This collection is located on-site.
This collection has no restrictions.
Correspondence, manuscripts, papers, essays, etc. relating to Berlioz, and 19th century arts and literature. The correspondence includes original Berlioz letters and over 200 copies of letters relating to Berlioz and the romantic era, written by musicians, critics, historians, and literateurs of the past century. There are many photostats of letters and manuscripts obtained from the principal libraries of the world which hold original Berlioz material. The collection includes much printed material in the form of music scores, published letters, essays, clippings, biographies, music and book catalogues, program notes, and playbills.
This collection is arranged into 10 series.
You will need to make an appointment in advance to use this collection material in the Rare Book and Manuscript Library reading room. You can schedule an appointment once you've submitted your request through your Special Collections Research Account.
This collection is located on-site.
This collection has no restrictions.
Readers must use microfilm of materials specified above.
Reproductions may be made for research purposes. The RBML maintains ownership of the physical material only. Copyright remains with the creator and his/her heirs. The responsibility to secure copyright permission rests with the patron.
Identification of specific item; Date (if known); Hector Berlioz papers; Box and Folder; Rare Book and Manuscript Library, Columbia University Library.
Materials may have been added to the collection since this finding aid was prepared. Contact rbml@columbia.edu for more information.
W.H. Auden letters are on: microfilm.
LE SONGE D'HʹERODE is on: microfilm.
ROMEO ET JULIETTE is on: microfilm.
Type of reproduction--Photostatic copies in part
This collection was assembled by Professor Jacques Barzun of Columbia University and by his father, Professor Henri-Martin Barzun. Gift of Jacques Barzun, 1953-1994. In addition to materials assembled by Barzun, the collection also includes Berlioz original manuscripts and correspondence donated by friends of the library in memory of Ronald Baughman.
Source of acquisition--Barzun, Jacques. Method of acquisition--Gift; Accession number--M76-04.
Printed misc: Source of acquisition--Barzun, Jacques. Method of acquisition--Gift; Date of acquisition--1991. Accession number--M-1991.
Papers: Source of acquisition--Barzun, Jacques. Method of acquisition--Gift; Date of acquisition--12/20/93. Accession number--M-93-12-20.
Papers: Source of acquisition--Barzun, Jacques. Method of acquisition--Gift; Date of acquisition--12/15/94. Accession number--M-94-12-15.
Columbia University Libraries, Rare Book and Manuscript Library
Cataloged Christina Hilton Fenn 04/04/89.
Printed misc Processed BRC 12/30/91.
Papers Processed HR 01/18/94.
Papers Processed HR 01/18/95.
Additions processed by HR-4/76, 1/80, 4/81, 1/94 and 1/95; by TS-6/82; by KD-7/87; by BRC-12/91, by JG 02/02.
2010-01-21 Legacy finding aid created from Pro Cite.
2019-05-20 EAD was imported spring 2019 as part of the ArchivesSpace Phase II migration.
Louis Hector Berlioz (1803 - 1869), French composer conductor and writer on music, was born at La Cote Saint Andre near Grenoble. As a boy he learnt the flute, guitar, and, from treatises alone, harmony. He never studied the piano, his first compositions were romances and small chamber pieces. In 1821 he left La Cote Saint Andre to study medicine in Paris - the career chosen for him by his father. However, after two years he abandoned medicine and devoted the rest of his life to the composition of music and writing on the subject. Berlioz was a major force in the development of musical form during the Romantic era. He established program music as the romantic musical form, and started the genre of the symphonic poem. Berlioz stands out for his innovative approach in almost all areas of composition. He played a decisive role in the development of program music and modern orchestration, emancipating the procedure of orchestration for generations of later composers. As a musical critic he admired above all Gluck and Beethoven, expressed doubt about Wagner, and fought endlessly against the second-rate. Among the most powerful influences on him were Shakespeare, whose plays were to inspire three major works, and the Shakespearean actress Harriet Smithson, whom he idolized, pursued and, after a bizarre courtship, eventually married in 1833. Beethoven's symphonies too made a strong impact along with Goethe's Faust and the works of the English Romantics such as Moore, Scott and Byron.
