Information

Columbia University Libraries, Rare Book and Manuscript Library

Processing Information

Cataloged Christina Hilton Fenn 08/--/89.

MTM - 3/2000.

Revision Description

2010-02-24 Legacy finding aid created from Pro Cite.

2019-05-20 EAD was imported spring 2019 as part of the ArchivesSpace Phase II migration.

Biographical / Historical

Musical impresario, international economist.

Max Rabinoff was born in Moghilev, Russia on March 9 1877. He immigrated to the United States in 1892 and was naturalized in 1898. He began his career as an employee of the Kimball Piano Store eventually becoming the owner of three piano stores of his own. In 1908 he left the musical instrument business to organize musical events for the general public. He initiated Sunday Concerts in Chicago and helped organize the Chicago Philharmonic Orchestra and the Chicago Opera Company. In 1910 Rabinoff presented an opera season for the Mexican Republic's centennial celebration at the invitation of the Mexican Government. Rabinoff was instrumental in introducing Russian artists to the American public including Anna Pavlova the Russian Imperial Court Balalaika Orchestra and the Ukrainian National Chorus. From 1914 to 1917 he was the managing director of the Boston Opera Company featuring Anna Pavlova and her Russian Ballet Company. In 1922 Rabinoff founded the American Institute for Operatic and Allied Arts at Stony Brook on the Hudson to encourage the development of American talent.

Rabinoff at the age of 21 organized the American-Russian Importing and Exporting Company. In 1917 he attended the Paris Peace Conference where he was made economic advisor to the Republics of Estonia Georgia and Azerbaijan. He was a continuous advocate of economic trade with the Soviet Union and established a business to advise the American Government and American companies on trade with Russia and its satellites. He continued his interest in music encouraging young talent and establishing the Cosmopolitan Opera Company in New York in 1942-1943 to bring opera to the public at affordable prices. and

Rabinoff married his discovery, the singer Marie La Salle on March 22 1910. Following her death in 1912 he married Helene Gaubert on May 16 1913. Max Rabinoff died in 1966.

Subject Headings

The subject headings listed below are found in this collection. Links below allow searches for other collections at Columbia University, through CLIO, the catalog for Columbia University Libraries, and through ArchiveGRID, a catalog that allows users to search the holdings of multiple research libraries and archives.

All links open new windows.

Genre/Form
Photographic prints
Name
American Institute of Operatic Art
Export-Import Bank of the United States
Pavlova, Anna, 1881-1931
Place
Azerbaijan -- Economic conditions
Estonia -- Economic conditions
Georgia (Republic) -- Economic conditions
Soviet Union -- Commerce
Soviet Union -- Economic conditions
Subject
Ballerinas -- Soviet Union
Economists
Impresarios
International economic relations
International trade
Opera -- Illinois -- Chicago
Opera -- Massachusetts -- Boston
Opera -- New York (State) -- New York

Series I: Cataloged Correspondence

The series contains the cataloged correspondence of Max Rabinoff, and is organized by last name of correspondent. Contracts, news articles, calling cards, and photographs of or about the correspondent are included . Correspondents include Lee de Forest, Otto Kahn, Leopold Stokowsky, and Vera Tchaikovsky.


Box 1 Folder 1

Bernstein, Leonard To: Max Rabinoff, [n.p.], 2 October 1947, t.l.s., 1p.


Box 1 Folder 1

Coolidge, Calvin To: Mary Belle King Sherman (Mrs. John D. Sherman); Alice Ames Winter (Mrs. Thomas G. Winter), [n.p.], 7 Jan. 1924; 26 Dec. 1923; 18 Feb. 1925, t.l.s.

[A series of letters reprinted as a presidential endorsment ofThe American Institute of Operatic Art]


Box 1 Folder 1

de Forest, Lee To: Max Rabinoff, Los Angeles, 28 October 1936, 2p. t.l.s.


Box 1 Folder 1

de Forest, Lee To: Max Rabinoff, [n.p.], 15 February 1938, 1p. t.l.s.

[clipping is missing]


Box 1 Folder 1

de Forest, Lee To: Max Rabinoff, [n.p.], 20 February 1939, 1p. t.l.s.


Box 1 Folder 1

Diaghilev, Sergei Pavlovich & M.V. Gulok Drafts of contracts in Russian, St. Petersburg, Russia, 10 February 1911, a.d. and t.d


Box 1 Folder 1

Dreiser, Theodore To: Max Rabinoff, New York, 11 April 1929, 1p. a.l.s. photostat


Box 1 Folder 1

Eastman, George To: Max Rabinoff, Rochester, NY., 18 June 1923, 1p. t.l.s.


Box 1 Folder 1

Ezekiel, Mordecai To: Max Rabinoff, [n.p.], 14 September 1933, 1p. t.l.s. photostat


Box 1 Folder 1

Farley, James A. To: John J. Hearne, New York, 10 September 1951, 1p. t.l.s. photostat


Box 1 Folder 1

Fisher, Irving To: C.P. Franchot, New Haven, Connecticut, 5 September 1933, 1p. t.l.s.


Box 1 Folder 1

Mary Steele (secretary to Oscar Hammerstein 2nd.) To: Max Rabinoff, New York, 27 July 1951, 1p. t.l.s.

