This collection is located on-site.
This collection has no restrictions.
The Lucien Carr papers contain Carr's correspondence, primarily with Allen Ginsberg and Jack Kerouac, as well as clippings, book reviews, and articles relating to Ginsberg, Kerouac, Burroughs, and other Beat Generation figures.
This collection is arranged in two series.
You will need to make an appointment in advance to use this collection material in the Rare Book and Manuscript Library reading room. You can schedule an appointment once you've submitted your request through your Special Collections Research Account.
This collection is located on-site.
This collection has no restrictions.
Reproductions may be made for research purposes. The RBML maintains ownership of the physical material only. Copyright remains with the creator and his/her heirs. The responsibility to secure copyright permission rests with the patron.
Identification of specific item; Date (if known); Lucien Carr papers; Box and Folder; Rare Book and Manuscript Library, Columbia University Library.
Materials may have been added to the collection since this finding aid was prepared. Contact rbml@columbia.edu for more information.
Method of acquisition--Purchase; Date of acquisition--1977. Accession number--M-77.
Columbia University Libraries, Rare Book and Manuscript Library
Cataloged Christina Hilton Fenn 04/17/89.
Papers processed Henry Rowen 07/1977.
Papers reprocessed Carrie Hintz 08/2009.
2009-08-14 xml document instance created by Carrie Hintz
2019-05-20 EAD was imported spring 2019 as part of the ArchivesSpace Phase II migration.
Lucien Carr was born in New York City in 1925, but spent most of his childhood in St. Louis, Missouri. It was in St. Louis that he first met Washington University instructor David Kammerer and Kammerer's childhood friend William S. Burroughs.
After graduating from Andover Academy, Carr briefly enrolled in Bowdoin College, but soon transferred to the University of Chicago, where he stayed for two semesters until an apparent suicide attempt caused him to be briefly institutionalized. His mother, living in New York at the time, convinced Carr to transfer to Columbia University. At Columbia, Carr, a brilliant student, befriended his Columbia dormmate Allen Ginsberg and recent graduate, Jack Kerouac. He introduced Ginsberg and Kerouac to one another and to William Burroughs, who, along with Kammerer, had moved to New York in Carr's wake. The intelligent and charismatic Carr quickly became the ringleader of the group of friends-- introducing them to the sensualist poetry of Rimbaud and encouraging their exploration of Greenwich Village clubs.
This period of Carr's life ended abruptly when, after a night of drinking, Kammerer made increasingly persistent and aggressive sexual advances on Carr in Riverside Park. The situation became violent and resulted in Carr stabbing and killing Kammerer. He was convicted of manslaughter and served two years in prison for the crime.
Though Carr was instrumental in the bringing together the key players who would form the core of the Beat Generation, he later remained on the periphery of the movement. He valued his privacy, and asked that his name not be mentioned in press relating to the beats and even requesting that Allen Ginsberg remove his name from the dedication of "Howl." Though he moved out of the spotlight, he remained close with his college friends, supporting Kerouac and Ginsberg throughout their careers, including briefly allowing Kerouac to live with him and his wife while Kerouac worked on the manuscript for On the Road.
He married Francesca (Cessa) van Hartz and took a job at United Press International where he worked as an editor for the entirety of his 47-year career in the news business. He and Francesca had three children-- Simon, Ethan and the writer Caleb Carr before they divorced.
Carr died of complications of bone cancer in 2005.
The correspondence series contains letters, telegrams, and postcards sent to Carr from his friends Allen Ginsberg and Jack Kerouac. Some of these letters include fragments of works in progress, such as the Ginsberg letter that includes an early draft of the first section of "Howl: For Carl Solomon." Many of Kerouac's letters take the form of poems.
Box 1 Folder 1
Box 1 Folder 2
Box 1 Folder 3
Box 1 Folder 4
1957
Box 1 Folder 5
April 4, 1957
Box 1 Folder 6
October, 1957
Box 1 Folder 7
December 11, 1957
Box 1 Folder 8
May 30, 1958
Box 1 Folder 9
January 26, 1960
Box 1 Folder 10
April 6, 1960
Box 1 Folder 11
April 20, 1960
Box 1 Folder 12
January 17, 1965
Box 1 Folder 13
March 28, 1965
Box 1 Folder 14
January 28, 1966
Mapcase 14-E-7
February 14, 1966
Box 1 Folder 16
July 3, 1967
Box 1 Folder 17
October 1, 1967
Box 1 Folder 18
July 17, 1968
Box 1 Folder 19
July 19, 1968
Box 1 Folder 20
August 17, 1968
Box 1 Folder 21
November 4, 1969
Box 1 Folder 22
1970
Box 1 Folder 23
March 22, 1970
Box 1 Folder 24
October 13, 1970
Box 1 Folder 25
October 16, 1970
Box 1 Folder 26
November 21, 1970
Box 1 Folder 27
July 27, 1971
Box 1 Folder 28
August, 1971
Box 1 Folder 29
August 19, 1971
Box 1 Folder 30
September 16, 1971
Box 1 Folder 31
March 8, 1972
Box 1 Folder 32
March 17, 1972
Box 1 Folder 33
March 27, 1972
Box 1 Folder 34
May 24, 1972
Box 1 Folder 35
June 2, 1972
Box 1 Folder 36
June 12, 1972
Box 1 Folder 37
June 24, 1972
Box 1 Folder 38
August 10, 1973
Box 1 Folder 39
November 10, 1975
Box 1 Folder 40
Box 1 Folder 41
Undated
Box 1 Folder 42
February 24, 1956
Box 1 Folder 43
February 28, 1957
Box 1 Folder 44
March 12, 1957
Box 1 Folder 45
October 22, 1957
Box 1 Folder 46
November 20, 1957
Box 1 Folder 47
December 14, 1957
Box 1 Folder 48
January 16, 1958
Box 1 Folder 49
February 18, 1958
Box 1 Folder 50
August 14, 1958
Box 1 Folder 51
May 23, 1959
Box 1 Folder 52
October 12, 1959
Box 1 Folder 53
January 19, 1960
Box 1 Folder 54
May 17, 1961
Box 1 Folder 55
October 31, 1961
Box 1 Folder 56
December 27, 1961
Box 1 Folder 57
January 6, 1962
Box 1 Folder 58
March 15, 1962
Box 1 Folder 59
May 28, 1962
Box 1 Folder 60
June 7, 1962
Box 1 Folder 61
August 11, 1962
Box 1 Folder 62
June 2, 1965
Box 1 Folder 63
1967
Box 1 Folder 64
October 22, 1962
The printed Material and Ephemera series is comprised of clippings, articles, publications, and book reviews relating to members of the Beat Generation and their work. Also included are three small photographs, two of Allen Ginsberg and one of William Burroughs, and a typed copy of the Buddhist text The Diamond Sutra that was owned by Jack Kerouac.
Mapcase 14-E-7
Mapcase 14-E-7
Box 1 Folder 67
Box 1 Folder 68
Box 1 Folder 69
Box 1 Folder 69
Box 1 Folder 70