Original outgoing correspondence of Hector Berlioz, 1838 - 1870. Arranged alphabetically by recepient.
Box 1 Folder 1
Box 1 Folder 2
Box 1 Folder 3
Box 1 Folder 4
Box 1 Folder 5
Box 1 Folder 6
Box 1 Folder 7
Box 1 Folder 8
Box 1 Folder 9
Box 1 Folder 10
Box 1 Folder 11
Box 1 Folder 12
Box 1 Folder 13
Box 1 Folder 14
Box 1 Folder 15
Box 1 Folder 16
Box 1 Folder 17
[A portion has been cut out from p. 3]
Box 1 Folder 18
Box 1 Folder 19
Box 1 Folder 20
Box 1 Folder 21
Box 1 Folder 22
Box 1 Folder 23
Box 1 Folder 24
Box 1 Folder 25
Box 1 Folder 26
Box 1 Folder 27
Box 1 Folder 28
Box 1 Folder 29
Box 1 Folder 30
Box 1 Folder 31
Box 1 Folder 32
Box 1 Folder 33
Box 1 Folder 34
Box 1 Folder 35
Box 1 Folder 36
Box 1 Folder 37
Box 1 Folder 38
Box 1 Folder 39
Box 1 Folder 40
Box 1 Folder 41
Box 1 Folder 42
Box 1 Folder 43
Box 1 Folder 44
Box 1 Folder 45
Box 1 Folder 46
Box 1 Folder 47
Box 1 Folder 48
Box 1 Folder 49
Box 1 Folder 50
Box 1 Folder 51
Box 1 Folder 52
Box 1 Folder 53
Box 1 Folder 54
Box 1 Folder 55
Box 1 Folder 56
Box 1 Folder 57
Box 1 Folder 58
Box 1 Folder 59
Box 1 Folder 60
Box 1 Folder 61
Box 1 Folder 62
Box 1 Folder 63
Box 1 Folder 64
Box 1 Folder 65
Box 1 Folder 66
Box 1 Folder 67
Box 1 Folder 68
Box 1 Folder 69
Box 1 Folder 70
Box 1 Folder 71
Box 1 Folder 72
Box 1 Folder 73
Box 1 Folder 74
Box 1 Folder 75
Box 1 Folder 76
Box 1 Folder 77
Box 1 Folder 78
Box 1 Folder 79
Box 1 Folder 80
Original letters from the collection of Jacques Barzun. Most are to Henri-Martin Barzun or Tom S. Wotton, a Berlioz dealer and afficionado. Arranged alphabetically by sender.