[Included is a carbon of agreement for sale of the Philidelphia Opera House dated 26 April 1910]


Box 1 Folder 1

Jones, Jesse Holman To: Max Rabinoff, Washington, D.C., 14 September 1933, 1p. t.l.s with photostat of original


Box 1 Folder 1

Jones, Jesse Holman To Max Rabinoff, Washington, D.C., 3 September 1935, 1p. t.l.s

[Says photostat on the folio, but appears to be original]


Box 1 Folder 2

Kahn, Otto Hermann To: Max Rabinoff, New York, Bar Harbor, Chicago, Waterford, London, Biarritz and others, 9 August 1910 - 4 January 1934, 30 t.l.s. or cables

[On various subjects ranging from the opera to U.S. Soviet trade]


Box 1 Folder 3

Melba, Nellie To: Max Max Rabinoff, Burlingame, Ca., 2 April 1917, 1p. telegram

[Max Rabinoff telegram to Nellie Melba is missing]


Box 1 Folder 3

Morris, Newbold To: V. Clement Jenkins, New York, 24 March 1943, 1p. t.l. (typescript copy of a signed note


Box 1 Folder 3

Morros, Boris Mihailovitch To: Max Rabinoff, Hollywood, Ca., 28 October 1936, 1p. t.l.s.

[ WithNYTclipping on Morros]


Box 1 Folder 3

Rabinoff, Max To: Herman Bernstein, New York, 27 May 1926, 1p. t.l.s.


Box 1 Folder 3

Rabinoff, Max Memorandum on the late president Wilson, New York, [n.d.], 1p. m.s.


Box 1 Folder 3

Rabinoff, Max contract with government of Mexico, Mexico City, 19 July 1910, 3p. t.d. carbon copy


Box 1 Folder 3

Stokowski, Leopold To: Max Rabinoff, New York; Connecticut; Beverley Hills, 1941-1950, 10 t.l.s.


Box 1 Folder 3

Strauss, Lewis L. To: Max Rabinoff, Washington, 29 March 1955, 1p. t.l.s.


Box 1 Folder 3

Tchaikovsky, Vera To: [Max Rabinoff]; Max Rabinoff, [n.p.] [Paris] London, n.d., 3 a.l.s.


Box 1 Folder 3

Tchaikovsky, Vera To: Max Rabinoff, Paris, November 1919, 2 calling cards; inscribed photo, 1p. a.n.s.


Box 1 Folder 3

Tchaikovsky, Vera To: Max Rabinoff, Paris, 26 March 1921, 1p. marconigram


Box 1 Folder 3

Tree, Sir Herbert Bearbohm Incomplete draft of contract with Max Rabinoff for an American tour, [n.p.], 1912


Box 1 Folder 3

Tynan, Brandon Contract to appear in the play The Mandarin signed by Herman Bernstein and Brandon Tynan with related letter and photograph, New York, 21 September 1920, 1p. t.l.s., 1p. contract

Series II: Arranged Correspondence

The series contains correspondence arranged in alphabetical order by last name of correspondent. The series includes letters to Rabinoff from Lyn Stiebel-Hunt (professionally known as "Saharah") and New York Times music critic Howard Taubman.


Box 4

A-Z, [v.p.], 1916-1960

Series III: Artifacts/Ephemera

The series contains material related to Rabinoff's activities as a music impresario. It is arranged chronologically and consists of correspondence, musical programs, photographs, and clippings.


Box 1 Folder 4

Contains information on Rabinoff's struggle to institute Sunday concerts in Chicago, on the Chicago auditorium, on performances for the Mexican government (1910), and on Rabinoff's wife, the soprano Marie La Salle, [n.p.], 1908-1916


Box 1 Folder 5

Contains information on Rabinoff's opera companies and protégés, [n.p.], 1917-1960


Box 1 Folder 6

Contains material from Rabinoff's scrapbook, some of which repeats the previous two files. Information is present on the performances for the Mexican government (1910), the production of The Miracle (1914), Marie La Salle, the US appearances of the Ukrainian National Chorus, the Imperial Balalaika Orchestra, and the American Institute of Operatic Arts at Stony Brook (1920s), [n.p.], 1910-1960


Box 1 Folder 7

Includes information on the Cosmopolitan Opera Company and Rabinoff's protégés, [n.p.], 1931-1961


Box 1 Folder 8

Chicago Grand Opera Company, [n.p.], 1908-1910


Box 2 Folder 1

Mexican National Opera, [n.p.], 1910-1944


Box 2 Folder 2 & 3

Boston Opera Company, [n.p.], 1910-1934


Box 2 Folder 4

Anna Pavlova


Box 2 Folder 5 & 6

American Institute of Operatic Art


Box 2 Folder 7

Cosmopolitan Opera Association, [n.p.], 1932-1943


Box 2 Folder 8

Photographs and biographical material

Series IV: Business

The series contains clippings, correspondence, speeches, and photostats relating to Rabinoff's work as economic adviser to Estonia and Georgia, and as a promoter of trade with Russia.


Box 3 Folder 1

Documents and letters on Rabinoff's role as economic adviser to Estonia and Georgia, [n.p.], 1901-1950s


Box 3 Folder 2-4

Material relating to Rabinoff's efforts to promote trade with Russia, 1920-1950