Box 1 Folder 81
Box 1 Folder 82
Box 1 Folder 83
Box 1 Folder 84 - 85
Box 1 Folder 86
Box 1 Folder 87
Box 1 Folder 88
Box 1 Folder 89
Box 1 Folder 90
Box 1 Folder 91 - 92
[Copy of letter from Hans von Bulow missing]
Box 1 Folder 93
Box 1 Folder 94 - 96
Box 1 Folder 97 - 98
Box 1 Folder 99
[Photostat, Original in the Wannemacher Collection, Philidelphia]
Box 1 Folder 100 - 102
Box 1 Folder 103
Box 1 Folder 104
[Letters from the classicall music publisher ]
Box 1 Folder 105
[Illegible signature-- and stamp of Breitkof and Hartel]
Box 1 Folder 106
Box 1 Folder 107
Box 1 Folder 108 - 111
Box 1 Folder 112
Box 1 Folder 113
Box 1 Folder 114
Box 1 Folder 115
Box 1 Folder 116 - 117
Box 1 Folder 118 - 120
Box 1 Folder 121
Box 1 Folder 122
[Original in Sibley Musical Library, University of Rochester]
Box 1 Folder 123
Box 1 Folder 124
Box 1 Folder 125
Box 1 Folder 126
Box 1 Folder 127
Box 1 Folder 128
Box 1 Folder 129
Box 1 Folder 130
Box 2 Folder 1
Box 2 Folder 2
Box 2 Folder 3
[Original in Library of Congress]
Box 2 Folder 4
Box 2 Folder 5 - 6
Box 2 Folder 7
Box 2 Folder 8
Box 2 Folder 9
Box 2 Folder 10
Box 2 Folder 11
Box 2 Folder 12
Box 2 Folder 13
Box 2 Folder 14
Box 2 Folder 15
Box 2 Folder 16
Box 2 Folder 17
Box 2 Folder 18
Box 2 Folder 19
Box 2 Folder 20
Box 2 Folder 21
Box 2 Folder 22
Box 2 Folder 23
Box 2 Folder 24 - 25
Box 2 Folder 26
Box 2 Folder 27
Box 2 Folder 28 - 30
Box 2 Folder 31 - 32
Box 2 Folder 33
Box 2 Folder 34 - 37
Box 2 Folder 38
Box 2 Folder 39 - 40
Box 2 Folder 41
[original in the British Museum]
Box 2 Folder 42
[original in the British Museum]
Box 2 Folder 43
[with t.s. copy]
Box 2 Folder 44 - 46
[with t.s. copy]
Box 2 Folder 47
Box 2 Folder 48
Box 2 Folder 49
Box 2 Folder 50
Box 2 Folder 51 - 52
Box 2 Folder 53
Box 2 Folder 54
Box 2 Folder 55
Box 2 Folder 56
Box 2 Folder 57 - 59
Box 2 Folder 60
Box 2 Folder 61
Box 2 Folder 62
Box 2 Folder 63
Box 2 Folder 64
Box 2 Folder 65
Box 2 Folder 66
[original in the Library of Congress]
Box 2 Folder 67 - 69
Box 2 Folder 70
Box 2 Folder 71
Box 2 Folder 72
Box 2 Folder 73 - 76
Box 2 Folder 77
Box 2 Folder 78
Box 2 Folder 79
Box 2 Folder 80
Box 2 Folder 81
Box 2 Folder 82 - 83
Box 2 Folder 84
Box 2 Folder 85 - 86
Box 2 Folder 87 - 88
Box 2 Folder 89
Box 2 Folder 90
Box 2 Folder 91 - 92
Box 2 Folder 93
Box 2 Folder 94
Box 2 Folder 95 - 96
Box 2 Folder 97
Box 2 Folder 98
Box 2 Folder 99
Box 2 Folder 100 - 101
Box 2 Folder 102
[original in British Museum]
Box 2 Folder 103
Box 2 Folder 104
Box 2 Folder 105
Box 2 Folder 106
Box 2 Folder 107
Box 2 Folder 108
[Original in Bibliotheque de Grenoble]
Box 2 Folder 109
Box 2 Folder 110
Box 2 Folder 111
Box 2 Folder 112 - 113
Box 2 Folder 114 - 115
Box 2 Folder 116 - 120
Photostats and/or typescripts of autographed correspondence by Berlioz from various repositories - a part of the research materials assembled by Barzun. Arranged alphabetically by recepient.
Box 2 Folder 121 - 123
[Originals in: Harvard University Library; Sibley Musical Library, U. of Rochester]
Box 2 Folder 124
[Original in Sibley Musical Library, U. of Rochester. Signed by Berlioz and others.]
Box 2 Folder 125
[Originals in Cortot Collection]
Box 2 Folder 126
[Originals in Cortot Collection]
Box 2 Folder 127
Box 2 Folder 128
Box 2 Folder 129
[Original in British Museum]
Box 2 Folder 130
[Original in Theatre de la Monnaie, Brussels]
Box 2 Folder 131
Box 2 Folder 132
Box 2 Folder 133
[Original in NYPL]
Box 2 Folder 134
[Original in British Museum]
Box 2 Folder 135
[Original in Bibliotheque de Grenoble]
Box 2 Folder 136
[Original in British Museum]
Box 2 Folder 137
Box 3 Folder 1
[Original in LOC]
Box 3 Folder 2
Box 3 Folder 3 - 7
[Originals in Stanford University Libraries]
Box 3 Folder 8
[Original in Institue Suel de France]
Box 3 Folder 9
[Original in Stanford University Libraries]
Box 3 Folder 10
[Original in Cortot Collection]
Box 3 Folder 11 - 13
[Original in Wannemacher Collection, Philadelphia]
Box 3 Folder 14
[Original in British Museum]
Box 3 Folder 15
[Original in British Museum]
Box 3 Folder 16
[Original in Bibliotheque de Grenoble]
Box 3 Folder 17
Box 3 Folder 18
Box 3 Folder 19 - 20
Box 3 Folder 21
[From the Mina Curtiss Collection]
Box 3 Folder 22
[Original in Bibliotheque de Grenoble]
Box 3 Folder 23
[Original in Bibliotheque de Grenoble. Signed by Berlioz and other committee members]
Box 3 Folder 24
[Original in Sibley Musical Library, U. of Rochester]
Box 3 Folder 25
[Original in Sibley Musical Library, U. of Rochester]
Box 3 Folder 26
Box 3 Folder 27
[Original in NYPL]
Box 3 Folder 28
Box 3 Folder 29
[Original in Sibley Musical Library, U. of Rochester]
Box 3 Folder 30
[Original in collection of Martin Bernstein]
Box 3 Folder 31 - 32
[Original in Stanford University Libraries]
Box 3 Folder 33 - 34
[Originals in Bibliotheque du Conservatoire and Alfred C. Jerome Collection]
Box 3 Folder 35
[Original in Sibley Musical Library, U. of Rochester]
Box 3 Folder 36
Box 3 Folder 37
[Original in Clark Memorial Library, UCLA]
Box 3 Folder 38 - 39
[Original in Rosenthal Collection, Oxford]
Box 3 Folder 40
[Original in Cortot Collection]
Box 3 Folder 41
[Original in Carl Tollefson Collection]
Box 3 Folder 42
Box 3 Folder 43 - 44
[Original in Collection of Dr. V. Gurewich]
Box 3 Folder 45
[Original in Cortot Collection]
Box 3 Folder 46
[Original in NYPL]
Box 3 Folder 47
[Original in Boston Public Library]
Box 3 Folder 48
[Original in LOC. Signed by Berlioz and others]
Box 3 Folder 49
[Original in British Museum]
Box 3 Folder 50
[Original in Harvard University Library]
Box 3 Folder 51
[Original in Collection of Edwin Franko Goldman]
Box 3 Folder 52
Box 3 Folder 53 - 60
[Originals in Cortot Collection]
Box 3 Folder 61
[Original in Bibliotheque de Grenoble.]
Box 3 Folder 62
Box 3 Folder 63 - 64
[Originals in Sibley Musical Library, U. of Rochester]
Box 3 Folder 65
Box 3 Folder 66
[Original in Boston Public Library]
Box 3 Folder 67
[Original in Sibley Musical Library, U. of Rochester]
Box 3 Folder 68
[Originals in Cortot Collection]
Box 3 Folder 69
Box 3 Folder 70
[From: Flaubert, Salambo (ed. Conard), 504]
Box 3 Folder 71 - 72
[Originals in NYPL and Bibliotheque Nationale]
Box 3 Folder 73 - 74
Box 3 Folder 75
[Originals in Cortot Collection]
Box 3 Folder 76
[Originals in Stanford University Libraries]
Box 3 Folder 77
[Originals in Stanford University Libraries]
Box 3 Folder 78
Box 3 Folder 79 - 86
[Originals in Bibliotheque de Wolfenbuttel; in Sibley Musical Library, U. of Rochester; Walter O. Shneider Collection]
Box 3 Folder 87 - 88
[Original in Wannemacher Collection, Philadelphia]
Box 3 Folder 89
[From Maggs Brothers]
Box 3 Folder 90 - 96
Box 3 Folder 97 - 98
[Original in Mina Curtiss Collection]
Box 3 Folder 99 - 100
[Originals in British Museum]
Box 3 Folder 101
[Original in Charles Munch Collection]
Box 3 Folder 102 - 103
[Originals in Cortot Collection]
Box 3 Folder 104
Box 3 Folder 105 - 106
[Originals in Sylvia Wright Collection]
Box 3 Folder 107
[Original in Bibliotheque du Conservatoire]
Box 3 Folder 108
[Originals in Cortot Collection]
Box 3 Folder 109
[Original in Harvard University Library]
Box 3 Folder 110 - 112
[Originals in: Stanford University Libraries; Harvard University Library; Sibley Musical Library, U. of Rochester]
Box 3 Folder 113
Box 3 Folder 114 - 115
[Originals in: British Museum; R. F. Kallir Collection]
Box 3 Folder 116
[Original in Edward H. Wannemacher Collection, Philadelphia]
Box 3 Folder 117
[Original in Sibley Musical Library, U. of Rochester]
Box 3 Folder 118
Box 3 Folder 119
[Originals in Cortot Collection]
Box 3 Folder 120
[From: Revue Musicale, Aug. 15, 1903, 430.]
Box 3 Folder 121
[Original in Stanford University Libraries]
Box 3 Folder 122
[Original in British Museum]
Box 3 Folder 123
Box 3 Folder 124
Box 3 Folder 125
[Original in Sibley Musical Library, U. of Rochester]
Box 4 Folder 1
[Original in LOC]
Box 4 Folder 2 - 10
[Originals in Sibley Musical Library, U. of Rochester]
Box 4 Folder 11
Box 4 Folder 12
[Originals in Cortot Collection]
Box 4 Folder 13 - 14
[Originals in Bibliotheque de Grenoble; archives of Ministre de la Guerre]
Box 4 Folder 15
[Original in British Museum]
Box 4 Folder 16
[Originals in Cortot Collection. Includes reply.]
Box 4 Folder 17
[Originals in Cortot Collection]
Box 4 Folder 18
[Original in Collection of Andre Mayer, Paris]
Box 4 Folder 19
Box 4 Folder 20
[Originals in Sibley Musical Library, U. of Rochester]
Box 4 Folder 21
Box 4 Folder 22 - 27
[Originals in Sibley Musical Library, U. of Rochester]
Box 4 Folder 28
Box 4 Folder 29
Box 4 Folder 30
[Original in Harvard University Library]
Box 4 Folder 31 - 37
[Originals in Harvard University Library]
Box 4 Folder 38
[Originals in Sibley Musical Library, U. of Rochester]
Box 4 Folder 39
[Original in LOC]
Box 4 Folder 40
[Originals in Cortot Collection]
Box 4 Folder 41
[Originals in Sibley Musical Library, U. of Rochester]
Box 4 Folder 42
[Original in Bibliotheque de Grenoble]
Box 4 Folder 43 - 44
[Originals in R. F. Kallir Collection]
Box 4 Folder 45
[Originals in Cortot Collection]
Box 4 Folder 46
[Original in NYPL]
Box 4 Folder 47 - 50
[Originals in: British Museum; Stanford University Libraries]
Box 4 Folder 51
Box 4 Folder 52 - 53
[Originals in: Bibliotheque de Grenoble; Sibley Musical Library, U. of Rochester]
Box 4 Folder 54 - 57
[Originals in Richard Capell Collection]
Box 4 Folder 58
[Original in posession of Larry Simmons, Philadelphia]
Box 4 Folder 59
[Original in collection of Edwin F. Goldman]
Box 4 Folder 60 - 61
[Originals in: Stanford University Libraries; Edwin Franko Goldman Collection]
Box 4 Folder 62 - 63
[Originals in: Collection of Arnold Whitridge; NYPL]
Box 4 Folder 64
[Original in C. Hopkinson Collection]
Box 4 Folder 65
Box 4 Folder 66 - 67
Box 4 Folder 68 - 69
[Originals in: C. Hopkinson Collection; British Museum]
Box 4 Folder 70
Box 4 Folder 71
Box 4 Folder 72
[From: O. Fouque, Les revolutionnaires de la musique, 231]
Box 4 Folder 73 - 74
[Original in Steinway family]
Box 4 Folder 75
[Original in British Museum]
Box 4 Folder 76
Box 4 Folder 77
[Originals in Cortot Collection]
Box 4 Folder 78 - 81
[Originals in AA136]
Box 4 Folder 82
[Original in Archives Nationales, Paris]
Box 4 Folder 83
Box 4 Folder 84 - 86
[Original in Cortot Collection]
Box 4 Folder 87
[Originals in Cortot Collection]
Box 4 Folder 88
[Original in Bibliotheque de Grenoble]
Box 4 Folder 89
[Original in Harvard University Library]
Box 4 Folder 90
[From: Bayreuther Blatter, 1905, 285-6.]
Arranged alphabetically by title. Oversized materials stored in flat box (Box 48).
Box 4 Folder 91
Box 4 Folder 92
[Unpublished song, ms. notes on modal writing on verso]
Box 4 Folder 93
[Libretto in hand of copyist; corrections in hand of Berlioz]
Box 48 Folder 1
[Oversized material in flat box.]
Box 4 Folder 94
Box 48 Folder 2
[Oversized material in flat box.]
Box 48 Folder 3
[Oversized material in flat box.]
Box 4 Folder 95
[Unpublished song for two soprani with guitar accompaniment]
Box 4 Folder 96
[Notes of anticipated income and expenditures and agenda of projects for 1862]
Box 4 Folder 97
[Draft libretto of the Prologue to Act III]
Box 4 Folder 98
Box 4 Folder 99
[Symphonie avec chorus et solos de chant. Piano vocal score in the hand of a copyist, with autograph corrections by Berlioz]
Box 48 Folder 4
[Oversized material in flat box.]
Photostats and typescripts of Berlioz manuscripts in other collections and institutions.
Box 5 Folder 1
[Original in Bibliotheque de Grenoble]
Box 5 Folder 2
Box 5 Folder 3
[Original at Yale University Goetheana Collection]
Box 5 Folder 4
Box 5 Folder 5
[Original in Cortot Collection]
This series contains cataloged early (1880 - 1922) writings and images commemorating Berlioz from the collection of Jacques Barzu. Arranged alphabetically by author.
Box 5 Folder 6
Box 5 Folder 7
Box 5 Folder 8
Box 5 Folder 9
Box 5 Folder 10
Box 5 Folder 11
Box 5 Folder 12
Box 5 Folder 13
[copy made from original in British Museum. I`ncluded is a typescript critique of the piece intended for Jacques [Barzun] author unknown]
Box 5 Folder 14
[thought to be a cover design for a book]
Box 5 Folder 15
Arrranged chronologically.
Box 5 Folder 16
Box 5 Folder 17
Box 5 Folder 18
Box 5 Folder 19
Box 5 Folder 20
Box 5 Folder 21
Box 5 Folder 22
Box 5 Folder 23
Box 5 Folder 24 - 25
Box 5 Folder 26
Box 5 Folder 27
Box 5 Folder 28
Includes incoming and outgoing correspondence regarding Barzun's 1950 book Berlioz and the Romantic Century, the Berlioz Societies, performances, recordings, scholarship, archives and publications. Arranged chronologically.
Box 6 Folder 1
Box 6 Folder 2
Box 6 Folder 3
Box 6 Folder 4
Box 6 Folder 5
Box 6 Folder 6
Box 7 Folder 1
Box 7 Folder 2
Box 7 Folder 3
Box 7 Folder 4
Box 7 Folder 5
Box 7 Folder 6
Box 8 Folder 1
Box 8 Folder 2
Box 8 Folder 3
Box 8 Folder 4
Box 8 Folder 5
Box 9 Folder 1
Box 9 Folder 2
Box 9 Folder 3
Box 9 Folder 4
Box 9 Folder 5
Box 9 Folder 6
Box 9 Folder 7
Box 9 Folder 8
Box 9 Folder 9
Box 10 Folder 1
Box 10 Folder 2
Box 10 Folder 3
Box 10 Folder 4
Box 10 Folder 5
Box 10 Folder 6
Box 10 Folder 7
Box 10 Folder 8
Box 10 Folder 9
Box 11 Folder 1
Box 11 Folder 2
Box 11 Folder 3
Box 11 Folder 4
Correspondence, drafts, minutes of meetings, and printed materials relating to operations of Berlioz Societies in France, UK and US
Box 11 Folder 5
Box 11 Folder 6
Box 11 Folder 7
Box 12 Folder 1
Box 12 Folder 2
Box 12 Folder 3
Society founded in 1953, Exeter, NH. Jacques The material is a Gift of Mr. Gillespie, a Secretary-Treasurer of the society
Box 12 Folder 4 - 5
Box 12 Folder 6
Box 12 Folder 7 - 9
Society was founded in 1952. President - Jacques Barzun.
Box 13 Folder 1 - 2
Box 13 Folder 3
Box 13 Folder 4 - 6
Box 13 Folder 7
Series consists of handwritten and typed notes, notebooks, index cards, drafts of various works by Barzun, including spiral notebooks and proofs for Berlioz and Romantic Century
Box 14 Folder 1 - 3
Box 14 Folder 4 - 6
Box 14 Folder 7
Box 14 Folder 8
Box 15 Folder 1
Box 15 Folder 2
Box 15 Folder 3
Box 15 Folder 4
Box 15 Folder 5
Box 15 Folder 6
Box 15 Folder 7
Box 15 Folder 8
Box 16 Folder 1
Box 16 Folder 2
Box 16 Folder 3
Box 16 Folder 4
Box 16 Folder 5
Box 17 Folder 1 - 4
Box 17 Folder 5 - 6
Box 17 Folder 7
Box 18 Folder 1
Box 18 Folder 2
Box 18 Folder 3
Box 18 Folder 4 - 5
Box 19
Box 20
Box 21
[Box 21 also contains 2 Microfilms (See Microfilms series)]
Series consists of reference photostats of Berlioz manuscripts, typescripts of articles, proofs of dissertations related to Berlioz, and other research materials accumulated by Barzun for his works on Berlioz and music history.
Box 37 Folder 1 - 8
[Typescripts and printed materials, arranged in loose chronological order]
Box 38 Folder 1 - 3
Box 38 Folder 4 - 5
Box 39 Folder 1
[Proofs]
Box 39 Folder 2
Box 39 Folder 3
Box 39 Folder 4
Box 39 Folder 5
Box 39 Folder 6
Box 39 Folder 7
Box 39 Folder 8
Box 40 Folder 1
Box 40 Folder 2
Box 40 Folder 3
Box 40 Folder 4
[: Syllabi, Tests, guidelines, memoranda]
Box 40 Folder 5 - 6
[Alphabetical by composer]
Box 41 Folder 1 - 2
[Proofs]
Box 41 Folder 3 - 8
Box 46 Folder 2
Barzun collected flyers, pamphlets, programs, ads, catalogs, conference information, music education information, articles, and clippings--anything that pertained to Berlioz in particular and music in general. He considers the gathered material a history of criticism and taste. The assortment spans the 20th century. No complete runs.
Programs for specific institutions arranged alphabetically by institution, chronologically within institution.
Box 22 Folder 1
Box 22 Folder 2 - 4
Box 22 Folder 5 - 6
Box 22 Folder 7
Box 22 Folder 8
Box 23 Folder 1
Box 23 Folder 2
Box 23 Folder 3
Box 23 Folder 4
Box 23 Folder 5
Box 23 Folder 6
Box 23 Folder 7
Box 23 Folder 8
Box 23 Folder 9
Box 23 Folder 10
Box 24 Folder 1
Box 24 Folder 2
Programs for concerts, festivals and other events, by institution, date span 1917 - 1990
Box 24 Folder 3 - 5
Box 25 Folder 1 - 7
Box 26 Folder 1
Box 26 Folder 2
Box 26 Folder 3
Box 26 Folder 4
Box 26 Folder 5
Box 26 Folder 6
Box 26 Folder 7
[Supplements only, since 1937]
Box 27 Folder 1
Box 27 Folder 2
Box 27 Folder 3
Catalogs by institution, date span, approx. 1920 - 1990
Box 27 Folder 4 - 5
Box 28 Folder 1 - 7
First two folders arranged chronologically, the rest of the subseries arranged alphabetically.
Box 29 Folder 1
Box 29 Folder 2
Box 29 Folder 3
Box 29 Folder 4
Box 29 Folder 5 - 9
Box 30 Folder 1
Box 30 Folder 2
Box 30 Folder 3
Box 30 Folder 4
Box 30 Folder 5
Box 30 Folder 6 - 7
Box 31 Folder 1
Box 31 Folder 2
Box 31 Folder 3 - 4
Box 31 Folder 5
Box 31 Folder 6
Box 32 Folder 1
Box 32 Folder 2
Box 32 Folder 3
Box 32 Folder 4
Box 32 Folder 5
Box 32 Folder 6
Box 33 Folder 1
Box 33 Folder 2
Box 46 Folder 1
[Oversized, flat box]
Box 33 Folder 3
Box 33 Folder 4
Box 33 Folder 5
This subseries contains clippings from newspapers and magazines. It includes articles, reviews, performance and radio schedules. The first files are in loose chronological order followed by subject order.
Box 34 Folder 1 - 8
Box 35 Folder 1 - 4
Box 35 Folder 5
Box 35 Folder 6
Box 35 Folder 7
Box 35 Folder 8
Box 35 Folder 9
Box 36 Folder 1 - 2
[Alphabetically, by name]
Box 36 Folder 3
Box 36 Folder 4
Box 36 Folder 5
Box 36 Folder 6
Box 36 Folder 7
Box 36 Folder 8
Box 36 Folder 9
Box 42 Folder 1
Box 42 Folder 1
Box 42 Folder 1
Box 42 Folder 1
Box 42 Folder 1
Box 42
Box 42
Box 42
Box 42
Box 42
Box 42
Box 42
Box 42
Box 42
Box 42
Box 42
Box 43
Box 46
Box 44
Box 44
Box 44
Subseries contains photographs, original art, postcards, illustrations for Barzun's works on Berlioz, and ephemera relating to Berlioz and Barzun
Box 45
Box 45
Box 45
Box 45
Box 45
Box 46
Box 46 Folder 3
Box 46
Box 46
[From the files of Life]
Box 47 Folder 1
Box 47 Folder 2
Box 47 Folder 3
Box 47 Folder 4
Box 47 Folder 5
Box 47 Folder 6
Box 47 Folder 7
Box 47 Folder 8
Box 47 Folder 9
[Faded]
Box 47 Folder 10
Box 47 Folder 11
Box 47 Folder 12
Box 21
Box 21
[# 77-2334]
Box 49
[# 77-2334]
Box 49
Box 49
[Proof copy, corrections on margins]
Box 49
Box 49
Box 49
Box 49
[# 77-2334]
Box 49
[# 77-2334]
Box 49
Box 49
Box 48 Folder 1 - 4